The Rap Music Plug Podcast (The Rap Music Plug)

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

In Episode 98, I was joined by one of the most fascinating artists in the underground, DMV's Rahiem Supreme. This is an artist whose buzz has never been bigger, having just signed to a label, and recently dropping countless quality projects with the likes of Ohbliv, Al.divino, and more.

He’s also a car enthusiast, and generally cool dude who made this a fun and entertaining conversation!

Rahiem gives us details on the new label he signed with (2:32).

Rahiem discusses how he cultivated his eccentric artistic style (6:36).

Rahiem discusses why he has such an affinity for the vintage sound, and the importance he places on the performance aspect of rapping (14:10).

Rahiem explains why he pays attention to his creativity outside of just the music (21:26).

Rahiem details how him and Ohbliv approached the creation of Black Keys wit Melodies (28:34).

Rahiem illustrates why he’s so drawn to this old school funk vibe (33:52).

Rahiem explains why Black Keys wit Melodies could’ve only been made now in his career, after a decade plus of mastering his craft, and accumulating different life experiences (37:47).

Rahiem speaks on the making of the wild and nutty Splash Bandicoot, and what makes an Al.divino beat so special (40:40).

Rahiem discusses his latest album, Dogon Sirius, and his relationship with producer axpuzzles (48:14).

Rahiem details how involved he gets in the sound of his albums (54:06).

Rahiem details what upcoming projects to expect from him in 2022 (58:20).

Support Rahiem Supreme's music here: https://rahiemsupreme.bandcamp.com/ 

Follow Rahiem Supreme on Twitter here: https://twitter.com/rahiemsupreme?s=20 

Follow Rahiem Supreme on Instagram here: https://www.instagram.com/godzillasupreme/?hl=en 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

Main Body of Discussion (1:51).

Hip-hop has been ripe with New York lore since the genesis of this art form. Albums like Illmatic, and The Cold Vein are shining examples of albums that encapsulate NYC life, from their own unique perspectives.

King Vision Ultra’s SHOOK WORLD is the latest album to accomplish a similar feat, building a world that captures the raw grit and rich history of the city like no other. It embodies the spirit of collective action, through its deep guest list of New York artists, and the foundational collaboration with post-punk band Algiers’s latest album Shook.

GENG PTP aka King Vision Ultra, is a man of many hats, founder of the revered PTP collective, and creator of this dense epic of an album, SHOOK WORLD.

He joined the show to deep-dive into the creation of this album, in the latest installment of the Album Alchemy series. You won’t wanna miss this.

How SHOOK WORLD was created and its key inspiration, in relation to Algiers’ Shook (4:25).

How SHOOK WORLD and Shook are connected to each other (11:14).

The context and significance of the samples used on SHOOK WORLD - RMPP patron q from Fatmantomb (15:47).

What SHOOK WORLD says about New York life (26:42).

Why GENG PTP loves New York (38:42).

The SHOOK WORLD model, as a potential alternative to the traditional sampling process (50:22).

How the sound of SHOOK WORLD was created (58:59).

Showcasing varying degrees of NY collaborators on SHOOK WORLD (1:07:25).

Upcoming projects from King Vision Ultra (1:14:54).

Buy/Stream SHOOK WORLD here: https://algierstheband.bandcamp.com/album/shook-world-hosted-by-algiers 

Support GENG's music, and PTP label here: https://purpletapepedigree.bandcamp.com/artists 

Follow GENG on Twitter here: https://twitter.com/purpicide 

Follow GENG on Instagram here: https://www.instagram.com/genggrizzly/ 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

A CONSTANT CONDENSATION goes inward into amani's mind, and features some gorgeously intimate raps that feel like you’re reading his journal on wax.

Production handled by amani himself, is very soulful and adds to the intimacy of the record. It features this consistent analog feel that makes the record sound very warm.

After being introduced to amani on An Unknown Infinite, it was nice to see amani's raps over these brighter soulful instrumentals.

The way this album was put together is certainly one of the key reasons that makes it so unlike everything else that is out there. After a more straightforward first half of the album, with mostly rapped songs, the back half unravels into an odd but ultimately compelling sequence of ideas that give me a tangible feeling of hope.

The attention to detail in how the album was constructed, really impressed me... and made what could have been a sort of messy album towards the back half, still come together and make sense when it's all said and done.

This is a great album for when you want to reflect, and just get lost in your thoughts.

RMPP Preferred Cut: "The Cravings"

Listen to A CONSTANT CONDENSATION here: https://amani.bandcamp.com/ 

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For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

When thinking about today’s guest, it reminds me of that famous Shakespearian saying, “what’s in a name?” Since for certain artists, their name can be completely meaningless, having no bearing on the kind of music they make, or has no insightful backstory for how the name came about. But for ØKSE, our guest in today’s episode, their name actually says a lot about their art, and what they stand for.

ØKSE means Axe in Danish, which is also Ashe; the life-force that runs through all things, living and inanimate. It’s a current or flow, a groove that initiates can channel so that it carries them along their road in life. This is beautifully symbolic name perfectly encapsulates what makes this experimental jazz group so damn great. Throughout their self-titled debut album, released on Backwoodz Studioz, there’s a special energy that is bottled up in each song that makes the listening experience truly invigorating.

ØKSE is a 4-person group, comprised of NYC based drummer Savannah Harris, Danish saxophonist Mette Rasmussen, Haitian electronic musician Val Jeanty, and Swede Petter Eldh on bass, synths and sampler. This worldwide supergroup of musicians brought their specific influences to the table, creating a musical vision that defies any and all convention

With me today is 3 of the 4 bandmates, Savannah, Mette, and Petter. Additionally Dash Lewis, talented writer for the likes of Pitchfork, HipHopDX, The Guardian, PassionWeiss, helped me co-host this interview once again, as he did in the last episode… and just like the last episode, this is a conversation you do not want to miss!

We dive into the intriguing backstory behind the band’s formation, their artistic north star, the Backwoodz Studioz connection, and their unique approach to blending avant-garde jazz with hip-hop on their fantastic new album… which is absolutely one of the best records of the year.

The Plug (0:44).

The Interview (3:28).

The band’s formation (5:15).

Backstory of ØKSE’s connection with Backwoodz Studioz (7:53).

The philosophical ‘north star’ behind ØKSE’s music (18:29).

The recording process of ØKSE (22:01).

Mixing studio and live creation on ØKSE (29:28).

The thought process behind adding vocalists to ØKSE (33:19 ).

Core messages from ØKSE (39:04).

Follow-up ØKSE album? - RMPP patron q from Ryan aka LEVITATOR (42:08).

Upcoming solo works from the band members (44:27).

Support ØKSE here: https://backwoodzstudioz.com/collections/okse?srsltid=AfmBOoqyiTu1wL3FyAWbXJNT60uvA0wsplRSBi6R_2TDadZDsSCkLCYy  

Follow ØKSE on Twitter here: https://x.com/OOKSEOOKSE 

Follow ØKSE on Instagram here: https://www.instagram.com/o__kse/ 

Follow Dash Lewis on Twitter here: https://x.com/gardenerjams?lang=en 

Follow Dash Lewis on Instagram here: https://www.instagram.com/gardenerjams/?hl=en 

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

Making hip-hop music well into your 40s and 50s is an astonishing feat to accomplish on its face, especially within a genre where many of the greats have sadly passed away. Legends in Black Thought, Jay-Z and Nas are not only still breathing... but are still making music at the forefront of the hip-hop scene.

With Nas, his technical ability is still mostly intact, but with most or all of Nas records post-It Was Written... there has always been something off.

The common gripe with his music is his beat selection, but I think that's a lazy argument. Nas has picked good enough production for the most part, just not to the level that his rapping ability has demanded.

For me, I think what has kept Nas' modern output at arm's length was his music's social commentary, and the inconsistencies between that and his personal life, and my personal socio-political opinions.

The core issue I have with King's Disease II, and most of Nas' later releases is that Nas merges black excellence/liberation ideas with what I call “mimosa rap”... where the end-point of all of this struggle is the accumulation of obscene levels of material wealth.

Nas makes all of this content sound super decadent and well painted lyrically, but it lacks the depth that I am looking for.

At some points, Nas does offer some solid commentary on issues in his community related to poverty, violence, etc. But then seems to make these disjointed jumps that connect his career and rise to glory, as the righteous end-result that all people in his community should have the opportunity to achieve as well.

In reality, we all know this is not true and is a gross simplification of how the world works.

But more importantly, what Nas paints on the other side of this journey to success, is just a bunch of material wealth of brunches and island getaways that lack self-awareness in the fact that he's participating greatly in the same system that is keeping his people down.

This all makes this brand of social commentary not resonate with me all that much.

RMPP Preferred Cut: "Nas is Good"

Stream King's Disease II here: https://open.spotify.com/album/6CM5qhYBvpgYNek5kYwuOJ?dl_branch=1&si=jAPZLalOT76CB0nOTn6J_w 

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For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.squarespace.com/ 

Music and art in general is special because it can’t be quantified, calculated, explained, or re-created through algorithms. Surely, through the rise of AI you can create technically accurate facsimiles of music. But that special IT factor that turns music from simply aesthetically pleasing to special, cannot be replicated by robots, and is often impossible to put into words.

With today’s guest though, Seafood Sam, a word does in fact come to mind to describe the IT factor that makes this Long Beach MC’s music connect so strongly. That word is cool. Blended into his sharp songwriting, smooth and confident raps, there’s a cool, calm confidence that draws you into his music. This special sauce made his latest album, Standing on Giant Shoulders, one of the absolute best records of 2024.

In today’s episode we try to uncover how Sam developed this cool that makes his music so damn good, and we dig into the making of the beautifully collaborative creation of his new album, and much, much, more...

The Plug (0:53).

The Interview (2:38).

Sam’s unique journey as a rapper and model (3:24).

Seafood Sam’s ideal listener (11:30).

The “cool” factor in music (17:05).

The clash between the old and the new in Seafood Sam’s art (20:07).

The Long Beach ethos within Sam (22:39).

The live instrumentation sound direction on Standing on Giant Shoulders, in collaboration with Tom Kendall (26:44).

How Sam guided the creation of the instrumentals on Standing on Giant Shoulders (32:49).

The songwriting and melodies on Standing on Giant Shoulders (38:41).

The cues Sam has taken from the legends, such as James Brown, Bobby Brown, and Miles Davis (44:21).

The “grown” messaging on Standing on Giant Shoulders (50:02).

The next sound for Seafood Sam (52:06).

Stream/buy Standing on Giant Shoulders here: https://seafood4sam.bandcamp.com/album/standing-on-giant-shoulders 

Follow Seafood Sam on Twitter here: https://x.com/seafoodsam 

Follow Seafood Sam on Instagram here: https://www.instagram.com/seafoodsam/?hl=en 

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:52 to skip the intro)

It's a bit past the actual mid-year, but nonetheless, I present my top 20 albums of the mid-year 2020! Music is my utmost passion, so I am so excited to share with you my thoughts on what has been a tremendous year for music so far.

DISCLAIMER: This is my top 20, as of July 16th only! So please understand amazing albums like Blu and Exile's Miles aren't on the list for a reason... 

Top 20 (in descending order):

1. King Krule - Man Alive!

2. Run the Jewels - RTJ4

3. Armand Hammer - Shrines 

4. R.A.P. Ferreira - Purple Moonlight Pages

5. The Weeknd - After Hours

6. Ka - Descendents of Cain

7. Freddie Gibbs & The Alchemist - Alfredo

8. Jay Electronica - A Written Testimony

9. Stove God Cook$ - Reasonable Drought

10. Westside Gunn - Pray for Paris

11. Quelle Chris & Chris Keys - Innocent Country 2

12. MIKE - weight of the world

13. Mac Miller - Circles

14. ShrapKnel - ShrapKnel

15. Knxwledge - 1988

16. Tha God Fahim - After Every Dark Day Comes Sunshine

17. Boldy James & The Alchemist - The Price of Tea in China

18. zeroh – BLQLYTE

19. Skyzoo & Dumbo Station - The Bluest Note

20. Denzel Curry & Kenny Beats - UNLOCKED

DISCLAIMER 2: I went Gary Vee style and didn’t let anything get in the way of starting this, so I recorded the first 4 episodes using my phone and a Beats mic. Therefore, the sound quality is not great, however, bare with me because my new microphone finally came in! So from Episode 5 and onward the sound is way better!

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For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

(Go to 1:21 to skip the intro)

This episode of QLC TV starts with a review of the legendary Nas’ collaborative album with Hit-Boy, King’s Disease, seeing Nas in a much more comfortable space than he was on 2018’s NASIR with Kanye (2:00).

Next, as we all have been cooped up in our homes over the past several months due to COVID-19, I take some time to detail the existential angst that has come over me recently, which has fueled my renewed commitment to be a creator again and live my life with more intent (21:08).

Finally, I discuss the controversial NBA strike that took the sports world by storm, and the predictably awful 2020 Obama sighting that was of influence (38:10).

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For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (3:14).

"I'ma keep it real with you, it's the things you can't undo/The past, the black Rubik's cube"

"Payback always inexact but I be squinting over measuring spoons"

For most artists, lyrics like this would universally be regarded as their all-time best moments.

But for artists like billy woods though… lyrics like this are a dime a dozen… they're literally just Verse 2 off of a song called "Hangman".

The praise being thrown the way of NY-based rapper, label head of Backwoodz Studioz, and 1/2 of Armand Hammer… are plentiful, and growing in their fervor.

After a string of releases that involved high-profile names such as Moor Mother and The Alchemist in late 2020 / early 2021, billy woods rode this surging wave of acclaim surrounding his music, and delivered two legacy-defining works back to back in 2022.

This put the finishing touches on what is, in my humble opinion, the greatest 5-year run in hip-hop history.

From 2018 onward, we got Paraffin, Hiding Places, Terror Management, Shrines, BRASS, Haram, Aethiopes, WHT LBL, and finally, Church.

And if that wasn’t enough, his Backwoodz Studioz camp has added to the flurry of incredible forward-thinking art during this time period, through the emergence of E L U C I D, ShrapKnel, AKAI SOLO, SKECH185, and more.

Yet here we are, in May of 2023… and billy woods has done it again.

Teaming up with Kenny Segal for a second time, woods has released his latest masterpiece, Maps... and he’s here today on the show, to talk about his experience creating this record, his writing style and the frequent themes found in his work, Armand Hammer, the legacy of Backwoodz, and so much more!

If you’re familiar with me and this show so far, you know how I feel about woods. You know I had to make the most of my opportunity speaking with the GOAT.

You won't wanna miss this...

Staying grounded amidst growing acclaim (4:52).

The concept of ‘survivor’s guilt’ as it relates to woods’ career and life in general (9:41).

The legacy of Backwoodz Studioz (16:18).

Working with E L U C I D as Armand Hammer (19:50).

New Armand Hammer album later in 2023 (24:49).

woods’ writing process and a breakdown of “No Hard Feelings” (25:46).

The key ideas underpinning the creation of Aethiopes (33:10).

Love and relationships in woods’ music (47:44).

woods’ mind state creating Maps (53:13).

How Maps differs from Hiding Places (59:34).

Working with Kenny Segal (1:01:48).

Breakdown of the ending to Maps, and how fatherhood has impacted woods’ music (1:19:42).

Upcoming work to expect from woods and Backwoodz Studioz (1:30:07).

Support Backwoodz Studioz here: https://backwoodzstudioz.com/ 

Buy Maps here: https://backwoodzstudioz.com/collections/billy-woods-x-kenny-segal-maps 

Follow billy woods on Twitter here: https://twitter.com/BackwoodzHipHop 

Follow billy woods on Instagram here: https://www.instagram.com/backwoodzstudioz/?hl=en 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

Main Body of Review (1:45).

You know the saying of, “it’s not how what you say, but how you say it”. This is a point that is being proven time and time again, in politics and certainly in music.

I think this dynamic applies very nicely to R.A.P. Ferreira. Although his witty philosophical musings have been present in his music since the beginning of his decade-plus long career, I don’t think his music has ever sounded better.

The packaging, from the beats to the way Ferreira rhymes, has evolved tremendously from when I first heard him on things that happen at day // things that happen at night in 2013… to where he is now, with his latest album 5 to the Eye with Stars.

Ferreira has continuously sculpted his sound to great results, and I can’t wait to explain how.

RMPP Preferred Cut: "mythsysizer instinct"

Buy/stream 5 to the Eye with Stars here: https://afrolab9000.bandcamp.com/album/5-to-the-eye-with-stars 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

On the heels of their first Euro trip, today’s guests, phiik and Lungs/LoneSword, have seen their brand of innovative one-of-one rap garner its most success yet. They have impressed new crops of listeners with each and every passing day, who are spellbound by their lyrical wizardry, sharp sense of humour, and unique production choices.

On their latest album Carrot Season, the phiik & Lungs world of rap expands to incorporate wrinkles of more traditional boom bap drums, but still with a contemporary twist, and still with the alien-level rap acrobatics we’ve come to know and love from the New York-based duo.

In today’s episode, we discuss their thoughts behind their polarizing style of rap, working with producer savant OLASEGUN on Carrot Season, how the shift in sound from the Another Planet series to Carrot Season influenced their approach to their raps, and much more!

The Plug (0:56).

The Interview (2:26).

The recent BIGGER THREE TOUR phiik & Lungs completed in Europe (2:34).

phiik & Lungs’ perspective on polarizing audiences, and the infamous Top Shelf Premium freestyle (10:59).

The heightened accessibility of Carrot Season (16:51).

How important the value of doing something new and fresh is for phiik & Lungs’ creative process (20:39).

Partnering with OLASEGUN on Carrot Season (25:18).

The thought process behind the consistent beat switches on Carrot Season (29:57).

How the drums and beat switches influenced phiik & Lungs’ rapping approach on Carrot Season (46:08).

Upcoming projects from phiik & Lungs (57:19).

Buy/stream Carrot Season here: https://powrecordings.bandcamp.com/album/carrot-season 

Follow phiik on Twitter here: https://twitter.com/phiik_ 

Follow Lungs/LoneSword on Twitter here: https://twitter.com/big_dead_lung 

Follow phiik on Instagram here: https://www.instagram.com/phiiik_/?hl=en 

Follow Lungs/LoneSword on Instagram here: https://www.instagram.com/big_dead_lung/?hl=en 

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

Boldy James continues on his hot streak with his latest Bo Jackson album, which features production from the legendary Alchemist once again. 

Boldy is in top-form, blending his blunt and cold delivery with evocative imagery in his street tales that give Bo a strong sense of surrealism. 

However, it is the legend in this case, The Alchemist, that doesn't hold up his end of the bargain to the best of his abilities.

Alc left earth on Haram, brought exotic textures and decadence to Fetti, but on Bo Jackson he keeps things to one relatively formulaic lane.

I have no problem with straight to the point, more simplistic production... but these beats are all super clean, and don't have that rugged grit that an album like this could've benefitted from.

I think Boldy improved on all fronts from A Price of Tea in China from a rapping perspective.

However, although I think Alc brought some good production to this album, the sound was too tame for my liking and didn't leave enough of an impression on me.

There just lacked an instrumental bite that makes me wanna go back to this album.

RMPP Preferred Cut: "Fake Flowers"

Stream Bo Jackson here: https://open.spotify.com/album/1KHFw3hsKvNGGCkXKQMrbT?si=h-WGm0BIR7SfWuoSZR_Ipg&dl_branch=1 

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For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.squarespace.com/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (2:05).

As a 28 year-old hip-hop head, I’d like to say that I’m still somewhat young. So given this youth of mine, I haven’t been able to witness many of the greatest movements or waves in hip-hop history firsthand. I wasn’t even alive when Wu first jumped onto the scene. I could barely form sentences when Company Flow’s debut album dropped

But that thankfully has not been the case with what Backwoodz Studioz, and in particular what today’s guests in billy woods and E L U C I D, have blessed listeners with so far in their careers. For over a decade now, I’ve been able to follow these two refine their craft and expand on their brand of phenomenally rich, creative, and thoughtful hip-hop music that scratches all of the itches I have in music. All of which is funneled into this style of rap that makes the term “one-of-a-kind”, feel somehow too generic of a descriptor for what these two really do.

I’m pleased to have Armand Hammer on the show to discuss what makes their creative connection so special, the makings of one of the best albums I’ve ever heard (no hyperbole) in We Buy Diabetic Test Strips, and much, much more! Enjoy!

Perspective on recent successes and acclaim (2:27).

Perception of Armand Hammer’s growing fanbase (9:16).

How woods and E L U C I D complement each other’s artistry (16:49).

How the creative direction for an Armand Hammer album is established - RMPP patron q from TreDoes (24:52).

The origin of the We Buy Diabetic Test Strips album title (25:41).

The core themes of WBDTS (28:58).

The catalyst for the live instrumentation backbone for WBDTS (38:27).

The inspiration behind the very experimental and ambitious sound of WBDTS (43:13).

Aspects of WBDTS that Armand Hammer were most proud of / found uniquely challenging (51:39).

Armand Hammer’s favourite songs off WBDTS (1:02:00).

Prominent use of vocal manipulation on WBTDS (1:06:57).

What Armand Hammer would like their legacy to be (1:08:17).

Shoutouts to other great music and collaborators within the Armand Hammer / Backwoodz multiverse (1:09:13).

JPEGMAFIA’s pants / E L U C I D’s fashion trend forecast (1:12:36).

Buy We Buy Diabetic Test Strips here: https://fatpossum.com/products/we-buy-diabetic-test-strips

Support Backwoodz Studioz here: https://backwoodzstudioz.com/ 

Follow billy woods on Twitter here: https://twitter.com/BackwoodzHipHop

Follow E L U C I D on Twitter here: https://twitter.com/elucidwho

Follow billy woods on Instagram here: https://www.instagram.com/backwoodzstudioz/ 

Follow E L U C I D on Instagram here: https://www.instagram.com/cobratoof/?hl=en 

Follow Armand Hammer on Twitter here: https://twitter.com/ArmandHammerNYC 

Follow Armand Hammer on Instagram here: https://www.instagram.com/armandhammernyc/?hl=en

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

The Interview (2:27).

When I first heard today's guest on the show on El-P's "Oh Hail No" off of Cancer 4 Cure… I was sold immediately.

Even if it was just one feature, without me being aware of who this guy was and what projects he had under his belt, his flows, his bars, and his charisma were off the charts.

The talent of Mr. Muthaf*****’ eXquire was undeniable.

And luckily for me, he also had a catalog to back up this strong first impression by the time I tapped in around the year 2012, since eXquire had already dropped a fun and rugged mixtape in Lost in Translation, and then soon after would drop the terrifically thoughtful Kismet.

From then on I was a fan for life.

Now a decade later Brooklyn’s eXquire has released his most mature and reflective album yet, and is here today to discuss that and much, much more.

eXquire illustrates how he presents himself in his music vs. how he is in his regular life (3:58).

eXquire speaks on the influence of later 2000s era rappers on his musical style (7:51).

eXquire details the influence that artists such as El-P and the Definitive Jux crew had on his artistic development (12:00).

eXquire speaks on the differences between making music now (15:31).

eXquire speaks on some lessons that he learnt throughout his career (17:23).

eXquire illustrates the inspiration behind his latest album I Love Y.O.U Cus Y.O.U Ugly Vol. 1 (22:31).

eXquire opens up about how his daughter and uncle has inspired his music (25:48).

eXquire dives into the concept of Y.O.U, and why he is so proud of his latest album (28:23).

eXquire illustrates the musical direction of I Love Y.O.U (32:59).

eXquire speaks on some current active artists that inspire him (40:57).

eXquire answers a RMPP Patron question from Dan-O on the most heinous s*** talker in hip-hop (45:29).

Stream Mr. Muthaf*****’ eXquire's music here: https://open.spotify.com/artist/1Sq6VkcHqHAuFvURbH3sXQ?si=I7672d0jR16qXsmKyRg5Ew 

Follow Mr. Muthaf*****’ eXquire on Twitter here: https://twitter.com/mrmfnexquire 

Follow Mr. Muthaf*****’ eXquire on Instagram here: https://www.instagram.com/mynameishughie/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

2024 was a year of maintenance and solidifying the foundation. While the show didn’t 5x in year over year growth, as it did from 2022 to 2023, the arrow has still been pointing up with some big artists joining the show, increased viewership and positive feedback. In particular, the RMPP patron group has grown to the largest its ever been, which has honestly been the biggest one of my most proudest achievements of my life. The community has progressed to a point where it’s become a staple of my life, and hopefully the patrons of this show feel the same way.

2024 was proof that this show is here to stay, and will be a fixture in indie rap media for years to come. To the RMPP patrons, as well as the rest of you listeners who support the show with your time and attention... thank you for entrusting me with this privilege to rap music plug podcast for you. You are greatly appreciated.

So now, without further ado... let’s talk about what music defined my 2024, and hand out some awards along the way.

Welcome to the 5th Annual RMPP Awards.

Share your feedback on what you’d like to see on the RMPP in the future! Complete this 2-minute survey here: https://forms.gle/ApTNot34UZtAfwE36 

The Plug (0:21)

The 4th Annual RMPP Awards intro (3:15).

Best Rap in a Supporting Role (4:42).

Hook of the Year (6:38).

Beat of the Year (8:07).

Song of the Year (9:28).

Producer of the Year (11:41).

Rapper of the Year (13:10).

Top Albums of the Year structure (15:17).

The RMPP 25: my top 25 albums, inclusive of all genres (15:52).

• The full categorized list of the RMPP's Top 100 Albums of 2024 can be found here: https://rmpp.squarespace.com/episodes/186-5th-annual-rmpps 
• Listen to my piece on Why Lawd? here: https://rmpp.squarespace.com/episodes/cp-why-lawd-a-cautionary-tale-of-f-up-a-good-thing  

Final reflection (23:53).

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

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Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:48).

The ability to be authentically yourself is a superpower. It makes people feel more comfortable around you, and gravitate towards you because there is a certain solidness or realness about you that people can latch on to.

This is a concept that 100% applies to music, and in particular rap, which is a type of music that is heavily based on the listener caring about the artist’s personality and character - not just their technical skill.

Although it certainly is nice when both the skill and the authenticity are present, which is precisely the case with Portland rapper, Milc. Milc is one of the most talented and genuinely funny rappers out right now, who is making an increasingly large mark on the game.

His recent run is punctuated by a string of collaborative records with talented producers, such as Televangel and goldenbeets.

Milc joins the show today to talk about how he injects his personality into his music, his key influences, and the makings of his two most recent records from 2023, Horseradish and The Fish That Saved Portland.

The backstory behind is simple, but dope rap name (4:13).

Portland hip-hop scene (5:38).

Injecting personality in Milc’s music (10:28).

Sean Price, and other key influences for Milc (17:35).

The warm welcome Milc has received from the current indie rap scene (22:16).

The making of Horseradish with goldenbeets (23:49).

The importance of shining a light on his hometown on The Fish That Saved Portland (27:39).

Milc’s experience working with Televangel (33:33).

How Milc has grown from Neutral Milc Motel to The Fish That Saved Portland (36:10).

Upcoming projects / merch / tour dates (40:12).

Buy/stream The Fish That Saved Portland here: https://televangel.bandcamp.com/album/the-fish-that-saved-portland  

Follow Milc on Twitter here: https://twitter.com/MILCMANE 

Follow Milc on Instagram here: https://www.instagram.com/milcmane/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (2:06).

In 2022, roughly 49K songs were uploaded to Spotify each and every day. Therefore, amidst a flurry of music releasing to listeners on a daily, being able to command the attention of a listener in this day and age is tough.

The way today's guest, Kenny Segal, acquires this attention is through creating music that simply cannot be found anywhere else.

Kenny’s one-of-one style has enchanted listeners for over a decade, creating soundscapes for some of rap’s most interesting voices in R.A.P. Ferreira, Self-Jupiter, Serengeti, and most recently, billy woods.

The LA-based producer joined the show to provide insight into his eclectic production style, his collaboration style, key learnings he’s gathered from his illustrious career, and the creation of his latest masterpiece with billy woods, Maps.

Kenny’s musical journey to becoming a producer (4:50).

Kenny’s production process (12:26).

The elements of music Kenny is primarily focused on (16:32).

The role of improvisation in Kenny’s workflow - RMPP patron q from André (26:12).

Traits Kenny is looking for a rapper to collaborate with (29:07).

How Kenny’s past work taught him important lessons, and helped him grow as an artist (34:20).

Instrumental records vs. collaborative records (42:48).

The positive press and fan reaction of Maps (47:46).

The musical blueprint of Maps (52:41).

What makes billy woods unique (1:01:14).

How working with woods impacts how Kenny produces (1:07:35).

How Maps differs from Hiding Places musically (1:11:14).

Kenny’s dream collaborators (1:12:45).

Upcoming projects (1:13:53).

Support Kenny Segal's music here: https://kennysegal.bandcamp.com/music 

Buy Maps here: https://backwoodzstudioz.com/collections/billy-woods-x-kenny-segal-maps 

Follow Kenny Segal on Twitter here: https://twitter.com/KennySegal?s=20 

Follow Kenny Segal on Instagram here: https://www.instagram.com/kennysegal/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

Main Body of Discussion (2:29).

Styles of music such as jazz, R&B, soul, and funk, have all been inseparable elements in the fabric of hip-hop production since its inception.

One particular form of music that has not played nearly as much of a significant role though, is rock music.

That brings us to the subject of today's episode, Ritual, an album by Topeka Kansas rapper Stik Figa, and producer The Expert based in Dublin, Ireland, who’s production features a healthy dose of psychedelic rock samples that are executed brilliantly. The Expert puts those sounds into a blender with traditional golden-age and jazz sounds that rap purists will surely appreciate.

The sound, however, is not all that makes Ritual notable since it is a project that may have ended up being the last album hip-hop veteran Stik Figa would ever create.

To learn more about Ritual, Stik Figa and The Expert join the show to dive deep into how this album was made, as the next instalment of the Album Alchemy series.

Stik Figa and The Expert created Ritual without ever even seeing each other’s faces (2:46).

The collaborative process used for Ritual (9:31).

Ritual was originally supposed to be Stik Figa’s last album (18:33).

The musical landscape of Ritual (24:04).

What drew Stik towards these unconventional beats (34:52).

The challenge of rapping over The Expert’s beats (39:36).

Key themes in Ritual (43:04).

Ritual’s noteworthy features (49:53).

Upcoming work to expect from Stik Figa and The Expert (57:53).

Buy/Stream Ritual here: https://theexpert.bandcamp.com/album/ritual 

Follow Stik Figa on Twitter here: https://twitter.com/STIK_FIGA 

Follow The Expert on Twitter here: https://twitter.com/itstheexpert 

Follow Stik Figa on Instagram here: https://www.instagram.com/stik_figa/?hl=en 

Follow The Expert on Instagram here: https://www.instagram.com/itstheexpert/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

The enigmatic Kincee BabyFace Pearlis joins the show for a conversation that I hope demystifies the incredibly talented Jennings, Louisiana MC... as he gives us rare insight into his unique lyricism, artistic approach, and business model. I have been ADDICTED to Kincee's music for the last few months, so I hope you all enjoy this conversation and tap in to this man's art.

We start our conversation at the beginning, uncovering how Kincee started rhyming, and the significance of his name and signature mask that he dons (3:03).

Kincee then details his time in the military, and how it shaped his worldview (5:59).

Next, we dive into his unique writing process and the central lyrical themes of his work (9:22).

Kincee discusses why he prefers to stand out with his abstract lyrical approach, and gritty sound (12:31).

Kincee details the cosmic connection he has with legend producer, August Fanon (17:27).

We next discuss Kincee's out-of-the-ordinary business model (23:47).

Kincee describes what makes his incredible collaborative albums with August Fanon so special, including his very rare BoKoR and BGOD records (32:33).

Next, Kincee details how his style has evolved more left-field over the years (39:26).

As an incredible visual artist, explains his fantastic visuals that accompany his music (41:19).

Kincee then talks about his views on NFTs, and the future of music distribution (43:43).

Finally, Kincee highlights the vast array of projects he has coming up in the rest of 2021 (48:28).

Listen/Buy Kincee's music here: https://kincee.com/ 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

Main Body of Discussion (1:56).

As a fan of music, one of my favourite things to witness is an artist that I love have their breakthrough moment... where their peers, or listeners truly give them the respect they deserve.

For BLOODBLIXING and his latest album, NBA STREETZ: GANGSTA EDITION, it was a little bit of both.

With a feature list running the gamut from the likes of Rahiem Supreme, Defcee, Vic Spencer, AJ Suede, and motherfucking billy woods, it is clear that other fellow great artists in the game are recognizing BLOODBLIXING’s talent.

Couple the impressive guest list with a fan response that has not felt nearly as positive as it has with this latest record, NBA STREETZ is surely a milestone achievement in BLOODBLIXING’s career.

In my opinion, this album is the definitive BLOODBLIXING experience, which is why I’m pleased to have BLOODBLIXING re-join the show as the first repeat guest we’ve ever had, to deep-dive into this record in the second installment of the Album Alchemy series.

Buy NBA STREETZ here: https://bloodblixing.bandcamp.com/album/nba-streetz-gangsta-edition 

Follow BLOODBLIXING on Twitter here: https://twitter.com/bloodblixing1?s=20 

Follow BLOODBLIXING on Instagram here: https://www.instagram.com/bigblixing/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

(Go to 0:49 to skip the intro)

Another day, another Navy Blue record has dropped. As one of the most essential voices in all of hip-hop, I absolutely had to talk about it.

Navy knows how to name an album. Song of Sage, his 2020 opus, felt like a grand mission statement that perfectly captured what makes Navy... Navy.

Similarly, this latest album titled Navy's Reprise, feels like a reprise… like an addendum, an appendix to the main presentation that was Song of Sage.

By no means does this album not hold up on its own, but it doesn’t feel essential.

I feel this mainly through the production that feels a bit too lacking in impact, and rapping from Navy that certainly is great, and is consistently touching on similar topics of wisdom, freedom, etc… but unlike Song of Sage that felt like songs all added up to something larger than the sum of its parts, this set of tracks does not.

Navy's Reprise feels like a collection of like-minded songs that sound great, but don’t leave a lasting impression on me... like stray thoughts, loose ends, versus the complete picture that Song of Sage painted.

RMPP Preferred Cut: "Don't Get It Twisted"

Buy Navy's Reprise here: https://navybluethetruest.com/ 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

(Go to 2:14 to skip the intro)

All of the albums discussed in this episode have one thing in common. They all tackle important topics, such as mental health, racism, and our crumbling society in their own unique ways.

I first discuss Moor Mother and billy woods' sprawling and dark epic, BRASS (3:10).

Next, we visit the Man on the Moon and talk about Kid Cudi's Man on the Moon III: Chosen One's exploration into Scott Mescudi's mind (22:45).

Finally, we continue the Indie Spotlight Series through a review of the intelligent and calming record by Rick Chyme and Yelnam Evad, Stones (32:06). 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

(Go to 0:55 to skip the intro)

ROUTES explores themes of choice, the consequences of one's actions, and growing from harsh conditions and experiences to be a better man for it.

He describes his triumphs and his ability to overcome the hardships he vividly details on this album to be genuinely special and difficult to accomplish for a normal person to do... this nuance is important as it treats overcoming one's situation with the appropriate care and understanding that comes from really living it.

On the boards, August Fanon does his thing delivering dark and dusty instrumentals that fit the murky atmosphere that Sleep paints with his rhymes.

At the high points of ROUTES, lyrical smart-minded hip-hop doesn't get much better than this.

Stream/Buy ROUTES here: https://sleepsinatra1.bandcamp.com/album/routes 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

(Go to 1:52 to skip the intro)

The lightning rod of hip-hop and pop culture, Kanye West, has returned with a new single, "Wash Us in the Blood", which is set to come off of his forthcoming album titled God’s Country/DONDA(?). I discuss my thoughts on the track and the mesmerizing video that accompanied the track, which was produced by Arthur Jaffa.

Additionally, I speak on my expectations for Kanye’s new project, and my concerns related to his current state of mind.

DISCLAIMER: I went Gary Vee style and didn’t let anything get in the way of starting this, so I recorded the first 4 episodes using my phone and a Beats mic. Therefore, the sound quality is not great, however, bare with me because my new microphone finally came in! So from Episode 5 and onward the sound is way better!

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

The Plug (0:57).

The Interview (3:12).

'Black sheep' is an idiom used to describe a member of a group who doesn’t fit in with the rest. Now while this is often used with a negative connotation, I feel there’s a flipside to this concept that can be a positive. Where not exactly fitting into any one group can allow you to pull from many different influences, and combine that all together into something one-of one.

This is a dynamic I spoke about with today’s guest, Cakes da Killa, who is a prime example of how this dynamic works as a positive. In this episode, we discuss Cakes' journey as an artist, his approach to blending different sounds together, and how he approached the creation of his super entertaining and well-executed new album, Black Sheep.

Cakes da Killa’s MC journey (3:36).

Openness in Cakes’ music (8:06).

Blending dance genres with hip-hop (9:41).

How Cakes’ queer identity manifests in his music (14:04).

Advice Cakes would give to aspiring musicians (19:29).

How visuals are integrated in Cakes’ creative process (24:07).

Cakes da Killa’s black sheep’ identity (25:54).

How Cakes and Sam Katz approached the sound for Black Sheep (34:32).

Upcoming music / tour dates / merch from Cakes da Killa (39:23).

Stream/buy Black Sheep here: https://cakesdakilla.bandcamp.com/album/black-sheep 

Follow Cakes da Killa on Twitter here: https://x.com/CAKESDAKILLA 

Follow Cakes da Killa on Instagram here: https://www.instagram.com/cakesdakilla/?hl=en 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Photo in artwork by: Matt Nelson

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Skip intro (0:49).

The title of this album initially suggested to me that this would be a very urgent and emotionally visceral album. Instead, Isaiah Rashad is like that character in the burning house meme.

Isaiah is genuinely so calm and relaxed on this album, while being enveloped in significant turmoil that is going on in his personal life.

I'm really happy for Zay. It seems like he's genuinely in such a better place mentally...

However, I feel like my issues with THIB can be summed up by that meme. I feel like we hear "this is fine" from Isaiah without the necessary reasoning that explains why.

I think Rashad was attempting to illustrate the peace he has now achieved after these years of turmoil, through a catchy and wavy rapping style. 

Unfortunately, I don't think he gets this done because I feel like there's an entire chapter of Rashad's recent years that is more or less missing, or roughly sketched at the most on THIB.

He doesn't give me enough pieces of that trauma... in order for me to understand the context surrounding this tough road he's been on, and fully connect with the music.

To top it off, generally, I don't find he's lyrically specific enough to glean a lot of feelings from this album.

This is especially disappointing considering how tumultuous his life has been recently. I feel like there was a lot of stories, and personal anecdotes he could've gotten into, but we don't get much of it.

He certainly brings a level of emotion and intimacy in his vocals that I do like, but it's not nearly evocative enough to affect me to a significant degree.

RMPP Preferred Cut: "Headshots (4r Da Locals)"

Stream The House is Burning here: https://open.spotify.com/album/6TQ8nqw43uUOWu7Yqp58ko?si=Rag_Mz8rSlqOxDZgS6WGeg&dl_branch=1 

--

For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.squarespace.com/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

SICK! still works in typically depressive content that Earl’s music has been synonymous with over the years, but there is a clarity and acceptance that reigns supreme with the mindstate Earl communicates on this album.

No longer is he seemingly drowning in an ocean of sorrow and confusion, like he was on Some Rap Songs. Instead he sounds more self-assured, and triumphant... like he has successfully made it through those dark times he had dealt with in the past. And now has a more mature and positive outlook on life, influenced heavily by his new son that entered his life, and the COVID pandemic.

This isn’t cheap vapid “I love my wife” positivity from the likes of a Chance the Rapper let’s say, it’s far from it. Instead, there is a dynamic that makes this optimism of sorts from Earl on SICK! feel authentic and earned, where the listener can easily feel the depth behind this hope, and know it’s been derived from real life experiences.

The way Earl communicates all of this is with his trademark brand of succinct poetry that allows him to jam so much impact into each and every bar. It’s this dense style of writing that has always made Earl’s music have such high replay value, and SICK! is no exception.

RMPP Preferred Cut: "Fire in the Hole"

Stream SICK! here: https://open.spotify.com/album/51heTwkSfb4Z5dRIgwU2bd?si=mQrEouNAQqmjtdYOm_cJTA 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:57).

So I’m kind of annoying when it comes to certain things with music.

Albums where the last verse isn’t from the main artist? It just doesn’t feel right. Remixes? I’m oddly wed to the original. And finally, producer albums with a bunch of different rappers on it are another type of record, where I don't usually gravitate towards. I’m just such a concept and theme guy I guess.

But I am a fair man... Today’s guest on the show, New York-based producer Blockhead, recently dropped an album that was so good it overcame my annoying biases with The Aux, released on Backwoodz Studioz.

I caught up with the very talented and very funny and personable producer to understand how he’s approached collaboration with some of the genre’s finest lyricists in Aesop Rock and billy woods, discuss his perspectives on the current production landscape, and the makings of his terrific new album.

How the production process differs on instrumental albums vs. working with rappers (3:31).

Most important traits as a producer (8:02).

How the act of creating music unlocks emotion (12:03).

What Blockhead looks for in a rap collaborator (18:38).

Blockhead’s take on the current hip-hop production landscape (21:40).

How Blockhead’s relationship with woods came to be (30:52).

The sound direction of The Aux (34:29).

How the billy woods executive production hand guided the creation of The Aux (41:23).

Blockhead on “challenging fans” with The Aux (46:12).

The making of the electric RXKNephew feature on The Aux (53:49).

Collaborations that surprised Blockhead the most - RMPP patron q from Jarvis (57:44).

Blockhead’s favourite songs off The Aux (59:49).

Upcoming music / tour dates / merch (1:01:28).

Support Blockhead's music here: https://blockheadnyc.bandcamp.com/

Follow Blockhead on Twitter here: https://x.com/BlockheadNYC?s=20

Follow Blockhead on Instagram here: https://www.instagram.com/blockheadnyc/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:21 to skip the intro)

Kanye West has caught the music world’s attention once again. I provide my thoughts on the validity of his crusade for his [and all artists’] masters, and evaluate his motives for this very public effort (18:28).

I also cover the long-awaited debut album from Griselda Records artist, Conway the Machine, titled From King to a God (2:27).

Finally, I discuss the political implications of Ruth Bader Ginsburg’s untimely death, and what the US Supreme Court Justice could have done to avoid the potentially fatal consequences of a new conservative Supreme Court replacement (31:37).

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

Main Body of Review (1:57).

Since the stock of Armand Hammer and the Backwoodz Studioz name has risen exponentially in recent years, this latest album from E L U C I D presented a real opportunity for him.

A prime opportunity for E L U C I D to solidify his perch in rap lore as one of the best artists of his generation, by delivering an album that amazes when the spotlight is beaming at its brightest.

I Told Bessie was not only a highly-anticipated album, but felt like one of, if not, THE most important moments in hip-hop this year.

So the question is, did E L U C I D follow through on these weighty expectations and cash in on his chance in the spotlight? Listen to find out...

RMPP Preferred Cut: "Bunny Chow"

Stream/Buy I Told Bessie here: https://elucid.bandcamp.com/album/i-told-bessie?mc_cid=1e6703b4b3&mc_eid=d48bd132c7 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

--

R.I.P Simba. I will always love you.

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

In a myriad of different ways, Half God explores Wiki's home of New York through multiple angles, giving the listener a consistent thematic backdrop to discuss every way the city influenced and shaped the man he is today.

By discussing New York's deep hip-hop roots, gentrification, and growing up as a child in such a busy and often chaotic city.

All in all, giving us his most focused and developed lyrical performance of his entire career.

Wik has always been a better than average storyteller. But on Half God, Wiki doesn't just paint you a picture... he teleports you into his shoes to roam the NY city streets in his place.

His growth as a lyricist allows him to accomplish so many different things on a given track.

The song Roof is a vivid personal peek into Wiki’s childhood home. Throughout this track, it's incredible how great he’s become at one, giving you pieces of himself, amidst a flurry of sometimes, funny, dark, and harsh pictures that his almost stream of consciousness style provides.

It’s a style of lyricism that flexes how loose he can get rapping, while not actually falling off track. The subject matter seems so organic and spur of the moment, while still maintaining a focus that is incredibly sharp.

More than anything, Half God is intentional. It knows exactly what it wants to be, which I believe positively affected Wiki's ability to stay focused, while not losing the loose flair he's been known for.

Wiki always had this consistent North Star on the record to guide him... home.

RMPP Preferred Cut: "Grape Soda"

Buy/stream Half God here: https://wiksetnyc.bandcamp.com/album/half-god 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

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Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

Episode 49 welcomes Lukah, Memphis MC, producer, and current rising star in the game. Lukah is responsible for When the Black Hand Touches You, one of the best albums to come out in 2021 so far.

Getting hip to Lukah's music has been one of the best things to happen to me in 2021, as Lukah is wise beyond his years, giving us lots of food for thought and lyrical abilities that are absolutely A1.

I am happy to report that the same knowledgeable high-character man that we heard on wax, joined me for this interview.

We start this interview by discussing Lukah's beginnings as an artist, and key inspirations to his art (2:25).

As someone who has enjoyed a string of recent successes, Lukah describes how he has been able to cultivate a devoted fanbase (7:25).

Lukah describes his relationship with the highly creative Cities Aviv, and the early days in the 'The Attic Sessions' (11:33).

We discuss Lukah's affinity for the soulful sound that underpins much of his music (15:24).

Lukah walks us through the creation of When the Black Hand Touches You, in relation to Chickenwire, which he released in 2018 (17:38).

As a new father, Lukah details how his life and music has been forever changed by the birth of his son (19:58).

When the Black Hand Touches You is packed full of many different messages, but Lukah zeroes in on one central message that he hopes people take from the album (21:35).

The title of this latest record is quite heavy, so Lukah gives us some insight into why he chose When the Black Hand Touches You as the title (23:32).

Displaying such wisdom in his music, Lukah tells us how he was able to develop knowledge of self so early on his life (26:18).

Lukah gives some colour to some of his social commentary in his music, by providing his take on the affects that "the system" has had on impoverished communities in the US, and how it is like growing up in that environment (29:01).

Since this was recorded days after the Derek Chauvin guilty verdict, Lukah gives us his feelings on how it made him feel, and the significance of this long-term (32:11).

As someone who outlines a lot of hardship and struggle in his music, Lukah details the key aspect of his life that helped him stay positive and healthy throughout it all (37:16).

As we transition to a general discussion on the rap game, Lukah gives his thoughts on the current state of the genre, as well as some dream collaborations of his (43:42).

Finally, Lukah gives us some exclusive details on his upcoming album, mentioning some and big-time features that will be helping him tell his next story this summer (1:00:32).

Listen to When the Black Hand Touches You here: https://lukah.bandcamp.com/album/when-the-black-hand-touches-you 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

In Episode 105, New York's multi-talented rapper, producer, podcaster, videographer, Duncecap, joined us on the show. Dunce is known for his strong left-field take on hip-hop that has impressed for years, with no better addition to his catalog than the supremely dope Go Climb a Tree released on Backwoodz Studioz earlier this year.

Dunce is a good dude, and made for an interesting conversation!

Duncecap explains how he came up with his artist name of “Duncecap” (1:59).

Duncecap explains how he first got into hip-hop when he was younger (4:57).

Duncecap elaborates on what influenced him to love music with “freaky beats” (8:11).

Duncecap how he developed the confidence to present himself as such a different rapper than what’s typical (14:23).

Duncecap explains his affinity video games, his Duncecast podcast, and the connection he sees between video games and hip-hop (23:26).

Duncecap illustrates what drew him to the visual side of art creation (28:47).

Duncecap discusses the influence Backwoodz Studioz had on his latest album, Go Climb a Tree, and how it feels being part of the Backwoodz movement in hip-hop (34:24).

Duncecap explains the meaning of the Go Climb a Tree album title (39:23).

Duncecap illustrates why HAJINO was a great pairing with him on Go Climb a Tree (41:35).

Duncecap’s feelings towards the positive reception Go Climb a Tree has received (48:56).

Duncecap talks about his upcoming projects (50:46).

Support Duncecap's music here: https://duncecap.bandcamp.com/music 

Support Duncecap's video work here: https://www.mikepetrow.com/ 

Follow Duncecap on Twitter here: https://twitter.com/Duncecap_?s=20 

Follow Duncecap on Instagram here: https://www.instagram.com/duncecap_/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

Main Body of Discussion (1:52).

Music that strikes an emotional nerve is always my cup of tea, whether that emotion is fueled by the production, or the vocals.

In the case of the album Incorruptible Saints, we don’t have to choose. The emotional impact is supplied in equal parts through rhyme, and instrumental.

Honest introspection in the lyrics come from Nebraska rapper Sleep Sinatra, which were placed atop gorgeous, warm, abstract soundscapes created by Portland producer Televangel. Televangel is formerly known as Young God, and previously served as one half of the critically acclaimed production duo, Blue Sky Black Death.

Televangel’s creative musical brushstrokes did wonders to bring out Sleep Sinatra’s thoughtful perspectives and vulnerability.

These two joined forces to make music that truly does its beautiful artwork justice, and they joined the show to dig into the making of Incorruptible Saints, in the latest instalment of the 'Album Alchemy' series.

What sparked the collaboration between Sleep and Televangel (3:54).

The musical palette of Incorruptible Saints (7:54).

The lyrical direction of Incorruptible Saints (13:16).

How Televangel’s Blue Sky Black Death past influenced his emotionally-affecting sound (18:54).

How Televangel’s recent foray into hip-hop production has grown his artistry (22:30).

Sleep’s singing on Incorruptible Saints (26:14).

The album’s guest collaborations (29:35).

Favourite songs (35:06).

Upcoming projects from Sleep and Televangel (38:55).

Buy/Stream Incorruptible Saints here: https://televangel.bandcamp.com/album/incorruptible-saints 

Follow Sleep Sinatra on Twitter here: https://twitter.com/SleepSinai?s=20 

Follow Televangel on Twitter here: https://twitter.com/TELEVANGEL_?s=20 

Follow Sleep Sinatra on Instagram here: https://instagram.com/northsidesleep?igshid=MzRlODBiNWFlZA== 

Follow Televangel on Instagram here: https://www.instagram.com/televangel/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

In Episode 73, we had the pleasure to welcome Chicago's own rapper, producer, DJ, TV host, greenSLLIME to the show.

How SLLIME's magnetic personality of sorts developed over the years (3:51).

What inspired greenSLLIME to get into hip-hop when he was younger (7:01).

SLLIME details partnering with SolarFive to open the 406 studio in Chicago, and the thought-process behind taking this bold move (12:26).

SLLIME's unique relationship with Mick Jenkins, and how it helped develop his craft (20:54).

His relationship with Qari, collaborator on the 2019 project Operation Hennessy, and how that album helped "kill the doubt" for greenSLLIME (25:40).

His creative process (32:09).

The importance of Chicago to SLLIME's artistic journey (36:51).

SLLIME on the vision behind his Broke Ass Low Budget Show, as well as some upcoming visual ventures for greenSLLIME (40:53).

How SLLIME navigates some interesting combinations of vibes in both his lyrics, and his production (58:14).

Meaning behind the title of his latest project, and how greenSLLIME entered 'monk mode' to create it (1:13:07).

What the future has in store for greenSLLIME (1:18:22).

Support greenSLLIME's music here (including monk.'s deluxe vinyl set to release on September 24, 2021): https://sllime64.bandcamp.com/music 

Follow greenSLLIME on Twitter here: https://twitter.com/sllime64?lang=en 

Follow greenSLLIME on Instagram here: https://www.instagram.com/sllime64/ 

--

For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.squarespace.com/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:49).

There’s a reason why people say that traveling and seeing the world is good for you. It naturally expands your worldview and exposes you to different ways of living, and thinking. In other words, it makes you smarter and more interesting. Both things apply to today’s guest, NY-based rapper Gabe ‘Nandez.

Gabe has spent much of his childhood and early adulthood living cross-continent, which has fueled his music with worldly perspective, and colourful multilingual elements.

With one of the most rapper voice rapper voices you’ll ever hear, Gabe has delivered some of my favourite albums of the year. Pangea dropped months ago, fully produced by the electric Tony Seltzer. H.T. III, his latest album fully produced by argov, which just released today (September 20, 2023).

Listen on to hear how Gabe crafted these recent albums, and the inspiring story about how music quite literally saved his life.

How Gabe’s cross-continent childhood influenced his music (2:10).

Incorporating French into Gabe’s music (7:14).

Gabe priding himself on being unique (12:38).

How it felt being featured on billy woods’ Aethiopes track, “Sauvages” (13:43).

How Gabe cultivates confidence within himself (17:32).

What inspired Gabe to pursue rap (21:12).

How rap saved Gabe’s life (23:46).

Working with Tony Seltzer on Pangea (27:48).

The idea of “collective unconsciousness”, as it relates to the making of Pangea (31:25).

The significance of H.T. III serving as the follow-up to Gabe’s debut album from 2014 (35:15).

What inspired Gabe to link up with argov to produce the entirety of H.T. III (37:18).

Lyrical themes on H.T. III (38:41).

Upcoming / current work from Gabe (44:22).

Support Gabe Nandez's music here: https://gabenandez.bandcamp.com/music 

Follow Gabe 'Nandez on Twitter here: https://x.com/GabeNandez?s=20 

Follow Gabe 'Nandez on Instagram here: https://www.instagram.com/p/CL7KKxDBEgK/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (3:10).

*Internet connection was choppy, so excuse the questionable audio quality. We did our best.*

Over the years, as someone who’s obsessed with music… I’ve observed a sort of left brain-right brain dynamic with many of the artists I’ve listened to closely.

In the context of music, I feel there is a side of music-making that is left brain centered on structure, that is all about a thought-out intentional approach.

But then there’s also another side of music making that is fundamentally different, seen a right brain way of creation that is more intuitive, centered on the emotion, the soul, and the passion that underpins the order of the left brain's work.

Just like with regular humans, it’s often those artists that can harness both of these sides of their minds in such a way that leads to some of the greatest music we’ve ever heard.

That brings us to today’s guest, SKECH185. Someone who brings one of the most passionate rap deliveries you will ever hear, along with a carefully thought out approach to building rhymes and structuring his flow.

SKECH’s unique powers made his Backwoodz debut with Jeff Markey, He Left Nothing for the Swim Back, an absolute home run and my current album of the year.

Listen on to hear more about interesting stories related to his new album, Tomorrow Kings, Chicago rap, and how this special blend of meticulous lyrical craftsmanship and unmitigated passion came to be.

The Chicago and New York hip-hop scenes (5:48).

The origin story and impact of Tomorrow Kings (13:47).

SKECH185’s writing and recording process (33:08).

Key themes of SKECH185’s new album (44:56).

Jeff Markey’s progressive sound for SKECH185’s new album (1:01:39).

Context surrounding the 6-year hiatus SKECH185 took between albums - RMPP patron q from TreDoes (1:08:03).

The Backwoodz experience - RMPP patron q from Geoff Rhine (1:13:08).

Support SKECH185's music here: https://skech185.bandcamp.com/music 

Follow SKECH185 on Twitter here: https://twitter.com/SKECH185 

Follow SKECH185 on Instagram here: https://www.instagram.com/skech185/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (1:05).

“Close the door on what I tore apart, my heart is broken/Ball was in your court, I can't believe I left you open”

This was the line in Navy Blue’s song “Alignment”, that first stopped me dead in my tracks, and made me have the thought... "I need to pay attention to this… this song was written for me”.

Found on Navy Blue’s excellent personal classic of a record from 2020, Song of Sage: Post Panic!, "Alignment" is not only a shining star of a track on an album full of them, but the best relationship song I’ve ever heard in my time listening to rap music.

Stream/buy "Alignment" here: https://navybluethetruest.bandcamp.com/track/alignment 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

(Go to 0:49 to skip the intro)

When I think of MIKE, the words that come to mind are sincerity and honesty.

In absolutely every album MIKE has released, he poured his heart out.

On "Disco!", MIKE certainly leans into his soulful nature once again, but without getting overly consumed by it.

In the past, MIKE would really exude the depression that he was experiencing at the time, and it's not like there's anything wrong with that from a music perspective.

However, it's nice to see him continue the progression we saw on weight of the world, where he seems more at peace with where he is in life.

I see tears of joy and weight of the world as MIKE processing the death of his mother and coming to grips with the pressure and residual effects that this unfortunate event inflicted on his mind.

Whereas "Disco!" feels like MIKE beginning a new chapter in his life, reflecting on the past without LIVING in the past... which can only come from acceptance.

It doesn't mean he isn't still dealing with similar struggles, but now he is doing so with a stronger sense of presence and assuredness that is palpable.

RMPP Preferred Cut: "ghoulish"

Stream/Buy "Disco!" here: https://mikelikesrap.bandcamp.com/album/disco 

--

For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

(Go to 0:55 to skip the intro)

After coming out the gate in his career as the most respected member of Griselda, with two strong projects in G.O.A.T. and Reject 2, in the couple years prior to 2020, Conway was starting to fade... seemingly moving into third place in terms of popularity and respect in the Griselda crew, through the emergence of Benny as an elite level spitter, and Westside Gunn's continued excellence in creating decadent slices of street rap luxury.

Conway was at a crossroads in 2020... and proved his doubters his wrong. His full-length album From a King to a God was finally the fulsome and mature effort that many of us were looking for, serving as maybe the best album of Conway's career.

Now fast forward only a few months... If It Bleeds It Can Be Killed shows that Conway's growth displayed on FKTG wasn’t just a fluke. Conway sticks to his guns, pun intended, but continues to expand his subject matter to more personal territory. He gives us new information that I only just learnt 5 years into listening to the guy.

So for me, Conway continues to show growth lyrically, but also from an album construction standpoint. The key reason this album stands out in Conway's vast catalog is due to him and Big Ghost Ltd. creating a well-rounded album that satisfies in multiple ways, featuring songs that are as luxurious as they are murderous.

The beats here are the best I've heard from Big Ghost to-date, with crunchy percussion, nicely placed soul samples and flashes of sinister sounds that all come together really nicely.

The flow of this album too is much improved from No One Mourns the Wicked, because there is no unnecessary lulls or wastes of space this time around.

Instead, we get 30 minutes of Conway in peak form, with production that matches his talent... all in a neat and trim package. All killer, no filler.

RMPP Preferred Cut: "Lessons to Blessings"

Stream/Buy If It Bleeds It Can Be Killed here: https://bigghostlimited.bandcamp.com/album/if-it-bleeds-it-can-be-killed 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

As I get closer and closer to my 30s, mortality, the future outlook of society. and my fading youth are consistently ideas that are occupying my mind. So art that speaks to these topics in a thoughtful and insightful way have been especially appreciated as of late.

But unlike other genres out there, rap is still quite young. Therefore, there isn’t necessarily a ton of artists out there who are even old enough to provide such an aged perspective. And among those who are, many of whom are the likes of Jay-Z, Nas... who’s primary wisdom seems focused more on wealth-building and respectability politics.

That’s why the album we will be spotlighting in today’s episode, Reverberations of a Dead Man’s Ego, is such a breath of fresh air.

The mature perspectives we get from Alaska on this album are thoughtful, provocative, and remarkably honest. And they are accompanied by some of the best production we’ve heard from producer steel tipped dove to-date.

Listen on to learn about the making of this new album, the generational divide between Gen X and Gen Z, maturing with age, a sober outlook on the future of our society, and much more.

The Plug (0:45).

The Interview (3:10).

Aaron Rodgers’ broken COVID brain (5:01).

How Alaska and steel tipped dove’s relationship first formed, and what inspired it (7:58).

The shared worldviews between Alaska and dove (15:59).

Alaska breaks down a poignant line on “I Don’t Care No More” (19:46).

The overarching sentiment of the heavy subject matter on ROADME (26:09).

The future outlook for younger generations (31:16).

The inspiration of the Reverberations of a Dead Man’s Ego title (38:13).

Alaska and dove go back and forth on if ROADME is improvement on their debut (40:19).

Favourite songs on ROADME (51:29).

Upcoming projects / merch from Alaska and steel tipped dove (54:04).

Buy Reverberations of a Dead Man's Ego here: https://thatrapperalaska.bandcamp.com/album/reverberations-of-a-dead-mans-ego 

Follow Alaska on Twitter here: https://x.com/Alaska_Atoms 

Follow steel tipped dove on Twitter here: https://x.com/steeltippeddove 

Follow steel tipped dove on Instagram here: https://www.instagram.com/steeltippeddove/?hl=en  

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:43).

Picking the brain of the artist who created Paraffin, Save Yourself, Haram and most recently I Told Bessie, would’ve sounded like a pipe dream just a year and a half ago...

But now, off the strength of the love and support you the listener have provided me, I was able to sit down with South Jamaica Queen’s E L U C I D for an interview in Ep. 115 of the show.

We dove deep into his one-of-a-kind lyricism, his creative relationship with billy woods, his spirituality, and his latest album of the year contender, I Told Bessie.

Simply put, this was a fantastic conversation with one of the best rappers of all time. 

Are you not entertained??!!

E L U C I D illuminates the conception of his unique style of rap, and the influence of poetry in his music (2:06).

E L U C I D addresses the strange and obtuse perception of his music being “too hard to understand” (9:31).

E L U C I D expands on a poignant line off of “Soft Gold”, describing the various positive and negative emotions associated with his recent rise in popularity (14:14).

E L U C I D illustrates the genesis for the creation of Armand Hammer with billy woods (20:41).

E L U C I D describes the main reason him and billy woods work so well as a duo (22:03).

E L U C I D details the kind of role that he assumes within the Armand Hammer creative process (24:27).

E L U C I D illustrates what he believes he’s learnt working with woods through years, and what woods has learnt from him (26:02).

E L U C I D describes the key element that The Alchemist brought to the Armand Hammer sauce on Haram (29:54).

E L U C I D speaks to what changes in his life have impacted him the most since 2016’s Save Yourself, and this year’s I Told Bessie (33:12).

E L U C I D sheds light on the reasoning for moving away from producing beats for his more recent project (36:01).

E L U C I D speaks to what compelled him to release I Told Bessie at this specific moment (38:25).

E L U C I D dives into his spiritual background, and how this aspect of his life influences his music (42:24).

E L U C I D illustrates how he worked with Willie Green and the other producer collaborators to craft the sound for I Told Bessie, and what kind of sound he was aiming for (50:20).

E L U C I D details his five favourite Backwoodz projects ever (1:00:07) (question supplied by RMPP Patron and host of Freemusicempire, Dan-O… so become a patron if you want the chance to ask artists like E L U C I D a question!!!).

E L U C I D details upcoming projects/events that fans should look out for (1:02:05).

Support E L U C I D's music here: https://elucid.bandcamp.com/music 

Follow E L U C I D on Twitter here: https://twitter.com/elucidwho?lang=en 

Follow E L U C I D on Instagram here: https://www.instagram.com/cobratoof/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (1:05).

This edition of the Conversation Pieces series is a little different, and music-adjacent at best to be honest.

In what was mostly a therapeutic exercise, I explored how my love for music was borne out of a dark place, and what that made me realize about myself.

It may sound like a depressing listen, but I promise that it ends on a happy note.

If you end up checking out this super rap music focused bonus episode…

1. Don’t worry, we’ll be back to regularly scheduled programming with some amazing guests soon enough, I promise

2. Thanks for listening to me publicly vent when no one asked; and

3. I invite you to reflect on how music first became a major component in your life, maybe you’ll learn something new about yourself like I did.

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

Embodying the late Bob Kaufman, R.A.P. Ferreira continues his evolution of artistry into a charming freewheeling jazz rapper on bob's son, creating music that can go into seemingly any lyrical or musical direction at the drop of a dime.

Lyrically he is in top form, with such a palpable confidence and presence on the mic. It's truly a far cry from the albeit still great, but significantly more awkward and less refined style that he exhibited under his milo moniker, particularly on his first few projects in the 2012-14 timeframe.

Ferreira seems so clear in his purpose as an artist, which is to embody the role of the poet and connect the listener to their humanity and their greater purpose that extends far past the material world.

bob's son really has an effortless way of delivering thoughtful philosophical lyrical gems in a sometimes funny, but always striking manner that is really special and differentiates Ferreira from other socially conscious artists in the genre.

Stream/Buy bob's son here: https://afrolab9000.bandcamp.com/album/bobs-son-r-a-p-ferreira-in-the-garden-level-cafe-of-the-scallops-hotel 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

In the wake of the recent passing of Brownsville’s Ka, I’ve decided to go against my policy and publicly share what was previously a RMPP patron-only review that I recorded for the last album within his storied career, The Thief Next to Jesus. It only feels right to share this with the world, with the hope that Ka’s wonderful art becomes essential listening to any and all hip-hop lovers.

Since he’s passed, I’ve had a hard time collecting my thoughts to describe what this man’s impact was on me. What I landed on was speaking to what was always underneath Ka's impressive artistic craftsmanship, which is what really made him standout.

What made him special was the kind soul that animated all of his work. Ka represented humanity, compassion, and understanding to the fullest extent

So while his loss feels immense, Ka really left it all on the field... leaving behind a massive catalog of beautiful art for us to sit with forever.

Now, what I feel we must do as lovers of hip-hop is ensure that Ka will never be forgotten, so that he can continue to serve as a spiritual and artistic North Star for generations to come.

Rest in Peace Ka.

Reflecting on Ka's passing (0:00).

The Plug (3:22).

The Full Review (5:21).

Stream The Thief Next to Jesus here: https://open.spotify.com/album/4fmC67uHti9BxWUNAUb6wy 

Intro/Outro beat by: BLOODBLIXING

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 2:14 to skip the intro)

In Episode 25, we review some of the most distinct and fresh albums to come out of 2020.

First, we discuss Navy Blue's Song of Sage: Post Panic!, a deeply intimate and vulnerable record that explores topics related to mental health, racism, and generational trauma (2:52). 

Next, we review Iceberg Theory and August Fanon's dense philosophical adventure Dispatches from the Kali Yuga (20:21).

Finally, we finish off by reviewing Fatboi Sharif and Roper Williams' wild and exciting Gandhi Loves Children (36:29). 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

The Interview (1:30).

In today’s political climate, music that speaks to real issues is something I gravitate to more than ever. If you add on wildly creative music to back said real issues, you’ve got me hooked. That’s exactly what we have with today’s guest on the show, Ghais Guevara.

Ghais is a Philly rapper who is unapologetic about his strong communist beliefs, who’s music has quickly achieved strong critical acclaim this year (from the likes of NPR, The Needle Drop, and more), with the release of his impressive new album There Will Be No Super-Slave.

Listen on and get to know an artist you will surely be hearing about for years to come.

Ghais speaks to how it’s felt receiving such widespread critical acclaim from his latest album, There Will Be No Super-Slave (1:59).

Ghais explains how he developed his political consciousness growing up (4:30).

Ghais speaks on if the label of “communist rapper” bothers him, or pigeonholes him in his career (10:09).

Ghais elaborates on his critiques of the Nordic political model, as it relates to his track off of BlackBolshevik, “F*** the Nordic Model“ (12:58).

Ghais gives his thoughts on the growing trend of pretentious leftists and academics that often alienate folks with their flowery vocabulary and narcissism (16:50).

Ghais illustrates how he developed his lyrical craft (22:31).

Ghais details what the main purpose was for his fiercely political There Will Be No Super-Slave (26:30).

Ghais describes his key musical influences, and the sound he was going for on There Will Be No Super-Slave (28:44).

Ghais elaborates on a compromising and settling, as it relates to the creation of There Will Be No Super-Slave (34:37).

Ghais details what to expect with his new FBFC mixtape (39:46).

Ghais gives a sneak peak to what we can expect with his next album (44:43).

Ghais names some dream collaborations of his (48:43).

Support Ghais Guevera's music here: https://ghais.bandcamp.com/music 

Follow Ghais Guevera on Twitter here: https://twitter.com/GhaisGuevara?s=20&t=_YYrNe2FcHmAT3Ng_ac_KQ 

Follow Ghais Guevera on Instagram here: https://www.instagram.com/ghaisguevara/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:53).

With most success stories in life, it often comes as a result of remarkable talent, passion, and fortunate circumstances that align one’s innate gifts with the right environment to thrive.

That’s precisely the situation that surrounds Child Actor. Child Actor is an artist that cut their teeth in the indie pop world, before transitioning to the world of rap through organic relationships with the likes of Ceschi, Serengeti, and billy woods.

Child Actor now sports a trademark cutting-edge sound that has become a staple amongst underground’s finest, through fantastic work on Backwoodz Studioz, Open Mike Eagle, and Serengeti projects to name a few.

Listen on to hear how this undeniably talented producer made it to where he is today, and how he approaches his craft with the kind of ingenuity you’d expect from someone who produced that f***** up Armand Hammer track, "Charms".

Who is Child Actor? (3:10).

Child Actor’s artistic origins, and indie pop past (5:59).

Child Actor’s transition to hip-hop (16:59).

The trademark Child Actor sound (24:10).

Type of rapper that works best with Child Actor beats (33:30).

How indie pop background influenced Child Actor’s rap beats - RMPP patron q from Jarvis (37:18).

Why Child Actor has found a home with Backwoodz Studioz (40:22).

The appeal of Serengeti and the character of Ajai on Ajai II (45:21).

Upcoming Child Actor work that should intrigue you (58:59).

Support Child Actor's music here: https://chldactr.bandcamp.com/ 

Buy/stream Ajai II here: https://kennydennis.bandcamp.com/album/ajai-ii 

Visit Child Actor's website here: http://www.childactor.net/ 

Follow Child Actor on Twitter here: https://twitter.com/ChldActr 

Follow Child Actor on Instagram here: https://www.instagram.com/chldactr/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

In Episode 92, we are pleased to present to you the 2nd Annual Rap Music Plug Podcast Awards!

Note: This is a personal view of my favourite music to come out of 2021. There is no implied objectivity with any of the following discussion. 

Enjoy!

Year-end thoughts (0:49).

Favourite musical discoveries of the year (7:25).

Best Rap in a Supporting Role (12:18).

Beat of the Year (14:15).

Song of the Year (15:54).

Producer of the Year (17:16).

Rapper of the Year (19:04).

Top 125 Albums of the Year structure (21:07).

Honourable Mentions (24:33).

Sub-15 (25:11).

The Majors (29:15).

Entertainment (33:29).

Butter (38:18).

For the Soul (41:33).

Grown Man Raps (46:43).

Grimy Shit (52:07).

Lyrical Wizardry (58:15).

Mind Activation (1:03:41).

• Note: I mistakenly said the wrong title for WOLFOXE's Naked Machines album, which appears at #11 in this tier. Also while you're here, check out the ‘3 Keys’ piece on this album, in collaboration with jouquin fox and Virgil Wolfe here.

Final thoughts (1:10:18).

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

In Episode 93, I was joined by a very special guest with me who has had a particularly affect on me as a brown hip-hop head growing up: Big Baby Gandhi.

Hailing from Flushing, Queens, formerly of Heems of Das Racist’s Greedhead label, you may have heard him on his solo work through well-received projects such as, Big F****** Baby, No1 2 Look Up 2, or We Live in a Society... or on a track with the Das Racist crew. He is thoughtful, charismatic, and funny as hell, and is also currently a practicing medical writer.

Hear a sneak peak at the outspoken nature of Big Baby Gandhi, as I began recording prior to us even legitimately beginning the interview like normal (0:49).

An introduction to Big Baby Gandhi (7:08).

Gandhi speaks on his upbringing and exposure to hip-hop as a Bangladeshi immigrant, growing up in New York (8:42).

Gandhi breaks down the fantasy that lies in rapper finances (17:37).

Gandhi dives deep into the increasingly standardized methods in which much of music is created these days (26:24).

Gandhi discusses changes in how people consume music (29:52).

Gandhi details his belief that music and culture generally is stuck in a loop, leading to nonsensical “culture wars” that distract the common man (particularly minorities) from the real issues (33:58).

Gandhi discusses his views on brown representation in hip-hop, and generally finding a way to being authentic as brown person in American society (50:35).

Gandhi describes how he came up with the moniker of “Big Baby Gandhi” as a rapper name (1:03:40).

Gandhi describes how it felt to release his first project, Big Fucking Baby, to critical acclaim (1:06:21).

Gandhi describes his relationship with Heems and Das Racist (1:11:08).

Gandhi discusses his recent NFT drops, and his thoughts on NFTs as a general concept (1:17:25).

Gandhi gifts us with a dope FREESTYLE (1:21:45).

Support Big Baby Gandhi's music here: https://bigbabygandhi.bandcamp.com/ 

Follow Big Baby Gandhi on Twitter here: https://twitter.com/BIGBABYGANDHI?s=20 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:21 to skip the intro)

Sean Don, Large Sean, otherwise known as Big Sean, has returned to the rap game after a self-imposed hiatus to release Detroit 2. I provide my thoughts on the often maligned rapper’s project, as well as his overall legacy to-date.

Next, I speak on the return of another artist, the wonderful SZA who has released a new single “Hit Different” with Ty Dolla, which looks to be the lead single off of her long-awaited follow-up album.

Finally, I speak on underground rapper Sadistik’s recent EP that, like much of his other work, does a great job of painting a palpable melancholic atmosphere for the listener.

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

After a stellar 2019 and 2020 that saw Your Old Droog drop his magnum opus, Dump YOD: Krutoy Edition, Droog’s music has been on the decline since then.

Thankfully, Space Bar corrects just about every issue I’ve had with Droog’s recent output, through better production, rapping, and guest features.

Space Bar’s beats, although not as captivating as Dump YOD or what was on Jewelry for sure, are much more up my alley.

Droog also tweaked his approach lyrically, showing improvement in this respect as well on Space Bar. 

There’s a fun braggadocios looseness that is more present here, that Droog has always thrived in, allowing him to up the bar quality in comparison with his last couple of projects.

He’s less personal on this album, and instead is more aggressive, airing out some grievances that he has with the rap game, and wack collaborators as well. Above all, YOD gives us punchlines on punchlines on punchlines.

Space Bar doesn’t try to do too much, and is better off for it.

RMPP Preferred Cut: "Meteor Man"

Buy/stream Space Bar here: https://yourolddroog.bandcamp.com/album/space-bar 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

Main Body of Discussion (2:00).

Few albums build an entirely fresh and distinct musical universe quite like ShrapKnel’s Metal Lung. 

Within seconds, the duo of PremRock and Curly Castro bring you on a 40+ minute journey that features a combination of A1 lyricism, and production that is wildly psychedelic and atmospheric.

Coming off the heels of two great solo albums respectively, and the debut ShrapKnel record that was great in its own right, my expectations couldn't have been higher for Metal Lung... and I am very happy to say that these expectations were blown out of the water.

The dynamic duo of Curly Castro and PremRock joined the show to deep-dive into the creation of Metal Lung, in the 3rd installment of the Album Alchemy series.

Listen on to hear how one of the best albums of 2022 was conceived.

Buy Metal Lung here: https://shrapknel.bandcamp.com/album/metal-lung 

Follow PremRock on Twitter here: https://twitter.com/PlanetPremRock?s=20&t=Y_WTB0pKsxoDf4YvG4pItg 

Follow Curly Castro on Twitter here: https://twitter.com/Curly_Castro?s=20&t=Y_WTB0pKsxoDf4YvG4pItg 

Follow PremRock on Instagram here: https://www.instagram.com/premrock/?hl=en 

Follow Curly Castro on Instagram here: https://www.instagram.com/curlycastro/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 2:14 to skip the intro)

Roc Marciano's impact on the hip-hop landscape has been second to none. In this episode, we dive into Roc's latest album, Mt. Marci, and discuss how Roc shaped the rap game over the past decade (2:46).

Next, we talk "Mixtape Wayne" and see if the New Orleans rapper was able to re-capture some of the magic from his prime on No Ceilings 3 (15:16).

Finally, in the first instalment of the Indie Spotlight Series on The Rap Music Plug Podcast, we cover Maryland rapper KNO1's Tripping project (28:09).

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

(Go to 0:49 to skip the intro)

New York's Finest, Skyzoo, has returned with his latest studio album, All the Brilliant Things, just as Ottawa's Finest, The Rap Music Plug, has returned to continue taking the podcast game by storm. It feels great to be back!

The way the lyrical themes play out on this album, is ultimately why I appreciate All the Brilliant Things so much more on multiple listens.

Unlike In Celebration of Us, which focused on his new experiences with Fatherhood, and how life was growing up alongside his honourable father, All the Brilliant Things differs in Skyzoo's focus.

This time around his lens is more outward, focusing on how his hometown has changed over the years mainly due to gentrification, walking you through memory lane recounting various stories and life experiences.

Sky also spends much of this album discussing his place in the game, and his contributions to hip-hop. Obviously Skyzoo has been, and still is braggadocious about his skill and accomplishments. However, on All the Brilliant Things, what I'm referring to is a grounded and celebratory view on what his rap career has meant to the art form, and what his career has indirectly meant for young men from his home... serving as an inspiration for those that grew up alongside him.

I obviously recognized Skyzoo's lyricism to be great since day 1. But on this album, I find the themes are exceptionally put together and push this album over the top.

Couple that with exquisite jazz-infused instrumentals, and we have another great rap album in 2021.

RMPP Preferred Cut: "Rich Rhetoric"

Buy/Stream All the Brilliant Things here: https://mmg-skyzoo.bandcamp.com/album/all-the-brilliant-things 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

(Go to 2:14 to skip the intro)

Playboi Carti's Whole Lotta Red was one of the most anticipated, and confusing releases in recent memory... and left many of his fans in shock, disbelief, and anger. I review the project and give you my perspective on if it lived up to the hype or not (3:23).

Next, I cover two Indie Spotlights, starting with the horn-infused left-field rap record from Al Patrone & Blessedassistant, The Cosmic Calendar (25:15). 

Finally, we end the episode by spotlighting Garden of Gethsemane, an EP by Masongo Ogora with production from Lo-Tek (32:37). 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

The Interview (1:47).

Turning nothing into something, overcoming your surroundings, exhibiting incredible perseverance, have all served as major components to the stories of hip-hop's greats throughout the years.

Today I am joined by someone who absolutely fits that bill. Someone who has succeeded with his integrity and authenticity intact.

That man is Vic Spencer, who’s 2022 has been stellar, dropping great records in Still Here with Doc da Mindbenda, Mudslide with Small Professor, and most recently, Psychological Cheat Sheet 3 with August Fanon.

If you’re interested in feeling inspired or enlightened right now, this conversation with Vic Spencer is for you!

And if you’re not into that sort of thing, that's cool too. I think DJ Akademiks has exactly what you’re looking for!

Vic speaks on how he remains so unapologetically authentic in his music (3:02).

Vic speaks on how he avoids the ‘crab in a bucket’ mentality that many other rap artists fall victim to (8:02).

Vic dives into his challenging childhood, and how he turned his group home experiences into a positive (16:30).

Vic speaks on the elevated sense of purpose in his recent records, and giving back to the youth (25:25).

Vic details why he likes the 1 producer-1 rapper structure for an album (29:05).

Vic provides insight into the unique 8-year long creative process for Still Here with Doc da Mindbenda (34:11).

Vic illustrates why he wanted to showcase more of his lighter side on Mudslide with Small Professor (40:12).

Vic details the deep connection he shares with August Fanon, and the inspiration behind the deeply personal Psychological Cheat Sheet series (43:29).

Vic details the meaning behind some of the most powerful lines on a Psychological Cheat Sheet gem, “Tear Duct Tape” (57:50).

Vis details upcoming projects to look out for (1:16:07).

Support Vic Spencer's music here: https://vicspencer.bandcamp.com/ 

Follow Vic Spencer on Twitter here: https://twitter.com/VicSpencer?s=20&t=bix8NLARPZ1K1frNpgudbg 

Follow Vic Spencer on Instagram here: https://www.instagram.com/vicspencer/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:24 to skip the intro)

The featured guest for this episode of the show is Evan Sansom-Gill. He is a 25-year-old who is the Co-Founder of an exciting new app, Offbrand, which aims to help creators find their audience.

As he progressed into adulthood, Evan, like many of us at this age, felt like he needed a change. How that change manifested and where it brought him though, did not go as planned.

We discuss the ins and outs of the Offbrand platform, as well as how he balanced this business pursuit with his current day job(s).

Finally, we talk about the key force that has brought the idea of Offbrand to fruition: adaptability.

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

Speaking with GENG PTP, aka King Vision Ultra, was a deeply rich and knowledgeable journey into hip-hop culture, and the coalition of hip-hop that he builds with, from a man who clearly treats the art form with the utmost respect that it deserves. There is a lot to learn and engage with in this conversation, so sit back and enjoy!

GENG breaks down the reasoning behind his strong affinity towards hip-hop culture, and how he grew up embedded in the community (3:08).

Why GENG feels a sense of duty to give back to the hip-hop community, in a myriad of different ways (18:11).

GENG gives his perspective on the foundational traits that underpin the PTP umbrella (26:20).

GENG provides the backstory of the genesis of PTP, and its overall mission (34:25).

GENG walks us through his key inspiration behind his unique visual design work (41:45).

GENG expands on this idea of the importance of language, as it relates to to the way we consume and discuss music (57:18).

GENG gives his perspective on how recent underground waves have developed over the years (1:10:22).

GENG details the process of collaborating with AMANI, and executing the complex ideas they cultivated on An Unknown Infinite (1:27:08).

GENG discuses the reception and high praise An Unknown infinite received, from the likes of Ka and more (1:38:15).

GENG talks about his FOUND SOUND art of sampling course, and the importance of this concept to music generally (1:45:28).

GENG details what he has in store for us in the near future (1:56:29).

Support GENG's music, and PTP label here: https://purpletapepedigree.bandcamp.com/artists 

Follow GENG on Twitter here: https://twitter.com/purpicide 

Follow GENG on Instagram here: https://www.instagram.com/genggrizzly/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

Main Body of Review (1:42).

2022 has been a year of marquee albums coming to fruition in hip-hop. After 20+ years, we finally got another album from Black Star. billy woods and Preservation, two artists that were a match made in heaven together, blessed us with Aethiopes. Danger Mouse and Black Thought came through with their collaborative album Cheat Codes.

But no other album in 2022 captured the intrigue of hip-hop head’s more than the long-awaited collaboration between the almighty Alchemist and Roc Marciano, titled The Elephant Man’s Bones.

Expectations were sky high, so I can’t wait to give you my take on if those lofty expectations were met… or disappointingly failed to live up to the hype.

RMPP Preferred Cut: "Rubber Hand Grip"

Stream The Elephant Man's Bones here: https://open.spotify.com/album/3Kkrsa5dgEgl2fYyO51EEf?si=zNod_K2iQ_-ymGmrYB_gVw 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

(Go to 0:49 to skip the intro)

On the surface, CALL ME IF YOU GET LOST sounds like Tyler flexing about how great his life is, with specific moments that reference a failed love he had with some girl.

But in reality, this album mirrors a famous poem by Charles Baudelaire in many ways, but takes it a step further and comes to a conclusion that is both realistic and interesting.

Tyler's primary subject matter on this LP is flexing his successes, and his wealth. But deeper than that, there is a real pride he displays in how he has navigated his way in the music industry, standing for what he believed in amidst a lot of hate and a journey to self-discovery related to his sexuality and identity.

Tyler sounds content and FREE.

This all serves to set the context for the one missing piece that is remaining in his life, which seemingly would upset this peaceful mind-state that he is otherwise painting in his rhymes... and that is a girl.

A girl he is trying to court to complete this decadent life Tyler now leads. This is precisely where the album's layers begin to unfold...

RMPP Preferred Cut: "WILSHIRE"

Stream CALL ME IF YOU GET LOST here: https://open.spotify.com/album/45ba6QAtNrdv6Ke4MFOKk9 

--

For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.squarespace.com/ 

(Go to 0:55 to skip the intro)

Cities Aviv is an artist that I was introduced to through my exploration into Memphis rapper Lukah's music this year, who's amazing recent record I reviewed, and who I interviewed last month.

And just like Lukah, Cities is one of the best musical discoveries I've had in a long time. From Memphis as well, Cities has been making cutting-edge hip-hop music for the past decade.

This album is like a bowl of lucky charms, with every single bite being that perfect mix of cereal and marshmallow charms... notice how I didn't say the album was consistent bites of JUST the marshmallow charms.

That's because the album has a perfect balance to it, walking the tightrope between a lot of variety of moods and textures. Never too sweet, too cold, or too abrasive.

This album is so VIBRANT, exuding colour and life, just as the beautiful album artwork would suggest. These beats truly have a life of its own.

Cities' rapping adds a great dimension of engagement to his music that really puts this album over the top. I always appreciated his lyricism, but the flows and the larger focus put on his lyrics on this album, in comparison with some of his recent work.... was an absolute highlight.

It’s not like lyrically Cities is “good for a producer rapper”... he’s legit good. His lyrics are often strikingly emotional and introspective, seeing Cities pour out his innermost thoughts and demons.

His vocals are not only sharp, but they tend to fit so snugly within these instrumental tapestries that he's built.

RMPP Preferred Cut: "Talking to the Flowers"

Listen to THE CRASHING SOUND OF HOW IT GOES here: https://citiesaviv.bandcamp.com/album/the-crashing-sound-of-how-it-goes 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (2:32).

As a listener of hip-hop, the best rappers always have a way of drawing you in. This can be achieved through aesthetics, found in a cool flow or voice. It can also be achieved through the content of what someone is saying, found in slick wordplay, or interesting subject matter.

Today’s guest, YUNGMORPHEUS, is a rapper who grabs my attention in both of the aforementioned ways. His voice is smooth, and his delivery is calm and even-keel, in a way that makes him unmistakably unique. On top of that, he really raps about stuff that matters, boasting fierce conviction, worldly perspective, and clever lyrical ability to boot.

MORPH has quickly turned into one of my absolute favourite rappers in the game. He has recently hit a new level of prolific excellence, with a slew of fantastic releases, collaborating with the likes of Eyedress, ThERAVADA, ewonee, and more.

Now, he has his latest upcoming album set to drop on April 28th, From Whence It Came, and I can promise you... this is one of his absolute best pieces of work yet, that continues the upward trajectory of quality we’ve been blessed with in recent years.

So I’m very pleased to welcome YUNGMORPHEUS on the show to discuss his distinct approach to rapping, his fiery brand of political commentary, and the makings of this upcoming album.

Along with some fun talk on white rap listeners and crackers... you won't wanna miss this!!

YUNGMORPHEUS’ music upbringing (3:36).

The moment YUNGMORPHEUS felt he was indeed, “dumb nice” (6:27).

Key influences of YUNGMORPHEUS’ eccentric writing (9:36).

YUNGMORPHEUS describes his writing style (13:30).

YUNGMORPHEUS’ recording process (22:51).

Approach to political commentary and white fan responses (25:16).

YUNGMORPRHEUS’ trademark flow (31:10).

The impact of MORPH’s previous collaborations (36:04).

The main inspiration for From Whence It Came (40:09).

How From Whence It Came stands out in the YUNGMORPHEUS canon (44:50).

Why YUNGMORPHEUS moved away from the one-producer formula on the new album (46:03).

Upcoming projects/merch (52:08).

Support YUNGMORPHEUS' music here: https://yungmorpheus.bandcamp.com/music 

Buy/stream From Whence It Came here: https://yungmorpheus.bandcamp.com/album/from-whence-it-came 

Follow YUNGMORPHEUS on Twitter here: https://twitter.com/yungmorpheus44?lang=en 

Follow YUNGMORPHEUS on Instagram here: https://www.instagram.com/yungmorpheus/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:21 to skip the intro)

The Canada Emergency Response Benefit (CERB) program was introduced in my home country to address reduction/loss in income for people whose employment was affected by the COVID-19 pandemic. Since April 2020 the program has been running, and like many social assistance programs, it has come under intense scrutiny. I provide my thoughts on the CERB as a policy, along with a particular ‘mindset’ shift I bring up for consideration, that relates to where regular people’s taxpayer money goes toward in capitalist societies.

Finally, I talk about the upcoming NFL season, and give you my key predictions!

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21)

For me, 2023 was the year of “oh wow, thank you”. This was a refrain I found myself more or less saying, time and time again. It signified a genuine gratitude for whatever nice thing some other person said to me, virtually, or IRL… but also signified that I was genuinely taken aback by the love, and that it has been an odd thing to adjust to.

It’s one thing to receive praise for something you’re successful at. It’s another thing entirely to receive praise for something you’re successful at that also actually means a lot to you. This has been my experience with this podcast this year. Thank you for listening… words cannot describe my gratitude.

In the spirit of gratitude, I will dive into detail into defined my 2023… through the lens of my favourite music, and hand out some awards along the way.

Welcome to the 4th Annual RMPP Awards!!!

The 4th Annual RMPP Awards intro (1:59).

Best Rap in a Supporting Role (3:13).

Hook of the Year (6:57).

Beat of the Year (8:39).

Producer of the Year (10:45).

Rapper of the Year (12:52).

Top Albums of the Year structure (16:06).

The RMPP 25: my top 25 albums, inclusive of all genres (18:49).

• The full categorized list of the RMPP's Top 100 Albums of 2023 can be found here: https://rmpp.squarespace.com/episodes/163-4th-annual-rmpps

Final reflection (36:15).

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (1:04).

Here is the first edition of the Conversation Pieces series, which aims to shine a light on some inspired gems of creativity in hip-hop that I’ve encountered...

That being said, this one is another layer of different for me, since I'm covering MOTOMAMI by Spanish songstress Rosalìa, specifically from the standpoint of how hip-hop fueled her artistry and the compelling creativity of this new album.

If you want cool content like this, months earlier than when you're getting it now, become an RMPP patron today, and obtain access to many forms of exclusive content that you won't be able to get anywhere else.

Stream MOTOMAMI here: https://open.spotify.com/album/6jbtHi5R0jMXoliU2OS0lo?si=n5BHdJmrShm-Fu9l65W0Gg 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (2:10).

Not only are topics like philosophy, spirituality, knowledge of self, difficult things to learn in and of itself... it’s an entirely different challenge to be able to communicate these topics with clarity. Not to mention with grace and humility to boot. Today’s guest, AKAI SOLO, does just that.

Something I told AKAI, and what bares repeating, is that an idea sounds simple when it is presented in his music. He’s that special.

With a fresh, and raw rap style that is reminiscent of Vordul Mega, and that’s not my words… that comes from the Backwoodz Studioz head honcho himself.

On the topic of Backwoodz, this artist joins the growing list of amazing artists dropping their best projects to-date. Since AKAI just released the beautiful Spirit Roaming just a couple of weeks ago, ne of the absolute best projects of the year, period.

This conversation was as insightful as you’d expect it would be with an artist like AKAI. Enjoy!

AKAI’s writing process (4:59). 

How AKAI characterizes his style of rap (16:13).

What AKAI’s music stands for (20:17).

AKAI’s creative connection with Navy Blue on True Sky (28:26).

AKAI’s mentality that he employs when approaching his career (31:49).

AKAI on being mindful of not alienating the audience (37:07).

The key inspiration behind the creation of Spirit Roaming (42:40).

The sound of Spirit Roaming (51:02).

The importance of woods executive producing Spirit Roaming (54:38).

How it feels being part of the Backwoodz Studioz run (1:00:47).

AKAI’s new album coming soon (1:05:36).

Support AKAI's music here: https://akaisolo.bandcamp.com/music 

Follow AKAI on Twitter here: https://twitter.com/shinlonered?s=20&t=ShYlpWtroe-E2kxSzfflag 

Follow AKAI on Instagram here: https://www.instagram.com/shinlonered/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

Episode 28 welcomes special guest, Iceberg Theory, to the show. Ice is a prolific rapper and producer, who dropped 10+ densely lyrical albums in 2020.

We discuss the roots of how Ice developed a love for hip-hop and decided to put pen to paper and starting rapping (3:37).

Next, we uncover if Ice truly is this grounded philosophical thinker he portrays himself as is in his music, along with some insight into his previous desire to become a monk out of college and how his religious pursuits influenced his writing.

We deep-dive into Ice's perspectives on the benefits of religion and spirituality in today's fractured, oftentimes morally-devoid society (22:15). 

We then talk about the meaning behind his artist name, "Iceberg Theory", which is based on the Ernest Hemingway writing style, and how that plays into his artistic process (37:25).

Finally, we talk about his latest opus, Dispatches form the Kali Yuga, and what separates this album from the rest of his already-impressive discography (42:44).

We then discuss his creative relationship with underground phenom, August Fanon, who has produced many albums with Ice over the past couple of years (48:19).

Following that, we dive into what Ice would hope listeners gather from his music when they listen to it (58:36).

Next, we discuss one of Ice's biggest influences, Canibus (1:01:48).

Lastly, we finish off the episode with a speed round of some quick questions to bring us home (1:07:23).

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

Main Body of Discussion (2:40).

Rappers that are known for quote unquote “rapping fast” have almost developed a bit of an odd reputation in some underground circles. Where something that could be seen as an undeniably good thing, has instead been seen as a marker of potentially corny music, devoid of real substance. The downfall of later era Eminem, as well as artists like Logic, have played a big role in this.

However, like with most things, it’s always to avoid generalization and approach things with an open mind… especially when it comes to something as subjective as music. phiik and Lungs are two MCs that have comfortably defied these negative connotations, sporting flows that are not only fast, but take the art of rapping to entirely new places. They have create pockets in beats that would not even be accessible 99% of other rappers out in the game.

Add on to the fact that this duo’s sound, provided Lungs under his producer moniker LoneSword, is similarly cutting-edge... what these guys have created is a world of rap that is entirely their own.

Their work has increased in mastery with each and every project, culminating with their best project yet, early AOTY of contender, Another Planet 4.

I am so pleased to have these two on the show, as part of the Album Alchemy series, where we dive deep into how they’ve developed their craft, and created such a unique record in Another Planet 4.

How phiik and Lungs approach writing their hyper-verbose raps (4:28).

Primary lyrical inspirations (11:47).

The distinct sound of AP4, and the overall Another Planet experience (24:41).

How AP4 was an improvement on the Another Planet formula (44:41).

“The Plug” series of bars (52:53).

Another Planet 4 physicals, and streaming (57:03).

Buy/Stream Another Planet 4 here: https://open.spotify.com/album/53nKCpRA9pldZP5qmjOsyd?si=aNhcdHbUQOubCTt62l7usg 

Follow phiik on Twitter here: https://twitter.com/phiik_ 

Follow Lungs/LoneSword on Twitter here: https://twitter.com/big_dead_lung 

Follow phiik on Instagram here: https://www.instagram.com/phiik_/?hl=en 

Follow Lungs/LoneSword on Instagram here: https://www.instagram.com/big_dead_lung/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

The League of Extraordinary Content Creators (LOECC) is a conglomerate of some of the sharpest minds in hip-hop journalism (if I do say so myself), composed of the following members:

• Gary Suarez - writer and podcaster for CABAGGES, with bylines in Rolling Stone and Vulture: https://linktr.ee/imgarysuarez 
• CineMasai - writer and podcaster with the Reel Notes podcast, with bylines in Pitchfork, Okayplayer, and DJBooth: https://linktr.ee/CineMasai 
• Dan-O - writer and podcaster for Freemusicempire: https://linktr.ee/Freemusicempire 
• SonRaw - writer/DJ/Producer, with bylines in FactMag and Passion of the Weiss: https://linktr.ee/sonraw 
• ... and Me!

In the first installment from the LOECC, we discuss the highly-anticipated album from Virginia's Pusha T, It's Almost Dry. 

It was an absolute honour to rub virtual shoulders with some hip-hop journalist heavyweights. This conversation was an absolute blast that is chock full of gems... don't miss this!!! 

RMPP Preferred Cut: "I Pray for You"

Stream It's Almost Dry here: https://open.spotify.com/album/6o38CdD7CUlZDCFhjZYLDH?si=codyid1CRDWypy_z9BB6Jw 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

(Go to 0:49 to skip the intro)

The wonderfully multi-talented Big Flowers (Michael) joined the show to wax poetic on a number of topics concerning the hip-hop and art scene that he contributes great work towards.

We start by discussing the conception of Big Smile, and where Big Flowers' mind has been at throughout the pandemic (1:39).

Michael then details how Big Smile was a therapeutic recording process for him. (19:37)

As a member of a burgeoning movement of thoughtful hip-hop, Michael gives his takes on what from the underground right now (35:14).

Next, Big Flowers illustrates how he was able to orchestrate the significant levels of collaboration found on Big Smile (56:00).

Michael discusses what drew him to create Memories Gro , his re-invisioning of Memories Bleed by EYESWIDESHUT & Pepper Adams (1:10:05).

Since Big Flowers is an accomplished visual artist (who created the video animation for this very show!), we discuss why his visual design work is so special (1:19:53).

Finally, we talk about what the future holds for Big Flowers in 2021 (1:30:48).

Stream/Buy Big Smile here: https://bigflowers.bandcamp.com/album/big-smile 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

The Interview (2:03).

Album artwork and the visual side of hip-hop has always played a key role in how music lovers engaged with the art form.

In today’s episode we are joined by someone who’s work has provided visuals for some of rap’s finest. From legends such as Prodigy, Clipse, DJ Premier, The Alchemist, and most notably as of late, many Backwoodz Studioz artists such as Armand Hammer and ShrapKnel.

I hope you enjoy today’s illuminating conversation with the incredibly talented photographer and film director, Alexander Richter.

Richter details how he got into photography and film growing up, and why he gravitated towards the visuals of hip-hop vs. the music creation side of the equation (3:01).

Richter provides his take on if album artwork has increased or decreased in value, in our current digital streaming era (8:54).

Richter illustrates the creative process that goes into collaborating with an artist on a visual (15:03).

Richter describes how he improves his craft as a photographer (24:04).

Richter describes how he first got actively involved in hip-hop as a photographer (28:56).

Richter gives us his craziest story shooting with a rapper, working with Action Bronson on the Saab Stories album cover (31:54).

Richter explains why he and Backwoodz Studioz connect so well, becoming a fixture in the Backwoodz Studioz universe (38:55).

Richter provides insight into the striking slaughtered pig album artwork for Haram (42:26).

Richter describes the vision of his short film Dark Brother Rise (50:12).

Richter gives his thoughts on the concept of trust in film, as it relates to the jean-yuhs documentary (59:50).

Richter answers a RMPP PATREON question from Dan-O of Freemusicempire on what stands out to him in a great photo (1:06:06).

Richter shouts out where you can find his work (1:13:38) (link below!).

Support Alexander Richter's work here: https://alexanderrichterphoto.com/  

Watch Dark Brother Rise here: https://www.darkbrotherrise.com/ 

Follow Alexander Richter on Twitter here: https://twitter.com/AlexandeRichter?s=20&t=pLthRxEsbUAaNqhXLCXGdQ 

Follow Alexander Richter on Instagram here: https://www.instagram.com/alexanderrichter/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:48).

The Interview (1:53).

The living embodiment of all that is great about Detroit hip-hop - distinct sound and originality in spades - represents Bruiser Wolf to a tee.

Bruiser Wolf is part of the Danny Brown-led collective, Bruiser Brigade, home of some of the most forward-thinking hip-hop coming out of Detroit. Wolf is known as one of the funniest rappers alive, with a voice unlike anyone else’s.

In today's episode we discuss the creative decisions involved in his distinct artistic approach, having faith in his career as an artist, Bruiser Brigade, and how he created his excellent new album, My Story Got Stories.

Bruiser Wolf's writing process (2:52).

Bruiser Wolf’s approach to humour (7:57).

Bruiser Wolf’s faith in his music career (17:00).

How Bruiser Wolf connected with Bruiser Brigade (24:18).

Influence of Danny Brown (26:24).

The Bruiser Brigade environment (30:31).

Bruiser Wolf’s initial reaction to finally dropping My Story Got Stories, 36 hours after its release (33:21).

The My Story Got Stories listening experience (40:20).

The stories Bruiser Wolf wanted to share on My Story Got Stories (45:18).

How Bruiser Wolf improved on his craft through creating My Story Got Stories (48:19).

Upcoming music / tour dates / merch from Bruiser Wolf (50:59).

Bruiser Wolf’s Rams-Lions NFC Wildcard prediction (that was eerily accurate) (55:41).

Support Bruiser Wolf and buy My Story Got Stories here: https://bruiserwolf.com/ 

Follow Bruiser Wolf on Twitter here: https://x.com/theebruiserwolf?s=20 

Follow Bruiser Wolf on Instagram here: https://www.instagram.com/_bruiserwolf/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:24 to skip the intro)

On September 29th, 2020, Donald J. Trump and Joseph Biden got together for a “debate” that proceeded to embarrass the entire country, regardless of political affiliation.

I provide my thoughts on this train wreck, as well as my controversial take on the “… stand back, and stand by…” comment that Trump made related to the far-right group, the “Proud Boys” (1:53).

Lastly, I review the highly lyrical new album from Detroit MC Elzhi, titled Seven Times Down Eight Times Up (30:00).

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Why I love talking about music (0:21)

One of the greatest things about art is that it’s contextual… it’s temporal.

Meaning that a particular album for example, could not only make different people feel different things, but could even make the same person feel different things, once the context surrounding their experience with the album changes.

This dynamic is why I love talking about music, and why I hope you the listener choose to tune in to this show almost every Wednesday of the year, The amount of perspectives and feelings one can have with a piece of music is endless.

It’s this concept of subjectivity and context-dependence that can make anyone’s relationship with any piece of music uniquely their own, and worthy of exploring. Uncovering the why behind not only the artist’s creative decisions, but the listener’s response to said piece of music as well, is why I find this space of music commentary so fascinating.

Therefore, in celebration of music and the discussion of beautiful art… I welcome you to the 3rd Annual RMPPs.

The 3rd Annual RMPP Awards Intro (4:20).

For a full breakdown of winners, nominees, and top albums of 2022, visit the RMPP website: https://rmpp.squarespace.com/episodes/132-3rd-annual-rmpps

Favourite Musical Discoveries of the Year (5:24)

Hook of the Year (5:58)

Best Rap in a Supporting Role (7:23)

Beat of the Year (8:37)

Song of the Year (10:18)

Producer of the Year (11:56)

Rapper of the Year (13:54)

Top 125 Albums of the Year structure (15:50).

Honourable Mentions (17:38).

Sub-17: projects that are 17 minutes or less (18:27)

The Majors: major-label albums from rap’s mainstream heavyweights (20:28)

Fun in the Sun: albums that can lift your spirits and maybe even make you laugh (23:50)

Feels: albums that get you in your feels (27:20)

For the soul: albums that are dripping in soul and wholesome vibes, which can help ground you (30:54)

Grown Person raps: music that really hits those mature themes of adulthood, growing up, growing old (34:39)

Grimy Shit: Albums that are gritty and hard af (39:30)

Lyrical Wizardry: albums that dazzle with their command of the English language, and their ability to paint lyrical pictures (44:00)

Mind Activation: music that melts your mind and pushes lyrical and musical boundaries (48:16)

Final thoughts (55:32).

Buy/stream "Mentalfortress" and the entire Slumber Logic & Mantis the Miasma album: https://slumberlogic.bandcamp.com/album/talking-to-walls 

--

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Earnestness is a hard thing to pull off in music. As much as listeners like to think we know the artists we listen to as actual people, we don’t. Most of the time, we’re simply left to whatever we hear in the music, to get a feel for if someone is being honest and authentic with how they think and feel.

In the social media and AI age, it’s getting harder and harder to have trust in the media we consume, and take things at face value. However, with today’s guest, NAHreally… it’s actually quite easy. It’s clear to me that NAHreally is as honest and personable a rapper, as they come.

NAHreally, Massachusetts-native now living in Jersey City, first came on my radar through some nice features before really making an imprint on my mind with his collaborative album with Irish-producer, The Expert, on BLIP, one of the best albums of the year

He’s back with a self-produced new album, Secret Pancake, and joins us today to discuss the seamless creative process for this new album, how it differed from the creation of BLIP, his uniquely down-to-earth approach to rap, distinct flow, and much, much more.

The Plug (0:38).

The Interview (2:17).

The creation of the Secret Pancake album artwork (2:57).

Top 5 rapper hands - RMPP patron q from Dan-O of Freemusicempire (7:47).

NAHreally’s creative process - RMPP patron q from Rhino (11:44).

Major influences on NAHreally’s rap style (17:32).

The creative chemistry between NAHreally and The Expert on BLIP (19:48).

NAHreally’s approach to social commentary in music (23:47).

The importance of being ”relatable” to NAHreally (29:35).

The approach to creating Secret Pancake (34:20).

NAHreally’s mindstate when creating Secret Pancake (38:01).

The production direction on Secret Pancake (43:10).

Upcoming projects / tour dates / merch (47:32).

NAHreally’s thoughts on the upcoming NFL playoffs (51:07).

Buy/stream Secret Pancake here: https://nahreally.bandcamp.com/album/secret-pancake 

Follow NAHreally on Twitter here: https://x.com/_nahreally_ 

Follow NAHreally on Instagram here: https://www.instagram.com/_nahreally_/ 

Intro/Outro beat by: BLOODBLIXING

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

In a very special Episode 79, we host our first Backwoodz Studioz member, producer/engineer/mixer/masterer, sound mastermind Steel Tipped Dove. Dove is a phenomenal artist, who has graced the best works in hip-hop, from Haram and BRASS, to his own work in 2021's great Call Me When You're Here LP.

De-mystifying what audio engineering, mixing, and mastering actually means (2:49).

Steel Tipped Dove's views on the emergence of more care and attention being put on engineering and mixing in recent years (11:23).

The role an audio engineer, mixer, or masterer, plays in the creative decisions of a record (14:58).

How Dove's deep passion for music begin, and how his work evolved from beat-making to post-production work (19:30).

How Dove initially linked up with Heems, Big Baby Gandhi, and Lakutis, which jumpstarted his career and garnered him an initial buzz (22:21).

The importance that his home studio in Brooklyn played in Dove's career (25:06).

The meaning behind the Steel Tipped Dove moniker (29:26).

Steel Tipped Dove recounts how his relationship with Backwoodz Studioz first began (32:57).

What about the Backwoodz Studioz camp inspires Dove (36:57).

Dove explains the unique vision and structure behind his 2021 instrumental album, inside.outside.inside.outside (41:23). +57

The conception of Dove's new album, Call Me When You're Outside (49:36).

Dove describes the sound that he attempted to create on his latest LP (54:16).

What Dove looks for in potential collaborators (58:40).

Why Dove is content with being in the background, and why he felt it was time to put out an album like Call Me When You're Outside (59:52).

Dove's favourite record to be a part of (1:04:43).

What Dove has in store in the near future (1:08:15).

Support Steel Tipped Dove's music here: https://steeltippeddove.bandcamp.com/ 

Follow Steel Tipped Dove on Twitter here: https://twitter.com/steeltippeddove?s=20  

Follow Steel Tipped Dove on Instagram here: https://www.instagram.com/steeltippeddove/ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:46).

For those who heard the last bonus episode I released, or follow me on Twitter, it should come to you as no surprise that I absolutely adore Leather Blvd., an album created by Pink Siifu and Ahwlee, as B. Cool-Aid.

This was a record that did so much good to my spirit, helping me get through some really tough times this year. Therefore, I’m sure you can imagine how honoured I feel to welcome Pink Siifu to the show to not only dive into the creation of this masterpiece, but also discuss what he’s learnt from legendary musicians, his chameleon-like versatility as an artist, and how he approaches collaboration.

We also get some insight into his brand new surprise album, that just dropped a day ago on Halloween, IT'S TOO QUIET…'!!, a collaborative record with Cincinnati's-own Turich Benjy, who also makes a special appearance towards the end of this conversation.

So it goes without saying that you certainly won’t wanna miss this!

How Siifu maintains his identity no matter what style of music he makes (2:14).

Siifu’s trademark voice (5:05).

The influence of D’Angelo and Erykah Badu on Siifu (8:37).

The role Siifu hopes his music plays in helping those in need (13:19).

Siifu’s mastery of collaboration (17:11).

The feeling Siifu wanted listeners to takeaway from Leather Blvd. (19:53).

The importance of expressing a diverse take on romance in Siifu’s music (26:00).

The greatness of Ahwlee (27:51).

The recording process of Leather Blvd. (29:28).

Introducing Turich Benjy (32:54).

Turich’s primary musical influences (34:15).

The making of Ultrasound (35:51).

What drew Turich and Siifu together (37:47).

The musical experience of IT'S TOO QUIET…'!! (40:20).

The chemistry between Siifu and Turich (46:09).

Shout outs and upcoming work to look out for (50:21).

Stream IT'S TOO QUIET…'!! here: https://open.spotify.com/album/17hUD5VessLUxX5pqBi2Av?si=Dc0eyUSkSf6mpiXk9234Zg 

Follow Pink Siifu on Twitter here: https://x.com/PinkSiifu?s=20 

Follow Turich Benjy on Twitter here: https://x.com/turichbenjy?s=20 

Follow Pink Siifu on Instagram here: https://www.instagram.com/pinksiifu/?hl=en 

Follow Turich Benjy on Instagram here: https://www.instagram.com/turichbenjy/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:44).

The Interview (2:08).

On this show, I know I’ve used terms like "unique", or "one-of-a-kind" quite a bit to describe the artists I’ve had on this show. But I promise you, today’s guests truly embody these terms to the fullest degree.

maassai and JWords, otherwise known as H31R, are a duo hailing from Brooklyn who sport an ingenious sound that blends electronics and drum n bass elements with hip-hop, supplied by producer JWords. These sounds are paired with confident, heady, and effortlessly fly rhymes from the MC of the group, maassai. Great in their own right as solo artists, together they are an entirely different beast.

In this episode, we discuss their chemistry as a duo, the origin story of H31R, growth and maturation, as well as the making of their fantastic AOTY contender released under Big Dada, HeadSpace.

H31R’s fanbase (3:10).

Big Dada signing (5:12).

H31R origin story and the inspiration behind this partnership (9:04).

The vision for the H31R sound (11:28).

The basis of maassai and JWords’ chemistry (13:22).

How maassai and JWords push each other’s artistry to new places (16:48).

How solo work feeds back into the H31R creative process (22:13).

Inspiration behind the introspective lyricism on HeadSpace (24:23).

Production approach on HeadSpace (33:04).

The cohesive structure of HeadSpace (37:57).

Key learnings from ve·loc·i·ty that they applied to HeadSpace (40:44).

Favourite songs on HeadSpace (45:30).

Upcoming projects / tour dates / merch (50:56).

Support H31R's music here: https://h31r.bandcamp.com/music 

Follow JWords on Twitter here: https://twitter.com/_jwords 

Follow maassai on Twitter here: https://twitter.com/maassai_ 

Follow H31R on Twitter here: https://twitter.com/_H31R 

Follow JWords on Instagram here: https://www.instagram.com/_jwords/ 

Follow maassai on Instagram here: https://www.instagram.com/maassai_/?hl=en 

Follow H31R on Instagram here: https://www.instagram.com/_h31r/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

The Plug (0:21).

The Interview (2:37).

In a VERY special bonus episode of the RMPP, I joined the latest installment of Freemusicempire's State of the Game series to discuss all things Mach and #RAH with the FME boys, Kam of Crate 808... AND AUGUST FREAKING FANON!!!

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Join the Freemusicempire here: https://freemusicempire.com/%C2%A0 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

Main Body of Review (2:16).

Lupe Fiasco, is a stalwart in the hip-hop game, having made music for roughly two decades now, to very good and often great results.

The Chicago MC has returned with his 8th studio album, and decided to create this latest on in an entirely different way than he has made any other album prior.

Lupe worked with a producer named, Soundtrakk, a frequent longtime collaborator of his, to create DRILL MUSIC IN ZION in just three days.

The conception of this album was inspired by the Japanese concept of wabi-sabi, or appreciating the beauty in imperfection.

Lupe stated that his goal with this album was to find a balance between the "whimsy and the profound". That is very telling, and serves as a useful lens to apply to this album as a whole.

Listen on to see if stepping outside of his comfort zone unlocked some new magic for Lupe… or left me wanting more.

RMPP Preferred Cut: "MS. MURAL"

Stream DRILL MUSIC IN ZION here: https://open.spotify.com/album/0UennjqMxb1SAsaf7bsSwE?si=uL_E-QEzSeydTjjkXzsglA 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

(Go to 0:49 to skip the intro)

In sharp contrast to the usual religious subject matter you hear in music, Iceberg Theory's perspective on this topic is NOT dogmatic. It's not a simplistic perspective that says "God will save us", or "God is perfect".

Ice either, uses these religious themes as cool motifs and poetic devices for his rhymes, or, is exploring the fundamental foundation of belief, and the complexity and contradictions that arise from this perspective. These thoughts are especially notable in light of the recent release of DONDA by Kanye West.

Having just listened to the DONDA album (2nd listening party version to be clear) prior to recording this review, it allowed me to see Horned Monk with a different lens, and develop a deeper appreciation for how it approaches the topic of religion.

Horned Monk deeply wows me lyrically, with production from August Fanon that never ceases to impress.

RMPP Preferred Cut: "(Untitled)"

Stream/Buy Horned Monk here: https://icetheoryrap.bandcamp.com/album/horned-monk  

Interview with Iceberg Theory here: https://podcasts.apple.com/ca/podcast/28-iceberg-theory-interview/id1527457780?i=1000506626322  

Review of Iceberg Theory & August Fanon's Dispatches from the Kali Yuga here: https://podcasts.apple.com/ca/podcast/25-navy-blue-iceberg-theory-august-fanon-fatboi-sharif/id1527457780?i=1000504296233 

--

For artist development/writing services, DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com 

Let's stay connected! Find me here: https://rmpp.squarespace.com/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

As he has done on many Westside Gunn albums in the past, AA Rashid provides some words of wisdom at the beginning of both sides, but I want to key in on what he did on Side B.

This was probably my favourite contribution of his to-date, because it applied so well to Westside Gunn as an artist.

Rashid speaks about revolutionizing, shifting the paradigm... and what has Westside Gunn, BUT shift the paradigm? Two key waves I believe Gunn has spearheaded over the years are the following.

The first being that Gunn has shifted large factions of the rap game to not only accept, but celebrate the "curator" role that he has now settled so comfortably in.

Before him, the idea that an artist could have this many features, and not always be the focal point of his own album, would be a negative to many.

Now it is revered as one of the most admirable traits of Gunn's music, taking what I think an artist like Kanye West has historically been great at, in selecting the best collaborators and getting the best out of them... and taking it even further in this direction, where Gunn's presence doesn't always need to be on one of the songs if it doesn't need to.

The second wave he has led is popularizing the minimal dusty boom bap and drumless beat movement, which is now incredibly popular in the underground.

Again there are others who helped push this style to prominence... but part of being influential is being able to successfully make a certain level of impact. Gunn as the mastermind behind Griselda, certainly did that.

H***** Wears Hermes 8 was a fitting curtain call for Westside Gunn, and properly showcased all that has made his artistry so impactful to the art form.

RMPP Preferred Cut: "Free Kutter"

Stream H***** Wears Hermes here:

Side A - https://open.spotify.com/album/0M5cyXHBV0en8q02019vaC?si=GayzT-xiR4KMibj_rJO9og 

Side B - https://open.spotify.com/album/0KtFP56RU7bd32pcvdeWOU?si=F9OROMjJRQWG3ZNuvcBsvQ 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

With TYRON, slowthai took an interesting approach as he split the album up into two distinct sides. The first side being more aggressive and high-energy, whereas the second side being much more introspective and lowkey.

What I find this album fails to do in the first half, is make the connection between the more hedonistic party animal lyrical content, and the underlying elements of destructive behaviour, and defence mechanisms that these lyrics are supposed to represent.

The purpose of the first side, of setting the stage for the realization and vulnerability displayed on the second half, isn’t clearly articulated and mainly just come off as bangers that showcase his wild side.

Once it gets to the second disc though, I think the album really starts to become more memorable.

TYRON has its heart, and its head honestly in the right place. It just lacks the lyrical precision in the first half to put it over the top.

This album has a lot more to offer than wild energy and cold-hearted bangers, but it unfortunately spends a good portion of the album trying to portray the duality of slowthai's complicated psyche in an unfocused-manner.

But still, this album has a lot of great qualities to it, especially on the second half of this album, which is much more engaging, from a lyrical and musical standpoint, which solidifies TYRON as certainly a worthwhile and admirable effort from slowthai.

RMPP Preferred Cut: "adhd"

Stream/Buy Tyron here: https://slowthai.bandcamp.com/album/tyron 

--

For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

(Go to 0:55 to skip the intro)

This is a podcast on hip-hop... a genre of musical expression that has always been intertwined with the culture and politics that surround it. Therefore, understanding the artists that make the music, naturally means diving into their thoughts and opinions both directly, and indirectly related to their music.

So with Adé Hakim in Episode 38, this is certainly one of those times when the conversation went deep into some topics that some may find uncomfortable and politically-charged. Although I personally disagree with Adé on a lot of the political topics we discuss, I hope you appreciate Adé and I having a raw and honest conversation... even if our lack of agreement on the facts prove to be irreconcilable in some cases. 

Adé is a hip-hop artist that has made a significant impact on the underground hip-hop landscape over the past half-decade, through his work with New York's sLUms collective, his own solo work, and some famous production credits on albums such as Earl Sweatshirt's Some Rap Songs.

We first discussed his beginnings as an artist (6:07), and Adé's remarkably distinct production style (20:00). 

Next, we talked about how Kanye West played a part in inspiring Adé, along with Kanye's much-maligned "slavery was a choice" comments from 2018 (25:33).

Adé then spoke on the influence he had on the current underground scene in hip-hop (38:15).

We spoke about Adé's work with Earl Sweatshirt on Some Rap Songs, and what independent artists can learn from the unfortunate label issues he encountered during that experience (42:52).

Fast-forwarding to 2020, we talk about the creation of The Walk Off, and how the creation process differed from his previous album, HAPPIEST PEOPLE IN THE WORLD WIDE WEB (1:00:35).

Next, we discuss Adé's views on the protests that stemmed from the murder of George Floyd in 2020 (1:09:41).

We transitioned to talk about Adé's stance on COVID-19 and our differing conceptions of reality began to crystallize (1:24:57), along with the controversial summer show Adé held in 2020 (1:28:40).

Moving back to The Walk Off, we talk about how the lyrical approach to messaging on this album was more aggressive and urgent than Adé's previous work (1:53:56).

Lastly, Adé shows us a sneak peek at a song candidate for his upcoming EP (2:13:05).  

Stream/Buy The Walk Off here: https://6press.bandcamp.com/album/the-walk-off

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For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (1:31).

Within about 10 seconds of hearing Fly Anakin for the first time, I knew this guy was born to rap. Immediately, his raspy voice caught my attention, sounding like he had a built-in plug-in in his vocal chords… making his dazzling bars sound so special.

In this episode, Richmond-born Frank, otherwise known as rapper-producer Fly Anakin joins the show. We discuss how he found his voice, established his vision for the almighty Mutant Academy, his recent achievements in FlySiifu’s and Frank, and the impressive world-building that went into creating his cheeky and romantic new album, Skinemaxxx.

The strain of hip-hop Frank likes to create, and making “mindless music” (1:39).

How Frank developed his voice - RMPP patron q from nogod (8:27).

The Richmond, Virgina music scene and its influence on Frank’s musical tastes (12:51).

The moment Frank realized music could be a real career path (15:54).

The vision that Mutant Academy was founded on (18:27).

FlySiifu’s and the creative chemistry with Pink Siifu (23:57).

The importance of Frank, and overcoming insecurity (28:35).

Why Foisey is the jelly to Frank’s peanut butter (34:35).

The thinking behind separating the release of Side A and B of Skinemaxxx (38:34)

The concept and sound of Skinemaxxx (40:45).

The artistic growth Frank experienced creating Skinemaxxx (46:36).

Upcoming work and shows from Fly Anakin, and Mutant Academy (51:05).

Frank overcoming his hatred of jeans (54:34).

Support Fly Anakin's music here: https://flyanakin.bandcamp.com/music 

Buy/stream Skinemaxxx here: https://flyanakin.bandcamp.com/album/skinemaxxx-side-a-side-b 

Follow Fly Anakin on Twitter here: https://twitter.com/flyanakin?s=20 

Follow Fly Anakin on Instagram here: https://instagram.com/flyanakin?igshid=MzRlODBiNWFlZA== 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

The Backwoodz Studioz invaision continues in Episode 80, as we are joined by fiery lyricist, Curly Castro. Castro has been on a tremendous run in recent years, from his collaborative LP with PremRock, ShrapKnel, his scorching-hot feature on Armand Hammer's Haram, to his powerful Bobby Hutton-inspired record, Little Robert Hutton. 

Curly's perspective on how it feels being part of the impactful Backwoodz Studioz movement (2:26).

Curly discusses how working with greats like ELUCID, Prem, woods, helps him hone his craft, and sets an unspoken standard of excellence (9:10).

Exploring the crew dynamics of The Wrecking Crew (11:35).

How the idea of ShrapKnel materialized (20:58).

Castro speaks on his bold outspokenness in his music, and not being afraid to say how he feels (27:23).

What Castro aimed to achieve with his Black Panther, Bobby Hutton-inspired album in Little Robert Hutton (31:46).

The vision behind this boldly explosive sound for Little Robert Hutton (41:40).

How Castro manages to weave in many guest verses into his lyrically-heavy albums (49:57).

The inspiration behind the Call Out Culture podcast (56:52).

Castro gives his take on the health of indie artist scene in our current music landscape (1:01:31).

Curly's future plans (1:06:22).

Support Curly Castro's music here: https://curlycastro.bandcamp.com/ 

Follow Curly Castro on Twitter here: https://twitter.com/curly_castro?lang=en  

Follow Curly Castro on Instagram here: https://www.instagram.com/curlycastro/?hl=en 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

To discuss the highly polarizing J. Cole, and his latest album The Off-Season, I was joined by Jay El, the creator of The Bytown Blog, to better understand the perspectives of a true Cole Miner.

We dive into some potential misconceptions related to Cole fandom, how Cole reminds me of The Weeknd (?), and of course... discuss our thoughts on this latest album from Jermaine, which Jay El dubs his best album yet.

RMPP Preferred Cut: "let go my hand"

Listen to The Off-Season here: https://open.spotify.com/album/4JAvwK4APPArjIsOdGoJXX 

Check out Jay El's new blog: https://bytownblog.com/?fbclid=IwAR1_sin0mc29UNCA59AmbQ0surK2APRTzQ2mqSUDFGc6bktp16ZAN0_IEK8 

Check out Jay El's YouTube channel: https://www.youtube.com/channel/UCy79w-sj5HyB8esfH8RllpA 

--

For artist development/writing services, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

The worlds of electronic and ambient music have been guests within the world of hip-hop for a long time now. Artists like Travis Scott have successfully integrated these two previously separate guests into hip-hop to great effect. Though at its core, the music of a Travis was hip-hop first, with other ambient and electronic sounds added into the mix on top of that. But with the music from today’s guest, Yungwebster, the math has changed.

New York’s Yungwebster shows us what it sounds like when ambient music is the fundamental foundation, with hip-hop weaved as an addition. This leads to music, such as Yungwebster’s latest self-titled album from 2023, which is a one-of-a kind exploration of what is being dubbed “ambient rap”.

It boasts thick washed out synths, cavernous basslines, and beautiful ethereal vocals evoking some of the prettiest moments of the cloud rap era. Yungwebster’s melodic auto-tuned vocals serve as an instrument, fully submerged into the beat, yet still making an impact with its songwriting pop that is reminiscent of the best work of a Future or Young Thug.

To learn more about something so exciting and wholly fresh, I invited Dash Lewis, talented writer (Pitchfork, HipHopDX, The Guardian, PassionWeiss, and more) to co-host this conversation with Yungwebster, bringing his refined knowledge of electronic music to the table.

Listen to this episode to familiarize yourself with an artist that is surely like nothing else you’ve heard before!

The Plug (0:53).

The Interview (3:03).

The intersection between ambient and rap in Yungwebster’s music (5:47).

How Yungwebster linked up with premier electronic music label, sferic (8:49).

Yungwebster’s key influences in the ambient space (12:33).

Yungwebster’s mindstate when creating Yungwebster (14:21).

Yungwebster’s instrument-like vocals (17:11).

The inspiration behind the different time-shifted versions of songs on Yungwebster (21:40).

How Yungwebster nurtured a global network of producers on his self-titled album (24:39).

Yungwebster viewing himself as an ambient artist first (27:34).

Other ambient rappers Yungwebster recommends (29:20).

Upcoming projects from Yungwebster (30:34).

Buy/stream Yungwebster here: https://sferic.bandcamp.com/album/yungwebster 

Follow Yungwebster on Instagram here: https://www.instagram.com/yungwebster_/   

Follow Dash Lewis on Twitter here: https://x.com/gardenerjams?lang=en 

Follow Dash Lewis on Instagram here: https://www.instagram.com/gardenerjams/?hl=en 

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

Conway the Machine's long awaited Shady Records studio album, God Don't Make Mistakes, has finally arrived. 

To discuss this highly anticipated record, I was joined by Virginia artist-writer extraordinaire Dash Lewis, who lent his keen ear to this album and helped discuss this intriguing addition to the Machine's catalog.

RMPP Preferred Cut: "Stressed"

Stream God Don't Make Mistakes here: https://open.spotify.com/album/4w1BBgCcUVv54r3zJenKpG?si=hAnbTYFyQHmygf1ZrRj6dA  

Follow Dash Lewis on Twitter here: https://twitter.com/gardenerjams?s=20 

Follow Dash Lewis on Instagram here: https://www.instagram.com/gardenerjams/ 

Check out Dash's various written work and music here: https://linktr.ee/gardenerjams 

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (2:03).

Whether it was back in 2005 when I was first starting to develop a distinct affection for the art form, or even now, a whole 17 years later.

When I look at the artists that soundscape so much of my life that I admire, who I lean on to process trauma, to escape my day to day, to instill some fun and confidence into my life... these artists rarely, if ever, look like me.

And that is why I want to take you on a quick journey through the looking glass of an Indian lover of hip-hop, and discuss the importance of representation through the art form we all love, hip-hop.

Throughout, I will also highlight a few pivotal artists in Heems, Big Baby Gandhi, and Madlib along the way.

--

Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Few artists embody the full spectrum of rap, quite like today’s guest on the show - Ghais Guevara. Through breakout records in Black Bolshevik and There Will Be No Super-Slave, Ghais has made a name for himself with fiercely political lyricism, and a bold left-field sound.

On his latest album Goyard Ibn Said, Ghais expands his scope, incorporating sounds of trap music and drill, flexing his songwriting muscles that leads to legitimate hits as a result, while staying true to his political worldview and creative expression.

In today’s episode, Ghais speaks on how he and other politically-minded rappers are perceived and treated by rap listeners, what inspired the musical direction for Goyard Ibn Said, and expands on the commentary on the pitfalls of the entertainment industry explored within the album, and much more.

Ghais is a rising star in the making, you do not wanna miss this!

The Plug (0:50).

The Interview (2:27).

Ghais’ recent signing to Fat Possum and the initial reception Goyard Ibn Said (3:03).

Ghais’ perspectives on how politically-minded rappers are perceived and treated by rap fans (6:52).

What inspired the musical direction of Goyard Ibn Said (16:12).

The impact of producing the bulk of Goyard Ibn Said with little to no samples (21:45).

The thinking behind the two-act structure of Goyard Ibn Said (25:20).

Key messages Ghais wanted to get across to the listener on Goyard Ibn Said (27:20).

Diving into “Critical Acclaim” and the recent string of events exposing the entertainment industry (29:49).

How Ghais navigates an inherently oppressive industry while maintaining his integrity (36:04).

Ghais’ evolution as a songwriter (38:03).

Upcoming projects / tour dates / merch (42:13).

Buy/stream Goyard Ibn Said here: https://ghais.bandcamp.com/album/goyard-ibn-said 

Follow Ghais Guevara on Twitter here: https://x.com/GhaisGuevara 

Follow Ghais Guevara on Instagram here: https://www.instagram.com/ghaisguevaraobligatory/?hl=en 

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (2:33).

New York's Wiki is what they call "a rapper’s rapper". Gifted as a lyricist, with a style that could exist within multiple eras of rap.

Not even having reached his 30th birthday yet, Wiki has already received mass acclaim for his work as RATKING, and as a solo artist with revered projects that showcase his exceptional penmanship, remarkable versatility, and immensely deep passion for this thing called hip-hop, which we all love dearly.

I’m honoured to welcome Wiki to the show to understand his perspectives on his success so far in his career, what rap means to him, and gain interesting insight into his latest projects.

So It Goes and experimentation in rap (3:35).

Key influences to Wiki’s melodically-rich style of rap (8:03).

Influence of NYC on Wiki‘s music (11:03).

Wiki reflects on his success to-date (15:39).

How fame and acclaim affected Wiki’s maturation process (20:41).

What aspect of Wiki’s artistry has improved the most (26:14).

Importance of rap for Wiki’s mental health (34:04).

Wiki’s writing process (39:54).

How Wiki selects beats (42:26).

Wiki leaving the label game, and going the independent route (44:57).

What makes Navy Blue special (49:19).

How Wiki’s introspective writing on Half God impacted him as a person (53:54).

The mixtape approach to Cold Cuts (56:46).

Wiki’s upcoming projects / tour (1:05:13).

Support Wiki's music here: https://wiksetnyc.bandcamp.com/music 

Buy/stream Cold Cuts here: https://wiksetnyc.bandcamp.com/album/cold-cuts 

Follow Wiki on Twitter here: https://twitter.com/wikset?lang=en 

Follow Wiki on Instagram here: https://www.instagram.com/wikset/?hl=en 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 0:55 to skip the intro)

Insight into the major label experience, and how to take action and overcome hardship is what Episode 32 offers, as we are joined with special guest, Rick Chyme. Rick is a rapper, radio/podcast creator, and creative coach from Michigan, US. 

We first dive into a pivotal time in Rick's life, which forever changed the trajectory of his life journey (4:44). 

Next, Rick discusses one of the key protective factors for him growing up and coping with trauma, as we talk about his collegiate career playing Division 1 basketball and the lessons he learnt from that experience that he still applies today (15:35).

We then move to how he realized his true calling as a creator in hip-hop (19:39), and what his time working at Def Jam Recordings taught him about the music business, along with some very noteworthy experiences he had during that time (23:57).

Related to his time at Def Jam, Rick was able to work as a Music Supervisor for Jay-Z's Fade to Black documentary and tells us about that unique time in his life (31:42).

Next, Rick talks about how his #DailyPieces365 project unfolded, and how he linked up with producer Yelnam Evad (35:46).

We get into the album creation process for Stones, the 2020 collaborative album by Rick and Yelnam (41:32), and discuss Rick's thoughts on white artists covering important socio-political topics in a black-centric genre of music, such as hip-hop (46:35). 

As a staunch advocate for mental health awareness, Rick gives his thoughts on the potential reasons for the rise of mental health problems in today's society (58:04).

Finally, Rick sends us off by giving us some true words of wisdom related to taking action and one's worth as a creator, which you will not want to miss (1:13:19)!

Check out Episode 24 of the show for a full review of Stones.

Connect with Rick, check out his music and other exciting projects here: https://linktr.ee/RickChyme 

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For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://rmpp.carrd.co/ 

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

Beginning of Episode (0:49).

Vince Staples is an MC with immense potential, who has never fully cashed in on his potential.

I prognosticated on how Vince could take the leap on my previous review of his self-titled album, however, Vince kept his head down and ended up making the most complete album of his career... RAMONA PARK BROKE MY HEART. 

RMPP Preferred Cut: "WHEN SPARKS FLY"

Stream RAMONA PARK BROKE MY HEART here: https://open.spotify.com/album/2G549zeda2XNICgLmU0pNW?si=t3o7NV4VSX6m38PmOl83PA 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patreon, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

As soon as you press play on Genuine Dexterity, the new album by k-the-i??? and Kenny Segal, released on Backwoodz Studioz, you immediately hear why this album was indeed called what it was called.

k-the-i???’s raw technical skill was put on full display, as he delivered crazy rhyme schemes, intricate flows, and strong moments of personal reflection. On the production side of the coin, Kenny Segal crafted an immensely impressive soundscape that features his trademark hard drums, bass, alongside splashes of dissonant noise, and other experimental weirdness.

Through today’s conversation with our guests, k-the-i?? and Kenny Segal though, you come to learn that this album title of Genuine Dexterity extends to the album’s creation as well.

In this episode, we learn more about the immediate connection and effortlessly natural creative process of Genuine Dexterity, what prompted k-the-i??? to return to the rap scene with his first full-length rap album in a long while, the key influences that guided the album’s direction, and much more.

The Plug (0:44).

The Interview (2:39).

RMPP Listening party reaction (2:49).

What prompted k-the-i??? to make Genuine Dexterity first full-length rap release in over a decade (3:50) - patron q from TreDoes.

Kenny’s first experience with k-the-i???’s music (12:12).

Why Backwoodz Studioz felt like the right home for Genuine Dexterity (17:40).

Kenny Segal’s thinking behind the noisy dissonant sound direction for Genuine Dexterity (20:51).

Kenny Segal’s signature sound (23:55).

k-the-i???’s rhyming approach on Genuine Dexterity, and the LA influence on his style (34:09).

k-the-i??? and Kenny Segal reminiscing about living in Boyle Heights (54:03).

Upcoming projects / tour dates / merch (1:01:46).

Buy Genuine Dexterity here: https://backwoodzstudioz.com/collections/genuine-dexterity-by-kenny-segal-k-the-i 

Follow k-the-i??? on Twitter here: https://x.com/kthei 

Follow Kenny Segal on Twitter here: https://x.com/kennysegal  

Follow k-the-i??? on Instagram here: https://www.instagram.com/applesauce9mm/?hl=en 

Follow Kenny Segal on Instagram here: https://www.instagram.com/kennysegal/?hl=en 

Intro/Outro beat by: BLOODBLIXING

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Plug (0:21).

The Interview (2:54).

Experts have said recently our society is in a “general crisis”, which means that we are not just dealing with economic crises, ecological crises, political crises… but many types of crises occurring at the exact same time.

So needless to say, music that speaks to the emotional and mental effects of these times has been really connecting with me in recent years.

Today’s guest, Oakland’s Nappy Nina, is a rising star who blends thoughtful empathetic subject matter with raps that defy the conventional. She exudes a level of cool and calm that embodies the long lineage of smooth west coast rap greats that preceded her, and a technical ability that brings this buttery soft delivery to new and exciting places.

This element of freshness can be seen in the danceable rap grooves on 2021’s collaborative album with JWords, Double Down, and the soulful vibrant sounding Mourning Due, the upcoming release from Nappy Nina slated to drop on February 17th.

Listen on to hear about her unique artistic background, her general approach to writing, and stay tuned for a sneak peek into what this new album Mourning Due will sound like.

Nina’s poetry background (3:53).

Nina’s eclectic taste in production, and her beat selection process (9:45).

How Nina grew as a rapper creating Double Down (11:42).

Nina’s unique rapping delivery (14:37).

Nina’s key influences (19:18).

Nina’s mindfulness and how rapping contributes (21:49).

Preview of Nina’s new album, Mourning Due (27:41).

The crazy feature list on Mourning Due (32:31).

The importance of artist-owned label’s like Lucid.Haus (35:51).

Nina’s upcoming projects (40:26).

Sneak preview of an upcoming Nappy Nina track off Mourning Due, titled “Cope” (42:14).

Support Nappy Nina's music here: https://nappynina.bandcamp.com/ 

Follow Nappy Nina on Twitter here: https://twitter.com/Nappy_Nina 

Follow Nappy Nina on Instagram here: https://www.instagram.com/nappy_nina/?hl=en 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

(Go to 1:52 to skip the intro)

I begin this episode by providing my thoughts on Miles, the fantastic reunion double LP, and album of the year contender, from west coast hip-hop heavyweights, Blu and Exile.

Next, I discuss the implications of the United States Democratic Party’s nomination of Desi-queen, Kamala Harris. Additionally, I get into my perspective on the value of voting, within the context of systems and institutions that are clearly corrupt and not “for the people”.

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For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

(Go to 1:24 to skip the intro)

21 Savage and Metro Boomin have returned with their long-awaited sequel collaboration, SAVAGE MODE II. I give you my thoughts on this surprisingly good album, along with how 21 and Metro have grown as artists over the years (2:16).

Next, I review two street rap albums in the new Westside Gunn album, Who Made the Sunshine (21:02), and Willie the Kid's Capital Gains (29:10).

Finally, I discuss the first and only Vice Presidential Debate between Kamala Harris and Mike Pence, which resembled more of an actual debate, yet still maintained enough of a steady stream of disappointment and garbage to fit snugly into the 2020 US election cycle (34:42).

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For music submissions and/or private feedback, DM me @rohview on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

Let's stay connected! Find me here: https://ofbd.co/zY

Video animation by: Big Flowers

Intro/Outro beat by: BLOODBLIXING

The Hook (0:21).

Main Body of Review (2:13).

Vulnerability is an interesting concept. The more vulnerable you get, the likelihood of you achieving true happiness and connection rises... just as the likelihood you get deeply hurt and traumatized rises as well.

In other words, vulnerability is a double-edged sword.

This is precisely why I gravitate so strongly to music that is personal. It’s because that’s where the magic happens, both in life and in music.

My home base has and will always be music that plays with that double-edged sword.

Since, as I just said at the beginning, vulnerability is what truly enables connection... connection between an artist and a listener surely, but more importantly, connection between a person and their true self.

Vulnerability is the only true path to acceptance, healing, and growth.

This is the path that we find billy woods on in his latest album Church, in collaboration with producer phenom Messiah Musik.

Listen on to see where this path took us…

RMPP Preferred Cut: "Pollo Rico"

Buy/stream Church here: https://billywoods.bandcamp.com/album/church 

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Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/

Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast 

Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com