Talk Art (Russell Tovey and Robert Diament)

SEASON 11 begins!!!! Russell & Robert meet legendary musician Nick Rhodes, the founding member of the iconic pop rock band Duran Duran.

We discuss Pop Art and Roy Lichtenstein, his early trips to New York where he first met Andy Warhol, Jean-Michel Basquiat, Keith Haring, Debbie Harry and Francesco Clemente, his admiration for Picabia, Warhol, the 17th Century Baroque period, and classical art such as De Ribera and Caravaggio. We explore working with numerous artists for Duran Duran including David Lynch on a live concert film and notably Patrick Nagel for the Rio (1982) album sleeve, collecting art that began when he was aged 17 with his first Dali print, his thoughts on NFTs and his friendships with leading contemporary artists like KAWS and Katherine Bernhardt, buying a Picasso on an Amex card and his experiences visiting art fairs like Frieze!

We hear his memories of Mr Chow's legendary restaurant with Grace Jones, Warhol and many iconic creatives, staying at La Colombe d'Or art hotel in France and the brand new Duran Duran album sleeve which he worked on with Japanese photographer Daisuke Yokota. We discover his passion for photography and Polaroids, the differences between analogue vs digital, his fascination with mythology, astronomy, numerology and science which has influenced his new 'Astronomia' project with Wendy Bevan. Finally we chat about his friendship with the late Duggie Fields and his numerous visits to his favourite Ikon gallery in Birmingham.

Duran Duran have sold over 100 million records, had 18 American hit singles, 21 UK Top 20 tunes and continue to perform to huge concert audiences around the world since the band first formed in 1980. Consistently fusing art, technology, fashion and a signature sense of style with their unique and infectious brand of music, singer Simon Le Bon, keyboardist Nick Rhodes, bassist John Taylor and drummer Roger Taylor have proven themselves timeless, always innovating and reinventing, to remain ahead of the curve.

'Astronomia' is a collaboration between the artists Nick Rhodes and Wendy Bevan. It is a creative collision of analogue synthesizers, violins, voices and orchestral arrangements fueled by their shared attraction to the Universe. 'The Fall of Saturn'; is the first of four albums in the Astronomia project, first released back in March 20, 2021, followed by three further releases, on the equinoxes and solstices for the remainder of the year. Each individual piece is a sonic painting, a tapestry of rich textures and haunting melodies forming soundscapes with an otherworldly atmosphere. Looking to the transcendent beauty of the skies, this genre defying debut album explores the fluidity of human emotions.

Follow @AstronomiaVolumes and @DuranDuran on Instagram! Duran Duran's new hit album 'Future Past', and 'Astronomia: The Fall Of Saturn', Nick Rhodes' incredible new collaboration with Wendy Bevan, are both OUT NOW from all good record stores and available to stream online! Visit https://duranduran.com/ and learn more about 'Astronomia' records here: https://duranduran.com/2021/astronomia-by-nick-rhodes-wendy-bevan/

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email 

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Russell and Robert meet Lubaina Himid CBE, the Turner Prize winning artist and cultural activist. Born in Zanzibar in 1954, Lubaina Himid is a British painter who has dedicated her four-decades-long career to uncovering marginalised and silenced histories, figures, and cultural expressions. She studied Theatre Design at Wimbledon College of Art and went on to receive an MA in Cultural History from the Royal College of Art. Himid currently lives and works in Preston, UK, and is a professor at the University of Central Lancashire. In Autumn 2021, Himid will present a major monographic exhibition at Tate Modern, London and will also have a solo exhibition at Hollybush Gardens gallery in London.

We discuss her influential career in art as artist but also as a mentor and champion of other artist's work. Initially trained in theatre design, Himid is known for her innovative approaches to painting and to social engagement. She has been pivotal in the UK since the 1980s for her contributions to the British Black arts movement, making space for the expression and recognition of Black experience and women’s creativity. Over the last decade, she has earned international recognition for her figurative paintings, which explore overlooked and invisible aspects of history and of contemporary everyday life. In 2017, she was the winner of the Turner Prize and in 2018 she was bestowed with the honorary title of CBE for her contributions to the arts.

Current exhibitions include Risquons-Tout, WIELS, Contemporary Art Centre, Brussels. Significant solo exhibitions include Spotlights, Tate Britain, London (2019); The Grab Test, Frans Hals Museum, Haarlem, The Netherlands (2019); Lubaina Himid, CAPC Bordeaux, France (2019); Work From Underneath, New Museum, New York (2019); Gifts to Kings, MRAC Languedoc Roussillon Midi-Pyrénées, Sérignan (2018); Our Kisses are Petals, BALTIC Centre for Contemporary Art, Gateshead (2018); The Truth Is Never Watertight, Badischer Kunstverein, Karlsruhe (2017); Navigation Charts, Spike Island, Bristol (2017); and Invisible Strategies, Modern Art Oxford (2017).

Her work is held in various museum and public collections, including Tate; British Council Collection; Arts Council Collection; UK Government Art Collection; Museum Ludwig, Cologne; Victoria & Albert Museum, London; National Museums Liverpool; Whitworth Art Gallery, Manchester; Hammer Museum, Los Angeles; and Rhode Island School of Design, Providence. A monograph, titled Lubaina Himid: Workshop Manual, was released in 2019 from Koenig Books. This episode was recorded remotely on Wednesday 24th June 2020.

Special thanks to Lubaina for this enlightening interview, and Lisa Panting & Malin Ståhl of incredible gallery Hollybush Gardens (based in Clerkenwell, London). Follow @LubainaPics and @Hollybush_Gardens on Instagram and their official websites https://lubainahimid.uk/ and https://hollybushgardens.co.uk/

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover 

Russell and Robert meet Dame Julia Peyton-Jones DBE, legendary British curator and gallery director, currently Senior Global Director at Galerie Thaddaeus Ropac in London, Paris and Salzburg. She formerly worked as Co-Director of the Serpentine Gallery in London for 25 years – the number of visitors to the gallery increased six-fold to over a million people a year in her tenure.

We meet in her private Green Park office to discuss curating, painting, her passion for making her own artworks and wonderful advice for emerging artists! We explore more than 2 decades at the helm of @SerpentineUK, her close lasting friendship with Hans Ulrich Obrist, navigating fundraising challenges through the decades, her highlights of the legendary Serpentine Summer Parties (including Grace Jones), plus her more recent collaboration working with #ThaddaeusRopac’s artist roster and hear her fond memories of global icon, and #TalkArt’s forever HERO, Princess Diana!

During her directorship at the Serpentine, Dame Julia worked with the world’s leading artists, architects and designers on ground-breaking exhibitions, education and public projects. In 2000, she initiated the Serpentine’s innovative architecture programme by commissioning a renowned architect to design a pavilion, constructed next to the Gallery each summer. In addition to focusing on fundraising, masterminding the influential and prestigious Summer Party. Currently, as Senior Global Director of Special Projects at Galerie Thaddaeus Ropac, Dame Julia specializes in International Contemporary Art focusing on the creative development of the Gallery. Awarded an OBE in 2003 for services to art, she is currently Visiting Professor in the School of Arts and Humanities at the Royal College of Art in London, teaching across all departments as well as consultant and creative advisor to the Triennale Di Milano. Dame Julia serves on several boards, including The Courtauld Institute of Art, UK and many more.

Follow @Julia.PeytonJones on Instagram. Visit Thaddaeus Ropac's official website and follow their Instagram @ThaddaeusRopac. SAVE THE DATE!!! Robert & Russell will be joining Dame Julia for 'Tea with Julia' on Saturday 30th January 2021 at 11am on Instagram Live.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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TALK ART returns for SEASON 8!!! YES, lucky number EIGHT!!! Russell & Robert meet Tyler Mitchell (American, b. 1995), the leading photographer and filmmaker in London where he's been working recently! Based in Brooklyn, Mitchell works across many genres to explore and document a new aesthetic of Blackness. His work is regularly published in avant-garde magazines, commissioned by prominent fashion houses, and exhibited in top tier institutions. One of our favourite galleries, Jack Shainman, New York recently announced Tyler has joined their artist roster!

In 2018 Tyler Mitchell made history as the first Black photographer to shoot a cover of American Vogue for Beyoncé’s appearance in the September issue. In 2019 a portrait from this series was acquired by The Smithsonian National Portrait Gallery for its permanent collection. This, alongside many other accomplishments, has established Mitchell as one of the most closely watched up-and-coming talents in image making today. His first solo exhibition ‘I Can Make You Feel Good’ at Foam Fotografiemuseum Amsterdam (2019) premiered video works including ‘Idyllic Space.’ An iteration of this show is now on view at the International Center of Photography (ICP) in New York. Tyler has lectured at a number of institutions on the politics of image making including Harvard University, Paris Photo and the International Center of Photography (ICP).

In 2020 Mitchell was announced as the recipient of the Gordon Parks Fellowship which will support a new project that reflects and draws inspiration from Parks’ central themes of representation and social justice. Mitchell’s fellowship will culminate in an exhibition of the new works at the Gordon Parks Foundation Gallery in Pleasantville, NY. 

Check out Tyler's official website: www.TylerMitchell.co and Follow Tyler's instagram @tylersphotos. Order his books from the official ICMYFG.com store and view his work at his new gallery Jack Shainman, New York.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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Talk Art LIVE!!! Recorded on stage in London's Kings Cross!!! Robert & Russell meet Yinka Ilori MBE, the London based multidisciplinary artist of a British-Nigerian heritage, who specialises in storytelling by fusing his British and Nigerian heritage to tell new stories in contemporary design. This episode was recorded live at Kings Place for the London Podcast Festival, on Tuesday 22nd September 2020.

Ilori began his practice in 2011 up-cycling vintage furniture, inspired by the traditional Nigerian parables and West African fabrics that surrounded him as a child. Humorous, provocative and fun, each piece of furniture he creates tells a story, bringing Nigerian verbal traditions into playful conversation with contemporary design. The studio now consists of a team of colour-obsessed architects and designers, with the expertise and capacity to take on large-scale architectural and interior design projects. The studio continues to experiment with the relationship between function and form, with an output that sits between traditional divisions of art and design.

In this episode we discuss Yinka's most recent projects including 'Better Days Are Coming I Promise', Blackfriars, London, the 2020 artwork commissioned by the official charity of the Chelsea and Westminster Hospital NHS Foundation Trust; 'Colour Palace' at Dulwich Picture Gallery; the group show 'Get Up Stand Up Now', Somerset House; 'Happy Street' for London Festival of Architecture 2019. Further solo exhibitions include If Chairs Could Talk, The Shop At Bluebird, 2015; This is Where It Started, The Whitespace Gallery, Lagos, 2014; Just Africa, Stockholm, 2014; It Started With a Parable, Jaguar Shoes, London Design Week, 2013.

Follow @Yinka_Ilori on Instagram. Visit Yinka Ilori Studio's official website at https://yinkailori.com/ Thanks to the team at Kings Place and the London Podcast Festival for inviting us to be part of the festival for the second time! Also HUGE THANKS to you for listening to Talk Art, we've just reached an awesome 2 million downloads!!!!

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell & Robert meet artists Ronan McKenzie and Joy Yamusangie at new multifunctional creative space HOME, on Hornsey Road, North London. We explore their current joint-exhibition 'WATA, Further Explorations'. Taking root in Mckenzie and Yamusangie’s first formal collaboration, a short film of the same name (produced at the beginning of 2020), 'WATA' weaves together considerations of ancestry, cross cultural connections, music and migration. To watch 'WATA' online during lockdown, and to learn more about this extraordinary new centre for art, please visit: https://www.homebyrm.space/

Ronan Mckenzie is a London-based photographer, curator, and the publisher of HARD EARS. Her photography focuses on themes that unearth hidden beauty and cultural imagery. Visit Ronan at: https://www.ronanmckenzie.co.uk/

J Yamusangie is a mixed media artist working across illustration, printmaking, typography, poetry, ceramics, collage and painting, all with a central theme of autobiography. Visit Joy at: https://joyyamusangie.com/

Born out of the necessity to be seen and heard, HOME presents a considered curation of exhibitions from leading and exciting artists. Their lounge and co-workspace stimulate through a library of literature and arts, setting the scene for our events programme which aims always to connect and inspire. Being a modern hybrid of an art gallery and a community events space, at the heart of HOME is the aim to inspire, share and support. HOME takes ownership over cultivating our community and creating space for us to be, with a library and creative work space to be shared and enjoyed. HOME is one of very few black owned art spaces within London, and one of the only to be artist led, with a leading focus on supporting Black and Indigenous People of Colour. HOME responds directly to the personal and communal need for a more honest and representative space, that cares deeply for the artists we present and the community of people that we welcome in to our space. HOME offers a considered curatorial and events programme which highlights our founding concept; to truly contextualise artists, and continually transform to support the community we are built for.

Follow @RonanKSM and @JoyYamusangie on Instagram. Visit HOME by RM's official website and follow their Instagram @Home_by_RonanMcKenzie.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell and Robert meet British artist Somaya Critchlow whose figurative paintings of women explore facets of race, sex and culture. Working mostly on a small scale, her works depict bold, curvaceous and self-possessed female characters, of her own creation, that simultaneously combine and subvert the culture expectations of race, gender and power in the history of portraiture. They are self-reflective and personal, and at the same time commentary of the cultural, class and political dynamics of contemporary society.

We discuss the bringing together of pop culture influences including 'Love and Hip Hop', Cardi B, Lil' Kim, Nicki Minaj with artistic influences of Rubens, Renaissance masters and European miniatures. We explore her alienation from the art history she studied growing up and the lack of representation, tying in autobiographical references in her new works, her response to the death and problematic life of rapper XXXTentacion, the paintings of Lisa Yuskavage, Leonora Carrington, Leonor Fini, Lucy Stein, cartoonist Robert Crumb, architect Carlo Mollino and filmmaker David Lynch. We discuss the appeal of 1960s-70s style, kitsch, vintage erotica, life-drawing and the writing of Angela Carter including her feminist reappraisal of the Marquis de Sade’s books. We also chat about the more recent movement to openly discuss body image, sexuality and representation in the mainstream including writer/documentary maker Chidera Eggerue and Instagram community iWeigh.

Somaya’s forthcoming solo exhibition ‘Underneath a Bebop Moon’ will be at Maximillian William, London. Follow @SomayaCritchlow on Instagram or @Maximillian_William. https://maximillianwilliam.com/somaya-critchlow/

For all images discussed in today’s episode visit @TalkArt and we are also on Twitter @TalkArtPodcast. Thanks for listening!!!

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Season 6 continues! Recorded remotely on 1st May 2020 during lockdown, Russell & Robert chat to Philadelphia-based artist Jonathan Lyndon Chase whose paintings and drawings focus primarily on queer black bodies in everyday, domestic spaces.

We explore the importance of family including Jonathan's husband Will (who is also their studio manager), sea horses, shyness, Bipolar disorder, identifying as non-binary and the value of having a studio in their hometown of Philadelphia. We discuss humour, depicting the messiness of the human body, bodily fluids, queerness, gender performativity & 'performing' ourselves including Du Bois' Double Consciousness, Judith Butler's Gender Trouble and a recent inspiring quote by Alexander Leon, tattoos, the inspiring music & style of Missy Elliott and more recently Lizzo, science fiction, manga such as Sailor Moon, Afrofuturism, the joy of teaching & their respect for artist Jennifer Packer, the psychology of Francis Bacon's work, Gilbert and George, the influence of nature in particular roses and flowers, being a cat-parent but also feeding stranger's cats and the rare talent of tying cherry stems with your mouth alone!!! Finally we discover that all 3 of us were born under the Scorpio star sign... Scorpio's unite for this special Talk Art episode!!!

Follow @JonathanLyndonChase on Instagram, their official website https://www.jonathanlyndonchase.com/ and please also visit Jonathan's gallery @CompanyGallery and their website https://companygallery.us/. Special thanks to Sophie Mörner. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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RADIOHEAD x Talk Art EXCLUSIVE EPISODE! Russell and Robert meet Thom Yorke and Stanley Donwood at the Standard Hotel in London to discuss 30 years of friendship and their ongoing, longterm artistic collaboration. Initially meeting at Exeter University, Donwood has created the cover art for Radiohead’s ground-breaking albums since The Bends in 1996. Six of his paintings from the album sleeves were recently on display at Christie’s headquarters in London, alongside drawings, lyrics and digital art curated by the artists.

We explore Radiohead's forthcoming release KID A MNESIA EXHIBITION: an upside-down digital/analogue universe created from original artwork by Thom Yorke and Stanley Donwood and sound design by Nigel Godrich to commemorate 21 years of Radiohead’s Kid A and Amnesiac albums. 

KID A MNESIA EXHIBITION will be available beginning November 18th as a FREE download for PlayStation 5 (HERE), PC and Mac at EPIC GAMES STORE. A trailer is now live at: https://youtu.be/AOinMjQ9jo8

PLUS! Buy their new hardback book "Kid A Mnesia: A Book of Radiohead Artwork" at Waterstones (click here). A celebration of the process and artwork created for the Radiohead albums Kid A and Amnesiac. Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.

Follow @Radiohead, @ThomYorke, @StanleyDonwood on Instagram. Special thanks to @TheStandardLondon. This episode was recorded live at the Library Lounge Sound Studio in The Standard, London in October 2021.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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For the final episode of Season 7, Russell & Robert meet Lauren Weedman, best known for her standout role as Doris on HBO's television series Looking (alongside Russell!). As well as being a leading actress and comedian (not comedienne - as we discuss!!!!!!), one of her longterm passions is painting and making art. On her instagram @ThisOneIsTitled, started during lockdown, Weedman revealed 'The Quarantine Series' of unique figurative paintings, which she sells from $200 via Instagram and have become incredibly popular with collectors all over the world! As a self taught artist, including series where she makes one new work a day, we consider her link to Outsider and Outlier artworks but also explore her wide ranging artistic influences including Laura Owens, Tim Burton, David Lynch but primarily Edvard Munch and Van Gogh, whose authentic and emotional-charged works became even more important during her time spent living in Amsterdam. We also discover her love of London's very own National Portrait Gallery, in particular an installation she saw there of William Blake's death mask! Plus we introduce Lauren to the work of Grayson Perry and his recent 'Art Club' TV series which focused on ideas of creativity and the processes behind making art.

Check out Lauren's paintings at her official website: www.LaurenWeedmanStudio.com which includes very cool videos of her discussing individual artworks!

Follow Lauren's two Instagram accounts: @Lauren_Weedman and her art page @ThisOneIsTitled. You can watch Lauren & Russell in HBO's 'Looking' on Netflix, Amazon Prime or all good streaming services.

Thanks for listening to Season 7! We will return on 4th December 2020 with a brand new Season 8, so fear not, we have another art-thrill-ride lined up for you!!!

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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Russell & Robert meet legendary fashion writer Tim Blanks, Editor-at-large of Business Of Fashion and a passionate art fan/collector. We discuss growing up in New Zealand, hanging out in the late 70s with artist collective General Idea in New York, meeting Andy Warhol in Toronto, the influence of David Bowie, his love of The Photographer’s Gallery, collecting photography including Juergen Teller and a classic Horst photograph of Marlene Dietrich. We learn of his admiration for a new generation such as photographer Jack Davison, stylist Ib Kamara and designer Craig Green plus we hear his perspective on the future of art and fashion worlds after the Covid-19 pandemic.

We reflect on successful art & fashion collaborations including Raf Simons & Sterling Ruby, Maria Grazia Chiuri & Judy Chicago and Kim Jones who has worked with artists throughout his career from KAWS to Raymond Pettibon to Jake & Dinos Chapman. We discuss his favourite contemporary artists including Lisa Brice, Jordan Casteel, Gregory Halpern, Trisha Donnelly, Kevin Beasley and AA Bronson, and his longterm friendship with Casey Kaplan, the leading NY gallerist who he’s also collected artworks from. We explore the history of Illustration in fashion from Erte and Yves Saint Laurent to more recent illustrators/artists such as Julie Verhoeven, Mats Gustafson, Clym Evernden and Howard Tangye. Finally we hear Tim sing a classic Velvet Underground song!

Follow @TimBlanks on Instagram and @Tim_Blanks on Twitter. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon.

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Russell & Robert meet artist David Dawson for a private, after-hours tour of 'Lucian Freud: The Self-portraits', the breathtaking new exhibition he has curated at the Royal Academy of Arts, London. We discuss being assistant/head of studio for the last 20 years of Freud's life, Leigh Bowery, going to Taboo nightclub, Freud's early drawings and paintings inspired by surrealism, his grandfather Sigmund Freud and how Freud got all his information for his paintings from looking. We explore Freud's friendships with Francis Bacon and Frank Auerbach, what it's like to be a nude model for Freud's paintings - Dawson was subject in 7 paintings and 1 etching - and discover how Freud protected his own privacy and his unparalleled discipline of painting 7 days a week, every day of the year! We learn about David's own painting of urban landscapes and also his photography including timeless portraits of Freud. Follow David on Instagram @davidelidawson and see images of all artworks discussed in this episode @talkart. Special thanks to Alexandra Bradley at the RA @royalacademyarts.

We strongly recommend visiting this exhibition. 'Lucian Freud: The Self-portraits' runs until 26 January 2020 and is in the RA's smaller, Sackler Wing of galleries and they expect demand to be high. To ensure the best possible experience, all visitors (including Friends of RA) must book a timed ticket to see this show.

In a world first, more than 50 paintings, prints and drawings are brought together by this modern master of British art. One of the most celebrated portraitists of our time, Lucian Freud is also one of very few 20th century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter – from his earliest portrait, painted in 1939, to his final one executed 64 years later. They trace the fascinating evolution from the linear graphic works of his early career to the fleshier, painterly style he became synonymous with.

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Russell & Robert meet the ONE AND ONLY writer, actor, comedian, global icon AISLING BEA!!!

Recorded at Aisling’s home in London on Fireworks night 5th November, we speak about growing up in Kildare, Ireland and an inspiring art teacher Gill Berry who transformed the way Aisling and her sister, and highly respected costume designer, Sinéad Kidao saw the world! We discuss how art education can help to come to terms with her childhood grief and many of life’s challenges and the lasting impact of Gill’s art lessons on Aisling’s writing including her award winning TV series ‘This Way Up’.

We learn about Aisling’s passion for collecting and living with art including artworks by the late painter Bartholomew Beal who passed away in 2019, fellow comedian Joe Lycett, cartoonist Will McPhail, Charlie Mackesy, Annie McGrath, Eleanor Thom, Lynn Kennedy, Oliver Kilby and Clare Henderson. We explore the importance of playfulness, combatting writers block, happy memories of her mother, a former jockey, and their creative home environment to help Aisling to be herself and fulfil her potential.

We discuss her brother in law’s Nebbia Works' recent installation at V&A, a self-supporting pavilion from simple aluminium sheets as part of the London Design Festival to highlight the material's sustainable potential. We learn about Sound Advice is a platform exploring spatial inequality. Sound Advice is co-hosted by Pooja Agrawal and Joseph Henry, urbanists who met working at the Greater London Authority. They share their interests for fighting inequality both in the built environment and in the sector.

Follow @WeeMissBea on Instagram. Aisling's Bafta award-winning TV show 'This Way Up' Series 1 and 2 is available to stream now on All 4 https://www.channel4.com/programmes/this-way-up. Her new movie 'Home Sweet Home Alone' is also OUT NOW just in time for the holidays!

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Robert & Russell meet Mark Gatiss, the influential British actor, screenwriter, director and novelist. We discuss Mark's recent BBC4 art documentary 'John Minton: The Lost Man of British Art', celebrating the life and work of the highly prolific and successful 20th century English artist whose work is now all but forgotten. A contemporary of Francis Bacon and Lucian Freud, Minton suffered psychological problems, self-medicated with alcohol, and in 1957 died by suicide. We chat in depth about Mark's forthcoming documentary on the life of illustrator Aubrey Beardsley, a peer of Oscar Wilde, whose black ink drawings revealed the grotesque, the decadent, and the erotic. We explore Mark's own passion for drawing and painting portraits, the psychology behind The League of Gentlemen, his admiration for Alan Bennett, and how he came to write the series of 8 monologues ‘Queers’ in response to the 50th anniversary of the Sexual Offences Act. This episode was recorded in early January 2020.

Follow @TalkArt on Instagram for images of all artworks discussed in this episode! Follow @MarkGatiss on Twitter, and check out @TalkArtPodcast, our new Twitter.

Thanks for listening to Season 4! We will be back NEXT WEEK with the all new Season 5 'Talk Art: QuarARTine' series, recorded remotely from the global lockdown.

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Part 1 of a very special Talk Art episode diving deep into Edinburgh's creative scene, in partnership with Bombay Sapphire. Celebrating a decade since Russell & Robert first met at the Scottish National Gallery, the duo return to Edinburgh to uncover hidden gems of the city's art festival through a series of conversations with leading artists, curators and gallerists.

Part 1:

• Claire Feeley, JUPITER ARTLAND
• Laura Simpson & Lesley Young, EDINBURGH SCULPTURE WORKSHOP
• Adam Benmahklouf - Artist, Educator and Art Editor of THE SKINNY

"Edinburgh's creative and cultural scene is completely unique," says Russell, "Robert and I couldn't wait to go back - especially having first met there ten years ago - to discover more about the city off the beaten track through the eyes of its artists and creatives."

"We hope it inspires people to tap into their own creativity and discover the creative possibilities that Edinburgh has to offer" adds Robert.

Recorded and released during the city's busiest cultural month, the collaboration was inspired by Discover The Possibilities Within, a new campaign which aims to aims to awaken the creative spirit in everyone. Please download a special map of our Edinburgh highlights from instagram @BombaySapphireUK and visit @TalkArt for images of all artworks discussed in this episode. Part 2 will be released very soon!

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Russell and Robert chat to music legend & flamboyant superstar Sir Elton John CBE from lockdown at his home in Los Angeles. We discuss art collecting, a lifelong obsession that began by collecting dinky toys and vinyl records during childhood, buying Man Ray posters at Athena when he first started songwriting with Bernie Taupin, why he started his photography collection in the early 1990s, what it was like to be photographed by Irving Penn, why he just missed out on getting his portrait taken by Robert Mapplethorpe, his friendships with contemporary artists such as Nathaniel Mary Quinn and Catherine Opie, his admiration for David Hockney, and why he & John Lennon once refused to answer the door to Andy Warhol!!! We discuss his love of glass, a preference for all-things analogue, his love of the Uffizi Gallery in Florence, staging the groundbreaking exhibition 'The Radical Eye' at Tate Modern (that included photographs from the 1920s to the 1950s) and his hopes to stage further exhibitions at the V&A (where a gallery was recently named after Elton and husband David Furnish). We also discover his lockdown passion for jigsaw puzzles, playing Snakes & Ladders with his kids, and joyful binge-watching TV shows such as Fleabag and Pose!

Follow @EltonJohn on Instagram, Elton's website is: https://www.eltonjohn.com

Please visit @EJAF for the Elton John AIDS Foundation and website: http://ejaf.org

For all images discussed in today’s episode visit @TalkArt and we are also on Twitter @TalkArtPodcast. Special thanks to Elton, David Furnish and the Rocket team for making this interview possible. Thanks for listening!!!

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Russell and Robert meet legendary American gallerist John Ollman on the 50th anniversary of his career in the art world. As Co-Founder and Director of Fleisher/Ollman gallery, John has paved the way for collectors and museums to support Self-Taught artists. For more than 5 decades, his Philadelphia gallery features work by contemporary artists working both inside and outside of the mainstream.

We discuss the lasting influence of Joseph Duveen and Leo Castelli on many gallerists, the psychology of Collecting, the art of Topiary, beginning to work with Janet Fleisher gallery in the early 1970s on a memorable Oceanic Art exhibition. We discuss his championing Self-Taught artists works. We discuss the terminologies created for self-taught artists such as Outsider, Outlier, Visionary and Folk Art. We discuss numerous artists including Sister Gertrude Morgan’s paintings, meeting Lee Godie whilst she was painting outside a Neimann Marcus store, working with Bill Traylor’s work since 1981, James Castle, William Edmondson, the Chicago Imagists, Pauline Simon, the curator Lynne Cook's exhibitions, Martn Ramírez (considered as a 'self-taught master'), Howard Finster’s Paradise Garden, the game-changing exhibition ‘Magicians de la Terre’ which ran across the entire city of Paris in 1989, including Hilma af Klint introducing mainstream audiences to spiritualism within painting. Finally, we explore contemporary artists such as Marlon Mullen and how he discovered the work of the Philadelphia Wire Man in 1985 and the adventures introducing the world to this undiscovered artist's extraordinary sculptures. We also explore the importance of books as a way to discovering artists and artworks plus how collecting art and museum collections have evolved over the past 50 years.

Visit @FleisherOllman on Instagram as well as the exhibitions from earlier this year @JTT_NYC and @AdamsAndOllman

View the 'Dear John' show archive page at Adams and Ollman in Portland: https://adamsandollman.com/Dear-John

View the 'Dear John' show archive page at JTT gallery in New York: https://www.jttnyc.com/exhibitions/2021/dear-john

View the 'Back Stories' show archive page at Fleisher Ollman gallery in Philadelphia: https://fleisher-ollmangallery.com/exhibitions/back_stories

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell & Robert chat to critically acclaimed German artist Lenz Geerk. Recorded at the start of lockdown, we discuss his psychologically charged paintings that are seemingly removed from any specific time or place. Emphasizing his subjects in such a way as to draw out the hidden emotions of the human psyche, Geerk depicts people at the threshold of excitation and in the throes of exploration or emotional tension. 

We discuss his daily journey to the studio, links in his work to art history icons Morandi, Hopper & Modigliani, growing up painting Knights and football players, 1920s style & the film Call Me By Your Name, the popular computer game The Sims, his decision to fly less to help tackle climate change, the theme of food in his paintings including a painting of an apple (that Russell recently acquired), plus we discover artworks he lives with by artists like Louis Fratino and Jenna Gribbon. We learn how he gave up painting for one year after seeing Vermeer's paintings in real life, his love of Manga and comic books such as Tintin, listening to audio books of classics including Cervantes' Don Quixote and Marcel Proust, why he enjoys painting in hotel rooms, and his aim for the people in his works not to be objects and to be active and powerful and readdressing art history.

Follow @LenzGeerk https://lenzgeerk.com/ and Lenz’s gallery @RobertsProjects https://www.robertsprojectsla.com/. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon.

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Robert & Russell meet legendary British artist Denzil Forrester. We discuss 40 years of painting, his childhood in Grenada, the impact of moving to London in 1967 aged 11, his memories of making drawings in London's dub & reggae nightclubs of the late 1970s-80s, his admiration for Jah Shaka's sound system and the drive to create paintings that documented the club scene he cherished. We learn about racially-motivated arrests of the time including Forrester's own unjust arrest as a student followed by the death of Winston Rose a few years later, a friend of Forrester’s who died while under police restraint. Forrester went on to pay tribute to Rose in a number of iconic paintings including 'Three Wicked Men' (1981), now part of Tate museum's collection, and in a recent large-scale public mural for Art on the Underground titled 'Brixton Blue' (2019). Reflective of the contemporary black experience and the racial tensions of the 1980s, the mural straddles Brixton station's entrance and depicts a Brixton street scene with the figures of a truncheon-wielding policeman, a Rastafarian ‘businessman’ holding a portable sound system and a besuited politician. We also hear how curator Matthew Higgs of White Columns, New York and fellow painter Peter Doig & TRAMPS gallery helped shine a spotlight on Forrester's paintings for a new generation.

Denzil Forrester's major solo exhibition 'Itchin & Scratchin' runs at Nottingham Contemporary until 3rd May 2020. This remarkable exhibition's wide ranging artworks roam from London to Rome and New York, from Jamaica to Cornwall. Pulsing with music and movement, these nocturnal scenes are by turns intimate and ecstatic, singular records of the Afro-Caribbean experience in Britain. Presented in partnership with Spike Island, Bristol, where it will travel to from 4 July to 6 September 2020. Follow @Nottm_Contemp and @SpikeIsland. Special thanks to @StephenFriedmanGallery's Karon Hepburn, Jonathan Horrocks and Tamsin Huxford. If you've enjoyed this episode, be sure to leave us a review on Apple Podcasts or email talkartpodcast@gmail.com as we love hearing your feedback! @talkart

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New Talk Art!!! It's Frieze week in London and we are proud to collaborate again with BMW to bring you a special episode with leading choreographer Wayne McGregor and art group Random International to celebrate the world premiere of “No One is an Island”. We also meet with Superblue's Mollie Dent-Brocklehurst and BMW's Hedwig Solis Weinstein to explore this extraordinary art commission!!! 

Random International, Studio Wayne McGregor, Superblue and BMW i share a passion for pushing boundaries and exploring new territories. All are moved by similar questions about how future generations will interact with automated and digitised processes and environments whilst embracing reduction and sustainability.

No One is an Island is fuelled by science and explores electrified movement steered by advanced algorithms. It is a future-oriented reflection on how the human mind empathises with artificial intelligence and automated processes. The performance comprises sculptural, performative and musical elements. The centrepiece is a sculpture that experiments with the minimal amount of information that is actually necessary for an animated form to be recognised as human; and the fundamental impact created by subtle changes within that information. In its transition from robot to human likeness, the sculpture is accompanied by a live performance with dancers of Company Wayne McGregor who interact with the kinetics, further exploring the relationship between humans and technology and our capacity to empathise with a machine. The interventions of the dancers scored by Chihei Hatakeyama add a performative dimension to the sculpture, re-translating and celebrating the connection between human and mechanical movement.

“What I find inspiring about the partnership with Random International, Superblue, BMW i and myself is that we all come together from different knowledge sets, but convene in areas of shared interest. We are all fascinated by the potential of the human body, its relationship with and to technology but most importantly our desire to generate empathetic connections between people. This is a dialogue of inter-connectedness, exploration and surprise. We have no pre-determined road map – instead, we feed from one another’s expertise and ideas to push ourselves towards new horizons” – Wayne McGregor

"No One Is An Island" will be available to the public for viewing at Frieze London until 16th October, with daily performances at 3.00pm, 3:30pm, 4.00pm, 4.30pm, 5.30pm, 6.00pm and 6.30pm. The location is Park Village Studios, 1 Park Village E, London NW1 7PX. Register for your timed ticket slot at this link: https://emt.bmw-arts-design.com/exhibition-random-international?partner=mSSgv4ANIz

Follow @StudioWayneMcGregor and @RandomInternational on Instagram.

Special thanks to @BMWUK and @BMWGroupCulture for this extraordinary trip to see such inspiring art! And happy birthday to @BMWGroupCulture for 50 years of cultural engagement. We can’t wait to see more exciting projects…

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell and Robert meet British artist Charmaine Watkiss to explore the themes and inspirations behind her first solo exhibition at Tiwani Contemporary in London. The Seed Keepers (2021) is a new series of drawings that fuse Watkiss' interests in botany, herbalism, ecology, history, and Afrofuturism. Researching the medicinal and psychical capabilities of plants, Watkiss has personified a matrilineal pantheon of plant warriors safeguarding and facilitating cross-generational knowledge and empowerment.

The show consists of a body of entirely new works on paper and explores the use of full colour - a first for Watkiss. The drawings of women in luminal spaces along with her ‘plant warriors’ have a mystical quality which exist outside our linear time and space. The natural world is at the forefront of most of our imaginations right now; and this show explores narratives around ancient plant knowledge and its relationship to women of African descent.

Charmaine Watkiss’ practice addresses themes including diaspora, ritual, tradition, ancestry, and cosmology. In the past, she has explored the usage of blue stemming from her research into the long history of indigo including its production on the plantations of colonial America and Caribbean and sacred use in ancient African cultures, particularly with reference to the funerary rites, spiritual beliefs, and cosmologies of West African and ancient Egyptian cultures. She draws connections between ancient tradition, knowledge, and our lives - asking what role ritual and its practice plays in contemporary experience. 

Charmaine Watkiss lives and works in London. She holds a MA in Drawing, from UAL Wimbledon College of Art (2018). Recent exhibitions include RA Summer Exhibition, Royal Academy of Arts, London (2021); To the Edge of Time, KU Leuven Libraries, Belgium (2021); Breakfast Under The Tree, Carl Freedman Gallery, Margate (2021); Me, Myself and I, Collyer Bristow Gallery (2020); Trinity Buoy Wharf Drawing Prize (2019), Wimbledon College of Art MA Degree Show (2018); Against Static (Curated by Tania Kovats), Wimbledon Space (2018).

Follow @MsWatkiss on Instagram and her website https://charmainewatkiss.com/ Visit the gallery on Instagram too at @TiwaniContemporary. Charmaine's new exhibition 'The Seed Keepers' runs til 5th December 2021. View images at Tiwani Contemporary's official website: https://www.tiwani.co.uk/exhibitions/64-charmaine-watkiss-the-seed-keepers/overview/

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Season 7 continues!!! For episode 2, Russell & Robert chat to Cassi Namoda (b. 1988, Maputo, Mozambique), a painter and performance artist who explores the intricacies of social dynamics and mixed cultural and racial identity. Capturing scenes of everyday life, from mundane moments to life-changing events, Namoda paints a vibrant and nuanced portrait of post-colonial Mozambique within an increasingly globalised world. Namoda is interested in conveying the dualities between sacrifice, pain and happiness in her social and familial networks, an acceptance of the balance between suffering and joy which she perceives as fundamental to her community’s way of life. Her paintings portray the importance of family, the remnants of colonial control and the physical fatigue of working life as narrative vignettes, inspired by her studies in film and literature.

This special episode was recorded online during lockdown on Tuesday 9th June 2020. We explore themes within Cassi's forthcoming solo exhibition at Goodman Gallery, South Africa and her other recent show for Nina Johnson gallery in Miami.

Special thanks to Nina Johnson Gallery and Joanna Stella-Sawicka & Justin Davy at Goodman Gallery. Follow Cassi's via artworks on Instagram @cass_amandaa and visit her page at Goodman Gallery's official website https://www.goodman-gallery.com

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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Russell & Robert meet Jennifer Gilbert, leading curator, gallerist and champion of Outsider Art!

As founder of the Jennifer Lauren Gallery, her aim is to champion and exhibit international self-taught, disabled and overlooked artists who create works outside the mainstream art world and art history. Jennifer works closely with UK organisations, studios and communities supporting disabled artists, in order to promote new, unique artists and creators. She is passionate about being a voice and platform for under-represented artists, allowing their voices and talent to shine through. Through her work Jennifer hopes to: demystify what is regarded as art and who can be an artist; stimulate audiences; and continue to challenge the stigma surrounding this field of art. Jennifer is also a Freelance Producer and Curator, often working with and supporting disabled artists, organisations and galleries but also as an access support writer for funding applications for people with access needs. She's a trustee of the Barrington Farm Trust in Norfolk - an organisation supporting learning disabled artists to achieve more in life.

Artists mentioned in this episode include Nek Chand, Shinichi Sawada, Madge Gill, Pradeep Kumar, Bill Traylor, James Alison, Henry Darger, Davood Koochaki, Gerry's Pompeii, Misleidys Castillo Pedrosa, William Edmondson and MANY more! We also discuss Jennifer's recent curated group show in London titled 'Monochromatic Minds' and the current group show at Turner Contemporary in Margate called 'We Will Walk' which is free to visit and runs until 6th September 2020.

Follow Jennifer on Instagram @j_lgallery and visit her official website www.jenniferlaurengallery.com/ For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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Season 7 continues!!! For episode 3, Russell & Robert meet Jeffry Mitchell a "gay folk artist" (as he describes himself) whose primary mediums are ceramic and drawing. Well versed in ceramic's traditions around the globe (references to Early American glazes, Pennsylvania Dutch pickle jars, asymmetrical Japanese aesthetic decisions and Chinese Foo Dogs abound), Mitchell takes a very direct approach to working, often eschewing refinements that commonly accompany many ceramic processes. The resulting pieces radiate an exuberant, unbridled immediacy. He feels that this unfettered approach is essentially relatable to our shared human experience. To explain this idea Mitchell talks about a fundamental familiarity with clay that we all carry with us from our formative years. Perhaps we came to it through playing as children making mud pies or maybe it was making pinch pots in elementary school, regardless he feels that clay is a material that is universally relatable at a very basic level.

The imagery that he uses is also very accessible. Bears, elefants (he prefers ‘f’ to ‘ph’), bunnies and flowers appear over and over in his work and though they can be definitely be related to his own personal story he feels that these too spring from an early and universally familiar place. Throughout the work Mitchell seeks to tap into and broadcast a sense of vitality whether it be joyful or colored with more a complex mix of emotions. This throughline can been seen in the thick, dripping glazes, the unabashed appropriation of decorative motifs and an unmistakeable suffusion of playfulness.

This special episode was recorded in London on Friday 6th September 2019. Follow Jeffry's artworks on Instagram @JeffryMitchell and visit his galleries PDX CONTEMPORARY ART in Portland Oregon and Ting Ying projects in Dehua, China and London. Plus, you can see more works at his page at Mark Moore gallery.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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Russell & Robert meet artist Ann Craven. We discuss painting the Moon in TriBeCa and Harlem, Her fascination with Birds as a subject in her work, Agnes Martin, grief and the loss of her father, the influence of Alex Katz’s paintings (who she worked for having first met in Maine), snowy owls and a devestating studio fire twenty years ago in which she lost many artworks and belongings. We discuss an unexpected family connection to art legend Frank Stella, her close friendships with Karma Books Matt Shuster and artist Sophie von Hellerman, plus what it’s like to be part of an artist couple with her husband the painter Peter Halley.

Follow @Ann_Craven on Instagram. Visit Ann's official website: http://www.anncraven.com/ To learn more visit Karma Gallery: https://karmakarma.org/artists/ann-craven/bio/

Ann Craven (b. 1967, Boston, MA) is known for her lush, serial portraits of the moon, birds, and flowers, as well as her painted bands of color. After completing each work, she dates and titles each palette, rendering it a unique and isolated index of her process. Craven’s predilection for the copy—both from referent photographs and from her own plein air paintings—is both an homage to Pop Art and an exploration of remembrance. As she explains, “My paintings are a result of mere observation, experiment, and chance, and contain a variable that is constant and ever-changing—the moment just past.” Craven presented her first retrospective, titled TIME and curated by Yann Chevalier, at Le Confort Moderne in Poitiers, France in 2014. Recent solo exhibitions include Karma, New York (2021); the Center for Maine Contemporary Art, Rockland, Maine (2019); Shane Campbell Gallery, Chicago (2019); Karma, New York (2018); Southard Reid, London (2017); Maccarone, New York (2016); among others. 

Craven’s paintings are in the public collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; New Museum, New York; and the Museum of Contemporary Art in Chicago, among others. 

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell and Robert meet artist Ro Robertson on the eve of their new exhibition 'Subterrane' at Maximilian William gallery in London. The Cornwall based artist works in sculpture, photography, drawing and performance to explore the boundaries of the human body and its environment. Capturing moments, schisms and shifts, their work often explores negative natural spaces to create expanded representations of the figure. Their first solo exhibition has just opened coinciding with Frieze London art fair.

We discuss Robertson’s ongoing body of work titled Stone (Butch) which explores the terrain of the Queer body in the landscape. The term ‘stone butch’ is taken from the lesbian and trans activist Leslie Feinberg’s 1993 novel Stone Butch Blues in which the oppression of lesbian, trans, butch and femme identities is laid bare. Through an interest in terrain, Robertson elucidates upon Feinberg’s metaphoric ‘raincoat layer,’ the layer which protects the body from hostile external forces.

The sculptural articulations of Stone (Butch) are created by plaster casting directly in crevices in natural rock formations at Godrevy Point, St Ives Bay, Cornwall and The Bridestones, West Yorkshire. The ‘sculptural void’ makes physical a negative space created by the power of the sea and air. The sculptures embody a space that is shifting and fluid, reclaiming a natural space for Queer and Butch identity from a history of being deemed ‘against nature’. Robertson sees the natural stone formations as queer forms and changing bodies that are not set in stone, but revealed to us over a long period of time, as fluid structures shaped by water and erosion. Queer bodies which are as fluid as the water that shapes them and as plural as the grains of sand that erode them.

Ro Robertson (they/them) (b. Sunderland 1984) is a contemporary artist based in West Cornwall. They obtained their BA in Fine Art from the Manchester School of Art in 2010. In June 2021, Robertson unveiled their first public sculpture, commissioned for the 10th edition of Sculpture in the City and installed at London’s iconic Gherkin skyscraper until Spring 2022. To coincide with this unveiling, Robertson will perform Stone (Butch): Undercurrents in Nocturnal Creatures, a contemporary art festival programmed by the Whitechapel Gallery and Sculpture in the City. Their second public sculpture – commissioned by Sunderland Council as a legacy to the 700 women who worked in Sunderland’s shipyards – will be unveiled later this year. Their work and writing are featured in Breaking the Mould: Sculpture by Women Since 1945, (London: Hayward Gallery Publishing, 2020) which was published on the occasion of the eponymous Arts Council Collection exhibition.

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Talk Art Special Episode!!!! Russell and Robert meet three incredible emerging artists Charlotte McDonald, Aflie Kungu and Rose Electra Harris!!! We are very excited to continue our partnership with Bombay Sapphire, celebrating their new #RipeForDiscovery Artist Series.

Russell recently worked alongside Bombay Sapphire as co-curator to choose three fantastic emerging artists to create unique limited edition artworks for new #BombayBramble gin bottle labels! Listen to learn all about the artworks of three incredible artists! Follow the artists on Instagram now to see more of their work and inspirations: @CharlotteMcdonaldArt, @Alfie.Kungu and @RoseElectraHarris!

Charlotte McDonald an artist with a degree in Drawing and Painting from Edinburgh College of Art. She’s inspired by landscape, nature and the effects that the landscape has on today’s environment, Charlotte creates both abstract artworks in the form of prints and paintings. She explores and responds to the relationship between texture, colour and shape mostly based on abstract form but also sometimes observational.

Alfie Kungu is an artist whose works are bright and playful, his childhood figurative characters realised with classical painting technique. Familiar cultural motifs are set against contrasting textures and fearless colours, coming together as a vivid expression of Kungu’s headspace. Kungu grew up in Hebden Bridge, Yorkshire and went on to study art in Leeds, followed by UWE Bristol graduating in 2016 with First Class BA (Hons) Fine Art. He has exhibited his work at ICA, Cob and HVQ8 Gallery Berlin. 

Rose Electra Harris is an artist working predominantly as a printmaker, mostly in etching and screen-printing. She completed her BA Hons in Printmaking at Brighton University in 2015. She now works between her studio at home, Slaughterhaus Print Studio in Stockwell and Print Club London in Hackney. In her work she explores the interior, creating dreamlike, surreal and vibrant interpretations of domestic spaces around her. The room is an oasis and the items within it are what bring it to life. Rose imagines the dialogue that exists between space and furnishings or objects – chandeliers, lemon squeezers, chairs or a freestanding bath, for instance. She uses decorative motifs, intricate patterns and a vivid palette, to make the everyday important!

The 'Ripe For Discovery' Artist Series bottles are available now! Head in store at Selfridges and online @theOfficialSelfridges to view, purchase and personalise these exclusive #BombayBramble bottles from these three truly incredible young artists!!! Plus, visit @BombaySapphireUK to see more from Behind the Scenes of this exciting project. https://www.bombaysapphire.com/products/bombay-bramble/

For images of all artworks discussed in this episode visit

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Russell and Robert meet bona fide art legends, in fact LIVING SCULPTURES, working together as the collaborative art duo GILBERT & GEORGE. They are known for their distinctive and highly formal appearance and manner in performance art, and also for their brightly coloured graphic-style photo-based artworks. In 2017, the artists celebrated their 50th anniversary.

We meet them inside their new exhibition at White Cube, Mason’s Yard, London titled 'NEW NORMAL PICTURES by Gilbert & George'. This extraordinary exhibition brings together 26 pictures from a new series they have been working on for over two years and is truly BREATHTAKING!!!!

Since meeting as students in the late summer of 1967, Gilbert & George have been travelling together on a visionary and moral journey that they liken to John Bunyan’s The Pilgrim’s Progress. Their journey is made on foot, along the endless streets of London; occasionally by bus to the city’s eastern edges. It encompasses new-build developments on reclaimed and reworked land; excursions into a not-too-distant future, as disquietingly mild as it is lowering.

Gilbert & George’s NEW NORMAL PICTURES have the air, also, of temperate yet strangely intense days. In fact, the stages on a journey they seem to recount have a ‘post-everything’ air; as though they have just crossed through a fissure in time to a place that is almost but not quite familiar – a place that looks normal but is not normal, is skewed, perhaps abandoned. Gilbert & George bring worlds to life in their art that are also moods and feelings. Brute realism is infused with the vague yet precise temper of disquieting and uneasy dreams. They often use very few elements, a concentrate of concise image-subjects to create violence, drama and mystery in their pictures. Litter, railings, drug bags, shovels, spades and old trinkets become like a ‘palette’ as if primal images that do the work of primary colours. In these pictures there are no ambiguous shades, no finesse or subtlety softens their bleak urban other-worldliness.

The NEW NORMAL PICTURES suggest that the old punk adage ‘the day the world turned Day-Glo’ has come to life. Everywhere is dark yet too bright, tonal contrasts go to war with one another. In streets, alleys and vistas, the unreal city seems to rearrange time and tenses, accelerating the slow and stalling the immediate. The overlooked and thrown away reacquires visibility and meaning. The usual hierarchies reverse; discard dominates.

GILBERT & GEORGE's new solo show runs in London until 8th May 2021 at White Cube, Mason's Yard. Follow @WhiteCube on Instagram. View exhibition views at White Cube's website: https://whitecube.com/exhibitions/exhibition/gilbert_and_george_masons_yard_2021 A fully illustrated catalogue with an essay by writer and novelist Michael Bracewell, as well as four signed posters designed by the artist, are available to coincide with the exhibition. 

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell and Robert chat to leading English actor Josh O'Connor. We discuss family connections to art with his artist/ceramicist grandmother Romola Jane, the ongoing search to buy back her previously sold studio art pottery, his sculptor grandfather John Bunting who's wooden sculptures, bronzes & stone works was a contemporary of Henry Moore and teacher to artist Antony Gormley. We explore Josh's love of Modern British Art, learning to draw as taught by his grandfather, continuing to create his own drawings in adulthood which filmmaker Xavier Dolan has expressed admiration for.

We explore his experiences working with Jonathan Anderson at Loewe for numerous advertising campaigns shot by Steven Meisel, Dwayne Michaels and Grace Sorrenti in Japan. the beginning of his own art collection including an abstract painting by Max Wade (Cob Gallery), his love of craft and pots and ceramics, his respect for photographer Alasdair McLellen and artist Alvaro Barrington. Finally we discuss the power of simplicity learned during filming with director Francis Lee in the movie Gods Own Country and his challenge to do 30 wild swims in his 30th year to raise funds for Mind charity.... and we decide Josh is the male Tilda Swinton!

Follow @Joshographee on Instagram and @JoshOConnor15 on Twitter. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon.

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Talk Art continues!! Russell and Robert meet artist Robert Andy Coombs, all the way from Miami Beach!!! We discuss photography, queerness, disability, sexuality, nudity, beauty and representation!!!

Coombs was born and raised in Michigan’s upper peninsula in a little town bordering Wisconsin. Being a closeted gay male in a conservative rural environment, Coombs couldn’t wait to leave his small town behind. He received a scholarship to Kendall College of Art and Design in Grand Rapids where he studied photography and started living authentically as a gay male. In 2009, during a trampoline training accident, Coombs landed on the back of his neck resulting in a spinal cord injury. After a short year at home, Coombs returned to KCAD in 2010 and completed his BFA in 2013.

During those years disability and sexuality emerged as a main subject for him. He then went to study at the Yale University School of Art where he continued the exploration of disability and sexuality with a focus on documenting his intimate relationships with friends and lovers. After receiving his MFA in 2020, Coombs relocated to Miami Florida where he continues his photographic practice in the sun.

Follow @RobertAndyCoombs2 on Instagram, @RobertAndyPhoto on Twitter and visit his awesome website https://www.robertandycoombs.com/ which includes his Amazon wishlist as discussed on this week's episode! Donate if you can! We first discovered Robert's work via Jerry Saltz's article on his work in his regular 'Vulture' column. Read that exact article now (click here).

BIG NEWS!! You can pre-order our debut Talk Art book NOW from Amazon.com and Amazon.ca and Amazon.co.uk - including a Foreword by Jerry Saltz.

We are SOOOO excited to share our book with you, it has over 120 colour images and 50,000 words of all-new text. It will be released on 13th May 2021 in UK & Europe (published by Octopus Books) and 18th May 2021 in USA & Canada (published by Chronicle Books).

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by...

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TALK ART LIVE in London!!! Join the inimitable hosts of Talk Art, Robert Diament and Russell Tovey for a live podcast recording as they interview Kate Bryan.

Kate Bryan is Global Head of Collections at Soho House and author of a new book about artists that died too young, 'Bright Stars'. Recorded at Soho House White City in front of a sold out live audience, they cover big names such as Vincent Van Gogh, Jean Michel Basquiat and shine a light on lesser known talents like Khadija Saye, Paula Modersohn Becker and Amrita Sher Gil.

In 'Bright Stars', Kate Bryan examines the lives and legacies of 30 great artists who died too young, celebrating their inspirational stories and extraordinary talent. Some of the world’s greatest and most-loved artists died under the age of forty. But how did they turn relatively short careers into such long legacies? What drove them to create, against all the odds? And how can we use these stories to re-evaluate artists lost to the shadows, or whose legacies are not yet secured? 

Most artists have decades to hone their craft, win over the critics and forge their reputation, but that’s not the case for the artists in this book. Art heavyweights Vincent van Gogh and Jean-Michel Basquiat have been mythologised, with their early deaths playing a key role in their posthumous fame. Others, such as Aubrey Beardsley and Noah Davis, were driven to create, knowing their time was limited. For some, premature death, compounded by gender and racial injustice, meant being left out of the history books – as was the case with Amrita Sher-Gil, Charlotte Salomon and Pauline Boty, now championed by Kate Bryan in this important re-appraisal. And, as Caravaggio and Vermeer’s stories show us, it can take centuries for forgotten artists to be given the recognition they truly deserve.  

With each artist comes a unique and often surprising story about how lives full of talent and tragedy were turned into brilliant legacies that still influence and inspire us today. This is a celebration of talent so great it shines on. Beautifully illustrated by Anna Higgie with portraits of the artists, as well as reproductions of some of their most famous works, this important and timely work makes a crucial contribution to our understanding of the lives of some of the most talented artists throughout history.

Kate Bryan is an arts broadcaster, curator, mentor and writer. She is Head of Collections for Soho House & Co. globally and has written and presented television programmes for Sky Arts, Sky Arte Italia, BBC Two and BBC Four. She is a judge on the annual Sky Arts competition programmes Portrait Artist of the Year and Landscape Artist of the Year, and the author of The Art of Love (White Lion Publishing, 2019).

Follow @KateBryan_Art on Instagram and visit her official website at https://katebryanart.com/ Buy Kate's new book 'Bright Stars' from this link, OUT NOW! Buy 'Talk Art Book' from this link, also OUT NOW!

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For...

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Talk Art Season 7 continues!! Russell and Robert meet Lucy Jones (b.1955), the British artist world renowned for her raw, wild landscapes and distinctively provocative self-portraits, characterised by expressive brushwork and bold use of vibrant colour. Balancing an intricate rendering of line and space in her landscapes with the powerful simplicity of her portraits, Jones’s paintings conduct a journey through both interior landscapes and the external world beyond. Lucy Jones’ distinctively provocative self-portraits address themes of ageing, femininity, self-image and disability. Jones, who was born with cerebral palsy, has faced the frustrations of her disability over-crowding people’s perceptions of her. Her self-portraits often challenge the way others see her: by using her defiant ferocity, vulnerability and wry sense of humour she turns the attention back onto the viewer.

This is evident in works such as With a Handicap Like Yours..., in which an extra disembodied hand appears from the side of the canvas, “poking and prodding at institutional attitudes” and misplaced comments she has received. “The point is here that having three hands may truly be unusual and maybe the doctor is referring to the third hand!”. Just Looking, Just Checking on You depicts Jones' figure, arms curled around her knees, angled as if the viewer is looking at her from slightly above, with the works title painted directly onto the canvas in reverse. The aim is to recreate the experience of reading with dyslexia, the invisible source of a struggle Jones has had her entire life.

Jones believes that the “unseen struggles” behind making the work are as equally important as the overt messages laid bare in her portraits. Since her move to the Shropshire countryside in 2004, she has begun to venture into the landscape, placing a board on the ground and kneeling for several hours to create pastel or watercolour works, which usually become the basis for large landscape paintings years later. For Jones, these intensive and often paintfully uncomfortable sessions have brought emotional range and interiority to her landscape works, the landscape becoming irretrievably "Inscape". Critic Jackie Wullschlager wrote that Jones' more recent landscapes have developed a "newly defined sense of quiet vulnerability and vigorous determination that had always been present in the self-portraits".

Lucy's new online exhibition 'Awkward Beauty' is available to view now at Flowers Gallery's website: www.flowersgallery.com

Visit Lucy's page at Flowers Gallery: www.flowersgallery.com/artists/36-lucy-jones/ Follow Flowers Gallery at Instagram: @FlowersGallery

Jones studied at Camberwell School of Art, followed by the Royal College of Art, where she won a Rome scholarship in 1982. Born in London, she now lives in Ludlow, and is much inspired by the landscape area bordering Wales, Herefordshire and Shropshire. This episode was recorded on Saturday 5th January 2020 live at Flowers Gallery. Special thanks to Matthew Flowers and Natasha Woolliams.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too...

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Robert & Russell meet leading curator Ralph Rugoff OBE, the director of London's Hayward Gallery since 2006, and the curator of the 58th Venice Biennale in 2019, titled May You Live in Interesting Times.

We explore the Hayward's stunning new exhibition Mixing It Up: Painting Today that brings together 31 contemporary painters who exploit the unique characteristics of their medium to create fresh, compelling works of art that speak to this moment. Approaching painting as a platform for speculative thinking and unexpected conversations, the artists in this exhibition make works that oscillate between observation and invention, depiction and allegory, illusion and materiality.

Instead of trying to craft iconic images, they treat the canvas as a site of assemblage where references converge from diverse territories including music, design, advertising, vernacular and documentary photography, viral memes, fashion and cinema, as well as art history. Resonantly ambiguous, their paintings invite viewers to recruit their own imaginations in working out different ways to interpret them, while often questioning how their social reception might shift among different audiences.

This extraordinary exhibition includes new and recent works by 31 artists including previous Talk Art guests Alvaro Barrington, Caroline Coon, Somaya Critchlow, Jadé Fadojutimi, Denzil Forrester, Lubaina Himid, Sophie von Hellermann and Rose Wylie.

Rugoff was born in New York City and studied semiotics at Brown University. Prior to the Hayward, he was director of the Wattis Institute for Contemporary Arts in San Francisco for nearly six years.

Follow @RalphRugoff and @Hayward.Gallery on Instagram. Mixing It Up is now open and runs until 12th December 2021. To buy tickets or Hayward Gallery membership, visit their official website: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/mixing-it-painting-today

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Russell & Robert meet British TV presenter and broadcaster Timmy Mallett to discuss his lifelong love for painting, sketching and ART!!! We discover why Timmy's been hailed 'the cycling artist' and how he recently became a TikTok sensation with 'Mallett's Palette', a series where Timmy paints on live stream in front of a global audience of art fans!! We take a trip down memory lane to celebrate our fond childhood memories of 1980s TV & POP CULTURE!!! Wacaday!!!

We learn of Timmy's fascination with Vermeer, Bruegel and Dutch still life paintings, his love of Richard Dadd (English painter of Victorian era), Van Gogh, but also Claude Monet and Impressionism. We explore his mammoth cycle trip to the El Camino de Santiago and how he learned to live in the present thanks to his brother Martin, who passed away a week before Timmy’s epic cycling pilgrimage. We hear how he learned to paint via his father, who started out as a commercial artist in advertising. Timmy's fully-illustrated new book 'Utterly Brilliant!' is out now.

We learn of his admiration for other painters including David Hockney, Edward Seago and hear of a visit to Andrew Lloyd Webber's home to view his incredible private collection of Pre-Raphaelite paintings. We explore his 1980s radio and TV years where he worked with other broadcast legends including Chris Evans, Mike Myers (Austin Powers) and Robert's hero Kylie Minogue on ITV's hit kids show the 'Wide Awake Club'... Princess Diana was one of his most famous viewers, tuning in weekly with her sons Harry & William!!!

Follow Timmy on Instagram @Timmy.Mallett Visit Timmy's official website at www.TimmyMallett.co.uk

Utterly Brilliant!, his entertaining and surprisingly moving autobiography is out now where Timmy shares his journey through TV stardom, cycling the El Camino de Santiago and his passion for art. Published by SPCK Publishing.

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Robert & Russell meet leading British artist Anthea Hamilton, best known for creating strange and surreal artworks and large-scale installations. Recorded on 5th January 2020 at Spiritland, Kings Cross.

We discuss the experience of being a Turner Prize nominee, meeting Gaetano Pesce the Italian architect and design pioneer, working with curator Ruba Katrib from New York’s Sculpture Center and the important power of a “yes”. We explore her image archive, often printed-out images including Moschino fashion designs that inspired her iconic 'brick suits', the collaborations & editions made for Studio Voltaire’s House of Voltaire shop.

We consider the benefits of being a geek, the influence of Kabuki theatre, collaborating with fashion designer Jonathan Anderson at Loewe and curator Linsey Young for ‘The Squash’ Duveen commission at Tate Britain, and her earlier performance based on mime at Serpentine. We learn about Anthea’s interest in film making, how she came to work with oat and rice cakes and sushi nori/seaweed within his sculptures, teaching at Open School East in Margate, working with images of Karl Lagerfeld and John Travolta and a key early film she made of herself singing ‘Somewhere Over the Rainbow’ slowed down and its inclusion in a group show curated by Sonya Boyce at Tate when she was 19.

Follow @HamiltonAnthea on Instagram and official website website https://antheahamilton.com/. You can also view images at her gallery too @ThomasDaneGallery. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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Russell and Robert meet legendary UK based queer artist/photographer Sunil Gupta (b. 1953, New Delhi India).

From Here to Eternity is Gupta's first major retrospective, offering a complex and layered view of his unique transcontinental photographic vision. 

Born in New Delhi, India, relocated to Montreal, Canada, before studying at the Royal College of Art in London, Gupta has been using photography as a critical practice since the 1970s. Subversive, impulsive, personal and political, Sunil Gupta's socially engaged projects have focused on such issues as family, race, migration and the complexities and taboos of sexuality and homosexual life. His work has been instrumental in raising awareness around the political realities concerning the fight for international gay rights and of making visible the tensions between tradition and modernity, public and private, the body and body politics. Bringing together works from across his divergent and extensive career, From Here to Eternity features a range of series’ from street photography (Christopher Street, 1976) to narrative portraits (From Here to Eternity, 1999), along with highly staged and constructed scenes (The New Pre-Raphaelites, 2008) and a selection of early investigations into digital image making (Trespass, London, 1992-1995). From participating in New York's active Gay Liberation Movement in the 1970s to his more recent campaigning for gay liberation in India, Sunil Gupta has been inspirational to generations of photographic activists and LGBTQ+ rights campaigners.

What does it mean to be a gay Indian man? This is the question that follows me around everywhere I go and is still ever present in my work – Sunil Gupta

This special episode was recorded on 22nd July 2020. Follow Sunil's artworks on Instagram @sunilgupta7402 and visit Sunil's major retrospective at Photographer's Gallery, London until end of January 2021:

https://thephotographersgallery.org.uk/whats-on/exhibition/here-eternity-sunil-gupta-retrospective

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com

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New Talk Art!!! Russell & Robert meet LIVING LEGEND Laurie Anderson @laurieandersonofficial, one of America’s most renowned – and daring – creative PIONEERS! Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist. 

We discuss her most recent works, as well as her 2015 film 'Heart Of A Dog', a favourite of Russell & Robert's! We learn of her artist residency at NASA and even debate whether animals can make art and discover more about a car opera Laurie wrote involving actual cars honking their horns!

‘O Superman’ launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on ‘Big Science’, the first of her seven albums on the Warner Brothers label.

Laurie Anderson’s 1982 debut album, ‘Big Science’, will return to vinyl for the first time in 30 years with a new red vinyl edition on Nonesuch Records. In the early 1980s, Laurie Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged. 

While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, she cut the spare ‘O Superman (For Massenet)’, an electronic-age update of 19th century French operatic composer Jules Massenet’s aria ‘O Souverain’, for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited-edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely #2 hit, lots of attention in the press, and a worldwide deal with Warner Bros. Records.

Follow @LaurieAndersonOfficial on Instagram and her record label @NonesuchRecords for links to buy the limited edition red vinyl reissue of Big Science. 

TALK ART BOOK is OUT NOW! Visit Waterstone's or The Margate Bookshop to buy our brand new book in the UK or Amazon or Bookshop.org in USA & Canada. Full list of links in our Linktree: https://linktr.ee/TalkArt

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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SURPRISE BONUS! We chat to our friend, leading art advisor Simon Oldfield to discuss the art news hitting mainstream headlines this past week with digital artist Beeple selling his NFT artwork 'EVERYDAYS: THE FIRST 5000 DAYS' for an astonishing $69.3m at Christie's auction house. As a curator, advisor and lawyer fascinated by the convergence of art and technology, the emergence of NFTs into the mainstream is something Simon has predicted for many years. Twenty years ago he won a national award for his dissertation on the future of intellectual property in the Internet age:

"Few people understood the internet, fewer understood my arguments and even those who did thought it was an irrelevance. Dismissed as solutions to problems that would never exist. Well, they were wrong, clearly! Today we are on the cusp on something extraordinary within the art world - the crossroads of art, law and tech. It’s an extremely complex world with major implications for the interaction of a global digital product and national laws. NFTs have enormous possibilities but potentially even greater pitfalls. After years of talking about digital art and its potential, often falling in deaf ears, it is literally all I have been talking about for the past month with #collectors, #artists, #lawyers, #fintech etc. Last week I gave a Zoom talk to over 200 people - heads of major law firms, CEOs, heads of banks etc. about NFTs and how art and the law around it is shaping the future. The wider potential and ramifications for NFTs (non-fungible tokens), the #blockchain, crypto currency, #smartcontracts, #cyrptography is extraordinary - in the literal sense of that word. We are living in the future."

A qualified lawyer with a degree and post-graduate diplomas from the University of Exeter and the University of Oxford, Simon also oversees a thriving Curatorial arts and culture programme. Since opening the Simon Oldfield Gallery, he has exhibited influential artists of all disciplines, discovered emerging talent and presented landmark exhibitions, and is currently organising an exhibition of Digital Art. He regularly spearheads collaborations with commercial partners including Burberry, Soho House and Hauser & Wirth, alongside non-profit and philianthropic collaborations with public institutions including the Tate, Turner Contemporary and the Royal Academy of Arts. He chairs and participates in talks and panel discussions on art, literature and culture and has featured in radio and podcasts including Talk Art, Monocle Radio 24 and the BBC. He has also written for various publications including Monocle, Harper's Bazaar and FT Weekend. Follow @Simon_Oldfield on Instagram and his official website at: www.simonoldfield.com/ to discover more!

Simon co-founded the non-profit organisation Pindrop with Elizabeth Day (of the How To Fail hit podcast) which is...

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Talk Art HOLIDAYS SPECIAL!!! This very special episode was recorded from Pace Gallery, New York!!! We are proud to collaborate again with BMW to bring you a conversation with iconic artist Jeff Koons. 

We discuss Jeff's passion for art which he discovered at an early age, we discuss his student years in Chicago and working for Ed Paschke, whose technicolor renderings of superheroes and other pop icons were an early source of inspiration. We learn of Koons’s first job at the Museum of Modern Art, and his first major works that invoked commodity fetishism: titled The New, they comprised vacuum cleaners displayed on or in Plexiglas boxes over grids of fluorescent light. We explore why he chose stainless steel and reflective surfaces within his most celebrated sculptures and how art can truly change lives.

Jeff Koons’ latest collaboration with BMW is THE 8 X JEFF KOONS, a hand-painted limited interpretation of a BMW M850i xDrive. The special edition BMW will debut in spring, but we met with Koons to discuss how and why this exclusive vehicle came into being. And as we soon learned: It’s about more than just the car. The 8 Series Gran Coupe will be for sale in a limited collector’s edition after its world premiere at Frieze Los Angeles in February 2022.

In 2010, Koons created a unique BMW M3 GT2 Art Car which performed at the 24 Hours of Le Mans race. The Koons BMW M3 GT2 is now part of the BMW Art Car collection (➜ Read also: The history of BMW Art Cars), placing the artist in the same category as fellow BMW Art Car creators like Andy Warhol, Alexander Calder, Roy Lichtenstein, and David Hockney, to name a few.

That same year, the rock singer Bono from U2 wrote in an editorial for the New York Times that Jeff Koons should have a part in designing the car of the future. BMW and Koons continued the conversation and are now proud to announce their latest collaboration at the invitation of Angelika Nollert, director of Neue Sammlung – The Design Museum, in Munich’s Pinakothek der Moderne.

Follow @JeffKoons and @PaceGallery for more information. Visit http://www.jeffkoons.com/ and for more information on his new car with BMW: https://www.bmw.com/en/design/bmw-8-x-jeff-koons.html

Special thanks to @BMWUK and @BMWGroupCulture for this extraordinary trip to see such inspiring art! And happy birthday to @BMWGroupCulture for 50 years of cultural engagement. We can’t wait to see more exciting projects in the new year… Thanks for listening everyone!! Have a wonderful holidays... see you for more Talk Art adventures in 2022!!!!

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Talk Art RETURNS for Season 12!! Yes, TWELVE!!! Thanks for listening. We've recorded over 160 episodes so far and yet this new season still feels like the best yet!!!!

For the first episode, we meet American artist Jenna Gribbon at her solo exhibition titled 'Light Holding', her first show for Massimo De Carlo gallery. Her paintings question the feelings and implications of seeing and being seen through their exploration of performative, constructed and real intimacy. We discuss Agnes Varda, Manet, queerness, painting, intimate portraits, Mary Cassatt, Athens (Georgia), Mackenzie Scott (Torres) and much more!

Jenna's London solo exhibition 'Light Holding' is now open at Massimo De Carlo on South Audley Street, and runs until 26th February 2022. Free entry!

Jenna Gribbon’s paintings draw from memory, art history, and contemporary life. Her syncretic canvases draw on several centuries of painting: figures disporting themselves in a sylvan setting recall Fragonard’s fêtes galantes; an interiors swiftly brushed-on walls evoke the cursory backgrounds of Mary Cassatt; gently distorted architectural features summon the laissez-faire depictions of Karen Kilimnik. Sampling freely from various representational techniques and movements, Jenna Gribbon’s paint handling swerves from the virtuosic to the intentionally slapdash; fast, impressionistic strokes often about minutely illustrated details, highlighting the artist’s interest in collapsing numerous pictorial strategies into a single canvas. Jenna Gribbon was recently featured on the cover of Purple Magazine. She has been included in exhibitions at the Museum of Modern Art, Warsaw; Museum of Contemporary Art, Jacksonville; and the Kurpfalzicches Museum, Heidelberg, and at the Frick Museum (upcoming).

Jenna Gribbon (b.1978, Knoxville, Tennessee) lives and works in Brooklyn, New York, US. Special thanks to Francesca, Lara at Massimo De Carlo gallery. Follow @JennaGribbon on Instagram and her galleries @MassimoDeCarloGallery and @FredericksAndFreiser Visit: https://www.massimodecarlo.com/ and https://www.fredericksfreisergallery.com/

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email 

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Season 12 continues with another exclusive! We meet The Turner Prize Judges 2021!!! We rewind to discover the behind-the-scenes experiences of each judge; the highs and lows of organising the world famous art prize during a global pandemic. The members of the 2021 Turner Prize jury were:

• Zoé Whitley, Director, Chisenhale Gallery

• Aaron Cezar, Director, Delfina Foundation

• Kim McAleese, Programme Director, Grand Union

• Russell Tovey, Actor, Talk Art

The Turner Prize is awarded annually to an artist born, living or working in Britain, for an outstanding exhibition or public presentation of their work anywhere in the world in the previous year. Every other year the Turner Prize is staged outside of London, with the 2021 edition being presented in Coventry as part of the UK City of Culture 2021.

The Prize’s four shortlisted artists exhibited alongside local, national, and international artists as part of Coventry Biennial 2021. This is the first time a Turner Prize jury has selected a shortlist consisting entirely of artist collectives. All the nominees work closely and continuously with communities across the breadth of the UK to inspire social change through art. The collaborative practices selected for this year’s shortlist also reflect the solidarity and community demonstrated in response to the pandemic.

The shortlisted artists were:

• Array Collective (winners) @ArrayStudios

• Black Obsidian Sound System @BlackObsidian_Soundsystem

• Cooking Sections @CookingSections

• Gentle/Radical @GentleRadical

• Project Art Works @ProjectArtWorks

Learn more about the artists here: https://www.theherbert.org/whats_on/1560/turner_prize_2021

and https://www.tate.org.uk/whats-on/herbert-art-gallery-and-museum/exhibition/turner-prize-2021

Follow this week's guests: @Zoe.Whitley, @Kim_McAleese, @TheAaronCezar

Follow the galleries: @the_Herbert_Cov, @Tate

Follow Talk Art: @TalkArt

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New Talk Art!!! We meet artist Ramesh Mario Nithiyendran on the eve of his new solo show in Mumbai, India titled The Mud and The Rainbow.

Encountering the sculptures of Ramesh Mario Nithiyendran is, at first, bewildering and unsettling, so multifarious and polymorphous are his references. Yet there is a logic to these works, a reasoning which draws the artist to his conclusions, such that we might use the term Syllogisms to understand his plastic experiments. Ramesh is quick to site the synthesis of Hindu, Buddhist and Christian iconographies, which are the inheritance of his Sri Lankan ancestry, to be found in his work, but one can just as quickly recognize affinities with animist African deities, Meso-American idols, and Polynesian effigies. Ramesh claims contradictory identities for his figures: guardians, warriors, goddesses, demons, jokers, and monsters. These multi-headed, multi-limbed, multi-orificed beings fuse elements culled from every possible living creature, both ambulatory and stationary, to perform the contradictory functions of welcoming in and frightening away simultaneously.

Ramesh Mario Nithiyendran is a Sri-Lankan born contemporary artist who explores global histories and languages of figurative representation. He has specific interests in South Asian forms and imagery as well as politics relating to idolatry, the monument, gender, race and religiosity. While he is best known for his irreverent approach to ceramic media, his material vernacular is broad. He has worked imaginatively with sculptural materials including bronze, concrete, neon, LED and fibreglass, as well as conventional painting and printmaking materials and techniques.

His signature neo-expressionist and polychromatic work has been presented in museums, festivals, multi-art centres and the public domain. This has included significant presentations at the National Gallery of Australia, The Art Gallery of New South Wales, The Dhaka Art Summit, Art Basel Hong Kong and Dark Mofo festival. His first major permanent public artwork was recently installed at the entrance of the new HOTA gallery.

Recently, The Art Gallery of New South Wales acquired his monumental work ‘Avatar Towers’. This is an installation of 70 ceramic and bronze figures originally presented in the gallery’s historic vestibule. His work is held in various other public collections including the National Gallery of Australia, the Art Gallery of South Australia, The Art Gallery of Western Australia, The Museum of Applied Arts and Sciences, The Ian Potter Museum of Art and the Shepparton Art Museum.

Ramesh is represented by Sullivan + Strumpf, Sydney + Singapore and Jhaveri Contemporary, Mumbai. His new solo show is available to view online:

https://jhavericontemporary.com/exhibitions/the-mud-and-the-rainbow

Follow Ramesh on Instagram: @Rams_Deep69 and his gallery @JhaveriContemporary

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Talk Art special episode with WePresent!!! We meet leading artist Alex Prager at her solo exhibition in London's Cromwell Place, South Kensington. We also chat with WePresent's editor-in-chief Holly Fraser about the support they offer artists and creative minds around the world.

View Alex's video online here: https://wepresent.wetransfer.com/story/alex-prager-part-one-the-mountain/

Alex Prager's new works feature elaborately staged scenes that capture a moment frozen in time. Prager cultivates an uncanny, dreamlike mood throughout her oeuvre—an effect heightened by her use of timeless costuming and richly saturated colors that recall technicolor films, as well as the mysterious or inexplicable happenings she often depicts. Her meticulously crafted photographs are filled with hyperreal details, from signatures on the cast of a high school football player or bandage on the nose of a woman running in terror, to the face in the reflection of a handheld mirror or figure revealed to be a cardboard cutout, firmly locating Prager’s images in the real world and belying the sense of the surreal that often pervades her work.

Although Prager’s immersive, large-scale photographs of crowds are among her best-known work the artist’s newest series evinces a return to portraiture, a genre she first explored early in her practice. Rendered on a smaller, more intimate scale that draws the viewer in, Part One: The Mountain features a series of stripped-down Americana portraits that capture the artist’s subjects in the midst of intense inner turmoil. The inspiration for Part One: The Mountain arose from Prager’s deep desire to examine the myriad emotional states we have all experienced during one of the greatest collective upheavals in modern society. Conceived as psychological portraits, these images visualize a private moment that is understood universally.

Prager’s subjects in Part One: The Mountain can be seen as archetypes, an update of sorts to those found in ancient Greek mythology. The series includes Prager’s quintessential characters, placed in a world that teeters between the fabricated and the familiar. Each image in the series occupies ambiguous territory, leaving space for the viewer to interpret each scene and draw their own conclusions about its narrative.

The title of the exhibition, Part One: The Mountain, is highly symbolic, with the idea of the mountain referenced throughout literature, religion, and psychology as a place where personal revelations, or reckonings, can occur. If the idea of summiting a peak has historically suggested a spiritual pilgrimage or intense physical challenge, it should be remembered that traversing mountainous terrain has often symbolized overcoming obstacles or making hard-won progress. If we have found ourselves metaphorically on the mountain over the course of the past two years, Prager’s newest body of work prompts us to imagine what the world will look like when we finally come back down.

The exhibition is supported by WePresent, WeTransfer’s digital arts platform. On view at Lehmann Maupin's space at Cromwell Place in London from until 5th March 2022, please note that this exhibition is closed on Sundays.

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New Talk Art!!! Season 12 continues!!! We meet emerging artist Lydia Pettit! We discuss painting, growing up in Maryland, horror films, moving to London and the strength you can gain from being creative!!!! Pettit's first presentation with White Cube is available to view online now, her first solo exhibition with the gallery.

Building on the artist’s previous paintings that explored Post Traumatic Stress Disorder, this new series is centred on the alienation we experience within our bodies. Works in oil, embroidery and quilting portray the body with various objects such as keyholes, doors and household items. These domestic motifs serve to symbolise a haunted house, filled with spectres of the past.

In her compositions, Pettit toys with different levels of exposure to invite the viewer on the path where the artist's self image intersects with, as she puts it, ‘the memories and ugly feelings that leak out and interrupt us'. Framed with large swathes of black, Pettit’s depictions conjure a void, enveloping and invading the figure. 

As well as tracing personal experiences of doubt and rumination, recovery and growth, these works also speak to broader issues surrounding body politics and mental health. As the artist states: ‘I use my paintings and quilts to accept this part of me, make peace with it and move forward, and leave these fleeting thoughts on canvas and fabric.’

LYDIA PETTIT (b. 1991) is a Painter and Curator from Towson, Maryland. She pursued her BFA in painting and photography at the Maryland Institute College of Art and is a two-time recipient of the Elizabeth Greenshields Foundation Grant. In 2014, she purchased and opened Platform Arts Center, a studio and mixed-use building in downtown Baltimore, to provide affordable studio space to young and low-income artists in the area. Within the space she was the co-Director and co-Founder of Platform Gallery, a project with a focus on providing opportunities to Baltimore-based and regional emerging artists. In 2017 Pettit and her partner closed the gallery, and she turned her focus to her art practice. She obtained her MA in Painting at the Royal College of Art in 2020 and is now living and working in Bow, London.

Lydia's solo show with White Cube runs online until 8 March 2021. You can visit the exhibition at this link:

https://whitecube.viewingrooms.com/viewing-room/introductions-lydia-pettit/

Follow @LydiaPettit on Instagram. Her official website is: https://lydiapettit.com/ and you can also Follow @WhiteCube for more details and images! Thanks for listening.

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New Talk Art!!! We meet a GLOBAL LEGEND, our dear friend, the iconic recording artist, three-time Grammy winner, and global R&B superstar, MAXWELL!!!!!! 

We discuss Maxwell's musical journey, collecting art, visiting Frieze New York art fair where he first expeirenced Hans Op de Beeck's Silent Library (2016) immersive installation, his love for artists Nina Chanel Abney, Steve McQueen, Seydou Keita and Jon Key, covering the iconic Kate Bush song 'This Woman's Work'. We discover his passion for drawing and amazing advice his art teacher gave him in his childhood. His admiration for Tracey Emin’s neons and a trip to the Whitney with Robert where they met Tracey. We explore the text works of Massimo Agostinelli and Max's admiration for the artistry of the late fashion designer Alexander McQueen and his memories from visiting his major retrospective at the Met. We discuss his deep respect and friendships with icons Prince, Harry Belafonte, Alicia Keys. We also hear about the passionate motivation behind Maxwell’s new fundraising sunglasses collection. Finally, we remember Russell’s epic 1990 Heinz ketchup TV advert and our mutual LOVE for our pal & leading British actor Lydia West.

Maxwell has artfully managed to transfix music lovers for more than two decades, releasing five studio albums, all in his own time and all duly anointed as classics. The soul singer redefined soul music in April of 1996 when he released his critically acclaimed debut on Columbia, 'Maxwell's Urban Hang Suite.' It earned Grammy nominations, double platinum status and RIAA gold for the single, "Ascension (Don't Ever Wonder)." The platinum albums 'Embrya' (1998) and 'Now' (2001) followed. After eight years, 2009's 'BLACKsummers'night' debuted at No. 1 on the Billboard 200 and won two Grammys, including Best R&B Album.

To date, Maxwell has achieved 4 platinum album certifications from the RIAA. His last album ‘blackSUMMERS’night,’ the second instalment of his musical trilogy, earned Maxwell his third Grammy (Best R&B Song for “Lake By The Ocean”) an NAACP Image Award (Outstanding Male Artist), and a Soul Train Award (Best R&B/Soul Male Artist). Recently honoured with the “Legend” Award at the 2021 Soul Train Awards, Maxwell’s upcoming ‘blacksummers’NIGHT’ is one of the most-anticipated R&B events of 2022 and will cap off a journey he first embarked upon over a decade ago. 

In Feb 2022, STATE Optical Co. launches their collaboration on limited-edition sunglasses designed with Maxwell! The STATE x Maxwell BLACK_SUMMERS’_NIGHT titanium sunglasses will be available for exclusive pre-sale starting Monday, February 14th, Valentine’s Day. Its wide launch will be on March 1st. More here: https://store.musze.com/collections/sunglasses

Maxwell can be seen flaunting the new style in the music video for his current Top 10 R&B single, “OFF,” an exciting preview of what’s to come for the highly-anticipated release of ‘blacksummers’NIGHT,’ the final chapter in his critically acclaimed album trilogy. Also keep an eye out for the style as Maxwell kicks off his 25 date NIGHT Arena tour in March 2022. STATE Optical Co. Expands Limited Edition Collab with Global R&B Superstar Maxwell Launching March 1 (Exclusive Pre-Sale to Launch February 14) | Portion of Proceeds to Support the Opening Your Eyes Scholarship. Maxwell's highly anticipated new album blacksummers’NIGHT will be released in Spring 2022.

Follow @Maxwell on Instagram for latest details on his new album and tour, as well as Maxwell's official website: https://Musze.com/

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Talk Art continues!!! We meet ActionSpace's Sheryll Catto and Charlotte Hollinshead to discuss the inspiring art of Nnena Kalu!

Nnena Kalu (b.1966) is a prolific artist working from ActionSpace’s supported studio within Studio Voltaire since 1999. Over two decades Kalu has created a vast body of sculptural and 2D artworks and developed a live, performative element to her art practice. She is driven by an instinctive urge to build repeated marks and forms, creating intensely layered, visually impactful artworks with dense colours and compacted, flowing lines.

ActionSpace is London’s leading development agency for artists with learning disabilities. Established in the 1960s, ActionSpace advocates for diversity within the contemporary visual arts sector by supporting artists with learning disabilities to develop their artistic practice, sell and exhibit work, amongst other creative projects.

Nnena's drawings and sculptures are currently on view in Margate at Carl Freedman Gallery until 3rd April 2022. The exhibition is titled TO ALL THE KINGS WHO HAVE NO CROWNS curated by Jennifer Gilbert (previous Talk Art guest!) of the Jennifer Lauren Gallery. Free entry! A group show curated by @J_LGallery.

Sheryll Catto joined ActionSpace as Co-Director in 2008, having worked in the creative sector for over 25 years. She has a personal and professional interest in supporting the development of creative practices and was attracted to ActionSpace because of our commitment to providing people with learning disabilities with the same opportunities as their peers in the contemporary visual arts sector.

Charlotte Hollinshead has led the ActionSpace South London Studio at Studio Voltaire for over 21 years. She supports artists with complex disabilities to develop their individual arts practice and delivers an extensive range of commissions, projects, events and exhibitions including Nnena Kalu’s solo exhibition for Studio Voltaire elsewhere in 2020. Charlotte manages ActionSpace’s innovative participatory programme, including TUBELINES at Tate Exchange where ActionSpace artists created ambitious, interactive installations, artworks and live art happenings that invited participants to create alongside them and share their creative processes. Charlotte also has her own inclusive participatory practice Wild City, developing interactive sculptural works and installations for outdoor public events.

Follow @ActionSpace on Instagram! Learn more about ActionSpace at their official website: https://ActionSpace.org/

See Nnena's drawings and sculptures in Margate at Carl Freedman Gallery until 3rd April 2022. Follow @CarlFreedmanGallery for more details.

Learn more about Nnena Kalu's work at these websites: https://actionspace.org/artists/nnena-kalu/ and https://www.studiovoltaire.org/whats-on/nnena-kalu-2/

THANKS FOR LISTENING!!!! We love ActionSpace, thanks to their team for this wonderful episode. Special thanks to Jennifer Gilbert.

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Talk Art speaks to Mark Neville, the award winning British photographer. Since 2015, Neville (born 1966) has been documenting life in Ukraine, with subjects ranging from holidaymakers on the beaches of Odessa and the Roma communities on the Hungarian border to those internally displaced by the war in Eastern Ukraine. Through his community-based projects, Neville explores the social function of the medium, using still and moving images as well as photo books. His projects have consistently looked to subvert the traditional, passive role of social documentary practice to activate social debate and change beyond the boundaries of cultural institutions.

Employing his activist strategy of a targeted book dissemination, Neville is committed to making a direct impact upon the war in Ukraine. He will distribute copies of this volume free to policy makers, opinion makers, members of parliament both in Ukraine and Russia, members of the international community and those involved directly in the Minsk Agreements. He means to reignite awareness about the war, galvanize the peace talks and attempt to halt the daily bombing and casualties in Eastern Ukraine which have been occurring for four years now. Neville's images are accompanied by writings from both Russian and Ukrainian novelists, as well as texts from policy makers and the international community, to suggest how to end the conflict.

Shortlisted for Deutsche Börse Photography Foundation Prize 2020, Mark Neville works at the intersection of art and documentary, investigating the social function of photography. He makes lens-based works which have been realised and disseminated in a large array of contexts, as both still and moving image pieces, slideshows, films, and giveaway books. His work seeks to find new ways to empower the position of its subject over that of the author. Often working with closely knit communities, in a collaborative process intended to be of direct, practical benefit to the subject, his photographic projects to date have frequently made the towns he portrays the primary audience for the work. Points of reference for his practice might include the ideas of Henri Lefebvre, or the art works of Martha Rosler, John Berger, or Hans Haacke.

"What changes people’s minds about a conflict is a poem, a song, or a photograph. It’s people’s feelings that need to be changed. To my mind, that’s the role of the artist." Mark Neville speaking to The Guardian, February 2022.

To contact Mark, follow @MarkNevilleStudio on Instagram and his official website is: http://www.markneville.com/

If you are able, please help by supporting @SaveChildrenUK Emergency Fund today or text CRISIS to 70008 to donate £5. Your donation will allow their teams to help children in crisis.

🇺🇦❤️ Further organisations: @razom.for.ukraine Razom for Ukraine, Help for Ukraine, @sunflowerofpeace Sunflower of Peace, and @revivedsoldiersukraine Revived Soldiers Ukraine are four organisations which use donations to fund medical aid for the people of Ukraine, including the purchase of first aid kits, backpacks stuffed with medical supplies, and medical rehabilitation for injured soldiers.

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We meet Berlin based artist Navot Miller on the eve of his first solo exhibition at WESERHALLE in Berlin. His new show presents 'Colourful, homo, great.', a series inspired by the artist’s recent travels interwoven with the artist’s multilayered identity. Navot makes large-scale, vibrant coloured canvases, electric compositions fueled by the flamboyant use of colours and the intensity of the exploration of flatness through the means of collage.

Growing up, Miller experienced the many facets of life between the rural vastness of his hometown Shadmot Mehola in the north of Israel and the bustling metropolis—such as New York and Paris—where he travelled regularly to visit relatives. In his visual language his traditional religious upbringing as an orthodox jew and his contemporary life do not oppose each other but are brought to a sensible equilibrium.

His work process starts with his own experiences documented as photographs or videos. Friends, acquaintances, lovers and everyday situations find their way onto his blank canvas, layered into a carefully composed collage of memories. For instance, the work Angelo & Sergio in Casa Biulú, focuses on two figures in a vibrant blue pool—strangers he got to know during his holidays in Mexico—while the background is drawn from a detail of another photograph from the same trip – the red and white stripes of a popcorn bag. Miller balances the components of space and colour to emit a sense of melancholy and voyeurism that charges the vibrant pieces with an unexpected intimacy. Miller describes how during his trip he was taking medications to treat a fungal infection on his face. Because of this, instead of taking part in social situations as he usually would, he played the role of an observer, watching and documenting interactions unfold. He explains further: “This vacation in Mexico was in many ways like the so-called “window shopping” where we see things we desire however, for a reason, cannot have for the moment.”

With a strong interest in architecture, Miller has a naturally heightened consideration towards the arrangement of the individual elements and manages to bring the powerful characteristics of his dream-like scenarios and his own identity into balance that allow for delicate relations to unfold, which are often colourful, homo and pretty great.

Navot Miller is a Berlin based artist from Israel. He studies at the Kunsthochschule Weißensee. His works have been exhibited most recently in Elektrohalle Rhomberg in Salzburg, Austria 2020 and at MISA in Berlin, Germany 2021.

Follow @NavotMiller on Instagram. Visit Navot's solo @Weserhalle in Berlin, show runs from 18th March until 15th April 2022: https://Weserhalle.com/event/colourful-homo-great/

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We meet leading artist Elad Lassry (b. Tel Aviv, 1977) who defines his practice as consumed with “pictures”—generic images culled from vintage picture magazines and film archives. Tapping the visual culture of still and motion pictures, he engages traditions of story-building with images and the ghosts of history that persist in images long after they have been lifted out of their original contexts. Elad Lassry creates or rediscovers images from a vast array of sources, redeploying them in a variety of media, including photography, film, drawing and sculpture. Despite the diversity of his approach, Lassry has developed one of the most distinctive visual idioms in contemporary art and a rigorously focussed practice that investigates the nature of our perception and the meaning of the contemporary image. 

Lassry describes his 'pictures', which are all exactly the same scale, as ‘something that’s suspended between a sculpture and an image’. The artist achieves this through a play of virtual and actual space. The image in each picture proposes a virtual space, while the frame, which is not a supplement to the image but an extension of it, carves out an actual space for the object to occupy. The images might be found – anything from a magazine snapshot to a Hollywood headshot – or photographed in studio conditions that reflect many of the concerns of traditional still life. Lassry then deploys the image as an ambiguous, free-floating signifier, which combines with the frame to create a new set of conditions. This hybrid entity becomes a kind of epistemological puzzle, engaging the viewer’s perceptual faculties. How does its objecthood affect our reading of the image? How does the subject matter of the image affect our perception of the object? 

This disruptive play between image and object extends into his film and sculpture. In the 16mm film Zebra and Woman, the camera begins at the animal’s tail before panning across its striped hide, examining the nuances of colour and form as if it were a mid-century abstraction. Passing the animal’s head, the viewer is plunged, briefly, into blackness before the incongruous appearance of an attractive woman again dislocates the pictorial space. This set of conditions is typical of the artist’s concerns: close-looking, the indistinct space between abstraction and figuration, the combination of flatness and depth, all combining to examine how the mind reacts to different visual stimuli. Lassry brings this set of concerns to bear on a body of sculptural work based on cabinets that further explore a range of perceptual paradoxes. Produced on a scale that reflects the unchanging dimensions of his pictures, the cabinets look both utilitarian and ornamental, both a functional object and its representation.  

Lassry lives & works in Los Angeles. He has exhibited internationally including solo shows at San Francisco Museum of Modern Art, California (2020); Le Plateau, Paris (2018); Vancouver Art Gallery, Canada (2017); Museum Boijmans Van Beuningen, Rotterdam (2014); Kunstnernes Hus, Oslo (2012) and Kunsthalle Zurich, Switzerland (2010).

Follow Elad's galleries: @MassimoDeCarlo, @GalerieFrancescaPia, @WhiteCube & @303Gallery.

Special thanks to Francesca Sabatini at Massimo de Carlo.

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Bonus Talk Art! We meet teacher, and Talk Art Book editor, Ella Parsons. This special episode of Talk Art is brought to you in partnership with Get Into Teaching.

Ella was the inspiring editor of our Talk Art book in 2021, published by Octopus Publishing, and after our book became a Sunday Time's Bestseller, she decided to change career and become an English teacher. We find out why she decided to switch careers, her passion for education and why 'Every Lesson Shapes a Life'.

If you’ve listened to this episode and are now inspired or thinking of a career where every lesson shapes a life - then search Get Into Teaching now to find out more!

Follow @Get_Into_Teaching on Instagram. Learn more by visiting: https://getintoteaching.education.gov.uk/

TALK ART BOOK is OUT NOW! Visit Waterstone's or The Margate Bookshop to buy our brand new book in the UK or Amazon or Bookshop.org in USA & Canada. Full list of links in our Linktree: https://linktr.ee/TalkArt

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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New Talk Art! We meet ARRAY COLLECTIVE. For this AWESOME new episode, we meet a record five guests - all members of the collective: Clodagh, Jane, Thomas, Sighle and Emma.

Winners of the 2021 Turner Prize, Array Collective are a group of individual artists rooted in Belfast, who join together to create collaborative actions in response to the sociopolitical issues affecting Northern Ireland. Array’s studios and project space in the city centre acts as a base for the collective, however the participating artists are not limited to studio holders.

Array are based in one of the last remaining inner-city studio buildings in Belfast, and have been working together since 2016. The group maintain independent practices but come together regularly to protest the most urgent social justice issues particular to Northern Ireland: mental health, language rights, abortion, workers’ rights, social housing, gentrification and LGBTQ+ rights.

The Turner Prize jury awarded the prize to Array Collective for their hopeful and dynamic artwork which addresses urgent social and political issues affecting Northern Ireland with humour, seriousness and beauty. The jury were impressed with how Array Collective translate their activism and values into the gallery environment, creating a welcoming, immersive and surprising exhibition. The jury commended all five nominees for their socially engaged artworks, and how they work closely and creatively with communities across the breadth of the UK. The collaborative practices highlighted in this year’s shortlist also reflect the solidarity and generosity demonstrated in response to our divided times.

Array Collective eleven members are: Sighle Bhreathnach-Cashell, Sinead Bhreathnach-Cashell, Jane Butler, Emma Campbell, Alessia Cargnelli, Mitch Conlon, Clodagh Lavelle, Grace McMurray, Stephen Millar, Laura O'Connor, Thomas Wells

Read the Elephant Magazine article we mentioned in this episode at this link: https://elephant.art/does-the-turner-prize-deserve-better-art-no-but-array-collective-deserves-better-critics-15122021/

Follow @ArrayStudios on Instagram. Learn more at: http://www.arraystudiosbelfast.com/

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We meet leading British-Nigerian artist Joy Labinjo to discuss her solo exhibition of self-portraits in Lagos at Tiwani Contemporary, her giant public mural for Brixton underground station and her major institutional solo show at Chapter Gallery, Cardiff.

Joy Labinjo’s large-scale figurative paintings often depict intimate scenes of historical and contemporary life, both real and imagined and often based on figures appearing in personal and archival imagery that include family photographs, found images and historical material. In the past, she has explored themes including but not limited to identity, political voice, power, Blackness, race, history, community and family and their role in contemporary experience. 

Exploring multiple modes of representation including abstraction, naturalism, flatness and graphic patterns, Labinjo’s ‘collage aesthetic’ comprises an eclectic visual vocabulary and mixed painterly techniques which echo her experience of multiple identities – growing up Black, British, Nigerian in the 90s and early 00s. 

Comprising a series of nude self-portraits – her only works of such kind to date, the exhibition unfolds an interest in the significance of the nude in the history of visual art and contemporary public practices of sending nude digital imagery for example to lovers. These large scale works translate images that Labinjo took using her phone. Each work comprises loose geometric color blocks where her body can be likened to a variegated landscape. Capturing a range of poses, the works are resolutely frank and unapologetic. In this way, they assert an acceptance of self that is divergent from performative nudity and highlight self-love as erotic and feminine and at odds with patriarchy and sexism. Labinjo’s figure is emphasized by muted and simplified backgrounds, distinct from the dense compositions of her earlier paintings. Departing in colour and composition from previous works, these works present muted earth tones alongside a solitude that dominates each image and contrast with the vivid, saturated colours and social exchanges shown in earlier paintings. She continues to hone distorted renderings that percolate between abstraction and representation. Each work positions Labinjo’s body against a new beginning or a space to be populated by unforeseen content.  

In the context of historical and contemporary events in Nigeria, the works also recall the significance of female nudity and its link to collective action in the West African country. In the early 20th century, numerous accounts emerged of women using their nude body to dissent against onerous taxation structures and unfair laws during the country’s colonial period. More recently, Nigerian women have threatened and used naked protest against a range of happenings in the country including the abduction of school girls in Chibok in the north-east and, in the north, anti-violence in Kaduna respectively. 

As such, Labinjo’s work presents the body as a political agent and platform. By portraying herself nude, she invites the viewer to consider the artist’s position, and the cultural loads that cover the body. Labinjo obscures reference to place, time, and social affiliation and prioritizes her self-perspective, removing much of the representational content that took precedence in earlier work. These works imitate a personal relationship between Labinjo and her body and present a point through which the artist is able to build associations that inform her interpretations of her surroundings and crucially, her own body. 

Follow @JoyLabinjo and @TiwaniContemporary.

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New Talk Art! We meet leading British artist Daisy Parris to discuss their recent solo show 'I See You In Everyone I Love'. We discuss text, rough gestural brushstrokes, large-scale canvases and their punk aesthetic that led to painterly abstraction.

Daisy Parris is a painter of psychological space. Direct text-based works and abstract paintings are made up of a vernacular that has developed through experience, relationships and through the depths and the peaks of their human existence thus far. Parris brings intimacy, insight and integrity to their paintings with great psychological and emotional force. The work is imbued with the sensitivity of one who feels everything, taking us through unflinching narratives and moments of reflection and tenderness. An ode to human existence, their work is sometimes silent, sometimes savage, with paintings that construct self portraits of personal battles and triumphs in a fast moving yet contemplative assault on the canvas.

Daisy Parris (b. 1993, Kent, UK) lives and works in London, UK and holds BA (Hons) Fine Art from Goldsmiths University, London. Recent exhibitions include Pain For Home, M+B, Los Angeles, USA (solo), Star-Studded Canopy, Sim Smith, London, UK (solo), Talk Like Strangers, with Nico Stone, Sebastian Helling and Jesse Littlefield, Part 2 Gallery, Oakland, California, What Kind Of Spirit Is This?, Sim Smith, London, UK and Poem, Las Palmas Project, Lisbon, Portugal.

Follow @DaisyParris and their official website https://daisyparris.com/ Visit their gallery @SimSmith_ and https://www.sim-smith.com/

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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Talk Art NYC!!! Russell & Robert meet artist Brian Donnelly aka KAWS at his Brooklyn studio for a rare glimpse into the private world of one the world's most iconic creative figures. KAWS engages audiences far beyond the museums and galleries in which he regularly exhibits. His prolific body of influential work straddles the worlds of art and design to include paintings, murals, large-scale sculptures, street art, graphic and production design. Over the last two decades KAWS has built a successful career with work that consistently shows his formal agility as an artist, as well as his underlying wit, irreverence, and affection for our times. The nature of his work possesses a sophiticated humour and thoughtful interplay with consumer products and collaborations with global brands from DIOR (with Kim Jones), to his own, now dormant, streetwear label OriginalFake.

He often draws inspiration and appropriates from pop-culture animations to form a unique artistic vocabulary for his works across various mediums. Now admired for his larger-than-life sculptures and hardedge paintings that emphasize line and color, KAWS' cast of hybrid cartoon and human characters are perhaps the strongest examples of his exploration of humanity. KAWS has been exhibited at the Doha Fire Station Museum, National Gallery of Victoria Melbourne, Museum of Contemporary Art Detroit, High Museum of Art, Brooklyn Museum, Yorkshire Sculpture Park in England, the Modern Art Museum of Fort Worth, and the Yuz Museum in Shanghai, and the Yuz Museum in Shanghai.

Follow @KAWS on Instagram or visit www.KawsOne.com If you've enjoyed this episode, be sure to leave us a review on Apple Podcasts or email talkartpodcast@gmail.com as we love hearing your feedback! @talkart

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We meet leading artist Michaela Yearwood-Dan to discuss her solo show The Sweetest Taboo, which runs until 26th April at Tiwani Contemporary, London. Recently the artist has been thinking about the priorities for affirming spaces of self and collective actualisation, specifically BIPOC and queer space(s), community needs and desires, that include her own. 

Projected and inscribed upon the large-scale paintings, extracts of Yearwood-Dan’s experiences, influences, personal thoughts and questions commingle with abstracted and botanical gestures and marks that border, lead towards and give way to speculative clearings; spaces and gaps that have the capacity to be filled with utopic imaginings. The works remain vested in holding and debating the real-life politics and cultural demands of femme, black and queer individuals in the world coming together as communities, manifesting and nurturing critical, safe and joyous environments. 

Drawing solely from her own experiences, throughout this body of work, the artist continues to explore the multifaceted nature of love through a theoretical and uncomplicated lense, whilst holding space for elements of humour and nostalgic glances. The Sweetest Taboo is a semi-immersive experience that migrates from the canvases into the space of the gallery, creating a topographic installation of ceramic sculptures and furniture that encourages visitors to contemplate, project and spur plans to dream potential spaces into existence.

Michaela Yearwood-Dan’s work reflects on subjectivity and individual identity as forms of self-determination. Whilst her work may be underpinned by an expansive and multivalent repertoire of cultural signifiers borrowing freely from blackness, healing rituals, flora, texting, acrylic-nails, gold-hoops, carnival culture, these reference points enable her to present and privilege the variance of her own individual experience. As such, her work refuses to be framed by narrow expectations of racial or gendered notions of collective identity and history. She defamiliarizes many of those reference points in her work resisting the clichés and strictures of representation.

Michaela Yearwood-Dan lives and works in London. Follow @ArtistAndGal and her gallery and @TiwaniContemporary on Instragram.

To view images of her new solo show visit: https://www.tiwani.co.uk/exhibitions/68-michaela-yearwood-dan-the-sweetest-taboo/overview/

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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It's the Venice Biennale 2022!!! We meet Pavlo Makov who is representing Ukraine at the Ukrainian pavilion of the 59th Venice Biennale.

Makov presents The Fountain of Exhaustion. Acqua Alta (1995–2022). This kinetic sculpture, which speaks to infrastructural ruins, cultural erasure, climate collapse, and war, is the focal point of the pavilion in Venice. Made possible with the support of the pavilion’s curators: Lizaveta German and Maria Lanko, co-founders of the Kyiv art space Naked Room, and Borys Filonenko, chief founder of IST Publishing. The Fountain of Exhaustion is currently paralleling the lives of those involved in its exhibition—rapidly adapting and responding to uncertain circumstances caused by war.

Fountain of Exhaustion. Acqua Аlta project for the 59th Biennale di Venezia is first and foremost an attempt to address the present from within the Ukrainian context in order to retrace and reveal how a local concern eventually grows to echo the global conversation.

The Pavilion exhibits the works of Pavlo Makov, whose artistic practices in the early 1990s focused on exploring the parallels between the human body and urban space and have since then largely shifted to elaborating the theme of “the world without us”. The artwork Fountain of Exhaustion is a serene and reflective project, which serves as a conscious extension of the original story of Fountain of Exhaustion (at once providing for the particularities of the exhibition location) and comes as a natural response to the theme Milk of Dreams.

Makov was born in 1958 in St. Petersburg, Russia. Lives and works in Kharkiv, Ukraine. He graduated from the Crimean Art College, Painting Department (Simferopol, Ukraine) in 1979, Saint Petersburg Academy of Arts in 1978 and Kharkiv Art and Industrial Institute (Graphic department) in 1984.

Since 1988 he is a member of the National Union of Artists of Ukraine, since 1994 – is a member of the Royal Society of Painters-Printmakers (London, England) and a correspondent member of the Ukrainian Art Academy, since 2006.

Pavlo Makov is a participant and winner of many graphic art exhibitions, among them “Biennale of Graphic Art" (Kaliningrad, Russia, 1990, 1992 and 1998), VI International Biennale of Print and Drawing (Taipei, Taiwan, 1993), “Osaka Triennale 94" (Osaka, Japan, 1994), “National Triennale of Print 97" (Kyiv, Ukraine, 1997), “International Print Triennale" and others. In 2009 he was awarded with the Silver Medal of the Ukrainian Art Academy. Author and participant of many projects in Ukraine and abroad. The artist's works are in museums collections in Ukraine, Russia, Hungary, Italy, Spain, Great Britain, the USA and other countries.

Follow on Instagram @UkrainianPavilionInVenice

Visit the Pavlo's website: makov.com.ua and visit the Ukraine Pavilion website: https://ukrainianpavilion.org/

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New Talk Art!!! We meet Sharon Walters, a London-based artist who creates hand-assembled collages celebrating black women. 'Seeing Ourselves', Sharon's ongoing series, is an exploration of under-representation in many arenas in particular, the arts and heritage sector and mainstream western media. The work encourages us to "'take up space', be seen and create our own spaces."

Sharon's ongoing series ‘Seeing Ourselves' is an exploration of identity, beauty standards, and race through celebratory papercuts and hand-assembled collages, which are available in limited edition print form. These pieces are created using images from women’s magazines, as well as photographs taken by the artist herself, or provided by others. Each carefully constructed collage features a black woman, and is a celebration of natural afro hair and its beauty. 

Sharon's celebratory approach extends through to her workshop and curatorial work, which continues to explore the representation of black women in many arenas, including arts, heritage and media. Sharon reframes these representations to share her experiences as a black woman in a celebratory, uplifting light. So often blackness is represented as 'other'. Sharon provokes an alternative narrative of empowerment. Each piece is a reaffirmation of the right to ‘take up space’ even when you don’t see yourself in certain settings.

Since graduating with a degree in Fine Art from Central St Martins (University of the Arts) in 2011, Sharon has developed her practice and continued her work with community arts organisations and museums, using them as platforms to explore and collaborate with the voices of those who are often unheard.

Follow Sharon on Instagram: @London_Artist1 and visit her official website: https://www.londonartist1.com/

Sharon Walters: Seeing Ourselves major new solo exhibition is now open! The show runs until Sun 26th June at MAC Midlands Art Centre, Birmingham and Is FREE ENTRY!!!! So what you waiting for? Visit: https://macbirmingham.co.uk/exhibition/seeing-ourselves

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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New Talk Art!!! We meet London icon PHILIP SALLON at his home in St John's Wood!!! A legendary British club promoter, event organiser, socialite, style innovator, impresario, and clothing designer. He was born in London, England where he still lives and works today in his 70th year. He is particularly known for being a prominent member of the Punk sub-cultural and New Romantic pop cultural movements during the 1970s and 1980s.

We discuss how he witnessed the birth of Punk, his friendship with Vivienne Westwood, the Blitz Kids and Boy George, more than 5 decades of his drawings, invitations and designs, supporting young graffiti artists back in 1983 all the way to more contemporary street artists like Stik and Ben Eine.

Philip Sallon was born in London in 1951, the grandson of Polish Jewish immigrant tailors who moved to the UK in 1904. His father, Ralph Sallon, was a well-known caricaturist who married his mother Anna Simon in 1945. They had one son (Philip) and three daughters. He was educated at Harrow County School, later renamed Gayton school. In 1970 he enrolled on an arts foundation course at East Ham College. In 1975 he applied and was offered a place at Saint Martin's School of Art to study fashion.

He then left St Martins to pursue a career in theatre and later club promotion. Sallon founded the Mud Club in Tottenham Court Road in the 1980s and is best known for his style and outgoing personality. Admirers describe how during one club night in the 1980s he wore a dress made entirely of pound notes; by the end of the evening, after fellow clubbers had helped themselves, he was practically naked.

For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

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We meet Lily van der Stokker (b. ‘s-Hertogenbosch, Netherlands, 1954), one of the Netherlands’ most celebrated contemporary artists at the installation of her first institutional solo exhibition in London at Camden Art Centre.

The exhibition brings together a group of works made by van der Stokker between 1989 and 2021, which address ideas of society, home, friendship, work, finances, illness and care; as well as speaking to this extraordinary contemporary moment. While some works have previously been realised in other contexts and spaces, others are presented across Camden Art Centre’s galleries for the first time. The exhibition will also include a number of original drawings on paper and works on canvas produced over the last 30 years.

Van der Stokker draws her images with an exacting care and precision, configuring them against one another for the specifics of each space, before scaling them up and executing them directly onto the gallery walls. Her monumental wall paintings – with their distinctive colour palate and highly decorative motifs, including flowers, clouds, patterns and curlicues – play on apparently clichéd stereotypes of femininity, but her work has a depth and toughness that belies its saccharine aesthetic. For more than 30 years she has immersed herself in the supposedly mundane material of everyday life, taking seriously the intricacies of the small, the personal and the overlooked, while at the same time forging a radical feminist practice in a language she has made entirely her own. Behind its apparent softness and sincerity – once described as ‘so sweet it can kill’ – her work remains both provocative and radical.

Optimism, joy, gossip and the petty trials and tribulations of everyday life are given a wide birth in most artistic practices, whilst work which centres the domestic and decorative has traditionally been seen as the antithesis of serious contemporary visual art. Van der Stokker’s work disrupts such hierarchical considerations, challenging conventional conceptions of artistic value and merit, whilst firmly positioning itself within the legacies of feminist, post-minimal and post-conceptual art. Despite its exuberance and frivolity, its disarming humour, and its bold celebration of the ugly, the sweet, the beautiful and the silly, her work takes itself and its subjects seriously; reclaiming themes and aesthetic languages that have been routinely devalued, derided and disparaged for centuries by a patriarchal culture that has consistently denigrated the feminine and feminised what it considered superfluous or ‘other’.

At a time when we have all been forced to make drastic and once unthinkable changes to our lives, van der Stokker’s longstanding engagement with the supposedly ‘little’ themes of family, relationships, work, home and the domestic, feel more appropriate, more timely and more important than ever.

Lily van der Stokker 'Thank You Darling' is now open and runs until 18 September 2022 at Camden Art Centre. Free entry! Follow @CamdenArtCentre & @LilyVanDerStokker

Visit: https://camdenartcentre.org/lily-van-der-stokker-thank-you-darling/

Lily van der Stokker lives and works in Amsterdam & New York. Selected solo exhibitions: Migros Museum für Gegenwartskunst, Zurich (2019); Stedelijk Museum, Amsterdam (2018); Hammer Museum, Los Angeles (2015); New Museum, New York (2013); Museum Boijmans Van Beuningen, Rotterdam (2010); and Tate St. Ives (2010).

Visit Lily's galleries Kaufmann Repetto, New York and to Air de Paris, Paris.

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Talk Art is back for SEASON 13!!!! Woohooo!!!

We meet leading artist Caroline Walker.

Walker’s paintings reveal the diverse social, cultural and economic experiences of women living in contemporary society. Drawing on her own photographic source material, Walker provides a unique window into the everyday lives of women. 

Blurring the boundary between objectivity and lived experience, Walker highlights often overlooked jobs performed by women and the psychologically charged spaces they inhabit. Walker explains: “The subject of my paintings in its broadest sense is women’s experience, whether that is the imagined interior life of a glimpsed shop worker, a closely observed portrayal of my mother working in the family home, or women I’ve had the privilege of spending time with in their place of work. From the anonymous to the highly personal, what links all these subjects is an investigation of an experience which is specifically female.”

Caroline Walker was born in 1982 in Dunfermline, Scotland. She lives and works in London.

Blurring the boundary between objectivity and lived experience, the artist highlights often overlooked jobs performed by women and the psychologically charged spaces they inhabit.

Previously encompassing locations such as Los Angeles, Palm Springs and the UK, Walker’s scenes hint at the complexity of her subjects’ lives whilst completely avoiding narrative resolution. Recent works have seen Walker cast her eye to her immediate surroundings in East London, reflecting on her wider community and the significance of encounters with anonymous individuals who are nevertheless integral to our daily existence. Often exploring the notion of ‘women’s work’, the artist captures specific spaces such as pharmacies, tailors, beauty salons, laboratories, bathhouses and modernist apartments.

Walker presented a new body of large-scale paintings at the historic Fitzrovia Chapel in February 2022. The works were created following her residency at University College Hospital's maternity wing, during which the artist shadowed female midwives, nurses, doctors and cleaners. Sketches from the series were displayed by UCLH Arts at Street Gallery, London and the project was accompanied by an illustrated catalogue.Examples will also be included as part of a two-person presentation with Laura Knight at Nottingham Castle in March 2022.

KM21, The Hague hosted ‘Windows’, a significant solo exhibition of the artist’s work in August 2021. An expansive show of Walker’s preparatory studies and large-scale paintings titled ‘Women’s Work’ opened in May 2021 at Midlands Art Centre (MAC), Birmingham, UK. She features in the Hayward Gallery touring exhibition ‘British Art Show 9’ in 2022. Walker’s first solo show at Stephen Friedman Gallery, London will take place in April 2022, focussing on the artist’s sister-in-law Lisa and her experience of motherhood. 

Walker obtained an MA in painting from Royal College of Art, London in 2009 and a BA (Hons) from Glasgow School of Art in 2004. Walker is also represented by GRIMM, Amsterdam / New York and Ingleby Gallery, Edinburgh.

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Talk Art series 13 continues!!! We meet British sculptor and contemporary visual artist Hew Locke. The artist shares the inspiration behind his decades of work and reflects on the process of making his new and exciting large-scale installation 2022 Tate Britain Commission, The Procession.

A procession is part and parcel of the cycle of life; people gather and move together to celebrate, worship, protest, mourn, escape or even to better themselves. This is the heart of this ambitious new project. The Procession invites visitors to ‘reflect on the cycles of history, and the ebb and flow of cultures, people and finance and power.’ Tate Britain’s founder was art lover and sugar refining magnate Henry Tate. In the installation Locke says he ‘makes links with the historical after-effects of the sugar business, almost drawing out of the walls of the building,’ also revisiting his artistic journey so far, including for example work with statues, share certificates, cardboard, rising sea levels, Carnival and the military.

Throughout, visitors will see figures who travel through space and time. Here, they carry historical and cultural baggage, from evidence of global financial and violent colonial control embellished on their clothes and banners, alongside powerful images of some of the disappearing colonial architecture of Locke’s childhood in Guyana.

The installation takes inspiration from real events and histories but overall, the figures invite us to walk alongside them, into an enlarged vision of an imagined future.

"What I try to do in my work is mix ideas of attraction and ideas of discomfort – colourful and attractive, but strangely, scarily surreal at the same time." Hew Locke.

Locke was born in Edinburgh, UK, in 1959; lived from 1966 to 1980 in Georgetown, Guyana; and is currently based in London.  He obtained a B.A. Fine Art in Falmouth (1988) and an M.A. Sculpture at the Royal College of Art, London (1994). In 2000 he won both a Paul Hamlyn Award and an East International Award.

His work is represented in many collections including those of the The Government Art Collection, The Pérez Art Museum Miami, The Tate Gallery, The Arts Council of England, The National Trust, The Metropolitan Museum of Art, New York, The Brooklyn Museum, New York, 21c, The New Art Gallery Walsall, The Victoria & Albert Museum, The Imperial War Museum, The British Museum and The Henry Moore Institute, Leeds.

Follow @HewDJLocke on Instagram and visit his official website: http://www.hewlocke.net/

Visit his galleries PPOW Gallery in New York and Hales Gallery in London. Learn more about his new installation at Tate, it's free to visit until 22nd January 2023: https://www.tate.org.uk/whats-on/tate-britain/hew-locke

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Talk Art season 13 continues with an art icon!!! We meet leading artist Tracey Emin to discuss her return to her hometown of Margate, her new art school, her current solo exhibition in the town's Carl Freedman Gallery as well as a further new solo show in Edinburgh at Jupiter Artland.

'A Journey To Death' is a comprehensive solo exhibition of new prints, large-scale monotypes and bronze sculptures. The show runs until 19th June 2022 and has been widely critically acclaimed. Free entry, and we strongly recommend visiting Margate for this extraordinary exhibition of new works.

Tracey Emin’s first Scottish show since 2008, 'I Lay Here For You' opens on 28th May and runs until 2nd October. It offers an intimate encounter with love and hope set against the domestic architecture and informal woodland of Jupiter Artland. Imbued with connotations of both warmth and vulnerability, resonating with Tracey Emin’s belief of the ‘personal as political’ the exhibition will feature brand new work by the artist reflecting on the possibility of love after hardship.

Tracey Emin’s participation in Jupiter Artland’s 2022 season begins with the unveiling I Lay Here For You, a six metre bronze sited personally by the artist in an old-growth beech grove. Larger than life, powerful and at ease, the sculpture presents a radically different view of woman’s place in nature, as well as creating a dialogue with the new work presented by the artist across Jupiter’s indoor gallery spaces.

Tracey Emin, CBE, RA is a British artist known for her autobiographical and confessional artwork. Emin represented Great Britain at the 52nd Venice Biennale in 2007 and was appointed Professor of Drawing at the Royal Academy of Arts, London in 2011. She was awarded the honour of Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts in 2012. Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture.

Emin reveals her hopes, humiliations, failures and successes in candid and, at times, excoriating work that is frequently both tragic and humorous. In 2020, a major solo exhibition entitled The Loneliness of the Soul, opened at the Royal Academy of Arts, London. The exhibition then toured to the new Munch Museum, Oslo in Summer 2021 to critical acclaim. This summer, Emin will unveil her largest artwork to date, The Mother, a permanent public commission for Oslo’s Museum Island. I Lay Here for You at Jupiter Artland will be Tracey Emin’s first solo exhibition in Scotland since her 2008 major retrospective at the Scottish National Gallery of Modern Art in Edinburgh.

Tracey Emin was born in 1963 in London. She currently lives and works between London, the South of France, and Margate, UK.

Visit: www.carlfreedman.com and www.jupiterartland.org

Follow on Instagram: @TraceyEminStudio, @CarlFreedmanGallery, @JupiterArtland

Thanks for listening!!!

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Talk Art SPECIAL EPISODE!!!! We travel to Somerset to have an exclusive 5am visit to Stonehenge and an art adventure to Hauser & Wirth in Bruton. We visit Henry Moore's exhibition 'Sharing Form' for a guided tour with the artist's daughter Mary Moore and curator Hannah Higham. Hauser and Wirth Somerset present a comprehensive survey spanning six decades extends across all five gallery spaces, in addition to an open-air presentation of seminal works including: ‘The Arch’ (1963/69), ‘Large Interior Form’ (1953 – 1954) and ‘Locking Piece’ (1962 – 1963).

The exhibition takes as its starting point the artist’s early fascination with the Neolithic site of Stonehenge, which Moore first encountered the prehistoric monuments under the moonlight as a young man in 1921, fifty-two years later he embarked on a series of lithographs on the subject. Moore was fascinated by the relationship between the towering masses of ancient stone, their size and siting in the landscape, and the mysterious ‘depths and distances’ evoked on his returning visits. For Moore, the power and intensity of such large forms set against land and sky precipitated career-long investigations into scale, material and volume and the juxtaposition of art and nature, which are presented throughout the exhibition.

Alongside Moore’s most celebrated works, the viewer is immersed in a deeply personal selection of artworks and objects curated by Mary Moore, set within the centre of the exhibition. The collection contains almost 100 items from her father’s studio and home, providing an insight into the working life of the sculptor and intimate memories she holds through these objects. The unique experience brings together Moore’s visual library and the vocabulary of ideas that he developed during his working life. The exhibition was organised with support from the Henry Moore Foundation.

Alongside Moore’s most celebrated works, the viewer is immersed in a deeply personal selection of artworks and objects curated by Mary Moore, set within the centre of the exhibition. The collection contains almost 100 items from her father’s studio and home, providing an immersive insight into the working life of the sculptor and intimate memories she holds through these objects. This exhibition was organised with support from the Henry Moore Foundation.

BMW has been involved in cultural projects across varied genres for over 50 years creating unique content initiatives with key partners such as artists, galleries, passionate collectors, art fairs and digital art platforms (such as Talk Art!). As a long-term partner, creative freedom is key – and as essential for groundbreaking works as it is for major innovations within our company.

Thanks to @BMWUK we had the opportunity to experience the all new fully-electric BMW i7 on our trip to Somerset. The car is BMW’s new flagship, demonstrating how an exclusive driving experience and the ultimate feeling of on-board wellbeing can be combined with an unwavering commitment to sustainability. 

Follow @HauserWirthSomerset and visit: https://www.hauserwirth.com/hauser-wirth-exhibitions/36155-henry-moore-sharing-form/ for more details on this major exhibition #HenryMooreSharingForm! Follow @BMWGroupCulture to learn more about BMW's commitment to art.

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New Talk Art!!! JUBILEE SPECIAL with an ACTUAL QUEEN!! We meet Rose Matafeo, the BAFTA nominated comedian, writer and actor from New Zealand. Self confessed "curious nerd" who has a passion for art, craft and photography.

We discover Rose's joy for creating her own artworks including dioramas and miniature models, photography and Lomo cameras, her obsession with the Pepper's Ghost illusion technique, textile art, embroidery and crochet. We learn about her artistic family including her artist father and how she was encouraged to collect and live with art since childhood!! We explore her passion for comic book artists and fanzines!! We also discuss the work of New Zealand experimental artist Len Lye.

Rose’s critically acclaimed show Horndog won the award (formerly the Perrier) for Best Show at The Edinburgh Fringe Festival and was nominated for Best Show at the Melbourne International Comedy Festival. She has since recorded the show as a special for HBO MAX. 

Rose is a regular face on TV. Her own sitcom, Starstruck, which she has written and stars in was commissioned by BBC3 in the UK and HBO Max in the US. Season One premiered on BBC One and BBC Three in the UK where it became the channel’s best performing new comedy of the year with over three million requests on BBC iPlayer to date, and later on HBO Max in the US, the show was also pre-sold to over 50 territories including Australia (ABC) and New Zealand (TVNZ). The show is a critical and ratings success and has returned to BBC3 and HBO Max for a second series in 2022. 

In the US, Rose has performed a stand up slot on Conan (TBS). In New Zealand Rose was the lead writer and star of the sketch show Funny Girls (TV3), and a regular on panel show 7 Days (Three Now NZ). 2020 saw her star to great acclaim in the feature Baby, Done (Piki Films). She also co-hosts the podcast Boners of the Heart with fellow comic Alice Snedden. 

Follow @RoseMatafeo on Instagram. Watch Rose's TV show Starstruck, Series 1 and 2 (including Russell Tovey himself) at BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/p09djx02/starstruck

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Talk Art SPECIAL EPISODE!!!! This week we talk to Rafael Lozano-Hemmer to discuss his new collaboration with Superblue (@superblue.art) and BMW i, “Pulse Topology” presented on the occasion of this year’s Art Basel (@artbasel). The participatory artwork is composed of 6.000 lightbulbs, suspended from the ceiling at different heights, that glimmer to the heartbeat of visitors detected by custom-made pulse sensors.

The presentation is inspired by a shared vision for a sustainable future, and a desire to create experiences for retreat, reflection, joy, and social connection. Following an inspiring dialogue with BMW engineers and designers, Lozano-Hemmer’s team will use the same technology as in “Pulse Topology” to activate the BMW i7’s interior with passengers' heartbeats. This intervention can be seen as an extension of the i7’s use of light and new technology to emphasize the human-centric design of the new BMW i7.

Stay tuned to see this immersive experience come to life.

Follow @lozanohemmer on instagram to see more of his work. #PulseTopology #ThisIsForwardism

Follow @BMWGroupCulture to learn more about BMW's commitment to art.

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New Talk Art! We meet leading artist Sonia Boyce. Boyce’s practice is fundamentally collaborative and inclusive, fostering a participatory approach that questions artistic authorship and cultural difference. Last month, she became the first Black female artist to represent Britain at the Venice Biennale, the world’s oldest international art exhibition. The work she presented in the British Pavilion won the prestigious prize, the Golden Lion. Six years before, she had been the first Black British woman to get elected to the Royal Academy of Arts.

The British Council presents Feeling Her Way by Sonia Boyce at the British Pavilion for La Biennale di Venezia, running from 23 April – 27 November 2022. Boyce’s powerful exhibition explores the potential of collaborative play as a route to innovation. The installation brings together video works featuring five Black* female musicians (Poppy Ajudha, Jacqui Dankworth MBE, Sofia Jernberg, Tanita Tikaram and composer Errollyn Wallen CBE) who were invited to improvise, interact and play with their voices. The video works take centre stage among Boyce’s signature tessellating wallpapers and golden geometric structures, and the Pavilion’s rooms are filled with sounds – sometimes harmonious, sometimes clashing – embodying feelings of freedom, power and vulnerability.

This new commission expands on Boyce’s Devotional Collection, built over more than two decades and spanning more than three centuries, which honours the substantial contribution of Black British female musicians to transnational culture.

Artist and academic Sonia Boyce OBE RA (b. London, 1962) came to prominence in the early 1980s as a key figure in the burgeoning Black Arts Movement of that time with figurative pastel drawings and photo collages that addressed issues of race and gender in Britain. In 1987, she became one of the youngest artists of her generation to have her artwork acquired by Tate and the first Black-British female artist to enter the collection. Since the 1990s Boyce’s practice has taken a significant multi-media and improvisational turn by bringing people together in a dynamic, social practice that encourages others to speak, sing or move in relation to the past and the present. Incorporating film, photography, print and sound in multi-media installations, Boyce’s practice is fundamentally collaborative and inclusive, fostering a participatory approach that questions artistic authorship and cultural difference. At the heart of her work are questions about the production and reception of unexpected gestures, with an underlying interest in the intersection of personal and political subjectivities.

Follow @SoniaBoyceArtist and @SimonLeeGallery. Visit https://www.simonleegallery.com/artists/277-sonia-boyce/ and https://venicebiennale.britishcouncil.org/feeling-her-way

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Talk Art Special Episode!!! We catch up on all things Art Basel with legendary Global Director Marc Speigler - Art Basel is the biggest art fair in the world where thousands of people flock to the city of Basel every year to discover and witness new art, new ideas and the changing of culture - this is art world insider magic.

Marc Spiegler (born 1968) is an American/French art journalist and columnist since 1998. In 2012 he became global director of Art Basel. Marc leads the organization’s development, including all three shows and our expanding artworld activities. He is ranked in ArtReview's Power 100 among the top 25 most influential individuals in the art world. 

Art Basel fair brings the international art world together. It features over 200 leading galleries and more than 4,000 artists from five continents. Many high-quality exhibitions take place concurrently in and around Basel, creating a region-wide art week (June 16 – 19, 2022).

Follow @ArtBasel and @MarcSpeigler

Visit: https://artbasel.com/

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We meet Ashley Joiner, Founder & Director of QUEERCIRCLE a new public gallery space, library and home for LGBTQ+ Arts, Culture and Social Change.

QUEERCIRCLE seeks to develop an ecology of artists, curators, writers, thinkers, community organisers, grassroots organisations and charities who collectively work together to strengthen links between culture, health and wellbeing.

Set in the pioneering Design District in North Greenwich, their new gallery, library and project spaces enable us to action our ground-breaking community focused programme of exhibition commissions, collaborative artists residencies and year-long learning and participation opportunities. With the support of Greater London Authority, Outset's Studiomakers Initiative, and the generous contributions of private patrons, Queercircle is within a new site designed by award-winning David Kohn Architects.

Since 2016, QUEERCIRCLE has hosted exploratory workshops and events with artists, curators, writers and community organisers to develop a programme that is befitting to the needs and aspirations of the LGBTQ+ community. Their new home first opened its door in June 2022, providing a holistic environment which celebrates queer identity, champions arts and culture, and supports the wellbeing of our community.

Follow: @Queercircle on Instagram

Visit https://Queercircle.org/

Current show: MICHAELA YEARWOOD-DAN’S “LET ME HOLD YOU” 

Queercircle's INAUGURAL EXHIBITION runs from JUNE 8 - SEPTEMBER 8 2022

Michaela Yearwood-Dan’s “Let Me Hold You” sets the tone for our new home as we move forward - a safe space for the LGBTQ+ community. A sweeping curved mural embraces visitors, creating a sanctuary for visitors to confront their own true selves in a safe and holistic environment. Ceramic sculptures and furniture encourage visitors to rest, contemplate, and connect with others. We interviewed Michaela on Season 12 of Talk Art, so do check out her episode also!!!

Utilising flora and fauna motifs, Yearwood-Dan refutes the concept that LGBTQ+ people are “unnatural”. Instead she visualises the interconnectedness of the human and non-human experience, all the while expanding our understanding of what it means to be queer and to love. 

“The moment we choose to love we begin to move against domination, against oppression. The moment we choose to love we begin to move toward freedom, to act in ways that liberate ourselves and others. That action is the testimony of love as the practice of freedom.” - bell hooks

As nature and marginalised communities continue to be exploited around the world - compounded by the effects of climate change disproportionately impacting marginalised communities - Michaela Yearwood-Dan provides a vital tonic; encouraging us to adopt love as an action against societal and ecological injustice.

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We meet leading artist Zoë Buckman from her studio in Brooklyn, NY!!! We discuss grief, trauma, her precise textile artworks and a powerful, new film titled 'Show Me Your Bruises, Then' (2021-2022) - a 3 channel video installation, written, performed and directed by Zoë Buckman, and featuring actors Cush Jumbo and Sienna Miller.

Zoë Buckman’s multidisciplinary practice incorporates sculpture, textiles, ceramics, photography, and large-scale public installations. Adopting an explicitly feminist approach, her work explores identity, trauma, and gendered violence, subverting preconceived notions of vulnerability and strength.

The artist regularly chooses to work with objects symbolically associated with gender. Whilst her oft-adopted boxing gloves hint at a bellicose masculinity, Buckman also incorporates vintage fabrics into her work, from lingerie to dishcloths and table linen. These textiles, traditionally used and decorated by women, recall an intimacy with the body and a proximity to the domestic space. Bearing traces of their past, vintage fabrics point to a history of patriarchal subjugation, but also to the necessity and comfort of intergenerational dialogue between women.

Indeed, both verbal and non-verbal dialogue is an integral part of Buckman’s practice. Buckman’s eclectic choice of source material, the snatches of conversation, stained tablecloths, hip-hop lyrics, and, especially, lines from her late playwright mother’s scripts, all represent mnemonic totems which, when taken together, establish a deeply personal constellation of the artist’s lived experience.

'Show Me Your Bruises, Then' is the first filmic work of London-born, Brooklyn-based artist, Zoë Buckman. The 17-minute long, 3-channel, video installation builds a portrait of the multigenerational experience of domestic violence, and explores the shame and stigma prescribed to the female body in a patriarchal society. The film depicts three women, each seated at the end of the table, reciting Buckman’s own free flowing poem by the same name that she started writing in 2018. Although excerpts of the poem have appeared as text within Buckman’s embroidery works and in the titles of pieces, this is the first time it is presented in its entirety.

In tandem with both the sculptural and wall-based works that have formed the basis of Buckman’s artistic practice to date, Show Me Your Bruises, Then, seeks to foster nuanced conversation around consent, power, and violence, as well as highlighting the intrinsic joy, pleasure, and resilience that abounds the female experience. The rhythmic pattern of the poem and the three screen visuals build this notion of the power in sharing one’s voice and story.

Visit: https://www.zoebuckman.com/ and her page at Pippy Houldsworth Gallery, London: https://www.houldsworth.co.uk/artists/57-zoe-buckman/overview/

Follow: @ZoeBuckman and @PippyHouldsworthGallery

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Talk Art special episode!!! We meet Andrew Moncrief (b.1987), a visual artist from Comox Valley, Canada. We speak on the eve of Gucci presenting his first exhibition in France at their Saint-Germain boutique, during the men's fashion shows in Paris.

Influenced at an early age by a rigid and immobile interpretation of masculinity, Andrew’s work explores depictions of the male identity, questioning idealism, queerness, and representation. The Canadian artist, now based in Berlin, questions masculinity and the representation of queer bodies in his surreal and powerful canvases inspired by existing images, reworked as collages where colours and shapes intermingle.

For this exhibition, Andrew Moncrief has chosen to create his 5 new paintings inspired by images photographed for this occasion. In collaboration with photographer Julien Barbès, the Canadian artist created a fashion series around five queer Berlin personalities wearing pieces from the Gucci Love Parade collection and offering a diversity of approaches to masculinity. These images, in which bodies move in soft and sensual choreographies, served as the original material for the collages in preparation for the paintings presented this summer in Paris.

”My work deals with my identity as a gay and queer man”, explains the artist. “To compose my collage-like paintings, I usually use existing nude images, but here, everything was built from fashion photos made for the occasion. I am sensitive to clothed bodies, classical drapery and Renaissance painting. Clothes generate tension and folds, as a metaphor for the body and the tensions it is capable of feeling."

In Andrew Moncrief's paintings, the male body seems to be in perpetual metamorphosis. Dislocated and intertwined, he melts into his environment and dialogues with other bodies as much as with colours, textures and clothes. The fluid and hybrid body thus escapes all the categories and norms that society imposes on it. The artist's painting forms an act of freedom and canvases are queer safe spaces where all attitudes and representations become possible. The liberated and phantasmagorical body is celebrated through a palette of delightful colours that explode across the canvas. This new work is also a reference to the famous painter Francis Bacon, and more particularly to his representation of the body crossed as much by the beauty as by the grotesque.

Since graduating with a BFA in Painting & Drawing from Concordia University in 2013, Andrew Moncrief has presented his work internationally in Canada, the U.S.A., and Europe, where he currently lives and works. He has been featured in numerous international publications, is part of respected private collections, and has received a Professional Development Grant from the Canada Council for the Arts to pursue a full-time mentorship with Justin Ogilvie to study classical techniques and anatomy in 2019. Andrew has two upcoming shows at New Art Projects and Beers, both in London, UK, as well as a collaboration with GUCCI and Numero Art Magazine, all taking place in the first half of 2022.

Visit Andrew's website: http://andrewmoncrief.com/

Follow on Instagram: @an_drew_moncrief

Special thanks to GUCCI and Alex Malgouyres for supporting this episode.

Follow: @Gucci @GucciEquilibrium

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Talk Art Season 13 continues with a broadcasting LEGEND!!! We meet Clara Amfo, one of British radio and television’s most dynamic voices and faces. An award winning broadcaster, podcaster and television presenter best known for her work on BBC Radio 1, where she hosted the official chart and the world famous Live Lounge. She currently hosts Future Sounds, breaking the new music from rising and established musicians.

A little known fact about Clara is that she collects art and is friends with many artists. Her brother also collects art and photography and his record collection even inspired the teenage Clara to get into the artistic side of music - including the album artwork of Lauryn Hill. We discuss the art scene in Accra, the awesome capital of Ghana. We learn about Clara's art collection and why she is an advocate for living with art at home - from postcards to prints to unique paintings! We learn about her new role as Trustee of Royal Academy of Arts in London's Green Park and how she's been brainstorming about how to make art more accessible for everyone.

During the pandemic, Clara collaborated with the Serpentine Gallery during their major survey of British-Ghanaian photographer James Barnor. Clara is a big fan of Barnor's work, whose career spans six decades, two continents and numerous photographic genres through his work with studio portraiture, photojournalism, editorial commissions and wider social commentary. Clara also introduces us to the work of Ted Pearce aka Ted’s Draws known for illustrations of iconic musicians, as well as Josephine Chime, a contemporary painter who has in recent years created portraits of Clara’s mother and father.

She remembers an Inspiring studio visit to the Brixton-based artist Abe Odedina. We explore why art exhibitions are the perfect venue for dating and Clara reminisces about memorable exhibitions she's visited such as Faith Ringold, Kehinde Wiley at the National Gallery and Lubaina Himid's current solo exhibition at Tate Modern and the impact that Yinka Ilori’s 'Better Days Are Coming I Promise' public artwork had on London during lockdown.

Follow Clara on Instagram: @ClaraAmfo

Visit her official website: www.claraamfo.com

Learn more about the Royal Academy and the Summer Exhibition 2022 at @RoyalAcademyArts

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We meet leading artist Jonathan Baldock who works across multiple platforms including sculpture, installation and performance. With work often taking on a biographical form, Jonathan Baldock addresses the trauma, stress, sensuality, mortality and spirituality around our relationship to the body and the space it inhabits.

Baldock’s work is saturated with humour and wit, as well as an uncanny, macabre quality that channels his longstanding interest in myth and folklore. He has an ongoing focus on the contrast between the material qualities of ceramic and fabric in his work. Concerned with removing the functional aspects of the materials he uses, Baldock instead works in a performative way through his sculptural assemblages, bringing the viewer, the object and the space they simultaneously occupy into question as a theatrical or ritualistic act.

Jonathan Baldock was born in 1980 in Kent, UK. He lives and works in London. He graduated from Winchester School of Art with a BA in Painting (2000-2003), followed by the Royal College of Art, London with an MA in Painting (2003-2005).

In 2021 Baldock had solo exhibitions at La Casa Encendida, Madrid, Spain and at Accelerator, Stockholm, Sweden. He participated in group shows in 2021 including ‘Threadbare’ at Stephen Friedman Gallery, London; ‘Human Conditions of Clay’ at Chapter Arts Centre, Cardiff, Wales and ‘Right About Now’ at No.9 Cork Street, London. Baldock’s work was included in the inaugural Towner International biennial at Towner Art Gallery, Eastbourne, UK in October 2020.

Baldock’s first solo exhibition with Stephen Friedman Gallery opened in September 2019 and presented a series of ceramic masks featuring bright colours and outlandish expressions. This show coincided with the presentation of a large-scale, interactive sculpture by Baldock at Fitzrovia Chapel, London during Frieze week. In the spring of 2019, Baldock’s solo exhibition ‘Facecrime’ opened at Camden Arts Centre, London following a Freelands Lomax Ceramics Fellowship. The exhibition travelled to Tramway, Glasgow in August 2019 and Bluecoat, Liverpool in March 2020. 

Follow @Jonathan_Baldock on Instagram. Visit Stephen Friedman Gallery for more details: https://www.stephenfriedman.com/artists/25-jonathan-baldock/

Plus Jonathan's own website: https://jonathan-baldock.com/

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We meet leading artist Guy J Oliver in his hometown of Margate to discuss video art and film! Guy's award-winning interdisciplinary practice employs video as well as text, painting, collage and performance.

We discuss his major film 'You Know Nothing of My Work'. This extraordinary project is a multi-chapter rumination on the cultural dilemma of the disgraced popular icon. Considering how collective, systematic failure led to cases of abuse from powerful figures in the cultural scene, this work proposes a conflict between the enjoyment of and respect for their creative work and what we now know (or at times failed to recognise) about their behaviour. Can we erase the existence of abusive yet influential figureheads, or should we acknowledge and discuss their actions alongside their work? Through a piece that uses elements of film musical and music video traditions within the form of an experimental essay, Oliver takes the pulse of society’s reaction to this fast-evolving and contentious subject. You Know Nothing of My Work was commissioned for the Jerwood/ and Film and Video Umbrella Awards 2020. See the work online at Jerwood/FVU Awards 2020: Hindsight | Online Exhibition

We also discuss 'The Year Everyone Died', a meditative video essay that looks back at the year 2016 and explores the artist’s own feelings towards the various deaths that were announced during those twelve months. 2016 appeared to have an unusually high number of well-known figures pass away, from David Bowie at the beginning of the year through to George Michael on Christmas Day and Carrie Fisher on Boxing Day followed by her mother Debbie Reynolds the day after. 

Guy was recently nominated for the Jarman Award 2021. Inspired by Derek Jarman, the Jarman Award recognises and supports artists working with moving image and celebrates the spirit of experimentation, imagination and innovation in the work of artist filmmakers in the UK. In July 2022, Film London announced Guy was one of its Lodestars 2022, the annual list honouring innovative UK-based creators and practitioners to watch.

We also discuss Quench, a project space and gallery in Margate, Kent run by artists Lindsey Mendick and Guy Oliver. Quench was created in the pandemic with the aim of giving artists and curators an opportunity to develop new work and put on exhibitions. We are a not-for-profit venture and all possible art sales and proceeds go directly to the artists. We will also be housing one-off events within the gallery such as screenings and performances, as well as, pop-up opportunities for local practitioners.

Visit Guy's official website: GuyOliver.co.uk

Follow: @GuyJOliver

Learn more about Quench at: @QuenchGallery or visit their website at:

https://www.quenchgallery.co.uk/

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Talk Art Season 13 FINALE!!!! And what a corker of an episode we are bringing you!!! WE MEET SELF ESTEEM!!!! Iconic pop star, singer, songwriter, producer, poet, actor, novelist, soundtrack composer... and our dear, DEAR friend!!!! We discuss sincerity and her supportive artistic community in Margate, her surprise love of making ceramics and painting, her creative process for songwriting and all art, collaborating with her longterm friend & leading artist Lindsey Mendick, visiting exhibitions and artspaces like Sheffield's S1, and how she's adapting to her recent global mega stardom!!!! We also discover her admiration for artists including Marina Abramović, Tracey Emin and Jenny Holzer.

Rebecca Lucy Taylor, known professionally by her stage name Self Esteem, is an award winning English singer-songwriter. On her recent hit album, Prioritise Pleasure, Taylor states “I suppose this record is just me going, what if this isn’t failure? What if this is actually pretty good?” Pretty good feels like a modest estimation as Taylor was nominated for a BRIT award and wins numerous other accolades including BBC Music Introducing’s Artist Of The Year and Attitude Magazine’s Music Award. Self Esteem continues to sell-out shows at ever-growing venues across the UK and plays the largest gigs of her career –in recognising herself and others, Rebecca Taylor has made countless people feel esteemed.

We love Self Esteem SO much! You can stream her award-winning album PRIORITISE PLEASURE now at Spotify, Apple or wherever you listen to your music!!!

Follow @SelfEsteemSelfEsteem on Instagram and @SelfEsteem___ on Twitter.

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New Talk Art!!! SEASON 14!!!! We begin with a generous, heartfelt conversation with emerging artist Pam Evelyn who creates paintings that read as abstractions, however she incorporates a sensitivity and consideration towards figurative and landscape structures. Born 1996, Guildford, we speak to Pam from a residency in Cornwall on the southern coast of UK.

To tolerate occupying a space of unresolved.

To hover in the perpetual state of building towards.

Every step forwards feels like it’s

supported by clay.

Each application can sink.

As one element emerges another is

demolished.

– Pam Evelyn, 2022

Evelyn's recent debut solo exhibition Built on Clay at The Approach took its title from the geological composition of the city of London, which has a predominantly clay foundation. As a material, clay is volatile and unpredictable, it shrinks and expands depending on its water content, imbuing it with the capacity for collapse. Evelyn’s painting process shares similar qualities, the title becoming a comment on the work itself. From the moment she approaches the canvas, Evelyn begins with a problematic and challenging foundation, an untackled and incalculable terrain. Yet, through placing trust in her own intuition, following her own painterly impulses, Evelyn builds – brushstroke by brushstroke, layer by layer, ‘brick by brick’ – a densely rich and textured canvas. Thick layers of paint sediment atop one another; abstracted landscapes and figurations slowly emerge, disappear and reappear like changeable weather, a process which the artist likens to “a mist rising.”

On entering the main gallery, four large scale paintings hang impressively in the space. Promised Land, the largest painting in the exhibition is composed of three segments and echoes an abstracted version of Edvard Munch’s monumental painting The Sun both in scale and composition. This sublime landscape behaves like a mirage that oscillates between psychological and physical space.

In Built on Clay, waves appear to swirl, circle and crash on an open ocean. Recalling a recent essay by Martin Herbert, Evelyn’s “art is a productive meeting of two perspectives: the slower, airier time by the sea—where, as anyone who has lived there knows, you simply think differently—and its recollection amidst metropolitan tumult. In the paintings, the maritime world is infused with headlong pace and concrete clang.”

In Sweet Smelling Smoke, tangles of red and blues paint intertwine, outlines of figures emerge and fade away. Warm autumn shades evoke a woodland scene, or perhaps, more menacingly, suggest the drama of forest fires still in the throes of flame and destruction. Whilst in Routine Escape, blues and greens taken from the palette of a Turner painting move fluidly together, brushstrokes round and fold back on themselves, waves of paint settle and recede. A sailing vessel appears to drift through swells of paint and choppy patchworks of canvas. Recalling Herbert once again, Evelyn’s: “compositions themselves arise out of a process of repeated strategic wrecking and partial salvage, destruction of what was there before until a sense of vivid spontaneity is achieved, as if the painting had achieved its final form in an instant.”

Follow @PamEvelyn and @ApproachGallery

Learn more about Pam at: https://theapproach.co.uk/artists/pam-evelyn/images/

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Talk Art Season 14 continues with a truly special episode!!! We meet artist Jimmy Wright (b. 1944, Kentucky) who has lived and worked in New York since the early 1970s. We discuss queerness, Queer Art of the 1960s & 70s, grief, a lifetime of painting, his close friendship with the Chicago Imagists, being taught by Ray Yoshida and his extraordinary new solo exhibition ‘Flowers For Ken’, which has just opened in New York at Fierman West gallery, 19 Pike Street and runs until October 23rd 2022.

Text by Ashton Cooper: "In 1988, Ken Nuzzo was diagnosed with HIV, an official pronouncement that confirmed years of suspicion, but had long been avoided for fear of losing the insurance coverage provided through his government job. For the next three years, Ken’s partner Jimmy Wright cared for him in ways both familiar and painfully unfamiliar in their 16-year-long relationship. During that time, Wright also began work on a pair of monumental paintings titled Flowers for Ken. The first of these, Flowers for Ken, Sunflower Stem, was dated 1988-1991 to reflect those “three years of horror,” as Wright described them, and the painting’s date of completion was mirrored by Ken’s death in 1991 at the age of 41. Measuring 6 feet high and wide, Flowers for Ken, Sunflower Stem depicts the backside of a massively enlarged sunflower in the process of decay, its spindly petals withered but still vibrantly orange-yellow as they erupt around the rim of the top-heavy flower. Its partner, Flowers for Ken, Sunflower Head, 1989-92, was completed in the months after Ken’s passing. It renders the same blossom, but this time from the front. Also measuring six feet high, the entire canvas is occupied by the dark center of the flower’s head, its spiral-patterned disc florets rendered in somber tones of brown and gray."

Read more at: https://fierman.nyc/ and http://www.jimmywrightartist.com/

Follow @JimboAlley and @FiermanGallery on Instagram.

Wright's work is in the collections of The Whitney Museum of American Art; The Metropolitan Museum of Art; The Art Institute of Chicago; the Hammer Museum, Los Angeles; the Center for Book and Paper Arts, Columbia College, Chicago; The Springfield Art Museum, MO; among other institutions. Recent gallery exhibitions include The Queen’s Court, Fierman, NYC (solo), LA 73 – NY 74, M&B Gallery, Los Angeles (solo) and Rachel Harrison, Albert Oehlen, Jimmy Wright, Corbett Vs. Dempsey, Chicago, both in 2019. Fierman released a limited edition publication of Wright’s tearoom drawings, featuring writing by Alissa Bennett and Alison Gingeras, published by Heinzfeller Nileisist. In 2016 Corbett Vs. Dempsey published a major monograph of his work from the 1970s entitled New York Underground. Wright stopped making this body of work as the AIDS crisis wracked the gay community and New York changed. The extant drawings from the period as such serve as a dreamlike document of an oft mythologized cultural moment. The first of Wright’s many flower works, were painted 1988-91, in homage to the artist’s partner who had recently died of AIDS. In 2018 he was named Academician of the National Academy of Design.

We love Jimmy's paintings. Thanks for listening!!!

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SPECIAL EPISODE!!! Live Talk Art!!! Robert Diament meets legendary artist Ai Weiwei (*1957, Beijing) recorded at Kite Festival, Oxfordshire on 12th June 2022. Ai Weiwei lives and works in multiple locations, including Beijing (China), Berlin (Germany), Cambridge (UK) and Lisbon (Portugal). He is a multimedia artist who also works in film, writing and social media. Special thanks to Tortoise Media, Tom Macklin and the wonderful team at Kite Festival.

"Expressing oneself is a part of being human. To be deprived of a voice is to be told you are not a participant in society; ultimately it is a denial of humanity." www.aiweiwei.com

Ai Weiwei is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audiences to examine society and its values. Recent exhibitions include: Ai Weiwei: Resetting Memories at MARCO in Monterrey, Ai Weiwei: Bare Life at the Mildred Lane Kemper Museum in St. Louis, Ai Weiwei at the K20/K21 in Dusseldorf, and Good Fences Make Good Neighbors with the Public Art Fund in New York City.

Ai was born in Beijing in 1957 and currently resides and works in Berlin. Ai is the recipient of the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation.

A global citizen, artist and thinker, Ai Weiwei moves between modes of production and investigation, subject to the direction and outcome of his research, whether into the Chinese earthquake of 2008 (for works such as Straight, 2008-12 and Remembering, 2009) or the worldwide plight of refugees and forced migrants (for Law of the Journey and his feature-length documentary, Human Flow, both 2017). From early iconoclastic positions in regards to authority and history, which included Dropping a Han Dynasty Urn and a series of middle-finger salutes to sites of power, Study of Perspective (both 1995), Ai’s production expanded to encompass architecture, public art and performance. Beyond concerns of form or protest, Ai now measures our existence in relation to economic, political, natural and social forces, uniting craftsmanship with conceptual creativity. Universal symbols of humanity and community, such as bicycles, flowers and trees, as well as the perennial problems of borders and conflicts are given renewed potency though installations, sculptures, films and photographs, while Ai continues to speak out publicly on issues he believes important. He is one of the leading cultural figures of his generation and serves as an example for free expression both in China and internationally.

Follow @aiww on Instagram and @aiww on Twitter. See more of Ai Weiwei's work at Lisson Gallery's website: https://www.lissongallery.com/artists/ai-weiwei

To learn more about Kite Festival, visit: https://kitefestival.co.uk/

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We meet leading artist Amy Sherald, one of the defining contemporary portraitists in the United States. We discuss her new works about to be exhibited in London, growing up in Columbus, Georgia, the experience of painting Michelle Obama's portrait and how New York has become her home.

From 12th October, Sherald will unveil a suite of new paintings in a major exhibition at Hauser Wirth London, marking the artist’s first solo show in Europe. Featuring a series of small-scale and monumental portraits across both the gallery’s London spaces, this presentation is the artist’s largest to date with the gallery. Sherald is acclaimed for her paintings of Black Americans at leisure that have become landmarks in the grand tradition of social portraiture—a tradition that for too long excluded the Black men, women, families, and artists whose lives have been inextricable from public and politicised narratives. In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon. Sherald foregrounds the idea that Black life and identity are not solely tethered to grappling publicly with social issues and that resistance also lies in an expressive vision of self-sovereignty in the world. By subverting existing narratives, Sherald hopes to offer the viewer a reflection of themselves and the complexities of their interior lives, void of the constructs of race, gender, religion and preconceived notions.

The first widely available monograph on Amy Sherald will accompany this exhibition, published by Hauser & Wirth Publishers. Newly commissioned texts include an art historical analysis of Sherald’s work by Jenni Sorkin, a meditation on the poetics of the Black ordinary by cultural scholar Kevin Quashie and a conversation between Sherald and author Ta-Nehisi Coates.

Amy Sherald has recently donated $1 million to the University of Louisville to fund the Brandeis Law School’s Breonna Taylor Legacy Fellowship and the Breonna Taylor Legacy Scholarship for undergraduates, a gift made possible by the sale of Sherald’s portrait of Breonna Taylor made in 2020 to the Ford Foundation and the Hearthland Foundation.

Amy Sherald's major new solo show 'The World We Make' opens at Hauser & Wirth London from 12th October – 23rd December 2022.

Follow @ASherald on Instagram and her gallery @HauserWirth. Learn more at Hauser & Wirth's website: https://www.hauserwirth.com/artists/11577-amy-sherald/

THANK YOU FOR LISTENING!!!

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Season 14 continues with VERY special episode with one of our all-time ART WORLD ICONS!!!! We meet the legendary gallerist MAUREEN PALEY. Inspiration to many of today's international contemporary galleries, Maureen was in fact the reason our co-host Robert Diament became inspired to change careers to work full-time in a gallery!

We discover how she began her gallery programme in 1984 in a Victorian terraced house in London’s East End. Initially named Interim Art, the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in Bethnal Green, and in September 2020 relocated to Three Colts Lane. In July 2017 Maureen Paley opened a second space in Hove called Morena di Luna. In October 2020 a third space was opened in Shoreditch, London called Studio M. From its inception, the gallery’s aim has remained consistent: to promote great and innovative artists in all media.-

Maureen Paley was one of the first to present contemporary art in London’s East End and has been a pioneer of the current scene, promoting and showing a diverse range of international artists. Gallery artists include Turner Prize winners Lawrence Abu Hamdan, 2019; Wolfgang Tillmans, 2000 and Gillian Wearing, 1997 as well as Turner Prize nominees Rebecca Warren, 2006; Liam Gillick, 2002; Jane and Louise Wilson, 1999 and Hannah Collins, 1993. Represented artists also include AA Bronson, Felipe Baeza, Tom Burr, Michaela Eichwald, Morgan Fisher, General Idea, Anne Hardy, Peter Hujar, Michael Krebber, Paulo Nimer Pjota, Olivia Plender, Stephen Prina, Maaike Schoorel, Hannah Starkey, Chioma Ebinama, Oscar Tuazon, and James Welling.

Maureen Paley, the gallery’s founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–80.

Together with running the gallery, Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the Arts Council GB National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.

Follow @MaureenPaley on Instagram. Visit the gallery's official website at https://www.maureenpaley.com/

Maureen Paley are exhibiting at Frieze London art fair next week in Regent's Park, Stand C19, 12th-16th October 2022. See works from her booth at Frieze's website: https://viewingroom.frieze.com/viewing-room/1750

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Talk Art special episode!!! We meet leading artist NIKITA GALE! It's Frieze London and we explore an incredible new art installation for BMW Open Work by Frieze. Artist Nikita Gale worked with BMW i7 designers to present the site-specific installation “63/22” in the BMW Lounge at the fair from October 12-16, 2022.

Curated by Attilia Fattori Franchini, BMW Open Work by Frieze invites an artist to develop an ambitious project utilising BMW design and technology to pursue their practice in innovative new directions. BMW Open Work offers artists the possibility of engaging in a rich dialogue with BMW engineers, designers, and experts from different fields to create unique artistic projects.

Investigating the politics of sound and its surrounding, Nikita Gale’s practice enquires themes of invisibility and audibility, recasting the complicated dynamic between performer and spectator. Within the work, notions are subverted and destabilized. Nikita Gale’s interest in the history of sound continues with “63/22”, in which the artist reflects on the relationship between automotive and sound technologies, already closely associated since the 1960s. In fact, the Gibson Firebird, one of the most popular electric guitars, was designed by a car designer in 1963. 

Emerging from an intense dialogue with BMW i7 designers and engineers whilst reinforcing BMW’s commitment to art and music, Gale presents for Frieze London 2022 a sculptural installation comprising of five customised electric guitars. The guitars will be named historically significant and iconic Black women guitarists: Memphis Minnie, Sister Rosetta Tharpe, Barbara Lynn, Big Mama Thornton, and Joan Armatrading. Activated in the lounge through a series of live acts performed by musicians invited by Gale, the guitars will play through the BMW i7, transforming the car into a sound amp, amplifying the relationship between the car, sound technologies and creativity. The guitars have been created in collaboration with BMW i7 designers and realised by a UK-based luthier, Ian Malone. 

View more: https://frieze.com/bmw-open-work

Gale's work employs objects and materials like barricades, concrete, microphone stands, and spotlights to address the ways in which space and sound are politicized. Gale’s broad-ranging installations blur formal and disciplinary boundaries, engaging with concerns of mediation and automation in contemporary performance. 

Follow: @NikitaGale on Instagram. Gale is represented by Commonwealth & Council (LA), Reyes | Finn (Detroit), and 56 Henry (NYC).

Follow @BMWGroupCulture to learn more about BMW's commitment to art, more than 50 years supporting artists and culture.

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Talk Art Special LIVE EPISODE with Ruinart!!! We meet leading artist JEPPE HEIN!!! Live from London's Frieze week, this inspiring episode was recorded in South Kensington in front a live audience.

Trustful that art can enlighten and connect us across time and places, Ruinart gives Carte Blanche to leading contemporary artists to pay tribute to the Maison’s legacy. Their artworks echo Ruinart’s values, raising awareness about climate change.

To renew the experience of nature and bring it into our daily life, Ruinart Carte Blanche Artist Jeppe Hein uses “fragments of matter and emotion” that awaken our senses and connect us to ourselves and the world.

Right Here, Right Now is a participatory installation that summons the four elements – earth/soil, water/rain, air/wind and fire/sun – essential to champagne making. It is on show now at Frieze London in the Ruinart Art Bar until 16 October. A digital extension to it can be experienced at Ruinart.com

Follow @JeppeHein and @Ruinart

THANKS FOR LISTENING!!! Special thanks to everyone who got a ticket and came to watch this episode recording Live in London!!!

We will back very soon.

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Season 14 continues!! We remember the life and work of one of the greatest artists of the 20th Century: KEITH HARING!!!

We meet GIL VAZQUEZ, Executive Director and President at Keith Haring Foundation in New York, one of Haring’s closest friends, confidants and heir. We explore how Haring attracted an audience worldwide by expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message. Like Talk Art’s core values, Haring's work really was, and is, the embodiment of ART FOR EVERYONE!!!!! 

Gil Vazquez was one of Keith Haring's closest friends in the years prior to his tragic passing. As Ingrid Sischy documented in her 1997 article for Vanity Fair: "Gil Vazquez, a man Haring had fallen for, was often by his side. Haring and Vazquez were never lovers, because Vazquez is straight, but by all accounts their friendship gave Haring a kind of companionship he’d been longing for." Read the full article titled 'Kid Haring' here: https://www.haring.com/!/selected_writing/kid-haring

The mission of the Keith Haring Foundation is to sustain, expand, and protect the legacy of Keith Haring, his art, and his ideals. The Foundation supports not-for-profit organizations that assist children, as well as organizations involved in education, prevention, and care related to AIDS.

Keith Haring (1958-1990) generously contributed his talents and resources to numerous causes. He conducted art workshops with children, created logos and posters for public service agencies, and produced murals, sculptures, and paintings to benefit health centers and disadvantaged communities. In 1989, Haring established a foundation to ensure that his philanthropic legacy would continue indefinitely.

The Keith Haring Foundation makes grants to not-for-profit groups that engage in charitable activities. In accordance with Haring’s wishes, the Foundation concentrates its giving in two areas: the support of organizations which enrich the lives of underprivileged children and the support of organizations which engage in education, prevention, and care with respect to AIDS and HIV infection.

Keith Haring additionally charged the Foundation with maintaining and protecting his artistic legacy after his death. The Foundation maintains a collection of art along with archives that facilitate historical research about the artist and the times and places in which he lived and worked. The Foundation supports arts and educational institutions by funding exhibitions, programming, and publications that serve to contextualize and illuminate Haring’s work and philosophy.

Visit the official website: https://www.haring.com/

Follow: @KeithHaringFoundation and @_GilVazquez

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We meet the one and only ZACHARY QUINTO!!!! Leading actor, film producer and art collector, best known for his roles Sylar in Heroes, Spock in Star Trek, Margin Call, Angels in America and numerous seasons of American Horror Story, for which he received an Emmy award nomination.

We discuss living with art, making his own watercolours, growing up in Pittsburgh, coming out publicly as gay in 2011, meeting Cindy Sherman, his close friendship with Leonard Nimoy, the original Spock and also an accomplished artist/art collector, plus what it was like filming the latest series of AHS with none other than our very own Russell T!

We learn about Zachary's favourite contemporary artists including the photography of Pablo Zuleta Zahr, Wolfgang Tillmans and Paul Mpagi Sepuya, the paintings and sculptures of Izumi Kato, Nash Glynn, Katharine Kuharic, Ross Bleckner, Wyatt Kahn, Elizabeth Jaeger, the collages of both Jens Fänge and Matt Lipps, needlepoint of Loji Höskuldsson, the carved wood panels of Zach Harris, and numerous inspiring visits to galleries and art fairs around the world including Vielmetter, Hauser & Wirth, Perrotin and Marc Selwyn Fine Art.

We also explore the power of acting on stage and the 'devotional space' of theatre. Zachary will soon take to the stage in London's West End this November alongside David Harewood, in 'Best of Enemies'.

Learn more and buy tickets for the 'Best of Enemies' play: https://bestofenemiesplay.com/

Follow @AHSfx on Instagram for details of the all-new Season 11 'American Horror Story: NYC', starring both Russell Tovey and Zachary Quinto. Learn more at FX in the USA: https://www.fxnetworks.com/shows/american-horror-story. Or Disney+ in the UK: https://www.disneyplus.com/en-gb/series/american-horror-story/

Thank you QUINNY, we love you!!!!

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Woody De Othello (b. 1991) is a Miami-born, California-based artist whose subject matter spans household objects, bodily features, and the natural world. Everyday artifacts of the domestic tables, chairs, television remotes, telephone receivers, lamps, air purifiers, et cet era—are anthropomorphized in glazed ceramic, bronze, wood, and glass. Othello’s sense of humor manifests across his work in visual puns and cartoonish figuration. “I choose objects that are already very human,” says Othello. “The objects mimic actions that humans perform; they’re extensions of our own actions. We use phones to speak and to listen, clocks to tell time, vessels to hold things, and our bodies are indicators of all of those.” Othello’s scaled-up representations of these objects often slump over, overcome with gravity, as if exhausted by their own use. This sophisticated gravitational effect is a central formal challenge in his work. Informed by his own Haitian ancestry, Othello takes interest in the supernatural objects of Vodou folklore, nkisi figures, and other animist artifacts that inspire him. 

Woody's work is part of epic new group show at Hayward Gallery, London: Strange Clay: Ceramics in Contemporary Art runs from 26 Oct 2022 –⁠ 8 Jan 2023.

Learm more here: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/strange-clay-ceramics-contemporary-art

Follow @WoodyOthello on Instagram and his official website: http://woodyothello.com/

Special thanks to @Hayward.Gallery and Karma NY and Jessica Silverman, SF.

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We meet Alex Rotter, Chairman of Christie’s 20/21 Art Departments, to discuss Christie’s New York forthcoming auction 'Visionary: The Paul G. Allen Collection' which runs from 9–10 November 2022 at Rockefeller Center. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. Reflecting the depth and breadth of Paul G. Allen’s collection, the auctions connect this visionary innovator to a range of ground-breaking artists, joining Paul Cezanne with David Hockney, Alberto Giacometti with Louise Bourgeois, Georges Seurat with Jasper Johns and Agnes Martin with Yayoi Kusama. Valued in excess of $1 billion, The Paul G. Allen Collection is poised to be the largest and most exceptional art auction in history. Pursuant to his wishes, the estate will dedicate all the proceeds to philanthropy.

From 29 October – 8 November 2022, view The Paul G. Allen Collection in-person at Christie's Rockefeller Center galleries in New York. Follow @ChristiesInc and visit their official website: https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overview

From Canaletto’s famed vistas of Venice and Paul Cezanne’s magisterial vision of the Mont Sainte-Victoire to Gustav Klimt’s Birch Forest, Georgia O'Keeffe's 'Red Hills with Pedernal, White Clouds', and latterly, David Hockney’s joyful depictions of his native Yorkshire, the collection highlights landmark moments in the development of landscape painting through centuries. Botticelli’s Madonna of the Magnificat, Georges Seurat’s pointillist masterwork Les Poseuses, Ensemble (Petite version) and Lucian Freud’s Large Interior, W11 (after Watteau) demonstrate the enduring power of the human figure in art, while the polyvalent practice of artists such as Max Ernst and Jasper Johns show how artists can subvert tradition to move art forward. We explore some of our own personal favourite works by Georgia O'Keeffe, Agnes Martin, David Hockney, Louise Bourgeois, Bridget Riley and Barbara Hepworth.

Alex Rotter grew up in a family of art dealers in his native Austria, and studied at the University of Vienna. He currently lives in New York and is responsible for overseeing a global team of specialists spanning the full scope of 20th and 21st Century art. Rotter’s progressive approach to presenting extraordinary works of art to the market has yielded many of the most groundbreaking moments in auction history. Career highlights include the 2017 sale of Leonardo da Vinci’s Salvator Mundi , which sold for $450 million, becoming the most expensive object ever sold at auction, and Jeff Koons’ Rabbit from the Collection of SI Newhouse, which sold for $91.1 million and set a world auction record for a living artist.

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It's the Season 14 finale! We meet Skinder Hundal MBE who is the British Council's Director of Arts!!!! We discuss his extraordinary career in Visual Arts including recently working with Sonya Boyce, for the 2022 British Pavilion, who won the Golden Lion prize for her exhibition 'Feeling Her Way', which runs until 27th November.

Before joining British Council, Hundal was CEO/Director of New Art Exchange, a contemporary arts space in Nottingham where he worked for 12 years to create connections between the UK and overseas through arts and cultural projects. Working across art forms, his international experience includes projects for La Biennale di Venezia, TED Global, Google Cultural Institute and for the UK’s official arts programme for the First World War Centenary, 14-18 Now.

Major projects under his tenure at New Art Exchange includes Here, There & Everywhere, an ambitious international programme of artistic development, cultural exchange and artist residencies between the UK and Africa, South Asia, South Korea, Middle East, North America and Europe.

Skinder Hundal is Executive Producer and co-Artistic Director of the UK’s original South Asian outdoor festival, Nottingham Arts Mela, and a Board member at Artist News (a-n) and Tom Dale Dance Company. In 2019, he was awarded an MBE for his contribution to visual arts.

As Director of Arts, British Council, Hundal oversees multiple art forms, including: Architecture, Design and Fashion; Film; Literature; Music; Theatre and Dance; and Visual Arts. The British Council’s major arts activity includes cultural programmes for annual bilateral seasons such as UK/Italy 2020 and UK/Australia 2021-22; the British Pavilion exhibitions at La Biennale Arte and La Biennale Architettura, Venice; and the Market Focus Cultural Programme at the London Book Fair.

"Connecting, engaging and sharing knowledge through arts and culture is now more important than ever. I believe artists and cultural professionals help challenge, provoke and make sense of the world, so I’m looking to connect the unique and diverse UK’s arts scene with many brilliant artists and organisations around the world in my role at British Council.' Skinder Hundal MBE

Follow @SkinderHundal and @BritishArts on Instagram, or @SkinsBC on Twitter. Learn more: https://www.britishcouncil.org/arts and explore the British Council Visual Arts Collection here: http://visualarts.britishcouncil.org/collection

Thanks for listening to Season 14!! We will be back next week with a whole new series 15!!! Plus we will be announcing some very exciting news next week. WATCH THIS SPACE!!! Enjoying the podcast? Follow us and say hello via our Instagram: @TalkArt

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Talk Art is back for Season 15!!!! This special Talk Art live episode with DJ Fat Tony is brought to you in partnership with L’OR coffee for the Secret Podcast Experience.

We met artist Fat Tony live from Spring Studios London in front of a live audience for an incredible thought provoking chat about his life experiences, inspirations and interesting people he has met along the way.

Follow @DJ_FatTony_ on Instagram and his official website: www.djfattony.co.uk Thanks for listening!!! We are so excited to share this new season with you. Keeping you company through the Winter!!!

We would love to hear your feedback: https://survey.euro.confirmit.com/wix/2/p703696360272.aspx?l=9&src=1&HQLType=6&foreignID=%5BID%5D

Starting his career 3 decades ago at an age too young to mention, Fat Tony has had his say in paving the way for the UK’s current music scene. Early on he won residencies for Trade at Turnmills, Egg and Limelight while also making his mark in New York holding a weekly show at The Palladium for Steve Rubell during the height of Paradise Garage. He has also graced the main floor of Privilege Ibiza, Space, Amnesia and DC10. A regular at Ministry of Sound and Glitterbox, Tony has already in this short season of 2021 played Defected Festival in Croatia, One Out & Wilderness Festival and countless other venues with The Warehouse Project and so much more around the corner. As official DJ to the icons like Elton John, Kate Moss and Donatella Versace, he is also one of the fashion scene’s go to performers.

As one of club culture's most notorious - and best loved - figures, Tony is a complete force of nature. In his recent book I Don't Take Requests, he tells the most extraordinary stories of depravity and hedonism, of week-long benders and extreme self-destruction - and of recovery, redemption, friendship and the joy of a good tune.

'Anyone can get a party started, but no one keeps it going like Fat Tony, the energy never dips and

what a life he's lived.. He's a tosser but we still love him.' ELTON JOHN & DAVID FURNISH

DJ Fat Tony has been described as 'the closest thing that club culture has to a national treasure' and the 'unlikely cult hero of quarantine'. Few people have crammed so many lives into one: when your first line of cocaine is aged 16 with Freddie Mercury, where do you go from there? I Don't Take Requests is Fat Tony's breathtakingly candid and outrageous memoir of a life of extremes. From his childhood on an estate in Battersea where he honed his petty criminality, was abused by an older man and made friends with Boy George, to his teenage years spent parading the Kings Road in his latest (stolen) clobber, working as a receptionist for a prostitute, hanging out with Leigh Bowery and Sue Tilley and creating his drag persona, to his life as DJ to the stars and his spiral into serious drug addiction. Now, he is 16 years sober and, alongside working to help others overcome addiction, DJing for everyone from Elton John to Louis Vuitton - and running one of lockdown's most popular Instagram accounts with its wickedly funny memes.

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Season 15 continues!!! We meet our dear friend Katy Hessel!!!! Art historian, podcaster, author and presenter. She is best known for creating and curating The Great Women Artists; under this label, she runs an Instagram account and a successful podcast named by British Vogue as one of the top podcasts of 2021. 

In 2020, Katy wrote and presented a documentary on Artemisia Gentileschi for BBC Four’s Inside Museum series, followed by a documentary on Monet in for BBC Four’s Art on the BBC entitled The French Revolutionary and an appearance on BBC Two’s Inside Culture with Mary Beard. Beyond the BBC, Katy has presented films for the likes of Dior, the Tate, the Barbican, the Royal Academy of Arts, and the National Portrait Gallery.

She has engaged in keynote speeches and panel events at the Oxford Union, Intelligence Squared, and the National Gallery, and has curated exhibitions at Victoria Miro, Timothy Taylor, and the Tate Modern. In 2021, Katy was named one of Forbes’ 30 Under 30 in Arts and Culture. 

In 2022, Katy published her debut book, The Story of Art Without Men, to much fanfare and critical acclaim, hitting the Sunday Times’ bestseller list in its first week of publication. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Discover the glittering Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century USA and the artist who really invented the Readymade. Explore the Dutch Golden Age, the astonishing work of post-War artists in Latin America and the women artists defining art in the 2020s. Have your sense of art history overturned, and your eyes opened to many art forms often overlooked or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan this is the history of art as it's never been told before.

​

Follow @Katy.Hessell on Instagram.

Thanks for listening!!!

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We meet artist Kyle Coniglio to discuss his paintings which have been described as 'fictional tellings based on authentic experiences'.

Naturally, this leads viewers to search for clues in his paintings to understand Coniglio as an artist, as a painter. A good starting point, as his recent solo exhibition title suggests is Last Summer. The title talks about the particular kind of warming nostalgia from memories of the past, and also Coniglio’s time spent on Fire Island.

Fire Island which is parallel to the south shore of Long Island, New York, has long been a haven to LQBTQ+ visitors and residents alike. The island, a utopian-like place that is bountiful with queerdom, offers social freedoms that are less experienced in the outside heteronormative world. The island provides a space to build a society around another set of values. There is the sexual context which is well documented, but Coniglio also places importance on friendship, and how it brings people together. Because of this queer framework in which interactions are less bounded by traditional notions – connections to each other are more fluid. In turn, feelings of the fevered nature come to the forefront such as rejection, insecurity, isolation and shame. It is within the context of expanded communal interactions that these challenging notions can be candidly embraced.

Orange, reds, blues, soft tans and even black –each portrait in the exhibition have different colours that are tied to a distinctive narrative. All the paintings together function to create a cast of characters and lexicon of emotional experiences. Characters wear briefs that are comfortably sculpted to their bodies, cut off shorts that are tailored around the waist to reveal lean legs, shirts that have been tied above the navel, or an epic combination: tote/beach/paint-brush bag that brings together queer, summer and artist modes of dress.

Kyle Coniglio has his MFA in painting from Yale University and a BFA from Montclair State University. He has been a fellow of the Queer Art Mentorship program in New York and an affiliated fellow at the American Academy in Rome. His work has been included in shows in New York, Los Angeles, and Berlin. Conilgio had a solo exhibition with Taymour Grahne Projects, London, May 2022. Coniglio lives and works in Hoboken, New Jersey.

Follow @KyleFyles on Instagram and visit Kyle's official website at: https://kyleconiglio.com/

You can view images of Kyle's solo show at Taymour Grahne at this link: https://taymourgrahne.com/exhibitions/kyle-coniglio-last-summer

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We meet emerging artist Nash Glynn, from her studio in New York's Seaport! Nash Glynn (b.1992) is a transdisciplinary American artist currently working in NYC. Working across painting, photography, and video, Glynn is best known for her groundbreaking nude self-portraits of her experience and life as a transgender woman, an underrepresented figure in the Western art canon until recently. Glynn was born and raised in Miami, Florida and learned to paint while working at her father's set design shop. Speaking about their work, the artist says, ‘I use paint as I use my body, and as such the possibilities for spontaneity of form and change become inexhaustible. By crafting affective figures I seek to create empathy. The work serves as an affirmation, a reminder that representation has no outside, meaning we choose the reference, add and remove as we please, manipulate each stroke with unique gesture and tone. A process of painting, also known as self-determination.’

Nash Glynn (b.1992) received her BFA in 2014 from the School of the Museum of Fine Arts, and in 2017 her MFA from Columbia University. She has had solo shows at Participant Inc. in 2019, OCD Chinatown in 2020, and an upcoming exhibition at Vielmetter Los Angeles in Fall 2021. Her work has been in publications such as Artforum, Candy Transversal Magazine, and New American Paintings. Glynn was the recipient of the Leslie-Lohman Museum Artist Fellowship in 2017.

"Interiors, with its plural title, belies the singularity of Glynn’s point of view. Lately, she sticks to painting what she sees from the swivel stool she’s positioned between window and easel, things like: apples in a bowl, closed door, knife. Herself in a mirror, or her mind’s eye. Mostly windows. Yet this self-imposed agreement comes with a proviso to also see with her eyes closed, so as to produce landscapes that look mental. Glynn’s intuitive aversion to the rules of the physical world finds its clearest expression in her palette, which has the firmness of a signature. Alice Neel’s cobalt, Paul Gauguin’s vermillion, Lucian Freud’s mauve are all her colours now. Mixing: as little as possible. Earth tones: no. When she concedes the need for green in a landscape, the shade she uses is not actually grass but jade, à la Ferdinand Hodler; the resulting swath of field looks undulant and cold enough to pass for ocean. Then of course there is white. Rauschenberg’s white, or Ryman’s. The white of a well-rested eye, of the sand under the sun, of nothing said. Glynn has, over the past several years, developed a style of both still life and portraiture in which objects and/or subjects are exquisitely rendered and then set out on a ground that is white except for traces of shadow, so that the knife or flower or girl appears surfaced from memory." Excerpt from Catalogue Essay by Sarah Nicole Prickett from show Interiors.

Follow Nash on Instagram: @NashGlynn

Visit Nash's official website: http://www.nashglynn.com/

View images at Vielmetter, LA: https://vielmetter.com/exhibitions/nash-glynn and @Vielmetter

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