The Tapes Archive (Osiris Media)

A never before published interview with Robby Krieger (The Doors) from 1991. In the interview, Krieger talks about: - Going all-instrumental without Jim Morrison -What he thought about Oliver Stone’s movie “The Doors” - Why keyboardist Ray Manzarek wanted nothing to do with the film - The truth about The Doors - What it was like making records after Morrison died - Whether he feels the Doors have come to symbolize the ’60s - How the music of today compares with the music of the ’60s - How Jim Morrison should be remembered In this episode, we have The Doors’ guitarist, Robby Krieger. At the time of this interview in 1991, Krieger was 45 years old and was promoting his own band, The Robby Krieger Band. In the interview, Krieger talks about his thoughts on Oliver Stone’s movie “The Doors,” why Doors keyboardist Ray Manzarek wanted nothing to do with the film, and how thinks Jim Morrison should be remembered. Hosted on Acast. See acast.com/privacy for more information.

A never-before-published interview with Roger Daltrey from 1994. In the interview, Daltrey talks about: Whether he has gotten his due from his solo albums Which album was a writing breakthrough for him Why he thinks fans have a hard time accepting him outside of The Who What’s great about The Who’s music Why The Who isn’t touring How hard it is singing Who songs How anger changes in middle age If he feels competitive with Pete Townshend If he knew Townshend was competing with him How Tommy really became a hit record Why Townshend is the way he is about The Who Why it was a constant struggle to make more records How he feels everyone in the band but Pete did not get the recognition they deserved The chemistry in the band What was something he was proud of from the Carnegie Hall gig Playing with the Spin Doctors on the Dave Letterman show. How his upcoming concert differs from the Carnegie Hall show What Townshend said to him after the Carnegie show The challenges with the Carnegie Hall concert The bad sound at Carnegie Hall When he knew he was going to take the show on the road Whether he ever considered hitting the road with a three-member rock band Whether they considered playing Woodstock ‘94 The story of how he started spinning the microphone How the music biz is so “bloody corporate” Whether he thinks he will ever just sit back and relax Whether he goes to see his contemporaries in concert Whether he worries he’s going to disappoint fans Why didn’t the Who do encores Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with John Prine from 1997. In the interview Prine talks about: His record label, “Oh Boy” Why his songs have “simple messages” How at the time of the interview he was in such a good place that he’ll “probably be writing all zippity-doo-da songs” John Mellencamp and other Indiana connections His yet-to-be-made duet album Touring smaller venues And more... In this episode, we have the great singer-songwriter, John Prine. At the time of this interview in 1997, Prine was 50 years old and was out on tour with Los Lobos. In the interview, Prine talks about his record label, Oh Boy, his Indiana connections, touring, and his yet-to-be-made duet album. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before published music interview with Tom Morello (Rage Against the Machine) from 1993. In the interview Morello talks about: - The diversity of Rage Against the Machine’s audience - The band’s intent not to preach to the converted - The pushing of pushing an anti-censorship agenda - The threat of the PMRC - Boycotting record stores that don't believe in in the first amendment - The Lollapalooza t-shirt debacle - And more... In this episode, we have the first of two interviews with Rage Against the Machine’s Tom Morello. At the time of this interview in 1993, Morello was 29 years old and was out on tour supporting his band’s self-titled first record. In the interview, Tom talks about the pushing of an anti-censorship agenda, the Lollapalooza t-shirt debacle, and how Rage Against the Machine is not like Public Enemy for white kids. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

In the interview Aykroyd and Belushi talk about: - They talk in-depth about their yet to be made film The Blues Brothers. - How democratic Saturday Night Live is. - The greatness of performing on live tv.  - How they met and Second City days. - How the Blues Brother’s look came to be. - Aykroyd reveals how he came up with the SNL skit the Coneheads. - The inspiration for Belushi’s Samurai character. - Auditioning for SNL - Thoughts on one of their next films, 1941. In this episode, we have an interview you might have heard before but probably not. In the crate of Marc's tapes are some unmarked interviews that Marc did not do. One of those tapes has an interview with Dan Ackroyd and John Belushi from 1978. I couldn't find the interview anywhere online, so I thought "this is too good not to be heard" and decided to make it public.  At the time of this interview, Aykroyd was 26 years old, and Belushi was 29. In the interview, they talk in-depth about their two upcoming films, “The Blues Brothers” and Stephen Spielberg’s “1941.” Also in the interview, Belushi reveals how he came up with the Samurai character he played on Saturday Night Live, and Aykroyd tells where he found the inspiration for the SNL skit the Coneheads.  For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

Today we are releasing two interviews -- one with Axl Rose and one with the man who interviewed him, Steve Harris.  Steve grew up in San Francisco but went to Japan as a college exchange student and loved it there. He felt like it was the place for him. After graduating in 1980, he started to work as a freelance translator in Tokyo. Through one of his college buddies, he got connected to a music magazine that needed an interpreter. This led to Harris conducting interviews himself. Over the next 17 years, Steve would interview the biggest of names in the music world. Recently, we asked if we could publish some of those interviews here on the Tapes Archive and he agreed. Over the next couple of months, we will be publishing some of his most notable interviews.  Marc Allan, our usual interviewer, called Steve to talk about his life as an ex-pat working for a Japanese music magazine.  They talked about: The magazine Steve worked for and its unique place in the market His worst interview and some of his best His personal musical hero he was able to interview His thoughts on interviews with Axl Rose, David Lee Roth, Pete Townshend, and more. Why he kept these recordings and why he is allowing us to publish them How some questions would get lost in translation and would lead to awkward moments. His frustrations when he interviewed “slacker genius” Beck What led him to leave the music scene in 1997 A very funny conversation with Brian Eno about Russian women He clears up the question of whether Cheap Trick is big in Japan Marc tells the story of when he was called “old man” at a Rage Against the Machine concert and how he got his job at the Indianapolis Star Hosted on Acast. See acast.com/privacy for more information.

A never-published interview with Alex Van Halen. At the time of this interview in 1995, Alex was 42 years old and was promoting an upcoming Van Halen concert in British Columbia, Canada. In the interview, Alex talks about growing up and playing with his brother Eddie Van Halen, "For Unlawful Carnal Knowledge" producer Bruce Fairbairn, and the best thing about being in Van Halen. The interview is conducted by a Tapes Archive contributor, Canadian music journalist and author Steve Newton. During his four decades as a freelance music writer, he has interviewed everyone from AC/DC to ZZTop. We highly recommend that you head over to his Patreon page patreon.com/earofnewt and check out over 400 of his exclusive interviews. For only $5, you get full access. We are not paid for this endorsement; we truly feel it’s money well spent. Read Newton's article based on this interview: https://bit.ly/3YOyBnI Link to Newton's Patreon page: https://bit.ly/3WQBr9S For zero money, you can head over to Newton’s website, earofnewt.com, where he has posted more than 3,000 of his interviews, album reviews, concert reviews, and horror movie reviews. Link to Newton's website: https://bit.ly/3ij9GIa 00:00 - Intro 01:38 - Start of Alex Van Halen Interview 02:06 - His earliest memories of playing with his brother, Eddie Van Halen, and his dad’s musical career 03:24 - Who the Van Halen brothers would try to emulate musically 03:43 - Who were his drum gods when he first started playing 04:39 - Playing with his dad’s Jazz band and if he took lessons 05:39 - If Eddie was part of his dad’s band 05:52 - When did he know Eddie Van Halen would be a legend and his own guitar-playing 06:31 - Did he know early on how big Van Halen would become, and early days with the LA club scene 07:00 - The night Warner Brothers saw them for the first time 08:43 - What’s his favorite David Lee Roth Van Halen album is 09:29 - The essence and core of Van Halen 10:03 - How Sammy Hagar could have replaced Roth back in 1978 10:57 - How Van Halen has evolved since Sammy Hagar joined the band. 11:58 - How producer Bruce Fairbairn got involved in producing “For Unlawful Carnal Knowledge” 13:34 - Van Halen’s process in picking a producer 14:38 - Does he have any input into writing Van Halen songs? 15:53 - How much longer does he see Van Halen rocking? 16:26 - What’s the best thing about being in Van Halen 16:41 - Alex talks about Van Halen’s USA Harvest can drive 18:02 - Alex gives the name of the person Steve should talk to to get backstage.

A never-published interview with Van Halen's Diamond David Lee Roth. At the time of this interview in December 1984, Roth was 31 years old, and only months away from no longer being in Van Halen. In the interview, Roth talks about the future of Van Halen, his need for attention, whether he’s a bad role model, and what he wants on his tombstone. And in a Tapes Archive exclusive, Mr. Roth busts into an impromptu freestyle rap.  The interview is conducted by a new Tapes Archive contributor, award-winning legendary entertainment journalist, screenwriter, producer, and author, Ethlie Ann Vare. For decades, Ethlie ruled musical taste and celebrity gossip in newspapers, magazines, and TV. Her Top 10 Syndicated column ROCK ON ran in 1,700 newspapers worldwide. She’s interviewed A-list movie celebrities like Johnny Depp and Nicholas Cage and rock royalty like Ozzy Osbourne and David Lee Roth. She wrote for Billboard, Daily Variety, and The Hollywood Reporter. She also reviewed rock concerts and albums for the New York Times, and discussed rock stars on The Gossip Show. Ms. Vare has more accomplishments than we have time to say here. Below is a link in to her website. We are honored she is allowing us to share some of her unpublished historical interviews with all of you.  Ethlie Ann Vare's website https://ethlieannvare.com/ Watch the captioned version https://youtu.be/QodtYVn7tDQ 00:00 - Intro to David Lee Roth interview 01:46 - Start of the David Lee Roth Interview 02:57 - The rumors about Eddie Van Halen wanting to leave the band 03:58 - Was it an ego blow with Van Halen’s album 1984 not hitting #1 on the charts 05:22 - Playing Black Sabbath music while watching a football game 05:49 - Was having a pop hit with “Jump” harmful to the band? 06:57 - About his love life and what his type is 08:38 - Who is the real David Lee Roth 09:29 - How Roth is a bit of a loner, and his need for attention 10:21 - How he’s critical of other bands 12:03 - Roth does a freestyle rap. (Not kidding, not A.I.) 12:52 - His first and other jobs as a teenager 14:01 - Who manages his money 14:39 - Where his next adventure will be 15:05 - How does he defend the criticism that he’s a bad role model 15:55 - What’s next for Van Halen 16:29 - What’s the Van Halen groupie scene like 17:02 - The Hot For Teacher video 17:42 - The auditions for his music videos 18:42 - What would he want on his tombstone 19:04 - Answering machines 19:44 - What he wants back 19:55 - A scene he likes from the movie Cotton Club 20:41 - His Harley Davidson 21:41 - What type of car he drives 22:11 - His height and weight 22:41 - The movie Amadeus 23:10 - He was just offered a low-budget film 23:57 - Who’s going to remember him in 500 years

A never before published interview with Vince Welnick (Grateful Dead) In the interview, Welnick talks about: -His love for Bob Marley - If being in the Grateful Dead was anything like he imagined - His vision as a child that came true - What it was like auditioning for the Grateful Dead - The differences between being with The Tubes and being in the Grateful Dead - The time Robin Williams performed with him - How he integrated himself to the Grateful Dead’s way of playing live - His songs that the Grateful Dead will be playing live - If it was tough to fit in - The luxury of being in such a popular band - Working with Todd Rundgren - Bruce Hornsby handing off the “baton” to him In this episode, we have Grateful Dead and The Tubes keyboardist Vince Welnick. At the time of this interview in 1992, Welnick was 41 years old and was promoting the Grateful Dead’s two sold-out shows at Deer Creek Music Center in Indiana. In the interview, Welnick talks about what it was like auditioning for the Grateful Dead; his former band The Tubes; and how being in the Grateful Dead felt like being a part of a “big, old, wonderful family.” Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Hank Aaron from 1995. In the interview, Aaron talks about: His job at CNN His involvement with the documentary Chasing the Dream How much of the film was accurate How he wants people to remember him Speaking out on things that are wrong in the world How people are uncomfortable with the truth If he was able to enjoy his accomplishments  If we have made progress on race issues in the United States The respect he had for Malcolm X Playing for the Indianapolis Clowns His humility  His top salary and current ballplayers salaries What we have to do to get kids playing baseball His hunger to play baseball In this episode, we feature baseball icon, Hank Aaron. At the time of this interview in 1995, Aaron was 61 years old and was promoting the upcoming premiere of the documentary based on his life, “Chasing the Dream.” In the interview, Aaron talks about his hunger to play baseball, the importance of speaking up about wrong in the world, and how he wants to be remembered. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Frank Zappa from 1991. Transcript for this episode. When I asked Frank Zappa if he had any regrets about the first 25 years of his career, he was blunt, as he always was.  "There are certain things I might have said in a different way," he said. "But basically, there it is." And that's why Frank Zappa was and is still revered by his fans—because he said and did what he believed and never let commercial considerations deter him. In this 1991 interview from The Tapes Archive, Zappa, then 50, talked about standing up to the Parents' Music Resource Center and its warning labels on record albums, how he stepped into Eastern Europe to help American businesses establish ties in formerly communist countries, and why he refused to apologize for songs such as “Jewish Princess,” which offended some organizations. There’s also talk about his anti-bootlegging project, “Beat the Boots,” and he tells a classic story about one of his greatest songs, “Black Napkins.” A couple of items that need context: -At the beginning of the interview, when he mentions “swine,” he’s referring to a show at the Indiana State Fairgrounds where he remembered seeing the Swine Barn. -Later, when I refer to “the book,” I’m talking about “The Real Frank Zappa Book,” which was published in 1989. More about Frank Zappa is at https://www.zappa.com/. Hosted on Acast. See acast.com/privacy for more information.

A never-before-published interview with Dimebag Darrell from 1992. In this episode, we have metal guitar legend Darrell Abbott, also known as Dimebag Darrell. At the time of this interview in 1992, Dimebag was 25 years old and was out on tour in support of Pantera’s album “Vulgar Display of Power.” In the interview, Dimebag talks about his guitar trick that he wants everyone to learn; how Randy Rhoads, Eddie Van Halen, and Ace Frehley were his influences; how great his dad was; and how Pantera writes their music. 00:00 - Intro Dimebag Darrell Interview 01:11 - Being banned from a local guitar competition as a teenager 03:20 - Whether being from Texas affects his playing 04:36 - What he listened to when he was younger 05:12 - Being influenced by Randy Rhoads and Ace Frehley 07:20 - What guitar scales he knows 07:42 - Who taught him to play guitar and the first song he played 08:30 - How great his dad was 09:42 - Wanting his own guitar tone 11:02 - Yelling at his brother to keep it down 11:21 - The guitar trick he wants everyone to learn 12:40 - His new whammy pedal 13:15 - The way he writes solos 15:07 - Whether he plays a lot of acoustic guitar 15:43 - Whether he thinks he’s a good enough player for thrash music 16:45 - How he traded a joint for a guitar pick-up 18:07 - His guitar chops 18:46 - Why he loves Dean Guitars 22:19 - Playing with his brother Vinnie 23:34 - Playing the Moscow concert in front of 1.6 million fans 26:32 - Whether he’s ever been hurt at a gig 27:10 - How Pantera writes their music 28:26 - Whether he has any ideas for the next album 28:59 - His top five essential guitar albums This week’s episode also introduces a new interviewer to The Tapes Archive. The interview you are about to hear was conducted by Pete Prown. Pete is a veteran music journalist and has interviewed the world’s top guitarists for over 35 years. He’s currently Music Editor at Vintage Guitar magazine and editor of the "Legends of Rock Guitar" Facebook page. His work has appeared in Guitar Shop, Guitar for the Practicing Musician, and Guitar Player magazine, among other titles. Hosted on Acast. See acast.com/privacy for more information.

A never-before-published interview with guitarist Warren Haynes from 1992. In the interview, Haynes talks about: Moving out of Duane Allman's shadow How it feels to play Duane's licks Whether Duane was an influence His connection to Memphis and Motown Going to see concerts when he was a kid The musical differences between him and Duane His love for fusion rock and what it did for his playing The difference between his playing and Dickey Betts’ playing on lead and slide How his older brothers introduced him to jazz and blues What jazz player he would recommend to a young guitar player  Whether he had any formal music training His experience with country singer David Allan Coe What he learned from country musicians Some advice for younger guitar players The Allman Brothers latest record The pleasure of recording live The coincidence that happened 21 years earlier A breakdown of whether it’s him or Betts soloing The similarities between him and Betts and Coltrane and Cannonball Adderly How Duane ended up using a slide on Dreams Whether he enjoys playing rhythm as much as lead Who's a good rhythm player? The Les Paul he uses His Soldano amps What, if any, effects he uses in the studio recording How things are going with the band Whether tension in a band leads to better playing If he sees The Allman Brothers continuing The similarities in the Allmans’ fan base and the Grateful Dead’s fan base Their next live album In this episode, we have The Allman Brothers Band guitarist Warren Haynes. At the time of this interview in 1992, Haynes was 32 years old and was promoting the album An Evening with the Allman Brothers Band: First Set. In the interview, Haynes talks about the similarities and differences with Duane Allman and whether he sees The Allman Brothers Band continuing. He also takes a deep dive into their current live album and he offers advice for young guitar players. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with John Mellencamp from 1991. In the interview Mellencamp talks about: - Hows he’s given up on trying to save the world - How big corporations don’t give a shit about your town - In-depth with his album “Whenever We wanted” - Turning 40  - How the world is run by men we never hear of - His thoughts on a friend that loves Ronald Reagan - The movie he directed what it was like making his first film For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with George Carlin from 1989. George Carlin transcript can be found here. At the time of this interview, in 1989, George Carlin was 52 years old, a 30-year veteran of standup comedy, and in the middle of yet another tour. He also had a role that year in the movie “Bill and Ted’s Excellent Adventure,” and in the subsequent TV show, “Bill and Ted’s Excellent Adventures.”  By this point in his career, Carlin was already considered one of the two or three greatest standup comics of all time. His credits included performing on the very first episode of “Saturday Night Live,” and his “Seven Dirty Words You Can Never Say on Television” routine had been part of a landmark U.S. Supreme Court decision on the use of obscene language. For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Angus Young (AC/DC) from 1996. In the interview, Young talks about: - What it’s like to come back after a five-year layoff - The ever-changing landscape of rock ‘n’ roll - The key to AC/DC’s success - How Bob Dylan compares to AC/DC - Why AC/DC was considered a punk band in England - One of his hobbies - The making of the Ballbreaker album - How AC/DC comes up with the setlist for concerts - How the schoolboy outfit came to be - His thoughts on Butt-head from Beavis and Butt-head wearing an AC/DC shirt - His thoughts on the Rock and Roll Hall of Fame. - Can we ever expect an AC/DC rock opera? In this episode, we have the original problem child, AC/DC’s Angus Young. At the time of this interview in 1996, Young was 40 years old and was promoting AC/DC’s album Ballbreaker and their upcoming tour. In the interview, Young talks about how his schoolboy outfit came to be, the reason AC/DC took a five-year hiatus, Beavis and Butthead, and the key to all of AC/DC’s success. Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Jeff Tweedy of the band Wilco from 1997 Jeff Tweedy transcript can be found here. Jeff Tweedy is often described as a reticent interview subject, but I found him to be relaxed and easygoing when we spoke in 1997. At the time, Tweedy and his band Wilco were touring behind their second record, “Being There,” and he was learning to balance the responsibilities of career and fatherhood.  Our talk is largely about music and musical influences, and about Wilco getting away from the “alt-country” label. The funniest part of the conversation is near the end, where Tweedy tells stories about weird interactions with fans. As fans know, Tweedy wrote a memoir, “Let’s Go (So We Can Get Back),” that came out in 2018, and Wilco’s 11th album, “Ode to Joy,” is scheduled for release on October 4. More about Wilco is at wilcoworld.net. For more info please visit our [website.](https://www.thetapesarchive.com/) The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit [Osiris](https://www.osirispod.com). Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Primus' Les Claypool 1994. In the interview Claypool talks about: Why Rush and Primus makes for a good concert The hardest bass line for him when he first started What made him wanna play bass His bass technique  Headlining Lollapalooza  Pork Soda Best Buy and Primus His record label Prawn Song Records In this episode, we have Primus’s frontman and bassist, Les Claypool. At the time of this interview in 1994, Claypool was 31 years old and was promoting his band’s fourth album Pork Soda. In the interview, Les talks about what made him wanna play the bass, headling Lollapalooza, the parallels of Rush and Primus, and his record label. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Neil Peart (Rush) 1994 00:00 - Intro 00:44 - Start of Neil Peart interview 01:02 - What kind of difference can one person make? 01:44 - The western idea of heroism 04:06 - The luxury he enjoys 06:04 - How people react to him asking them to think 10:42 - What he learned from Paul Simon 11:39 - Why he agrees with Frank Zappa that love songs are destructive 12:25 - How he’s a dreamer and an idealist 13:36 - What characteristic he has that has enabled him to be successful 16:01 - His thoughts on Rush Limbaugh 18:03 - His play on words that no one gets 19:11 - Who he thinks Rush’s audience is 21:06 - If he thinks his audience is smart 22:24 - Existential questions he asks himself 23:33 - Thoughts on Rush’s album progression 25:52 - How long it took for him to master the drums 27:47 - His pick for young and upcoming bands In this episode, we have our third and final interview with Rush’s drummer, Neil Peart. At the time of this interview in 1994, Peart was 42 years old and was promoting Rush’s album Counterparts and their concert in Indianapolis. In the interview, Peart talks about how Rush progressed over its first 18 albums, why he agrees with Frank Zappa that love songs are destructive, and what characteristic he has that has enabled him to be successful. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Geezer Butler (Black Sabbath) from 1992. In the interview, Butler talks about: - What happened to his solo career - Why he left the Ozzy band - How he reconnected with Dio - The difficulty in finding a vocalist - The making of the Wayne’s World soundtrack - The bleak outlook of the Dehumanizer album - A rare Black Sabbath press kit - His thoughts on all the Black Sabbath’s critics - Whether he thinks Sabbath was the first heavy metal band - Black Sabbath’s musical influences - Whether it feels right to be in Sabbath at age 43 - What he thinks about Ozzy retiring. - Spinal Tap In this episode, we have Black Sabbath bassist and lyricist Geezer Butler. At the time of this interview in 1992, Butler was 43 years old and was promoting Sabbath’s new album and an upcoming concert date in Indianapolis. In the interview, Butler talks about what happened to his solo career, why he left Ozzy’s band, what he thinks about music critics, and the Wayne’s World soundtrack. Hosted on Acast. See acast.com/privacy for more information.

https://www.thetapesarchive.com/zappa-plays-sabbath Are you a Black Sabbath or Frank Zappa fan? Or like me both? I would consider myself a super fan of both, yet I just found out that Frank was a big fan of Black Sabbath something I never knew. So I decided to make a video with the backstory including the night that Frank was supposed to play with them.  Unfortunately, you will have to go over to our Youtube channel to see and hear the episode. “Zappa plays Sabbath. The reason we cannot release it as a podcast is because of the copyrighted music we use. Over on Youtube, the copyright holders can make their royalties when their music is played where as in the podcast world there is no simple way to do that.  Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Neil Peart of Rush from 1990. Neil Peart transcript can be found here. I interviewed Neil Peart several times over the years and thoroughly enjoyed every conversation. In addition to being a great drummer, he’s a smart, thoughtful, articulate gentleman whose worldview extends well beyond rock ‘n’ roll. This interview, recorded in 1990, was the first of our talks. Nearly 30 years later, I’m still amazed by his interest in visiting art museums and bicycling around the United States, his desire to become a prose writer, and his simple explanation for why Rush had been able to stay together for so long. (“We’ve retained not only respect but also affection for each other over the years.”) When we talked, Rush was touring behind Presto, its 13th studio album, so there’s also a lot of conversation about songs on that album. A bit of context: -Early on, we talk about—but don’t name—Rush’s first drummer. He was John Howard Rutsey, who left the group in 1974. He died in 2008. -We also discuss the Meech Lake Accord, which would have recognized Quebec as a ''distinct society'' in the body of the Canadian constitution. The accord ultimately failed. For more about Rush, visit rush.com/band/, where the group’s credentials are laid out nicely: “More than 40 million records sold worldwide. Countless sold-out tours. A star on the Hollywood Walk of Fame. Inducted into the Rock and Roll Hall of Fame. Officers of the Order of Canada. And that's all very nice. But for these three guys, it's all about the music, their friendship, and the fans.” For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Alex Van Halen from 1980. In the interview Van Halen talks about: • Van Halen days before being signed • Working with Ted Templeman. • The best heavy metal band he ever saw play live • The future of Van Halen • And more... Show Note: In the interview, Marc asks if it's true that Van Halen has in their rider that there are to be no brown M&Ms backstage. It wasn't until years later that David Lee Roth revealed the real reason behind their no brown M&Ms rule. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with comedian Bill Maher from 1994 Bill Maher transcript can be found here. Bill Maher is a huge part of the comedy and talk-show landscape, thanks to his HBO show Real Time, which is now in its 17th season. But in 1994, when this interview was recorded, Maher, then 38, really was just taking off. His Comedy Central show “Politically Incorrect” was about to start its third season, he was an occasional correspondent on “The Tonight Show with Jay Leno,” and he had just released a comic novel called “True Story.” In this interview, we talked a lot about those subjects, as well as politics. In listening to the tape, what’s striking is how we’re still debating the same political issues we were in 1994—especially healthcare and gun control. One thing I particularly like about this interview is Maher himself. It’s generally hard to make a comedian laugh. But if Maher thinks something is funny, he laughs. I was happy to make him laugh a couple of times. Also, it’s great to see how consistent he’s been over the years. In the interview, I asked him if it’s accurate to describe him as a disillusioned Democrat who liked Ross Perot’s ideas but knew he could never carry them out, who thinks government is too intrusive and that people are much too dependent on government, who thinks people have gotten fat, lazy and unwilling to accept responsibility. He liked that description. I’d say it’s still entirely apt today. For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Ozzy Osbourne 1997. In the interview Ozzy talks about: His love for his fans The legacy of Ozzfest How the Sabbath reunion came to pass Why Bill Ward was not included on the tour His thoughts on Marilyn Manson His record label Ozz Records Best Buy and censorship Being in Howard Stern’s movie In this episode, we have The Prince of Darkness, Ozzy Osbourne. At the time of this interview in 1997, Osbourne was 49 years old and was promoting his multi-band tour Ozzfest. In the interview, Ozzy talks about his love for his fans, how the Sabbath reunion came to be, Marilyn Manson, and the legacy of Ozzfest. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Tracy Morgan from 2007. In the interview, Morgan talks about: His new movie with Ice Cube If Tracy Jordan and Tracy Morgan are the same person The dynamics of 30 Rock Whether he was happy with the 30 Rock episode where Jordan was shown to be illiterate His famous family members Working with white writers If he feels stereotyped In this episode, we have Emmy-nominated comedian Tracy Morgan. At the time of this interview in 2007, Morgan was 39 years old and was promoting the TV show 30 Rock and his upcoming movie "First Sunday." In the interview, Morgan talks about the dynamics of 30 Rock, working with white writers, how Tracy Jordan and Tracy Morgan are two different people, and his famous family members. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we have the Ramones’ frontman, Joey Ramone. At the time of this interview in 1988, Ramone was 37 years old and was in Japan for a tour. In the interview, Ramone talks about whether he considers The Ramones a punk band, the most exciting time in music history, how most bands lack originality, and whether rock and roll have paid him back for all of The Ramones' contributions.  The interview is conducted by Steve Harris. To learn more about Steve, please check out our podcast-only interview with him, which is out now. You can find the podcast at thetapesarchive.com. In the interview, Ramone talks about: The distinctive sound of The Ramones How most bands lack originality The most exciting period for music His admiration for David Byrne What The Ramones did with their influences Why he loved The New York Dolls His thoughts on David Johansen Whether he considers The Ramones a punk band Whether he considers himself a punk How the Ramones are commercial without trying to be commercial How he feels about bands like Bon Jovi and Poison Whether there is a flaw in the kids that likes that type of music How The Ramones are a multi-dimensional band Why they wrote "Bonzo Goes To Bitburg" and participated in “Sun City” Ramones Aid Whether decades from now will he be still singing “Blitzkrieg Bop” Why the Rolling Stones can go on forever How The Ramones are always changing His reaction to hearing that The Ramones are a big influence in Japan Whether he thinks rock and roll has sufficiently paid him back for all The Ramones’ contributions Hosted on Acast. See acast.com/privacy for more information.

PLEASE WATCH ON YOUTUBE. https://youtu.be/CH8c4TKrIOo Sabotage is the sixth studio album by metal pioneers Black Sabbath, released in 1975. It was recorded in the midst of litigation with their former manager Patrick Meehan. The stress that resulted from the band’s ongoing legal woes infiltrated the recording process, inspiring the album’s title. This documentary looks at all the drama surrounding the band at the time and how shady managers took advantage of Sabbath’s kind nature. The video also examines every song on the album and offers up unearthed facts some fans may have never known. – Intro – Writing and Recording Sabotage – The Tale of the Mangers – Why Sabbath needed to break away from their first manager – Don Arden’s thugs – Jimmy Page gets Threatened – Don Arden making moves – The introduction to Patrick Meehan Jr. – Jim Simpson sues the band – Some Sabbath Success – Sabbath starts to crack – Tony Iommi collapses – A religious freak tries to stab Tony – Manipulation by Management – California Jam Festival – Quotes from Ozzy/Geezer/Tony on Meehan – The dark reality of their finances – The worst part – Does Sabbath even need a manager? – Don Arden comes back – The shadow cast from Patrick Meehan – Crap Compilations – Meehan robbing Sabbath – Sabbath is beginning to fracture – Crank it up! “Hole in the Sky” – “Don’t Start (Too Late)” – Symptom of the Universe – “Megalomania” – “Thrill of It All” – “Supertzar” – “Am I Going Insane (Radio)” – “The Writ” – The band Queen diss track – “Blow on the Jug” – The Making of Sabotage’s Album cover – Reception of Sabotage – One more stick in the gut by Meehan – Closing thoughts – Who made this video? Credits: Editor/Writer/Voice/Producer: Alan Berry Co-Writers: Mark Enochs Jason C, aka Godshifter For all credits go here https://www.thetapesarchive.com/black-sabbath-sabotage-documentary/ Hosted on Acast. See acast.com/privacy for more information.

PLEASE WATCH ON YOUTUBE. You can watch the video version here. https://youtu.be/A6GTf6rOepQ We take a look at Black Sabbath's masterful third album Master of Reality. For more information including other credits, articles, and images, please go here. https://bit.ly/385aj2L Timestamps: 00:00 - Start 00:43 - Intro 01:19 - Evil Woman and Paranoid 02:29 - Changing Management 03:07 - Jim Simpson is fired 03:37 - Sabbath plays Top of the Pops 04:22 - Was Sabbath a bubblegum band? 05:13 - John Peel hates on Sabbath 06:04 - Sabbath’s Peel Sessions 06:35 - John Peel talks about Sabbath 07:05 - Sabbath’s ban on singles 07:41 - Sabbath and Satan 08:54 - First attempt going to the US 10:14 - Confusion with Black Widow 11:31 - Sabbath using Satan for their benefit 13:08 - Coming to America 13:55 - The trial of Charles Manson 14:35 - Arriving in the United States 15:01 - Sabbath’s first concert in the United States 16:20 - Blowing the Small Faces off the stage 16:43 - Playing the West Coast 17:02 - Smoking Angel Dust with Joe Walsh 17:55 - Was there a parade in Sabbath’s honor? 18:40 - Ending the year 1970 20:06 - First day in the studio 20:42 - Spanish Sid 21:14 - Weevil Women 71 21:30 - Paranoid comes out in the United States 21:52 - Myponga Festival 22:13 - Denied entry to Japan 22:44 - The Four Musketeers 23:10 - Touring the United States for Paranoid 23:50 - Playing Union Catholic High School 25:53 - Returning to England 26:31 - Ozzy and his first family 28:10 - Master of Reality will be heavy 29:05 - Tunning down 30:17 - Why they called the album Master of Reality 30:37 - Sweet Leaf 33:51 - Ghost Titles 34:28 - After Forever 34:49 - Geezer Butler as a priest 37:59 - Children of the Grave 39:15 - Mars Bringer of War 40:13 - The Haunting 41:04 - Orchid 42:07 - Lord of this World 44:14 - Solitude 45:52 - Tony Iommi in Jethro Tull 47:35 - Into the Void 49:09 - Soundgarden does their version of Into the Void 51:35 - Various versions of Master of Reality 53:25 - Master of Reality Radio promo 54:02 - Black Sabbath’s Golden Ticket 55:01 - Reception of Master of Reality 55:46 - Nobody but the public digs Sabbath 57:00 - Outro 57:36 - Credits Hosted on Acast. See acast.com/privacy for more information.

PLEASE WATCH ON YOUTUBE. https://youtu.be/ui_kEJ7C3O0 The documentary has hundreds of Vai-centric facts and stories that even the most ardent fan will not have known. Complete with a Vai’esque quirky sense of humor, the video covers Vai’s life growing up, attending Berklee College, playing with several artists like Frank Zappa, Alcatrazz, the David Lee Roth band, and Whitesnake, the recording of both his solo albums Flex-Able and Passion and Warfare, plus Vai’s role in the movie Crossroads, and how he helped create the JEM guitar. To watch the video version https://youtu.be/ui_kEJ7C3O0 Other information, photos, etc. can be found here: https://bit.ly/3B9P0ZH Link to Arlen Roth's SoundCloud https://bit.ly/3cLQHTL Hosted on Acast. See acast.com/privacy for more information.

In this never before-heard 2016 interview, Vai talks with author Greg Renoff about the landmark David Lee Roth album Eat ‘Em and Smile. At the time, it was the 30th anniversary of the iconic album. In the interview, Vai talks about the song he thought he wrote but didn’t, the jock that wasn’t happy with Vai, the rumored Kim Mitchell song, and the infamous Lucky Strike reunion show that didn't happen. The interview is conducted by Greg Renoff. Renoff is the author of two Amazon best-sellers and a must-read for music fans. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal and Ted Templeman: A Platinum Producer's Life in Music. If you haven't read these books, do yourself a favor and go get them now.  Read Greg Renoff's article based on this interview over on Guitar World. https://bit.ly/3eMS1Xf 00:00 - Intro Steve Vai interview 01:20 - Start of Steve Vai interview 02:00 - The first time David Lee Roth called Vai 02:17 - Pete Angelus and the Fabulous Picasso Brothers 02:42 - Who was involved with the choreography 03:19 - If Aerosmith was involved 04:44 - Was the Kim Mitchell song Kids in Action recorded? 05:16 - Other possible guitar players 05:56 - What Vai has no memory of 06:58 - The song Vai thought he wrote, but didn’t 09:39 - What Roth’s name for Kids in Action was and why 10:18 - Leaking to the press 10:53 - Getting a hold of Roth 12:25 - Early memories with Roth 13:54 - The jock vs Vai story 15:00 - The very first Roth concert he played 16:23 - How Roth was his final mentor 17:49 - If Roth’s movie was originally for Van Halen 18:34 - If he’d do a reunion with the Eat ‘Em Smile band 19:27 - The infamous Lucky Strike concert Hosted on Acast. See acast.com/privacy for more information.

In this episode, we have Black Sabbath’s guitarist and the godfather of heavy metal, Tony Iommi. At the time of the interview in 1984, Iommi was 36 years old and was promoting Black Sabbath’s Born Again album and tour. In the interview, Iommi talks about Ian Gillian joining Black Sabbath and blowing up his boat, thoughts on Ozzy Osbourne remaking old Sabbath tunes, the Born Again live show, Randy Rhoads, and how he really did disturb the priest.  The interview is conducted by a new Tapes Archive contributor, Canadian music journalist and author Steve Newton. During his four decades as a freelance music writer, he has interviewed everyone from AC/DC to ZZTop. We highly recommend that you head over to his Patreon page patreon.com/earofnewt and check out over 340 of his exclusive interviews. For only $5, you get full access. We are not paid for this endorsement; we truly feel it’s money well spent. Link to Newton's Patreon page: https://bit.ly/3WQBr9S For zero money, you can head over to Newton’s website, earofnewt.com, where he has posted more than 3,000 of his interviews, album reviews, concert reviews, and horror movie reviews. Link to Newton's website: https://bit.ly/3ij9GIa 00:00 - Intro 01:44 - Start of Tony Iommi Interview 02:07 - Ian Gillian joining Black Sabbath 02:21 - Playing Deep Purple’s Smoke on the Water 03:02 - Why Ronnie James Dio left Black Sabbath 03:22 - The addition of Bev Bevan from ELO 03:58 - If former Sabbath drummer Bill Ward will be back 04:13 - The story behind Black Sabbath’s song Disturbing the Priest 04:50 - Blowing up Ian Gillian’s boat 05:18 - The comparison between Black Sabbath’s debut album and Born Again 06:10 - His thoughts about former bandmate Ozzy Osbourne’s music 06:22 - What he thought of Randy Rhoads 06:34 - On Ozzy remaking old Black Sabbath songs 07:06 - Black Sabbath’s influence on other bands 07:46 - What music does he listen to 08:11 - A very surprising favorite song of Iommi’s 08:23 - Talks about Born Again’s live show. 09:33 - Iommi plays a bit of a joke on Newton 09:58 - Why growing up he did not think he would play the guitar 10:26 - His main influences on guitar 10:48 - How he doesn’t actually play a Gibson SG 11:58 - His current amps Hosted on Acast. See acast.com/privacy for more information.

In this episode, we have one of the greatest heavy metal vocalists of all time, Ronnie James Dio. At the time of the interview in 1985, Dio was 43 years old and was promoting his Sacred Heart album and tour.  In the interview, Dio talks about filling Ozzy Osbourne’s shoes in Black Sabbath, a mystical experience that almost killed his wife, his thoughts on Ritchie Blackmore’s playing, and his metal all-star project Hear ‘n Aid. The interview is conducted by a new Tapes Archive contributor, Canadian music journalist and author Steve Newton. During his four decades as a freelance music writer, he has interviewed everyone from AC/DC to ZZTop. We highly recommend that you head over to his Patreon page patreon.com/earofnewt and check out over 340 of his exclusive interviews. For only $5, you get full access. We are not paid for this endorsement; we truly feel it’s money well spent. Link to Newton's Patreon page: https://bit.ly/3WQBr9S For zero money, you can head over to Newton’s website, earofnewt.com, where he has posted more than 3,000 of his interviews, album reviews, concert reviews, and horror movie reviews. Link to Newton's website: https://bit.ly/3ij9GIa 00:00 - Intro 01:41 - Start of the Ronnie James Dio interview 01:53 - The Sacred Heart tour 02:42 - His project Hear ’n Aid and whose playing on it 04:05 - How he writes music while watching sports 04:33 - What his first instrument was and if he liked it 05:10 - His love for classical music and how it relates to guitar players 06:21 - Why anyone can like classical music 07:15 - What other singers he admires 08:12 - How well Sacred Heart is doing sales wise 08:58 - If the PMRC has affected him 09:24 - If he’s interested in the occult 09:53 - His strange mystical experience while recording Rainbow’s “Long Live Rock ’n’ Roll” 10:15 - An evil spirit who tried to kill his wife, Wendy Dio 10:55 - Filling Ozzy Osbourne’s shoes in his former band Black Sabbath 12:50 - What he thinks of Ozzy’s solo music 13:37 - If he thinks Heaven and Hell paved the way for a resurgence of heavy metal 13:49 - His favorite tunes he did with Black Sabbath 14:19 - If he wants to produce other bands 14:55 - If it’s true he has a degree in Pharmacy 15:05 - If he’s still friends with Ritchie Blackmore and what he thinks of his guitar playing 15:41 - His thoughts on Yngwie Malmsteen 16:05 - His kindness to Steve Newton Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Rick James from 1997. Rick James transcript can be found here. When I spoke to Rick James in 1997, he had already been a megastar, a prisoner, and a recipient of royalties for the use of his “Super Freak” bassline in MC Hammer’s “U Can’t Touch This.” At the time, he was about to start a tour to promote his first album in nine years, “Urban Rhapsody,” and was in the midst of writing his autobiography, “The Confessions of Rick James: Memoirs of a Super Freak,” which eventually came out in 2007—three years after his death. In this interview, James, then 49, talked freely about his drug use, how prison turned out to be a good thing for him, what he thought of rap (not much), and his friendships with Neil Young and Joni Mitchell. You’ve gotta like someone who says, “A lot of things I had done over the years, I can't remember if I did 'em or not. But they sort of sound great." I think you’ll enjoy this interview. As for the concert, it was OK. My review started like this: "This is not a concert tonight; this is a reunion," Rick James announced early in his set Friday night at the Indiana Convention Center. Actually, it was both a concert and a reunion, as well as a throwback to an era when performers favored sexual innuendo (rather than outright vulgarity) and identified people by their Zodiac signs. James led his Stone City Band through an imbalanced, sporadically invigorating set in his return to action after two years in prison on a drug and assault conviction, plus years of inactivity due to drug addiction. For more info please visit our website. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Dave Matthews from 1996 In the interview Matthews talks about: • His fancy footwork • His band’s first live performance. • Why we should teach children varied philosophies. • The making of his album “Crash”. • Why we want freedom. • Whether he cares or not if he makes it into the Rock and Roll Hall of fame. And more... For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Bill Bruford (Yes/King Crimson) 1980. The challenges of commercial radio The advantage of making a name for himself in bands like Yes, Genesis, and King Crimson The problems with playing in big-name bands vs. as a solo act His thoughts on touring with Genesis What attracts him to the U.S. market What he wants to tell people about his music Why he left Yes to join Robert Fripp and King Crimson How and why Fripp tried to cancel King Crimson’s July 1, 1974, Central Park concert How he sees himself Whether he’s wealthy His thoughts on progressive rock supergroup UK What music he was listening to Whether he would sacrifice a song to sell a million records Could there be a record company that existed on goodwill? In this episode, we have one of prog rock’s greatest drummers, Bill Bruford. At the time of this interview in 1980, Bruford was 31 years old and on tour with his solo band supporting his album Gradually Going Tornado. In the interview, Bruford talks about why he left Yes, how Robert Fripp tried to cancel the King Crimson’s 1974 Central Park concert, and the advantage of making a name for himself in bands like Yes, Genesis, and King Crimson. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we have Eddie Van Halen and Michael Anthony. At the time of this interview in 1989, Van Halen was in Japan promoting their OU812 tour and record.. In the interview, Van Halen talks about how Eddie wants to be remembered when he dies, David Lee Roth and Ted Templeman, their album OU812, why Eddie is still not 100% sober, and so much more.  We have also added a bonus interview with Eddie alone from 1985. The interview is conducted by Steve Harris. To learn more about Steve, please check out our podcast-only interview with him, which is out now. 00:00 - Intro 01:03 - Start to Eddie Van Halen Michael Anthony interview 01:15 - Is there a formula to make hit records? 01:45 - Eddie Van Halen enters the conversation 02:34 - Is Van Halen more like a family? 03:03 - If David Lee Roth is a businessman 04:13 - Is OU812 more straightforward? 05:38 - How has the age of fans affected the music? 06:42 - How Eddie wants to be remembered when he dies 07:06 - What separates Eddie from his clones 07:43 - Eddie talks about Jimmy Page 08:28 - Can Van Halen burn out musically? 08:55 - His playing when he first learned to play 09:35 - If they think as they get older, they lose certain things 09:59 - If they ever go back to the older Van Halen music and why he build 5150 11:03 - If Eddie ever becomes too indulgent 12:02 - How much input do producers have? Talks about Ted Templeman and Mick Jones 12:45 - David Lee Roth and Ted Templeman’s theory on covering hit songs 13:46 - Guns ’n Roses 14:12 - Drugs and drinking 14:51 - Did Eddie ever go too far with partying? 15:31 - With David Lee Roth leaving, did that lift a cloud? 16:09 - Does Eddie need to drink to write music? 18:03 - Did Eddie and Al go sober at the request of their father? 18:40 - Eddie tells the band to calm down during their first tour 19:22 - Van Halen band meetings 19:48 - Is Van Halen a democracy? 20:33 - What would Eddie have done if he wasn’t a guitarist 21:21 - Eddie talks about playing piano as a kid 23:09 - Does Van Halen bring out violent impulses from fans? 23:42 - Does he like any current bands? 24:27 - Sammy Hagar walks in 24:56 - Why Eddie started playing guitar [Start of the interview from 1985] 25:58 - Was his guitar like his friend 26:51 - Al and Eddie money making scam 28:08 - How Eddie depends on Alex, and how Al took over Ed’s drums 30:58 - What makes Van Halen good? 32:17 - When did Ed know Van Halen was something special? 32:51 - His love for his guitar and family 34:52 - What will it take for him to realize people appreciate him 35:56 - Eddie avoiding fame 36:28 - Why does he go onstage? 37:34 - Does he feel like a rockstar? 38:18 - What he dreamt of when he first started with Van Halen 38:53 - Alex throwing drumsticks at him 40:36 - Why he detunes 41:18 - He hates books 42:28 - The backstory to the song Girl Gone Bad 44:05 - Why was 1984 important to Eddie’s mental health? 44:56 - Eddie Van Halen plays Crossroads 47:50 - How old was he when he learned Crossroads? 48:10 - Is he happy while playing? 48:41 - Why he likes being alone 49:00 - Have people told him he was nuts? 49:15 - How has the success of 1984 changed him 50:06 - Did he think Jump would be a hit? 50:49 - Does he get pleasure from playing music? 51:40 - Could anyone play like Eddie?

This 1974 Ozzy Osbourne interview has never been heard until now. It's the earliest known long-form audio interview with the Prince of Darkness. It’s also the only audio interview with Ozzy relating to Black Sabbath’s Sabbath Bloody Sabbath album.  It is recommended this interview be watched on YouTube so you can see the captions. Ozzy is hard to understand at times.  https://youtu.be/-yRVDfrjs54 The interview is conducted by Steve Rosen, one of the true legends in rock journalism. Rosen has a career spanning 50 years, thousands of articles, and several high-profile books with artists like Black Sabbath, Prince, Randy Rhoads, and others. But his most notable work is his recent Eddie Van Halen book, Tonechaser. Tonechaser is considered a must-have book for Eddie Van Halen fans and any music fan. No other book has uncovered so many untold stories about King Edward.  To order Rosen's Tonechaser: https://bit.ly/3MSVTo9 Check out Rosen's YouTube channel: https://bit.ly/49hIu1Z Read Rosen's article written about when he met Black Sabbath in 1974: https://bit.ly/45TxeWX In the interview, Ozzy talks about: Early days of Black Sabbath Why Black Sabbath has stayed together, and why other bands break up Playing an honest gig Does he think about the money he’s making If he thinks Sabbath Bloody Sabbath is a different direction than previous Sabbath albums Why they didn’t record in LA again like they did with Vol.4 Whose idea it was to add strings to Sabbath Bloody Sabbath What the Sab 4 got tired of hearing about If he is fulfilled by being in Black Sabbath If he’s working on a solo record Why and what it was like producing Sabbath Bloody Sabbath by themselves If there is more of an emphasis on the lyrics on Sabbath Bloody Sabbath If Black Sabbath’s songs mirror society If he thinks the press is unfair to Black Sabbath If Sabbath is working on a new album His fondness for synthesizers and spacey music Why he wants to make a solo record How he’d like to learn how to play guitar His love for Rick Wakeman vs Keith Emerson If he would have Wakeman play on his solo album Being on the road and away from home The movie soundtrack he would have wanted to make He sums up his current feelings on Black Sabbath and his belief he has helped people

A never-before-published interview with Adrian Belew from 1981. Full transcript The Tapes Archive In this episode, we have a multi-instrumentalist and the secret weapon for so many bands, Adrian Belew. At the time of this interview in 1981, Belew was 31 years old and was promoting King Crimson’s album Discipline. In the interview, Belew talks about various aspects of playing with the Talking Heads, Frank Zappa, David Bowie, and King Crimson. He goes in-depth on King Crimson’s Discipline, he tells the story about when he got jumped by a gang and finishes the interview telling Marc about his deep love for his family. In the interview, Belew talks about: What brought him to King Crimson Where is currently with the Talking Heads How he expresses his own personality in the band The “D” section of Elephant Talk and the meaning behind it His part in the writing of the album How he gets that elephant sound What the lyrics in the song Indiscipline represent The song Matte Kudasai What Frame by Frame is about How his being in the band frees up Robert Fripp How well Fripp and drummer Bill Bruford get along If King Crimson as a band has malice and ill will as a constant part of its daily diet The dynamics of King Crimson His own plans for solo work The meaning of the song Thela Hun Ginjeet and how he was beaten up by a gang Why they don’t play 21st Century Schizoid Man Younger audiences What he thinks is attracting new fans to King Crimson What his solo albums will be like and who’s playing with him His fascination with rhinos Where he grew up Starting with David Bowie His assessment of the King Crimson’s show at the Metro How he looks like Mark Knopfler How he was blasted the night Fripp called him His surprise when Fripp wanted to call the lineup King Crimson The very beginnings of his career His first band If he is the most famous alumnus from his high school If Frank Zappa was tough to work for His Bob Dylan impersonation If had any problems with Zappa’s lyrics Why he left Zappa’s band His deep love for his family Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Keith Emerson from 1992 - In the interview Emerson talks about: - How technology has changed the way he plays - If it felt right getting back together with ELP - How the reunion came to be - Why he thinks he was overlooked as a solo artist - The stigma attached to keyboardist - How ELP pioneered the classical rock movement - If he felt competitive with other contemporary keyboardists - How he felt that ELP was not a rock band - How ELP came to play Pictures at an Exhibition - His thoughts on rap music In this episode, we have arguably the best keyboardist in rock music history, Keith Emerson. At the time of this interview in 1992, Emerson was 48 years old and was embarking on a reunion tour with his old bandmates, Greg Lake and Carl Palmer. In the interview, Keith talks about how Emerson, Lake, and Palmer came to play Pictures at an Exhibition, the stigma of being a keyboardist, and his belief that ELP was not a rock band. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Peter Buck (R.E.M.) 1989 In the interview, Buck talks about: Is R.E.M. commercial or inaccessible If the album Green is supposed to be uplifting Why he is angrier than ever His love for Lou Reed The misunderstanding of Bruce Springsteen’s “Born in the USA” The trappings of success The early days in R.E.M. State of radio at the time How R.E.M. picks where to record Why Athens, Georgia, was a hotbed for bands at the time Paying cash for a new Jeep In this episode, we have R.E.M. guitarist Peter Buck. At the time of this interview in 1989, Buck was 33 years old and was starting to tour for the band’s sixth album, “Green.” In the interview, Buck talks about the early days of R.E.M., his love for Lou Reed, the trappings of success, and whether R.E.M.’s music is commercial or inaccessible. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Paul Stanley (KISS) from 1996 In the interview, Stanley talks about: - How the 1996 tour is going to be a better Kiss concert than the 1974 shows. - The familiarity of playing with Ace Frehley and Peter Criss - Parasitic friends and business associates - If there will be more reunion tours - How fast tickets are selling - How KISS fans are the greatest fans in the world - His thoughts on the Rock and Roll Hall of Fame - The founding of the Kiss Army and Bill Starkey, the founder In this episode, we have the Starchild, Kiss guitarist Paul Stanley. At the time of this interview in 1996, Stanley was 44 years old and was promoting the Kiss reunion tour. In the interview, Stanley talks about the Kiss Army and its founder, Bill Starkey; the familiarity of playing with Ace Frehley and Peter Cross; and how Kiss fans are the greatest in the world. Hosted on Acast. See acast.com/privacy for more information.

A never-published interview with the Red Rocker Sammy Hagar. At the time of this interview in 1997, Hagar was 50 years old, freshly out of Van Halen, and promoting his new album Marching to Mars and his upcoming tour. In the interview, Hagar talks in detail about how he saw the break-up between him and Van Halen, his dislike for manager Ray Daniels, and his new musician best buddy Mickey Hart. 00:00 - Intro to Sammy Hagar interview 01:21 - Why his new album is not more aggressive after being fired from Van Halen 03:38 - Detailed backstory on why it ended with Van Halen and him 05:16 - How manager Ray Danniels wanted more than his fair share of money 07:08 - All about greed and lack of integrity 07:47 - What he thinks Eddie Van Halen lied about 08:43 - Why did he still thank Van Halen on his new album 09:50 - The support of his fans 10:34 - His disappointment in Eddie and Alex Van Halen 11:50 - How does he think the upcoming Van Halen record with Gary Cherone will do 12:55 - How Eddie Van Halen is a musician, not a songwriter 13:38 - How Van Halen hired a 72-year-old to help with lyrics 14:00 - All the producers’ Van Halen went through 14:44 - If Van Halen’s next album fails with Cherone how will Hagar feel 15:43 - How Michael Anthony was mistreated in Van Halen 16:50 - What Los Tres Gusanos is 17:13 - What are the stand-out songs on his new album Marching to Mars 18:28 - How he got together with Grateful Dead’s Mickey Hart 19:49 - Mickey Hart as a musician 20:28 - His touring plans 21:37 - The business side of his tour 22:51 - Did he get to talk to David Lee Roth and the difference in their Gary Cherone stories 24:15 - When he finally busted Eddie Van Halen 25:02 - What would he change if he were the overlord of pop music 26:40 - What else does he have going on

A never before heard interview with Neal Peart from the band Rush in 1991. In this episode, we have our second of three interviews with drummer Neal “The Professor” Peart of the band Rush. At the time of this interview in 1991, he was 39 years old and was out on tour with Geddy and Alex in support of the band’s 14th studio album Roll the Bones. In the interview, Neil talks about how he has become comfortable with a random universe, the strength of the individual, talking philosophy with his friends, and how he convinced the band to add a rap to one of their songs. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

Steve Sybesma, a longtime concert promoter and one of the partners in the creation of Deer Creek Music Center outside Indianapolis. Sybesma hopped on a call with Marc to tell him about his newly created Indiana concert archive website, indianarockhistory.com, and about his concert promotion journey https://indianarockhistory.com/ 00:00 - Intro 00:56 - His new archive website indianarockhistory.com 01:54 - Payouts for some of the biggest bands 03:03 - The first time he wrote a check for a million dollars 04:18 - How he and his partners built their business 04:38 - Sunshine Promotions' competitors 06:41 - The Rolling Stones role in his career 07:28 - Why the Rolling Stones avoided Indianapolis for decades 08:01 - More about indianarockhistory.com 09:10 - The history of Deer Creek Music Center 09:21 - The inspiration to build an outdoor amphitheater 12:09 - What he did after leaving Sunshine Promotions 12:57 - Why he sold out his shares of Sunshine Promotions 15:19 - His plans on writing a book Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Ringo Starr (The Beatles) from 1992 In this episode, we’re celebrating the 80th birthday of Ringo Starr by playing Marc’s interview with the Beatles’ drummer from 1992. At the time of this interview, Ringo was 52 and was on tour with his All-Starr Band. Back in those days, Ringo would do five-minute interviews, so this conversation is much shorter than normal. So let’s skip our normal preamble and get right to the interview. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we have a founding member of The Who, Pete Townshend. At the time of this interview in 1996, Townshend was 51 years old and was promoting his greatest hits record. In the interview, Townshend talks about his plan to no longer make records, the remixing process of Quadrophenia, what’s now important to him, and finding a Jimi Hendrix master in his warehouse.  The interview is conducted by Steve Harris. To learn more about Steve please check out our podcast-only interview with him, which is out now. Full transcript 00:00 - Intro 01:00 - Start of Pete Townshend interview 01:38 - His non-defined image of himself 04:19 - His ability to write story-oriented albums 05:41 - Why it’s very hard to write songs 06:51 - His plan to no longer make records 08:26 - Why he is releasing a compilation album 09:33 - The notion that he hates the Japanese 11:30 - Developing Quadrophenia for a concert theater piece 12:57 - Which album he thinks is The Who’s best 15:08 - The backstory of when The Who revived ‘Quadrophenia’ for Prince’s Trust Concert 18:58 - Remastering old Who albums 20:23 - Writing chamber plays 21:32 - The difficulty of working in movies 22:26 - His lack of enjoyment for music theater 23:28 - What connects music from the ’50s and animation 24:37 - What’s important to him now 26:12 - The remixing process of Quadrophenia 26:57 - The previous poor mastering process of Who records 28:36 - Finding a Jimi Hendrix master in his warehouse 29:38 - The unfinished rock opera “Lifehouse” 32:04 - The mods 30 years later 33:35 - What he found hypocritical playing Black music 37:39 - Chapter 25 39:01 - The songwriting that went into “My Generation” 41:32 - Kurt Cobain and the song “My Generation” 43:18 - Seeing Jimi Hendrix a couple of weeks before he died Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Shannon Hoon of the band Blind Melon from 1995 one month before he died. Shannon Hoon transcript can be found here. When I spoke to Shannon Hoon in September 1995, he and his band, Blind Melon, were on the verge of stardom. Their first album yielded the massive hit single “No Rain,” they had played Woodstock ’94, and they were excited about their new album, “Soup.” We talked about the new album and how different it was from the band’s debut, about his growing up in Lafayette, Indiana, and about parenthood. His girlfriend Lisa Crouse had just given birth to their daughter, Nico Blue, two months earlier.  About a month after this interview, Hoon was dead, victim of a cocaine overdose. He was 28. It was hard to understand his death then, and it’s still difficult today—especially after listening to this conversation again. In 1995, Hoon had a great life to look forward to. He was upbeat, funny, and enjoying his family life. Now it’s 2019, and he’s been dead almost as long as he was alive. A few notes: -We discuss Hoon’s friend and fellow musician Mike Kelsey, a great guitarist whose work has long deserved a much wider audience. Check him out at https://www.michaelkelsey.com/ -At one point, Hoon brings up a negative review of Soup that appeared in the Indianapolis Star. The reviewer wrote: “With a better singer, this band could have some staying power.” -Hoon references the morning radio team Bob & Tom, which at the time were heard only in the Indianapolis area. Since then, the show has expanded nationally to more than 100 stations. -Blind Melon continued on without Hoon until 1999, when the group disbanded. After an eight-year hiatus, it teamed up with singer Travis Warren for the album “For My Friends.” Over the next 10 years, the band performed occasionally, and in 2018 they decided to get back together permanently.   More about Blind Melon is at blindmelon.com. For more info please visit our [website.](https://www.thetapesarchive.com/) The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit [Osiris](https://www.osirispod.com). Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Rick Wakeman of Yes from 1999. In the interview, Wakeman talks about: Going on the 700 Club Why he did not go out with Yes’s last tour How he has never stopped making records Being homeless Working with independent labels Owning up to your own truths What he should have done to hold onto his money The cost of making his new album Working with Ozzy Osbourne How Return to the Center of the Earth compares with his new record What he learned from King Crimson’s Robert Fripp The genre of Art Rock Who’s better -- Keith Emerson or Rick Wakeman His upcoming tour with Emerson Who would be in his dream band  The cost of touring in the 90’s The cost of touring in the 70’s His lows in the 80’s In this episode, we have one of prog rock’s greatest keyboardists, Rick Wakeman. At the time of this interview in 1999, Wakeman was 50 years old and was promoting his new album, “Return to the Center of Earth.” In the interview, Wakeman talks about being homeless, who’s better -- Keith Emerson or him -- what he learned from Robert Fripp, and owning up to your own truths. Hosted on Acast. See acast.com/privacy for more information.

A never-before-published interview with guitarist Paul Barrere from 1992. In this episode, we have Little Feat guitarist Paul Barrere. At the time of this interview in 1992, Barrere was 44 years old and was promoting Little Feat’s upcoming concert at Deer Creek Music Center. In the interview, Barrere talks about his fond memories of Little Feat founder Lowell George, how well the band is playing, and what bugs him about the music biz. In the interview, Barrere talks about: Co-headlining with George Thorogood Classic blues songs he loves to play Why Little Feat will never be accused of being an alt-rock band How he doesn’t want to be the “Vinny Van Gogh” of the radio Their rockin’ set Friendly competition with George Thorogood His new record label The joy of playing with Little Feat Fond memories of playing with Lowell George Theories on why Little Feat has never become a major commercial act What bugs him about the music business His favorite lyric about love Hosted on Acast. See acast.com/privacy for more information.

In this episode, we have the one and only Diamond David Lee Roth. At the time of this interview in 1988, Roth was 34 years old and was promoting his Skyscraper tour and record.. In the interview, Roth talks about Diamond Enterprises, if he thinks Ed and Al are sober, and what’s wrong with Van Halen, and he critiques Axl Rose, Ozzy, and Bon Jovi.  The interview is conducted by Steve Harris. To learn more about Steve, please check out our podcast-only interview with him, which is out now. Link to captioned version In the interview, Roth talks about: If he displays himself as the wild man of rock and roll If he’s different on stage than off? What’s Diamond Enterprises If he considers himself a dictator His street smarts If he follows what everyone else is doing The work you must put in  Who is his mentors If he’s perceived the way he wants to be His two friends What drives him What crowd he fit in with as a kid Where he developed his flamboyant swagger If he resented being bussed into minority schools How Steve Vai stacks up to Eddie Van Halen The toughness to his music and lyrics. If he can see the quality in other people immediately If he’s one big heap of ego If he listens to his own records His onstage presence What’s wrong with Van Halen How it was different with him in the band Eddie and Alex on the wagon Roth goes off the record about Ed and Al’s sobriety Why he isn’t lucky in love His critique of Axl Rose His critique of Ozzy Osbourne His critique of Brian Wilson His critique of Bon Jovi

In this episode, we have Guns N’ Roses frontman Axl Rose. At the time of this interview in 1987, Rose was 25 years old and was promoting an upcoming tour of Japan. Appetite for Destruction hadn’t even cracked the top-selling 50 albums, and it would be at least another seven months before the band really took off. In the interview, Rose talks about growing up in Indiana, the making of Appetite for Destruction, whether he murdered a dog, and which band is the biggest sellout.  The interview is conducted by Steve Harris. To learn more about Steve, who is new to The Tapes Archive team, please check out our podcast-only interview with him which is out now. In the interview, Rose talks about: Going back home to Indiana How closed off Indiana is What he draws from conservatism How he left home at age 16 Whether he murdered a dog Guns N’ Roses’ early success in England How the crowds are different in the United States  Gaining more confidence as a live band Fred Coury, Cinderella, playing for Steven Adler How he stays fit for concerts Whether he’s ready for a long tour People he aspires to be Mötley Crüe The recording process for Appetite for Destruction What would he change on the album Producers who were considered before Mike Clink Paul Stanley of KISS as a potential producer His vision for the record What success means to him Whether it bothers him to be compared with Faster Pussycat and Poison How long it took to get the right lineup for Guns N’ Roses The tepid response so far to Appetite for Destruction The limited radio and video play the band was getting What happens if Appetite for Destruction sells poorly Slash drinking and driving What he will do if he leaves the music biz Working with Izzy Stradlin When he is happiest When he is most frustrated Why he feels Guns N’ Roses is not getting played on the radio What band he thinks is the biggest sellout His hopes that Sweet Child O’ MIne will be a hit Whether he objects to being labeled as heavy metal  His love for the band Queen Robert Plant, Jimmy Page and Pete Townshend His thoughts on fellow Hoosier John Mellencamp How he and Izzy cannot wait to play Japan Some ‘80’s racist comments that were not considered racist at the time Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Kurtis Blow from 1997 In the interview, Blow talks about: - Whether he thinks God cares about pop music - How he had it all and now has nothing - What hip-hop fans should go back and listen to - How early hip-hop had a code of ethics not to use swear words - Why he got out of the music business - How he foresaw how big hip-hop would get - The language of a rap - Why rap artist don’t typically have long careers - Why white America has gravitated toward rap - The first time rap was used for a commercial - How Don Cornelius, host of Soul Train, broke Kurtis’ heart - If he became the overlord of music, what the first thing he’d change would be In this episode, we have hip-hop pioneer Kurtis Blow. At the time of this interview in 1997, Blow was 38 years old and was promoting his three-CD compilation, “The History of Rap.” In the interview, Kurtis talks about how Don Cornelius, host of Soul Train, broke his heart; what hip-hop fans should go back and listen to; and how he foresaw how big rap music would become. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Ray Manzarek from 1998. In the interview, Manzarek talks about: The death of Jim Morrison Whether he feels that he lives in Morrison’s shadow Whether Morrison is in heaven or hell Whether Iggy Pop was considered to replace Morrison The early days of touring with the Doors How he wants to inform the youth about the ‘60s His belief in an ancient Egyptian religion His thoughts on The Who Whether it was difficult playing bass parts on the keyboard His feelings about Oliver Stone’s movie about the Doors If it’s better to burn out or to rust His dislike of David Crosby His connection to The Knack Hosted on Acast. See acast.com/privacy for more information.

A never-before-published and first known interview with Boston's original singer Brad Delp. At the time of this interview in 1978, Delp was 27 years old and was in the midst of recording Boston’s second record. Two years earlier, Boston released what would become the best-selling debut album of all time until Guns ‘N Roses’ first album. Full transcript The Tapes Archive In the interview, Delp talks about how the second album is coming along, if the band Boston is a democracy, his feelings on a recent insult from Elvis Costello, and his self-doubt. 00:00 - Intro 01:04 - Where is the new album? (Start of interview) 01:42 - The flooding of Tom Scholz’s basement 02:59 - Whether the band has recorded any new songs 04:28 - What happens when Tom gets a song idea 05:22 - How the record company feels about a two-year delay between albums 06:51 - Whether he was surprised by the success of the first album 07:17 - His self-doubt 08:45 - The history of Boston and how he got involved in the band 10:40 - The cover songs they played 11:08 - His love for the Beatles 12:42 - How they got signed to Epic Records 14:59 - What type of record deal they got 16:14 - Their “horrendous” early concerts 17:16 - Playing with Black Sabbath 17:59 - What his thoughts on Elvis Costello saying about Boston, “They may sell 9 million records, but they’re about as exciting as a plate of tripe.” 19:21 - Looking up to Rick Derringer 20:40 - How many overdubs were made on the first album 22:03 - What kind of an audience Boston has 23:30 - How the Beatles got him into music 24:16 - Whether the band Boston is a democracy Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Billy Joel from 1994. Billy Joel transcript can be found here. For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Intro music by the Budos Band Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Little Richard from the year 2000 In the interview Little Richard talks about: - Who he really wanted to play him in the movie - His desire that you understanding him - Why he wore make-up - If he considers himself gay - Whether he ever wore a bra - How he was the first African American to be on white radio - What’s accurate and not accurate in the movie - How his Daddy beat him - And more... In this episode, we have one of the pioneers of rock and roll--the recently departed Little Richard. At the time of this interview in the year 2000, Richard was 67 years old and was promoting the TV movie based on his life called “Little Richard.” In the interview, Richard talks about why he wore make-up, if he considers himself gay, how he was the first African American to be on white radio, and how he discovered the Beatles, Jimi Hendrix and, The Rolling Stones Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Ace Frehley from 1994. In the interview Frehley talks about: • What “sucks” about rock’n’roll. • His side gig in computer graphics. • The possibility of a KISS reunion. • Playing while sober. • His influence on other guitars players. • And more... For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Joan Rivers from 1990. Joan Rivers transcript can be found here. Joan Rivers was a great interview, and quotes like this are the reason why: “I think one of the reasons (people) do like me, those that like me, is because I really never bullshit them. I always say exactly what I truly think and believe, including when Elizabeth Taylor was fat. She was fat!” At the time of this interview, Rivers, then 57, was hosting her own daytime talk show, “The Joan Rivers Show,” and was on the road doing standup comedy. She was a few years removed from “The Late Show with Joan Rivers,” a nighttime talk show the Fox network created to try to compete with “The Tonight Show Starring Johnny Carson,” as well as her husband’s suicide.  But she was already a legend—a pioneering female comic (when there were few) who rose to become the permanent guest host of “The Tonight Show” in 1983. And she was fearless.  A couple of notes about this interview: -Our exchange about Angie Bowie and Howard Stern requires some context. Both Bowie and Stern were guests on the same episode of "The Joan Rivers Show." When Bowie started acting coy, Stern jumped in and got her to talk about her husband's relationship with Mick Jagger. -It’s surprising that she names the person who served as her go-between with Elizabeth Taylor. (Actor Roddy McDowall.) Unlike most celebrities, she was unafraid to name names. -“The Joan Rivers Show” ended in 1993. In 1990, she won a Daytime Emmy as Outstanding Talk Show Host. -At the end of the interview, she invites me backstage to say hello. I don’t remember why, but I didn’t end up meeting her. I wish I had.  For more about Joan Rivers: http://www.joanrivers.com/all-about-joan/     For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Intro music by the Budos Band For more info please visit our website. Hosted on Acast. See acast.com/privacy for more information.

An introduction to the podcast, and a little bit of background on how and why this podcast was created. The podcast is a collaboration between documentary filmmaker Alan Berry (“Dead Man’s Line”) and his longtime friend, journalist Marc Allan, who conducted and recorded the interviews decades ago. Allan recorded these interviews via phone, and the podcast provides a unique, intimate look into music, culture and these artists’ careers at specific moments in time. Most interviews were conducted between 1985-1995. Berry and Allan curated a 12-episode season that will include interviews with Neil Peart of Rush, Frank Zappa, Ray Charles, Joan Rivers and more. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Ian Anderson of Jethro Tull from 1993. Ian Anderson transcript can be found here. For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Intro music by the Budos Band Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Lars Ulrich (Metallica) from 1997 In the interview, Ulrich talks about: - Pat Boone’s version of “Enter Sandman” - Metallica’s songwriting process - How the internet can be a “frightening instrument.” - Being on the Ferrall on the Bench show and whether he and Scott Ferrall are friends - What motivates him - The challenges of touring with a huge stage - The cover art for “Load” - The weirdest encounter he has ever had with a fan - Whether he’s enjoying himself on tour - How he’s looking forward to “some of that horseradish down at the old St. Elmo’s joint” (an Indianapolis insider tidbit) In this episode, we have Metallica’s co-founder and drummer Lars Ulrich. At the time of this interview in 1997, Ulrich was 34 years old and was promoting the band’s concert date in Indianapolis. In the interview, Lars talks about Metallica’s songwriting process, the weirdest encounter he has ever had with a fan, what motivates him, and how the internet can be a “frightening instrument.” Hosted on Acast. See acast.com/privacy for more information.

A never before heard interview with Dweezil Zappa from 1995. Transcript for this episode. In the story I wrote in 1994 based on this interview with Dweezil Zappa, the lead paragraph summed up the conversation pretty well: “His father treated life as if it were a wave of stupidity he could somehow contain. Dweezil Zappa prefers to smirk and ride the tide.” "There's not much use in being negative 24 hours a day," he said. "I can spend a few minutes of my day being negative, but ultimately I like to enjoy things more than I like to promote my disdain for things.” Dweezil was 24 at the time. He was touring with his band Z in support of the record Shampoohorn, and he also has been acting, with roles in a sitcom called “Normal Life” and a cartoon called “Duckman.” We talk about those things, as well as his love for terrible TV shows and movies, and the state of the music industry. Of course, there’s also some discussion about his father, Frank, who died in December 1993, a couple of months before this interview was recorded. "You had to be on your toes to talk to him,” Dweezil said. “You didn't want to just talk to him about something unless it was goofy and guaranteed for a laugh. He wanted to learn something every time you talked to him. He was great for that." More about Dweezil is at https://www.dweezilzappa.com/. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Flea from the Red Hot Chilli Peppers in 1996 In the interview, Flea talks about: If it’s strange to think of the Red Hot Chilli Peppers as an arena band If this is the band’s best lineup Was it a goal for the band to become this big What made him pick up the bass What other instruments he plays The meaning behind the song Pea Whether he is different offstage His pro-mosh-pit stance How to be a good father What kind of musician he will be when he’s 50 years old. Where John Entwistle might have gone wrong If he regrets his past drug use Does he care if he gets into the Rock and Roll Hall of Fame His love for Iggy Pop In this episode, we have the bassist and founding member of the Red Hot Chilli Peppers, Flea. At the time of this interview in 1996, Flea was 34 years old and was promoting the band’s upcoming concert with new guitarist Dave Navarro. In the interview, Flea talks about what made him pick up the bass, the meaning behind the song “Pea,” and if he regrets his past drug use. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with John Entwistle, bassist for The Who, from 1996. In this episode, we have the great singer-songwriter, John Prine. At the time of this interview in 1997, Prine was 50 years old and was out on tour with Los Lobos. In the interview, Prine talks about his record label, Oh Boy, his Indiana connections, touring, and his yet-to-be-made duet album. In the interview Entwistle talks about: Why he picked up the bass His sometimes forgotten contributions to The Who’s music How he made his first bass How he mistakenly developed his bass-playing style If he admires any other bass players His thoughts on Tommy the broadway show What he thinks about the Rock and Roll Hall of Fame The backstory of his hearing problem (It wasn’t from concerts) He indulges Marc and states five of his best songs His cartoon character art For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Robert Pollard (Guided By Voices) from 1995 In the interview, Pollard talks about: - His creative time of the day - Upcoming records to be released - Working with Matador Records - What makes him happy - Giving hope to all other garage musicians - The collectability of his records and “hoarding” a few himself - Luna Music in Indianapolis - The business side to making money in the music biz - His love for The Beatles when they are “goofing around” - Whether he thinks kids are getting dumber - What he has tortured himself with over the years - What it’s like being a musician and living in Dayton, Ohio - Who he thinks is a “fucking creep” - Working in the studio - How the band Ween acted like rock stars - Writing a song for Tom Hanks In this episode, we have one of the most prolific songwriters of the past 30 years, Guided By Voices’ Robert Pollard. At the time of this interview in 1995, Pollard was 37 years old and was promoting an upcoming concert date in Indianapolis. In the interview, Pollard talks about the collectability of his records and “hoarding” a few himself; the business side of making money in the music biz; who he thinks is a creep; and how he gives hope to all other garage musicians. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Sammy Hagar from 1991. In this episode, we have the Red Rocker himself, Sammy Hagar. At the time of this interview in 1991, Hagar was 44 years old and was promoting Van Halen’s upcoming concert at Deer Creek Music Center. In the interview, Hagar talks about his experience with UFOs, the secret to Van Halen, his father’s death, and his advice for Axl Rose. In the interview, Hagar talks about: His advice for Axl Rose What he expects for Van Halen’s latest record Why Van Halen fans trust them The secret to Van Halen The meaning behind the songs “Man on a Mission” and “Poundcake” The dream that’s over The guy who’s trying to build a house on the beach What an artist’s job is When he thinks Van Halen fans accepted him His prediction for when and if David Lee Roth would reunite with Van Halen  His belief in UFOs His experience being abducted by a UFO Why he’s adamant that each man should take care of themselves but everyone needs compassion His father’s death What fans can expect at the Van Halen concert His Red Rocker clothing line The secret song they will be playing in concert Why they don’t play “Everybody Wants Some” If music is better or worse today Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with David Crosby from 1998 In the interview, Crosby talks about: - Meeting his son after 30 years - Writing and playing music with his newly found son - How he is the happiest “walrus” you’d meet - Why his son is a better musician than he is - His feelings toward The Doors’ Jim Morrison - Mistakes he has made in life - The story behind his new record label, Samson Music - How he doesn’t make music for the money - How Music of Bulgaria is the best record no has heard In this episode, we have singer-songwriter David Crosby. At the time of this interview in 1998, Crosby was 56 years old and was promoting his tour with his new band, CPR. In the interview, Crosby talks about mistakes he’s made in his life, how he connected for the first time with his 30-year old musician and bandmate son, and how he is the happiest “walrus” you’d meet. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with Izzy Stradlin from 1993. (Formerly w/Guns N' Roses) In the interview Izzy talks about: • Growing up in Indiana. • If he’s still friends with his ex-bandmates. • How he loves the drums. • Recording with the JuJu Hounds • And more... For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.

Last week, we released an interview with David Lee Roth from 1984. This week, we are releasing another Roth interview, but 35 years later. We go from the height of Roth’s Van Halen career to his twilight years. I believe this interview is one of the most honest and humble interviews he’s ever given; he speaks very candidly on many topics.  At the time of this interview in 2019, Roth was 65 years old and promoting his line of tattoo skin care products called Ink the Orginal. In the interview, Roth talks at great lengths about his parents and growing up, the beginning and ending with Van Halen, why he never got married, why he’s never happy, plus so much more.  The interview was conducted by Debbie Millman and was originally aired on her award-winning awesome podcast Design Matters. We are so grateful that Ms. Millman is allowing us to share one of the most insightful David Lee Roth interviews with you. Please use the link below and subscribe to her podcast. Subscribe to Debbie Millan's Design Matters: https://www.designmattersmedia.com/ 00:00:00 - Intro to David Lee Roth interview 00:01:17 - Debbie Millman intro 00:02:19 - Start of David Lee Roth interview 00:02:47 - His Uncle Manny Roth 00:05:29 - His mother, Sibyl Roth, and her toughness on him 00:07:49 - Wearing leg braces as a kid 00:08:41 - His early jobs 00:09:34 - Where his youthful drive came from 00:11:14 - What the Roth family expected when they had get-togethers 00:12:29 - When he first realized he had a talent for singing 00:15:00 - Him being in plays as a child 00:16:11 - He tells where he really learned to sing from 00:18:59 - His parents threaten him with going to a foster home 00:19:16 - If “bad” Dave comes from his mother 00:21:08 - How he was taught to sing like the girls 00:22:43 - How many instruments he plays 00:23:25 - The first meeting with the Van Halen brothers 00:26:31 - Why he and the Van Halen brothers were crosstown rivals 00:28:26 - What inspired him to write music 00:30:57 - The near-death experience that chokes him up even today 00:34:38 - How much of his Playboy image is a story he was creating 00:37:15 - If he is confident he would make it in show business 00:37:33 - The idea of an album band 00:39:00 - An obscure Dutch radio reference 00:40:14 - Did they write Runnin’ with the Devil in 18 minutes 00:42:25 - Who are the best teachers and coaches 00:45:35 - When he has felt sorry for himself 00:46:45 - Why he hasn’t fallen into a lot of traps, other Rock and Rollers did 00:47:28 - Him stealing books 00:48:31 - What kept him from succumbing to drug abuse 00:49:55 - Where his ability to jump high comes from 00:53:46 - Why did he leave Van Halen in 1985 00:54:38 - Why didn’t he ever get married 00:56:44 - His ability to mimic others 00:58:54 - The teleplay he has been working on for three years 01:00:33 - Why his favorite audience is disbelieving nonbelievers 01:01:29 - Why he isn’t happy 01:02:14 - His window time 01:02:53 - How he’s always solving a catastrophe 01:05:12 - Why he decided to start Ink the Orginal 01:07:43 - Why take his life in this direction 01:09:41 - Tattoos today 01:12:11 - The process of making his product 01:13:53 - How the business is doing 01:14:22 - The difference between having a tattoo today and 30 years ago 01:17:37 - What advice would he give someone who has writer’s block 01:19:28 - Squeezing every single moment out of life

A never before heard interview with Trey Anastasio from 1993. Trey Anastasio transcript can be found here. I have a long, strange history with Phish. I’m an admirer—nobody dares do what Phish does routinely, which is to play a completely different show and challenge its audience—and a skeptic, because sometimes, they step on their dicks. In 1997, after the August 10 Phish concert at Deer Creek Music Center in Noblesville, Indiana, I wrote one of the most negative reviews I ever wrote about anyone. The oft-quoted line is this: “To be blunt (and paraphrase the title of a popular book), Phish could urinate in its fans' ears and tell them it's music. The fans, in turn, would be there with tape recorders to capture the moment.” There was not much Internet to speak of at the time, so the review made its way around the Phish world slowly. Angry letters trickled in for the next year or so. But to his everlasting credit—and one of the reasons I’ll always be a Phish fan—Trey Anastasio responded like this.[See link below] At the time of this interview, in 1993, I was strictly an admirer, and Trey and I had a great conversation. The band had put out “A Picture of Nectar,” its third studio album, the previous year, and was about to play in Indianapolis at the 2,400-seat Murat Theatre. But most of our talk was about jamming and taping and the phenomenon that Phish was about to become.  In rereading the transcript after all these years, it’s funny to think that Phish was, at the time, being compared with the Spin Doctors, a band that bit the dust (commercially) not long after. With the benefit of hindsight, we now know that no one compares with Phish. Trey's response to Marc Allan's review For more info please visit our website. The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. Hosted on Acast. See acast.com/privacy for more information.

A never before published interview with America author Kurt Vonnegut from 2000. In the interview Vonnegut talks about: - If technological progress has been good. - His love for the ACLU. - Posting the ten commandments in schools. - If he believes in God. - His affection for Indianapolis. - Being captured by the Germans in WWII. In this episode, we have American Author Kurt Vonnegut. At the time of this interview, Vonnegut was 77 years old and was in Indianapolis for an ACLU fundraising event. In this wide-ranging interview, Vonnegut talks about freedom of speech and censorship, civil rights and war, God and religion, ethical suicide parlors and dying. For transcripts to this episode This episode is brought to you by the award-winning true-crime documentary Dead Man's Line. Watch the trailer Watch for free on Amazon Prime Hosted on Acast. See acast.com/privacy for more information.