Working Drummer (Working Drummer)

NYC based drummer, educator, and product inventor, Pat Petrillo has been a leader in the drum industry for years. He has backed a wide array of artists from many genres, including Patti LaBelle, Gloria Gaynor, Glen Burtnik, Oz Noy, and numerous Broadway shows. His popular video lessons on Drumeo.com and numerous others have inspired millions of drummers over the years. He now leads his own group, the NYC Big Rhythm Band, which has just released a new record called The Power Station Sessions. Pat also has man product designs to his credit, including the very popular 21" K Custom Organic Ride, and the new Drumeo P4 Practice Pad. In this episode, Pat talks about The drumming styles and tones on the new record His earliest influences - Ringo and Jabo Studying with Peter Erskine at the Drummer's Collective His unusual audition for Patti LaBelle His experience on Broadway The evolution of the P4 practice pad

Originally from a small town in Kentucky, Caleb Crosby moved to Nashville to study music at the Belmont University. In a short amount of time, Caleb met a young Tyler Bryant, and they form what’s now known as Tyler Bryant and the Shakedown. The group has released an impressive one body of work since they began recording around 2011. There’re touring credits include opening and being direct support for groups like AC/DC, Guns N’ Roses, Jeff, Beck, ZZ Top, Aerosmith, and Lynyrd Skynyrd.  Caleb splits his time between the band, their new record label, freelance drumming and raising a young family.  Just recently, Caleb was the drummer with Dolly Parton during her halftime show at a Dallas NFL game. In this episode, Caleb talks about    Capturing the moment in the studio    The power of positive energy    Tyler Bryant and the Shakedown    Being in a band and freelancing    Playing with Dolly Parton    Building a record label    Creating parts in the studio    Family

Al Murray is a Co-Founder and Managing Director of the British Drum Company He is also one of the UK’s most recognizable comedians! In his guise as the Pub Landlord he has played drums with the likes of Phil Collins and Queen as well as touring the world appearing on TV and radio. Al has published books and is planning a movie, but his first love is drums. A keen and enthusiastic drummer, Al has played since he was a kid, and is currently active in the band 'Fat Cops'. Lastly, Al and historian James Holland discuss all matters Second World War with their immensely popular podcast, We Have Ways of Making You Talk. The podcast is a bi-weekly show exploring the war in close up and James and Al have a stunning knowledge of the subject. In this episode, Al talks about:    His podcast, “We Have Ways of Making You Talk”    His interest in the 2nd World War    The British Drum Company    The variety of snare drums that The British Drum Company offers    His full time gig as a touring comic act, the Pub Landlord    How the history of drum manufacturing is also the history of manufacturing

Desmond Davis the “BlackDrumHippie”, is a Dove Award, Stellar Award & Ascap Rhythm & Soul Award winning, Grammy nominated musician, producer and writer hailing from the west side of Chicago where he honed his skills in the Baptist church playing gospel music however; he is well-rounded with the ability to play various genres including but not limited to; rock, pop, country, hip-hop, jazz, R&B, reggae, funk, and blues . The BlackDrumHippie’s talent and tenacity has afforded him various endorsements and the opportunity to play a variety of tours, festivals, tv appearances and concert venues. With growing notoriety, Desmond has played for decorated artists such as: Donald Lawrence, Johnathan McReynolds, Sir the Baptist, Todd Dulaney, Byron Cage, Bri Babrieaux, Hunter Hayes, Mickey Guyton & many more. Desmond’s hard work and forward thinking has allowed BlackDrumHippie to transcend music as it has grown into a brand that provides customizable Levi denim jackets, t-shirts and other merchandise. In this episode, Dez talks about:    Moving to Nashville in 2019 with a gig with Hunter Hayes    Affordable home studio options for outboard gear    Growing up and performing in many churches in the west side of Chicago    Trusting in his faith to be a guide    His experience with songwriting yet staying focused on live performance and sessions    Promoting his brand

Nasheet Waits, drummer and music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits, who played with such legendary artists as Ella Fitzgerald, Stevie Wonder, Marvin Gaye, Sonny Rollins, Lee Morgan, Max Roach, Cecil Taylor, McCoy Tyner, and countless others. While attending Long Island University, Nasheet studied privately with renowned percussionist Michael Carvin. Carvin’s tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach and percussionist Fred King. It was Max that first gave Nasheet’s formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M’BOOM. One highlight of Nasheet’s tenure with M’BOOM was the live concert performance of M’BOOM with special guests Tony Williams and Ginger Baker.  Nasheet’s recording and performing discography is a veritable who’s who in Jazz. Waits has boasted stints with jazz notables Antonio Hart, Jackie McLean, Wadada Leo Smith, Dave Douglas, Mark Turner, Bunky Green, Kurt Rosenwinkel, Eddie Gomez, Steve Coleman, The New Jersey Symphony Orchestra, Greg Osby, Wallace Roney, Jacky Terrason, and The Mingus Big Band. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. In this episode, Nasheet talks about: Learning from Christian McBride's "played with everybody" experience, and high level consistency as a performer The early influence of his father, musically and culturally How friends and colleague of his father like like Michael Carvin and Max Roach stepped in to mentor him after his father died Lessons from Carvin His experience attending an HBCU in Atlanta

Nick Buda is the featured artist on the second Working Drummer podcast. Before moving to the United States, Nick grew up in South Africa. Nick tells about his move to the U.S. as a young teen and, what led him to a career playing drums. While Nick was in high school, he had a chance meeting with Vinnie Colaiuta, who advised him to attend Berkeley to study. His early career was spent touring extensively with a host of artists including Colonel Bruce Hampton. Later shifting his energies, Nick decided to become a full time session drummer. He talks about the transition and the lessons learned along the way, including recording with Taylor Swift and being true to yourself as a player. Click hereto see photos of Nick in action and more.

Joe Bergamini maintains a diverse career as a drumming performer and educator. Joe is constantly behind the kit for everything from prog rock to Broadway to his touring gig, The Doowop Project. He stays equally busy as the drum editor for Hudson Music, where he has overseen the creation and production of countless books and videos featuring many of the world's greatest drummers. He is also an author in his own right, having authored or coauthored over a dozen books. In this episode, Joe talks about: How to demonstrate that you "know the job" and instill trust in those you're working with What a drum editor does, and how he came to that job with Hudson Music His latest book, The Working Drummer's Chart Book Collaborating with Steve Gadd on Gaddiments His relationship with Neil Peart which began as a professional collaboration and evolved into a friendship

400! We’ve celebrated milestones in different ways over the years and this time around we wanted to make you the listener the special guest. Over the last few months we’ve been collecting messages from y’all about where you are in your drumming journey and where the podcast has fit into that. Matt and Zack also reflect on where they are in their drumming journeys (two very different places) and the role the podcast is playing for in that, professionally and personally. We want to thank everyone for calling and writing in, it’s been really rewarding to hear from old friends and new, some close to home, some halfway around the world about how what we do here is valued. And thanks also to everyone who has listened, donated, told a friend about us, followed us on social media, there have been so many ways y’all have supported us over the years and that support is the reason we’ve reached this milestone. Thank you.

Charles Ruggiero has been active since the early 90s, cutting his teeth on the New York jazz scene and landing his first big gig with Chuck Mangione. His New York cohort included such future giants as Joshua Redman, Peter Bernstein, Jane Monheit, Brad Mehldau, and Chris Potter, to name a few. In addition to his jazz exlpoits, Charles found a home on the metal scene as a member of Slunt, and replacing Matt Sorum in the supergroup Circus Diablo. He relocated to LA in 2007 and didn't miss a step, performing with Larry Goldings, Eric Reed, Bob Sheppard, Bob Reynolds, David Ryan Harris, and many others. He has released multiple albums as a leader and performed as sideman on countless others, and also records for Loop Loft. In this episode, Charles talks about: Playing double drums with Gadd as the intro to his first big gig with Chuck Mangione Trying to serve the music through his artistry What a drummer timekeeping responsibility actually is His perspective on New York and LA, having spent big chunks of his career in both places His various side hustles, including teaching, mixing/producing, and creating album art Trusting his creativity and artistic identity after getting sober

Andy Hull is a drummer and a seasoned veteran of the Nashville music scene. He has toured and recorded with many artists including Billy Dean, Ty Herndon, Jaimie O’Neal , Collin Raye, Lee greenwood and is currently on tour with country music super star Clint Black. In this episode, Andy talks about:     Dealing with last minute gigs and sessions     The psychology of working with others     Drumming for Clint Black     Relationship building in the session world     Be prepared to be uncomfortable on the gig or session    Home studio recording     Lessons and inspiration from his son

Drum History Podcast was created in October of 2018 and has been on a journey to document the history of the drums ever since. Topics range from the very early beginnings of man’s involvement with percussion up to modern day innovations that are changing the drum industry. The show has seen major growth since its launch and has become a resource for many drum historians and enthusiasts around the world. Bart van der Zee is a lifelong drummer with a deep passion for learning the full history of the drums. He has been a working musician for many years performing live and as a session drummer. Bart has worked as an audio engineer and has worked on a wide variety of projects including albums, commercials, TV and Film, and a number of podcasts. In this episode, Bart talks about:    Work / family balance    Drum History Podcast    Inspiring the next generation    The popularity of the “gear episodes”    WW2 era drum manufacturing    Meeting Charlie Watts    Creative ways to stay connected to the drumming community

For the last five years, Kevin Murphy's been the power house drummer for country singer Randy Houser. Before his current road gig, Kevin toured for 11 years with the band Tonic. Growing up in the Northern Virginia/DC area, Kevin's exposure to music, like hardcore and "Go Go," became an undeniable influence on Kevin's playing and has served him well for the more than two decades he's spent as a full-time professional drummer. Kevin plays an active role in the Nashville drumming community and constantly works at maintaining strong friendships among his peers. Most recently Kevin was one of the drummers mentioned in the August issue of Modern Drummer's feature on the "Nashville Drummer Jam" and their tribute to Neil Peart. It's easy to hear an air of confidence in Kevin's voice but you can also hear it in his playing. His YouTube channel is well stocked with live footage of Kevin's dynamic playing. Kevin has also taken on the role of producer and songwriter. Kevin's producing and songwriting skills can be heard on Josh Gracin's (former American Idol contestant) record "Redemption." Also, Kevin is a partner in a hot sauce called Mad Hatter Foods. Click here for pictures  

Joe McCarthy has led a diverse career as drummer/percussionist, bandleader, producer and educator in a myriad of settings from symphony orchestra to bebop, big band, afro cuban, theater and beyond. Joe is the founder, leader, producer and drummer of The New York Afro Bop Alliance Big Band, winner of the 2008 Latin Grammy for Latin Jazz Album of the Year, and nominated in the same category for the 51st Grammy Awards for the Heads-Up release “Afro Bop Alliance”, featuring Dave Samuels. Active in education, Joe has held adjunct appointments at the collegiate level since 1992 upon graduating from the University of North Texas with a Masters in Percussion Performance. Previous adjunct positions include Texas Wesleyan University, Delaware State University, Georgetown University, George Mason University and Washington College. As a clinician, Joe has been a featured performer and clinician at the Percussive Arts Society International Convention (PASIC), Jazz Educators Network International Convention (JEN), numerous PAS Days of Percussion, MusicFest Canada, The National Jazz Workshop, George Mason University Summer Jazz and Percussion Seminars, The Jazz n Youth Exchange of Germany, and many others. Joe has been featured at many of the nation’s top collegiate music institutions and festivals, in addition to numerous high school jazz festivals as a guest soloist, clinician and adjudicator. As an author, Joe is published by Alfred music with “Joe McCarthy’s Afro Cuban Big Band Play-Along Series”, featuring a book/CD play-along and Vol’s I & II DVD’s. Joe spent a twenty-year tour as Chief Petty Officer with The United States Naval Academy Band, where he served as principal percussionist with the wind ensemble and Chief in Charge/drummer of the Next Wave Jazz Ensemble- one of the Navy’s two premier big bands. In this episode, Joe talks about:    Living and working in Miami Florida    How he spends his practice time    Teaching in the 21st century    The value of learning multiple styles    His B.A.S.I.C. Training lesson program - Balance, Alignment, Substitution, Interdependence, and Control    Band leading the New York Afro Bop Alliance Big Band

Josh Bailey has been in New York for ten years, with a wide variety of live and session work to his credit. He is on staff at Studio G (Brooklyn based recording studio), recording drums and percussion for industry and independent artists & producers, and is currently subbing on Broadway's & Juliet and The Outsiders. He has acted as music director and drummer for artists building, arranging & operating live backing tracks, running IEM mixes and contracting musicians. Josh was seen drumming on Saturday Night Live in a digital short with Kyle Mooney and Beck Bennet (2019). As music director and drummer for pop singers Erin Bowman, Josh performed on Good Morning America, and Live! With Kelly and Ryan (2017). In this episode, Josh talks about The healthy vibe on the tour that comes from the top down Posting only what you feel good about on social media, "posting with purpose" MD'ing from the drum chair Learning how to streamline track rigs and ears rigs for "skeleton crew" opening acts His work at Studio G in Brooklyn The idea of a "drum statement" and how it can flavor the song, show, and band Studying with Dafnis Prieto and serving as final editor for his book "A World of Rhythmic Possibilities"

George Coleman Jr. was born into a musical family. As a drummer, producer, composer, filmmaker, and son of two musical jazz greats, saxophone legend George Coleman Sr. and organist, composer and vocalist, Gloria Coleman, he was seven when master drummer Max Roach gave him his first set of drums. George studied with master teachers including Sam Ulano, Michael Carvin and Billy Higgins. In 2019, George took on the role of film producer and released a documentary entitled “Another Kind of Soul: The Coleman Family Legacy”. The film chronicles his family’s personal and musical histories and includes concert footage as well as interviews with his family and other iconic jazz figures including Branford Marsalis. Another Kind of Soul is available on various streaming services including Amazon, iTunes, Google Play, and Tubi TV. He has also released a new record as a leader entitled Resurgence. In this episode, George talks about His dad's jazz legacy that began in Memphis The influence of his mother who was a bassist and organist Being surrounded by Latin music in his childhood neighborhood in the Upper West Side Making his album a culmination of all his mentors What he learned about music from his dad vs. his mom What he learned and continues to learn from Michael Carvin How music has served as a between him and his dad later in life

Frank Zummo is currently the drummer of the rock band SUM 41, EDM Artist Kayzo, and has recently begun releasing music and doing live performances under his own name. His schooling started with Dom Famularo and continued at the Drummer's Collective in Manhattan. In 2004, Zummo co-founded the award-winning drum ensemble Street Drum Corps, which became his biggest project to date, resulting in countless world tours, Vegas residencies and performances onstage with Linkin Park, 30 Seconds to Mars, Chris Cornell (Soundgarden); and has now expanded into a nationwide franchise with several theme park residencies. Other projects Zummo has in his pocket include: Motley Crue (filled in for Tommy Lee during a hand injury), Krewella, Gary Numan, Scott Weiland (Stone Temple Pilots' late singer), Julien-K, Dead By Sunrise, Orianthi, the Start, Dhani Harrison, and many more. In this episode, Frank talks about: What he learned from DJs about how to put on a live EDM show How drummers like Tommy Lee and Chad Smith inspired his approach to live shows What he does (and doesn't do) to manage the physical challenges of his playing style How Dom Famularo set him on a positive path Assembling and managing his business team

Joe LaBarbera has spent his life in jazz, first based in New York, then in LA, and has performed with Bill Evans, Tony Bennet, Chuck Mangione, and many more. He also spent 28 years on the faculty at Cal Arts teaching drumset, jazz small groups, and jazz history. His new book, Times Remembered, recounts his time with the Bill Evans Trio during the last two years of Evans' life. In this episode, Joe talks about: His motivation for writing a book about his time with Bill Evans The musical and personal dynamic he had with Bill during their time together Going from playing with Bill Evans, a very heavy jazz gig, to Tony Bennett, which he doesn't consider to be a jazz gig The overarching concept he drew from Bill - commitment How he viewed his role as a mentor to many different types of students during his 28 years at Cal Arts

Originally from Quesnel British Columbia, Dan Sia has just finished his 11th year as full time cruise ship drum set player and multi percussionist. What started as an audition over the phone 11 years ago, Dan's work on the Royal Caribbean Cruise Lines has tested his skills at adapting to almost every style of music imaginable. This includes drumming for musicals like Mama Mia, Chicago: The Musical and Hairspay as well as big band and combo playing. Not only is sight reading a must while backing up guest artists on the ships, Dan must be able to cover all the styles mentioned as well as Latin and pop styles. Most recently Dan was the featured drummer in a show called Sonic Odyssey with a 20 minute drum solo. Since our interview, Dan has moved back home to Las Vegas with the hope to put his many skills to the test in the Vegas strip. Click here for pictures. This interview was conducted on April 23rd 2015

Originally from the Bay Area, Martin Diller spent over a decade on the LA scene, touring, recording and playing locally with a wide range of acts including Post Modern Jukebox and his own quartet. Over the pandemic, he went back to school and became a licensed therapist, and returned to the Bay Area where he still maintains an active performance schedule alongside his therapy practice. In this episode, Martin talks about: The 7-day-a-week grind of freelancing in LA Playing with Post-Modern Jukebox and other LA artists How his career shift coincided with a desire to relocate back home to the Bay Area How he incorporates music and drumming into his therapy practice Developing intentional ways of maintaining mental health and balance as a musician, especially on the road

Before moving to Nashville in 1991, Steve Ebe spent his formative years in Memphis working with such legends as Carl Perkins and Donald "Duck" Dunn. Now, Steve is known throughout the Nashville music community as one of the busiest drummers in town. Whether it's teaching close to 50 students a week, or working with several bands who's primary focus is paying tribute to classic albums by performing them in their entirety, (The Long Players). Steve has carved a niche for himself that is truly unique. He still finds the time to work with other local bands as well, including a Steely Dan tribute called 12 Against Natureand an 80's party band with a strong reputation called Guilty Pleasures. For a little over 15 years, Steve has also been a member of a dedicated original band called Human Radio. This interview was conducted April 1st 2015. Click here for pictures.

Fred Eltringham has had arguably some of the coolest gigs you could have throughout the years he's been playing. While touring with RCA artists Gigolo Aunts from the mid to late 90's, Fred established many working and personal relationships with the bands they were sharing the stage with. This included The Wallflowers which eventually became Fred's gig for eight years after leaving the Gigolo Aunts. While on a break from The Wallflowers, Fred was recommended for the Dixie Chicks gig where more Nashville connections were made. After multiple moves between LA and New York, Fred moved his young family to Nashville in 2006 where he has become steadily busier as a live drummer working with Sheryl Crow as well as an in demand session drummer recording with strong talent such as Kasey Musgraves, Allison Moorer, KD Lang as well as producer T Bone Burnett. Click here for pictures. This interview was recorded April 6th 2015.

Mike Malone is a performer and educator based out of Oshkosh, Wisconsin. He attended University of Wisconsin - Eau Claire to study classical and jazz percussion. In 2013 Mike was invited to join The Glenn Miller Orchestra's national tour. After returning to UWEC to finish his degree in 2014, Mike began touring with groups including jazz vocalist, Ray Brown Jr, and vocal jazz group, Five By Design. As a recording musician Mike can be heard on dozens of albums as both a supporting musician and leader. His diverse skillset has allowed him to be featured musically across numerous styles and settings, and led him to be named "Drummer Of The Year" by the Wisconsin Area Music Industry (WAMI) Awards in 2021.  Mike currently maintains a regular performing schedule and manages a private teaching studio with students of all ages and experience levels. Mike is a performing artist for Bosphorus Cymbals. In this episode, Mike talks about Why he decided to make his home and career in Oshkosh How church gigs taught him to convey respect as a performer, which he takes into all performances Touring with the Glenn Miller Orchestra, and the challenge of playing true old school big band style with no bebop How tech has changed how we prepare for gigs, for better or for worse The genesis and scope of his youtube channel Being able to anticipate what content might be popular, i.e. manufacturing a viral video Tech tips to improve the audio and video quality of your online presence

Yamil Conga is a percussionist and drummer with over 20 years of experience playing a vast array of musical genres in live venues, music videos and in the studio. A native of Puerto Rico and a current resident of Nashville, Yamil has benefitted from a vast array of musical influences. Salsa runs in Yamil’s blood due to his father, singer songwriter, Eladio Jimenez, who wrote and produced for several Latin giants. Knowing that music has no boundaries, Yamil’s mission is to make people fall in love with the art of live performance and foster a new generation of percussionists. Yamil tours nationally and internationally bringing educational lectures on the conga drum and salsa music. He is currently the percussionist and DJ for Country artist Frank Ray. Yamil rounds out his calendar performing with corporate bands as well as performing as a soloist as a drumming DJ.   In this episode, Yamil talks about:    Diversifying your "portfolio”    Being proactive with your daily activities    The evolution of the drumming/DJ thing    Playing with artist Frank Ray    Lecturing on the origin of the conga in American music    The influence of his father’s legacy    Percussion advice for drum set players

Aaron Serfaty was born in Caracas, Venezuela. He began playing drum set at the age of fifteen and started to play professionally at seventeen. He did extensive work as a session and touring drummer from 1980 until 1991 with local and international artists. In 1991 he moved to Los Angeles to study Jazz and African American studies at the California Institute of the Arts. Aaron has also taken lessons with Peter Erskine, Joe LaBarbera, Jeff Hamilton, Jerry Steinholz, and Juan Oliva. Since his move to the US he has played with artists like Arturo Sandoval, Sergio Mendes, Jon Anderson, Oscar Hernandez, Otmaro Ruiz, Denise Donatelli, Kristin Korb, Kathleen Grace, Bill Cunliffe, Shelly Berg, and Alan Pasqua among many others. He has taught at Los Angeles College of Music (1997-2014), at The California Institute of the Arts (2000-2014) and is currently on faculty at the University of Southern California (1997-present) where he conducts the Latin Jazz Ensemble, teaches drum set, and a Latin Percussion class. In this episode, Aaron talks about: Growing up in Caracas and the many types of music he was exposed to through his dad's business His experience studying jazz at Cal Arts, and privately with Peter Erskine Bringing your "accent" to every musical conversation you have His teaching philosophy His tuning approach

Paul Eckberg has drummed for Owsley, Danielle Bradbery, Jana Kramer, Amy Grant, Jars of Clay, Whitney Duncan, Andrew Peterson, and many other Nashville-based artists. He spends most of his time recording in Nashville. In this episode, Paul talks about:    Growing up in Minneapolis MN    The realities of the music business    Human interaction, not “networking”    Skills to being a great sideman    Having a strong count-off game    Life decisions being informed by his faith

Dave Elitch first gained notoriety touring with the American progressive rock band The Mars Volta in 2009-2010. Since then he has lent his talents to Miley Cyrus, Justin Timberlake, M83, The 1975, Juliette Lewis, Big Black Delta, and many others. An established LA session player, Dave has performed on various records, syncs, and film scores for major motion pictures, including “Trolls" and “Logan." He also conducts masterclass lectures worldwide and keeps a busy private teaching practice in Los Angeles. Dave has developed a reputation as the technique/body mechanic specialist and has helped many of the industry's top players and educators expand their vocabulary, overcome physical/mental barriers and get out of their own way. In this episode, Dave talks about: What's new in the latest additions to his online course What The Alexander Technique is and how he has incorporated it into his approach How the physical and the psychological can work with each other or against each other How to be mindful without being obsessive How diet plays into how your body works, both in the immediate and over time

Dave has been teaching privately for over 20 years and has developed a reputation as the technique/body mechanic specialist for drum set. He has helped many of the world's best players as well as top educators "get out of their own way" by being as efficient as possible in regards to conservation of motion and energy. He has toured and/or recorded with Weezer, Miley Cyrus, Justin Timberlake, The Mars Volta, and many others. The importance and benefits of a full-body warm-up How to literally cool down after playing What “mobility” means from a fitness and drumming perspective Why compartmentalization is usually bad thing, in fitness and music The importance of strength training in addition to body work Creative development alongside physical development His take on the role of rudiments in modern drumming

Kris Myers began playing drums for progressive-rock band Umphrey’s McGee in 2003. Since then, the band has released eleven albums and maintains a rigorous touring schedule of over 100 live shows per year. Umphrey’s has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks Amphitheater, The Ryman Theatre, The Beacon Theatre and more. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. Myers has played with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local Chicago musician Mark Colby. In 2001 Myers enrolled in DePaul University where he earned his Master’s Degree in Jazz Drumming. Myers works as a studio musician in the Nashville for various projects. He continues to play with musicians such as Mike Keneally, Bill Evans, Jeff Coffin, and Billy Strings on a variety of projects in both the Nashville and Los Angeles area. In this episode, Kris talks about: Getting started around Chicago's network of educators, drum shops, and universities Umphrey's McGee's early jam/funk influences (Galactic, MMW, Lettuce, Bela Fleck etc.) His drumming influences - bringing an adventurous and active drumming presence to Umphrey's Finding a "give and take" band dynamic - giving a band what they need but being allowed to explore and be you Projects outside of Umprhey's he's been involved with along the way Moving from Chicago to LA in 2014, and ultimately settling in Nashville How where you live and whether it suits your personality/priorities is as important as any musical aspect of your life What he sees in the present and future of Nashville

Willy Rodriguez is a Latin GRAMMY-winning drummer, percussionist and bandleader. He was born in Ponce, Puerto Rico and began playing drums at age thirteen. He received his musical start playing throughout Puerto Rico in rock and pop bands. When Willy was twenty-one he started working as the Musical Director and drummer for Latin American Idol’s touring group. Following his experience at Idol, he was awarded a scholarship to attend Berklee College of Music in 2007. His reputation as a skilled musician spread quickly in the Boston area and he began playing extensively with musicians such as Jason Palmer and Andre Heyward. At Berklee, Willy studied with a host of famed teachers such as Terri-Lyne Carrington, Yoron Israel, Ralph Peterson and Greg Osby. In 2014, Willy graduated from New England Conservatory with a Master’s degree in Jazz Drum Performance. At NEC, he studied with Billy Hart, Cecil McBee, Miguel Zenon, Jerry Bergonzi and Bob Moses, among others. He has performed alongside some of the premier musicians in jazz and Latin jazz including Jason Palmer, Papo Vasquez and Dave Liebman, with whom he has recorded and played with extensively. In addition to his work in jazz, he has performed and/or recorded with an extensive list of genre-spanning artists including Omar Rodriguez-Lopez, Mon Laferte, Domino Saints, and more. In 2019, he won a Latin GRAMMY for his work on Mon Laferte's 'Norma'. Willy recorded the self-titled seventh album by The Mars Volta, released in 2022 after a ten-year hiatus.  In this episode, Willy talks about How he got into The Mars Volta's circle, and how his style fit the more intimate feel of the new record Wanting to make his own name as an artist, as opposed to becoming known as "so-and-so's drummer" His experience as an older student at Berklee Understanding the American pocket and shedding his "Puerto-Rican-ness" in pursuit of it How he got into jazz through metal and math rock

For over 15 years Jim Riley has been the drummer for the hugely successful country group Rascal Flatts. After earning a degree in music education from North Texas, Jim found his way to Nashville in pursuit of higher musical goals. In pursuit of these goals, Jim shares with us his story of determination and perseverance. After establishing his drumming skills among his peers in Nashville, Jim quickly found himself with his first artist gig working with Mark Chestnut. As the group Rascal Flatts was beginning to take shape, Jim was asked to be the drummer. In spite of the newness of the group and its ground breaking pop style, Jim saw it as great opportunity and a risk worth taking. Within the first two years, Jim found himself in the position of musical director for Rascal Flatts and continues to maintain that position in the group. Jim discusses his role as "MD" and how it's responsibilities has evolved over years as the band's success has grown. Jim is also a dedicated educator. Sharing real world performance experiences with his students is at the core of Jim's teaching style. Jim is preparing to release his comprehensive book, Survival Guide For The Modern Drummer. Jim has also participated in many clinics across the country both large and small that have included Drum Daze in Columbus Ohio and Modern Drummer fest. Jim has defined success based on his own terms. He has found balance between performing with a successful band, teaching, writing music and writing about music as well as raising a family. See photos here.

Brady L. Blade, Jr. is one of the most in-demand session drummers in the world, and has played on several critically acclaimed albums, including records by Solomon Burke, Daniel Lanois, Emmylou Harris, Dave Matthews, Buddy Miller, Indigo Girls, Steve Earle, and Shawn Amos. He is also an accomplished producer and composer. He enjoys working with new talent, developing their songwriting and, ultimately, producing and recording alongside them. He has had a number of major successes, particularly in Australia and New Zealand, where his work has topped their national charts, producing the debut records of Brooke Fraser (7x Platinum in New Zealand), Annabel Fay, and Annah Mac. Brady can be heard on over 70 records to date. Brady’s brother is jazz drummer Brian Blade. Brady currently plays with Bayou Punks, Rev. Shawn Amos and the Brotherhood and Indigo Girls In this episode, Brady talks about:    Being the “Floating Artist” on the Americana cruise Cayamo    Why he lives in Stockholm, Sweden    Preparing to tour with The Indigo Girls    Working with Emmylou Harris    Utilizing technology to survive in the industry in the 21st century    Growing up with a musical and supportive family    Producing, writing, and staying productive

Chad Wackerman’s professional career began in 1978 with the Bill Watrous Refuge West Big Band. Since then he has amassed a remarkable body of work including a seven year association with Frank Zappa, with whom he toured the USA and Europe and recorded 27 albums including the London Symphony recordings. He has also recorded 8 albums and toured with guitar legend Allan Holdsworth, played on the ‘One Voice’ album and video with Barbra Streisand, and recorded albums and toured with artists as diverse as James Taylor, Steve Vai, Andy Summers, Steven Wilson, Men At Work, Ed Mann, Albert Lee, Colin Hay, Dweezil Zappa, Pasqua/Holdsworth/Haslip/Wackerman Group, Terry Bozzio, Carl Verheyen, David Garfield,John Patitucci, Jennifer Batten, Joe Sample, Robbie Kreiger, Banned From Utopia and The World Drummers Ensemble (Bill Bruford, Luis Conte, Dou Dou Ndiaye Rose and Chad Wackerman) . As a band leader and composer Chad has five critically acclaimed CDs: ‘Forty Reasons’, ‘The View’, ‘Scream’, ‘Legs Eleven’ and his latest release, ‘Dreams Nightmares and Improvisations’. Chad has written music for the television show ‘The Dennis Miller Show’, as well as composing music for Allan Holdsworth’s ‘Secrets’, ‘Wardenclyffe Tower’ and ‘Sixteen Men of Tain’ CDs. His trio has a performance DVD, ‘Hits Live’. In this episode, Chad talks about:    Working with Allan Holdsworth    The amazing story behind recording Allan’s record “Road Games”    “Improvising at the highest level sounds like composition”    Interpreting charts efficiently    Auditioning for Frank Zappa    How to make a band sound better    Learning from Murray Spivack    Figuring out what’s important for each gig and artist Here's our Patreon Here's our Youtube Here's our Homepage

Dre Energy is a native of St. Louis MO, and was inspired a very early age by friends and family at his church to play drums. When the opportunity struck, he found his way to Las Vegas and began performing with Cirque du Soleil’s Quidam show where he held the drum chair from 2010 to 2016. During that time he learned so much about the industry and toured the world. Dre discovered an affinity for performing as a clinician which took them to many places around the world, including China, South Korea, England, and many other places Dre is also known as an entrepreneur with his own line of snare drums, practice pads and even drums shoes. He works closely with Samsun cymbals and he has his own signature line called Dre Energy signature remix line. In this episode, Dre talks about:    Finding your people    The power of relationships    The variety of scenes in Las Vegas    Playing the Cirque du Soleil’s Quidam show    Touring China and other other unique locations    Developing his own signature line of snares, shoes, cymbals

Danny Pachall has been active on the Atlanta scene for nearly 20 years with gigs ranging from the most precise metal to the most experimental improvisation. He toured with "blues surrealist" Col. Bruce Hampton and was part of the long-standing jam session hosted by bassist Kevin Scott. He has also toured and recorded with metal guitar heavyweight Emil Werstler, Zappa alum Ike Willis, tribute outfit Georgia Players Guild, and many others. He is currently in the house band for "Metalsome Mondays," a live band metal karaoke show, and most recently he was tapped to perform live and record for a new side project by Mastadon's Brent Hinds. In this episode, Danny talks about His view of the current metal landscape His "Jim Keltner" approach to Brent Hinds' project Recording and touring with Emil Werstler's metal project "Verlorener" The influence of bassist Kevin Scott, and the role Kevin's experimental jam session on the Atlanta creative scene Playing with Col. Bruce Hampton Being capable of the precision of metal and the freeness of experimental music, sometimes simultaneously Getting over imposter syndrome - being a jack of all trades vs. needing a musical home

Dan Ainspan is the co-host of the podcast Nashville Drummers Podcast with colleague Nathan Sletner. The podcast gives a voice to Nashville’s next generation of players — the up-and-coming drummers that you may haven’t heard of yet. Dan is also currently the Jr. Marketing Manager, Band & Orchestra Products for Pearl Corporation, based in Nashville, TN. A Slingerlands, NY native, Dan attended the State University of New York College at Oneonta where he received a B.A. in Music Industry with Double Minors in Percussion Performance and Audio Production. At Oneonta, Dan studied percussion with Dr. Julie Licata and drum set with The Mars Volta drummer Blake Fleming. After graduating in 2015, Dan relocated to Indianapolis, IN to pursue an internship with the Percussive Arts Society before his eventual move to Nashville, TN. In this episode, Dan talks about:    His job at Pearl drums    Dan’s journey from college to NY to Indianapolis to Nashville    Interning at PAS    Studying with original The Mars Volta drummer Blake Fleming    Leaning into his digital and social media skills    Hosting the Nashville Drummers podcast w/Nathan Sletner The value of a personal website in 2023

Larry Florman is a drummer, percussionist, vocalist, and front man for the Nashville-based band Them Vibes. Also known as Brother Love, he fronted numerous bands in New York before relocating to Nashville. Them Vibes has put out numerous singles and EPs since 2013, and became the opener and backing band for Maggie Rose, with whom they co-wrote and toured. Larry is also married to Nashville drummer Sarah Tomek. In this episode, Larry Talks about: Joining forces and later parting ways with Maggie Rose How his musical life came to encompass drumset, percussion, and vocals Learning traditional African and Latin percussion in New York with Babatunde Olatunji and other masters Traditional Afro-Cuban conga playing vs. the American soul tradition How he and Sarah interact musically

Kent Aberle is a first call drummer from Atlanta, GA. Kent is currently performing with Blackberry Smoke. He has previously recorded and toured with Kristian Bush of Sugarland , James Hall (Pleasure Club, Marry My Hope), R.A.H. and numerous other artists. Kent has over 25 years touring experience both in the US and Internationally including China, Japan, Australia, Taiwan, Canada, and others. Kent has performed on The Conan O’Brien Show, The Today Show with Kathy Lee and Hoda, The Talk, and has performed numerous times at the Grand Ole Opry as well as the Ryman Auditorium in Nashville and major festivals around the world. In this episode, Kent talks about: The old school guitar-driven American rock band that it Blackberry Smoke Having long-standing relationships with the band and its individual members Teching and subbing for Brit Turner after Brit got sick The idea of someone's drumming matching their personality Being welcomed into the band by members and fans alike Investing heavily and committing exclusively to one gig Here's our Patreon Here's our Youtube Here's our Homepage

Mona Tavakoli is a Los Angeles-based drummer, singer and performer bets known for recording and touring with Jason Mraz. While Mona is equally comfortable performing as a drummer and a percussionist, she is especially known for adapting the cajón to unexpected genres such as rock and pop. Mona and Mraz have been collaborating for nearly a decade. She toured worldwide on Mraz’s 2012 album, Love is a Four Letter Word, and they performed together as a duo on programs such as The Today Show, The David Letterman Show, Ellen, Dancing with the Stars, and Late Night With Jimmy Fallon. She is a co-founder and co-director of the Rock n’ Roll Camp For Girls Los Angeles, a nonprofit that encourages girls to find their voices through music during an intensive, weeklong summer day camp. Mona also promotes music education by hosting rhythm workshops at elementary schools and colleges around the country. Mona has been featured in DRUM!, Tom Tom Magazine, judged and hosted the Hit Like A Girl drum contest and awards show and is the recipient of the 2016 She Rocks awards “Inspire Award” for her work with the Rock n’ Roll Camp for Girls. In this episode, Mona talks about: The new album she recently tracked with Jason and Raining Jane Her hybrid setup and her history with the Cajon Her unlikely combination of influences from Neil Peart to Jay Belerose Her background in economics and how that informs her music career Her #1 piece of financial advice for musicians Her role with the Rock n' Roll Camp for Girls

    Jim Brock has proven to be an innovator in the world of drums and percussion. Within his forty five year career he has appeared on literally hundreds of recordings with artists such as Joe Walsh, Joan Baez, Kathy Mattea, Joe Cocker, Janis Ian, River Phoenix, and James McMurtry. With five solo recordings and a DVD entitled The Nature Of Drumming, Jim Has traveled the world extensively with performances on The Tonight Show, A Prairie Home Companion, Good Morning America, MTV, and multiple appearances on The View, just to name a few. Among these include a concert at the White House for President Clinton in 2000. In 2007, Jim was asked to compose the music for the documentary "The Spirit of Sacajawea". For this work he is the recipient of the prestigious Telly award, and was nominated for an Emmy award in the category of Composer/Arranger. In this episode, Jim talks about:    Learning to develop his own voice with percussion    When and when not to use traditional patterns and feels    Recording with Joe Walsh    Recording in the pre-digital era    Living and working in Charlotte NC    The recording scene in Charlotte    The rhythm of life itself    Recording with Steve Gadd, Alex Acuna, Mel Lewis and others

At the Fine Tune Clinic, Dr. Charlie Kautz and Dr. Shayan Ghaffari are a licensed Chiropractors providing state-of-the-art techniques that directly treat specific muscles to relieve pain symptoms and improve range of motion. After years of observing and working with musicians, they provide a unique combination of advanced myofascial and Chiropractic techniques to address underlying causes of repetitive stress injurys. In this episode, Dr. Charlie Kautz & Dr. Shayan Ghaffari talk about:    Parallels between athletes and musicians    Matt’s personal work with Dr. Shayan    Dr. Charlie meeting John Densmore, drummer for the Doors    Active Release Technique (ART)    Problems with “drummers posture”    Using education to solve physical issues    Things that we do that sabotages our health and mobility    How supplements optimize recovery

Drummer and Nashville native, Jerry Pentecost has played with John Prine, Brent Cobb, Amanda Shires, Caitlin Rose, Aaron Lee Tasjan, and many others. In 2018 he became only the second drummer ever nominated for the Americana Music Association’s Instrumentalist of the Year award. Since around 2019, Jerry has been the drummer for the Grammy award winning group, Old crow Medicine Show. In this episode, Jerry talks about:    Loyalty over pay when juggling multiple gigs    Playing the Medallion Ceremony at the Country Music Hall of Fame honoring Eddy Bayers    Drumming for Old Crow Medicine Show    Covering many roles with OCMS including playing mandolin, bones and singing    Recording the latest OCMS record, Paint This Town    Two op-eds he wrote for the Tennessean focusing on Black History    Dealing with systemic racism    Traditional country drumming and serving the song

Jay Bellerose is a Los Angeles-based touring and studio veteran with an approach and aesthetic all his own. His passion for all things old and gritty has resulted in a personality behind the drums that has become sought after by artists and producers including Robert Plant & Allison Krauss, T-Bone Burnett, Bonnie Raitt, Ray LeMontagne, In this episode, Jay talks about: The Slingerland "Rolling Bomber" set he plays on the Plant/Krauss tour, and how the sound is captured Having to find and fight for his aesthetic amidst the LA scene How singers move, and how drummers can recognize and respond to that How the Plant/Krauss project is separate and distinct from Robert or Allison's individual history or work Playing in Molly Miller's trio with his wife, Jennifer Condos on bass The deceptive challenge of simple instrumental music Keeping his schedule intentionally sparse when he's home in LA

Sam Merrick has been in the drum chair for the touring production of Hamilton since January 2018. Prior to that, he was a busy freelancer in New York, working a bartending job for some of that time, and playing a wide range of gigs from weddings to Sharon Jones & The Dap Kings. When the pandemic shut down Hamilton, he relocated to the Washington, DC area and set up a home studio where he has done remote tracking and a sample pack which he has just released through The Drum Broker. In this episode, Sam talks about The random wedding gig that led to the Hamilton gig The various learning curves the show presented, from reading to energy How the show forced him to reckon with some physical issues Creating "normal" life away from home "De-Hamilton-izing" his playing over the break, and seeking out inspiration and motivation from others rather than waiting it for to come from within The sample pack partnership between drummer, producer (Jeremy Page) and platform (Drum Broker)

Many people know Steve Bowman as a founding member and original drummer for the band Counting Crows. Born and raised in Oakland California, Steve had the good fortune of growing up in a town with a history of successful bands like The Counting Crows. Steve established a reputation as a solid musician with his original and creative drumming on the band's 1993 debut album August And Everything After. In Late 1994, Steve left the band and went on to play with artists like Third Eye Blind, John Wesley Harding, and Penelope Houston. While on a trip to Nashville in 2006 to record with the band The Bittersweets, Steve discovered the charm of the music city and moved his family in 2007. Since that time, Steve stayed busy live and in the studio with artists like Big Kenny and many other songwriters. The devastating Nashville flood in 2010 and the damage it did to Steve's property forced him to make many changes in his life. What started as a dark period has turned into an opportunity for Steve rediscover and reinvent many aspects of his life including how he makes music. Click here for pictures.  

Adam Box is the touring and recording drummer with the country duo, Brothers Osborne. Adam grew up in Mississippi where with the support of family, friends and his church community, helped to develop the skills he needed to be a world class musician and drummer. This community and environment lead to Adam meeting legendary bass player Chris Ethridge, member of the Flying Burrito Brothers. Chris became a mentor to Adam and was an important figure in the early days of Adam’s career.  Shortly after Adam moved to Nashville, his talents we’re quickly realized and this lead to him joining the group Brothers Osborne. He has also played on recordings by Chase Bryant, Lucie Silvas, Sonlite Band, Jeremy Lesley, Kristy Lee Cook and many others. Adam also produces and records out of his home studio, Gilded Palace. In this episode, Adam talks about:    Useful application in his home studio    Humble beginnings in Nashville    Adam’s snare tone(s)    Geeking out on studio tech    An inspiring in-ear mix for live performance    Working with Producer Jay Joyce    Experiencing a performance on the Grammys

Lee Kelley has learned to adapt his drumming style to fit whatever gig has come his way. Lee's range of gigs have included backing up many artists in Nashville including Gary Allan, Mark Chestnut, Heidi Newfield as well as alt-country singer Chris Knight. Originally from the Charlotte North Carolina area, Lee learned drumming from his neighbor at an early age and continued his informal education working with and learning from popular local bands such as Sugar Creek and Too Much Sylvia. Encouraged by Eddie Bayers to move, Lee hit the streets of Nashville in 1996. After embracing the drumming style of classic country music, Lee quickly found himself working with country artist Gary Allan. Lee talks about the many artist gigs that followed and how he has continued to stay busy in the Nashville music scene. This interview was recorded February 3rd 2015. See photos here.

Larry Aberman has achieved in-demand status in New York, LA, Las Vegas, and Nashville recently moved to Nashville after a 12 year stint on the Cirque du Soleil show Zoomanity. Since moving, he has gotten busy playing with jazz, country, and everything in between, with Mandy Barnett, Pat Coil and others. In this episode, Larry talks about: How the time to leave his Zoomanity gig after 12 years became clear quickly What social context means in music Tools to make yourself present How Southern musicians and scenes are more groove and blues based Being conscious to not bring negative energy into a musical situation Adjusting to Nashville's needs in terms of tuning and groove Getting it right at the source with tone AND feel, so that grid correction is less necessary and less noticeable

Zack was recently in Nashville for a gig, so he and Matt took the opportunity to sit down and chop it up. In this episode, Matt and Zack talk about: What "burying the click" really means and how it fits into the greater goal of sounding and feeling good The phenomenon and business model of the social media drummer An interaction we had with a listener regarding our interview style What's coming up with The Drum Click Network from discounts to a Nashville Drum Camp

Tim Baltes is a drum-centric American music professional living in Nantes, France. Tim has accrued years of social strategy, copywriting, product development, and MI retail operations experience bolstering manufacturers, distributors, and retailers alike. Tim has advised drummers including Curt Bisquera (Johnny Hallyday, Mick Jagger, Elton John, Tom Petty), Michael Urbano (Sheryl Crow, Smash Mouth, Third Eye Blind), and Nic Collins (Phil Collins, Genesis), educating them on audio engineering, audio/video editing techniques, and content marketing strategies. In this episode Tim talks about:     ◦    Adjusting to living and working in France     ◦    Creating real friendships thru social media connections     ◦    The differences between IG and YouTube     ◦    Being authentic on social media     ◦    His drumless loops - Sloux     ◦    Streamlining content creation Here's our Patreon Here's our Youtube Here's our Homepage

Gregg Lohman has been the touring drummer for Kellie Pickler for the last eight years. At the time of our interview, Gregg had just returned from one of Kellie's many USO tours and was preparing for the Neil Peart tribute show with the Nashville Drummers Jam. Gregg's talents keep him very busy in the ever changing music scene of Nashville. Throughout his life, Gregg has had many positive role models that have given him the tools he's needed to navigate through all that life has thrown at him. After surviving a horrific car crash in 2013 the drumming community in Nashville and beyond rallied around Gregg and showed unparalleled support during his time of recovery. Gregg's podcast interview was recorded December 16th, 2014. See photos here.

Best known for her work with Lenny Kravitz and her husband, Carlos Santana, Cindy's career has spanned over 30 years and involved many other artists from Pharoah Sanders to Joss Stone to Buckethead. In this episode, Cindy talks about: The Vegas residency serving as a "laboratory" How she and Carlos navigate being spouses and bandmates How Tony played the function of the drums first and foremost A drummer’s physical and spiritual connection to their sound How being promoted because of your gender can be just as toxic as being held back

Ra Kalam Bob Moses spent his youth growing up in New York City and living in the same building as Art Blakey, Max Roach, Abbey Lincoln, Elvin Jones, Rahsaan Roland Kirk. This early experience had a profound effect on this young musician. Ra Kalam would go on to work with jazz luminaries such as Gary Burton, Pat Metheny, Steve Swallow, Jack DeJohnette, Tisziji Muñoz and many others.  He was also a member of the group The Free Spirits in the 1960’s, considered one of the first Jazz rock bands ever.  Many were introduced to Ra Kalam’s drumming by way of Pat Metheny‘s very first solo record Bright Size Life in 1976 with Jaco Pastorius on bass.  Ra Kalam is also a composer and leader on many recorded projects, going back decades. In this episode, Ra Kalam talks about:    His thoughts on the documentary being made about him    Growing up in the same building as Art Blakey, Max Roach, Abbey Lincoln, Elvin Jones, Rahsaan Roland Kirk in New York    Getting beyond your tendencies and patterns    His relationship with teacher and musical collaborator, Tisziji Muñoz    The origin of his name “Ra Kalam”    Reconciling his own legacy    Upcoming recordings

Born in Chicago, Chris was playing drums at age three and began performing his first professional gigs at eleven. At nineteen, Parker began recording and touring with blues great Paul Butterfield and then broke into the New York studio scene in 1970,doing records, movie scores and filling the drum chair at Saturday Night Live. Toph, as friends know him, recorded platinum, gold and Grammy winning albums and CDs with many artists, including, Bob Dylan, Cher, Natalie Cole, Donald Fagen, Ashford and Simpson, Aretha Franklin, Freddie Hubbard, James Brown, Stuff, Miles Davis, Patti LaBelle, Michael Bolton, Lionel Hampton, Billie Holiday, Tony Bennett, and Quincy Jones who has written liner notes for the latest cd, ”Blue Print.” Currently leading his own band, the Chris Parker Trio with Kyoko Oyobe, piano and Ameen Saleem, bass, Parker has just recorded “Blue Print,” a new cd dedicated to Arif Mardin and produced by Arif’s son, Joe. This new work features Randy Brecker on three tracks as well as Parker’s original compositions. In this episode, Chris talks about New York scene in the 70s, when he was getting serious about music His 50 year association with bassist Will Lee His work with Stuff, and playing double drums in the band with Steve Gadd Seeing numerous drum legends over and over at New York clubs, and receiving mentorship from them in different ways How an impromptu rehearsal/jam with Bob Dylan unknowingly served as an audition Adapting to the many different ways Dylan wanted to interpret songs in the moment How his passion for drawing and painting has informed his musical approach

Tommy Harden has been in Nashville since the early 90's. The first gig he landed was 4 months after moving to town with the Grammy award winning Larry Gatlin and the Gatlin Brothers. He then went on to tour with Ricky Skaggs, playing drums in the coveted Kentucky Thunder band as well as touring with Reba McEntire for 14 years. Tommy has played on The Tonight Show with Johnny Carson, The Tonight Show with Jay Leno, David Letterman, The Today Show, Good Morning America, Oprah, The View, Regis and Kelly, and many others. He has performed at the White House, the Kennedy Center, and the Capitol for the 4th of July, and has played in every state in the nation, in arenas and amphitheaters all over the country. Since getting off the road full time in the mid 90’s, Tommy pursued studio work, where he became a top call, ‘A' list studio drummer. He played on hundreds of recordings for artists such as Alan Jackson, Reba McEntire, Big and Rich, Waylon Jennings, Jessica Simpson, and has been on number one hits for Justin Moore, Dustin Lynch, and James Otto. Since 1997, he has played on an estimated 5,000-7,000 sessions. Tommy was featured playing drums in the movie ‘Muscle Shoals', playing for Rick Hall and Candi Staton. He fronts his own band, Lost Hollow with his wife Lorrie. He currently tours with the legendary country band Alabama. Tommy has a studio at his house called Tommy's Dungeon, where he does drum tracks for clients all over the world, produces, and writes songs.  In this episode, Tommy talks about:    His home studio and the build of his drum room    Recording and performing hacks    His duo: Lost Hollow    Playing for the song    A look behind the scenes when recording couple #1 hits    Changes in the industry that lead to his work with Reba McEntire    Touring with Alabama

Italian Drummer, Sound Explorer, music maker Piero Perelli is a musical maverick whose skills stretch from free improvisation to film scores, to performances with international artists and musicians, both live and in the studio. His original style is grounded in his journey as a musical explorer, touring around places like the United States, Europe, Africa and India. Engaged both in the service of songs and in experimentation, Perelli maintains the creative center of his activity in the Tuscan countryside, where he has also created his own personal laboratory-studio, the SoundSet Studio. As a drummer and percussionist, Piero has recorded with artists like Eddie Vedder, Glen Hansard, Cat Power as well as producers like Robin Hannibal (Kendrick Lamar, Little Dragon), Vinicio Capossela, Paul Savoy (A-Ha) Simone Giuliani (Andrea Bocelli, Royal Philharmonic Orchestra), Rodrigo DʼErasmo, Edoardo Bennato, Roberto Dell’Era, Niki La Rosa, Effenberg, Andrea Biagioni and many others, Piero has also recorded a library of their specific sounds and grooves and loops for the American That Sound made available to producers from all over the world. He has recently been touring with Glen Hansard and The Swell Season as well as the well respected Italian singer/songwriter Vinicio Capossela. His first solo album, Notte is a piece of work where Piero expresses his most intimate and experimental soul. In this episode, Piero talks about:    Working and touring with The Swell Season and Glen Hansard    His journey of learning music and drums in a small town in Italy    Absorbing regional music throughout the world while touring    Recording his solo record “Notte”    Reacting to the acoustics in the space where you’re performing    Recording on a movie sound track with Eddie Vedder, Cat Power and Glen Hansard    Italian drummers that have inspired him    The influence of Tony Allen (father of afro-beat drumming)

Bobby Jarzombek is currently the drummer for progressive metal band Fates Warning, vocalist Sebastian Bach, and country music legend George Strait. He has also recorded and toured extensively with the Halford band, featuring legendary Judas Priest vocalist Rob Halford as well as the long-running New York City metal institution Riot. Bobby made his recording debut with Juggernaut on "Baptism Under Fire" in 1986. Other touring and recording credits include his work with Spastic Ink, CED Earth, Demons & Wizards, Rob Rock and John West among others. In this episode, Bobby talks about:    Early interests that shaped his drumming    Tracking from home for different projects    Getting the gig with George Strait    Adapting to changes in live performances

Sam Merrick is a Nashville based drummer, currently holding the drum set chair at & Juliet on Broadway at the Sondheim Theater in New York City. Previously, he spent nearly five years and played over 1200 performances with the national tour of Hamilton: An American Musical. He has also recorded and/or performed with Sharon Jones and the Dap Kings, Toots and the Maytals, Jalen Ngonda, Saun & Starr (Daptone Records), The Denver Symphony, People's Champs, Kendra Morris (Colemine Records), and many more. Commercial clients include HBO, Levi Strauss, Chase, AT&T, and This American Life Podcast Network. In this episode, Sam talks about: Balancing maintaining a Broadway chair with other musical opportunities Relearning how to trust his instincts outside the highly controlled environment of a Broadway show Moving from the note-for-note specificity of Hamilton to the longer leash of & Juliet Working with producer Max Martin Maintaining a "healthy ecosystem" of subs

Daru Jones is known for his work with Jack White as well as his list of collaborators that include, Bootsy Collins, Kanye West, Pete Rock, Gloria Gaynor, Slum Village, Jamie Lidell, Talib Kweli, Dwight Yoakam, Nas, Pee Wee Ellis, Lorenzo Jovanotti, Queen Latifah, Black Milk, Salaam Remi, Pharoahe Monch, Rance Allen, Black Violin, Ski Beatz & The Sensei’s, and Jon B just to name a few. Throughout the course of his career, Jones has received rave reviews from Rolling Stone Magazine, LA Weekly, Esquire.com, Fuse.tv, the Los Angeles Times, and USA Today (among countless others). He has also appeared on several national and international television programs: The David Letterman Show, Jools Holland (UK), The Colbert Report, Saturday Night Live, and on the iconic MTV. In this episode, Daru talks about:    His new PDP signature kit    Navigating the music scene as an introvert    How his faith has guided his life choices    How to stay grounded when touring    The power to inspire    Moving to Nashville and finding his musical family    New book: Daru Jones play the breaks - Live from Layman Deluxe edition

Allison Miller is a New York-based drummer, bandleader, educator, and producer. She studied with Michael Carvin and Lenny White and went on to play with Dr. Lonnie Smith, Ani DiFanco, Brandi Carlisle, and many others. She's active as an educator in many capacities including at The New School in New York, and her new album, Rivers In Our Veins is out now. In this episode, Allison talks about: Getting started with big bands in DC, and studying classical percussion in college The role that traditional bepop vocabulary plays in developing a modern jazz drumming voice The importance of experiencing jazz in a live setting Her new record and raising awareness about the role and health of America's rivers How her jazz credentials and experience led to pop opportunities Playing with Dr. Lonnie Smith

Joel Rothman is the renowned author of almost 100 drum and percussion method books, many of which are among the most popular books used by teachers in private music studios as well as schools and universities worldwide. Born in Brooklyn, New York, Joel studied drums and percussion, as well as piano, with well-known teachers such as Sam Ulano, Ed Shaughnessey, Jim Chapin, Joe Morello, Saul Goodman, and others. He first opened his own private drum studio, then later, after graduating from university, he taught in the New York City school system for many years. During that time Joel was a free-lance drummer playing with various bands and orchestras at private functions, nightclubs and musical shows. Writing his first book at fifteen, Joel also established his own highly successful publishing company JR Publications, which has been going for over half a century. In this episode, Joel talks about:    The inspiration for writing drum books    Using humor when writing    Joel’s System(s) for teachers to use    How he started    Studying with Ed Shaughnessy    Connecting with teachers Here's our Patreon Here's our Youtube Here's our Homepage

At age sixteen, Michael Bland won the "twin cities' best drummer" contest and was the beginning of a rewarding career. With his recognition as a prodigy, Michael was actively sought by many local acts. At seventeen, Hiram Bullock snagged him up, and took him to Pittsburgh and New York to do some one-nighters. That same year, he joined Dr. Mambo's Combo, a house band at Bunker's Music Bar and Grill, a local club where many Minneapolis musicians cut their teeth. Bunker's is where Prince first spotted Michael, Michael joined prince in 1989 and he toured, recorded, and performed with the new power generation for the next seven years. In 1996, immediately after his tenure with Prince, Michael went on tour with Paul Westerberg, which led to tours and recordings with other national acts, such as Chaka Khan, Maxwell, Dionne Farris, George Benson, Phil Upchurch, Howard Hewitt, and many others. Since 2005, Michael has been a member of the band Soul Asylum. In this episode, Michael talks about:    The demands of working for Prince    How he got the gig with Prince     The podcast, MUSIPOLITIX he ran during the pandemic    Drumming for Soul Asylum    The power of mentorship    Stories of working for Chaka Khann, Madonna

Drummer Jim White is an active performer and educator. His first musical experiences took place in his hometown of Atlanta, Georgia, where he studied percussion with Paul Yancinch, Mike Cebulski, Sonny Emory, and Jeff Sipe. He holds a Master of Arts degree in Jazz Studies/Composition from Middle Tennessee State University, and a Bachelor of Music degree from the University of North Texas.  While a student at the University of North Texas, White performed with the renowned “One O’clock Lab Band” for three years. In 1992, Maynard Ferguson recruited White for his “Big Bop Nouveau” band with which he toured internationally. White is featured on Ferguson’s recording, Footpath Cafe. In 1995, White moved to Nashville, Tennessee where he remains active as a performer and studio musician. His versatility and unique sound have been r featured on many jazz, pop, and country recordings. White’s performance and recording credits feature a diverse array of artists including J.D. Souther, Alison Krauss and Union Station, Crystal Gayle, Jerry Douglas, Curtis Stigers, Charlie Peacock, Jack Pearson, Pam Tillis, Lorrie Morgan, and Willie Nelson. In addition, he has performed with many top jazz artists including Dick Oatts, Terell Stafford, Joey Defrancesco, Pat Bianchi, Greg Gisbert, Jim Ferguson, Chris Potter, Annie Sellick, the North German Radio (N.D.R.) Big Band, and many others.  As an educator, White has performed clinics at universities and jazz festivals throughout the country. In 2005, he joined the faculty at the University of Northern Colorado, where he currently serves as Professor of Music, Jazz Studies. He directs UNC’s Lab II Big Band, supervises the jazz combo program, teaches jazz history, as well as applied drum set students. He currently co-leads the Colorado Jazz Orchestra, a big band featuring many of the finest jazz musicians in the Northern Colorado area.  In this episode, Jim talks about: Bringing his personality and style to Nashville The importance of mentorship  Being diagnosed with cancer in 2015 and over coming it  How his fight with cancer changed his perspective on life Life experiences that inspires our music

Originally from Garland Texas, Chris Brush moved to Nashville in the fall of 1999 after college to play drums professionally. Over time, session opportunities ignited a passion in Chris as he began to work toward getting off the road full time, and move into the studio scene. Along the way Chris discovered that engineering, mixing, and music production were as exciting to him as drumming. He put the effort into learning about the world of acoustics, microphones, pre-amps, compressors, equalizers, DAWs, mixing, engineering, etc. He began mixing his own projects that turned into mixing and recording other artists — all the while playing drums live, in his home studio, and at studios around Nashville. In 2014 Chris and a partner, opened PlethoraTone studios. After eight years at PlethoraTone, Chris moved into a studio he designed and built. On any given day, Chris is either out and about Nashville playing on sessions or working out of his own place recording, producing, or mixing. In this episode, Chris talks about: Drumming, Mixing and Producing and how these skills feed each other Accepting the role of entrepreneur Building the ultimate home studio How to communicate with an artist effectively Providing flexible pricing options when tracking remotely Discovering what it is you’re passionate about Socials: https://www.patreon.com/c/workingdrummer https://www.instagram.com/workingdrummerpodcast/ https://www.workingdrummer.net

In this episode, Craig talks about Knowing and owning your preparation process/method How being good at reading can prevent you from listening in-depth, and how reading well doesn’t automatically mean you have good time, good feel, or good ears Approaching recording with a producer’s ears, thinking about not just the nuts and bolts of the drums, but the whole sound of the whole record Why he moved to Portland in 2017, and being careful about entering the scene in his new home Allowing yourself to take a break from the hustle when you have a consistent gig The option to build your career around your chosen community rather than a geographic community

Professional drummer Brice Williams is our third podcast interview. Brice is currently touring and recording with Mark Wills. Brice has gained an amazing amount of experience in the relatively short time he's been in Nashville. From an early age he showed great promise as a drummer while playing in his fathers band. In college, Brice studied with one of his biggest influences, Chester Thompson at Belmont University in Nashville. His professional life was was propelled forward through his experience performing and recording with Lady Antebellum early in their career. Learn how Brice embraced those experiences and how they fueled his progress as a drummer, teacher and musician. See photos here.

Craig McIntyre has had a long tenure as the drummer for the Goo Goo Dolls and has also performed with Josh Groban, Vertical Horizon, Idina Menzel, Deana Carter, Seal, and many others along the way. After building a very LA-centric career, Craig now lives in Portland Oregon.  In this episode, Craig talks about: The combination of festival and theatre work that comprises the Goo Goo Dolls’ yearly schedule The challenge of being present in the music with your fellow musicians, and how different situations can make it difficult in different ways How to exit a gig in a way that leaves future possibilities open, and not take personnel changes personally How the gig you’re doing can be a status symbol or platform, apart from whatever the actual music is  The musical cross-pollination that happened among the various members of Josh Groban’s band The counterintuitive aspects of what the Groban gig required of the drummer 

In 2013, Dan Shinder started Drum Talk TV, an online experience that has brought drummers, musicians, and music lovers together. Drum Talk TV is an online show showcasing insightful interviews in the world of drumming. These unique interviews from all over the drumming world feature all genres and cultures. They talk with live and session masters, legends, educators, hidden gems, prodigies, drum heroes, fitness experts, techs, producers, manufacturers, and more. Drum Talk TV also provides a series called "Perspectives" where they talk with other musicians ABOUT the drummers they work with. In this episode, Dan talks about:       The challenges of content creating    Building a support team    The origins of Drum Talk TV    "Hidden Gems” - Showcasing relatively unknown players    Dan’s interview style    Producing documentaries    Upcoming “Brilliance” platform

Russ Lawton has spent most of his career in and around New England from Cape Cod to Boston to Burlington Vermont. For almost 25 years, he has been the drummer for the Trey Anastasio Band. He also has an organ trio project called Lamp that is about to release their second record and tour in support of it, and has played with countless other bands and artists from blues to Afro beat. In this episode, Russ talks about His early career, moving through Cape Cod, Boston, and Woodstock NY Infusing afrobeat into his mating early on   Being a lifelong “band guy” Playing with Trey Anastasio, and Trey building songs around Russ’s grooves  The LaMP project and their “no chops” approach

Jamey Haddad's career as a drummer and percussionist has spanned five decades, countless genres, and multiple continents. For over 25 years, he’s had a close relationship with Paul Simon, playing alongside Steve Gadd on multiple records and live projects. He has appeared on over 170 recordings and has played with a wide range of artists from Joe Lovano to Yo Yo Ma, and his career as an educator has found him at Berklee, New England Conservatory, Oberlin Conservatory, and the Cleveland Institute of Music. In this episode, Jamey talks about: Playing with Paul Simon, and Paul’s constant desire to rehearse and adjust how his music is presented Recording the album You’re The One and collaborating with Steve Gadd to create the rhythmic and textural foundations for those songs Committing to representing the traditions he studied in the pop world  How a given style can be treated as both an academic subject or a folkloric tradition “Every generation needs its music.” How to make people you’re playing with know you’re listening to them Socials: https://www.patreon.com/c/workingdrummer https://www.instagram.com/workingdrummerpodcast/ https://www.workingdrummer.net

Stephen Bidwell was born in Washington, DC and grew up in nearby Reston, Virginia. Since being first handed drumsticks in the late 80s he has studied and lived in West Virginia, Pittsburgh, New Orleans, and New York but has called Austin, Texas home since 2005. Somewhere in those travels he earned a Bachelors degree in classical percussion and a master’s degree in jazz studies. Since early 2018 he has been the drummer for the Grammy nominated Black Pumas, a psychedelic soul group known for incendiary live shows. When not on tour with Black Pumas, Stephen plays in several diverse projects (Hard Proof, The Calm Blue Sea, Azmaris, the Mood Illusion), works in any genre you can think of as a sideman, and teaches lessons at his home studio in Austin. In this episode, Stephen talks about: How Johnny Vidacovich trained him to rely on instinct, not charts The sustaining gigs he did during his first few years in Austin How a prior ongoing relationship with Austin guitarist, producer, and Black Pumas founder Adrien Quesada led to getting the drum chair Still working a day job during the first 1-2 years of Black Pumas activity Chasing gigs vs. chasing the dream The grooves and tones on The Black Pumas record

Caleb Whitlock grew up in Charlotte and has been based there for two years after having attended the University of North Carolina at Chapel Hill. He tours nationally with singer/songwriter Ethan Regan, plays locally with a variety of acts, records in his home studio, and also works as a post-production engineer. Making part of his living doing post-production and editing, and how that differs from mixing How doing post production on acapalla vocal music has influenced how he hears and records drums Neutralizing his room acoustically rather than try to make it sound amazing The Charlotte scene and how he returned to it after college, a couple years of work in "The Triangle" (Raleigh/Durham Chapel Hill), and a few months in a Catholic monastary. Being clear-eyed about finances, how much different types of work earn, and saying yes and no to gigs according to your lifestyle goals Here's our Patreon Here's our Youtube Here's our Homepage

Brandon Draper has enjoyed a celebrated career as drummer, percussionist, producer, multi-instrumentalist and educator. He has been based in Kansas City for the last 15 years where he has led and played in an eclectic mix of projects from jazz to Turkish to electronic music, and runs the acclaimed children's interactive music program Drum Safari with his wife of 14 years Teryn. His extensive resume also includes performances with both the New Mexico and Santa Fe Symphony Orchestras and the Kansas City Symphony, Ottmar Liebert, DJ Logic, Donna Summer, Mose Allison, Steve Coleman, Dick Oatts, Bobby Watson, and Kevin Hays, and Particle. Draper was musical director and live drummer for Quixotic Fusion 2007-2012. He continues to write, consult and occasionally perform with the KC-based cirque group. Draper is on music faculty at the University of Kansas where he teaches jazz drums, world percussion, steel band and is the director of Music Enterprise certificate combining music business and entrepreneurship. In this episode, Brandon talks about: His entrance onto the Kansas City scene after grad school Drum Safari, a touring music education program for kids, which is becoming the family business His philosophy as an educator, and the drumset and music business/entrepreneurship programs he heads up at The University of Kansas Playing with his father, a B3 organist, from an early age How some tough love from Kevin Hays helped him find a more authentic voice How his place on the Kansas City scene has changed along with his identity and interests over the years 

Brian Steever is a drummer on a mission to inject joy into every musical situation that he finds himself. One of the most in-demand drummers on the Kansas City scene, the drums have been his passion since he was born. He began his studies with Loyd Warden in Columbia Missouri and is an alumnus of UMKC where he studied with Doug Auwarter, Brandon Draper, Curtis Lundy, Michael Carvin and Bobby Watson. Brian enjoys many performance opportunities in the Kansas City area and beyond. He can be seen around town with Mike Metheny, Matt Otto, Bob Bowman, Jeff Harshbarger, and Hermon Mehari. Brian has also had opportunity to play with musicians from all over the world including Ben Allison, Javon Jackson, Deborah Brown, Bob Sheppard, Tony Tixier, Shunzo Ohno, and Sam Newsome among others. In this episode, Brian talks about: Having the three strong influences of a mentor, a peer, and a community all before he left high school How the Kansas City jazz scene is supportive of everyone's unique voice His experience at University of Missouri-Kansas City The influence of Matt Wilson - being effortless and intentional Exploring sounds and ideas vs. practicing drums The never-ending matched vs. traditional conundrum 

Dennis Holt is one of Nashville's most gifted musicians, whose drumming abilities cross nearly every genre from Americana to Country to Rock, Jazz, Ambient and R & B. Seasoned global performer, Dennis’ diversity has proven itself in recording with Taylor Swift, AD/Kansas, Emmylou Harris, Trisha Yearwood, and Deniece Williams to name but a few. Dennis, a first call drummer for top tier artists while living and working in both LA and Nashville, has played and toured the globe and literally performed and recorded on thousands of songs. When it comes to production, Dennis’ knowledge and experience from years in the studio will help you achieve the best results possible. Dennis leads with soul and always strives for perfection. He is an innovator as he looks for new ways to push creative boundaries.  Music,drumming and producing is Dennis’ driving force as he brings a wealth of experience and unparalleled enthusiasm and energy to each and every project. In this episode, Dennis talk about: Remote tracking His formative years Staying active Surviving a bad bicycle accident Negotiating the work load when remote tracking The importance of maintaining your gear Recording and performing with Kerry Livgren from the band Kansas Being able to read anyones chart style

Dave Brandwein is a drummer, originally from Chicago, who spent 4 years in Los Angeles, CA and has now relocated to Nashville, TN. Dave's current main gig is with pop artist Forest Blakk (drums/playback) with whom he played a 2022 theater run supporting Dean Lewis, various fly dates/festivals throughout the same year, and headlining US/Canadian tours in 2023. Dave has also spent the last 12 years playing drums, running playback, and doing session work for various other artists. Dave teaches private lessons to students of all ages, and does session work, tracking remotely from his studio in Nashville or in-person at studios around the country. How playing for great songs usually means you can do less Coming up in Chicago, spending some time in LA, and ultimately landing in Nashville  The pros and cons of his collegiate jazz experience The first eight years of his career after college, on the grind in Chicago  When and why he started to think and look beyond the Chicago scene His experience in LA, and the difference between posing and assimilating  The song-learning value in wedding gigs, and treating those gigs like “going to the gym” Being in a relationship with another musician and how that’s only right for some musicians Here's our Patreon Here's our Youtube Here's our Homepage

This week we’re joined by Christina Albetta (Zack's wife), Liz Shadbolt (Matt's wife) and Kevin Leon, drummer for St. Paul & The Broken Bones and his wife Erin Johnson. Over the years Matt and Zack and many guests have talked about life partners and balancing relationships with our music careers, and we thought it was high time to hear from the other side of this equation about what it’s like to do life with a drummer. A long term committed relationship with a musician or any type of creative presents some unique challenges in terms of money, time, kids, trust, and so much more, and Christina, Liz and Erin offer some valuable perspective on all of it. In this episode, the couples talk about: How finances and other responsibilities in a relationship are never 50/50 Being willing to do whatever you have to do to support kids Creating your own traditions and celebrations on your own schedule How you can support your drummer without feeling obligated to come to every single gig Trusting your partner during time apart Normalizing therapy/counseling for individuals and couples

Brandon Combs is a drummer, programmer, and producer hailing from Lansing, Michigan. Destined to be a great musician, Brandon has been involved with the Grammy Foundation since the young age of 15, attending their Grammy Camp programs in 2009 and 2010 via full ride scholarship. Now living in Nashville, Brandon recently obtained his BM in Popular Music Studies from the University of Southern California (2015). Currently on tour with Grammy Award-winning artist Leon Bridges, Brandon’s skill, versatility, and professionalism have also allowed him to work with many different world-renown artists across multiple genres such as Keith Urban, Raphael Saadiq, Moses Sumney, Lupe Fiasco, NIIA, Gallant, Chris Bullock of Snarky Puppy, and many more. Some of his most recently completed projects include recording drums on John Legend’s A Legendary Christmas album (2019) and the entirety of jazz-pianist Mark De Clive Lowe’s double album Heritage (2019). He’s also put his hands into music production, co-producing the song “Famous” off of The Internet’s Grammy-nominated album Ego Death (2016). In this episode, Brandon talks about: Covering the many vibes and sonic palates in Leon Bridges' evolving catalogue Getting on the same page about drum sounds with FOH sound people Archiving snare sounds in his studio Organic relationships leading to his best and biggest opportunities Studying with Ndugu Chancler and others at USC What it means to know a whole song His thoughts on Nashville vs. LA His outlook as he's about to become a dad

Jose “Pepe” Jimenez has played drums professionally since the age of 16 and is known for his versatility in different musical styles. He’s product of the Escuela Libre De Musica (Puerto Rico Performing Arts School), Musicians Institute and the Puerto Rico Conservatory of Music. Pepe has played with Lady Gaga, Santana, Giovanni Hidalgo, Jerry Gonzales, Mark Anthony, and The Puerto Rico Symphony Orchestra to name a few. Recordings include Ricardo Arjona, Olga Tanon, Armando Manzanero, Elvis Crespo, Ilan Chester, and Glenn Monroig among others. Since movingh to Las Vegas in 2002, he has worked in various production shows and bands including Storm, Mamma Mia, Cirque du Soleil Zumanity, Criss Angel Believe, The Lion King, Latin Grammys, Santa Fe and the Fat City Horns, Pop Evolution Orchestra and his solo project The Groove Culture.  In this episode, Pepe talks about: Getting handpicked by Lady Gaga to be part of her Vegas orchestra, and what that show entails How to make the click your friend Playing with the Raiders Band - a different kind of stadium gig The developing scene for jazz, Latin, and independent music in Vegas Instilling good technical foundation in all his students Defining his drum identity not by genre or style of playing, but his respect and love for the role

John Geiger began his love for music and drumming at an early age and spent his early band years playing 80’s rock on the Sunset Strip and later moved on to country and classic rock. John pursued his music passion by creating a multi-decade career in the music product industry. John has spend over 30 years working in this industry with iconic brands such as Yamaha, D’Addario, KORG USA and Zildjian. John currently plays in the Scotty Mac Band who’s regional success led to opening slots for national touring acts like Brett Young, Tyler Farr, Phil Vassar, Lee Brice and Chase Rice. The band performs at festivals around the country including Night in the Country, Country Fan Fest, Oregon Jamboree, Country Thunder, Coastal Country Jam among others. In 2016 McLaughlin released his first EP Messin’ Around which was followed in 2018 with a sophomore album Starts With A Girl, both recorded in Nashville. The band won California Country Association’s Entertainer of the Year in 2017. Today, fans can see the band playing in Nashville at bars such as Tin Roof, Winners and Ole' Red. In this episode, John talks about:    Major changes in the retail industry over the last 40 years    His job title and responsibilities at Zildjian / Vic Firth    John’s history in the music product industry     The communal nature of drummers    The business of endorsements    News about supply chain issues

Born in Northern New Jersey, Finch grew up with an unwavering love for drums that shaped his life's path. Before his eventual move to Nashville Tennessee in late 2020, Finch spent time in the US Army as well as working in the insurance world. Shortly after his move to Nashville, his dream was realized by the founding of FDS Drum Services, a drum tech service that includes repairs, restorations, custom heads, tour teching & so much more. FDS quickly gained recognition through Finch’s dedication as well as the overwhelming support from the Nashville drumming community. Beyond providing professional drum services, he actively contributes to the community by hosting drummers' hangs, fostering networking, and uplifting fellow musicians. In this episode, Finch talks about:    Managing your time as a self employed person    Utilizing your network to get things done    Always learning new skills    Being ready when shit goes wrong on stage    Reviewing five different drummers he’s teched for    Creating financial security    Focusing on physical and mental health

Justin Amaral first made a name for himself touring the country in the jam band scene, leading to shows with Mike Gordon of Phish and a profile in Modern Drummer’s (April, 2004) “On The Move” column. After world tours with alt-country guit-steel legend Junior Brown, Justin relocated to Nashville and quickly became first call for many of Nashville’s finest players and songwriters including Paul Burch, Tim Carroll, Fats Kaplin, Jon Byrd, Charles Butler and the late, great David Olney. In addition, Justin has performed and recorded with Jim Lauderdale (Late Night with Conan O’Brien), Laura Cantrell, Michelle Wright, The Wild Iris Brass Band feat. Jeff Coffin, Dennis Crouch, Milan Miller, Mike Farris, Layton Howerton, Tommy Womack, Chris West and many more. Justin maintains an active performing and recording schedule working at some of Nashville’s most prestigious studios like Blackbird, Creative Workshop and the Hen House as well as venues like The Bluebird, The 5Spot, The Exit/In and Roberts Western World.  In 2024 Justin released a collection of traditional hymns re-imagined as world beat instrumental duets called LIFE IN GROOVELAND - The Hymnal. Each track features a different instrumentalist. In this episode, Justin talks about:    Heeding the call to do your own thing    The origin of his new record: LIFE IN GROOVELAND - The Hymnal    Creating your own opportunities    Jump starting the creative process    The inspiration of Drum and Fife    Practicing movement and visualization as a technique

Jake Sommers attended The University of the Arts in Philadelphia (UArts) as a music performance major. He was fortunate to study under Marc Dicciani, Jimmy Paxson (Ben Harper, Stevie Nicks, and Natalie Maine), Gerry Brown (Stevie Wonder and Diana Ross), Marcus Baylor (Yellowjackets), as well as Erik Johnson. He graduated from University of the Arts in May 2013 with a Bachelors of Fine Arts in Music Performance. He was awarded the prestigious Paul D. Patterson Drum Set Award. Jake also studied under Dom Famularo and John Favicchia. Jake relocated from his hometown in New York to Nashville, TN to pursue playing drums. Jake started drumming at the honky tonk scene on Broadway in downtown Nashville. Shortly after, he met singer-songwriter /artist by the name of Luke Combs. Jake became Luke Combs touring drummer in 2015. Over the course of Jake’s time touring with Luke Combs, Jake has made appearances on Saturday Night Live, The Today Show and The Tonight Show with Jimmy Fallon. In addition to touring Jake teaches lessons and plays on recording sessions. In this episode, Jake talks about:    Building a home studio client base    How he got the Luke Combs gig    Networking in a new town    His responsibilities in the Luke gig    The value of charting skills    Studying at The University of the Arts Philadelphia

Eric Slick is a product of the Philly area where he began touring with Dr. Dog. After relocating to Nashville in 2018, he continued that gig until the band’s recent hiatus, and has gone on to perform with Waxahatchee and The Crooked Rhythm Band among others. He is also a singer, songwriter, and producer in his own right, his latest release as a solo artist is an album of ten original songs called Wiseacre. In this episode, Eric talks about His ongoing studio learning process The power of "no" - filling your schedule vs. being fulfilled Playing with the Crooked Rhythm band and digging into the Fela Kuti/Tony Allen stuff His interest in late 70s/early 80s drum machines and productions Wrestling with drums and mics vs. wrestling with the computer How Nashville is becoming a place for everyone, musically and otherwise His "jazz damage"

George Sluppick is an American drummer born in Memphis, Tennessee, specializing in blues, funk, soul and R&B music. In 1986, he graduated from Overton, a prestigious creative & performing arts high school. Growing up in Memphis, he shared the stage with many legends, including BB King and Rufus Thomas and just one year after his high school graduation at age 19, he went on the road with blues guitarist Albert King. He has since played with Charlie Hunter, JJ Grey & MoFro, Chris Robinson Brotherhood, and many others, and has just released a Memphis-infused sample pack through Yurt Rock. In this episode, George talks about: The process of creating and marketing his new sample pack Why he moved from his hometown of Memphis to the smaller town of Greensboro, NC The influence of Idris Muhammed and the idea of genre-free drumming

Ash Soan is one of the most in-demand drummers in the world, with a long list of live and studio credits that includes many of the biggest names in pop music over the last few decades. In addition to his studio and touring work, he is also well-known for his seven-year stint as the house drummer on The Voice UK. He is the creator of a series of video lessons available on his website and commands a wide social media influence from the confines of his small home studio, a converted 18th century windmill base that resides on his property outside London and has become synonymous with his drumming. In this episode, Ash talks about: His approach to mixing drums after he's tracked raw sounds Finding sounds through science and manuals vs. intuition, experimentation, and trial and error Knowing your sound and yourself well enough to be not just capable, but confident in any situation Following iconic drummers on a gig without trying to be them How he's avoided any major physical issues through a relaxed approach How the greatest drummers' playing reflects their personalities, from Gadd to Guiliana to Ferrone to Copeland to Ringo

Chicago drummer George Fludas was born in Chicago on October 10, 1966. He was inspired to play drums by his father, who was also a drummer, and who exposed him to great jazz drummers such as Art Blakey, Max Roach, and "Philly" Joe Jones. He has played with many stellar musicians such as Lou Donaldson, Kenny Burrell, Betty Carter, Benny Green, Roy Hargrove, Hank Jones, Cedar Walton, Diana Krall, Benny Carter, Phil Woods, and Bobby Hutcherson. George has performed at numerous jazz venues in the U.S. such as the Jazz Showcase in Chicago, Yoshi’s in Oakland, the Blue Note, Village Vanguard, Smoke and the Jazz Standard in New York and Catalina's in Hollywood, as well as many international Jazz Festivals, including Montreal Festival du Jazz, Bern Jazz Fest in Switzerland, and Glasgow and Edinburgh Jazz Fests. He toured Europe and Japan extensively as a member of Ray Brown's Trio, and with groups led by Hank Jones, Diana Krall, Monty Alexander, Cedar Walton and Joey Defrancesco. He can be heard on numerous recordings as a sideman with Ray Brown, Eric Alexander, Monty Alexander, Bobby Broom, Lin Halliday and The Chicago Jazz Orchestra. In this episode, George talks about: What makes a successful jazz club His experience playing with the iconic Ray Brown trio How Bonham influenced him, and what Bonham had in common with some jazz drumming icons How the synthesis of sound and feel should be included in the definition of "technique" How the Chicago scene shaped him as a player and the musical element that is prevalent in Chicago jazz How the trends of remote recording and sample packs are working their way into jazz 

Acclaimed by Downbeat as “one of the hippest bandleaders now at work,” Billy Drummond’s thrilling, powerful and highly musical playing has also made him one of the most called-for sidemen of his generation. Mentored in the bands of jazz legends Horace Silver, Joe Henderson, Bobby Hutcherson, J J Johnson and Sonny Rollins, Drummond is now widely acknowledged as one of today’s most versatile drummers, making sideman appearances with a veritable who’s who of jazz greats on over 350 albums. He has made three albums as a leader—including Dubai, a New York Times Number 1 Jazz Album of the Year—and five as a co-leader, including We’ll Be Together Again  in Three’s Company, a trio with Javon Jackson and legendary bassist Ron Carter, which made several Top Ten lists of the Year.   In this episode, Billy talks about: The idea of a jazz record being a snapshot of an artist's present condition How what he loves listening to relates to what he chooses to play Entertainment vs. expression Playing with Horace Silver The influence and mentorship of Al Foster Teaching at NYU and Julliard 

John R. Beck, Professor of Percussion at the University of North Carolina School of the Arts, also teaches at Wake Forest University. He is the principal percussionist of the Winston-Salem Symphony and is a member of the Greensboro Symphony, Brass Band of Battle Creek, and the Philidor Percussion Group. A former member of the United States Marine Band, for 10 years he performed regularly with the National and Baltimore Symphonies, Washington and Baltimore Operas, and the Theater Chamber Players of the Kennedy Center. Beck has toured the United States as a xylophone soloist with the Jack Daniel's Silver Cornet Band, Brass Band of Battle Creek, and the New Sousa Band. John is a Past President of the Percussive Arts Society and presents clinics endorsing Yamaha percussion instruments, Zildjian cymbals, Innovative mallets, and is a Remo Endorsed Drum Circle Facilitator in the Health and Wellness community. In this episode, John talks about: What it means to play credibly How his thoughts on versatility vs. specialization have evolved  Questioning the relevance of knowing how to read a big band chart How getting good at drumset gives percussionists a better sense of internal time The advantages and baggage that came with being John Beck’s son Valuing sound over everything, regardless of instrument or genre His time as president of PAS and helping the organization become more inclusive and outward-looking Here's our Patreon Here's our Youtube Here's our Homepage

Not only has George Lawrence been the drummer for Poco for over a decade, he's known throughout the Nashville drumming community as a natural mentor with years of experience performing live and in the studio. His reputation as an influential teacher includes a long list of successful alumni like drumming great Keith Carlock. In the early eighties George maintained steady work as a session drummer in Los Angeles and later at Muscle Shoals in Alabama. Some of George's current and past endeavors include owning his own drum shop, running the magazine "Not So Modern Drummer" as well as running the annual Nashville Drum Show. See photos here.

As a drummer/percussionist, producer, engineer, arranger, songwriter, conductor and composer Chuck Palmer has performed and recorded with a myriad of artists including Foreigner, AG, Gil Goldstein, RJD2, Frank Ocean (Channel Orange), Dave Eggar, Esperanza Spalding, Norah Jones, Cellogram, Dr. Ralph Stanley, The City And Horses, John Patitucci, Earwig, Five For Fighting, Amber Rubarth, O.A.R., Waway Saway with the Talaandig Tribe, and Amy Lee of Evanescence. In this episode, Chuck talks about: Using your skills and expertise as a drummer to produce, engineer, mix, write and create  His experiences and growth as a musician in New York City  Collaborating with cellist, pianist and composer Dave Eggar Conducting and creating string arrangements for the band Foreigner 

Shawn Pelton has recorded with a wide range of artists and has been a first call player since moving to New York in the late 1980s. Shawn has recorded with artists such as Sheryl Crow, Shawn Colvin, Natalie Merchant, Ingrid Michaelson, Billy Joel, Van Morrison, Elton John, Rod Stewart, Johnny Cash, Rosanne Cash, Pink, Shakira, Kelly Clarkson, Five For Fighting, Michelle Branch, Regina Spektor, Tears for Fears, Citizen Cope, Matisyahu, Jonatha Brooke, David Byrne, Edie Brickell, Marc Cohn, Richie Havens, Joan Osborne, Hall and Oates, Odetta, Pavarotti, Phillip Phillips, George Michael, Carly Simon, Dixie Chicks, Chris Botti and Buddy Guy, and has played on several Grammy winning albums for artists including Ray Charles, The Brecker Brothers, Shakira, Shawn Colvin, Les Paul and the Hank Williams tribute album with Bob Dylan. Shawn is also the longtime drummer in the house band for Saturday Night Live. Since 2007, Pelton has been regularly appearing as the drummer on Daryl Hall's internet concert series Live from Daryl's House. Pelton also served periodically as the substitute drummer in the CBS Orchestra on Late Show with David Letterman during regular drummer Anton Fig's absences. Pelton is also a founding member of the NYC-based band The Cringe. In this episode, Shawn talks about:    Powerful insights from his teachers    Utilizing multiple styles in his day to day    Shawn’s chart writing tips    Reading the room and acting accordingly    Managing the back and forth with remote tracking    When to employ your unique voice and sound    Shawn’s physical presence behind the kit    Attitude over chops   

Rob Rufus is an author, musician, screenwriter, and advocate. He is the recipient of the American Library Association’s prestigious ALEX Award. His literary debut, Die Young With Me, was named one of the Best Books of the Year by Hudson Booksellers and is currently being developed as a major motion picture. His follow-up, The Vinyl Underground, was named one of the Junior Library Guild’s Gold Standard Selections. He lives with his dog in East Nashville, Tennessee. Catch him on the road with his bands The Bad Signs or Blacklist Royals, and learn more at www.robrufus.net In this episode, Rob talks about:    His first book - Die Young With Me    The power of artistic expression    His 2nd and 3rd book: The Vinyl Underground and Paradise, WV    Touring with his band The Blacklist Royals    The “Band Drummer” vs the “Working Drummer”    Realities of being a working creative    Facing down cancer that gave him a new outlook on life

Mike Dillon's decades-long career as a vibraphonist, percussionist, and drummer has included work with Ani DiFranco, Les Claypool, Stanton Moore, Rikki Lee Jones, and many others. He has also led bands in his own right, the latest of which is Punkadelick, with Brian Haas on keys and Nikki Glaspie on drums. Their new record is called Inflorescence. When not on the road, Mike splits his time between New Orleans and Kansas City. In this episode, Mike talks about: His new trio, Punkadelick with Brian Haas on kers and Nikki Glaspie on drums Finding his place at North Texas as a percussionist rather than a drumset player Committing to mastering the blues and jazz harmony in the improvisatory context The influence of Johnny Vidacovich as an improvisor How the scenes of Kansas City and New Orleans have shaped him How his wife, visual artist Peregrine Honig, has influenced his art and creative process

Joy Lapps is a bandleader, composer, and educator based in Toronto. She was introduced to the steel pan through her church music program as a teenager, and soon started playing community and church events. This soon led to composing her own music and leading her own bands. Her latest release is Girl in the Yard, featuring her own compositions and arrangements, and her husband, Larnell Lewis on drums. The album reflects her exploration of the steel pan as a traditional folk instrument of resistance, but also as the vehicle for her original compositional ideas. In this episode, Joy talks about: The musical and geographic origins of the steel pan How Larnell encouraged her to compose, improvise, and take the steel pan beyond its traditional stylistic role How having a son with special needs has affected her relationship with music Leaning into her instrument's traditional identity vs. carving a new musical path for it How her relationship with Larnell has affected her relationship with the drums Working with her band to translate traditional Afro-Caribbean styles to a modern jazz format

Steve Picataggio has lived in New York for over a decade and has stayed busy on the jazz and musical theatre scenes there. He has toured with The Hot Sardines, The Four Phantoms, and others, and is active on the New York jazz scene playing everything from trio to big band. He is a graduate of University of North Florida where he studied with Danny Gottleib and Ulysses Owens Jr., and NYU where he studied with Billy Drummond. He is also active as an educator, with students from age 4 to adult as well as at the collegiate level. In this episode, Steve talks about: His fully remote college gig Touring with The Four Phantoms Why he loves rehearsing The mentorship and influence of Matt Wilson and Bill Drummond How cutthroat attitudes are mostly gone His love of accompanying singers

Aaron Redfield grew up in San Diego and started his career on that scene. In addition to his long tenure as the drummer for The Greyboy Allstars, he has compiled a long list of touring and recording credits including Elton John, Ceelo Green, and Foster the People. After 15 years living and working in LA, he has moved is family back to San Diego and operates from there. In this episode, Aaron talks about: The new Greyboy Allstars record and how it came together The musical meaning and history of the word Boogaloo The San Diego scene and how it shaped him His non-profit that pairs professional producers and artists with aspiring teenage musicians The powerful negative effects of isolation The three A’s: Affable, Able, Available Relocating from LA to San Diego Finding world-class musicians and studio spaces in San Diego Here's our Patreon Here's our Youtube Here's our Homepage

Terence F. Clark is a Memphis based drummer, producer, composer, artist and overall creative. He has played with a huge variety of artists from different regions and genres, Keith Urban being the most recent. Known for his impeccable and soulful performances, professionalism and discipline of craft, Terence has traveled the world building relationships with and through music. As Terence finds inspiration in his travels and engaging other cultures, he always lends inspiration with his unique brand of performance, solid groove, creativity, musical knowledge and excellence. It's always been more than “just about the music”, for Terence; it's about serving the artist, creating the very best and discovering a community of artists with which to learn from and create with along the way.

Danny Douchette is one of the rare Nashville Tennessee natives living and working in his home town as a musician. He has been working at Fork’s Drum Closet since 2005 and currently manages the legendary drum shop. Known as a skilled metal drummer, Danny can be seen around music city performing at one of the many community supported events like “Rare Hair”, “Industrial Night” and “The Rock and Roll Residency” just to name a few.  In this episode, Danny talks about:    Local events that connect musicians with each other    Growing up with a parent who was a professional musician    The underground nature of metal    Managing Forks Drum Closet in Nashville, TN    The challenges of maintaining an original band

Mike Musberger has spent his life and career in Seattle, where he has played in a long list of bands and projects. In the 90s, he enjoyed some big label/world touring success as the drummer for The Posies. More recently, he was part of Paul Allen's traveling "on call" band, and is part of Ringo's live production crew. He also records in his own studio, housed in Seattle's most famous rehearsal space, The Institution. In this episode, Mike talks about: Growing up and starting his career in Seattle, with a front row seat to its musical revolution in the 80s and 90s The the most useful holdover concept from the analogue recording era Touring as part of Ringo's live production crew Relying on the side hustle of contracting when he had to The changing landscape of how to make a touring band financially sustainable Some ways the Seattle music scene has improved as a result of the tech boom

As an internationally acclaimed drummer and percussionist, Bill Ransom has played some of the world’s biggest halls with a host of world-famous artists. While building his performing career Bill also worked as an educator, guiding countless young drummers into professional careers. One passion fueling another. He has toured and recorded with artists including Patrice Rushen, Aretha Franklin, Marion Meadows, Cecil Bridgewater, Diane Reeves, Mary Wilson, and James Newton.  Bill currently tours the world with renowned singer, Beth Hart, and is an endorser for Yamaha drums, Remo drumheads, Vic Firth sticks, and Paiste cymbals. Bill has been on faculty at Cleveland State University since 2007 teaching drums, mallet and hand percussion, and jazz combo. In this episode, Bill talks about: His gig with Beth Hart, and what she needs from the drum chair School at Ohio University and The New School in New York Living in New York for awhile but returning home to Cleveland  Cleveland’s active theatre and jazz scenes  “You gotta talk” Here's our Patreon Here's our Youtube Here's our Homepage