Weird Studies (SpectreVision Radio)

In this second of two episodes on "scenes," Phil and JF set their sights on Greenwich Village in the wake of the Second World War. Focusing on two works on the era – Anatole Broyard's Kafka Was the Rage and John Cassavetes' Shadows – the conversation further develops the mystique of urban scenes and explores the weirdness of cities. The city, long considered the human artifact par excellence, comes to seem like something that comes from outside the ambit of humanity. Support us on Patreon. Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Anatole Broyard, Kafka Was the Rage John Cassavetes, Shadows Kazuo Ishiguro, An Artist of the Floating World Phil Ford, Dig Weird Studies, Episode 90 on “Owl in Daylight” Kult, role-playing game Tom Delong and Peter Lavenda, Secret Machines: Gods, Men, and War Chandler Brossard, Who Walk in Darkness Yukio Mishima, Japanese artist Anatole Broyard, “Portrait of the Hipster” Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this never-before-released episode recorded in 2019, Phil and JF travel to rural Oregon through the Netflix docu-series, Wild Wild Country. The series, which details the establishment of a spiritual community founded by Bhagwan Rajneesh (later called Osho) and its religious and political conflicts with its Christian neighbors, provides a starting point for a wide-ranging conversation on the nature of spirituality and religion. What emerges are surprising ties between the “spiritual, not religious” attitude and class, cultural commodification, and the culture of control that pervades modern society. But they also uncover the true “wild” card at the heart of existence that spiritual movements like that of Rajneesh can never fully control, no matter how hard they try. REFERENCES Chapman and Maclain Way (dirs), Wild Wild Country Richard Dawkins, The God Delusion Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste Carl Wilson, Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste Peter Sloterdijk, German cultural theorist Weird Studies, Episode 47, Machines of Loving Grace Slavoj Žižek, On Western appropriation of Eastern religions William Burroughs, American writer Gilles Deleuze, “Postscript on the Societies of Control” Bhagwan Rajneesh/Osho, Speech on friendship Daniel Ingram, Mastering the Core Teachings of the Buddha Paul Tillich, Dynamics of Faith James Carse, The Finite and Infinite Games Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Twin Peaks mythos has been with Weird Studies from the very beginning, and it is only fitting that it should have a return. In this episode, Phil and JF are joined by Tamler Sommers, co-host of the podcast Very Bad Wizards to discuss Fire Walk with Me, the prequel film to the original Twin Peaks series. Paradoxically, David Lynch’s work both necessitates and resists interpretation, and the pull of detailed interpretation is unusually strong in this episode. The three discuss how Fire Walk with Me, and the series as a whole, depicts two separate worlds that sometimes begin to intermingle, disrupting the perceived stability of time and space. Often this happens in moments of extreme fear or love. Through their love for Laura Palmer and for the film under consideration, JF, Phil, and Tamler enact their own interpretation, entering a rift where the world of Twin Peaks and the “real” world seem to merge, demonstrating how Twin Peaks just won’t leave this world alone, and can become a way for disenchanted moderns once again to live inside of myth. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack References David Lynch, Twin Peaks: Fire Walk With Me The Sons of Sam: A Descent into Darkness, Netflix documentary David Hume, A Treatise of Human Nature Antonin Artaud, The Theater and Its Double Mark Frost, The Secret History of Twin Peaks Mark Frost, Twin Peaks: The Final Dossier Jason Louv, occultist Duncan Barford, Occult Experiments in the Home podcast Weird Studies, Episode 67 on “Hellier” Weird Studies, Episode 78 on “The Mothman Prophesies” Sound mass, musical technique Michael Hanake (dir.), Caché Courtenay Stallings, Laura’s Ghost Special Guest: Tamler Sommers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Heraclitus of Ephesus was one of the great pre-Socratic thinkers. Called the Obscure and the Weeping Philosopher, he left behind a collection of fragments so mysterious and pregnant with meaning that they continue to puzzle scholars to this day. In this episode, Phil and JF use a random number generator to select a number of fragments and speculate about their content. By the end, they will also have disclosed the bizarre contents of JF's tenth-grade "hippie bag," outed Oscar Wilde as a Zen Buddhist, and taken a walking tour of a city that exists only in Phil's dreams. REFERENCES Pierre Hadot, What is Ancient Philosophy? Northrop Frye, The Great Code Northrop Frye, Words with Power I Ching: The Book of Changes Oxford World Classics, The First Philosophers: The Presocratics and Sophists Wikisource page for Heraclitus James Hillman, The Dream and the Underworld Dogen Zenji, Genjokoan Mark Johnson, The Meaning of the Body Gilles Deleuze on Spinoza Benedict de Spinoza, Ethics Oscar Wilde, The Picture of Dorian Grey Friedrich Nietzsche, Twilight of the Idols Neil Gaiman, Seasons of Mist (the fourth arc of the Sandman series) Deleuze on Dreams Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the mid-1960s, Pauline Oliveros was a composer of experimental electronic music. But at the end of the 1960s, shocked by the political violence around her, she turned away from electronic technology and towards to a different kind of experimentation, which Dr. Kerry O'Brien calls "experimentalisms of the self." The immediate result of this turn was Oliveros's Sonic Meditations, a series of instructions for group bodymind practice. This work became the seed of Deep Listening, a sort of musical yoga Oliveros developed throughout the rest of her long career. Dr. O'Brien joins JF and Phil for a conversation on practice, "gaining mind," the ritual value of art, the wisdom of the body, and whether Deep Listening is really best understood as art at all. REFERENCES Kerry O'Brien, "Listening as Activism: The 'Sonic Meditations' of Pauline Oliveros" Pauline Oliveros, American composer John Cage, 4'33" Dead Territory performing Cage's 4'33" Alvin Lucier, "Music for a Solo Performer" Peter Sloterdijk, You Must Change Your Life Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Lawrence Weschler, Seeing is Forgetting the Name of the Thing One Sees Special Guest: Kerry O'Brien. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece." REFERENCES Philip K. Dick, excerpts from “If You Find This World Bad You Should See Some Of The Others” R. Crumb, The Religious Experience of Philip K. Dick Emmanuel Carrère, I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick “20 Examples of the Mandela Effect That’ll Make You Believe You’re In A Parallel Universe” Philip K. Dick, The Man in the High Castle Weird Studies, "Episode 9: On Aleister Crowley and the Idea of Magick" Weird Studies, "Episode 4: Exploring the Weird with Erik Davis" William Shakespeare, The Tempest Sun Ra, Space is the Place Zebrapedia (crowdsourced online transcribing/editing of the Exegesis) Ramsey Dukes (Lionel Snell), Words Made Flesh Daniel Dennett, Consciousness Explained Bernado Kastrup, Why Materialism is Baloney Gordon White, Star.Ships: A Prehistory of the Spirits Nick Bostrom, “Are You Living in a Computer Simulation?” Learn more about your ad choices. Visit podcastchoices.com/adchoices

At the time The Mothman Prophecies' was released in 1975, and again when he penned an afterword for the 2001 edition, John Keel appeared to have made up his mind about the "ultraterrestrials" that he had tracked and hunted for most of his adult life. They were unconcerned about the welfare of the people whose lives they threw into disarray, he said. They were liars, cheats, and frauds who refused to play fair. They saw good and evil as synonymous and they were dangerous. Like many other explorers of reality's uncharted waters, John Keel returned to port knowing less than he did (or thought he did) when he set out. And this led him to ponder the possibility that only thing to know about such matters is that there is nothing to know -- that the universal mind, as Charles Fort had suggested before him, was insane. In this episode of Weird Studies, JF and Phil share their thoughts on The Mothman Prophecies, focusing less on the creatures and events that haunted Point Pleasant in 1966-67 than on how these things affected the brilliant writer who was chosen to be their baffled chronicler. REFERENCES John A. Keel, The Mothman Prophecies: A True Story William S. Burroughs, Naked Lunch Stephanie Quick's blog Weird Studies talks to Jeffrey J. Kripal: episode 39 and episode 45 H. P. Lovecraft, "The Call of Cthulhu" Neil Gaiman, American Gods Jeffrey J. Kripal, Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal David Lynch's Twin Peaks David Lynch, Twin Peaks: Fire Walk With Me Bob Lazar, American engineer (?) William James, American philosopher Learn more about your ad choices. Visit podcastchoices.com/adchoices

The historian of religion Jeffrey J. Kripal writes, "The world is one, and the human is two." The line captures the riddle of reality. What is it with our species? Equipped with an intellect able to grok the basic laws that govern the physical universe, we seem unable to wrap our heads around as simple a question as "What is real?". Recorded live before a learned audience at the Diverse Intelligences Summer Institute (DISI) in August of 2022, this episode approaches the enigma by teasing the Weird out of the very idea of intellection. If the architects of DISI are right to say that mind, far from being confined to human skulls, enjoys wide distribution across nature, what might such ideas as magic, synchronicity, and prophecy tell us about intelligence and meaning? DISI is a three-week interdisciplinary event held each year at the University of St. Andrews in Scotland. The hosts are grateful to Jacob Foster and Erica Cartmill of UCLA for inviting them to speak at the institute. **Header image: **Detail of The Ancient of Days by William Blake. SHOW NOTES Diverse Intelligences Summer Institute (DISI) Earlier iteration of Jacob Foster's talk, "Toward a Social Science of the Possible" Pauline Oliveros's Tuning Meditation Norbert Wiener, American mathematician Joshua Ramey, "Contingency Without Unreason: Speculation After Meillassoux" E. E. Evans-Pritchard, Witchcraft, Oracles, and Magic Among the Azande Aristotle, Physics and Metaphysics Jeffrey J. Kripal, "The World is One, and the Human is Two: Tentative Conclusions of a Working Historian of Religion" Jeffrey Kripal on Weird Studies: episodes ## and ## Aleister Crowley, See The Vision and the Voice and Magick in Theory and Practice The "Unwritten Doctrines" of Plato Plato, Republic, "Seventh Letter" & Phaedrus Phil's prophetic dream report (Patreon supporters only) H. P. Lovecraft, The Dream-Quest of Unknown Kadath (for description of Azathoth) C. G. Jung, Synchroncity: An Acausal Connecting Principle, Alchemical Studies & Mysterium Coniunctionis Charles Taylor, A Secular Age New York Times article on 2022 UFO hearings Learn more about your ad choices. Visit podcastchoices.com/adchoices

"We are the things that were and shall be again." So a demonic flesh puppet tells Ash and his allies in a memorable scene from the classic splatstick flick Evil Dead II. In addition to being a rollicking piece of entertainment, Evil Dead II is an expertly crafted film whose director used every tool and technique to generate a cinematic experience that is – as the tagline went – "2 terrifying, 2 frightening ... 2 much!" In this episode, JF and Phil court the absurd by turning a fun 80s horror movie into a statement on the dread aspirations of matter and a shining example of the modern baroque. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop SHOW NOTES Sam Raimi (dir.), The Evil Dead II Weird Studies, Episode 121 on Mandy and the Bandwagon Joe Bob Briggs, American movie critic Chalres Ludlam, American actor Weird Studies, Episode 88 on Mr Punch Kenneth Gross, Puppet: An Essay on Uncanny Life Eduardo Viveiros de Castro, Cannibal Metaphysics Bruno Schulz, The Street of Crocodiles Victoria Nelson, The Secret Life of Puppets Joseph Cermatori, Baroque Modernity Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Let the red dawn surmise / What we shall do, / When the blue starlight dies / And all is through." This short poem, an epigraph to "The Yellow Sign," arguably the most memorable tale in Robert W. Chambers' 1895 collection The King in Yellow, encapsulates in four brief lines the affect that drives cosmic horror: the fearful sense of imminent annihilation. In the four stories JF and Phil discuss in this episode, this affect, which would inspire a thousand works of fiction in the twentieth century, emerges fully formed, dripping with the xanthous milk of Decadence. What’s more, it is here given a symbol, a face, and a home in the Yellow Sign, the Pallid Mask of the Yellow King, and the lost land of Carcosa. Come one, come all. Join JF's upcoming course on the films of Stanley Kubrick, starting March 28, 2024. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Robert W. Chambers, The King in Yellow Weird Studies, Episode 100 on John Carpenter films Algernon Blackwood, “The Man Who Found Out” Susannah Clarke, Jonathan Strange and Mr. Norrell Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” Annie Besant and Charles Leadbeater, Thought Forms Weird Studies, Episode 140 on “Spirited Away” Vladimir Nabokov, Think, Write, Speak Charles Taylor, A Secular Age David Bentley Hart, “Angelic Monster” M. R. James, Oh, Whistle and I’ll Come to you my Lad” William Carlos Williams, The Red Wheelbarrow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Due to scheduling conflicts and a series of unforeseen events, JF and Phil have had to push the release of the next official episode of Weird Studies back by one week. To tide you over, we're unlocking a bonus episode previously available only to our Patreon supporters. It serves as the perfect preface to Episode 184, which will be released on February 26, 2025. Apologies for the delay, and thanks for your patience. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It would be wrong to describe Arthur Machen's Hieroglyphics: A Note Upon Ecstasy in Literature (1902) as a work of nonfiction, since the book features a narrative frame that is as moody and irreal as the best tales penned by this luminary of weird fiction. But if the eccentric recluse at the centre Hieroglyphics is a fictional philosopher, he is one who, in Phil and JF's opinion, rivals most aesthetic thinkers in the history of philosophy. The significance of this text lies in its willingness to disclose a function of art that few before Machen had dared to touch, namely its capacity to generate ecstasy by confronting us with the mystery that beats the heart of existence. In this episode, your hosts discuss a work which, in their opinion, comes as close to scripture as the nonexistent field of Weird Studies is likely to get. REFERENCES Arthur Machen, Hieroglyphics: A Note Upon Ecstasy in Literature Thomas Ligotti, Songs of a Dead Dreamer Weird Studies, Episode 3 on the White People J.F. Martel, Reclaiming Art in the Age of Artifice Weird Studies, Episode 63 on Colin Wilson’s 'The Occult' William Shakespeare, Hamlet Indra’s Net, philosophical concept James Machin, Weird Fiction in Britain, 1880 – 1939 Weird Studies, Episode 5 on Lisa Ruddick's 'When Nothing is Cool' Oscar Wilde, The Soul of Man Under Socialism Rudolph Otto, German theologian Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil and J.F. share stories of sleep paralysis and talk about Charles Fort's sympathy for the damned, Jeff Kripal's phenomenological approach to Fortean weirdness, Dave Hickey's notion of beauty as democracy, and Timothy Morton's hyperobjects. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every off-week, listeners who have chosen to support Weird Studies by joining our Patreon at the Listener's Tier get to enjoy a bonus episode. These episodes are different from the flagship show. Less formal and entirely improvised, they offer Phil and JF a different way of exploring the weird in art, philosophy and culture. To tide our listenership over until the next new episode drops on September 25th, 2024, here is a recent example of a Weird Studies audio extra, recorded as your hosts were finishing up their first Weirdosphere course, "The Beauty and the Horror." The conversation ended up centering on cultural works we experienced in childhood, and that are all the more magical for being only vaguely remembered. To enroll in JF's upcoming Weirdosphere course, "Whirl Without End: Fairy Tales and the Weird," please visit www.weirdosphere.org. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy holidays, Weird Studies listeners! In this short "Christmas Bonus" episode, your intrepid hosts finish up what began as a discussion of Nick Land's concept of hyperstition. Following last week's closing remarks about the importance of "banishing" ideas that might otherwise take us over, the segment focuses on the dividing line between the personal and the political. Where does the one end and the other begin? What do we risk when we choose to make a necessarily limited standpoint the locus of some totalizing view? The answers will take back to the birth of eukaryotic cells, the sin of Cain, and the wisdom of Sun Ra. References made in this conversation were included in the show notes for Episode 36. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jóhann Jóhannsson was one of contemporary cinema's greatest score composers when he passed away in 2018 at the young age of 48. Last and First Men, his enigmatic directorial debut, was released shortly after in 2020. Based on a novel by the same name by the British science fiction writer Olaf Stapleton, the film offers a sustained meditation on the prospect of extinction, the eventuality of humanity's disappearance from the comos. In this episode, JF and Phil discuss the images and sounds of the film as they flicker and swell against the backdrop of nonbeing that envelops us all. The conversation touches on the idea of beauty, Brutalist architecture, modernism, and futurity. Preorder Pierre-Yves Martel's album Mer bleue. Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Find us on Discord Get the T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Jóhann Jóhannsson, Last and First Men Unfrozen Caveman Lawyer, SNL character Spomeniks, Yugoslavian monuments Olaf Stapleton, The Last and First Men Woody Allen, Hannah and Her Sisters The Last of Us, television show Ray Brassier, Nihil Unbound: Enlightenment and Extinction Weird Studies, Episode 2 on Garmonbozia Alexander Solzhenitsyn, Nobel Prize Speech Weird Studies Episode 139 on Art Power Numenius, Platonist philosopher Gilles Deleuze and Félix Guattari, What is Philosophy? Jia Tolentino, “The Overwhelming Emotion of Hearing Toto’s “Africa” Weird Studies, Episode 110 on “The Glass Bead Game” D. H. Lawrence, Lady Chatterley’s Lover Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Magician card likely graces more front covers of books on the tarot than any of the other major arcana. In many ways, it symbolizes the tarot itself, or the individual who has mastered the art of manipulating the cards to divine their meanings. Yet, the Magician is a profoundly ambiguous figure. From one perspective, he is the Magus, piercing through the illusions of ceaseless becoming to glimpse the hidden depths of reality. From another, he is all surface without depth, a carnival huckster ready to empty your coin purse while you’re transfixed by his crystal ball. In this episode, JF and Phil continue their on-again, off-again journey through the major trumps with a discussion of the card that—deservedly or not—proudly calls itself Number One. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Our Known Friend, Meditations on the Tarot Weird Studies, Episode 24 on “The Charlatan and the Magus” Weird Studies, Episode 109 and Episode 110 on The Glass Bead Game Weird Studies, Episode 179 with Lionel Snell Friedrich Nietzsche, On the Geneology of Morals Louis Sass, Modernism and Madness Gilles Deleuze, Pure Immanence Richard Wagner, Parsifal William Irwin Thompson, The Time Falling Bodies Take to Light Participation mystique Aleister Crowley, The Book of Thoth Leigh Mccloskey, Tarot Re-visioned Learn more about your ad choices. Visit podcastchoices.com/adchoices

David Lynch passed away on January 15th, 2025, leaving behind a body of work that reshaped the landscape of cinema and television. Few artists have delved as deeply into the strange, the beautiful, and the terrifying as Lynch, and few have had as profound an influence on Weird Studies. His films have long been a touchstone for JF and Phil's discussions on art, philosophy, and the nature of the weird. To honor his memory, they decided to devote an episode to Lynch's work as a whole, with special attention paid to Eraserhead—the nightmarish debut that announced his singular vision to the world. A study in dread, desire, and the uncanny, Eraserhead remains one of the most disturbing and mysterious works of American cinema. In this episode, we explore what makes it so powerful and how it connects to Lynch’s larger artistic project. To enroll in JF's new Weirdosphere course, It's All Real: An Inquiry Into the Reality of the Supernatural, please visit www.weirdosphere.org. The course starts on Thursday, Feb 6, at 8 pm Eastern. A video for the piece For David Lynch is available on Pierre-Yves Martel's YouTube channel. REFERENCES David Lynch, Eraserhead David Lynch: The Art Life Victorian Nelson, The Secret Life of Puppets Norman Mailer, An American Dream Laura Adams, "Existential Aesthetics: An Interview with Norman Mailer” George P. Hansen, The Trickster and the Paranormal Carl Jung, The Red Book Jack Arnold (dir.), The Creature from the Black Lagoon Noel Caroll, The Philosophy of Horror Gilles Deleuze, The Logic of Sense Jack Smith, “The Perfect Filmic Appositeness of Maria Montez” David Foster Wallace, “David Lynch Keeps his Head” in A Supposedly Fun Thing I’ll Never do Again Arthur Machen, The White People William Shakespeare, Macbeth Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Weird Studies turns meta, reflecting on the peculiar medium that is podcasting, and how it has shaped the Weird Studies project itself. JF and Phil provide a glimpse into what it feels like to create the show from the inside, where each recording session is like a journey into an unknown Zone. The conversation also occasions sojourns into the flow state, or experience of pure durée, its implications for our conception of free will, and surprising parallels between modern materialists’ adherence to nihilism and ancient religious ascetic practices. Ultimately, JF and Phil explore the archetypal image of the wanderer as representative of Weird Studies’s existence so far, and of the kind of impact and legacy this project can have. N.B. Weird Studies will be on a haitus for the month of September, and will return on September 29. In the meantime: Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack References Robert Sapolsky, Interview with Pau Guinart Bruno Latour, French philosopher Richard Dawkins, The Selfish Gene Peter Sloterdijk, You Must Change Your Life Mihaly Csikszentmihalyi, Flow Paul Tillich, Dynamics of Faith Nina Simone, “Feeling Good” Robert Anton Wilson, Illuminatus Richard Wagner, Siegfried Lewis Carol, Alice’s Adventures in Wonderland John David Ebert, American cultural critic Patrick Harpur Daimonic Reality Marshall McLuhan, The Global Village Phil Ford, “What was Blogging?” Weird Studies, Episode 71 on Marshall McLuhan Learn more about your ad choices. Visit podcastchoices.com/adchoices

JF and Phil finally get down to brass tacks with William James's essay "Does Consciousness Exist?" At the heart of this essay is the concept of what James calls "pure experience," the basic stuff of everything, only it isn't a stuff, but an irreducible multiplicity of everything that exists -- thoughts as well as things. We're used to thinking that thoughts and things belong to fundamentally different orders of being, but what if thoughts are things, too? For one thing, psychical phenomena (a great interest of James's) suddenly become a good deal more plausible. And the imaginal realm, where art and magic make their home, becomes a sovereign domain. REFERENCES William James, "Does 'Consciousness' Exist?" Steven Shaviro, The Universe of Things Jean-Paul Sartre, The Transcendence of the Ego William James, Essays in Psychical Research Weird Studies D&D episode Proust, À la Recherche du Temps Perdu The Venera 13 probe's photos of the surface of Venus Wallace Stevens, "A Postcard from the Volcano" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are those who can make out certain patterns in Ra's life and work, patterns that place him among the true mystics and prophets. Of course, these people already believe in mysticism and prophecy, but Sun Ra's total devotion to his myth does not leave much wiggle room on this front. He is asking us to choose: believe or disbelieve. And if you go with disbelief, you'll need to explain the sustained coherence and lucidity of his message, and the transformative power of his music. In this episode, Phil and JF take a look at Sun Ra's unforgettable film Space is the Place, interpreting it as a document in the history of esotericism, using gnostic thought and the tarotology as instruments to bring some of his secrets to light. REFERENCES Sun Ra, Space is the Place Sun Ra: Brother from Another Planet_ Deleuze and Guattari, A Thousand Plateaus and [Kafka](https://en.wikipedia.org/wiki/Minority(philosophy))_ (for the concept of minority) Antoine Faivre, French historian of esotericism Michel Foucault, The Order of Things: An Archaeology of the Human Sciences Eliphas Lévi, French occultist Edward O. Bland (director) The Cry of Jazz Mircea Eliade, The Myth of the Eternal Return, or, Cosmos and History Ingmar Bergman, The Seventh Seal Stanley Kubrick, Dr Strangelove, or, How I Learned to Stop Worrying and Love the Bomb Aleister Crowley, Magick in Theory and Practice Jackson Lears, Something for Nothing: Luck in America Learn more about your ad choices. Visit podcastchoices.com/adchoices

Season five kicks off with a new installment in the ongoing series on the Tarot's twenty-two major arcana. This time, your hosts overcome the trials that fortune has dealt them -- a hangover in the case of Phil, a sleepless night for JF -- to discuss the Wheel of Fortune. Not surprisingly, the conversation is a mess, albeit a beautiful one that comes full circle in the end, tying up all its loose ends in something like a bow (or a coiled serpent). Topics include the challenges of improvised philosophical discussion, the importance of exposing oneself to difficult ideas, the serpentine nature of immanentist discourse, and the doctrine of the Fall. As usual, the anomymously-authored Meditations on the Tarot gets pride of place, although occult luminaries such as Alejandro Jodorowsky, Aleister Crowley, and Pat Sajak make notable appearances. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Our Known Friend, Meditations on the Tarot Pints with Aquinas Jaroslav Hašek, Czech author Lon Milo Duquette, Understanding Aleister Crowley’s Thoth Tarot True Detective, tv show Thomas Ligotti, Conspiracy Against the Human Race Henri Bergson, The Two Sources of Morality and Religion Alexander Jodorowsky, The Way of Tarot Jessica Hundley et. al., Tarot. Library of Esoterica Pierre Teilhard de Chardin, French priest and scientist Herman Hesse, The Glass Bead Game Bruno Latour, French philosopher David Bentley Hart interview Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hyperstition is a key concept in the philosophy of Nick Land. It refers to fictions which, given enough time and libidinal investment, become realities. JF and Phil explore the notion using one of those optometric apparatuses with multiple lenses -- deleuzian, magical, mythological, political, ethical, etc. The goal isn't to understand how fictions participate in reality (that'll have to wait for another episode), but to ponder what this implies for a sapient species. The conversation weaves together such varied topics as Twin Peaks: The Return, Internet meme magic (Trump as tulpa!), Deleuze and Guattari's metaphysics, occult experiments in spirit creation, the Brothers Grimm, and the phantasmic overtones of The Communist Manifesto. In the end we can only say, "What a load of bullsh*t!" Header Image: Still from the 1920 German Expressionist film The Golem: How He Came in the World, by Paul Wegener. REFERENCES JF's notes on Deleuze and Guattari's concept of the refrain Gilles Deleuze and Félix Guattari, A Thousand Plateaus David Lynch (director), Twin Peaks: The Return Phil Ford, "Garmonbozia" (work in progress, unpublished) Delphi Carstens, "Hyperstition" Delphi Carstens, "Hyperstition: An Introduction" (2009 interview with Nick Land) Richard Dawkins, The Selfish Gene CCRU Archives The occult concept of the egregore William Irwin Thompson, Imaginary Landscape: Making Worlds of Myth and Science Martin Heidegger, Being and Time Alan Chapman and Duncan Barford, The Blood of the Saints A. T. L. Carver, "The Truth About Pepe the Frog and the Cult of Kek" Paul Spencer, "Trump's Occult Online Supporters Believer 'Meme Magic' Got Him Elected" Colm A. Kelleher, The Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah Karl Marx and Friedrich Engels, The Communist Manifesto G. K. Chesterton, Orthodoxy Sun Ra, Space is the Place Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ramsey Dukes, also known by his real name of Lionel Snell, may be one of the most important thinkers on magic since Aleister Crowley. In the impishly-titled Sex Secrets of the Black Magicians Exposed (or SSOTBME for short), Dukes accomplishes something few writers on the topic have been able to do: he gives us magic without asking us to sacrifice anything that makes us sensible modern people. He makes magic seem like the most obvious thing in the world, and he does it without taking away any of its, well, magic. How he does it and what it means are questions that would take several episodes to unpack. In this one, Phil and JF begin the work by discussing how Dukes situates magic in an epistemic compass that also includes science, art, and religion. This set of tools is as essential to a holistic view of reality as the four suits in a deck of cards are essential to a proper poker game. In other words, when we lose magic, we lose a way of dealing with reality. Sign up for JF's upcoming course on Macbeth Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Find us on Discord Get the T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES David Lynch (dir.), Mulholland Drive Ramsey Dukes, SSOTBME Slavoj Žižek, The Pervert’s Guide to Cinema C. P. Snow, The Two Cultures Weird Studies, Episode 139 on Art Power Marshall McLuhan, Gutenberg Galaxy “Virtual” and “Actual”, as developed by Bergson and Deleuze Pragmatism, philosophical school Jack Parsons, American rocket scientist Mircea Eliade, The Myth of the Eternal Return William Shakespeare, Macbeth Learn more about your ad choices. Visit podcastchoices.com/adchoices

For several episodes now, Phil and JF have been circling what St. John of the Cross called the Dark Night of the Soul, that moment in the spiritual journey where all falls a way and an abyss seems to crack open beneath our feet. When it came time to go there in earnest, they could think of no better guide than Duncan Barford, host of the excellent Occult Experiments in the Home podcast. As a master magician, long-time meditator, psychotherapeutic counsellor and writer on spirituality and the occult, Barford is uniquely endowed with the tools, experience, and language to discuss even the most difficult spiritual topics with wisdom and warmth. A Virgil for any Inferno. Buy the Weird Studies soundtrack: Volume 1 and Volume 2 Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop SHOW NOTES Occult Experiments in the Home, Duncan Barford's excellent solo podcast Duncan's other website, focusing on his work as a psychotherapeutic counselor Duncan's books on Amazon US Weird Studies, Episode 67 on Hellier Immanuel Kant, Critique of Pure Judgement Keats, “Ode on a Grecian Urn” Dogen’s Bendowa Tibetan Book of the Dead Daniel Ingram, Mastering the Core Teachings of the Buddha St. John of the Cross, Ascent of Mount Carmel Spinoza, Ethics Lionel Snell, My Years of Magical Thinking Special Guest: Duncan Barford. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every once in a while, JF and Phil like to do a “song swap.” Each picks a song, and the ensuing conversation locates linkages and correspondences where none was previously thought to exist. In this episode, they are joined by the music scholar Meredith Michael – Weird Studies assistant, and co-host of Cosmophonia, a podcast about music and outer space – to discuss songs by Lili Boulanger, Vienna Teng, and Iron & Wine. Before long, this disparate assortment personal favourites occasions a weirdly focused dialogue on time, impermanence, control, (mis)recognition, and the affinity of art and synchronicity. Support us on Patreon. Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Iron and Wine, “Passing Afternoon” Vienna Teng, “The Hymn of Acxiom”, (and here is the live version) Lili Boulanger, Vieille Priére Bouddhique Star Trek: Deep Space Nine Karol Berger, Bach’s Cycle Mozart’s Arrow William Shakespeare, Hamlet Charles Darwin, The Origin of Species Immanuel Kant, Critique of Pure Reason Vladimir Jankelevitch, Music and the Ineffable Hector Berlioz, Fugue on “amen” from La Damnation du Faust Slavoj Zizek, A Pervert’s Guide to Idiology Federico Campagna, Technic and Magic Shepard Tone Rudolf Steiner, The Influces of Lucifer and Ahriman Special Guest: Meredith Michael. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Victoria Nelson saw it first: Popular culture teems with occult ideas, vestiges of bygone belief, fragments of ancient magic disguised as common entertainment. Her 2001 work The Secret Life of Puppets is in many ways the ur-text of weird studies, so prescient and probing it is even more relevant now than it was when it first appeared. In episode 128, Phil and JF discussed Nelson's wonderful first novel Neighbor George (2021). In this episode, Nelson joins the hosts of Weird Studies to talk about the vision that drove her to write Secret Life along with its equally insightful follow-up, Gothicka. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop SHOW NOTES Victoria Nelson, The Secret Life of Puppets, Gothicka, Neighbor George M. R. James, Collected Ghost Stories Tzvetan Todorov, The Fantastic: A Structural Approach to a Literary Genre Sigmund Freud, Civilization and its Discontents Carol Clover, Men, Women, and Chainsaws: Gender in the Modern Horror Film Bruno Schulz, The Street of Crocodiles Stephenie Meyer, Twilight series William P. Young, The Shack: Where Tragedy Confronts Eternity _ Against Everyone with Conner Habib, episodes 202 & 203 James R. Lewis, _The Gods Have Landed Anne Rice, Interview with the Vampire Honoré de Balzac, "Séraphîta" L. Ron Hubbard, founder of Scientology Special Guest: Victoria Nelson. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Soft, soothing, and understated as a rule, ambient music may seem the least weird of all musical genres. Not so, say JF and Phil, who devote this episode to Brian Eno's Ambient 1: Music for Airports, the 1978 album in whose liner notes the term "ambient music" first appeared. In this conversation, your hosts explore the aesthetic, metaphysical, and political implications of a kind of music designed to interact with the listener -- and the listener's environment -- below the threshold of ordinary, directed awareness. Eno and Peter Schmidt's famous Oblique Strategies, a deck of cards designed to heighten and deepen creativity, lends divinatory support to the endeavor. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Brian Eno, Ambient 1: Music for Airports Gabriella Cardazzo, Duncan Ward, and Brian Eno, Imaginary Landscapes Oblique Strategies Deck Theodore Adorno, Introduction to the Sociology of Music Marc Auge, Non-Places Anahid Kassabian, “Ubiquitous Music” Sigmund Freud, “On Transience” Weird Studies, Episode 104 on Sgt. Pepper Joris Karl Huysmans, A Rebours Roger Moseley, Keys to Play Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listener discretion advised: This episode delves into the disturbing details of the Whitechapel murders of 1888, and may not be suitable for all audiences. Serialized from 1989 to 1996, Alan Moore and Eddie Campbell's graphic novel From Hell was first released in a single volume in 1999, just as the world was groaning into the present century. This is an important detail, because according to the creators of this astounding work, the age then passing away could not be understood without reference to the gruesome murders, never solved, of five women in London's Whitechapel district, in the fall of 1888. In Alan Moore's occult imagination, the Ripper murders were more than another instance of human depravity: they constituted a magical operation intended to alter the course of history. The nature of this operation, and whether or not it was successful, is the focus of this episode, in which JF and Phil also explore the imaginal actuality of Victorian London and the strange nature of history and time. Support us on Patreon. Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Daniel Silver, Terry Nichols Clark, and Clemente Jesus Navarro Yanez, “Scenes: Social Context in an Age of Contingency” Alan Moore and Eddie Campbell, From Hell Floating World, Edo Japanese concept Phil Ford, Dig: Sound and Music in Hip Culture John Clellon Holmes recordings Arthur Conan Doyle, Sherlock Holmes Collection Yacht Rock, web series Stephen Knight, Jack the Ripper: The Final Solution Colin Wilson, Jack the Ripper: Summing Up and Verdict Manly P. Hall, The Secret Teachings of All Ages Peter Ackroyd, Hawksmoor Weird Studies, Episode 89 on “Mumbo Jumbo” Charles Howard Hinton, mathematician J. G. Ballard, Preface to Crash William Gibson and Bruce Sterling, The Difference Engine Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini’s Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 1947 British film Black Narcissus is many things: an allegory of the end of empire, a chilling ghost story with nary a spook in sight, a psychological romance, and a meditation on the nature of the divine. Its weirdness is as undeniable as it is difficult to locate. On the surface, the story is straightforward: five nuns are tasked with opening a convent in the former seraglio of a dead potentate in the Himalayas. But on a deeper level, there is a lot more going on, as Phil and JF discover in this conversation touching on the presence of the past, the monstrosity of God, the mystery of the singular, and the eroticism of prayer, among other strangenesses. REFERENCES Michael Powell and Emeric Pressburged (dirs.), Black Narcissus Rumer Godden, author of the original novel Stanley Kubrick, The Shining Gilles Deleuze, Difference and Repetition Tim Ingold, British anthropologist -- lecture: "One World Anthropology" Jonathan Demme (dir.), The Silence of the Lambs Pierre Bourdieu, French sociologist Bruno Latour, On the Modern Cult of the Factish Gods Don Barhelme, American short story writer Paul Ricoeur, French philosopher Weird Studies episode 16: On Dogen Zenji's Genjokoan The King and the Beggar Maid Gillo Pontecorvo, The Battle of Algiers “Painting with Light,” featurette on the Criterion Collection DVD of Black Narcissus Learn more about your ad choices. Visit podcastchoices.com/adchoices

There are works of weird fiction that dispense their strangeness so subtly that many readers never pick up on it, books that allow themselves to be pass for mundane, the better to haunt us after we put them down. Donna Tartt's debut novel The Secret History, published in 1992, is such a work. On the surface, it is a brilliant, yet completely naturalistic, telling of the lead-up and aftermath of a murder. But The Secret History is also a work of the depths, and readers who go in seeking the Weird will find it lurking on every page. More than a masterpiece of psychological exploration, it is a story about the resurgence of the old god Dionysus, and a chronicle of fate; fate conceived, in the manner of the Ancient Greeks, as a cosmic force. Support us on Patreon. Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Donna Tartt, The Secret History Robertson Davies, Canadian novelist Weird Studies, Episode 98 on Exotica M. R. James, English author Weird Studies, Episode 3 on “The White People” E. R. Dodds, The Greeks and the Irrational Jean Cocteau, La Machine Infernale John Crowley, Little, Big Star Trek: The Next Generation, “The Outrageous Okana” Weird Studies, Episode 110 on “The Glass Bead Game” Gabriel Faure, Nocturne No. 11 Pierre-André Boutang, L'Abécédaire de Gilles Deleuze Donna Tartt, The Goldfinch Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Jonathan Glazer's loose screen adaptation of Michel Faber's novel Under the Skin, a creature of mysterious origin drives around Scotland in a white van, collecting lonely men and spiriting them away to an otherworld where they are turned into food.... or something. Drawing on a deep well of literary, visual, and musical tradition, Glazer (with help from his score composer Mica Levi) create a vivid work of tragedy and horror, masterfully executed for maximal weirdness and unwaveringly true to the auteur's intent to reveal our world from an "alien perspective." In this episode, Phil and JF discuss some themes and ideas they've pried from this exquisite tangle of image and sound. Along the way, they discuss the role that serendipity, coincidence, and fate play in both art-making and scholarship. REFERENCES Under the Skin (Jonathan Glazer, 2013) Other films by Glazer: Sexy Beast (2000), Birth (2004) Barry Lyndon (Stanley Kubrick, 1975) Iannis Xenakis, Greek composer Twin Peaks: The Return (David Lynch, 2017) Ligeti, Atmosphères Stranger Things (The Duffer Brothers, 2016) Screen shot of "Space Invader" Easter egg in Under the Skin Weird Studies Episode 37: Entities, with Stuart Davis John August, American screenwriter Phil Ford, "The Devil's On Your Side: A Meditation on the Perennially Disreputable Business of Hermeneutics" (unpublished) Room 237 (Rodney Ascher, 2013) William Irwin Thompson, Imaginary Landscape: Making Worlds of Myth and Science Interview with Mica Levi, who composed the score for Under the Skin Atar Arad, American violist David Caspar Friedrich, Wanderer above the Sea of Fog Learn more about your ad choices. Visit podcastchoices.com/adchoices

For as long as they've been pounding the crap out of each other for good reasons, humans have also been pounding the crap out of each other for fun. Everywhere, in ever age, elaborate systems, rituals, and traditions have arisen to ring in the practice of violence and thereby offer the rough beast that lurks in every soul a chance to come out for a stretch in the sun. In this episode, Phil and JF delve into one of the most scandalous affairs of all: the illicit dalliance of Aphrodite and Ares, beauty and violence. WORKS & IDEAS DISCUSSED IN THIS EPISODE: Ernest Hemingway, Death in the Afternoon James Hillman, A Terrible Love of War Homer, The Odyssey Joyce Carol Oates, On Boxing La fosse aux tigres (documentary directed by Jason Brennan and JF Martel; Nish Media) Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction Richard Strauss's opera Salome Gur Hirshberg, "Burke, Kant, and the Sublime" Gilles Deleuze, The Logic of Sense Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship between walking and thinking, between putting one foot in front of the other and uncovering the secret of the soul and world. In this episode, JF and Phil exchange ideas about the weirdness of this thing most humans did on most days for most of world history. The conversation ranges over a vast territory, with zen monks, novelists, Jesuits and more joining your hosts on what turns out to be a journey to wondrous places. Header image by Beatrice, Wikimedia Commons REFERENCES Dogen, The Mountains and Waters Sutra Weird Studies listener Stephanie Quick on the Conspirinormal podcast Weird Studies episode 51, Blind Seers: On Flannery O'Connor's 'Wise Blood' Lionel Snell, SSOTBME Henry David Thoreau, "Walking" Arthur Machen, "The White People" Herman Melville, Moby Dick Vladimir Horowitz, Russian panist Gregory Bateson, cybernetic theorist The myth of the Giant Antaeus Wallce Stevens, "Notes Toward a Supreme Fiction" Deleuze, Difference and Repetition Michel de Certeau, The Practice of Everyday Life John Cowper Powys, English novelist Will Self, English writer Guy Debord, The Society of the Spectacle Arcade Fire, “We Used to Wait” Paul Thomas Anderson (director), Punch Drunk Love Viktor Shklovsky, Russian formalist Patreon blog post on Phil’s dream David Lynch (director), Twin Peaks: Fire Walk With Me Learn more about your ad choices. Visit podcastchoices.com/adchoices

With the term "weird studies" gaining currency inside and outside academia, Phil and JF thought it was time to discuss the philosophical method they've been developing on the podcast since 2018. Borrowing a term from Erik Davis, they call it weirding, and here set about trying to understand what it is, and what it means. David Lynch's fondness for crying, the practice of queering in cultural theory, the all-too-real phenomenon of "global weirding,"the spooky agency of artworks, and the tragic death of E.T. at the hands of Damien Hirst are just a few of the subjects touched on in the conversation. "Weirding" also happens to be the working title of the book your hosts are writing for Strange Attractor Press, as well as an eight-week series of lectures and discussions starting October 25th, 2022, on the Nura Learning platform. Header image: David Lynch, Mulholland Drive Link to the upcoming course: Weirding: An 8-Week Course With the Hosts of the Weird Studies Podcast SHOW NOTES Ludwig van Beethoven, 9th Symphony James Elkins, Pictures and Tears Eugenie Brinkema, The Form of the Affects David Lynch (dir.), Mulholland Drive Gilkes Deleuze and Felix Guattari, What is Philosophy? Weird Studies, Episode 121 on “Mandy” Erik Davis and Timothy Morton, “Uncanny Objects” episode of Expanding Minds Coen brothers (dir.), Hail Caesar Esther Williams, American swimmer Weird Studies, Episode 120 on Radical Mystery Douglas Rushkoff, Survival of the Richest William Shakespeare, Macbeth Erik Davis, “Weird Shit” Pete Docter and Bob Peterson (dir.), Up Steven Spielberg (dir.), E.T. Alejandro Jodorowsky, Psychomagic Martin Buber, I and Thou Gilbert Simondon, Imagination and Invention Weird Studies, Episode 106 the Wanderer Charles Ludlam, “On Camp” in Ridiculous Theater Weird Studies, Episodes 14 and 15 on “Stalker Weird Studies, Episode 35 on M. C. Richards’ “Centering” Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Technic and Magic: The Reconstruction of Reality, the philosopher Federico Campagna argues that we moderns have exhausted the reality system we devised at the dawn of our age, a system he calls Technic. Technic has one goal: to reduce all things to language by naming, tagging, measuring, and quantifying them, by turning every parcel of the physical and psychic universe into a "unit" defined by its position in the system. The result has been an erasure of the mere "suchness" of things, the singularity of things simply existing as they are. To replace a worldview that is now revealing its endemic nihilism, Campagna proposes Magic, a way of seeing that reestablishes a balance between the measurable and the ineffable. JF and Phil discuss Campagna's magisterial performance in this episode. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop SHOW NOTES Federico Campagna, Technic and Magic Bill Hicks, “Bit on Marketing” Fredric Jameson, The Seeds of Time Plotinus, Neoplatonist philosopher Francis Bacon, Irish artist Samuel Beckett, Irish author William S. Burroughs, Naked Lunch Weird Stuides, Episode 87 on Arthur Machen Northrop Frye, Anatomy of Criticism Learn more about your ad choices. Visit podcastchoices.com/adchoices

The German poet and philosopher Jean Gebser's major work, The Ever-Present Origin, is a monumental study of the evolution of consciousness from prehistory to posthistory. For Gebser, consciousness adopts different "structures" at different times and in different contexts, and each structure reveals certain facets of reality while potentially occluding others. An integral human being is one who can utilize all of the structures according to the moment or situation. As Gebserian scholar Jeremy Johnson explains in this episode, modern humans are currently experiencing the transition from the "perspectival" structure which formed in the late Middle Ages to the "aperspectival," a new way of seeing and being that first revealed itself in the art of the Modernists. Grokking what the aperspectival means, and what it might look like, is just one of the tasks Jeremy, Phil and JF set themselves in this engaging trialogue. Jeremy D. Johnson is the author of the recently released Seeing Through the World: Jean Gebser and Integral Consciousness. REFERENCES Jeremy Johnson, Seeing Through the World: Jean Gebser and the Integral Consciousness Jean Gebser, The Ever-Present Origin William Irwin Thompson, Coming Into Being: Artifacts and Texts in the Evolution of Consciousness Ken Wilber, integral theorist Lionel Snell, “Spare Parts” Nagarjuna, “Verses of the Middle Way” (Mulamadhyamakakarika) Peter Sloterdijk, You Must Change Your Life Thomas Aquinas, Summa Theologica Object-oriented ontology (OOO) Dogen, Uji (“The Time-Being”), from the Shobogenzo (Treasury of the True Dharma Eye) Special Guest: Jeremy D. Johnson. Learn more about your ad choices. Visit podcastchoices.com/adchoices

American philosopher Joshua Ramey, author of The Hermetic Deleuze: Philosophy and the Spiritual Ordeal, and Politics of Divination: Neoliberal Endgame and the Religion of Contingency, joins Phil and JF to discuss a philosophical project whose implications go deep and weird. In his books and articles, Joshua proffers the vision of a world where divination -- whether or not it is recognized as such -- isn't just possible, but necessary for advancing knowledge, creating art, and forming communities. And his research has revealed that the wardens of our neoliberal order know this all too well. As he writes in an essay discussed in this episode, the mandate of a weird age ought to be clear: "Occupy, and practice divination." **REFERENCES Joshua Ramey, The Hermetic Deleuze: Philosophy and the Spiritual Ordeal Joshua Ramey, Politics of DIvination: Neoliberal Endgame and the Religion of Contingency Joshua Ramey, "Contingency Without Unreason: Speculation After Meillassoux" (abstract) Vanessa de Oliveira Andreotti, University of British Columbia, at academia.edu Fred Moten and Stefano Harney, The Undercommons: Fugitive Planning and Black Study Deleuze, Nietzsche and Philosophy, Difference and Repetition, and The Logic of Sense Quentin Meillassoux, After Finitude: An Essay on Contingency Elie Ayache, The Blank Swan: The End of Probability Weird Studies, "Does Consciousness Exist?" Parts One and Two Special Guest: Joshua Ramey. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil stops by JF's Canadian homestead for a raucous IRL conversation on the idea of presence. The range of topics includes objects of power, the magic of books, the mystery of the event, modernity's knack for making myths immanent, genius loci, the mad wonder of Blue Velvet, and the iron fist of the virtual. REFERENCES Gil Scott-Heron, "The Revolution Will Bot Be Televised" Louis CK on smart phones at the ballet recital Henri Bergson, Matter and Memory, Creative Evolution Gilles Deleuze on the virtual: see Bergsonism, Proust and Signs, The Logic of Sense, Difference and Repetition, Cinema II: The TIme Image Expanding Mind with Erik Davis, "Being Anarchist" JF Martel, "Reality is Analog" Jason A. Josephson-Storm, The Myth of Disenchantment (and Gyrus's review) Gyrus, North: The Rise and Fall of the Polar Cosmos William Irwin Thompson, The Time Falling Bodies Take to Light: Mythology, Sexuality and the Origins of Culture Geoffrey O’Brien, Phantom Empire David Foster Wallace, “David Lynch Keeps His Head” Donald Barthelme David Lynch, Blue Velvet Eduardo Viveiros de Castro, Cannibal Meraphysics Learn more about your ad choices. Visit podcastchoices.com/adchoices

Music writing has always been something of an occult practice, trying by some weird alchemy to use concepts to describe stuff that defies the basic categories of intellect. So long as we stick to classical music, we can pretend that nothing too odd is happening, since the classical tradition has been steeped in notation for centuries. But when a musicologist attempts to analyze, say, an ambient track by Brian Eno, things aren't so simple. Suddenly notation won't do, and there comes the need to make use of every tool in the poet's shed. This episode focuses on a recently published article by Phil on this question. In due course, the discussion turns to the power of good writing: its capacity not just to convey an author's subjective impressions, but to disclose new facets of the ineffable, baroque objective world. SHOW NOTES Phil Ford, "Style as Analysis" in The Routledge Companion to Popular Music Analysis: Expanding Approaches, edited by Ciro Scotto, Kenneth M. Smith and John Brackett Christopher Ricks, Dylan's Vision of Sin Ferrucio Busoni, Sketch of a New Esthetic of Music Susan McClary, Feminine Endings: Music, Gender, and Sexuality Hans Ulrich Gumbrecht, Production of Presence: What Meaning Cannot Convey Phil Ford, Dig: Sound and Music in Hip Culture Jerry Hopkins, No One Here Gets Out Alive Brian Eno, Another Green World Mitchell Morris, The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s William Youngren, “Balliett’s Bailiwick,” Partisan Review 32, no. 1 (Winter 1965) Whitney Balliett, Collected Works E.M. Forster, Aspects of the Novel Henri Bergson, Matter and Memory Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Wedge" is a key concept for Phil and JF. When exploring weird phenomena—from artworks to ghosts, and everything in between—one tends to emphasize one or the other "end" of the event. At the thin end of the Wedge, the focus is on subjective experience: how it felt, what it was like, and its personal significance. At the thick end, the emphasis shifts to what actually happened, independent of how it was experienced. Though their roles sometimes switch, Phil generally thinks from the thin end, while JF approaches things from the thick. In this episode, they begin unpacking the implications of the Wedge for making sense of reality’s stranger aspects. Header image by SavidgeMichael via Wikimedia Commons. _ Join the Weirdosphere, our online learning platform Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, _Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Weird Studies, Episode 184 on David Lynch Phil Ford, “The View from the Cheap Seats at the UFO Show” Scene by Scene, 1999 Interview with David Lynch Weird Studies, Episodes 76 on Henri Bergson’s Metaphysics Henri Bergson, Creative Evolution Phil Ford, Dig Johan Huizinga, The Waning of the Middle Ages Lewis Lockwood, Beethoven: The Music and the Life Learn more about your ad choices. Visit podcastchoices.com/adchoices

Even learned commentators on the tarot are likely to point out at the fourteenth major arcana, Temperance, is a bit of a boring card. At least, it comes off as dull until you look at it closely, as JF and Phil do in this episode. What they find is that the Temperance card is actually a diagram, a kind of blueprint for a celestial machine that underlies human technology, beckoning us to restore even the most mechanical contraption to the raw weirdness at the source of everything. Header image by Rolf Dietrich Brecher via Wikimedia Commons It's not too late to join JF's Nura Learning course, ["Art in the Age of Artificial Intelligence."](www.nuralearning.com) Support us on Patreon and gain access to Phil's podcast on Wagner's Ring Cycle. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Download Pierre-Yves Martel's new album, Mer Bleue. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! SHOW NOTES Anonymous, Meditations on the Tarot Aleister Crowley, The Book of Thoth Adrien Lyne, Jacob’s Ladder Weeping Angels, Dr. Who creatures Joel Schumacher, Flatliners Lawrence Halprin, The RSVP Cycles Gregory Bateson, Steps To an Ecology of Mind Hesychasm, monastic practice Yoav Ben-Dov, Tarot: the Open Reading The Gnostic Tarot Jeffrey Kripal, Authors of the Impossible Nagarjuna, Verses of the Middle Way Learn more about your ad choices. Visit podcastchoices.com/adchoices

Raiders of the Lost Ark is more than a Hollywood movie made in the summer blockbuster mold. As Phil says in his intro to this popping Weird Studies episode, the film is "a Trojan horse of the Weird, easy to let in but once inside, apt to take over." This conversation sees him and JF discuss a movie we dismiss at our own risk, a cinematic masterpiece replete with enigmas that reach back to the foundations of Western civilization. What does the Ark of the Covenant signify? What does it contain? What happens if you open that box of god(s)? And whose god is this, anyway? These are questions that have puzzled theologians and mystics for centuries, and Steven Spielberg's great work asks them anew for an age gone nuclear. Image by arsheffield REFERENCES Steven Spielberg, Raiders of the Lost Ark Steven Soderbergh’s version of Raiders with sound and color removed Weird Studies Patreon extra, “Weird Genius” Weird Studies episode 28, “Weird Music Part 2” Camille Saint-Saëns, Danse Macabre M. Night Shyamalan, Signs Buck Rogers, Flash Gordon Neil Jordan (dir.), The End of the Affair Weird Studies episode 29, “On Lovecraft” Nicholas Goodrick-Clarke, The Occult Roots of Nazism Howard Carter, British archaeologist Jorge Luis Borges, “The Library of Babel” Claude Levi Strauss, French anthropologist Clement Greenberg's concept of medium specificity D. W. Griffith, Birth of a Nation David Mamet, On Directing Film Dumbo (1941 film) H. P. Lovecraft, “The Strange High House in the Mist” Jan Fries, Helrunar: A Manual of Rune Magick Neil Gaiman, American Gods GIF of the soldier moving funny at the end of Raiders Weird Studies episode 2, “Garmonbozia” Aaron Leitch, occultist Austin Osman Spare, The Book of Pleasure Gene Wolfe, [Soldier of the Mist](https://en.wikipedia.org/wiki/SoldieroftheMist)_ Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Music is worth living for," Andrew W.K. sings in his latest rock anthem. In this second episode on the weirdness of music, JF and Phil focus on two works steeped in ambiguity and paradox: Bob Dylan's "Jokerman," from the landmark post-Christian album Infidels, and Franz Liszt's "Mephisto Waltz, No. 1: The Dance at the Village Inn," inspired by an episode in the Faust legend. If this conversation has a central theme, it may be music's power to unhinge every fixed binary, from God and the Devil to culture and nature. Music, as exemplified in these pieces, can put us in touch with the abiding mystery of the eternal in the historical, the unhuman in the human... The hills are alive! REFERENCES Bob Dylan, "Jokerman" Franz Liszt, “Mephisto Waltz no. 1,” performed by Boris Berezovsky Andrew WK, "Music is Worth Living For" Leonard Cohen, “The Future” C.G. Jung, Aion Douglas Rushkoff, Testament The Guardian, “Carthaginians sacrificed own children, archaeologists say” Garry Wills, "Our Moloch" Minoan snake goddess statues Richard Wagner, Parsifal http://www.monsalvat.no/ T.S. Eliot, The Wasteland Daniel Albright, Untwisting the Serpent: Modernism in Music, Literature, and Other Arts Beckett, Not I Nikolaus Lenau, German Romantic poet Wolgang von Goethe, Faust, Part 1, translated by David Luke Weird Studies, Episode 3: Sin: "Ecstasy, and the White People" Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Duffer Brothers' hit series Stranger Things is many things: an exemplary piece of entertainment in the summer blockbuster mold, a fresh take on the "kids on bikes" subgenre of science fiction, a loving pastiche of 1980s Hollywood cinema. And as Phil and JF attempt to show in this episode, Stranger Things is also a deep investigation into the metaphysical assumptions of our times, and a bold statement on the ontology of the analog real. This, at least, was the thesis of JF's three-part essay "Reality is Analog: Philosophizing with Stranger Things," which appeared on Metapsychosis after the first season dropped in 2016. Here, Phil and JF revisit that essay in order to expand on its arguments and discuss how it hoilds up in light of the series continued unfolding. The conversation touches on Apple's famous 1984 ad for the first Macintosh, the 2016 election of Donald Trump, the otherworldliness of airports, the ensorcelments of consumerism, and much more. REFERENCES Stranger Things "Reality is Analog: Philosophizing with Stranger Things" available at Metapsychosis or in ebook format Samuel Delaney, Dhalgren 1984 Apple commercial for Macintosh Wild Wild Country, Netflix documentary series Tom Frank, “Why Johnny Can’t Dissent” Phil Ford, Dig: Sound and Music in Hip Culture Arcade Fire, “We Used to Wait” William S. Burroughs, Naked Lunch Jack Kerouac, Visions of Cody William James, A Pluralistic Universe Marc Augé, Non-Places: An Introduction to Supermodernity Weird Studies, episode 2: Garmonbozia Homer, Odyssey Matt Cardin, Dark Awakenings The Wachowskis, The Matrix Jonathan Haight and Greg Lukianoff, The Coddling of the American Mind Learn more about your ad choices. Visit podcastchoices.com/adchoices

Returning guest Matt Cardin is a writer of fiction and nonfiction whose focus on numinous horror places him in the literary lineage as Arthur Machen and Algernon Blackwood. His new book, What the Daemon Said, collects two decades' worth of meditations on literature, cinema, mysticism, philosophy, and the weird. He joins Phil and JF to talk about a range of topics including dark enlightenment, the idea that fear and trembling are the only sensible reactions to direct exposure to cosmic truth. Header image: detail of cover design for What the Daemon Said, by Dan Sauer Design. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Matt Cardin's website Matt Cardin, What the Daemon Said: Essays on Horror, Fiction, Film and Philosophy Matt Cardin, Dark Awakenings Julia Cameron, The Artist’s Way Morning Pages Journal Natalie Goldberg, Writing Down the Bones The Gospel of Thomas Matt Cardin, Dark Awakenings Robert Frost, “The Figure a Poem Makes” John Horgen, Rational Mysticism Weird Studies, Episode 41 with Matt Cardin Oswald Chambers, My Utmost for his Highest Weird Studies ep. 124: Dark Night Radio of the Soul, with Duncan Barford Theodore Roszak, American scholar M. C. Richards, Centering Friedrich Nietzsche, Twilight of the Idols Huston Smith, American religious scholar Martin Buber, I and Thou John Lee Hancock (dir.), The Rookie (2002) Eckart Tolle, German spiritual teacher Richard Wagner, Parsifal Peter Berger, The Sacred Canopy: Elements of a Sociological Theory of Religion Alan Watts, English writer and teacher Richard Rose, After the Absolute: The Inner Teachings of Richard Rose Special Guest: Matt Cardin. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Phil and JF explore the vast palatial halls of Susanna Clarke's novel Piranesi. Set in an otherworld consisting of endless galleries filled with enigmatic statues, Piranesi is the story of a man who lives alone -- or nearly alone -- in a dream labyrinth. As usual, our discussion leads to unexpected places every bit as strange as Clarke's setting, from Borge's infinite library and Lovecraft's alien cities to Renaissance Europe, where the art of memory was synonymous with wisdom and magic. SHOW NOTES Susanna Clarke, Piranesi Joshua Clover, 1989: Dylan Didn't Have This to Sing About , The Matrix (BFI Modern Classics John Crowley, Little, Big Christopher Priest, The Prestige (+Christopher Nolan's screen adaptation) Susanna Clarke, Jonathan Strange & Mr. Norrell JF Martel, "The Real as Sacrament" (forthcoming?) Frances Yates, The Art of Memory Mary Carruthers, The Book of Memory: A Study of Memory in Medieval Culture Plato, Phaedrus Henri Bergson, Matter and Memory Jorge Luis Borges, "The Library of Babel" Giovanni Battista Piranesi, Carceri d'invenzione Maurits Cornelis Escher, Duch artist H. P. Lovecraft, At the Mountains of Madness Gaston Bachelard, The Poetics of Space Gyrus, North: The Rise and Fall of the Polar Cosmos Emerald Tablet, foundational Hermetic text Joshua Foer, Moonwalking with Einstein: The Art and Science of Remembering Everything Weird Studies ep. 42 - On Pauline Oliveros, with Kerry O'Brien Giovanni colleague? Allen Ginsberg, "America" Rodney Ascher, A Glitch in the Matrix Walter J. Ong, American philosopher Weird Studies ep. 71: The Medium is the Message Thomas Ligotti, "The Night School" Thomas Aquinas, Christian philosopher and theologian Erasmus, Christian philosopher Marsilio Ficino, Christian philosopher Learn more about your ad choices. Visit podcastchoices.com/adchoices

No survey of weird literature would be complete without mentioning Algernon Blackwood (1869-1951). As with all masters of the genre, Blackwood's take on the weird is singular: here, it isn't the cold reaches of outer space that elicit in us a nihilistic frisson, but the vast expanses of our own planet's wild places -- especially the northern woods. In his story "The Wendigo," Blackwood combines the beliefs of the Indigenous peoples of the Eastern Woodlands with the folktales of his native Britain to weave an ensorcelling story that perfectly captures the mood of the Canadian wilderness. In this conversation, JF and Phil discuss their own experience of that wilderness growing up in Ontario. The deeper they go, the spookier things get. An episode best enjoyed in solitude, by a campfire. Header Image: "Highway 60 Passing Through the Boreal Forest in Algonquin Park" by Dimana Koralova, Wikimedia Commons SHOW NOTES Glenn Gould, The Idea of North Algernon Blackwood, "The Wendigo" Game of Thrones (HBO series) Weird Studies, Episode 29: On Lovecraft H. P. Lovecraft, "Supernatural Horror in Literature" Edgar Allan Poe, "The Philosophy of Composition" Fritz Leiber, The Adventures of Fafhrd and the Gray Mouser Richard Wagner, Parsifal David Lynch, Twin Peaks: The Return Peter Heller, The River: A Novel The Killing of Tim McLean (July 30, 2008) Weird Studies, Episode 3: Ecstasy, Sin, and "The White People" Mysterious Universe: Strange and Terrifying Encounters with Skinwalkers Jacques Vallée, Passport to Magonia: On UFOs, Folklore, and Parallel Worlds Graham Harman, Weird Realism: Lovecraft and Philosophy Arthur Machen, Hieroglyphics: A Note Upon Ecstasy Learn more about your ad choices. Visit podcastchoices.com/adchoices

The British writer M. John Harrison is responsible for some of the most significant incursions of the Weird into the literary imagination of the last several decades. His 1992 novel The Course of the Heart is a masterful exercise in erasing whatever boundary you care to mention, from the one between reality and mind to the one between love and horror. Recounting the lives of three friends as they play out the fateful aftermath of a magical operation that went horribly wrong, Harrison's novel gives Phil and JF the chance to talk contemporary literature, metaphysics, Gnosticism, zones (see episodes 13 & 14), myth, transcendence, history, and arachnology. Together, they weave a fragile web of ideas centered on that imperceptible something that forever trembles at the edge of our perception, beckoning us to step into its world, and out of ours. REFERENCES M. John Harrison, The Course of the Heart M. John Harrison, "The Great God Pan" Arthur Machen, The Great God Pan Philip K. Dick, Ubik Philip K. Dick, The Three Stigmata of Palmer Eldritch Weird Studies, Episode 14 on Stalker Jonathan Carrol, American novelist Robert Aickman, British writer Magic Realism, literary genre Phil Ford, “An Essay on Fortuna, parts 1 and 2,” Weird Studies Patreon John Crowley, Ægypt Jorge Borges," The Approach to Al-Mu'tasim" Strange Horizons, Interview with M. John Harrison M. John Harrison on worldbuilding Thomas Ligotti, American horror writer Weird Studies subreddit Albert Camus, French philosopher David Abram, The Spell of the Sensuous Spiders’ nervous systems Valentinus, gnostic theologian Simon Magus, religious figure Wiccan goddess and god Bruno Schulz, The Street of Crocodiles Weird Studies, Episode 37 with Stuart Davis Learn more about your ad choices. Visit podcastchoices.com/adchoices

"What a fool believes he sees, no wise man can reason away." This line from a Doobie Brothers song is probably one of the most profound in the history of rock-'n'-roll. It is profound for all the reasons (or unreasons) explored in this discussion, which lasers in on just one of the major trumps of the traditional tarot deck, that of the Fool. The Fool is integral to the world, yet stands outside it. The Fool is an idiot but also a sage. The Fool does not know; s/he intuits, improvises a path through the brambles of existence. We intend this episode on the Fool to be the first in an occasional series covering all twenty-two of the major trumps of the Tarot of Marseilles. REFERENCES The Fool in the tarot St. Paul's First Epistle to the Corinthians Meditations on the Tarot: A Journey Into Christian Hermeticism Aleister Crowley, The Book of Thoth Plato, Phaedrus Weird Studies episode 60 - Space is the Place: On Sun Ra, Gnosticism, and the Tarot Till Eulenspiegel, folk figure Aleister Crowley, Magick Without Tears Weird Studies episode 75 - Our Old Friend the Monolith: On Stanley Kubrick's 2001: A Space Odyssey Weird Studies episode 76 - Below the Abyss: On Bergson's Metaphysics Rider-Waite Tarot Deck Richard Wagner, Parsifal G. W. F. Hegel, German philosopher Ramsey Dukes, Words Made Flesh: Information in Formation George Spencer Brown, Laws of Form Alain Badiou, Deleuze: The Clamor of Being Punch and Judy, British puppet show George P. Hansen, The Trickster and the Paranormal Lin Yutang, The Importance of Living Thomas Mann, Death in Venice Phil Ford's lecture on Death in Venice (Patreon exclusive!) Fyodor Dostoevsky, The Idiot Hal Ashby (dir.), Being There Alejandro Jodorowsky and Marianne Costa, The Way of the Tarot Frank Pavich (dir.), Jodorowsky’s Dune Tarot of Marseilles André Breton, French surrealist artist Learn more about your ad choices. Visit podcastchoices.com/adchoices

JF and Phil head for Interzone in an attempt to solve the enigma of Naked Lunch, David Cronenberg's 1991 screen adaptation of William S. Burroughs' infamous 1959 novel. A treatise on addiction, a diagnosis of modern ills, a lucid portrait of the artist as cosmic transgressor, and like the book, "a frozen moment when everyone sees what is on the end of every fork," Naked Lunch is here framed in the light Cronenberg's recent speech making the case for the crime of art. Image by Melancholie, Wikimedia Commons. REFERENCES David Foster Wallace, "Westward the Course of Empire Takes Its Way," from Girl With Curious Hair Gilles Deleuze and Félix Guattari, Anti-Oedipus, and "How Do You Make Yourself a Body Without Organs?" in A Thousand Plateaus David Cronenberg (writer-director), Naked Lunch (the film) William Burroughs, Naked Lunch (the novel) Thomas De Quincey, Confessions of an Opium-Eater Dale Pendell, Pharmako/Poeia: Power Plants, Poisons and Herbcraft "David Cronenberg: I would like to make the case for the crime of art," Globe and Mail June 22 2018 JF Martel, Reclaiming Art in the Age of Artifice Phil Ford, Dig: Sound and Music in Hip Culture Derek Bailey (director), On the Edge: Improvisation in Music Phil Ford, "Good Prose is Written By People Who Are Not Frightened" Geroge Orwell, "Inside the Whale" Learn more about your ad choices. Visit podcastchoices.com/adchoices

In her National Book Award acceptance speech in 2014, Ursula K. Le Guin intimated that, far from being superseded by digital technology, fantastic fiction has never been more important than it is about to become. Soon, she prophesied, "we will need writers who can remember freedom -- poets, visionaries, realists of a larger reality." In this episode, Phil and JF plumb the prophetic depths of one of her most famous books, A Wizard of Earthsea. A discussion of the novel's style and lore leads us into the politics and metaphysics of fantasy as developed by Le Guin and her predecessor, J. R. R. Tolkien. In the end, we realize that fantasy is not the literary ghetto it's been made out to be, but the sine qua non of all fiction. SHOW NOTES John Keats, "Ode on a Grecian Urn" Heidegger, "On the Origin of the Work of Art" Beowulf, An Anglo-Saxon epic poem Weird Studies, episode 41 -- On Speculative Fiction, with Matt Cardin Weird Studies, episode 61 -- Evil and Ecstasy: On 'The Silence of the Lambs' Weird Studies, episode 62: Like 'The Shining,' But With Nuns: On 'Black Narcissus' The Complete Romances of Chretien de Troyes (translated by J.F.'s mentor, David Staines) Sir Thomas Malory, La Morte d'Arthur Lewis Carroll, British fantasist Ursula K. Le Guin's acceptance speech at the National Book Awards, 2014 David Hume, An Enquiry Concerning Human Understanding and A Treatise of Human Nature Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Here is a weird, deceptive life." Thus does Aleister Crowley describe the meaning of one of the most sinister and spectral cards in the tarot. In this episode, Phil and JF continue their ongoing series on the twenty-two major trumps with a deep dive into the hopelessly enigmatic world of Arcanum XVIII: The Moon. After a brief chat about Voltron and professional wrestling, your hosts start on the lunar path beset by traps and illusions, in hopes that their half-blind perambulation will lead to startling insights. Image by Damien Deltenre via Wikimedia Commons. References Roland Barthes, Mythologies Anonymous, Meditations on the Tarot Colin Wilson, The Occult Eliphas Levi,_ French esotericist Ishmael Reed, Mumbo Jumbo Weird Studies, [Episode 86 on The Sandman](weirdstudies.com/86) Plato, Republic Antoine Faivre, scholar of esoteric studies Wouter Hanegraaff, historian of philosophy Alastair Crowley, Book of Thoth Henri Bergson, Creative Evolution Carl Jung, Mysterium Coniunctionis Peter Kingsley, historian of philosophy St. John of the Cross, The Dark Night of the Soul J.R.R Tolkien, The Lord of the Rings Weird Studies, Episode 93 on Charles Taylor Algis Uždavinys, Philosophy as a Rite of Rebirth Learn more about your ad choices. Visit podcastchoices.com/adchoices

What is there to say about the COVID-19 virus that hasn't already been said, over and over again, all around the world, in quaratined houses and on TV and social media and countless Zoom chats ... what can we say that you haven't heard? Well, probably nothing. But we are now at the point where we realize that the real importance of the things we say is not their content, but the mere fact of saying them. As Marshall McLuhan said, the medium is the message, and at a time when we have been driven into separate solitudes, we are discovering that the real meaning of our utterances might be something like "hello, are you there?" and "I am here, talking to you." In that spirit, Phil and JF have a conversation about William James's essay "On Some Mental Effects of the Earthquake," partly to discuss the ways that it's relevant to our present circumstances and the ways it's not, but mostly to make human connections, both with each other and with Weird Studies listeners. As JF says, stay close, but keep your distance. REFERENCES William James, "On Some Mental Effects of the Earthquake" William James, Writings 1902-1910 Noel Black (director), "To See the Invisible Man", 2nd segment of episode 16 of The Twilight Zone (1985-86) Weird Studies no. 29, “On Lovecraft” Weird Studies no. 64, “Dreams and Shadows: On Ursula Le Guin's A Wizard of Earthsea” Weird Studies no. 67, “Goblins, Goat-Gods and Gates: On Hellier” Martin Heidegger, “‘Only a God Can Save Us’: The Spiegel Interview" Bruno Latour, "An Inquiry Into Modes of Existence: An Anthropology of the Moderns" H.P. Lovecraft, “Nyarlathotep” Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Book of Changes, or I Ching, is more than an ancient text. It's a metaphysical guide, a fun game, and -- to your hosts at least -- a lifelong, steadfast friend. The I Ching has come up more than once on the show, and now is the time for JF and Phil to face it head on, discussing the role it has played in their lives while delving into some of its mysteries. REFERENCES I Ching, Wilhelm-Baynes translation I Ching, Stephen Karcher translation Game of Thrones, HBO series George R. R. Martin, A Song of Ice and Fire George R. R. Martin, “Sandkings” in: Ann and Jeff VanderMeer, The Weird: A Compendium of Strange and Dark Stories H. P. Lovecraft, American writer Graham Harman, Weird Realism: Lovecraft and Philosophy Aleister Crowley, “777” Eduardo Viveiros de Castro, Cannibal Metaphysics Joel Biroco, Calling Crane in the Shade (website) Philip K. Dick, American novelist Lionel Snell, a.k.a. Ramsey Dukes, British occultist Richard Rutt, _Zhouyi: A New Translation with Commentary _ Mervyn Peake, Gormenghast Redmond and Hon, Teaching the I Ching Weird Studies, episode 72, On the castrati Weird Studies, episode 77, On the fool tarot card Anonymous, Meditations on the Tarot The Usual Suspects (movie) Colin Wilson, The Occult Learn more about your ad choices. Visit podcastchoices.com/adchoices

"YOU MUST CHANGE YOUR LIFE!" Tired of failure and self-loathing? Want to be rich and famous while having a good time all the time? Wondering how to turn your banal opinions into Transcendent Truths? Look no further than this special, exclusive episode of Weird Studies, where we reveal, once and for all, the secrets of ART-POWER! Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop SHOW NOTES Ramsey Dukes, BLAST Your Way to Megabuck$ with My SECRET Sex-Power Formula James Raggi's statements on artistic freedom in tabletop roleplaying games: Proud to Commit Commercial Suicide 2023 and On Potential Inclusivity/Morality Clauses in RPG Licenses David Cronenberg, "I Would Like to Make a Case for the Crime of Art" Oscar Wilde, Preface to The Picture of Dorian Grey Alfred Gell, The Art of Anthropology Susanne Langer, “On the Cultural Importance of the Arts” Weird Studies, Episodes 73 and 74 on Carl Jung’s Theory of Art Kodo Sawaki, Japanese zen teacher Eric Voegelin, The New Science of Politics Gilles Deleuze, Pure Immanence Werner Herzog, Cave of Forgotten Dreams John Dewey, Art as Experience Susanne Langer, Philosophy in a New Key Neil Gaiman, “Make Good Art” Leon Wieseltier, “Perhaps Culture is Now the Counterculture” Eugene Vodolazkin, Laurus Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Death to Videodrome! Long live the New Flesh!" It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film Videodrome is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana University Cinema in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh. Support us on Patreon. Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES David Cronenberg, Videodrome Maurice Merleau-Ponty, The Visible and the Invisible Paul Virilio, The Information Bomb Weird Studies, Episode 75 on “2001: A Space Odyssey” Richard Porton and David Cronenberg, "The Film Director as Philosopher: An Interview with David Cronenberg" George Hickenlooper and David Cronenberg, "The Primal Energies of the Horror Film: An Interview with David Cronenberg" Weird Studies, Episode 144 with Connor Habib William Friedkin (dir.), The Exorcist Plato, Timaeus William Gibson, Idoru CBC, Yorkville: Hippie Haven Linda Williams, “Film Bodies: Gender, Genre, and Excess” Learn more about your ad choices. Visit podcastchoices.com/adchoices

It is said that for several days after the release of Sgt. Pepper's Lonely Hearts Club Band in the spring of 1967, you could have driven from one U.S. coast to the other without ever going out of range of a local radio broadcast of the album. Sgt. Pepper was, in a sense, the first global musical event -- comparable to other sixties game-changers such as the Kennedy assassination and the moon landing. What's more, this event is as every bit as strange as the latter two; it is only custom and habit that blind us to the profound weirdness of Sgt. Pepper. In this episode, Phil and JF reimagine the Beatles' masterpiece as an egregore, a magical operation that changes future and past alike, and a spiritual machine for "turning us on" to the invisible background against which we strut and fret our hours on the stage. Support us on Patreon: Find us on Discord Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Weird Studies, Episode 31 on Glenn Gould’s ‘Prospects of Recording’ Nelson Goodman, Languages of Art Brian Eno, Taking Tiger Mountain (By Strategy) Weird Studies, Episode 33 On Duchamp’s Fountain Emmanuel Carrère, La Moustache Rob Reiner, This is Spinal Tap Richard Lester, A Hard Day's Night Gilles Deleuze, Cinema 2 James Carse, Finite and Infinite Games Felix Guattari and Gilles Deleuze, What is Philosophy? Arthur Machen, “A Fragment of Life” David Lynch, Lost Highway Zhuangzi (Butterfly dream) Ian MacDonald, Revolution in the Head Learn more about your ad choices. Visit podcastchoices.com/adchoices

American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher's films into the living labyrinth of a strange universe that isn't just unknown, but radically unknowable. REFERENCES American filmmaker Rodney Ascher, director of "The S from Hell", Room 237, The Nightmare, and "Primal Screen" James Hillman, The Dream and the Underworld The Duffer Brothers (directors), Stranger Things (web TV series) Alan Landsburg (creator), In Search Of... with Leonard Nimoy (American TV series) Errol Morris (director), The Thin Blue Line Ann and Jeff Vandermeer (editors), The Weird: A Compendium of Strange and Dark Stories British speculative writer Michael Moorcock Lord Dunsany, The Gods of Pegana Arthur Conan Doyle, The Hound of the Baskervilles Stanley Kubrick (writer-director), The Shining Richard Attenborough (director), Magic Sandor Stern (writer-director), Pin Freud, "The Uncanny" Freud, Beyond the Pleasure Principle David Lynch (writer-director), Lost Highway French psychoanalyst Jacques Lacan Duncan Barford, Occult Experiments in the Home: Personal Explorations of Magick and the Paranormal JF Martel, "Ramble on the Real" Phil Ford, "Birth of the Weird" American astronomer Carl Sagan Charles Taylor, Sources of the Self: The Making of the Modern Identity René Descartes, Meditations on First Philosophy Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Star is one of the most iconic of the major trumps of the traditional tarot deck. It is also one of the most ambiguous. A woman is shown emptying two urns of water onto the parched ground. She is flanked by nascent plant life. Shining above her are those nocturnal luminaries whose "eternal silence" so frightened the philosopher Blaise Pascal at the dawn of modernity. Are the stars pointing the way to a brighter future, or are they stars of ill omen, warning us of what lies ahead? And what does that little bird in the background signify? In this episode, Phil and JF try to get to the bottom of the starry heavens, only to find out that starry heavens have no bottom. Click here to purchase tickets to the Weird Studies beer launch at Illuminated Brew Works in Chicago on May 23. Buy the Weird Studies soundtrack Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Our Known Friend (Valentin Tomberg), Meditations on the Tarot Alejandro Jodorowsky, The Way of the Tarot Pink Floyd, “Astronomy Domine” Aleister Crowley, The Book of Thoth Aleister Crowley, The Book of the Law Heimarmene, Greek goddess of fate Weird Studies, Episode 121 on Mandy Ursula K. Le Guin, A Wizard of Earthsea Samuel Delaney, Dahlgren J R. R. Tolkien, The Lord of the Rings Juan Eduardo Cirlot, A Dictionary of Symbols Weird Studies, Episode 103 on the Tower Weird Studies, [Episode 114 on the Wheel of Fortune] Joni Mitchell, “Ladies of the Canyon” Learn more about your ad choices. Visit podcastchoices.com/adchoices

What Evil Dead 2 is to the Baroque, Sunn O))) is to Brutalism. Or more like: if the likening of Evil Dead 2 to the Baroque felt like a stretch in episode 136, the brutalist bona fides of Sunn O)))'s drone metal are incontestable. In this episode, their 2019 masterpiece Life Metal frames a conversation touching on 20th-century avant garde music, the tactility of sound, the metaphysics of the Kickass Riff, Aztec aesthetics, the virtues of impermanence, and of course, the sublime beauty of brutalist buildings. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Sunn O))), Life Metal Theatre of Eternal Music, musical group Daniel Albright, Panaesthetics Brian Eno, Imaginary Landscapes John Wray, “Heady Metal” Nyarlathotep, Lovecraft character Byung-Hul Chan, The Philosophy of Zen Buddhism Fred Wilcox (dir.), Forbidden Planet H. P. Lovecraft, At the Mountains of Madness Godfrey Reggio (dir.), [Koyaanisquatsi](imdb.com/title/tt0085809/) Learn more about your ad choices. Visit podcastchoices.com/adchoices

What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hickey, the critic plays a weak role, and it's this weakness that makes it essential. In his essay "Air Guitar," published in 1997, Hickey argues that criticism can never really penetrate the mystery of any artwork. Criticism is rather a way to capture the "enigmatic whoosh" of art as one instance of the more pervasive "whoosh" of ordinary experience. So, no act of criticism can ever exhaust an artwork. The critic interprets a singular experience of art into words so that others might be encouraged to have their own, equally singular experiences. In this episode, Phil and JF discuss what criticism has to do with art, life, politics, and ordinary experience. Header image: Caravaggio, The Calling of Saint Matthew (1599-1600) REFERENCES Dave Hickey, Air Guitar: Essays on Art and Democracy Plato, Republic Oscar Wilde, "The Decay of Lying" Phil Ford, Dig: Sound and Music in Hip Culture Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature Deleuze and Félix Guattari, What is Philosophy? Dave Hickey, "Buying the World" Clinton e-mails exhibition at the Venice Biennale Oscar Wilde, The Portrait of Dorian Gray Learn more about your ad choices. Visit podcastchoices.com/adchoices

In A Secular Age, the Canadian philosopher Charles Taylor tries to come to grips with the seismic development that transformed the world after the Renaissance, namely the secularization of the society and soul of Western humanity. What does it mean to live in an age where religion, once the very matrix of social existence, is relegated to the realm of private and personal choice? What defines secularity? Are modern people really as "irrelegious" as we make them out to be? In this episode, JF and Phil squarely train their sights on a question that continues to haunt them, with Taylor as their Virgil in what amounts to a descent into the ordinary inferno of modern unknowing. Header Image by Pahudson, via Wikimedia Commons REFERENCES Pierre-Yves Martel's Bandcamp page Charles Taylor, A Secular Age Charles Taylor, The Malaise of Modernity Weird Studies, ep 71: The Medium is the Message Penn & Teller, Bullshit René Descartes, Meditations Theodore Roszak, The Making of a Counter-Culture Thomas Aquinas, Summa Theologica Jacques Ellul, The New Demons David Foster Wallace's essay on David Letterman Richard Dawkins, The Selfish Gene Eric Voegelin, The New Science of Politics Karl Jaspers, The Origin and Goal of History Learn more about your ad choices. Visit podcastchoices.com/adchoices

Weird Stories is a series of readings for Weird Studies listeners who want to dig deeper into the themes and ideas discussed on the Weird Studies podcast. In his seminal essay "Supernatural Horror in Literature," H. P. Lovecraft named Arthur Machen one of the four "modern masters" of horror fiction, alongside Lord Dunsany, Algernon Blackwood, and M. R. James. Born in 1863, Machen burst onto the London literary scene in 1890 with the controversial novella "The Great God Pan." He was briefly considered one of the luminaries of the Decadent movement before falling into obscurity and experiencing a literary rebirth toward the end of his life. In this Weird Stories installment, Phil Ford reads the complete text of one of Machen's most famous works, "The White People" (1904). Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Dutch historian Johan Huizinga was one of the first thinkers to define games as exercises in world-making. Every game, he wrote, occurs within a magic circle where the rules of ordinary life are suspended and new laws come into play. No game illustrates this better than Gary Gygax's tabletop RPG, Dungeons & Dragons. In this episode, Phil and JF use D&D as the focus of a conversation about the weird interdependence of reality and fantasy. Header image: Gaetan Bahl (Wikimedia Commons) WORKS CITED OR DISCUSSED IN THIS EPISODE Official homepage of the Dungeons & Dragons roleplaying game Critical Role web series   Another RPG podcast JF failed to mention: The HowWeRoll Podcast Demetrious Johnson’s Twitch site Game Over: Kasparov and the Machine (documentary)   Chessboxing!   Jackson Lears, Something for Nothing: Luck in America   Peter Fischli, The Way Things Go   Jon Cogburn and Mark Silcox, Dungeons & Dragons and Philosophy: Raiding the Temple of Wisdom   Lawrence Schick, ed., Deities & Demigods: Cyclopedia of Gods and Heroes from Myth and Legend   Article on Mazes and Monsters, a movie that came out of the D&D moral panic of the 1980s   Phil Ford, “Xenorationality”   Johan Huizinga, Homo Ludens: A Study of the Play-Element of Culture   John Sinclair, [Guitar Army: Rock and Revolution with the MC5 and the White Panther Party](https://www.amazon.com/Guitar-Army-Revolution-White-Panther/dp/1934170003) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every off-week, listeners who have chosen to support Weird Studies by joining our Patreon at the Listener's Tier get to enjoy a bonus episode. These episodes are different from the flagship show. Less formal and entirely improvised, they offer Phil and JF a different way of exploring the weird in art, philosophy and culture. To tide our listenership over until the next new episode drops on January 24th, here is a recent example of a Weird Studies audio extra, recorded as the holiday season was getting under way. Happy New Year. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In his 1978 bestseller The Selfish Gene, Richard Dawkins described humans as "survival machines" whose sole purpose is the replication of genes. All of culture needed to be understood as a side-effect, if not an epiphenomenon, of that defining function. Four years after Dawkins' book was published, Warner Brothers released Blade Runner, an adaptation of Philip K. Dick's dystopian novel Do Androis Dream of Electric Sheep?. Ridley Scott's film presents us with a different kind of survival machine: the replicant, a technology whose sole function is the replication of human beings. In this episode, Phil and JF discuss the ethical, metaphysical, and aesthetic dimensions of one of the greatest and most prophetic science fiction films of all time. Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop Buy the Weird Studies soundtrack REFERENCES Ridley Scott (dir.), Blade Runner Philip K. Dick, Do Androids Dream of Electric Sheep? Philip K. Dick, “The Android and the Human” Philip K. Dick, “Man, Android, and Machine” Dennis Villeneuve (dir.), Blade Runner 2049 Weird Studies, Episode 114 on the Wheel of Fortune Scott Bukatman, Blade Runner: BFI Film Classics Alan Nourse, The Bladerunner Weird Studies, Episode 115 on Brian Eno Richard Dawkins, The Selfish Gene Todd Gitlin, The Sixties: Years of Hope, Days of Rage Fredric Jameson, Postmodernism or the Cultural Logic of Late Capitalism Weird Studies, Episode 5 on “When Nothing is Cool” JF Martel, “Reality is Analog: Philosophizing with Stranger Things” John Carpenter (dir,), The Thing Beyond Yacht Rock podcast Sigmund Freud, “The Uncanny” Weird Studies, Episode 86 on “The Sandman” Orson Welles (dir.), Touch of Evil George Orwell, 1984 Learn more about your ad choices. Visit podcastchoices.com/adchoices

There are artists who express the vision of a place, person, or thing so vividly and originally that it sets the bar for all future imaginings. With his four Mad Max films, this is what George Miller did with the image of the Wasteland. No one has been able to capture the stark, raw energy and chaotic beauty of a post-apocalyptic desert quite like Miller. His portrayal not only defines the aesthetic of a cinematic world but also prompts us to think about the meaning of civilization, technology, humanity, and how they intertwine. In this episode, Phil and JF discuss how Mad Max challenges our perception of civilization, and our conception of the human. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES George Miller (dir.), Mad Max George Miller (dir.), Mad Max: The Road Warrior George Miller (dir.), Mad Max: Beyond Thunderdrome George Miller (dir.), Mad Max: Fury Road Jaroslav Hašek, The Good Soldier Švejk Stanley Kubrick (dir.), A Clockwork Orange Sam Raimi (dir), The Quick and the Dead Joe Bob Briggs, movie critic Phil Ford, “The Wanderer” Felix Guattari and Gilles Deleuze, Nomadology Our Known Friend, Meditations on the Tarot Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the last week of July, 2023, Phil and JF were delighted to speak at Shannon Taggart's Science of Things Spiritual Symposium in Lily Dale, the nerve centre of the Spiritualist movement. As speakers, your hosts were part of an inspiring lineup of scholars, artists, and researchers committed to exploring the borderlands of art, science, religion, and the paranormal. They also had the honour of launching the symposium with a live recording held on the evening of the July 27th. The topic was Frederic W. H. Myers' autobiographical essay, "Fragments of Inner Life," first published in full in 1961, some sixty years after the author's death. Myers was one of the original members of the Society for Psychical Research in England. A poet and classicist, he remained committed to the scientific promise of paranormal investigation until the end of his life. His book Human Personality and Its Survival of Bodily Death, also published posthumously, argues that psychical studies have confirmed, beyond the shadow of a doubt, that death is just the beginning. In this talk, JF and Phil discuss Myers' relevance to 21st-century thinking on the Weird. Support us on Patreon and gain access to Phil's podcast on Wagner's Ring Cycle. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Download Pierre-Yves Martel's new album, Mer Bleue. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES The Science of Things Spiritual Symposium: July 27-29, 2023 Frederic Myers, Fragments of Inner Life Alan Bennett, History Boys Arthur Machen, A Fragment of Life Alan Gauld, The Founders of Psychical Research Donna Tartt, The Secret History Arthur Machen, The Great God Pan Frans de Waal, Mama’s Last Hug Daniel Dennett, American cognitive scientist Frederic Myers, Human Personality and its Survival of Bodily Death Gabriel Marcel, The Mystery of Being Phil Ford, Dig William James, Principles of Psychology Akashic Record, Theosophical idea Jeff Kripal, Authors of the Impossible Learn more about your ad choices. Visit podcastchoices.com/adchoices

One of the great rewards of "weirding" the world is learning that boredom may be a kind of ethical transgression—the world is simply too strange to allow for it, and if you're bored, you're at least partly to blame. Few have put this notion to the test as rigorously as Lionel Snell, whose work as a magician celebrates the wonders of everyday events, from a walk in the park to a moment of car trouble. Unlike the pursuit of the extraordinary that often defines occult practice, Snell's approach reminds us of the magic in the mundane. In this episode, Snell, also known as Ramsey Dukes, shares the insights he's gained over his decades-long career as one of the leading figures in contemporary magical theory and practice. For an exclusive Vimeo link to Aaron Poole's film Dada mentioned in the intro, go to Instagram and send @aaronsghost the direct message "movie link please". REFERENCES Ramsey Dukes, Thundersqueak Weird Studies, Episode 141 on “SSOTBME Weird Studies, Episode 24 with Lionel Snell John Crowley, Little, Big Arthur Machen, “A Fragment of Life” David Foster Wallace, The Pale King Max Picard, The Flight from God Lionel Snell, My Years of Magical Thinking Robert Anton Wilson, Prometheus Rising Henry Bergson, Matter and Memory Russell’s Paradox Special Guest: Lionel Snell [Ramsey Dukes]. Learn more about your ad choices. Visit podcastchoices.com/adchoices

M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction. To accompany this episode, Phil recorded a full reading of the story. Listen to it here. REFERENCES M.R. James, "The Mezzotint" Robert Aickman, English author of "strange stories" Edgar Allan Poe, "The Oval Portrait" Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Marshall McLuhan, The Book of Probes Clement Greenberg, American art critic J.F. Martel, Reclaiming Art in the Age of Artifice Marcel Duchamps, Fountain Henri Bergson, Laughter John Cage, American composer David Lynch (director), Twin Peaks: The Return Gilles Deleuze, Difference and Repetition Vilhelm Hammershøi, Danish painter Sigmund Freud, Beyond the Pleasure Principle Martin Heidegger, What is Called Thinking? Stanley Kubrick, [The Shining](https://en.wikipedia.org/wiki/The_Shining(film))_ Ferruccio Busoni, Sketch of a New Esthetic of Music David Lynch on why you shouldn't watch films on your phone Nelson Goodman, American philosopher Pablo Picasso, Guernica Paul Thomas Anderson, The Master Martin Heidegger, Basic Writings Phil Ford, "No One Understands You" Learn more about your ad choices. Visit podcastchoices.com/adchoices

In August, 2022, JF and Phil flew to the UK to attend the Diverse Intelligences Summer Institute (DISI) at the University of St. Andrews and the Supernormal Festival in Oxfordshire. In addition to recording two live shows (to be released in the coming weeks), they encountered billiant minds, novel ideas, and arresting works of art that opened new avenues for thought. It's these encounters that anchor this conversation, which branches off to touch ideas such as the elusive ideal of intersciplinarity, Hakim Bey's temporary autonomous zone, the legacy of the 20th-century counterculture, the fate of revolutionary movements, non--human intelligences, and the weirdness of human thought. Header Image by RomitaGirl67 via Wikimedia Commons. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop References Dial M for Musicology, Interdisciplinarity Hakim Bey, The Temporary Autonomous Zone Entitled Opinions Podcast William Gibson, Foreword to Samuel Delaney’s Dhalgren DISI Podcast, Many Minds John Krakauer, professor of nuerology and neuroscience Hunter S. Thompson, American journalist The Great Ape Dictionary, specific database used by Cat Hobaiter Learn more about your ad choices. Visit podcastchoices.com/adchoices

The idea that beauty might denote an actual quality of the world, something outside the human frame, is one of the great taboos of modern intellectual thought. Beauty, we are almost universally told, is a cultural contrivance rooted in politics and history, an illusion that exists only in human heads, for human reasons. On this view, a world without us would be a world without beauty. But in this episode Phil and JF explore two texts, by James Hillman and Peter Schjeldahl, that dare to challenge the modern orthodoxy. For Hillman and Schjeldahl, to experience the beautiful is precisely the break out of human bondage and touch the Outside. Beauty may even be one of the few truly objective experiences anyone could hope for. Peter Schjeldahl, “Notes on Beauty,“ in Uncontrollable Beauty: Toward a New Aesthetics James Hillman, “The Practice of Beauty,” in Uncontrollable Beauty: Toward a New Aesthetics C.G. Jung's retreat, Bollingen Tower Ugly public art in Palo Alto Dave Hickey, Air Guitar: Essays on Art and Democracy Deleuze and Guattari, “Of the Refrain,” from A Thousand Plateaus Roger Scruton, Beauty Weird Studies, Episode 36 -- On Hyperstition Weird Studies, Episode 33 -- The Fine Art of Changing the Subject: On Duchamp's "Fountain" Lionel Snell, My Years of Magical Thinking George Santayana, The Sense of Beauty Ingri D'Aulaires, D'Aulaires' Book of Greek Myths Messiaen, Quartet for the End of Time Christian Wiman, He Held Radical Light God, Book of Job Learn more about your ad choices. Visit podcastchoices.com/adchoices

"You don't find reality only in your own backyard, you know," Stanley Kubrick once told an interviewer. "In fact, sometimes that's the last place you'll find it." Oddly, this episode of Weird Studies begins with Phil Ford hatching the idea of putting a replica of the monolith from 2001 in his backyard. As the ensuing discussion suggests, this would amount to putting reality -- or the Real, as we like to call it -- in the place where it may be least apparent. Perhaps that is what Kubrick did when he planted his monolithic film in thousands of movie theatres back in 1968. Moviegoers went in expecting a Kubrickian twist on Buck Rogers; they came out changed by the experience, much like the hominids of great veld in the "Dawn of Man" sequence that opens the film. This is what all great art does, and if you look closely, maybe 2001 can tell you something about how it does it. Because in the end, the film is the monolith, and the monolith is all art. REFERENCES Stanley Kubrick (dir.), 2001: A Space Odyssey Arthur C. Clarke, "The Sentinel" Arthur C. Clarke, 2001: A Space Odyssey (novel) Clement Greenberg, American art critic Stanley Kubrick (dir.), The Shining Sergei Eisenstein, Film Form: Essays in Film Theory Weird Studies episode 62: It's Like "The Shining," But With Nuns: On "Black Narcissus" Ligeti, Atmosphères Gerard Loughlin, Alien Sex: The Body and Desire in Cinema and Theology Jay Weidner, Kubrick's Odyssey: Secrets Hidden in the Films of Stanley Kubrick Rob Ager's analysis of 2001 (Ager was criticized for not citing Loughlin above) Eric Norton's Playboy interview with Stanley Kubrick J. F. Martel, "The Kubrick Gaze" in Daniel Pinchbeck & Ken Jordan (eds.), Toward 2012: Perspectives on the Next Age J. F. Martel, "The Future is Immanent: Speculations on a Possible World" Henri Bergson, The Two Sources of Morality and Religion Sid Meier's Civilization V Stanley Kubrick (dir.), Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb Stanley Kubrick (dir.), A Clockwork Orange Dziga Vertov, Kino-Eye: The Writings of Dziga Vertov Marshall McLuhan, Understanding Media Martin Heidegger, "The Question Concerning Technology" Gilbert Ryle, "Improvisation" Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano. Header image by Bandan, Wikimedia Commons REFERENCES Ligeti, Musica Ricercata, 2nd movement Howard Shore and Ornette Coleman, opening music for David Cronenberg's Naked Lunch Schopenhauer, The World as Will and Representation Suzanne Langer, Philosophy in a New Key Henri Bergson, Creative Evolution Stanley Kubrick, 2001: A Space Odyssey Viktor Shklovsky, "Art as Technique" Stanley Kubrick, Eyes Wide Shut Hitchcock, Psycho Vulture, "The Evolution of the Movie Trailer" by Granger Willson Official Trailer for The Shining_vs teaser for _2012 Jan Harlan (director), Stanley Kubrick: A Life in Pictures David Cronenberg, Crash William S. Burroughs, Naked Lunch Gilles Deleuze & Félix Guattari, A Thousand Plateaus Gunther Schuller's interview with Ethan Iverson Weird Studies, Episode 25: David Cronenberg's Naked Lunch Deleuze & Guattari, Anti-Oedipus Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this first part of their discussion of William James' classic essay in radical empiricism, "Does 'Consciousness' Exist?", Phil and JF talk about the various ways we use the slippery C-word in contemporary culture. The episode touches on the political charge of the concept of consciousness, the unholy marriage of materialism and idealism ("Kant is the ultimate hipster"), the role of consciousness in the workings of the weird -- basically, anything but the essay in question. That will come in part two. Header image by Miguel Bolacha, Wikimedia Commons REFERENCES William James, "Does 'Consciousness' Exist?" Daniel Dennett, Consciousness Explained Daniel Pinchbeck, author and founder of Reality Sandwich Phil Ford, Dig: Sound and Music in Hip Culture Scott Saul, Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties Quentin Meillassoux, After Finitude: An Essay on the Necessity of Contingency Matt Cardin - author and editor, creator of The Teeming Brain Learn more about your ad choices. Visit podcastchoices.com/adchoices

In his short story "Mrs. Rinaldi's Angel," contemporary horror author Thomas Ligotti contrasts the chaotic monstrosity of dreams with the cold, indifferent, and no less monstrous purity of angels. It is the story of a boy whose vivid dream life is sapping his vital force, and who resorts to esoteric measures to rectify the situation. In this episode, Phil and JF discuss the beauty and horror of dreams, the metaphysical signifiance of angels and demons, and the potential dangers of seeking the peace of absolute "purity" in the wondrous flux of lived experience. REFERENCES Thomas Ligotti, "Mrs. Rinaldi's Angel" (read by Jon Padgett) Roger Scruton, The Face of God Thomas Ligotti, Songs of a Dead Dreamer Thomas Ligotti, "The Last Feast of Harlequin" in Grimscribe: His Lives and Works Robert Aickman, English author H. P. Lovecraft, American author H. R. Giger, Swiss artist Jean Giraud a.k.a. Moebius, French comic book artist Donald Barthelme, American author Pierre Soulages, French artist Bruno Schulz, Polish author Thomas Bernhard, Austrian author Edgar Allan Poe, American author J. F. Martel, "The Beautiful Madness: Primacy of Wonder in the Works of Thomas Ligotti" (Forthcoming in James Curcio (ed.), Masks: Bowie and the Artists of Artifice from Intellect Books) Algernon Blackwood, "The Wendigo" Thomas Ligotti, "The Dark Beauty of Unheard of Horrors" in The Thomas Ligotti Reader: Essays and Explorations Dogen Zenji, Zen master Manichaeism Spencer Brown, The Laws of Form Ramsey Dukes, Words Made Flesh: Information In Formation Deleuze, Essays Critical and Clinical Thomas Ligotti, "Purity," in Teatro Grottesco James Joyce, Ulysses Advaita Vedanta Joshua Ramey, The Hermetic Deleuze: Philosophy and Spiritual Ordeal Lewis Carroll, Alice's Adventures in Wonderland and Through the Looking Glass James Hillman, The Dream and the Underworld P. J. O’Rourke, political satirist Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers? WORKS DISCUSSED IN THIS EPISODE Lisa Ruddick, "When Nothing is Cool" Elizabeth Gilbert, "Your Elusive Creative Genius" Judith Halberstam, "Skinflick: Posthuman Gender in Jonathan Demme's The Silence of the Lambs" Daniel Chua (the musicologist whose name Phil couldn't remember) Brett Easton Ellis, American Psycho Mary Harron, American Psycho (film) David Lynch, Twin Peaks: The Return Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Book of Probes contains a assortment of aphorisms and maxims from the work of the Canadian media theorist Marshall McLuhan, each one set to evocative imagery by American graphic designer David Carson. McLuhan called the utterances collected in this book "probes," that is, pieces of conceptual gadgetry designed not to disclose facts about the world so much as blaze new pathways leading to the invisible background of our time. In this episode, Phil and JF use an online number generator to discuss a random yet uncannily cohesive selection of of McLuhanian probes. REFERENCES Marshall Mcluhan and David Carson, The Book of Probes Virginia Woolf, To the Lighthouse Marshall Mcluhan, The Mechanical Bride Aristotle, System of causation G. K. Chesterton, Orthodoxy Eric A. Havelock, Preface to Plato Weird Studies, Episode 71 on Marshall Mcluhan Walter Ong, Orality and Literacy Christiaan Wouter Custers, A Philosophy of Madness Gilles Deleuze, The Logic of Sense Marshall Mcluhan, The Gutenberg Galaxy Harry Partch, American composer Marc Augé, Non-Places Sapir-Whorf Hypothesis Denis Villeneuve (dir.), Arrival Gilles Deleuze and Felix Guattari, A Thousand Plateaus Harry G. Frankfurt, On Bullshit Learn more about your ad choices. Visit podcastchoices.com/adchoices

In culture and the arts, labeling something you don't like (or don't understand) "pretentious" is the easy way out. It's a conversation killer, implying that any dialogue is pointless, and those who disagree are merely duped by what you've cleverly discerned as a charade. It's akin to cynically revealing that a magic show is all smoke and mirrors—as if creative vision doesn't necessitate a leap of faith. In this episode, Phil and JF explore the nuances of pretentiousness, distinguishing between its fruitful and hollow forms. They argue that the real gamble, and inherent value, of daring to pretend lies in recognizing that imagination is an active contributor to, rather than a detractor from, reality. Pierre-Yves Martel's EPHEMERA project It isn't too late to join JF's upcoming course on the films of Stanley Kubrick, which goes until the end of April, 2024. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Brian Eno, A Year with Swollen Appendices Dan Fox, Pretentiousness: Why it Matters Ramsay Dukes, How to See Fairies Johan Huizinga, Homo Ludens Gilles Deleuze, Difference and Repetition Weird Studies, Episode 49 on Nietzsche’s idea of “untimely” Sokal Affair, scholarly hoax Weird Studies, Episode 75 on ‘2001: A Space Odyssey’ Stanley Kubrick, “Notes on Film” Friedrich Nietzsche, On the Uses and Abuses of History Vladimir Nabokov, Think, Write, Speak Mary Shelley, “Introduction to Frankenstein” Matt Cardin, A Course in Demonic Creativity Playboy interview with Stanley Kubrick Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this computerized age, we tend to see memory as a purely cerebral faculty. To memorize is to store information away in the brain in such a way as to make it retrievable at a later time. But the old expression "knowing by heart" calls us to a stranger, more embodied and mysterious take on memory. In this episode, Phil and JF endeavour to recite two poems they've learned by heart, as a preamble to a discussion on poetry, form, and the magic of memory. Details on Shannon Taggart's Symposium @ Lily Dale (July 25-28). Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Samuel Taylor Coleridge, “Kubla Khan” Elizabeth Barrett Browning, “A Musical Instrument” Dave Hickey, “Formalism” from Pirates and Farmers Weird Studies, Episode 109-110 on “The Glass Bead Game” Samuel Taylor Coleridge, Biographia Literaria Weird Studies, Episode 42 with Kerry O Brien Francis Yates, Giordano Bruno and the Hermetic Tradition Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1979, the American psychologist James Hillman published The Dream and the Underworld, a polemical meditation on the nature of dreams. Rejecting the orthodoxies of both Freud and Jung, Hillman argued that the the "nightworld" of dream should not play second fiddle to the "dayworld" of waking life, because in the soul as on earth, day and night are equally essential, and equally real. To reduce a dream to a message or interpretation is to fail the dream. In order for dreams to do their work on us, says Hillman, we must cease to regard them as hallucinations, mere metaphors, epiphenomena, or illusions, and instead see them as the imaginal other life we all must live. Every night, for Hillman, each of us descends into the underworld to encounter those forces that shape us and our surroundings. The way down is the way up. REFERENCES James Hillman, The Dream and the Underworld T. S. Eliot, "The Hollow Men" Walter Pater, The Renaissance: Studies in Art and Poetry George Steiner, Real Presences Hakim Bey, Orgies of the Hemp Eaters: Cuisine, Slang, Literature and Ritual of Cannabis Culture Erik Davis, High Strangeness: Drugs, Esoterica, and Visionary Experience in the Seventies Brad Warner on drugs and Buddhism Aldous Huxley, The Doors of Perception Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep Christopher Nolan (dir.), Inception Jorge Luis Borges, "Nightmares" in Seven Nights Henri Bergson, Dreams Learn more about your ad choices. Visit podcastchoices.com/adchoices

Although he is one of the luminaries of the weird tale, Robert Aickman referred to his irreal, macabre short works as strange stories. Born in London in 1914, Aickman wrote less than fifty such stories before his death in 1981. JF and Phil focus on one of his most chilling, "The Hospice," from the collection Cold Hand in Mine, published in 1975. In it, Aickman uses a staple ingredient of the classic ghost story -- a man is stranded on a country road at night, lost and out of petrol -- to concoct an unforgettable blend of fantasy and nightmare, reality and dream. Indeed, Phil and JF argue that Aickman deserves a place alongside David Lynch and a few others as one of those rare fabulists who can adeptly disclose how reality is more dreamlike, and dreams more real, than most of us would care to admit. Header Image: Detail from photo by Ivars Indāns (Wikimedia Commons) REFERENCES Robert Aickman, "The Hospice" from Cold Hand in Mine Dante Aligheri, The Divine Comedy: The Inferno David Lynch, Twin Peaks: The Return David Hume, An Enquiry Concerning Human Understanding Weird Studies, Episode 22: Divining the World with Joshua Ramey Norman Mailer, An American Dream Learn more about your ad choices. Visit podcastchoices.com/adchoices

Weird Studies has so far devoted just one show to Philip K. Dick, and that was way back in April 2018, with episode 10, "Adrift in the Multiverse." Last fall, as another foray into Dickland began to feel urgent, Phil and JF talked about which of his books they should tackle. The answer that seemed obvious was VALIS, the semi/pseudo-autobiographical masterpiece that constitutes PKD's most explicit attempt to make sense of the theophanic experiences that altererd his life in 1974. But then Phil suggested The Owl in Daylight, a novel on which PKD worked feverishly in the last years of his life but left unwritten. And sure enough, reviewing and analyzing a book that doesn't exist proved to be the best way of getting to the heart of Dick's incomparable oeuvre. SHOW NOTES Gwen Lee, What if Our World is Their Heaven? The Final Conversations of Philip K. Dick The Selected Letters of Philip K. Dick, volume 6 Philip K. Dick, The Exegesis Anonymous, Meditations on the Tarot Secondary qualities, philosophical concept Samuel Barber, Adagio for Strings Burt Bacharach, American musician Philip K. Dick, "The Preserving Machine" Jorge Borges, "The Approach to Al-Mu'tasim" The Good Place, American television series Philip K. Dick, Valis Weird Studies, Episode 78 on John Keel's 'Mothman Prophesies' Richard Wagner, Parsifal Weird Studies, Episode 73 on Carl Jung Learn more about your ad choices. Visit podcastchoices.com/adchoices

Like Caligula declaring war on Neptune and ordering his troops to charge into the Mediterranean Sea, our technological masters are designing neural networks meant to capture the human soul in all its oceanic complexity. According to the cognitive scientist Abeba Birhane, this is a fool's errand that we undertake at our peril. In her paper "The Impossibility of Automating Ambiguity," she makes the case for the irremediable fluidity, spontaneity, and relationality of people and societies. She argues that ongoing efforts to subsume the human (and the rest of reality) in predictive algorithms is actually narrowing the human experience, as so many of us are excluded from the system while others are compelled to artificially conform to its idea of the human. Far from paving the way to a better world, the tyranny of automation threatens to cut us off from the Real, ensuring an endless perpetuation of the past with all its errors and injustices. Phil and JF discuss Birhane's essay in this episode. Header image from via www.vpnsrus.com (cropped). Downloaded from Wikimedia Commons. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Abebe Birhane, "The Impossibility of Automating Ambiguity” J. F. Martel, “Reality is Analog: Philosophizing with Stranger Things” Melissa Adler, Cruising the Library: Perversities in the Organization of Knowledge Weird Studies, Episode 75 on 2001: A Space Odyssey Weird Studies, Episode 114 on the Wheel of Fortune William James, American philosopher Midjourney, AI art generator Rhine Research Center, parapsychology lab George Lewis, “Improvised Music after 1950: Afrological and Eurological Perspectives” Abebe Birhane, “Descartes was Wrong: A Person is a Person Through Other Persons” Gottfried Wilhelm Leibniz, German philosopher J. R. R. Tolkein, “On Fairy-Stories” Martin Buber, I and Thou Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Phil and JF discuss Vanessa Onwuemezi's, "Dark Neighbourhood," a tale of scintillant darkness from her debut collection of the same name. This strangest of strange stories is set in a vast encampment of destitute yet hopeful people whose lives consist entirely of waiting for their turn to step through the iron gates of the Beyond. Living off the dregs of civilization, they seem the last of our kind. They are the ones who, having made it to the front of the line, have the dubious honour of contemplating directly the mystery that awaits us all. Unlike anything we've covered on the show, "Dark Neighbourhood" is a chilling and moving story that elicits interpretation as elegantly as it resists it. Pierre-Yves Martel's album Mer bleue drops on May 1st, 2023! Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Find us on Discord Get the T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop REFERENCES Show Notes.docx Vanessa Omwuemezi, Dark Neighbourhood Peter Breugel, Landscape with the Fall of Icarus Weird Studies, Episode 140 on “Spirited Away” Karl Marx, Capital Phil Ford, Dig Murray Bookchin, Post-Scarcity Anarchism Weird Studies, Episode 98 on “Taboo” Michael Wadleigh (dir.), Woodstock Samuel R. Delaney, Dahlgren Leonard Cohen, “Waiting for the Miracle Martin Esslin, The Theatre of the Absurd One red paperclip, story of guy who traded a paper clip for a house Weird Studies, Episode 101 on Tanizaki James Hillman, The Dream and the Underworld George Steiner, Real Presences H. P. Lovecraft, “Nyarlothotep” Alexander Wendt and Raymond Duvall, “Sovereignty and the UFO” Weird Studies, Episode 144 on Hellraiser Weird Studies, Episode 29 on Lovecraft Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the 1980s, Clive Barker burst onto the cultural scene with The Books of Blood, collections of unforgettable tales of horror, depravity, and decadence the likes of which had been seldom seen since the days of Lautréamont's Les Chants de Maldoror and Huysmans' Là-Bas. In the decades that followed, he went on to create an astounding body of work in fantasy and horror as a writer, artist, and film director. In this episode, author, lecturer, and podcaster Conner Habib joins JF and Phil to discuss what is arguably Barker's best-known work, the 1987 horror classic Hellraiser, as well as the novella that inspired it, "The Hellbound Heart." Preorder Pierre-Yves Martel's album Mer bleue. Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Find us on Discord Get the T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop References Clive Barker, The Hellbound Heart Clive Barker (dir.), Hellraiser Tod Browning (dir.), Freaks Clive Barker, “In the Hills, The Cities” in Books of Blood Wes Craven, A Nightmare on Elm Street Angela Carter, English writer Susan Sontag, “Happenings: An Art of Radical Juxtaposition” Gilles Deleuze and Felix Guattari, What is Philosophy? Sturm und Drang, 18th-century artistic movement Gayle Rubin, American cultural anthropologist Stephen King, It Robert Wise (dir.), The Sound of Music Slavoj Zizek, The Pervert’s Guide to Cinema Robert Wise (dir.), The Haunting David Mamet, On Directing Film Mark Hedsel and David Ovason, The Zealotor David Lynch (dir.), Mulholland Drive Stanley Kubrick, The Shining Coil, Hellraiser Themes Bela Bartok, Music for Strings, Percussion, and Celesta Golden Section, mathematical ratio Kevin Williamson,, American screenwriter Susan Sontag, Against Interpretation Special Guest: Conner Habib. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky's cinematic masterpiece, Stalker (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky's dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of zone, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. REFERENCES Andrei Tarkovsky (dir.), Stalker Arkady and Boris Strugatsky, Roadside Picnic The Wachowskis (dir.), The Matrix James Cameron (dir.), Avatar Second City Television (SCTV), vintage Canadian comedy show Alex Garland (dir.), Annihilation (based on the novel by Jeff Vandermeer; here's an article on how Garland's film differs from Vandermeer's arguably weirder text) SCTV, Monster Chiller Horror Theatre: Whispers of the Wolf Learn more about your ad choices. Visit podcastchoices.com/adchoices

Several years ago, on New Year’s Eve, a tall, purple-robed praying mantis appeared to multidisciplinary artist Stuart Evan Davis as he meditated while running a fever. “Remember who you work for,” the entity said after beaming a zettabyte of information into Stuart’s febrile mind. Though it lasted less than a minute, the encounter sparked a series of life-changing -- and hair-raising -- events worthy of a Philip K. Dick novel. JF and Phil talk to Stuart Davis to get his thoughts on nonhuman intelligences, the artistic cosmos, a movie trilogy the Mantis commissioned, and Stuart’s brilliant audio documentary, Man Meets Mantis. Header image by OLJA, Wikimedia Commons Stuart Davis Official Website Stuart Davis, Man Meets Mantis Stuart Davis, “Something from Nothing” course Jasmine Karimova, singer-songwriter Ramsey Dukes, The Good, The Bad, and the Funny John Mack, psychiatrist and abduction phenomenon researcher Jacques Vallee, ufologist John Keel, paranormal researcher Weird Studies episode 2, “Garmonbozia” Norman McLaren, Spheres Remedios Varo, artist Leonora Carrington, artist JF Martel, Reclaiming Art in the Age of Artifice Special Guest: Stuart Evan Davis. Learn more about your ad choices. Visit podcastchoices.com/adchoices

With his 2010 film Cave of Forgotten Dreams, the German filmmaker Werner Herzog peeled away the veneer of familiarity on the Chauvet cave paintings, restoring them to their original eldritch sparkle. In this conversation, Phil and JF discuss a cinematic jewel that was wrought under tremendous pressure – and is all the more dazzling for it. The episode was recorded live at the Supernormal Festival in Oxfordshire, England, where your hosts were also subjected to unexpected pressure as the band Plastics started their set at the same time as the talk! Though we feel the musical accompaniment adds depth to the dialogue, listeners who find it distracting can skip to the end of the Plastics' set around 41:30. All listeners are urged to visit the band's Bandcamp page to sample some choice hardcore. Weird Studies thanks Strange Attractor Press, the Supernormal Festival , and Plastics. JF Martel gratefully acknowledges the support of the Canada Council for the Arts in making this live recording possible. Header image via Wikimedia Commons. Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel Support us on Patreon Find us on Discord Get the new T-shirt design from Cotton Bureau! Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop SHOW NOTES Werner Herzog, “The Minnesota Declaration” Tom Waits, “Step Right Up” Herman Melville, Moby Dick Weird Studies, Episode 76 on “Hellier” Stanley Kubrick (dir.), 2001: A Space Odyssey Paul Bahn, Images of the Ice Age Weird Studies, Episode 101 on “In Praise of Shadows Weird Studies, Episode 129 on “The Fall of the House of Usher” Matthew Barney, The Cremaster Films Stanley Kubrick, The Shining Learn more about your ad choices. Visit podcastchoices.com/adchoices

JF and Phil discuss Graham Harman's "The Third Table," a short and accessible introduction to "object-oriented ontology." Phil takes us on a tour of his closet, we discover that JF's kids are better at this weird studies stuff than their old man, and the conversation veers through Harman's Lovecraftian "weird realism," Zen's "just sit" meditation, panpsychism, Martin Buber's I and Thou, experimental filmmaking, and more. WORKS AND IDEAS CITED IN THIS EPISODE Graham Harman, "The Third Table" Graham Harman, Tool-Being: Heidegger and the Metaphysics of Objects Martin Heidegger, Being in Time J. F. Martel, "Ramble on the Real" Graham Harman, Weird Realism: Lovecraft and Philosophy H. P. Lovecraft, "The Call of Cthulhu" Arthur Stanley Eddington, The Nature of the Physical World Graham Harman, "Objects and the Arts" (lecture) Bernardo Kastrup, Why Materialism is Baloney Daniel Dennett, Consciousness Explained Walden, A Game – A computer game based on Heny David Thoreau’s classic work, Walden South Park, “Guitar Queer-O” (season 11, episode 13) Wikipedia entry on art critic David Hickey Heraclitus, Fragments Martin Buber, I and Thou The concept of “substantial form” in Aristotle’s philosophy Martin Heidegger, "The Question Concerning Technology" Steven Shaviro, The Universe of Things William James, "Does ‘Consciousness’ Exist?" Andy Warhol’s minimalist films Empire and Sleep Wikipedia entry on filmmaker Terrence Malick Neil Jordan (director), The End of the Affair (based on the novel by Graham Greene) J. F. Martel, Reclaiming Art in the Age of Artifice Gustav Klimt, The Kiss (painting) Matthew Akers (director), David Blaine: Beyond Magic The Duffer Brothers (directors), Stranger Things 2 Learn more about your ad choices. Visit podcastchoices.com/adchoices

For over two centuries in early modern Italy, boys were selected for their singing talent castrated before the onset of puberty. The goal was to preserve the qualities of their voice even as they grew into manhood. The procedure resulted in other physiological changes which, combined with an unnaturally high voice, made the castrati the most prodigious singers on the continent. As Martha Feldman shows in her book The Castrato, a masterpiece of cultural history, the castrated singer was such a singular figure that he invited comparisons with angels, animals, and kings, attracting adoration and ridicule in equal measures. The castrato was a true liminal being, and as JF and Phil discover in this episode of Weird Studies, an unlikely herald of the present age. REFERENCES Martha Feldman, The Castrato: Reflections on Natures and Kinds Stanley Kubrick, American filmmaker Alessandro Moreschi, the last castrato, singing "Ave Maria" Baruch Spinoza, Ethics X-Men Gabriel Garcia Marquez, "A Very Old Man with Enormous Wings" Thomas Ligotti, "Mrs Ligotti's Angel", read by horror writer Jon Padgett Weird Studies, Episode 48: Thomas Ligotti's Angel Thomas Aquinas, Summa Theologica Genesis P-Orridge, American musician and occultist Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the current "attention economy," which has resulted in plummeting literacy rates and the almost wanton neglect of various cultural practices, what significance does culture even have? Why seek to preserve something our age has decided doesn't have to exist? Perhaps Hermann Hesse's The Glass Bead Game can be read as an answer to those questions. The order of monastic scholars in the novel exists mainly to remember what others were happy to consign to oblivion. In this episode, Phil and JF discuss Hesse's ideas on the order and its sacred game in terms of how they might help us meet the challenge facing anyone who believes the value of culture can't be expressed in dollars and cents. REFERENCES Herman Hesse, The Glass Bead Game Pope Benedict XVI, former head of the Catholic church J.S. Bach, Well Tempered Clavier, Rosalyn Tureck interpretation and Glenn Gould interpretation Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction Chauvet Cave Peter Bebergal Strange Frequencies Andy Goldsworthy, British artist Alain de Botton, Religion for Atheists William Irwin Thompson, The Time Falling Bodies Take to Light Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rainer Maria Rilke's poem "Archaic Torso of Apollo" ends on a note that has puzzled and inspired readers for more than a century: "For there is no place that does not see you. You must change your life." In this episode, JF and Phil search for the meaning of this ethico-aesthetic imperative that Rilke heard resounding from a fragment of Greek statuary. This episode is special because the hosts were able to record it in person while on a writing retreat in Western Quebec. Enroll in THE TWIN PEAKS MYTHOS, a 4-week Weird Studies view-along starting June 8th. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Support us on Patreon and gain access to Phil's podcast on Wagner's Ring Cycle. Download Pierre-Yves Martel's new album, Mer Bleue. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Rainer Maria Rilke, “Archaic Torso of Apollo” Peter Sloterdijk, You Must Change Your Life Michel Foucault, The Order of Things He Man, superhero Munich Terrorist Photo Albert Camus, The Rebel Franz Kafka, "The Trial" and “In the Penal Colony" Auguste Rodin, French sculptor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jean Cocteau's visionary rendition of Madame de Beaumont's fairy tale "Beauty and the Beast," itself the retelling of a story that may be several millennia old, is the topic of this Weird Studies episode, which proposes a journey down lunar paths to the crossroads where love and death intersect. Drawing on Surrealism, myth, and the occult, Cocteau's 1946 film transcends the limitations of media to become a living poem, a thing that is also a place, a place that is also a mind. This conversation touches on the genius of the child, the mysteries of Eros, the monstrosity of consciousness, and the sorcery of cinema. Photo by Ivan Jevtic on Unsplash Click here to register for JF's upcoming course on art. REFERENCES Jean Cocteau (dir.), La Belle et la Bête Jaques Maritain, Creative Intuition in Art and Poetry Sergei Diaghilev, Russian impresario Gary Trousdale and Kirk Wise (dir.), Beauty and the Beast David Thomson, Have You Seen? Bram Stoker, Dracula Johannes Vermeer, Dutch painter Philip Glass, La Belle et la Bête (opera) Game of Thrones, Television series Weird Studies, Episode 84 on the Empress Card Weird Studies, Episode 94 on the Moon Card Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is the first of two conversations that Phil and JF are devoting to C. G. Jung's seminal essay, "On the Relation of Analytical Psychology to Poetry," first delivered in a 1922 lecture. It was in this text that Jung most clearly distilled his thoughts on the power and function of art. In this first part, your hosts focus their energies on Jung's puralistic style, opposing it not just to Freud's monism (which Jung critiques in the paper) but also to the monism of those other two "masters of suspicion," Marx and Nietzsche. For Jung, art is not a branch of psychology, economics, philosophy, or science. It constitutes its own sphere, and non-artists who would investigate the nature of art would do well to respect the line that art has drawn in the sand. Weird Studies listenters will know this line as the boundary between the general and the specific, the common and the singular, the mundane and the mystical... REFERENCES C. G. Jung, "On the Relation of Analytical Psychology to Poetry" Joshua Gunn, Modern Occult Rhetoric: Mass Media and the Drama of Secrecy in the Twentieth Century Peter Kingsley, Catafalque: Carl Jung and the End of Humanity Sigmund Freud, Austrian psychologist Kinka Usher (director), Mystery Men Theodor Adorno, “Bach Defended Against his Devotees” Aleister Crowley, English magician C. G. Jung, The Red Book: Liber Novus Bill Moyers and Joseph Campbell, The Power of Myth C. G. Jung, Memories, Dreams, Reflections C. G. Jung, The Portable Jung Friedrich Nietzsche, "On the Use and Abuse of History for Life" in: Untimely Meditations Weird Studies, episode 49: Nietzsche on History Weird Studies, episode 70: Masks All the Way Down, with James Curcio Christian Kerslake, Deleuze and the Unconscious Joshua Ramey, The Hermetic Deleuze: Philosophy and Spiritual Ordeal Paul Ricoeur, French philosopher Rudolph Steiner, Austrian esotericist Learn more about your ad choices. Visit podcastchoices.com/adchoices

JF and Phil have been talking about doing a show on The Glass Bead Game since Weird Studies' earliest beginnings. It is a science-fiction novel that alights on some of the key ideas that run through the podcast: the dichotomy of work and play, the limits and affordances of institutional life, the obscure boundary where certainty gives way to mystery... Throughout his literary career, Hesse wrote about people trying to square their inner and outer selves, their life in the spirit and their life in the world. The Glass Bead Game brings this central concern to a properly ambiguous and heartbreaking conclusion. But the novel is more than a brilliant work of philosophical or psychological literature. It is also an act of prophecy -- one that seems intended for us now. Header image by Liz West, via Wikimedia Commons. REFERENCES Herman Hesse, The Glass Bead Game Paul Hindemith, German composer Morris Berman, The Twilight of American Culture Alfred Korzybski, concept of Time Binding Christopher Nolan, Memento William Irwin Thompson, The Time Falling Bodies Take to Light Thomas Mann, The Magic Mountain David Tracy, The Analogical Imagination: Christian Theology and the Culture of Pluralism Jeremy Johnson, Seeing Through the World: Jean Gebser and Integral Consciousness Teilhard de Chardin, French theologian Mathesis Joshua Ramey, The Hermetic Deleuze Weird Studies, Episode 22 with Joshua Ramey Joseph Needham, British historian of Chinese culture James Carse, Finite and Infinite Games Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece Black Hole, and you're guaranteed a memorable Weird Studies episode. Black Hole was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a "weirding" of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the trash stratum to the coveted empyrean of artistic respectability—without losing its edge. BIG NEWS: • If you're planning to be in Bloomington, Indiana on October 9th, 2024, click here to purchase tickets to IU Cinema's screening of John Carpenter's In the Mouth of Madness, featuring a live Weird Studies recording with JF and Phil. • Go to Weirdosphere to sign up for Matt Cardin's upcoming course, MC101: Writing at the Wellspring, starting on 22 October 2024. • Visit https://www.shannontaggart.com/events and follow the links to learn more about Shannon's (online) Fall Symposium at the Last Tuesday Society. Featured speakers include Steven Intermill & Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Charles Burns, Black Hole Clement Greenberg’s concept of “medium specificity” Terry Gilliam (dir.), The Fisher King Seth, comic artist Chris Ware, Building Stories “Graphic Novel Forms Today” in Critical Inquiry Raymond Knapp, The American Musical and the Performance of Personal Identity Vilhelm Hammershoi, Danish painter Ramsey Dukes, Words Made Flesh G. Spencer-Brown, Laws of Form Dave Hickey, “Formalism” Nelson Goodman, Languages of Art Chrysippus, Stoic philosopher Scott McCloud, Understanding Comics Learn more about your ad choices. Visit podcastchoices.com/adchoices

Continuing their series on the tarot, Phil and JF discuss the card nobody wants to see in a reading – The Tower. Featuring lightning bolts, plumes of ominous smoke, and figures plummeting from the windows, the Tower’s meaning at first glance seems clear: “pride comes before a fall,” as the old adage goes. But as JF and Phil delve into the details, they note not only the card’s connection to the Biblical tower of Babel and the fall of man, but also its relevance to the present era’s systems of control and communication breakdown. This discussion leads them to search for an antidote to the Tower's message of destruction. References Anonymous, Meditations on the Tarot Alejandro Jodorowsky, The Way of the Tarot Thomas Kuhn, The Structure of Scientific Revolutions Arnold Schoenberg, Austrian composer Gilles Deleuze, “Postscript on the Societies of Control” Wilco, “Radio Cure” Richard Dyer, Heavenly Bodies George Cukor (dir.), A Star is Born Performativity, sociological concept Guy Debord, Society of the Spectacle Jaques Ellul, The Technological Society Learn more about your ad choices. Visit podcastchoices.com/adchoices