The Theatre Podcast with Alan Seales (Broadway Podcast Network)

Dorian Harewood's career journey is anything but ordinary, and he's got three wonderful women (and luck) to thank for it. And after over 45 years, he’s back on the Broadway stage as Older Noah in “The Notebook”. He shares what made him want to come back, owing it to his manager who pushed him to audition for the role. With almost 200 credits under his name, he looks back on what got him to performing – from starting as a singer and auditioning for a four-year scholarship as advised by his teacher to moving to New York at 22 and doing a musical with the legendary Bette Davis, who also became his acting mentor. He looks back on his first acting role, “Don’t Call Back”, and why even though the show opened and closed the same night, it led him to even better opportunities. Being in an industry inherent to rejection and hardship, he discusses the necessity of having hobbies outside of one's profession and pursuing one's passion to help navigate life's challenges. Aside from theater, he actually has more passions: bowling, pool, and blackjack and shares the importance of respecting passions other than theater, whatever they may be, in order to stay happy and healthy. Currently starring as Older Noah in Broadway’s “The Notebook”, he talks about the challenge of keeping performances fresh for the audience and the communal experience live theater offers. With so many accomplishments and lasting legacy to leave behind, Dorian isn’t done learning new things. He shares his philosophy of viewing every day as a "birthday" and a new beginning, expressing gratitude for life itself. Dorian Harwood made his Broadway acting debut in the 1971 production of “The Two Gentlemen of Verona”. His additional Broadway credits include “The Mighty Gents”, “Streamers”, and “Don't Call Back”. He pivoted to TV and film for almost the next 50 years, racking up a total of 187 credits on IMDb. His film credits include “Gothika”, “Levity”, “Pacific Heights”, and “Full Metal Jacket”. His TV credits include “7th Heaven”, “Criminal Minds”, “Twelve Angry Men”, and “The Roots: The Next Generations”. He's a voiceover artist for cartoons and video games and is now a Tony-nominated actor for his role as Older Noah in “The Notebook” on Broadway, which also happens to be his first time back on the Broadway stage since 1978. Connect with Dorian: Website: www.dorianharewood.com Instagram: @officialdorianharewood YouTube: officialdorianharewood Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Driven to inspire other people with art, Brandon Victor Dixon has been sharing his talent with the world for decades now. And this month, the actor slash theatrical producer is part of the much-anticipated world premiere of the award-winning "MacGyver: The Musical’s" album which will be released on January 27th. Apart from theatre, Brandon is also doing advocacy work. He talks about the We Are Foundation which he created, and how he uses it to bridge gaps between art and us as communities. He brings up a good point on human behavior, what makes it for some people to be kind, and how art can be a gateway to understanding and helping them. In choosing a role or a piece, he considers the tools that can make his role and the exchange between him and the audience the most effective. He adds that the pieces choose him and come into his life at a time when he needs them the most. When he was just starting, Brandon had to pause his graduation to go on a national tour, come back, finish school, and then originate a role on Broadway for which he got a Tony nomination. He recalls his audition process for the role of Simba, why he thinks he shouldn't have been cast, and how he overcame his doubts and the challenges he encountered as it was happening. As one of the stars in the world premiere album of “MacGyver: The Musical”, Brandon talks about his character, doing comedy, and how his process usually adapts to the show his doing. Brandon reflects on his role as Haywood Patterson in “The Scottsboro Boys”, why he considers it his favorite role, and how it ultimately goes back to his advocacy: to change and help people with the power of art. Brandon Victor Dixon is an actor, singer, advocate, and theatrical producer known for his Tony Award-nominated Broadway performances as Harpo in the 2005 musical "The Color Purple" and Eubie Blake in "Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed". Apart from originating both roles, he also originated the leading role of Berry Gordy Jr. in Broadway's "Motown: The Musical", which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Brandon assumed the role of Aaron Burr in the Broadway company of "Hamilton". He also played the role of Hayward Patterson in "The Scottsboro Boys" both Off-Broadway and in London's West End, and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, his credits include Broadway revivals of "Hedwig and the Angry Inch which won the 2014 Tony Award and the Drama Desk Award for best revival of a musical, and "Of Mice and Men". In 2018, he played Judas in NBC's live concert version of Andrew Lloyd Weber and Tim Rice's rock opera, "Jesus Christ Superstar" where he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. His other stage credits include "Chicago", "The Lion King", "The Color Purple", "Rent", and "Shuffle Along" among others. His tv credits include "Power", "She's Gotta Have It", "Modern Love", and "The Best Man: The Final Chapters". Brandon is part of the much-anticipated album of the award-winning "MacGyver: The Musical’" which will be released on January 27th, 2023. Connect with Brandon: Instagram: @brandonvdixon Twitter: @brandonvdixon Website: www.brandonvictordixon.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan Fisher is currently starring in the upcoming production of "Sweeney Todd" on Broadway. Being drawn to art and performing from a young age, it's no surprise that he ended up in the industry. Apart from performing, the actor shares his love for gaming and what it's like to be a professional eSports athlete, including his day-to-day work in the gaming space. Jordan talks about what's different about this production of Sweeney this time and their take on the piece, which will look, feel and sound familiar but bigger and larger at the same time—the most realistic telling of the story, if you will. Jordan Fisher is an actor, singer, songwriter, producer, and gamer who has done numerous projects in the TV, movie, theatre, and gaming industry. He can be seen in Netflix’s "Work It" and "To All the Boys I’ve Loved Before" sequel, The CW’s "The Flash", and most recently, Netflix’s "Hello, Goodbye, and Everything In Between" and HBO’s "Naked Mole Rat Gets Dressed: The Underground Rock Experience". Apart from acting, he's an avid gamer and has commentated for the 2019 Fortnite World Cup. Jordan was also the first Black actor to portray the title character of Evan in "Dear Evan Hansen" and Mark in the Emmy-nominated "Rent: Live". He was also named a breakout star by MTV and People Magazine for Fox’s Emmy-winning broadcast "Grease Live!" and won ABC’s 25th season of Dancing with the Stars. He collaborated with Lin-Manuel Miranda wherein he performed a duet with him for Disney’s "Moana" soundtrack and joined the cast of the Tony Award-winning musical, "Hamilton". Jordan is part of the upcoming production of "Sweeney Todd" on Broadway on March 26, 2023, and you can also catch him streaming on Twitch. Connect with Jordan: Instagram: @jordanfisher, @jordanfishergaming Twitch: @jordanfisher Twitter: @jordanfisher YouTube: @@jordanfisher TikTok: @jordan_fisher Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

A two-time Tony Award-winning actor and singer, Norbert Leo Butz opens up about his childhood, the challenges he faced pursuing a career in acting, and the remarkable twists of fate that brought him to Broadway. Hailing from a large family of 11 siblings, he shares how the importance of education was instilled to them by his parents. Despite his family's support for school plays, his strict upbringing and limited resources led Norbert to sneakily pursue his love for acting. Norbert eventually had to confess to his father about attending a different college and studying to become an actor, a moment that ultimately led to his parents becoming his biggest supporters. He recounts his serendipitous entry into Broadway with "Rent," joining the cast as a cover for the roles of Roger and Mark–a right place, right time moment for him. He also talks about how he dealt with the pandemic through music, which eventually resulted in releasing his 4th solo album “King of Hearts” co-written with her daughter, Clara Davis. Growing up, Norbert developed a sense of self-reliance and resilience that shaped his approach to hard work and dedication. He encourages aspiring actors to avoid seeking validation through advice and instead cultivate self-awareness and a love for their craft. Norbert Leo Butz is a four-time Tony Award nominee having won two of those four nominations for his performances in “Dirty Rotten Scoundrels”, and “Catch Me If You Can”. He made his Broadway debut in “Rent” in 1996 before moving on to a slew of additional Broadway credits, including “Wicked”, “The Last Five Years”, and “Big Fish”, among many others. He’s also an accomplished TV and film actor with credits such as “Justified: City Primeval”, “The Good Wife”, “Blue Bloods”, Fosse/Verdon”, Dan in Real Life”, “Better Nate Than Ever” and the most recent, “The Exorcist: The Believer”. His fourth and latest solo album, King of Hearts was co-written with his eldest daughter, Clara Butz. Connect with Norbert: Instagram: @norbert_leo_butz Listen “King of Hearts” on YouTube Stream “King of Hearts” everywhere you listen to music Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Our BPN Podcasters bring you exclusive interviews with cast and creatives from In the Heights, in theaters on June 11 2021. Watch the video version of this event here: https://youtu.be/py3YLSt8MSo. Interview 1: Daphne Rubin-Vega, interviewed by Salisha Thomas http://bpn.fm/bhbl Interview 2: Olga Merediz and Jimmy Smitts, interviewed by Dori Berinstein http://bpn.fm/ddb Interview 3: Quiara Alegría Hudes (screenwriter), interviewed by Jesse McAnally http://bpn.fm/mwc Interview 4: Scott Sanders (producer), interviewed by Ruthie Fierberg http://bpn.fm/wwt Interview 5: Gregory Diaz, interviewed by Eli Tokash http://bpn.fm/takeabow Interview 6: Melissa Barrera, Corey Hawkins and Leslie Grace, interviewed by Alan Seales http://bpn.fm/ttp Learn more about your ad choices. Visit megaphone.fm/adchoices

Ophelia Lovibond. Known for her diverse and memorable roles in film and television, Ophelia shares candid insights about her journey in the entertainment industry. This episode is filled with rich discussions that range from her early career breakthroughs to the creative processes that help her bring complex characters to life. Ophelia opens up about the defining moments that have shaped her career, the invaluable lessons she’s learned from working alongside esteemed peers, and her approach to embodying authenticity in every performance. She delves into how the industry has evolved, the shifting landscape of storytelling, and why maintaining a balance between her professional and personal life is essential to sustaining her passion for acting. Listeners will appreciate her thoughts on what keeps her motivated, her commitment to storytelling, and the advice she has for aspiring performers. A must-listen for fans and future actors alike, this episode is brimming with relatable stories, career reflections, and practical advice from an artist dedicated to her craft. Ophelia Lovibond is a British actress renowned for her versatile performances across film, television, and stage. Born and raised in London, she began acting at a young age and gained early recognition with roles in popular TV series and films such as Guardians of the Galaxy and Nowhere Boy. Lovibond's career includes a standout portrayal in the comedy-drama series W1A, where she showcased her impeccable comedic timing as the enthusiastic junior executive Izzy Gould. More recently, she captivated audiences as Carrie Symonds in the political drama This England and earned acclaim for her starring role in Minx, where she embodied the determined feminist Joyce Prigger.  Connect with Ophelia: Instagram: @opheliabits Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally aired as episode 276 on July 18, 2023. Conrad Ricamora is a talented actor known for his roles on Broadway and his portrayal of Oliver Hampton in the hit TV series "How to Get Away with Murder." He shares his insights as they delve into his background, including his family's journey from moving to the U.S. to growing up in military bases, and how he got into acting and theater. Conrad discusses the significance of "Here Lies Love," a groundbreaking Broadway production featuring an all-Filipino cast, and shares his experiences with the show, including how it explores the intertwined history between the Philippines and America. He also looks back on how he auditioned and got involved with it 11 years ago. The discussion expands to the challenges of performing on Broadway, the staging of "Here Lies Love," and the unique experiences of interacting with the audience up close. Conrad reflects on the current state of democracy and political issues, drawing parallels between historical events and the fragility of democracy today. From sharing personal anecdotes to addressing important social issues, Conrad's passion for his craft shines through as he tells what motivates him as an actor: storytelling and connecting through stories. Conrad Ricamora is an actor best known for his role as Oliver on the ABC network hit “How to Get Away with Murder”. His TV and film credits include “Fire Island”, “Over the Moon”, Talladega Nights: The Ballad of Ricky Bobby”, and “The Light of the Moon”. His stage credits include “The King and I”, which was his Broadway debut,” Little Shop of Horrors”, “Soft Power”, and numerous plays penned by Will Shakespeare. He is a 2016 Human Rights Campaign Visibility Award recipient and 2017 Equality California Award recipient. He can now be seen in the Broadway hit, “Here Lies Love”, reprising his role of Ninoy Aquino, which he developed 11 years ago in the original Off-Broadway Workshop. Connect with Conrad: Instagram: @conradricamora TikTok: @conradwaynericamora Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special LIVE podcast panel discussion, Alan Seales hosts cast & creatives of THE PROM on Broadway to celebrate Pride Month. After premiering on Broadway at the Longacre Theatre in October 2018, The Prom was the first musical of the 2018–2019 Broadway season to be named a New York Times Critics Pick. To celebrate a Pride like no other, after a year like no other, The Prom creatives join to speak about their own personal reasons for bringing this story to the page and stage, highlighting the show's universal messages of acceptance, understanding, empowerment, and love. They are joined by members of the original cast, who discuss their personal journeys as they relate to the queer community, and why the show is, and always will be, important to them. Watch the video of the event here: https://youtu.be/laQQ4MAZ24I The Prom panel guests include creatives Matthew Sklar (music), Bob Martin (book), and four-time Tony Award winning Producer Dori Berinstein, as well as original cast members Caitlin Kennunen (Emma Nolan), Josh Lamon (Sheldon Saperstein), Isabelle Mcalla (Alyssa Greene), and Michael Potts (Principal Tom Hawkins).  In this episode, we talk about:  What Pride means to each A brief history of Pride  Reactions and responses from audience members  How the show’s journey affected personal journeys  Theatre as a tool for social activism  Making history at the Macy’s Thanksgiving Day Parade  Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorin Latarro is a director and choreographer, who also has fourteen Broadway credits to her name as a performer, including Twyla Tharp’s Movin’ Out, Fosse, Swing!, Kiss Me Kate, A Chorus Line, Spamalot and Man Of La Mancha. She choreographed Broadway’s Mrs. Doubtfire, Waitress, Les Liasons Dangereuse, Waiting For Godot with Sir Ian McKellen and Sir Patrick Stuart, Merrily We Roll Along for Roundabout, La Traviata at The Met Opera, and was the Associate Choreographer for The Curious Incident of the Dog in the Night-Time and American Idiot. Her choreography has also been seen at The Public Theater, The Kennedy Center, Brooklyn Academy of Music, City Center Encores!, and the Old Globe. Lorin is a Drama Desk, Lucille Lortel, and Chita Rivera Award nominee, and recently directed Candace Bushnell’s one woman show, Is There Still Sex In The City, which became a NYTimes Critic’s Pick.  Lorin dives right into a conversation about her love for neuroscience and how it relates to the body (specifically dance), her obsession with the idea of how a collective experience (like watching live theatre) changes your brainwaves, and why she almost left the entertainment industry to create her own business. She opens up about why choreographing and directing suit her more than performing, and talks about her road to becoming a successful choreographer. Lorin also speaks about working on her newest Broadway show, Mrs. Doubtfire - how and why she integrated many different styles of dance, and how she carried out her vision.  In this episode, we talk about:  Deciding she was going to be a dancer at 4 years old  Being married to a brain surgeon  Studying dance at Julliard  Her upcoming projects: Almost Famous, and The Outsiders Founding ArtAmmmo.org - Artists Against Gun Violence Connect with Lorin Twitter: @lorinlatarro IG: @latarro https://mrsdoubtfirebroadway.com/ Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Lamon is currently starring as Sheldon in The Prom on Broadway (which was nominated for 7 2019 Tony Awards including best musical). Josh made his Broadway debut in 2009 in the revival of Hair before landing iconic roles in Elf, Finding Neverland, and Groundhog Day. He has also toured Hair and Wicked.  However, all of this success did not come easily. In this episode, Josh discusses growing up in California with his adoptive family. He fell in love with theatre as a child but ultimately failed out of acting school in Philadelphia. After escaping an abusive relationship, he wound up in New York where he ended up reluctantly auditioning for the show that would ultimately become his Broadway debut. Josh continues to grow his career and is in the process of starting his very own podcast “Josh Swallows Broadway,” coming soon to a podcast feed near you (45:20)!  Connect with Josh: Instagram: @josh.lamon Twitter: @joshlamon joshlamon.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

A dynamic duo with impressive acting credits, Marilu Henner and Caroline Aaron discuss their friendship, careers, and their play "Madwomen of the West." The two fondly share their strong and enduring friendship, how they met, and their mutual respect and support for each other despite their differences They also talk about their current play, "Madwomen of the West", the relationship they have with the other actresses, its success in Los Angeles, and bringing the show to New York. The two look back on how they got into theatre and what made them fall in love with performing. Marilu discusses her early struggles in auditions and how she learned to embrace her uniqueness, encouraging aspiring artists to celebrate what makes them special instead of conforming to expectations. She also talks about her highly superior autobiographical memory and the book she wrote about it. Caroline, on the other hand, opens up about being driven by early experiences with death, emphasizing the value of cherishing life and leaving a positive impact. Marilu Henner has been in seven Broadway shows, and two classic sitcoms, namely “Taxi” and “Evening Shade”. She has five Golden Globe nominations, is a New York Times bestselling author of 10 books, and is one of 12 people documented with highly superior autobiographical memory. Caroline Aaron gained prominence in the 1980s with roles in films directed by Woody Allen, Mike Nichols, and Nora Ephron. Her television career includes recurring roles in “The Marvelous Mrs. Maisel”, “Transparent”, and “The Leftovers”. A seasoned theater actress, Caroline has performed on Broadway and in numerous off-Broadway and regional productions. Marilu and Caroline are both currently starring in the new off-Broadway comedy, “Madwomen of the West”. Connect with Marilu and Caroline: Instagram: @therealmarilu, @therealcarolineaaron Twitter: @TheRealMarilu, @therealcarolineaaron Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Powerhouse actors Cecily Strong and Andrea Syglowski provide insights into their acting careers, and how they navigated life’s complexities throughout their journey. The two talk about the show they currently co-star in,“Brooklyn Laundry”, their admiration for playwright John Patrick Shanley, and the play’s portrayal of women. Cecily opens up about how she relates to the play’s themes, reflecting on her own experiences of loss and self-discovery, particularly the loss of her cousin to brain cancer and the impact it had on her outlook on life and love. This loss inspired her to write her memoir, "This Will All Be Over Soon". She recalls her time on SNL, and what made her shift from comedy to “serious acting”. Andrea shares her love for teaching acting, how she deals with uncertainties. Both recall their motivations for pursuing careers in the theater, highlighting the joy of storytelling and the opportunity to connect with audiences, and perseverance. Andrea Syglowski is an actress who was last seen in “DIG” at Primary Stages. Her additional stage credits include Broadway's “Passover”, off-Broadway’s “Halfway Bitches Go Straight to Heaven” and “queens”. Her TV credits include “Evil”, “New Amsterdam”, “Blue Bloods”, “Elementary”, “The Good Wife”, and “How to Get Away with Murder”.  Cecily Strong is best known for her work as a cast member on Saturday Night Live from 2012 to 2022, which garnered her multiple Emmy Award nominations. She was most recently seen on Apple TV's hit musical series, “Schmigadoon!”, in addition to film credits that include “The Female Brain”, the recent “Ghostbusters” reboot, as well as Melissa McCarthy's “The Boss”, “The Bronze”, and “The Meddler”. She made her New York stage debut in 2021 and hasn't looked back since.  Together, Andrea and Cecily are 50% of the four-member cast of “Brooklyn Laundry”, a world premiere play written by Tony and Pulitzer Prize-winning author, John Patrick Shanley. Connect with Cecily and Andrea: Instagram: @justcaseylikes Twitter: @justcaseylikes TikTok: @justcaseylikes Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Among all the things Jai Rodriguez knows how to do well, not punching down is at the top of the list . Sharing his journey from going to Broadway to landing a role in the groundbreaking TV series, “Queer Eye For The Straight Guy”, his grit and talent took the stage by storm, playing in shows like “Rent” and “The Producers”. He shares how he got started by going to his first audition at the age of 12 – a funny but inspiring anecdote on why you shouldn’t take ‘no’ for an answer easily. Jai also recounts his “Queer Eye” audition, the success of the show, and the overwhelming response they received early on. Despite the external glamor, Jai reveals his financial struggles during the press tours. He also gets real as he talks about a pivotal moment in his career during a meeting with agents, and how he was told that he may not be castable due to his identity – an untrue trope that stayed with him throughout a lot of his career. While it may have affected him deeply, Jai did not let it stop him from taking up space in the industry by rephrasing “you can’t do it” as “it’s just never been done before”. Jai Rodriguez is an actor and musician best known for his role in the original Fab Five 'Culture Vulture' in the award-winning show “Queer Eye For The Straight Guy”. He had his Broadway debut at the age of 18 when he was cast as Angel in the critically-acclaimed musical, “Rent”. His other credits include the long-running musical, “The Producers”, “Zanna, Don’t!”, and an off-Broadway hit, “Sex Tips for Straight Women from a Gay Man”. He has a web series, “The Horizon”, which is the most-watched LGBTQ web series in the world.  Connect with Jai: Website: linktr.ee/jairodriguez Instagram: @jairodriguez TikTok: @jairodriguezworld Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

AnnMarie Milazzo is a musical storyteller with an incredible gift for shaping sound and emotion. Her concept album The Shape of Things, inspired by Joy the Musical, has completely captured my imagination, and in this conversation, we break down how it all came together. She opens up about her creative process, the organic way she approaches vocal arranging and songwriting, and why concept albums are having a resurgence in musical theatre. We also get into the balancing act of artistic integrity, learning from failure, and why she chooses to stay offline when it comes to reviews and feedback. But one of the most unexpected and fascinating parts of this conversation? AnnMarie’s childhood stories of growing up in a former funeral home. From eerie encounters to an ever-present sense of energy in the house, her ghost stories are the kind that stick with you long after you hear them. Whether you’re a fan of her music, curious about the creative process, or just love a good supernatural tale, this episode is packed with insights, laughter, and a few chills. AnnMarie Milazzo is a Grammy and Tony-nominated vocal arranger, composer, and songwriter. Her latest work, The Shape of Things, is a concept album featuring songs from Joy the Musical, which tells the inspiring true story of Joy Mangano, the inventor of the Miracle Mop. She has been a key creative force behind some of Broadway’s most iconic modern musicals and continues to push the boundaries of storytelling through music. This episode is powered by Welcome to Times Square, the billboard experience that lets YOU be a star for a day. Learn more: https://welcometotimessquare.com/ Connect with AnnMarie: 🎵 Stream The Shape of Things 🎭 See Joy the Musical this summer off-Broadway at the Laura Pels Theatre Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liza lovers, this episode is for you! We had the incredible Bruce David Klein, director of the brand new documentary, "LIZA: A Truly Terrific Absolutely True Story," in the virtual studio dishing all about the film and the legendary Liza Minnelli herself. The first and only documentary Liza has personally approved and allowed herself to appear in, Klein pulls back the curtain on Liza's life and career, from her childhood under the spotlight with Judy Garland to her own meteoric rise and the challenges she's faced along the way. This is an exclusive look you won't want to miss! Tune in for behind-the-scenes secrets, never-before-heard stories, and all the reasons why we adore Liza Minnelli. See the world premiere of the documentary at the 2024 Tribeca film festival: https://tribecafilm.com/films/liza-a-truly-terrific-absolutely-true-story-2024 Emmy-nominated filmmaker Bruce David Klein is a force behind some of your favorite documentaries and television shows. Founder of Atlas Media Corp., Klein has directed, written, and produced across various platforms. Whether it's exploring the eccentric world of rock legend Meat Loaf or diving into the high-stakes world of finance with "Icahn: The Restless Billionaire," Klein consistently brings captivating stories to life. Connect with Bruce Get tix to see the film IG: @atlasmediacorp Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

From loving TikTok to enjoying cold readings playing “delightfully stupid” characters, Mary Testa is a talented actress who’s “not on a stardom path and never will be”. She starts off where her acting journey began: choosing between law school and performing. Ultimately, she pursued the latter and eventually moved to New York in 1976, explaining why she just likes working on interesting things with people she loves. She discusses self-taping auditions during the pandemic, and that while she believes it's better to be in the room for auditions, she understands the preliminary role of self-tapes. Known for playing strong-willed characters, Mary reflects on her career as a character actress. She recalls asking Michael John LaChiusa to write a role for her as “a very stupid character”, challenging the usual type casting she gets. She also admits to loving cold readings, the spontaneity, and the challenges that come with them. Reflecting on her journey, she gets real as she talks about perfectionism, how insecurities can lead to tyrannical behavior, and why self-awareness and being comfortable in your own skin is important to keep you grounded. Mary Testa is an actress with a phenomenal career spanning almost 50 years, which includes 12 Broadway shows such as “Oklahoma!”, “42nd Street”, and “On the Town”, resulting in her three Tony Award nominations. Her TV and film credits beginning in 1979 include “Cagney & Lacey”, “Sex and the City”, “Whoopi”, “The Battery's Down”, “Eat, Pray, Love”, and “The Good Fight”, “The Blacklist”, and many, many more. She's been a part of the “Ratatouille”, the TikTok musical, and is an experienced voiceover artist. She can be heard in the podcast comedy TWITS: A Streampunk Distraction available everywhere you find your podcasts. Connect with Mary: Instagram: @marytesta.actress Listen to TWITS: http://bpn.fm/twits Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

We've successfully completed yet another year around the sun (sorry flat Earthers, the truth hurts), this time with only about 4 months of Broadway theatre to talk about, and we're already seeing more shows permanently closed than expected due to Omicron breakthrough cases. Sheesh. Ayanna Prescod, a Broadway producer, critic, writer, and creator, and host of What's Up Broadway joins us for this final episode of the year as we discuss our favorite moments, shows, and what we're looking forward for in 2022. A big shout out to all the shows of 2021 that closed too early: Is This A Room Dana H Chicken & Biscuits The Rockettes Radio City Christmas Spectacular Diana, the Musical Thoughts of a Colored Man Jagged Little Pill Waitress Beautiful Ain’t Too Proud Connect with Ayanna: Twitter: @AyannaPrescod Web: OurBKSocial.com Listen to What's Up Broadway: bpn.fm/wub Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth A. Davis is currently gracing the Broadway stage as Thomas Jefferson in “1776”, where she has the unique opportunity to showcase her actual violin skills at the same time. She talks about what it's like performing eight shows a week while pregnant, and the financial and societal expectations that come with it. Elizabeth's love for music started at a very early age, sharing that she started playing an instrument with a butter box with a ruler in it when she was three years old. She reflects on how music was an important part of her family's life, and why she played not because she had an inkling it would be her trajectory but for the discipline of it. Playing as Thomas Jefferson, she shares that the pieces that she's playing on stage were pieces that Jefferson himself played, how she auditioned and how they were particular about casting actors who can play instruments very well, and why she considers "1776" a true musical theatre. She admits that singing on stage still terrifies her, and while she thought she wasn't a good enough violinist or a vocalist to major in them, she knew that she was a storyteller and got her degrees in classical theatre performance instead. As a storyteller, Elizabeth reflects on why the act of acting is a total defiance of death, why she aims to live her life as a thank you, and why failure is your friend and something that is not to be feared. Elizabeth A. Davis is a multi-talented, multi-hyphenate actress who received a Tony Award nomination for originating the role of Reza in the Broadway production of "Once". She has over 30 Off-Broadway credits, including "The Resistible Rise of Arturo Ui", "Women on Fire: Stories from the Frontlines", "Zorba", "Rain", "Allegro", "The Caucasian Chalk Circle", and "The 39 Steps". She's appeared in several TV shows such as "Fringe", "Blue Bloods", “The Jim Gaffigan Show”, and "Law & Order: Special Victims Unit". She has also written original musicals and short plays, and sung on Ben Platt's album, "Sing to Me Instead". Elizabeth is playing Thomas Jefferson in Broadway's "1776", where she sings and plays the violin on stage. Connect with Elizabeth: Website: www.elizabethadavis.com Instagram: @elizabetadavis Twitter: @ElizabetADavis Facebook: @officialelizabethadavis Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rick and Jeff Kuperman talk about their roles as choreographers for the Broadway production of "The Outsiders," diving deep into various aspects of the show's creation, from choreography and staging to its technical elements like sound and lighting. The two share how their collaboration with Danya Taymor began, their non-traditional theatre practices, and the story behind “The Outsiders” choreography, particularly the rumble scene. Apart from theatre and directing, Rick and Jeff share their other interests, such as Jeff's appreciation for Russian literature and Rick's fascination with philosophical introspection. With their success, the two reflect on the role of luck and how things aligned for them, the pride they take in their work, and the collaborative aspect of their job, highlighting the importance of teamwork, creativity, and dedication to storytelling. Rick and Jeff Kuperman is a directing and choreographing team with many projects that you've seen on stage and screen. Their recent highlights include co-directing and choreographing the immersive show from the producers of “Sleep No More”, choreographing a new musical adaptation of “The Outsiders”, which just opened, and choreographing “Alice by Heart” which won the Lucille Lortel Award, the Chita Rivera Award, and the Callaway Award for Outstanding Choreography. They've also worked on “Cyrano” with Peter Dinklage, Phish at Madison Square Garden, and choreographed the feature film, “Dicks: The Musical”, which you can find streaming online. Other camera work includes “Living With Yourself” with Paul Rudd, and “Silent Retreat”. Connect with Rick and Jeff: Website: kupermanbrothers.com Instagram: @kupermanbrothers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

His favorite four-letter word, in response to both success and failure, is “next”. After recovering from COVID-19, and with his career on pause, this Broadway publicist talks about the future of Broadway. Keith Sherman operates Keith Sherman and Associates, a Times Square Public Relations firm which he founded in 1989. He has an extensive background in theatre - 300 plus shows including, recently, Be More Chill, We Will Rock You and Mike Birbiglia: The New One, as well as the Tony Awards for 18 years. Keith previously represented the New York Times for a decade, and over the years his clientele has expanded to film, TV, music, major global events, organizations, award shows, individuals, fine art, brands and Olympic sports. When asked how he became interested in publicity, Keith recalls Christmas when he was 8 years old, a Jewish boy in New Jersey living next to a Christian family. He received two LP records that year by The Supremes, and fell in love. By age 12 he was reading Variety magazine every Thursday to see what nightclubs The Supremes were playing in around the country. Keith later became an intern at the new Roundabout Theatre Company while in college, eventually accepting a job offer as their Marketing Director. He spent years bouncing around jobs in various press offices, when he finally decided “he could build a better mousetrap”, and founded his own company in 1989. He had found his calling.  Keith opens up about his new reality amid the COVID-19 pandemic as the head of a PR firm for the entertainment industry. What will Broadway look like when it reopens? Keith believes the theater will survive, it will come back, but thinks it “will come back in a different form.” Not only is his career on pause, having had to furlough his employees as well, Keith and his husband have also both recently recovered from the coronavirus. And in light of it all, he remains an optimist. Connect with Keith @keithshermanassociates Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Actresses, singers, teachers, composers, comedians, and hosts of 10KDollarDay, a podcast about fake luxury travel, Alison Burns Jackson and Lulu Picart tell the story of who they are, how they met, their theatre history, and why podcasting has become their new passion. Fake luxury turns to comedy every week on 10KDollarDay. As their acting and teaching careers continue to thrive, they continue to reinvent themselves, most recently through podcasting. They were both seen off-Broadway in Disenchanted!, a show that sets the record straight on the original Disney storybook heroines you think you already know.  Connect with Alison, Lulu, and the 10KDollar Day Team: Instagram: @10KDollarDay, @AlisonBurnsJackson, @LuluPicar Twitter: @10KDollarDay Web: 10kdollarday.com Facebook: /10KDollarDay YouTube: Click here Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Carroll joins us this week to kick off our Disney’s Frozen on Broadway takeover month. Joe recently joined the company of Frozen as Prince Hans, but he’s no stranger to playing a prince. He formally played Prince Topher in Cinderella. His other Broadway credits also include Once, Romeo and Juliet, and Bandstand. Joe recently starred in the Boston production of Moulin Rouge and has been featured on various television shows including Chicago Fire and All My Children. On this episode, Joe discusses his childhood as a sports kid until an injury led him to spend time learning music. He decided to pursue musical theatre is college at the University of Michigan. He landed his first Broadway show shortly after moving to New York City and has been hustling ever since. Connect with Joe online: Instagram and Twitter: @Joe_CarrollMich Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Stiles is taking the stage and screen by storm. She is currently starring in Tootsie The Musical on Broadway, for which she was nominated for a Tony Award. She is also currently starring in Billions on Showtime. Sarah was born to hippie parents. From a young age age knew she wanted to be a performer. She made her Broadway debut in Avenue Q and went on to perform in other shows such as The 25th Annual Putnam County Spelling Bee, On a Clear Day You Can See Forever, Into The Woods, and Hand To God. Sarah has also been seen on several television shows. She is most well known as a regular on Get Shorty and Billions. Connect with Sarah online: Instagram and Twitter: @Lulubellestiles Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

A live panel discussion with Elizabeth Teeter, Dana Steingold, Zonya Love and Michelle Aravena from Beetlejuice. This was recorded LIVE at BroadwayCon 2022 on July 8th, 2022. Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nancy Opel has a long career spanning over three decades. She is now appearing on Broadway as Wicked’s Madame Morrible. She was nominated for the 2002 Tony Award for Best Leading Actress in a Musical and won an Obie as Penelope Pennywise in Urinetown. In addition, she was nominated for the 2015 Drama Desk Award for Outstanding Featured Actress in a Musical in Honeymoon in Vegas. Nancy has appeared in Evita, Teddy & Alice, Sunday in the Park with George, Anything Goes, Triumph of Love, 2004’s Fiddler on the Roof, Memphis, the 2014 revivial of Cinderella as Madame. She was also title character in the first national tour of The Drowsy Chaperone. Connect with Nancy Twitter: @NancyOpel IG: @opelnyc Web http://www.nancyopel.com Connect with The Theatre Podcast: Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan’s personal Instagram: @alanseales Jillian’s personal Instagram: @jillianhochman Email us at feedback@thetheatrepodcast.com. We want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded live on Aug 10th, 2023, this red carpet coverage of "The Shark is Broken", a show based on the true events that happened between takes on set with Roy Schneider, Richard Dreyfuss, and Robert Shaw. This opening night episode includes convos with Alex Brightman, Colin Donnell, Ian Shaw, Peter Bradbury, Stephen Dexter, Coby Getzug, James Monroe Iglehart, Patti Murin, Elizabeth Teeter, Blake Roman, Guy Masterson, Christian Slater, and an actual shark: Robert Herjavec. Do YOU remember who the leader of the Sharks is!? Be sure to visit https://thesharkisbroken.com/ for more info. Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Pittman’s been “live, laugh, love-ing” dance ever since she was two years old–at least until she discovered in high school that it’s best partnered with acting. She looks back on her “The Search for Roxie” experience, winning and not being able to tell it to anyone right away, and the show getting postponed because of the pandemic. She shares her journey with the production of “The Outsiders”, including her early connection with the show, having read the book and performed in a play adaptation in high school. Emma describes the unique ensemble-based approach of the play and how it resonated with her. One standout moment she discusses is her audition process for the play, highlighting the personal connection established by director Danya Tamor, who prioritized genuine conversations with the actors during the audition process. Emma opens up about her personal experiences, including her life in high school and the challenge of breaking free from preconceived notions. She also talks about the impact of "The Outsiders" on younger audiences, and the profound effect of the show's raw and visceral scenes, particularly the rumble. In an industry where it’s easy to get boxed into a particular type, Emma imparts advice on embracing one's uniqueness and staying true to oneself wherever you go. Emma Pittman is a Mississippi native who graduated from New York City's Wagner College. In late 2019, she won “The Search for Roxie”, an online contest to find the next Roxie for “Chicago” on Broadway. After she won, she made her Broadway debut in 2022, replacing Pamela Anderson. Her regional credits include Janet in the drowsy chaperone and Lola in damn Yankees. She's also a teaching artist, a director, and a choreographer. Her choreography credits include “On the 20th Century,” “In the Woods,” and “The Cradle Will Rock”. She was part of the original cast of Broadway’s “Back to the Future,” and is now making audiences cry eight times a week as Cherry Valance in “The Outsiders”, which just received 12 Tony nominations. Connect with Emma: Instagram: @emmapittmanofficial TikTok: @emmapittmanofficial Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Talented actress Tatiana Maslany is currently helping creep up the stage as Max in the critically acclaimed Broadway show, "Grey House." She delves into the captivating complexities of her character, what happens behind the scenes, and the dynamics at play in this spooky production. Amidst the nature of the play, she shares the process of uncovering more about the story alongside her fellow cast members, and recounts how she and Paul Sparks, who plays her husband in the show, helped each other in navigating their characters' relationship. She looks back on her improv years and becoming a certified improvisational trainer, and studying for a while before pursuing acting for good. A seasoned actor, it's no surprise that she always brings her A-game to the table. She reflects on the digital age and why she yearns for authentic, in-person connections just like in the analog days. In a world where self-tapes and virtual auditions have become the norm, she advocates for the revival of in-person interactions and the “magic” that occurs when artists come together. Tatiana also expresses her unwavering support for the writers' strike, standing up for the rights of artists and the importance of storytelling—proving that despite her success, her heart remains rooted in community and fostering connections in whatever she does. Please note that as this episode was recorded before the SAG strike began, we do briefly discuss several of her past TV projects.  Tatiana Maslany is an award-winning actress who began her dance career at age four and started performing on the stage at the age of nine. She rose to fame on TV for her multiple roles in “Orphan Black,” and won her a Primetime Emmy Award. Her tv credits include “Heartland”, “The Harper House”, “Perry Mason”, “3Below: Tales of Arcadia”, “The Nativity”, “Heartland”, and “She-Hulk: Attorney at Law” where she earned a 2023 Critics Choice Super Award for Best Actress in a Superhero Series. She appeared in movies like "Stronger", "Cas & Dylan", "The Other Half", and "The Vow". She's lent her voice to several audiobooks, including the “Hunger Games” trilogy before making her Broadway debut in 2018 in “Network” alongside Bryan Cranston. She can now be seen as Max in the Broadway thriller, “Grey House”. Connect with Tatiana: Instagram: @tatianamaslany Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

What do you get when you mix Broadway royalty with sci-fi cloning, environmental theater, and a dash of boogie-woogie piano? A wildly entertaining conversation with the legendary Terrence Mann. From his earliest days growing up in a musical household to helping launch the North Carolina Theatre, Terry’s journey is packed with passion, persistence, and a whole lot of timing. He shares the story behind how he actually got cast in Cats (it involves London and a royal connection), and how he practically willed his way into Les Misérables after being told multiple times they didn’t want to see him. His advice for young performers? “Have no fear, there are no wrong choices, and be specific”—words he lives by and teaches. Now back on stage in Broadway’s The Great Gatsby as Meyer Wolfsheim, Terrence opens up about what it feels like to return to the theater after years in “Foundation land,” filming Apple TV’s epic sci-fi series. We also dive into his work as a director, educator, and his longtime love for North Carolina’s historic Lost Colony production. And yes, we play a game of Plot in 60 Seconds, get a surprise cameo from iOS balloons, and bond over the beautiful chaos of 1980s New York auditions. This episode is packed with decades of wisdom and a whole lot of heart. Terrence Mann is a three-time Tony nominee best known for originating iconic roles such as Rum Tum Tugger in Cats, Javert in Les Misérables, and the Beast in Beauty and the Beast. His Broadway credits also include Pippin, Tuck Everlasting, The Addams Family, Scarlet Pimpernel, and Rags. On screen, he’s appeared in Sense8, all four Critters films, and currently stars as Brother Dusk in the Apple TV+ sci-fi series Foundation. He’s also an accomplished director, educator, and co-founder of Triple Arts, a musical theater training program. Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Broadway actor, author, and web series co-creator, Andrew Keenan-Bolger opens up about his personal experiences, life lessons, and insights into the world of theater, social media, and literature. He recalls his introduction to theater and his early influences, which include his older sister, and how he was able to pursue a career in acting, thanks to the overwhelming support he received from his parents at such a young age. Currently playing seven different characters in “Dracula, a Comedy of Terrors”, Andrew shares a glimpse of what the production is like, including costume changes, and why having chemistry with the people you work with is essential. While he successfully grew his online presence, he candidly reveals the toll social media can take on one’s mental health, ultimately choosing to show only certain aspects of his life and providing valuable content to his followers. Andrew also touches on the transition from co-creating the digital series, “Submissions Only” to co-writing the book series, "Jack and Louisa". He reflects on the responsibility of writing for a younger audience, getting inspired by other people’s works, and the importance of staying true to one's unique voice. Andrew Keenan-Bolger is a multi-talented actor, author, and social media influencer who began his professional theatrical journey at the age of 10, with his earliest roles in productions like "A Christmas Carol", “Beauty and the Beast”, and "The Sound of Music." His other stage credits include roles in productions such as "Seussical,""Mary Poppins," "Newsies," and "Tuck Everlasting." His TV credits include “The Undoing”, “The Blacklist”, “The Marvelous Mrs. Maisel”, “Nurse Jackie”, and “Naked Brothers Band”. He co-authored the middle-grade novel series "Jack and Louisa" alongside Kate Wetherhead, a delightful series that explores the adventures of two theater-loving friends. He is the co-creator of the critically acclaimed web series, “Submissions Only” and is currently part of the ensemble cast of “Dracula, a Comedy of Terrors” now playing at New World Stages. Connect with Andrew: Website: www.andrewkeenanbolger.com Instagram: @KeenanBlogger Threads: @KeenanBlogger YouTube: @AndrewKeenanBolgerTV Twitter: @KeenanBlogger Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally aired as episode 200 on April 5, 2022. With a remarkable 14 nominations and six wins across the Emmys, Grammys, Olivier, and Tony Awards, Patti LuPone is a force in the entertainment industry. Her illustrious career includes 27 Broadway credits, most notably her Tony Award-winning roles as Eva Perón in Evita and Rose in the 2008 revival of Gypsy. Other significant Broadway appearances include Anything Goes, Sweeney Todd, Noises Off, Women on the Verge of a Nervous Breakdown, War Paint, Working, Oliver!, The Robber Bridegroom, and The Beggar's Opera. LuPone has also made her mark on the London stage, originating roles in Les Misérables, The Cradle Will Rock, Sunset Boulevard, and starring in the West End revival of Company. Beyond the stage, her extensive career in television and film includes performances in Driving Miss Daisy, Frasier, Will & Grace, Ugly Betty, 30 Rock, Glee, American Horror Story, Girls, Penny Dreadful, and Life Goes On. A versatile performer, LuPone has also lent her talents to voiceover work, cabaret performances, and regular appearances with the New York Philharmonic, contributing to 22 albums. She is the first American to win an Olivier Award and has been inducted into the American Theater Hall of Fame. Currently, she stars in the Broadway revival of Company. In this episode, LuPone reflects on her introduction to Gypsy, recalling her role as Louise in high school, and shares the story of how she was once banned from working on any of Arthur Laurents' projects before ultimately winning a Tony Award for her portrayal of Rose. She opens up about the challenges she faced during the COVID-19 shutdown, discussing how the lack of purpose impacted her deeply. She also highlights the strong sense of camaraderie and support among the cast and crew of Company, forged through their shared experiences during the pandemic. LuPone delves into her rehearsal process, explaining why she completes all her preparation in the rehearsal room so that she and the audience can enjoy the spontaneity and energy of live performance. Additionally, she reveals why she makes it a point to look at the audience every night. In this episode, we discuss: Being one of the first students in Juilliard’s School of Drama in the 1970s Her Marilyn Monroe impression at three years old The joy she finds in eliciting laughter from an audience The “Italian blast” and her unapologetic lack of a filter The infamous “Andrew Lloyd Webber memorial pool” Her frustration with producers who underestimate the intelligence of their audience Connect with Patti: Twitter: @pattilupone IG: @pattilupone Web: pattilupone.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

This heartfelt episode features the multi-talented Laura Benanti, a Tony Award-winning actress known for her unforgettable performances on Broadway and TV. From her powerful roles in Gypsy and My Fair Lady to her hilarious portrayal of Melania Trump on The Late Show with Stephen Colbert, Laura shares the ups and downs of her diverse career. This conversation goes deep as Laura opens up about the challenges of balancing motherhood and a thriving career, her struggles with postpartum depression, and how becoming a parent has shaped her approach to acting. Beyond the stage and screen, Laura is a dedicated activist, working with theater maker Miranda Ferris Jones to present benefit concerts in support of political and social causes. A mother of two, Laura speaks openly about the struggles and joys of balancing parenthood with her career, and how these experiences have made her a more empathetic and dynamic performer. Laura Benanti is a Tony Award-winning actress with an illustrious career that spans Broadway, TV, and film. Known for her roles in Gypsy, She Loves Me, and My Fair Lady, Laura has captivated audiences with her stunning vocal range and emotional depth. On TV, she's appeared in series such as Younger, Supergirl, and The Good Fight, while her portrayal of Melania Trump on The Late Show with Stephen Colbert has brought her comedic talents to a whole new audience. Connect with Laura: On the web: laurabenanti.com IG & TikTok: @laurabenanti Voices for Victory Benefit Concert (September 25, 2024) at City Winery, NYC Spiral Bound Benefit Concert (September 30, 2024) at Racket, NYC Laura’s one-woman show on Audible: Nobody Cares Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

From The Land Down Under to The Big Apple, this singer-songwriter, pianist, writer and comedian just released his new album, Beetlejuice: The Demos! The Demos! The Demos!, and is showing other Australians that it’s possible to make the leap and find yourself working on a Broadway musical (or two). Eddie Perfect is an Australian singer-songwriter, pianist, comedian, writer and actor. He is now also a Tony Award Nominee after receiving a nomination for best original score for Beetlejuice the musical. During the same season, Eddie also wrote songs and vocal arrangements for King Kong on Broadway. Eddie is a four time nominee and two time Helpmann Award winner for his work in Australia. In 2009, his biographical musical comedy Shane Warne: The Musical won the 2009 Helpmann Award for Best New Australian Work. This production also received a Victorian Premier's Literary Award and a Green Room Award. Eddie has recorded solo albums and written and performed in numerous cabaret shows, including Songs from the Middle with the Brodsky Quartet. Following his songwriting career on Broadway, Eddie returned to Australia where he waits to star as Franklin Hart Jr. in Dolly Parton's musical 9 to 5 once the COVID-19 pandemic subsides. And most recently he released his fifth album, Beetle Juice: The demos! The demos! The demos!, a new album of demos created for his Tony-nominated score to Beetlejuice. The album also contains 17 cut songs that will be new to everyone's ears. During our conversation, Eddie candidly talks about his process for creating. He describes “kind of a weird trance I go into when I make stuff, where I really think about what it would be like to be in the audience watching it.” He focuses on what he wants an audience to think, feel, or learn in a particular moment. Reflecting on the process for Beetlejuice, Eddie shares that he wrote the opening number for the show over a 5 year period. He also recalls it was during their first previews that Beetlejuice really started building it’s cult like fan base. And it was this fanbase that served as some of the inspiration behind releasing the Beetlejuice demos in the first place. Eddie was blown away by the unique creative responses many fans of the show have had, saying he’s “never experienced anything like that.” His new demo album serves to broaden the universe of Beetlejuice a little bit “for those fans that do really riff off the work.”   In the episode, we talk about:  The intense Beetlejuice fandom  The Beetlejuice preview when they knew the show had struck a chord with people  Reading the reviews of the original 1988 film to cheer them up after their DC reviews  Australia being an importer of Broadway shows  Being in a period of his life now where he is confident with his writing and his process  Working with the cast and creatives of Beetlejuice Juggling work on Beetlejuice and King Kong simultaneously Connect with Eddie: Listen to Beetlejuice: The Demos! The Demos! The Demos! @TheEddiePerfect on Twitter @EdmundPerfect on IG Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

To watch the video version of this episode, click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition! Brittney Mack is a performer from Chicago, Illinois, who was most recently seen as Anna of Cleves in the North American Tour of SIX the Musical. Her other credits include Rent, The Wiz, Hairspray, Avenue Q, Shrek, In the Heights, Ain’t Misbehavin’, All Shook Up, and Little Shop of Horrors, as well as the national tour of Memphis. She has performed on Royal Caribbean Cruise Lines, and has been seen on the FOX television show Empire. Brittney is making her Broadway debut with her portrayal of Anna of Cleves in SIX the Musical. Born on the south side of Chicago, Britney was one of 5 raised by a single mother and “an incredible tribe of friends.” She shares that one of her favorite things to do as a kid was listen to late night story times - full stories and plays - on the radio. She recalls one show in particular called It’s Your World!, a modern day radio soap opera that played on the Tom Joyner Morning Show, which she would wake up at 5 AM to listen to before school. She believes it was these radio shows that helped spark her imagination. Her mother was always supportive of her dreams to perform, and Britney says, “My mom is the reason why I’m doing what I’m doing.” Brittney attended the Chicago Academy for The Arts, a college prep high school, and later went on to attend The American Musical and Dramatic Academy (AMDA) both in Los Angeles and New York City.  Brittney shares that as an artist she has always been blessed to find steady work. Throughout a performing journey that has taken her all over the world, she recalls revisiting her storage unit in between contracts in order to swap out some clothes and head out for the next production. Brittney had been out to sea on her contract with Royal Caribbean when her grandfather became ill, after which she relocated back to Chicago to be closer to her grandmother. And it was after being on the road with the national tour of Memphis that she found herself in a general audition for Chicago Shakespeare Theater. She shares that it wasn’t until about her 4th audition for them that she really even knew what SIX was all about. She is grateful for this in retrospect, as it could have added unnecessary pressures in the audition room. “It was a blast being in the room,” she said, as they all auditioned in front of and with each other. It was an audition experience like none other, and she’s pretty sure she’ll never have another like it.  In this episode, we talk about:  How she’s been spending her time in quarantine  The time she told her mom she wanted to be Gary Coleman in Shirley Temple  Paying for her first year of school at AMDA Being shot by a paintball gun when she first moved to NYC The intensive audition process for SIX the Musical  Her feelings on having a social media presence, and the SIX fan base Connect with Brittney: IG: @brittmack8 Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

To watch the video version of this episode, click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition! Adrianna Hicks is no stranger to the Great White Way, as she returns to Broadway as Catherine of Aragon in SIX the Musical. Her other Broadway credits include the revivals of The Color Purple and Aladdin. Adrianna has performed in regional and touring productions of The Wiz, Ragtime, Buddy - The Buddy Holly Story, and The Color Purple Revival Tour. Internationally she has performed in productions of Sister Act and Dirty Dancing in Germany, and Legally Blonde in Austria. While in college, Adrianna also landed the opportunity to perform with Michael Buble in his Call Me Irresistible Tour whenever it came through Oklahoma City.  Adrianna was born in California, but was raised in Texas where her family relocated to when she was four years old. She remembers being “that kid” who would go to her room, close the door, put on Aladdin, and “perform Princess Jasmine”. She loved singing, dancing and acting, and by participating in the International Thespian Society in high school, she discovered that she could make a career out of doing all three together. Adrianna earned her B.F.A. in Musical Theatre from the University of Oklahoma, and after graduating spent over 3 years living and performing in Germany and Austria.  Adrianna shares that she never really had a desire to go to New York City. She loved traveling, and having the opportunity to perform overseas. But as she was preparing for her next role in Europe after Dirty Dancing, both of her parents became ill. So she made the decision to come back home after three and a half years, to be with and help take care of her family. It was upon returning home that she had the opportunity to audition for The Color Purple - the show that would finally take her to New York City, and eventually, help her find her way to Catherine of Aragon in SIX the Musical. In this episode, we talk about:  Her whirlwind memory of the day that their Broadway opening night was cancelled  How she has been spending time in quarantine with her brother in Atlanta  Her thoughts on her social media presence  The journey that took her from the stage in Oklahoma to the stage in Germany  How watching Beyonce’s concerts as a child came in handy for her SIX audition  Why performing in The Wiz was an “ah ha” moment Connect with Adrianna: IG: @missadriannahicks Twitter: @msadriannahicks Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ashley Loren is currently the standby for Satine in Moulin Rouge! The Musical! She has worked with artists such as Kathleen Marshall, Bono of U2, and Yoko Ono; and has sung backup for artists like Carly Rae Jensen, Melissa Etheridge and Iggy Azalea. She made her Broadway debut in the revival of Jekyll and Hyde, and followed it up with the national tour. You may have seen her on American Idol season 8, or season two of NBC’s This is Us. She currently has a film in post production called Be The Light.  Ashley was born and raised in Central Jersey, where she started her journey in musical theater at the age of 6, at summer camps, and in community and regional theater. She signed her first production contract as a solo artist in middle school, sang at open mics in NYC throughout high school, and deferred her acceptance to Berklee College of Music to sign with Universal and record music. Ashley went on to work and tour with Carly Rae Jepsen, calling it “one of the most transformative” things she’s done.  Ashley opens up about her chronic Lyme Disease diagnosis as a child, and the neurological complications she dealt with as a result. She stresses the need for more common knowledge about this tricky, complicated, and multi-faceted illness. But she also says her struggle led her to a life in the arts, as theater and music became her outlets. Connect with Ashley: IG @ashleyoren Twitter @msashleyloren Ashleyloren.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

The voice on the soundtrack of many childhoods, this performer made a name for herself on stages from New York to South Korea, and continues to connect with audiences virtually until theatre is back in full force. Liz Callaway is a Tony nominee and Emmy Award winning actress, singer and recording artist, who may be best known by some as the singing voice of Anastasia in the 1997 animated film. Liz made her Broadway debut in Stephen Sondheim’s Merrily We Roll Along, received a Tony Award nomination for her performance in Baby, and for five years, won acclaim as Grizabella in Cats. She has also starred in the original casts of Miss Saigon, The Three Musketeers, and The Look of Love. Other New York appearances include the legendary Follies in Concert at Lincoln Center, A Stephen Sondheim Evening, Fiorello!(Encores!), and Hair in Concert. Having released six solo albums, Liz has also established a major career as a concert and recording artist, and is now part of a phenomenal lineup of artists performing in the virtual concert Broadway by the Year: The Sir Andrew Lloyd Webber Years on May 24th for The Town Hall’s signature series. Liz grew up in Chicago, and even though she loved to sing as a child, she would only do so if people left the house. As “kind of a loner”, it wasn’t until high school that she discovered the wonderful feeling of family you get being involved in theatre, and at 18 years old moved to NYC with her sister to pursue performing.  During our conversation Liz opens up about how early sibling rivalry grew into a close, enduring relationship with her sister Ann, also an artist who has made her mark as a singer, pianist, composer, award winning songwriter, and Tony-nominated performer in the hit Broadway musical Swing!. She speaks about her surprise when fans approach to tell her Anastasia was the soundtrack of their childhoods, saying, “I had no idea, because you’re in a studio, so you don’t know the effect”. Liz also chats with us about new skills she’s acquired during the pandemic, emphasizing how important it is to keep learning and challenging ourselves no matter what stage of life we are in.  In this episode, we talk about: The Callaway Sisters: Side by Side live Zoom concert Plans for her first performance post shutdown  Her connection to TV sitcom The Nanny  Moving to NYC with her sister when she was 18 Craving connection with others during the pandemic  The power and influence of music on our brains, memory  Connect with Liz: Get tickets to Broadway By The Year Get tickets to The Callaway Sisters: Side by Side live Zoom concert IG: @lizgoeson Twitter: @lizgoeson YouTube: @LizCallaway Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare to question what’s real and what’s just your imagination with renowned mentalist and illusionist Vinny DePonto. Known for his groundbreaking Broadway show Mindplay, Vinny doesn’t just perform tricks—he crafts immersive experiences that blend psychology, memory, and storytelling, making every audience member part of the magic. In this episode, Vinny opens up about the journey from a childhood fascination with a shoebox of vintage magic tricks to becoming a master of mind-bending performances that challenge perception and invite wonder. We dive into the delicate art of mentalism, discussing how memories shape us, the ethics of mind-reading, and the emotional vulnerability that can surface during performances. Vinny shares the creative evolution behind Mindplay—a show that’s never the same twice—and reflects on how audience interaction breathes life into every performance. You’ll also hear about his deep appreciation for theater, design, and storytelling, as well as the unexpected ways his work connects people through shared experiences. This episode is a must-listen for anyone fascinated by the intersection of art, psychology, and the mysterious power of the human mind. Vinny DePonto is a New York-based mentalist, illusionist, and theater maker whose work fuses psychological tricks with immersive storytelling. His critically acclaimed show Mindplay brings audience participation to the forefront, blurring the lines between memory and illusion. A former performer at the Geffen Playhouse, DePonto has collaborated with renowned directors and writers, continually pushing the boundaries of what mentalism can be. His work is driven by a deep passion for human connection, exploring how memory, perception, and theater intersect to create unforgettable experiences. Connect with Vinny: Instagram: @vinnydeponto Website: vinnydeponto.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julie and Diane are both co-founders of The Museum of Broadway in Times Square which opened November, 2022. Julie Boardman and Diane Nicoletti have teamed up in 2022 to bring the best of the Broadway and experiential worlds in the form of The Museum of Broadway in Times Square. Julie and Diane have known each other for decades now and the two chronicle their journey from being in the same sorority to finally working together on many successful projects. Having worked on fan experiences, Diane explains what it's like building sets of popular tv shows and movies and the overall process of building a set. Julie, on the other hand, talks about an event staffing agency she started in 2009 to help Broadway performers, which then pushed her to pursue her dream of being on the producing end of Broadway. This shift was also the beginning of Diane and Julie's partnerships. With a similar mindset of creating something that doesn’t exist yet, it’s no surprise that the two would work together to create a museum dedicated to Broadway. Julie and Diane share how it all started, the challenges they came across along the way, and how they made it an immersive experience for the visitors. Following its success, the two share their standout, pinch-me moments, including a visit from Andrew Lloyd Webber and Tim Rice, and the overall positive reception from people—a true mark that they have created something impactful and lasting for the theatre community. Julie Boardman is a two-time Tony Award-winning producer who is currently a co-producer on the Broadway revival of "Funny Girl" and “A Doll’s House”. Her other Broadway credits include "An American in Paris", "Carousel", "Company", "Dames at Sea", "Head Over Heels", "Hughie", "Indecent", and "The Inheritance". Her tour credits include "An American in Paris", "Dreamgirls", and "Peter and the Starcatcher". Apart from being a Tony voter and member of The Broadway League, Julie is also on the Theatre Committee at New York Public Library for the Performing Arts and the Leadership Council for the Costume Industry Coalition among others. Her company, Boardman Productions, has worked with numerous leading brands including Nike, Maybelline, Vogue, Victoria’s Secret, Microsoft, Diet Coke, Samsung, Game of Thrones, and Disney’s The Lion King on their activations and fan experiences. Diane Nicoletti is a creative director, producer, and entrepreneur, who has produced some of the biggest events in fan experiences for two decades now, including the Game of Thrones Fan Experience, Gretzky's Retirement Gala, and brand activations at the Super Bowl, Comic-Con, CES, and SXSW. She's also the founder of the award-winning experiential marketing agency, Rubik Marketing, and has had the privilege of working on amazing properties like Game of Thrones, Deadpool, Frozen Hotel Transylvania, Dumbo, Shark Tank, The Muppets, How To Train Your Dragon, American Horror Story, Ghostbusters, among many others. Connect with Julie and Diane: Museum of Broadway: www.themuseumofbroadway.com Instagram: @museumofbroadway Julie’s Instagram: @msjulieboardman Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Opening up about her first live performance since the COVID pandemic began, this performer shares her joy in welcoming enthusiastic audiences back to the theatre, and says if people didn’t know it pre pandemic, they certainly know it now - “life without the arts is not living." Susan Kelechi Watson may be best known for her role as Beth Pearson in This Is Us, but she made her Broadway debut in 2005 in a Richard Greenberg play, A Naked Girl on the Appian Way. She later found her way to a successful TV and film career, with credits including Law & Order, The Good Wife, Blue Bloods, Veep, Billions, and recurring roles on Louie, NCIS, The Following, Third Watch, and The Blacklist. Additional Off Broadway credits include Twelfth Night and A Raisin in the Sun. Susan also starred as Andrea Vogel in the Fred Rogers biopic A Beautiful Day in the Neighborhood alongside Tom Hanks. She can now be seen in the Shakespeare in the Park production of Merry Wives, playing through September 18th.  Susan opens up about how her deep love and appreciation for her own Jamaican culture influenced and informed the work she put into her newest role as a Nigerian woman in Merry Wives. Part of her efforts to be as specific as possible included sending her script to friends for help with cadence and rhythm of language, as well as watching Nigerian movies every night for a month and a half. She calls theatre “magic”, and shares why she’ll keep coming back to it even in the midst of a successful film and TV career. Susan also talks about what it’s felt like to finally return to live theatre performance, and to be a part of a show which allows a crowd of people to laugh together once again.  In this episode, we talk about:  Welcoming people back to the theatre every night at Merry Wives Performing while the COVID pandemic continues  This modern adaptation of Shakespeare’s Merry Wives  Being a first generation Jamaican, born in Brooklyn  Why she switched her major from English to Acting in college  Connect with Susan: IG: @SusanKelechiWatson Twitter: @SKelechiWatson Shakespeare in the Park's Merry Wives Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Heads up - this episode has lots of profanity! Lea DeLaria has never been one to hold back—and thank goodness for that. From making history as the first openly gay comic on late-night TV to her unforgettable role as Big Boo in Orange Is the New Black, Lea’s fearless authenticity has paved the way for countless others. In this episode, she takes us through her groundbreaking comedy career, her love affair with jazz and theater, and the unyielding passion that fuels her activism. Along the way, we dive into hilarious behind-the-scenes stories, her creative process, and the ways she continues to use her platform to fight for LGBTQ+ representation. Lea shares the origins of her famous brunch series at 54 Below, her experiences blending stand-up and music into a signature performance style, and her advice for embracing rejection in the entertainment industry. She also reflects on the highs and lows of her journey, reminding us all to keep pushing forward with humor, heart, and a little bit of rage when needed. This episode is equal parts inspiring, entertaining, and unapologetically Lea. Lea DeLaria is an award-winning comedian, actress, jazz singer, and LGBTQ+ activist. She made history in 1993 as the first openly gay comic to appear on a late-night talk show with her debut on The Arsenio Hall Show. Her Broadway credits include On the Town (1998), The Rocky Horror Show (2000), POTUS (2022), and a national tour of Chicago as Mama Morton. Lea is best known for her SAG Award-winning role as Big Boo in Netflix’s Orange Is the New Black. A celebrated jazz musician, she has released several albums, blending comedy and music into her performances. Lea continues to champion LGBTQ+ representation in the arts and hosts a monthly brunch series at 54 Below in New York City. Connect with Lea: Website: leadelaria.com Instagram: @realleadelaria TikTok: @realleadelaria Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Chad Beguelin is a six-time Tony Award-nominated book writer and lyricist, whose name is synonymous with Broadway hits like The Prom, Disney’s Aladdin, The Wedding Singer, and Elf: The Musical. From his humble beginnings in a small town where he fell in love with theater to becoming a key figure behind some of Broadway’s biggest productions, Chad shares his remarkable journey. He takes us behind the scenes of his latest creative venture, a novel called Showmance, giving us a glimpse into the challenges of transitioning from writing musicals to penning fiction. With parallels to his own life, Showmance follows a struggling Broadway writer navigating the highs and lows of theater life. Chad opens up about the resilience it takes to thrive in show business, recounting career-defining moments like the crushing reviews of his early work and the ultimate triumph of Aladdin on Broadway. He also discusses the collaborative process of writing for musicals versus novels and shares advice for aspiring writers and theater professionals. Whether you're a fan of his Broadway musicals or curious about the world of showbiz from behind the curtain, this conversation offers something for everyone. Chad Beguelin is a Tony-nominated book writer and lyricist known for his work on The Prom, Disney’s Aladdin, The Wedding Singer, and Elf: The Musical. He recently made his debut as a novelist with Showmance, a witty and heartfelt story inspired by his own experiences as a Broadway writer. Chad's works have graced both stage and screen, earning critical acclaim and legions of fans. With a career marked by both creative triumphs and challenges, Chad continues to be a dynamic force in the world of theater and beyond. Connect with Chad: Get Showmance Instagram: @chadbeg Website: www.chadbeguelin.com Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first of many episodes for 'The Outsiders' takeover here on the podcast! Tony Award Nominee(!) Danya Taymor didn’t know that she was going to stick with theater until she was towards the end of her college career. She’s enjoyed being a director (or the captain of the ship, as they say) since then. She recalls doing plays in Duke and why it was a gift that allowed her to try and fail, and hone her directing style. Currently manning the ship for Broadway’s Tony Award Nominated “The Outsiders”, she discusses her experiences leading up to the opening night of the show, her creative process, and the challenges of bringing a beloved story to the stage. As a director, she emphasizes the importance of taking ownership of the collective health of a project and knowing when to stop working on it. She talks about how the show resonates with the younger audiences, her approach to make the show appealing and relatable to the youth, and the warmup they do every day to cultivate a safe space for the actors and crew. Dayna also looks back on her experience directing "Pass Over," the first Broadway show to reopen after the shutdown due to the pandemic. She describes it as an honor and a divine experience, and how it has been a blessing throughout her career. She shares the collaborative nature of directing, the importance of caring for actors' well-being and feeling their energies, and her belief in the healing power of theater. Danya Taymor is a New York-based director who reopened Broadway with the play, “Pass Over”. Her other works include the out-of-town production of “The Outsiders”, Samuel Beckett's “Endgame”, Will Arbery's Pulitzer Prize finalist, “Heroes of the Fourth Turning”, “Evanston Salt Costs Climbing”, and Jeremy O'Harris’ “Daddy”. She's the recipient of the Joan Cullman Award for Extraordinary Creativity from Lincoln Center. Her latest credit is the Broadway production of “The Outsiders”, which just opened at the Jacobs Theater. Connect with Danya: Website: about.me/danyataymor Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A true multi-hyphenate, Michael Kushner is an amazing example of how you can be heavily involved in theatre without being on stage all the time. He is an actor, producer, makeup artist, and photographer whose work has been featured in The New York Time, Vogue, The Tony Awards in addition to publications in print and online internationally. He is the creator of The Dressing Room Project (which photographed the first #BlackGlinda on Broadway), and is one of the founding members of Musical Theatre Factory, currently in residency with Playwrights Horizons. Michael has produced several web series and films with Wesley Taylor. In addition, he’s recently begun investing in productions, most notably Be More Chill. Michael continues to strive for ways to express himself and is an integral part of the Broadway community. Listen to this episode to collect all of these secrets and more… Connect with Michael: Instagram: @themichaelkushner, @thedressingroomproject, @sandwichthefrenchbulldog www.michaelkushneronline.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Bonnie Milligan discusses her childhood, growing up in a religious household in Illinois, finding self confidence in controlling her narrative, and the importance of representation on the stage. Bonnie is currently making her Broadway debut in Head Over Heels as Princess Pamela, though she has been with the show since its early years in workshops and out of town tryouts. She tells us about being active and using her voice to promote love, light, and acceptance. Connect with Bonnie: Instagram: @beltingbons Twitter: @BeltingBonnie Connect with The Theatre Podcast: Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan’s personal Instagram: @alanseales Jillian’s personal Instagram: @jillianhochman Email us at feedback@thetheatrepodcast.com. We want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

An actor, writer, and Shakespeare enthusiast, Ellen Adair shares their journey into acting and the profound impact it has had on their life. From their early fascination with Shakespeare to experiences in various productions, they emphasize the importance of connection in their work and the collaborative aspect that comes with it. They find joy in interacting with fellow actors, exploring characters, and being present in the moment. Ellen also delves into the challenges artists face, highlighting the necessity of mental equilibrium for navigating the unpredictable nature of the industry. Starring in the 2023 horror movie “Herd”, they reflect on the message of the movie and how it reflects our society today. Ellen shares personal anecdotes, from their aversion for anything with tentacles to growing up with no TV. They get personal as they talk about gender identity, the joy of being an actor, and connection as a form of motivation. Ellen Adair is a star of stage and screen with TV credits that include “Bull”, “The Good Fight”, “Billions”, “The Sinner”, “Homeland”, and “Nurse Jackie” among many others. Her stage credits include off-Broadway and Regional Productions of “Sleep No More”, “Romeo and Hamlet”, “As You Like It”, “The Importance of Being Earnest”, “A Doll's House”, “Macbeth”, “Taming of the Shrew”, and “The Merchant of Venice”, among many more other credits. You can now watch Ellen in the lead role of Jamie Miller in a new horror film called “Herd”. Connect with Ellen: Website: www.ellenadair.com Instagram: @ellenadairg Twitter: @ellen_adair TikTok: @ellen.adair Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Many people know Andrew Barth Feldman made his Broadway debut in the title role in Dear Evan Hansen and is now starring in High School Musical: The Musical: The Series, but what most people don’t know is that while he was in DEH performing his 6 shows a week, he was also attending Yale -- and obtained a master’s degree that has landed him his latest gig being the Science Consultant on the forthcoming Avvatar The Musical. Find More about Avvatar the Musical: IG: @AvvatarOnBroadway Web: http://avvataronbroadway.com/ As The Curtain Rises Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​ This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them. Learn more about your ad choices. Visit megaphone.fm/adchoices

From iconic stage roles, to cabaret and rock band performances, this performer is building a successful artistic career while also navigating an autoimmune disorder with grace. - “I would so much rather have tried and failed, or tried and not gotten to where I want to be, than to have never have tried.” An actress, singer, and songwriter, Lauren Marcus made her Broadway debut as Brooke in Be More Chill after previously originating the role at Two River Theatre in 2015, and again off-Broadway at Signature Theatre in 2018. She also starred as Amy in Company at Barrington Stage Company alongside Aaron Tveit, and as Brigid in The Humans at St. Louis Rep., a performance which earned her a BroadwayWorld Regional Theatre Award nomination for Best Supporting Actress in a Drama. As a retro pop singer/songwriter, Lauren performs regularly with her band around New York City, and in 2016 released her debut EP Never Really Done with You. She is also a veteran at cabaret clubs like 54 Below, Joe's Pub, and Rockwood Music Hall. Up next, Lauren will appear in the movie adaptation of Tick, Tick... Boom, and debut a brand new show on June 18th at 54 Below.  From Chicago, to New York, to Scotland, Lauren shares that she “always wanted to be an actor”. And like every artist, she has had a unique experience navigating life during COVID-19. She shares with us feeling like she’s “living COVID backwards”, having felt fine at the start, but now like she’s dragging; and how she pushed through to create her newest song (and video) “Big Hat” for the NPR 2021 Tiny Desk Contest. Lauren talks about her desire and drive to create and leave behind things that will outlive her; a legacy - things her future children can listen to. She candidly opens up about her journey with alopecia, both the internal and external struggles she navigates as a performer, and notes that losing her hair “affected every single aspect” of her life in a way that she never, ever would have guessed. We also discuss Lauren’s upcoming show at 54 Below on June 18th!  In this episode, we talk about: Lauren’s retro pop singer/songwriter style  Imposter Syndrome  How she and husband Joe Iconis support each other’s work  Writing a one woman show about her Alopecia journey  The number one thing Alopecia has taught her  Leading by example, and the importance of visibility Connect with Lauren: IG @laurmarcus Twitter: @laurmarcus Web: LaurenMarcus.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor, writer, director and producer Faran Tahir may be best known for his roles in “Iron Man” (he tried to kill Tony Stark!) and “Star Trek” (he was killed by Nero!) but is now currently making his Broadway debut as Baba in “The Kite Runner”. Faran talks about playing villain roles, the challenge that comes with it, and how he brings a level of humanity to his roles. He talks about his childhood and growing up in a family who has been in the arts, and why he wasn't initially supported in his goal of becoming an actor. Aside from playing a bad guy, Tahir also shares the challenge of playing a good guy and of finding flaws, why he thinks art is "about putting up mirrors so that we can look at and examine ourselves". He shares what he would tell his students when he used to teach acting, which was you can never say you've mastered something. He also reflects on his role as Baba in "The Kite Runner", finding your spiritual community, and how as humans there is always room for redemption. Faran Tahir is an actor, writer, director, and producer who came from a theatre family. He has appeared in over 50 stage productions across the US and the world. He received his Bachelor's degree from the University of California, Berkeley and his graduate degree from the Institute for Advanced Theatre Training at Harvard University. His film credits include "Iron Man", "Star Trek", "Escape Plan", and Elysium. He has also appeared in numerous TV shows, including "The West Wing", “12 Monkeys”, "Shameless", "Supernatural", "24", "Lost", "Prison Break", "Chuck", "Criminal Minds", and "How to Get Away with Murder". He's recently played the title role of Othello at Shakespeare Theatre Company and Richard III at Commonwealth Shakespeare Company. His other theatre credits include "Macbeth" at American Repertory Theatre, "Beast and Moon" and “A Perfect Ganesh” at Actor’s Theatre of Louisville, and "A Midsummer Night’s Dream" at the Commonwealth Shakespeare Company. Tahir is currently making his Broadway debut as Baba in "The Kite Runner". Connect with Faran: Twitter: @farantahir_ Instagram: @faran.tahir Facebook: @OfficialFaranTahir Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

From playing iconic people to trying different artistic endeavors, Chilina Kennedy is just getting started. Growing up in different parts of the world, she discusses her early experiences and influences that ultimately led her to grace the Broadway stage. From portraying iconic people like Carole King to releasing her own album called “What You Find in a Bottle”, she talks about how she splits her focus between joining other people’s works and creating her own, and why she finds it way harder to play a real person on stage. She also gets real when asked if she ever gets tired of playing the same role over and over, and why she loves it when people don’t recognize her from the previous roles she played. Putting your work out there can be nerve-wracking, but for Chilina, it’s the point of being creative: to be confident and bold and not be afraid to make mistakes. She explains why auditions are a bit like dating, the complexities of casting, and how perseverance can create luck!  Chilina Kennedy is an actress, singer, and songwriter known for playing Carole King in “Beautiful: The Carole King Musical” on Broadway. She made her Broadway debut in 2012 in “Jesus Christ Superstar”, and originated the Tony Award-winning role of Dina in the first Broadway National Tour of “The Band's Visit”. She was most recently seen on Broadway in “Paradise Square”, and was part of the originating cast of the first National Tour of “Mamma Mia”. She has her own full-length album called “What You Find in a Bottle”, and has co-written a new musical called “Call It Love”. Chilina is part of the upcoming release of the world premiere recording of “Wild About You”. Connect with Chilina: Website: www.chilinakennedy.com Instagram: @chilinakennedy Facebook: @ChilinaKennedyOfficial Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Robin de Jesús is an actor and singer who has received Tony Award nominations for his roles in In the Heights, La Cage aux Folles, and The Boys in the Band. He made his Broadway debut in Rent in 2005, and has also appeared as Boq in Wicked on Broadway. His film and TV credits include his breakout role in the independent film Camp, as well as appearances in Hair Brained, How to Make It in America, and Law & Order: SVU. Robin can now be seen starring alongside Andrew Garfield as Michael in the musical drama tick, tick… BOOM!, directed by Lin-Manuel Miranda, and available on Netflix.  Robin takes us behind the scenes of working with Andrew Garfield, from their first reading, to the table work where they realized the weight and importance of Michael and Jonathan’s relationship as a catalyst for the second half of the movie. He opens up about his Puerto Rican heritage, and talks about the full circle moment of starring in tick, tick… BOOM, having made his Broadway debut in Rent years ago. Robin also speaks about representation, taking care of his mental health, and why he would love his career to showcase range, in a predominantly gay career.  In this episode, we talk about:  How simple, human, and in the moment Jonathan Larson’s work is Laying the foundation for Rent in tick, tick… BOOM!  Why and how he’s trying to be a “disruptor”  A fortuitous visit to his grandmother in Puerto Rico when he was 2  The audition process for tick, tick… BOOM! Connect with Robin: Watch tick... tick... Boom! on Neflix IG: @robinofjesus Twitter: @robinofjesus Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

André Ward never played house when he was little, but he always played “New York City Apartment”, and with impressive Broadway credits, he can fully say he’s finally living in the midst of his dream. Growing up a “talkative” child, his teacher recommended he might need to find a way to work out some of his excess energy, and so they sent him to a children's theater company and hasn’t stopped performing since. He also delves into the challenges of transitioning between theater and film, highlighting the differences in performance styles required for each. Currently playing as Toulouse-Lautrec in "Moulin Rouge! The Musical," Andre takes glee in the opportunity to showcase both his comedic and emotional range. He opens up about his fears and aspirations regarding directing and writing, his dream of playing a sci-fi character, and why he continues to strive for balance between work and his personal life. André Ward is a seasoned Broadway actor with an impressive Broadway resume dating back over 24 years or so, beginning with “Saturday Night Fever”, “Xanadu”, “Rock of Ages”, “Something Rotten”, and “Escape to Margaritaville”. He has five national tours under his belt, including performing as the leading player in “Pippin”, as well as numerous regional credits. His TV and film credits include “Masters of None”, “Broad City”, “Elementary,” and “High Maintenance”. He can be seen now as Toulouse-Lautrec in “Moulin Rouge! The Musical” on Broadway, which just celebrated its 5th Anniversary. Connect with André: Instagram: @theandrelward Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

For Stephanie, she was either going to be a nun or a musical theatre actress. She elaborates on this as she looks back on her early days and her influences growing up, including her mom. She reflects on her journey as an actress, moving to New York in her early 20s and being intimidated by the city, leaving and eventually finding her way back. Being involved with the original creation of “Wicked”, Stephanie recalls how she dealt with rejection and why she believes that rejection is protection. She shares more anecdotes, including the two-hour work session she had with Hugh Jackman, meeting her now husband Sebastian Arcelus on the Wicked 1st Nat’l Tour, what made her say yes to playing Cher, and getting the right speaking voice for the role… with the help of Crest Whitestrips. She also talks about balancing motherhood and a performing career, revealing how they give importance to portraying a sense of teamwork with her family. She recently released a Christmas album called “Merry Christmas, Darling”, and shares the process of recording it, while on tour for “Into the Woods”. Stephanie J. Block is a three-time Tony Award nominee and six-time Drama Desk Award nominee for her work on the Broadway stage. She has originated or starred in many Broadway productions including “The Boy From Oz”, “Wicked”, “9 to 5”, “The Mystery of Edwin Drood”, “Falsettos”, the recent revival of “Into the Woods”, and the first national tour of “Wicked”, and of course, “The Cher Show” where she won a Tony Award in 2019. Her TV and film credits include “Madam Secretary”, “Orange is the New Black” and “Homeland”. She recently released her latest album, “Merry Christmas, Darling,” available everywhere you find your music. Connect with Stephanie: Instagram: @stephaniejblock Stream “Merry Christmas, Darling” everywhere you listen to music Listen to the “Stages Podcast” Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Cayleigh Capaldi may have the perfect pitch, but she’s not letting perfectionism get in the way of finding who she is as an individual and as a performer. She delves into her background, growing up surrounded by artists, and how it helped her embrace her talents. She also reflects on her role in “Titanique”, the challenges and joys of portraying Celine Dion, including incorporating her own style while honoring the character's legacy, and how the show helped her grow as a performer. Now part of “Figaro: An Original Musical”, she shares her involvement in the musical and the collaborative process behind recording the album. Cayleigh candidly shares her unique vocal abilities, and what actually happens to her throat muscles when she does a whistle tone. Having millions of views and thousands of followers on her social media, she talks about how it all started during the pandemic, and how she eventually found and established her niche–giving her a new and different avenue to be creative and express herself. Cayleigh Capaldi is an actress and singer whose performance career started at the age of three and was recording professional vocals by the age of seven. She had her undergraduate studies in music and East Asian studies at Columbia University and trained in acting and performance at New York University Tisch School of the Arts, AMDA, and AADA. She hosted the “Discovery Channel Europe and China's Hangzhou Global Tour”, and has a massive following on social media where she's known for her incredible riff challenges, harmonies, whistle-tone videos, and perfect pitch videos. Her stage credits include “Tatanique”, “Frozen”, “Macbeth”, “Into the Woods”, and “Little Women” among others. Cayleigh can now be heard leading a brand new world premiere cast recording called “Figaro: An Original Musical”. In addition to her film, TV, and theater credits, Cayleigh has amassed an impressive social media following of over 275K followers. Her fanbase has grown primarily on TikTok, where she has gained over 7 million total likes, 80 million views, and countless viral videos. She is best known for her riff challenges, harmonies, covers, and her musical theater & lifestyle content. Connect with Cayleigh: Website: www.cayleighcapaldi.com Instagram: @cayleigh.capaldi TikTok: @cayleigh.capaldi Learn more about Figaro: An Original Musical: https://www.figaromusical.com/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Debra Sperling is a professional voiceover artist with over 26 years of experience. Throughout her career, Debra has been the voice of dozens of national television campaigns such as Charmin, Cascade, Pampers, Maybelline, Listerine, Walmart, Folgers, Kellogg’s, Olive Garden, Johnson and Johnson, Band-Aid, and many more. Debra is a big player in the Promo world as well, having been the voice of The Oxygen Network and the voice of WEtv, with ongoing promo spots for many networks including NBC, National Geographic, USA, Investigation Discovery, A&E, Animal Planet, and HBO. She is also equally passionate about teaching and coaching, and her renowned "Authenticity in Voiceover" class has helped students worldwide. After attending the High School of Performing Arts, Debra went on to earn her BA in Theatre, her MFA in Acting, and has “been an actor since”. Although she makes her living as a voiceover artist now, she speaks candidly about how her journey began, noting she didn’t really know what voice overs were when she first started out. Debra talks about her approach to acting for theatre, TV or film compared to acting for voice overs: why “it is the same thing” for her, and how it starts with bringing your authentic self to the microphone, stage, or set. She also opens up about her love for teaching and coaching, and shares why she feels like leading her voice over class on Zoom during COVID saved her.  In this episode, we talk about:  The culture shock she felt while attending her first show in London  Morgan Freeman’s voice  Why she tells people to “stop acting words”  Stephen McKinley Henderson as a mentor and teacher  Missing the collaborative aspect of voice over work due to COVID Connect with Debra: Web: debrasperling.com/about IG: @debrasperlingvo Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

A go-getter spirit at heart, a spirit which has taken her from singing in church to singing on a Broadway stage, this Broadway veteran shares how she is finding new focus during the COVID-19 pandemic, and how her Girl From The North Country Family is helping sustain her. Jeannette Bayardelle is a Broadway veteran seen most recently as Mrs. Neilson in the new Bob Dylan musical Girl From The North Country. Her other Broadway credits include the revival production of HAIR as Dionne, and The Color Purple as Celie. Jeannette originated the role of Celie on the First National Tour of The Color Purple where she received an NAACP award for best lead actress in a musical. Other stage credits include the 10th-Anniversary production of Rock of Ages, touring productions of Rent and Deaf West’s Big River, as well as many other regional credits. Jeannette is the first Broadway actress to write the book, music, lyrics and star in her own musical, entitled SHIDA, which premiered Off-Broadway in NYC and went on to have successful runs at the American Repertory Theater in Cambridge MA, The West Angeles Theater in Los Angeles, CA, as well as in London. Her success has landed her television appearances with Oprah and Live with Regis & Kelly, the opportunity to perform for President Barack Obama and First Lady Michelle Obama, and work on Disney’s Princess and the Frog. Jeannette also created and stars in the new web series “I Take Thee Zoe". Jeanette shares with us how her experience with The Girl From The North Country has changed her life - from workshop, to the Public Theater stage, to Broadway - and refers to the show as her “church”. She couldn’t have known that when the Public Theater called saying they wanted her to be a part of this project, at that time just a reading, the Girl From The North Country family would be the one with which she would experience the COVID-19 pandemic. Believing there will be a renewed appreciation for live theater when it finally comes back, Jeanette is now patiently awaiting the approval of the COVID-19 vaccine so that she can share in this revival of theater when Girl from the North Country and Broadway return.  In this episode, we talk about:  Meeting and hanging out with Bob Dylan in his dressing room at the Beacon  How she began preparing for COVID back in February  How COVID is creating opportunities for change, both personal and societal  The differences in the rehearsal process for Girl From the North Country from other shows she’s done  The inspiration behind and process of creating SHIDA - her one woman musical  How her cast mates inspired her to learn guitar, and what the instrument has taught her about herself Connect with Jeannette: IG: @jbayardelle Twitter: @jbayardelle Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen Olivo is a Tony-Award winner who made her Broadway debut in Rent before going on to roles in Brooklyn, the Musical, In The Heights, and West Side Story (which is where she won her Tony!). She is now amazing audiences, critics, and everyone in between 8 times a week as Satine in Moulin Rouge the Musical. Karen was born in the South Bronx before moving to Central Florida. Although far from Broadway, performing was still in her family. Her dad was a director and mom worked lots of jobs in the theatre. After her dad started his own troupe, she found herself on stage at the age of 6, where she discovered a sense of power and belonging. The stage gave her balance and was a safe haven to escape the troubles of youth. After bouncing between a performing arts high school and "regular" high school, she found herself at the University of Cincinnati College-Conservatory of Music (CCM) -- but never graduated. She went to her first open call [for Rent]... and booked it. The rest, as they say, is history. Connect with Karen: IG: @karenolivo76 Twitter: @karenolivo http://karenolivo.com/ Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Warren Carlyle is a Tony, Drama Desk, and Outer Critic Circle Award winning director and choreographer. To top it all off, he was just nominated for 2019 Tony Award for best choreography for Kiss Me, Kate, now playing on Broadway through June 30, 2019. This British-born powerhouse has a mile long resume and a big heart that just needs to dance. Warren has worked with the likes of Bob Fosse to Mel Brooks to Susan Strohman to Hugh Jackman and so many others. In this episode, he discusses his humble beginnings as a hyperactive child in the UK which led him to start dancing professionally. He caught his big break when he moved over to the US to work on The Producers in 2000. Warren is now working on the revival of The Music Man starring Hugh Jackman and Sutton Foster. He’s previously won a Tony Awards for best choreography for After Midnight, in which he also received a second nomination for Best Direction. Other popular credits include The Mystery of Edwin Drood, A Christmas Story, She Loves Me, and Hello Dolly. Connect with Warren on Instagram: @warrencarlyle Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

He didn't smash watermelons, he smashed cups of yogurt. After memorizing entire Gallagher comedy routines as a kid in West Virginia, Trevor Dion Nicholas and his family always loved musical theater. His parents encouraged him to follow his passion and put him into improv and theater classes. Being a "big black kid in West Virginia", the expectations put upon him were that he'd focus on sports. Able to put that pressure aside, he found his extended family on stage, and now a new home in London. Now West End royalty, he is co-hosting THE SHOW MUST GO ON LIVE AT THE PALACE THEATRE with fellow theater legend Bonnie Langford. "Theatre is not a passion, it's a profession." The Show Must Go On Live at the Palace Theatre is set to be the biggest celebration of musical theatre this year with 18 of the biggest musicals in London West End all performing! Including Tina, Dear Evan Hansen, Everybody’s Talking About Jamie, SIX, Hamilton, The Book of Mormon, Wicked, Royal Shakespeare Company’s Matilda The Musical, & Juliet, Les Misérables, Disney’s The Lion King, The Prince of Egypt, Come From Away, The Phantom Of The Opera, Mary Poppins, Mamma Mia! Back to the Future The Musical and Pretty Woman The Musical along with a thrilling line-up of West End talent, a multi award winning creative team and the finest musicians in London. In this episode, we talk about: Dealing with the expectations of being a "big black kid in West Virginia" Performing all over the world What's to come with Aladdin: Live From the West End coming soon to Disney+ Navigating the emotional highs and lows of quarantine The athletic training required to prepare to play Genie Connect with Trevor: IG: @astonishingtrev Twitter: @astonishingtrev Watch The Show Must Go On: https://www.youtube.com/theshowsmustgoon Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

Glynn Turman is an Emmy Award winning actor, writer, director and producer, who made his Broadway debut at 12 years old originating the role of Travis Younger in A Raisin In The Sun. With a successful TV and film career spanning more than 50 years, Glynn has had notable roles in films including Cooley High, The River Niger, Gremlins, How Stella Got Her Groove Back, Men of Honor, Justine, The Way Back, and Ma Rainey’s Black Bottom. His TV credits include Peyton Place, Matlock, The Wire, In Treatment, House of Lies, How to Get Away with Murder, Mr. Mercedes, Fargo and many, many more. Glynn has also directed episodes of Hangin’ with Mr. Cooper, A Different World, and The Wayans Bros. He is now the newest face for Beyonce’s new Ivy Park denim line, and can also be seen starring opposite Tony award winner Adrienne Warren in ABC’s new limited series Women of the Movement.  Glynn credits his mother for getting him into theater and acting, and talks about what life was like growing up in NYC's Greenwich Village in the 50’s and early 60’s, immersed in a bohemian lifestyle. He chats about his love for all things horses and rodeo, and tells the story of a dinner with Beyonce that led to him becoming a spokesperson for her new Ivy Park line. Glynn also reflects on his career and the opportunities that have led to where he is now - “I’m glad that I’ve lived long enough to see that we as a black people have gotten the opportunity to tell some of our stories from our point of view”.  In this episode, we talk about:  Auditioning for playwright Lorraine Hansberry, a friend of his mother’s and the creator of A Raisin in the Sun Skipping school to spend time with the horses in Central Park Getting into character as Mose Wright for Women of the Movement Auditioning to be the original Han Solo, and booking it  Acting icons James Earl Jones, Cicely Tyson, Sidney Poitier, and Ruby Dee Connect with Glynn: Twitter: @GlynnTurman Learn more about Women of the Movement Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Currently playing the role of Marcia Murphey in the Broadway show, "A Beautiful Noise, The Neil Diamond Musical", Robyn Hurder shares how she got involved with the show and how she never thought it would be her biggest role to date. In fact, she auditioned for a different role but didn't think much of it because she felt like she wasn't right for it. Robyn speaks candidly about her love of performing, what it's like to work during the pandemic and the physical demands of it. She recalls how she got into theatre and how growing up with a supportive family, especially her mom, was one of the main reasons why she was able to follow her dreams. From doing community theatre productions in her younger years to playing the role of Mary Magdalene in a production of "Jesus Christ Superstar", it was that first taste of being the star of the show which pushed her to pursue performing as a career. Robyn also talks about having the “it” factor, the importance of believing in yourself and your talent, and that if you remain true to yourself and what you want, you’re going to be okay. Robyn Hunter is an actress best known for originating the role of Nini in "Moulin Rouge! The Musical", which also earned her a Tony Award nomination. Her other Broadway credits include "Chitty Chitty Bang Bang", "Chicago", "Grease", and "Nice Work If You Can Get It". She's also performed in numerous Off-Broadways shows such as "Play It Cool", "Paint Your Wagon", "The New Yorkers", and "A Chorus Line" among others. Her tv credits include "The Right Girl", "Fosse/Verdon", and "Starlight Express". Robyn recently finished originating the role of Marcia Murphey in "A Beautiful Noise, The Neil Diamond Musical", which has now transferred to Broadway at the Broadhurst Theatre. Connect with Robyn: Instagram: @robynhurder Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visiting the podcast this episode are the dynamic duo Jana Robbins and Haley Swindal – a pair that meet somewhat recently in This One’s For the Girls off-Broadway and have gone on to become a producing, acting, singing, writing powerhouse team. They are currently performing their sold out show “We Just Move On – The Songs of Kander and Ebb” at Feinstein’s/54 Below. In this episode, we cover a wide range of topics including why Jana decided to add writing and producer to her credits, and what it was like for Haley to grow up with a love for theatre in the midst of her baseball-loving family (her grandfather is the late Yankees owner, George Steinbrenner!). Tony nominee Jana Robbins made her Broadway debut in 1974 win the musical Good News, followed by many others including I Love My Wife, Crimes of the Heart, and Gypsy before making her Broadway producing debut in 2005 with Little Women, followed by Ragtime (Tony nomination). In the winter of 2017, Jana joined other renowned theater artists and producers as part of the National Yiddish Theatre Folksbiene’s Artistic Council. She is currently the lead producer behind the smash hit, “Fiddler on the Roof – In Yiddish” (http://fiddlernyc.com/).  Haley Swindal is about to make her principal Broadway debut as Matron Mama Morton in the hit revival of Chicago (congrats!), but made her Broadway debut in 2013 in the production of Jekyll & Hyde. She has numerous off-Broadway credits to her name as well, including The Secret Garden, Damn Yankees, and of course, This One’s for the Girls. Connect with Jana via JanaRobbins.com and Haley via @hswindal on Instagram. Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan Vasquez looks back on his career journey, including living with French acrobats in a seven-bedroom house while doing a show, and eventually booking Hamilton. Playing as many characters as he has in Hamilton was to him just “paid therapy”. Having passed up competing offers to star in Water for Elephants and The Outsiders, he is now starring as Middle Noah in "The Notebook", Ryan opens up about why he chose to be part of the show–believing in its impact and just how it personally hits him hard. He reflects on the various aspects of the show, from having diverse couples portray the different stages of Noah and Allie's relationship to witnessing the audience cry and experience deep emotions during performances. He also discusses the misconception that the show is purely about sadness, noting that it touches on a range of emotions like joy and self-actualization. Ryan also talks about her chemistry with his co-star Joy Woods and how much real life fun they have performing together. Aware that he's stepping into an iconic role, he reveals that he doesn't feel pressured but instead focuses more on the importance of bringing his own authenticity to the character. After all, it’s what motivates him: bringing his “authentic-isms” and self to the world. Ryan Vasquez can probably reenact all of Hamilton on his own having played multiple roles in the ensemble, including Philip Schuyler, Reynolds, Hercules Mulligan, James Madison, George Washington, Marquis de Lafayette, Thomas Jefferson, Aaron Burr, and ultimately, the title role of Hamilton himself. He has been in “Wicked” as Fiyero and other roles, and in Broadway's production of “Waitress”. He can be seen on both the big and little screens in “The Good Fight”, “Curb Your Enthusiasm”, “Tick, Tick... Boom!”, and “In the Heights”. He can now be seen as Middle Noah in the Broadway cast of “The Notebook”. Connect with Ryan: Website: www.ryanvasqueznyc.com Instagram: @itsryanvasquez Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Before there was the May 2019 The Prom takeover, there were episodes 9 and 14 with Beth Leavel and Dori Berinstein. Please take a moment to revisit their episodes to hear each of their unique stories! Find The Prom Online via ThePromMusical.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

David Harris is an Australian actor who somehow found himself moving from architecture school to the bright lights of Broadway. He shares his early passion for architecture and how he pivoted to a career in performing arts just three days into his studies. He looks back on his journey, including participating in talent quests at RSL clubs in Australia and having friendly competitions with Broadway performer Ricky Rojas. Being in the workshop and eventually being cast in "The Boy From Oz" marked a significant turning point in his career and what he considers his claim to fame. He reminisces about his experience working with Hugh Jackman in the show, and a memorable commercial shoot with him just before New York shut down for COVID (click here to watch). David reflects on the differences in how musical theatre is perceived in Australia, the UK, and the US, his personal experiences with it, and his frustrations with the lack of recognition for musical theatre actors in Australia compared to Broadway performers in the US. He emphasizes the critical importance of swings and understudies in theatre, and his gratitude for them in keeping the show running smoothly. While he’s already managed to prove naysayers wrong, David has no plans on stopping when it comes to the pursuit of growth and constant learning. David Harris is a native of Australia, where he's one of the most acclaimed leading men of his generation. In the US, he has received critical praise for his performance of Dan in TheatreWorks’ “Next to Normal”. He starred as Jean Valjean in the Connecticut Repertory Theatre production of “Les Misérables”, which was co-starred and directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Goodspeed's production of “Anything Goes” and as Father in Barrington Stage Company's “Ragtime” in 2017. He originated the role of Max Bronfman in Stephen Schwartz's new production of “Rags” at Goodspeed Opera House. After playing the role of the Duke on the first national tour of “Moulin Rouge” in 2022, he can now be seen playing the same role in “Moulin Rouge” on Broadway. Connect with Brian: Website: www.davidharrisofficial.com Instagram: @davidharrisoz Watch David with Hugh Jackman Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

When he’s not pursuing his dreams onstage, this performer spends his spare time translating musicals like Hamilton from English to Japanese, on a mission to bridge the gap between Japanese and American musical theater audiences. Gen Parton-Shin is a Japanese-British actor who made his professional debut as Angel in the Official Japanese cast of Rent in 2008. While pursuing his dreams in the US, he furthered his career with leading roles in Japan's official Broadway productions of next to normal (Gabe), Dracula (Jonathan), Bare (Jason), and Rocky Horror Show (Rocky). Gen also played the lead role in an original Japanese musical Mitsuko ~Love Crosses All Borders~ in 2010, composed by Frank Wildhorn (Jekyll and Hyde, The Civil War). He has been a part of numerous musical/play readings in NYC, including Other World (directed by Gabriel Barr and written by Hunter Bell and Jeff Bowen of Title of Show), off-Broadway’s K-pop, and Mafatu (produced by Broadway veteran Telly Leung). He co-founded a company called Broadway in Japan, which introduced Broadway musical theatre faculty to Japanese aspiring musical theatre performers, offering invaluable education opportunities in Japan. Gen has also appeared on TV, including roles on Season 4 of Netflix's Unbreakable Kimmy Schmidt, and The Other Two on Comedy Central. In addition, Gen has self-produced three solo cabaret shows, and in the latest one he translated and performed “My Shot” from Hamilton in Japanese. During our conversation, Gen describes his musical theater journey which has taken him from the stages of Japan, to those of New York. He shares that while performing in Japan, he wasn’t always satisfied with the translations they were given to work with; thus sparking his drive and desire to see if he could do the job himself. Gen has now translated about three fifths of Hamilton into Japanese, comparing the process to completing a puzzle which he really enjoys.  He also shares that one of his life missions is “to bridge Japan and the U.S.”, which he has begun to do with his foray into translation, hoping to make American musical theater easier for Japanese audiences to listen to and process. In this episode, we talk about:  Why he identifies as a Third Culture Kid  Completing the One-Year Conservatory program at T. Schreiber Studio on a tourist visa How he was inspired to start translating musicals into Japanese  The intricacies of translating English to Japanese  Why he thinks musical theater is so popular in Japan  Takarazuka Revue - the all female musical theater troupe in Japan Connect with Gen and watch two of his Hamilton translations: Watch Hamilton's "My Shot" Watch Hamilton's "Helpless" Check out 35mm, A Musical Exhibition IG: @GenPartonShin Twitter: @GenPartonShin Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Berloni has dedicated nearly five decades to bringing animals to life on stage and screen, all while championing rescue work and humane training practices. From his semi-accidental start training Sandy for the original production of Annie to working with a menagerie of animals for Broadway, film, and TV, Bill’s journey is as heartwarming as it is inspiring. In this episode, Bill shares stories of training everything from dogs and cats to butterflies and snakes, and how he has created unforgettable moments in productions like Gypsy, The Greatest Showman, and Legally Blonde. He also discusses his groundbreaking work with Naomi Watts in The Friend and how this movie is redefining animal performance in film. Bill’s commitment to treating animals with respect and compassion shines through as he recounts the joys and challenges of working in theater and entertainment. Whether it’s training an actor to command a dog or preparing a cat to handle audience applause, Bill’s creative solutions and passion for storytelling offer invaluable lessons for anyone working in the arts—or with animals. With humor, honesty, and insight, this episode is a tribute to the deep connections we share with our animal companions and the magic they bring to the stage. Bill Berloni is a Tony Honoree for Excellence in Theatre and the founder of William Berloni Theatrical Animals, a company that provides trained animals for theater, film, and television. His career began in 1977 with the original Broadway production of Annie, where he trained Sandy, a rescued dog. Since then, he has worked on countless productions, including Legally Blonde, The Ferryman, Gypsy, and The Leftovers. Bill is an advocate for animal rescue and humane training practices, and his work has been featured in books, television, and film. This episode is powered by Welcome to Times Square, the billboard experience that lets YOU be a star for a day. Learn more: https://welcometotimessquare.com/ Connect with Bill: Instagram: @berlonitheatricalanimals Website: berlonianimals.com Learn more about The Friend: https://www.rottentomatoes.com/m/the_friend_2024 Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to her competitiveness in sports and being a “terrible loser”, Hannah Cruz found her way into performing and theatre. She shares insights into her journey, including going viral on YouTube and getting asked to audition for “Legally Blonde”, and eventually moving to New York. She opens up about the pressures of performing, including the constant self-doubt and anxiety she experiences, her struggles with perfectionism, and the internal battle to find validation in her work. Having played complex characters such as Eliza in “Hamilton”, and Robin in “The Connector”, she sheds light on the emotional depth required to portray them, the research process involved in preparing for these roles, and the personal connections she has forged with her characters. As someone who learned from her co-actors’ tough love, Hannah believes that for musical theatre, you don’t necessarily have to go to school to be the best. Currently making her Broadway debut as Inez Milholland in “SUFFS”, she shares how it differs from pre-Broadway, why silence is essential (and powerful) in a show, and the importance of providing the most truthful performance to the audience. Hannah Cruz was most recently seen in the off-Broadway production of “The Connector”. Her additional off-Broadway credits include “Only Gold” and “SUFFS”. On tour and regionally, she was seen in “Hamilton”, “Bullets Over Broadway”, “The Da Vinci Code”, and “Young Frankenstein”. She is now making her Broadway debut in the Broadway transfer of “SUFFS”, playing the incomparable Inez Milholland. Connect with Hannah: Instagram: @thisishannahcruz Twitter: @heyhannahcruz Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers - shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more. Michael presents the drama behind the decade’s mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on. Enjoy Singular Sensation: The Podcast everywhere you get your podcasts or use http://bpn.fm/singularsensation to listen and learn more, and be sure to get the book here: https://amzn.to/4cNdfO3. Learn more about your ad choices. Visit megaphone.fm/adchoices

A live panel discussion with lead Actor Eric Sirakian, tabla phenom Salar Nader and Associate Director Damian Sandys from Broadway's The Kite Runner. This was recorded LIVE at BroadwayCon 2022 on July 10th, 2022. Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

With two of his plays, Tambo & Bones and Exception to the Rule, being produced simultaneously, Dave Harris shares his chaotic but exciting schedule as he goes back and forth to LA and New York to help and make sure everything is in order on their openings. He talks about his relationship with writing and how switching from a public school to a private one influenced his writing as well as his love for theatre. He reflects on what makes theatre frustrating at times, why he chooses to write from an individual perspective, and how he uses playwriting to address his personal fears. Dave also shares why he’s happiest when he’s doing multiple projects, and why his friends’ imaginations motivate him the most. Dave Harris is a poet, performer, and playwright whose recent works include Tambo & Bones produced at Playwrights Horizons and Center Theatre Group, and Exception to the Rule which will premiere this year at Roundabout Underground. He has won numerous awards, including the 2019 Ollie Award, The Lorraine Hansberry Award, Mark Twain Award from The Kennedy Center, the 2018 Venturous Fellowship from The Lark, and a Cave Canem poetry fellowship. Other works include Summertime, his adapted film that premiered at Sundance in 2020. His first full-length poetry collection, Patricide was also recently published from Button Poetry. His work has also been seen at Actors Theatre of Louisville Humana Festival, Roundabout Underground, Manhattan Theater Club, Center Theatre Group, The Goodman, Victory Gardens, The Kennedy Center, Oregon Shakespeare Festival, and many more. In this episode, we talk about: His fear of birds and how he got it Getting into the Tow Foundation Playwright Residency Program Joining the Callaloo poetry workshop Reading Stephen King at a young age Playing Elden Ring for a week straight Connect with David: Instagram: @staydancingdave Twitter: @StayDancingDave Web: staydancingdave.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel Dratch recently had her Broadway debut in POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, a play by Selina Fillinger. With three decades of experience in the business, Rachel recalls her SNL days where she worked for seven years and compares the pressure that came along with it and how it differs from doing Broadway. She speaks candidly about her love for comedy, particularly improv and sketch, and whether she'll ever try drama on stage or in movies. Rachel also shares why she prefers sticking to the script and rarely improvises on a film, why she decided to leave SNL, and why you should have fun when you're in a "dip". Rachel Dratch is an actress, comedian, and writer, whose latest stage credits include POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, her Broadway debut. She was a cast member on Saturday Night Live for seven years, where she had memorable characters like Debbie Downer, Boston teen Denise, and the "Lovers" professors with Will Ferrell. She was an alumna of the Second City Theater in Chicago, where she performed in four revues on the main stage, two of which she received the Joseph Jefferson Award for Best Actress in a Revue. Some of her live comedy credits include ASSSCAT 3000 at the UCB Theater in New York, "Dratch and Fey". Her TV credits include "Frasier," "Ugly Betty," "30 Rock," "Unbreakable Kimmy Schmidt," and "Shameless," and some of her film credits include "Wine Country," "Click," and "Just Go with It." In this episode, we talk about: Having a minor in Psychology and wanting to be a therapist Eugene O'Neill Theater Center Unexpectedly getting pregnant at 44 Living in Chicago for nine years and getting into The Second City Her memoir, Girl Walks into a Bar . . .: Comedy Calamities, Dating Disasters, and a Midlife Miracle Connect with Rachel: Twitter: @TheRealDratch Instagram: @raedratch Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Starring opposite each other in the national tour of The Prom, Kaden Kearney and Kalyn West talk about what it’s like to be part of the award-winning musical. With Kalyn being a part of the Broadway cast and Kaden being relatively newer to the scene, the two talk about their experience going on a national tour during a pandemic and the challenges they faced, including rehearsing (and dancing hard!) with their masks on. Kalyn shares her story of how her love for theatre started and moving to New York to pursue her dreams. Kaden recalls their experience watching The Prom on Broadway and begging their manager to get her an audition for the movie when it came out. While not a trained dancer it didn’t stop Kaden from doing musicals and auditioning for The Prom. Kalyn and Kaden also talk about what it was like to develop a rapport and how it was easy for them to work with each other. The two reflect on their experiences with the audiences, and what it feels like to be part of a show that tackles important issues and teaches you empathy. Kalyn has been in many productions, from regional to Broadway. She was on the first national tour of Mean Girls, and some of her credits include Moby Dick and The Prom. Her TV and film credits include Imitation Girl, Blue Bloods, and The Times. Kaden, has recently attended the University of California, Irvine and received their Master's of Fine Arts. They have done a number of shows and some of their credits include A Midsummer Night’s Dream, One Man Two Guvnors, Agent 355, and the TV series, Prodigal Son. In this episode, we talk about: Kalyn auditioning for The Prom in 2018 and understudying Alyssa Doing self-tape for auditions The rehearsal process during a pandemic and why Kalyn missed it Kaden accidentally going onstage with their mask on Connect with Kaden and Kalyn: Website: www.kalynwest.com Twitter: @kadenokearney Instagram: @kadenokearney & @misskurlykay Find tickets to The Prom Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

With credits in singing, dancing, acting and choreographing, and now a 2022 Tony Nominee for his role in Broadway's first-ever revival of Funny Girl, Jared Grimes deserves the title “quadruple threat”. The Broadway Star recalls his early days when he would tap dance and perform in the New York City subway and other spots in the city. Jared shares the story of how he landed a gig as Mariah Carey's backup dancer, and how he pulled off filming Manifest and rehearsing for Funny Girl at the same time. He talks about his inspiring outlook regarding rejection and why he considers it as "just a different path to another opportunity", resilience as one of his superpowers, and the importance of finding your purpose. Jared is a dancer, singer, actor, and choreographer whose long list of credits includes touring with iconic singer, Mariah Carey, and dancing for popular artists like Salt-n-Pepa and Busta Rhymes. His theatre performance credits include "A Soldiers Play on Broadway", "The Radio City Spring Spectacular", "After Midnight on Broadway", "Twist", "Babes in Arms", and "Gentlemen Prefer Blondes". His TV credits include NBC's Manifest, Fox's "Fringe" and HBO's "Boardwalk Empire". His choreography credits include “Banana Shpeel” off-broadway, “After Midnight” on Broadway, and “Holler If You Hear Me”, “Jelly’s Last Jam”, “The Scottsboro Boys”, "Ain't Misbehaving", “42nd Street” where he won a Jeff Award for Best Choreography and “Lights Out: Nat King Cole” where he won a Barrymore Award for Best Choreography. Jared has also choreographed his first film, "Breaking Brooklyn". His film credits include "The Marc Pease Experience", "Little Manhattan" and "First Born. In this episode, we talk about: The history of tap dancing Dancing for Mariah Carey, Busta Rhymes, Salt-n-Pepa, and more Bailing school to audition as one of Mariah Carey's backup dancers Trying out for his middle school basketball team and getting cut twice Getting the role of Eddie Ryan in Funny Girl Connect with Jared: Twitter: @JaredMGrimes Instagram: @grimeystepz Website: jaredmgrimes.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Elizabeth Teeter found out she will be taking on the role of Lydia Deetz in the beloved musical, Beetlejuice, the world suddenly shut down due to COVID and she never got to take her first bow as Lydia. Now, two years later, Elizabeth recalls what it felt like as well as the things she did while dealing with the new normal, including some performing experiences. She talks about her early years on stage, from making her Broadway debut in Mary Poppins to performing alongside renowned actress, Helen Mirren, in The Audience. Elizabeth also shares her experience living alone in New York at age 14 to pursue her dreams, all while making sure she still gets to have a normal life and childhood. With the success of Beetlejuice, she opens up about the connection she has with her character and the show’s message, and why she does it for the fans of the show. Elizabeth Teeter is an American actress and Broadway performer with impressive stage credits under her belt, including several Broadway shows namely, "Beetlejuice", "The Crucible", "Mary Poppins" and "The Audience". Her other credits include "The Secret Life of Bees" (Off-Broadway), “Jerome Robbins' Broadway” (Regional), and "The Sound of Music" (Regional). Her TV and film credits include "The Last O.G." and "Leaving". In this episode, we talk about: Living in New York alone at the age of 14 Playing alongside and attending an award show with Helen Mirren What it was like getting COVID during tech Doing ballet Connect with Elizabeth: Instagram: @elizabethteeterofficial TikTok: @eteetphonehome Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get to know Khaila Wilcoxon, Jasmine Forsberg, Storm Lever, Olivia Donalson, and Gabriela Carrillo from the first national tour of SIX THE MUSICAL as they share their journey from auditioning for the show to joining the Aragon tour. They talk about the different and interesting auditioning processes each of them went through and the stress and difficulties that came along with it as the pandemic hit. The queens discuss about what it's like being on a tour have been so far, how special the show is for having a diverse cast—an opportunity some of them have never had before, and how the group auditions helped in forming a camaraderie with the other casts, and the sisterhood that was formed along the way. Gabriela talks about her successful YouTube channel and why acting and vlogging are important for her. Khaila and Olivia share their Broadway experience, the physical and mental aspects of it versus doing Six now. From receiving gifts to meeting the audience after the show, they reflect on the widespread fame of the show and what it means to them.  Khaila is currently playing Catherine of Arogan in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Company (University of Wisconsin), Ruben and Clay's First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (Imperial Theatre), and Hadestown (Walter Kerr Theatre). Jasmine is currently Jane Seymour in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Shrek the Musical (Orlando Repertory Theatre), Legally Blonde (Penn State Centre Stage), A Grand Night for Singing (Goodspeed Opera House), and The Lucky Boy (Penn State Center Stage) Storm is currently playing Anne Boleyn in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Romeo and Juliet (Arthur Miller Theatre), Freaky Friday (Signature Theatre), Almost Famous (The Old Globe), and Hair (The Old Globe) Olivia is currently playing Anna of Cleves in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Tangle the Musical (The Disney Magic), Disney Dream (The Disney Magic), and Aladdin (US Tour, New Amsterdam Theatre) Gabriela is currently playing Catherine Parr in the Aragon leg of the 2022-23 North American Tour production of Six the Musical. Her stage credits include Atlantis (Tuacahn Amphitheater), The Prince of Egypt (Tuacahn Amphitheater), Love Actually Live (Bram Goldsmith Theatre), Mamma Mia! (La Mirada Theatre for the Performing Arts) In this episode, we talk about: Their favorite moments in the show Gabriela's YouTube vlogs and why documenting her life is important for her How Olivia recorded her self-tape What it’s like doing group auditions and seeing each other in the final callbacks Jasmine doing Broadway Bounty Hunter The ability to make dolphin sounds Connect with Khaila, Jasmine, Storm, Olivia, Gabriela: Twitter: @KhailaWilcoxon, @forsbergjasmine, @StormLever, @oliviadonalson, @officialgabrielacarrillo Instagram: @thekhailawilcoxon, @jasmine_forsberg, @stormlever, @oliviadonalson TikTok: @khaila.wilcoxon, @jasmineforsberg, @stormlever, @oliviadonalson YouTube: Gabriela Carrillo Website: jasmineforsberg.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony and Grammy award-winning Charlie Rosen takes us through his journey as a musician and now an orchestrator. Born in a family of talented musicians, it's no surprise that Charlie grew up to be a good multi-instrumentalist and has already worked for renowned Broadway shows like "Be More Chill", "Moulin Rouge", etc., and won prestigious awards for his work. He talks about what it's like to work and prepare for the recently rescheduled revival of "Some Like It Hot". Charlie explains what exactly an orchestrator is, how he works with other departments, and how he uses Spotify and YouTube to get the overall feel of the show. He talks about his fascination with big sounds, why theatre is a great place for a "Swiss army knife" kind of musician like him, and the communal aspect of making music that motivates him to do and create more. Charlie Rosen is a musician, composer, arranger, orchestrator, musical director, and music producer who is best known for his work on Broadway. Some of his credits include "Be More Chill", "Prince of Broadway", "Moulin Rouge!", "A Strange Loop", "Some Like It Hot", and "American Psycho". He has also worked for TV shows such as "The President Show" and "The Marvelous Mrs. Maisel". He has won numerous awards, including an Obie Award for "A Strange Loop", Tony Award for Best Orchestrations for "Moulin Rouge!", and a Grammy Award for Best Arrangement, Instrumental or A Cappella for "Meta Knight's Revenge (From Kirby Superstar)".  In this episode, we talk about: What makes a great orchestrator composer and a musical successful How Charlie got involved with the musical, “A Strange Loop” Charlie's 35-piece jazz orchestra called The 8-Bit Big Band Composing for video games Connect with Charlie: Twitter: @crosenmusic Instagram: @crosenmusic Website: charlierosen.com and the8bitbigband.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

J. Harrison Ghee made their Broadway debut as Lola in the Tony-winning musical “Kinky Boots” where they received recognition for their performance. J. briefly talks about their humble beginnings, from coming out to their parents and leaving their hometown in North Carolina to pursuing their dreams and sharing their talent with the world. They share some of their stage credits, including their role as Velma Kelly in The Muny's “Chicago”, which was played by Catherine Zeta-Jones in the movie. They have been breaking gender barriers when it comes to casting and how we imagine traditional roles. J. also talks about drag as one of their passions, the importance of thinking outside of the box as an artist, and why “you have to free yourself to see yourself”. J. Harrison Ghee is a Broadway actor and drag artist born and raised in North Carolina and is currently based in New York City. They have performed all over the world, and made their Broadway debut as Lola in “Kinky Boots” the musical and has received recognition for their performance. They originated the role of Andre Mayem in “Mrs. Doubtfire”, and will appear as Jerry/Daphne in the 2022 stage musical “Some Like It Hot”. Their TV credits include HBO's "High Maintenance" and the Netflix series, "Raising Dion". In this episode, we talk about: How J. got the role of Velma in "Chicago". Gender pronouns and gender fluidity Growing up in North Carolina Doing drag and entertaining as part of J.'s ministry  Connect with J.: Twitter: @jharrisonghee Instagram: @jharrisonghee Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Analise Scarpaci is a powerhouse performer who landed her first principal role as Lydia Hillard in "Mrs. Doubtfire". She talks about how she coped when the pandemic hit, including playing the guitar and recording her first EP, "Pathetic Little Dreamer", finishing her Bachelor's Degree in Musical Theatre, and why it was a blessing in disguise for her when "Mrs. Doubtfire" got postponed. She shares why she got into performing, which started with her parents' love for Phantom of the Opera, listening to Shirley Temple, and seeing “Billy Elliot”. Analise also talks about what it was like to perform as a child and do eight shows a week, swing into multiple tracks, get notes for mistakes, and why despite the pressure, she appreciated being treated like they were adults—which framed the artist that she is today. She talks about how she got the role in “Mrs. Doubtfire”, recording the cast album and why she found it difficult. Analise opens up about getting diagnosed with Crohn's disease, and what pushed her to pursue her dreams, despite the odds. Analise Scarpaci is a New York-based performer who made her Broadway debut in the ensemble of 2012's “A Christmas Story, The Musical” as Esther Jane. Her other stage credits include "Matilda the Musical", "Lolita, My Love", and "Mrs. Doubtfire" which was her first principal role as Lydia Hillard. Analise has also appeared in short films, including "Thespians" and "We're Gonna Come Back". She recently released her debut EP, "Pathetic Little Dreamer" which received positive reviews. Analise has also done activist work and has raised money with her walking group, Broadway for Bellies, and is currently giving private coaching and lessons to teens and kids as one of her passions. Connect with Analise: Twitter: @analise_2999 Instagram: @analise.scarpaci Website: analisescarpaci.com TikTok: @analisescarpaci Facebook: @analise.scarpaci Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being a social media influencer is harder than it sounds, and comes with its own unique set of challenges and growth blockers. Kerry Skinner, the brain behind @thebwaybuzz on IG and @SixBroadwayFanForever on YouTube, shares some of her behind the scenes stories in this bonus episode. Connect with Kerry: IG: @thebwaybuzz YouTube: @sixbroadwayfanforever Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

With a career spanning decades, Marylouise still finds joy in acting and is now starring in Brian Watkins' new play "Epiphany" as Morkin at Lincoln Center Theater. She chronicles her journey of pursuing her dream of becoming an actress, from switching majors and going to grad school to getting a day job and attending an acting school, and eventually moving to New York during the 70s. She recalls what it was like doing free theatre in New York in the 70s and then gradually taking acting seriously. She talks about doing TV and movies, getting the role of Morkin for “Epiphany” and how she connected with her character immediately, and the theatrical experience she hopes the audience will get from the play. Marylouise Burke is an actress who has appeared in numerous Off-Broadway plays, including "Ripcord", "The Broken Pitcher", "Kimberly Akimbo", "Fuddy Meers" where she won Drama Desk Award for Outstanding Featured Actress in a Musical for her role as Gertie, and the latest one, Brian Watkins’ “Epiphany”. She has also appeared in various films and television shows including "Sideways" where she played Phyllis, the lead character's mother, "Ozark", "30 Rock" "The Blacklist", "Fringe", “Hung”, and "New Amsterdam". Her Broadway credits include "Into the Woods", "Is He Dead", "Inherit the Wind", "True West", and "Fish in the Dark". Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

A man of many talents, Frankie Grande is currently playing Victor Garber and Luigi in the Off-Broadway production of “Titanique”. In a parallel universe, Frankie went to med school and became a doctor, but in this universe, he’s an unstoppable, multi-hyphenate creative and philanthropist. He speaks candidly about his upbringing, triple majoring in college, meeting Celine Dion, paving the way for his sister, Ariana Grande, and why he’s a “chronic 15-minute late person”. Frankie talks about starring in "Mamma Mia!" where he made his Broadway debut, and eventually produced shows on and off Broadway which include "Hamlet", "La Bête", and the recent Tony-winning production, “Dana H”. He shares his philanthropic work and why he does it. He also opens up about his alcoholism and drug addiction and how getting diagnosed helped him, and why you need to give yourself permission to fail and feel exhausted. Frankie Grande is currently starring as Victor Garber and Luigi in the Off-Broadway production of Titanique. An actor, philanthropist, dancer, singer, model, producer, television host, and YouTube personality, Frankie began his Broadway career on stage in “Mamma Mia!”. His other stage credits include "Rock of Ages" and "R.R.R.E.D.", the Off-Broadway revival of "Pageant", and the regional production of "Crazy For You". Frankie is also known worldwide for starring in the hit reality TV shows "Big Brother" and "Celebrity Big Brother UK". His credits for TV shows and movies include “Haters Back Off”, “Henry Danger”, “Worst. Post. Ever.”, “'Spree”, and more. He also has credits as a Broadway producer, which include "Hamlet", "La Bête", “Dana H” and "Born Yesterday". As a philanthropist, Frankie is a founding member of Broadway in South Africa, a global arts outreach group. In 2014, he was awarded by buildOn with their Global Impact Award for his charity work in Malawi. Connect with Frankie: Twitter: @frankiejgrande Instagram: @frankiejgrande Website: jaredmgrimes.com YouTube: frankiejgrande Facebook: @thebigbrothertho Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Luke Sheppard and Jenn Weber are two creative geniuses currently teaming up for the smash hit, "& Juliet", as the show’s director and choreographer, respectively. The two discuss the instant connection they had and where the concept for the show originated. While making "& Juliet" was originally a stretch for him, Luke recalls how it was also the most satisfying and fun he's ever had directing a show. The two recall how their journeys with "& Juliet" began, and how the workshops helped in getting the story and tone right. For Jenn the most exciting part is collaborating with the director and writer. The two take pride in the show’s culture where there’s room for support and honesty for each other. While Jenn and Luke’s stories on how they got into theatre differ, the two share a common approach when it comes to pursuing their dreams: not taking no for an answer—a true testament that rejection doesn’t mean failure and that you don’t have to follow the traditional path that most people take to get to where you want to be. Luke Sheppard is a British theatre director known for his work in the West End and on Broadway. He studied at the University of Warwick before going on to train at the Royal Academy of Dramatic Art (RADA). Sheppard's directing credits include the West End productions of "In the Heights," "The Secret Diary of Adrian Mole Aged 13¾," and "The Comedy About a Bank Robbery." He also directed the Broadway production of "& Juliet," which opened in 2019. Sheppard has won several awards for his work, including the Olivier Award for Best Musical Revival for "In the Heights" in 2016.  Jenn Weber is a choreographer and director who’s also a double Tony Award nominee for the 2022-2023 Broadway season with nominations for Best Choreography for her Broadway debuts of “& Juliet” and “KPOP”. She made her West End debut as the choreographer of “& Juliet” and collaborated with Disney+ as an Executive Producer and Choreographer for a new film version of “The Hip Hop Nutcracker”. Her Off-Broadway choreography credits include “KPOP”, “Teenage Dick”, “Cruel Intentions”, and “Stockholm”. Connect with Luke and Jenn: Instagram: @jenniferwebernyc Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of Broadway's favorite bad boys, Tam Mutu is The Duke in the smash Broadway hit Moulin Rouge, the Musical, You may also recognize him from his TV appearances on The Walking Dead, Bluebloods, and Sherlock, or from being on stage in Doctor Zhivago on Broadway and Love Never Dies in London. After a successful time playing football... er, soccer... something called to him to start performing on stage, and the rest was history. After years working in the UK and the West End, he was supposed to make his Broadway debut in the infamous show Rebecca, which was riddled with scandal and never saw its first curtain. Think his personification of The Duke is something to laugh at? Think again, as his portrayal is different, dark, and more real than we've seen before. Connect with Tam: IG: @tammutu Twitter: @tammutu Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Actress Kiera Allen was named by The Hollywood Reporter as one of their breakout stars of 2020, due in no small part to her performance opposite Sarah Paulson in Hulu's psychological thriller Run. She is the first wheelchair user to star in a major thriller in over 70 years, which has advanced the conversation about disability representation in the industry. Kiera has a collection of regional theater credits, including the world premiere of Bekah Brunstetter’s Girl #2, and is currently studying Creative Writing at Columbia University. She can now be heard as Pansy Freehold in the Broadway Podcast Networks’s new original radio comedy TWITS, starring opposite Michael Urie and Christian Borle.  Kiera talks about being exposed to the world of theatre from a young age, and how as a result of growing up around creatives, she learned about the hard work and dedication required to succeed, as well as to have respect for the process. She speaks candidly about holding space on social media for important conversations pertaining to the disability community, and shares her thoughts on being called “an inspiration”. Keira also chats about working on TWITS, and why she is proud to be a part of the project. In this episode, we talk about:  Finding inspiration from the new Beatles documentary  Mental health, and why she finds acting and writing therapeutic  Being in a writer’s group with Tom Alan Robbins  Booking her debut feature film role opposite Sarah Paulson Changes she hopes to see in the industry pertaining to disability and representation  Connect with Kiera: IG: @kierajallen Twitter: @kierajallen Listen to TWITS on Broadway Podcast Network Watch Run on Hulu Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexi Melvin is making significant strides in the Broadway community as a producer in shows like "Here Lies Love," "The Outsiders," and "The Notebook". She highlights the struggle of balancing commercial success with artistic bravery, advocating for more support for innovative and risk-taking productions. Growing up with a professional baseball playing dad, she looks back on her journey to finding her calling, how she developed a love for the arts thanks to her mom, and the unwavering support she got from both parents along the way. With almost 100k followers on TikTok, she reflects on her experience with social media, transitioning from queer relatable content to theater-focused posts, and how her audience has positively received this shift. She also delves into the role of social media in modern theater marketing, and how shows like "The Outsiders" leverage platforms like TikTok to reach more audiences. As more and more shows feature queer stories and diverse casting like "The Notebook" and "Illinois", she stresses the need for more queer representation on stage and the challenges of achieving this in an industry dominated by big-budget musicals. Alexi opens up about her journey with pronouns and gender identity, sharing her transition from they/them to she/they and the importance of creating a safe environment for self-exploration. Whether it’s producing or posting on social media, she encourages aspirants to channel their “fan girl energy” and not shy away from doing what you're a fan of. Alexi Melvin is a multi-Tony Award-nominated Broadway producer for her work on “Illinois” and “The Outsiders”. She has also done work on the producing teams of “Here Lies Love” and “The Notebook”. A writer and actor who takes the term multi-hyphenate to an all-new level, she is a proud member of and advocate for the LGBTQ-plus community and is deeply involved with type one diabetes organizations such as JDRF and Beyond Type 1. She has notable voice work in “Rogue One: A Star Wars Story” and “Star Wars: The Last Jedi”, onscreen appearances in “Time Out of Mind”, and “Quarter”, and a significant presence as an LGBTQ-plus creator on TikTok with almost 100,000 followers. Connect with Alexi: TikTok: @theonlylex Instagram: @thealexijames Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

From the non-stop nature of a Broadway performer's life, to the slower pace of TV, this Tony Award winner opens up about her struggles as an artist during the pandemic, and the importance of stopping to “look back and realize how far you have come” on your way to your goals.  Lena Hall is a Tony Award winner and Grammy nominee known for her phenomenal performance of Yitzhak in the 2014 Broadway production of Hedwig and the Angry Inch. Following her award winning run, she toured North America with Josh Groban on his Stages tour. Lena’s slew of Broadway credits include 42nd Street, Tarzan, and Cats, as well as originating the role of Nicola in the Tony-winning musical Kinky Boots. She is a recording artist, with 2 albums and 12 EP’s to her name, and numerous TV and film credits including Girls, BoJack Horseman, Sex and the City, and All My Children. Lena can now be seen as Miss Audrey in Snowpiercer on TNT. Currently in Canada quarantining and filming season 3 of Snowpiercer, Lena opens up about how her “light” shooting schedule leads to nostalgia for the workhorse nature of being a Broadway performer. She speaks candidly about the impact the pandemic has had on her creative mind and vision; and shares how she has struggled with the stress, the anxiety, and the not knowing, while taking solace in the knowledge that “we are all in the same boat”. Lena also takes a look back at her career and chronicles how tonsil problems from hell led to a chance to re-start, re-learn, and explore new parts of her voice.  In this episode, we talk about:  Working on TV versus working on Broadway  Missing her creative mojo  The impact social media and sitting in front of screens has on our brains Singing for Pope John Paul II when she was 7  Getting a re-do, and learning how to sing again after tonsil surgery  Her “Obsessed” series  Connect with Lena: IG: @LenaRockerHall Twitter: @LenaRockerHall https://www.youtube.com/lenahall Watch her "Obsessed" series Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

The smash hit Broadway play Is This A Room opened at the Lyceum Theater on Oct 10th, 2021. Guest podcast host Beatriz Westby takes us down to the red carpet to talk to Tina Satter, Amanda Villalobos, Andy Grotelueschen, Blyth Adamson, Chris Giarmo, Deirdre O'Connell, Frankie Grande, Judy Kuhn, Lee Kinney, and Steven Sater. Get tickets and info to Is This A Room and Dana H via thelyceumplays.com/ Follow Beatriz Westby on the Instas: @biaizidoro Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alyssa Fox is currently in "Wicked" on Broadway as Elphaba standby, having been a part of "Wicked" for around 12 years now. Her lifelong dream of becoming true Disney royalty and growing up watching Disney movies was her first introduction to acting and singing and theatrical expression. Alyssa shares her love for singing and performing live, discovering "Wicked" in senior high school and finding her calling. She talks about her "Wicked" journey, why she decided to drop out of college, and how she went to New York for the first time to audition for a non-equity cattle call she saw on playbill.com. From humble beginnings, she went from not having an agent to booking "Wicked" and only having $18 in her bank account. As we all know, we discuss how the understudy, standby, and swing life is much harder in a different way from your standard roles. She shares some of her experiences as “Frozen’s” Elsa and “Wicked’s” Elphaba standby, from remembering her lines and staying sharp on stage to stage mishaps, and talks about the sisterhood and connection that comes with playing the difficult character of Elphaba, and why despite finding touring hard, it's also where she felt the happiest and most fulfilled. Reflecting back on her work, she sees all her peers as equals, explains why she loves doing theatre, and the amazing connections made between the performer and the audience. Alyssa Fox is an actress born in Dallas, Texas who is currently in "Wicked" on Broadway as Elphaba standby, also having played the lead role on the national tour. Her other stage credits include "Frozen" (Broadway and Regional) where she was Elsa standby. Connect with Alyssa: Twitter: @alyssafox Instagram: @alyssajoyfox Facebook: @Allyfox22 Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for an all-access pass to Broadway’s brightest stars in this special bonus episode. Join host Salisha Thomas as she takes us onto the red carpet for the highly anticipated opening night of Sunset Boulevard on Broadway, captured live for The Broadway Exclusive. In this episode, Salisha catches up with cast members, creatives, and some surprise guests, delivering fun interviews full of behind-the-scenes insights, opening night energy, and advice for aspiring performers. From star-studded moments to career reflections, this episode perfectly captures the magic of a Broadway premiere. If you love the excitement of red carpets and the charm Salisha brings to every conversation, this one’s for you! Follow the podcasts: The Salisha Show: Listen here The Broadway Exclusive: Listen here Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

“My writing about theater in general, is to inspire people to go to the theater... But I especially like to inspire people to dip their toes into the oceans of Sondheim.”  An award winning theater critic since 1986, Rick Pender was named Ohio’s best critic in 2002 and 2017 by the Society of Professional Journalists. He is the former editor of the Sondheim Review, and currently the executive editor and publisher of Everything Sondheim, a website and nationally distributed quarterly magazine. For his new book, The Stephen Sondheim Encyclopedia, Rick has compiled a trove of detailed entries about nearly every subject Sondheim touched, bringing to life not only the man's well known collaborators and projects, but also many names you may have glimpsed in programs, or on cast albums, and has gathered definitive descriptions of lesser known works and influences that you'd have to search dozens and dozens of books to to uncover. Rick holds a PhD in English Literature, and has interviewed Stephen Sondheim, onstage and in the studio, several times. The Stephen Sondheim Encyclopedia is now available for purchase.  As a child in Ohio, Rick was “kind of a theater geek”, and participated in his high school productions. He had an early attraction to the lyrics of West Side Story, the first LP soundtrack he purchased as a teenager, but at the time was still unfamiliar with Stephen Sondheim. It was after a surgery in the 80’s when Rick discovered a CD called A Collector’s Sondheim, and his passion took hold.  “By virtue of having all that education in literature, the whole concept of storytelling is very important to me”, Rick shares. He opens up about his initial attraction to Sondheim’s work, noting the words and lyrics in particular first drew him in, and describes his love for Sondheim's integration of music and lyrics to fit and expand upon character. Rick also takes us through the timeline for the creation of The Stephen Sondheim Encyclopedia, which he originally thought would be the work of multiple contributors, and chronicles the development of his own relationship with Stephen Sondheim himself.  In this episode, we talk about: The making of The Stephen Sondheim Encyclopedia Being inspired by West Side Story  Why he thinks of Sondheim as a modern day Shakespeare  The intellectuality of Sondheim’s music and lyrics  The working relationship between Sondheim and Hal Prince Hammerstein mentoring Sondheim, who later mentored Lin Manuel Miranda  Connect with Rick: Download and/or purchase The Stephen Sondheim Encyclopedia Visit Everything Sondheim Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Best known for credits that include performances as the original Amber Von Tussle in Hairspray, the original Elle Woods in Legally Blonde (for which she earned a Tony nomination), Tina in Ruthless (Outer Critics/ Drama Desk Nominations), and Glinda in Wicked, Laura Bell Bundy cannot be stopped. Outside of New York City her credits include the national tour of The Sound of Music, and Gypsy at Paper Mill Playhouse. Laura has appeared in over 100 hundred episodes of television including roles on Good Behavior, American Gods, How I Met Your Mother, The Guest Book, Home Improvement, Hart of Dixie, Fuller House, AJ & The Queen, and Anger Management. She has toured in concerts worldwide since 2010, released several studio albums, and penned hundreds of songs. Along with her cohort Shea Charter, she co-hosts Women Of Tomorrow, a musical podcast that explores issues women are facing today, examines the history of those issues and provides solutions for moving forward. Their album Women of Tomorrow (which inspired the podcast) is out now and available everywhere you listen to music.  Raised in Kentucky, Laura was 5 years old when she was introduced to show business as a beauty pageant contestant, which led to an unexpected modeling contract in NYC. But Laura realized really quickly that modeling was boring, and acting, singing and dancing were much more fun. Laura opens up about her early experiences in NYC as a child, renting out rooms in small apartments with her mom, and the cast of characters they encountered. She speaks passionately about the creation and mission of her album and podcast of the same name, Women of Tomorrow, and credits the work behind both for igniting her passion for learning more about women’s history. Laura also shares her thoughts on the important roles both truth and vulnerability play when you are an actor.  In this episode, we talk about: Her experience in the world of beauty pageants The importance of self-awareness  How the 2016 election inspired the creation of Women of Tomorrow  How women’s rights have changed over time  Her spiritual beliefs about our collective human experience Connect with LBB: Listen to Women of Tomorrow (the album) Listen to Women of Tomorrow (the podcast) IG: @laurabellbundy Twitter: @laurabellbundy Web: laurabellbundy.com YouTube channel Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

Marc Kudisch stars off the Bleeding Love musical podcast takeover, a brand new completely original musical podcast set in a post-apocalyptic future where it's not safe to go outside. Marc is a 3-time Tony Award nominee for his work in Thoroughly Modern Millie, Chitty Chitty Bang Bang, and 9 to 5. He is a Drama Desk Award winner and two-time Outer Critics Circle Award Nominee. Some other Broadway highlights include Finding Neverland, Hand to God, Assassins, the Scarlet Pimpernel, and Beauty and the Beast. You also might recognize him from TV and film credits such as The Tick, Billions, Mindhunter, Limitless, House of Cards, Unforgettable, Person of Interest, Gossip Girl, Blue Bloods, SMASH, and even Sex and the City. He recently starred in the off-Broadway production of Girl from the North Country and is now reprising the same role -- once Broadway returns, of course! However you can catch him right now in a brand new way as both the Super and the narrator in the original musical podcast Bleeding Love. Connect with Marc: IG: @marckuds Twitter: @marckuds Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales This episode is released in a time of crisis and mass awakening. Black Lives Matter. Please consider donating to any of the following: George Floyd Memorial Fund Minnesota Freedom Fund Reclaim The Block National Bail Out Black Lives Matter The Bail Project Black Visions Collective Campaign Zero National Bail Fund Network The Innocence Project Run with Maud Justice for Breonna Learn more about your ad choices. Visit megaphone.fm/adchoices

With Anoushka Lucas’ talent and success as a songwriter, it may come as a surprise for some that she initially had no interest at all in working in theatre. Just like in most of her endeavors, she fell into it. She expands on this as shares her journey, revealing her initial passive disposition, which contrasts with her willingness to embrace diverse experiences–the duality of man, as they say. From playing the piano and writing songs at an early age, Anoushka talks about her upbringing, writing songs from the point of view of the characters on TV, and how the piano became her sanctuary. She reflects on failure and her aversion to it, and the heartbreak and acceptance that her initial plan of becoming a pop star and securing a record deal isn’t going to happen. Despite the initial struggle, she recognizes the value of the experience, emphasizing the usefulness of failure in shaping her life positively, proving that tenacity goes a long way. Anoushka Lucas is a singer, songwriter, musical theatre composer, and actor who has starred in West End productions, including “Oklahoma!” and “Jesus Christ Superstar”. She began composing music at the age of 14 and has a degree in Russian and Italian from Oxford University. She has been nominated for an Olivier award, an Evening Standard Theatre Award, and a Black British Theatre Award. She was the recipient of the Best Writer award in the 2023 stage debut awards. Among other films. You can also see her in “Murder on the Orient Express” and starting on the 21st of February, she can be heard in a brand new original musical podcast called “U.Me: The Complete Musical”. Connect with Anoushka: Website:www.anoushkalucas.com Instagram: @anoushkalucasmusic Listen to U.Me: The Complete Musical Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca Naomi Jones is an actress and a singer who made her Broadway debut in 2008 when Passing Strange transferred from it’s Off-Broadway run. She went on to create the role of Whatshername in the Green Day Rock Opera American Idiot, which opened on Broadway in 2010. In 2012 Rebecca played the Narrator in Manhattan Theatre Club's Off-Broadway musical Murder Ballad, for which she received a Lucille Lortel Award nomination for Outstanding Featured Actress. Her other Broadway credits include replacing Lena Hall as Yitzhak in Hedwig and the Angry Inch in 2015, a starring role in Significant Other in 2017, and Laurey Williams in Daniel Fish’s revival of Oklahoma!, a role for which she earned a Drama Desk Nomination after appearing in the original production at St. Ann's Warehouse. Rebecca has also appeared in National Tours of Rent and Caroline, or Change, and starred in the film adaptation of Passing Strange. In 2014, she was awarded the Lilly Award, a prize designed to honor women in theater. Rebecca can currently be heard as Lolli in Bleeding Love, a brand new original musical podcast radio play on The Broadway Podcast Network.  Rebecca was born in New York City to bi-racial parents, her mother Jewish, and her father African-American. She shares that growing up in NYC and “being mixed is a different thing than growing up in other places and being mixed,” and wasn’t made aware of how unique that was or how complicated it can be for people until much later. Rebecca is no stranger to the New York Stage. But doesn’t mean she is immune to performance anxiety. In our conversation, Rebecca opens up about her first encounters with anxiety and panic attacks in 2015, attacks that would linger even as she was performing on stage during Hedwig and the Angry Inch. She shares that during the run of Oklahoma! she kept up a regular meditation routine so she could prepare herself “for the fear”. In this episode, we talk about:  Her inner demons that come out when she is gaining recognition or awards for her work Her memory of the first time she experienced a panic attack  How performing to a house full of people with the lights on during Oklahoma! tested her  Her experiences practicing and performing opera with the children's choir at The Met  The trial and error of recording Bleeding Love  Some of the film and TV work she has done, and why she finds this work so exciting and thrilling Connect with Rebecca: IG: @onerebeccajones Twitter: @rebeccasername Listen to Bleeding Love Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales This episode is released in a time of crisis and mass awakening. Black Lives Matter. Please consider donating to any of the following: George Floyd Memorial Fund Minnesota Freedom Fund Reclaim The Block National Bail Out Black Lives Matter The Bail Project Black Visions Collective Campaign Zero National Bail Fund Network The Innocence Project Run with Maud Justice for Breonna Learn more about your ad choices. Visit megaphone.fm/adchoices

Loren Lott is the brilliant Broadway belter, turned TV star. She has appeared on Broadway in Motown the Musical and Once on this Island after making it to the top 16 in American Idol season 14. She is now playing Ana Hamilton in The Young and the Restless. In this episode Loren discusses getting her degree in television production and her views on getting an education in the entertainment industry. She talks about some behind the scenes happenings during her time with American Idol, and how that effected her. Loren tells the story of how she saved the day at Once On This Island and she ends with talking about her goals and where she sees her future self. Connect with Loren: Instagram and Twitter: @lorensharice Facebook.com/LorenSharice Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast TikTok: @thetheatrepodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Part2: This 2-time Tony-nominated actor made his Broadway debut in Wicked as 2008 as Boq, and since then has gone on to roles in Assassins, Matilda the Musical, Big Fish, and School of Rock where he originated the role of Dewey Finn, earning him his first Tony nomination. His TV/Film credits include Royal Pains, The Good Fight, and Documentary Now! among many others, He now holds the title role in Beetlejuice on Broadway which brought him his second Tony nomination. This interview shows a unique and different side of Alex. Known as the funny man, he has a deeply real part of himself that he taps into before every performance. Connect with Alex online: Twitter: @ABrightMonster Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcastTheTheatrePodcast.com Alan's personal Instagram: @alanseales Jillian's personal Instagram: @jillianhochman Email us at feedback@thetheatrepodcast.com. We want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second of four of the “Back to the Future” podcast takeover! This episode features Merritt David Janes and Jelani Remy, two real-life friends and on stage frenemies. Merritt talks about the show’s influence on his childhood and describes being a part of the show as a pinch-me moment for him, Jelani discusses his early experiences with performing and touring and the two talk about their experiences with the production of "Back to the Future" , how they auditioned for their roles, and what it means to them. They emphasize the positive and collaborative atmosphere on the set and how the cast gets along well, their favorite parts of the show, and the fulfillment they get from the support of younger fans and the theater community. Merritt and Jelani share their motivations and advice for aspiring performers, including finding reasons to show up to pursue one's dreams (and good food!). Merritt David Janes and Jelani Remy are both no strangers to the Broadway stage. Jelani Remy’s credits include “Ain't Too Proud”, “The Lion King”, “High School Musical” (1 and 2), and “Smokey Joe's Cafe”. He was recognized as a Paper Mill Playhouse Rising Star and is a Chita Rivera Award recipient. Merritt David Janes, on the other hand, recently graced the Broadway stage in the original cast of “School of Rock” and has performed in national tours of “School of Rock”, “Sweeney Todd”, “Beauty and the Beast”, “The Wedding Singer”, “Phantom of The Opera”, “Shrek”, and “Catch Me If You Can”, and was recently in the world premiere of “The Griswolds’ Broadway Vacation”. Together, they have numerous credits, including Jelani now playing Mayor Goldie Wilson and Marvin Berry and Merritt playing Principal Strickland, both in the Broadway production of “Back to the Future”. Connect with Merritt David Janes and Jelani Remy: Instagram: @mdjtanner, @itsjelaniremy Facebook: @merritt.janes Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Rising star Helen J. Shen, who is making her Broadway debut in Maybe Happy Ending opposite Darren Criss, dives into her journey from a classical piano prodigy to a Broadway performer, reflecting on the intense years of piano competitions and how those skills have shaped her approach to musical theater. She shares stories from her time at the University of Michigan, where her passion for theater solidified, and talks about the thrill of playing a robot in her Broadway debut. Helen also opens up about the creative process behind Maybe Happy Ending and how she's putting her personal spin on a role previously staged in Korea and Asia. She reflects on what it’s like working alongside Darren Criss and the supportive environment of her team. They discuss the unique challenge of playing robots and how the production explores themes of mortality, connection, and what it means to be human. Helen J. Shen is an actor, musician, and writer. Before her Broadway debut in Maybe Happy Ending, she starred in The Lonely Few at MCC Theater and captivated audiences in Teeth at Playwrights Horizons. Her regional credits include Man of God at Williamstown Theater Festival and Sunset Boulevard at ACT of Connecticut. Connect with Helen: Instagram:insta TikTok: @miss.shelen Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices