ScreenFish Radio (ScreenFish)

Directed by Gianfranco Rosi, IN VIAGGIO: THE TRAVELS OF POPE FRANCIS becomes a surprisingly cinematic look at the Pontiff’s life. With very little commentary and no camera-facing interviews, Rosi’s film follows the Pontiff with an unflinching eye as we follow his journey around the world. Having visited 53 countries during the first nine years of his pontificate, Francis comes face-to-face with issues of poverty, war, abuse and many more yet must continue to give a message of hope to all. In this 1on1, we speak to Rosi about what sets this Pope apart from others, leaning into the Kingdom and the power of the dream.

Written and directed by Connie Cocchia, WHEN TIME GOT LOUDER tells the story of Abbie (Willow Shields), a young woman who is excited to begin the next phase of her life at a prestigious California college. However, in order to do so, Abbie will have to leave her small town home, her parents and, most importantly, her autistic and non-verbal brother, Kayden (Jonathan Simao). As a result, while leaving provides her the opportunity to explore independence and sexuality, it also changes the dynamics of the family unit, tearing her between love for her brother and her new life. In this 1on1, we speak to Cocchia about parallel 'coming-of-age' stories, responsibility to adapt, and cultivating hope.

In STREAMS FLOW FROM A RIVER, the Chow family is forced to revisit their family traumas and hurt when a snowstorm elongates what was supposed to be the adult kids’ quick stop at their childhood home. In this 1on1, we speak with stars Jane Luk and Jinny Wong about playing the same character, the importance of cultural perspectives and the purpose of pain.

Created by Lauren Gillis and Alaine Hutton, CONTENT FARM is a sketch comedy is strung together by a story of social media instability that warns of a future where what’s authentic, what’s real and what’s AI is thrown into the messy melting pot that is the internet. In this 1on1, we speak to Gillis and Hutton about creating an AI world, the show's comedic tone and intimacy with technology.

Directed by (now Oscar-winner) Sarah Polley, WOMEN TALKING tells the powerful story of the women of a Mennonite community where male toxicity and abuse have been running rampant. Finally, the women gather to discuss their options to stop their attackers and rescue future generations of young women from experiencing the same violence.This week, Julie Levac leads a team of tremendous women (Jolie Featherstone, Catherine Erskine & Miriam Ibrahim) to discuss issues of empowerment, forced forgiveness and what makes a good man. 

Directed by April Mullen, SIMULANT tells the story of Faye (Jordana Brewster), a woman newly widowed after her husband, Evan (Robbie Amell), is killed in a car crash. Devastated by the loss, Faye purchases a Simulant, an exact robotic replica who has been programmed with Evan’s personality and memories. When Faye struggles to love Sim Evan, she accepts the help of Casey (Simu Liu), a programmer who helps hide her android from authorities. However, Casey also works hard to ‘unmaster’ Evan, invigorating his soul (if he has one). In 1on1, we speak to Brewster, Amell and Mullen about loving our technology, our fear of AI and what makes us human.

Directed by April Mullen, SIMULANT tells the story of Faye (Jordana Brewster), a woman newly widowed after her husband, Evan (Robbie Amell), is killed in a car crash. Devastated by the loss, Faye purchases a Simulant, an exact robotic replica who has been programmed with Evan’s personality and memories. When Faye struggles to love Sim Evan, she accepts the help of Casey (Simu Liu), a programmer who helps hide her android from authorities. However, Casey also works hard to ‘unmaster’ Evan, invigorating his soul (if he has one). Now, Julie Levac takes us on the Red Carpet with director April Mullen & SIMULANT's stars Sam Worthington, Robbie Amell and Masa Lizdek to talk about sci-fi and what makes us human!

It's time for the biggest week in Canadian Television and Film! This week, the CANADIAN SCREEN AWARDS are doling out the awards for some of the nation's biggest films and series of the year. Hosted by Samantha Bee, CSA Week will culminate with the televised awards show on April 16th @ 8pm. In this 1on1, we speak to the show's producers, Katie Lafferty & Roma Ahi, to talk about what goes into developing an awards show, working with Samantha Bee & what makes Canadian film/television unique.

Directed by Catherine Hardwicke, MAFIA MAMMA tells the story of Kristin (Toni Colette), an American mother who is crushed when she discovers that her husband has been cheating on her. Distraught and heartbroken, she travels to Italy to visit her family. However, she soon discovers that her recently deceased grandfather has left her in charge of his mafia empire. Led by her trusted consigliere (Monica Belluci), Kristin must navigate her new role as criminal kingpin while still staying true to her own beliefs. In this 1on1, we speak with Hardwicke about 'becoming yourself', staying authentic to Italy and the line between bad person and 'BAD person'.

On April 19th, 2023, it's time to get Canadian! Sponsored by SuperChannel, this year marks the 10th anniversary of National Canadian Film Day, a day when the nation comes together to honour the best of the country's cinema. Featuring free screenings and special guests, it's an incredible opportunity to see what makes Canada special. In this 1on1, we speak to REEL Canada's Jack Blum & Sharon Corder about what defines the Canadian voice, honouring Gordon Pinsent and Jeff Barnaby and how people can get involved.

The legend of John Wick has grown with each chapter of his story. Though, while he may be beloved for his crazy gun-fu choreography, there's something about the Broken Babayaga that resonates on a deeper level. This week, David Peck and Adam Kline return to talk about why we love Wick, the celebration of mystery and life's purpose in the Wick-verse.

Written and directed by Doron and Yoav Paz, PLAN A is set at the conclusion of WWII and introduces us to Max (August Diehl), a man who dreams nightly of his murdered wife and daughter. Shattered by their loss, Max meets a group of Holocaust survivors who have a plan for revenge. By infiltrating a local water treatment plant, they intend on poisoning the water system, killing all the Germans who drink from it. In this 1on1, we speak to the Paz Brothers about bringing history to life onscreen, Max's heroism and whether or not revenge is justifiable.

Programmed by Goran Topalovic, OLD SCHOOL KUNG FU FEST is still alive and kicking! Now celebrating it's 10th anniversary, KUNG FU FEST lives up to the hype and can't wait to bring the very best of old school action back tot he big screen from April 21st-30th! In this 1on1, we speak to Topalovic about how kung fu has changed, it's connection to hiphop culture and what he loves about the genre.

Written and directed by Jalmari Helander, SISU is a wild symphony of violence that is bound to delight fans of the action genre. Set during the final days of Second World War, SISU tells the story of Aatami, a grizzled prospector who lives a solitary life. When he encounters a group of Nazis who steal his gold, Aatami unleashes his fury to retrieve his prize. In this 1on1, we speak to Helander about our love of revenge films and the line between violence and courage.

In THE END OF SEX, Josh (Jonas Chernick) and Emma (Emily Hampshire, SCHITT'S CREEK) are struggling in their marriage. Parenting has driven a wedge between them, monotany has made life boring and, worst of all, their sex life has disappeared entirely. But, out of love for one another, they decide to take some risks in the hopes of reigniting the flame. In this 1on1, we speak to Hampshire and Chernick about the difficulties of talking about sex and what it means to truly connect with another person.

"It's gotta be the shoes." To this day, that phrase has helped redefine the shoe industry by putting the focus on Michael Jordan and his iconic Nikes. In AIR, we get a glimpse into the window of how this partnership came to be and the impact that he (and the once-middling shoe brand) had on pop culture. This week, Paul Levac and Jehan stop by to talk about making brands into heros and remembering the rule breakers.

Adapted and directed by Kelly Fremon Craig, ARE YOU THERE GOD? IT'S ME, MARGARET brings Judy Blume's iconic coming-of-age story to the big screen at along last. Set in the 70s, Margaret Simon (Abby Ryder Fortson) leaves behind her New York home for the suburban life in New Jersey. Quickly befriended by Nancy Wheeler (Elle Graham), Margaret is whisked into a world that she may not be quite ready for as the focus of her newfound friends is on boys they like, “increasing their bust,” and periods. In this 1on1, we speak to Fremon Craig about honest awkwardness and timeless stories of growing up.

Adapted from the short stories by Hugh Howey, Apple TV+'s new series SILO immerses the viewer in a world of isolation that's fuelled by conspiracy and panic. Set in a massive silo, the people of the world are told to never exit the building due to a deadly virus... but questions begin to emerge that threaten the narrative that they've been told. In this 1on1, we speak to Howey about the power of fear, 'owning the truth' and hope for the lost.

Premiering at HotDocs '23, PRAYING FOR ARMAGEDDON delves deeply into the relationship between religion and freedom in the American political system. Crying out for Armageddon, Evangelicals use their influence to affect foreign affairs in terrifying ways, justified by their beliefs. In this 1on1, we speak to director Tonje Hessen Schei about American Evangelical leaders and the purpose for the title.

Premiering at HotDocs '23, UNSYNCABLE follows the journey of senior adults who have discovered a new world of health and purpose through synchronized swimming. In this 1on1, we speak to director Megan Wennberg about enlivening the soul and gender biases in the synchro world.

Premiering at HotDocs '23, AITAMAAKO'TAMISSKAPI NATOSI: BEFORE THE SUN follows young Logan Red Crow as she battles prejudice and tradition to step into the male-dominated world of relay riding. In this 1on1, we speak to Logan Red Crow about her relationship with her horses and being 'better than her past self'.

Premiering at HotDocs, director Rama Rau takes us into the world of female empowerment and spirituality with COVEN. Following two young witches through the history of their ancestry around the world, COVEN speaks to their journey towards their own personal strength and growth. In this 1on1, we speak to Rau about striking back against patriarchy and 'power with'.

Directed and co-written by Koumbie, BYSTANDERS tells the story of six friends who gather at the cottage for their annual tradition of reminiscing and fun. However, what the weekend’s youthful energy changes when Justin (Taylor Olson) arrives.  When the truth about Justin comes to light over a simple party game, the group must re-examine all of their relationships and decide what (if anything) should be done about Justin. In this 1on1, we speak to Koumbie about online revenge culture, the line between grace and justice and what she would do about Justin.

Written by Jemima Khan, WHAT'S LOVE GOT TO DO WITH IT? tells the story of Zoe (Lily James), a documentary filmmaker who finds herself in an endless stream of dead-end relationships. Finally willing to move on from the game, Zoe’s childhood friend Kaz (Shazad Latif) decides to take a different approach. Instead of using dating apps, Kaz decides to allow his family to engage him in an assisted marriage to a beautiful young woman from Pakistan. Opting to film her friend’s journey towards the altar, Zoe begins to wonder if, maybe, her understanding of love has been flawed all along. In this 1on1, we speak to Khan and Latif about false fairy tales, honesty in relationships and loneliness as a 'Western disease'.

Written and directed by Daniel Goldhaber, How to Blow Up a Pipeline begins with Xochitl (Ariela Barer) slashing the tires of a nearby SUV in order to send a message. Committed to environmental protection, she believes that it is her responsibility to punish those who care little about the planet, especially if the law ignores them. Frustrated and hurt by the damage left by the climate crisis, Xochitl begins to recruit a team of like-minded people who are willing to take matters into their own hands by targeting a West Texas pipeline to garner some justice. In this 1on1, we speak to Goldhaber about broken narrative styles and the difference between terrorist and freedom fighter.

Directed by Kyle Patrick Alvarez, Crater tells the story of Caleb Channing (Isaiah Russell-Bailey), a young man who has grown up on a lunar mining colony. For Caleb and his friends, this world is the only one that they have known. However, a select few are allowed to relocate to ‘Omega’, a faraway planet designed to be Earth’s next utopia. After Caleb’s father passes away, he discovers that he has been invited to permanently relocate. Terrified about leaving his home and friends, Caleb and his pals, Addison (McKenna Grace), Dylan, Marcus and Barney set out on a mission to fulfill his father’s last request: to set out into the unknown to explore a mysterious Crater. In this 1on1, we speak to Grace in a roundtable conversation about correcting history and her preparation for space.

Directed by Kyle Patrick Alvarez, Crater tells the story of Caleb Channing (Isaiah Russell-Bailey), a young man who has grown up on a lunar mining colony. For Caleb and his friends, this world is the only one that they have known. However, a select few are allowed to relocate to ‘Omega’, a faraway planet designed to be Earth’s next utopia. After Caleb’s father passes away, he discovers that he has been invited to permanently relocate. Terrified about leaving his home and friends, Caleb and his pals set out on a mission to fulfill his father’s last request: to set out into the unknown to explore a mysterious Crater. In this 1on1, we speak to Grace about correcting history and her preparation for space. In this 1on1, we speak to Russell-Bailey in a roundtable conversation about being 'master of your own fate' and his best road trip experience.

Directed by Peter Hammer, Revir – Everything You Hold Dear follows adult siblings Susie and Sune as they live a quiet life in the countryside. Having left her job, Susie spends her days building up her taxidermy business while Sune attempts to keep the family afloat (and his own issues to himself). Susie’s skill at such an unlikely profession has made her work noteworthy yet times remain tough for the siblings. However, their attempts to make it through the day cover up years of mental health struggles due to their neglectful upbringing. As the cracks begin to appear in their emotional arrest, the two begin to deal with their pain and attempt to chart a new way forward. In an in-person interview during HotDocs, we speak to Hammer about co-dependant relationships, conversations of mental health and 'forgiving to be free'.

In this 1on1, we speak to Murray about incorporating improvisation, whether or not we're 'too sensitive' as a culture and what he's say to Molly.

With GUARDIANS OF THE GALAXY VOL. 3, James Gunn completes his (quasi)trilogy of chaos with everyone's favourite broken heroes. But, with the new film, Star-Lord, Nebula, Draxx, Groot and especially Rocket find themselves involved in one their--and the MCU's--darkest adventures. This week, the Marvel-ettes (Miriam Ibrahim & Dina Hamdieh) reassemble to talk about the flaws of perfection and wrestling with trauma.

Written by Alicia Fletcher & Cameron Maitland, Hollywood Suite's series A YEAR IN FILM with a look at the films that marked our history. By diving into the years 1973, 1985, 1999 & 2010, YEAR IN FILM examines the ideas and stories that helped shape the films we treasure (and vice versa). In this 1on1, we speak to Maitland and Fletcher about the relationship between history and film, reviewing the past in the present and the films that defined us.

During the summer of 2020, the world was on high alert. Embroiled at the height of COVID-19, the very idea of coming together seemed like a pipe dream. But July Talk had other ideas. Directed by Brittany Farhat, JULY TALK: LOVE LIVES HERE follows the Toronto band as they attempt to create a live show experience that can bring hope in the midst of darkness. In this 1on1, we speak to Farhat about creating safe spaces, communication through cars and the legacy of July Talk.

BLACKBERRY tells the story of Mike Lazaridis and Douglas Fregin, two Canadian tech geniuses who believe that they’ve cracked the secret to the smartphone. However, they remain deep in debt and lack the swagger necessary to break into the industry. In response, the two hire recently unemployed tyrant, Jim Balsillie, to help guide the ship into the rough waters of the business world. As BlackBerry slowly starts to make noise in the cell phone market, so too do the problems behind the scenes begin to grow more dangerous. This week, Robert Bellissimo (@RobertBellissimoAtTheMovies ) and Dave Voigt (@intheseats7388 ) return to talk about what defines Canadian cinema and whether or not someone can win with 'nice'.

This year, the Toronto Jewish Film Festival honours the great Paul Morrison, director of such classic films as WONDROUS OBLIVION and SOLOMON AND GAENOR. Throughout his career, Morrison has offered a unique window into Jewish life in multicultural Britain. In this 1on1, we speak to Morrison about the relationship between psychotherapy and filmmaking, the burden of shame and the hindrance of history.

LESS THAN KOSHER follows Viv (Shaina Silver-Baird), a 30-year old singer whose music career remains at a standstill. However, despite her self-proclamation that she’s a ‘bad Jew’, Viv finds herself taking a job as Cantor within her family’s synagogue. As she leads the congregation with her stunning voice, Viv attempts to reconcile her atheism with her new role in this spiritual setting. In this 1on1, we speak with Silver-Baird and her co-writer Michael Goldlist to talk about the spirituality of music and walking the line between faith and atheism.

CASCADE follows four friends as they venture out into the wilderness, searching for adventure. However, after they stumble across a crashed drug plane, the group are faced with a choice: notify the authorities or keep their discovery to themselves. But their decision also draws the attention of a ruthless gang that wreaks havoc on their lives. In this 1on1, we speak to star Josh Cruddas about the invincibility of youth and battling the darkness within.

Directed by Sean Claffey, the new documentary AMERICONNED highlights the struggles created by the American economy. With the death of the ‘middle class’, the gap between the top 1% continues to grow at an alarming rate, destabilizing the economy as compensation for the average American remains stagnant. One of these deeply affected workers is Chris Smalls, a former Amazon employee fighting for the rights of his fellow disaffected co-workers. AMERICONNED follows Smalls as he attempts to lead a movement to unionize Amazon staff in the hopes of bringing back some equity to those who are being left behind. In this 1on1, we speak to Claffey about the death of the American Dream, shaming in the system and what can be done to change.

Disney has made a mint by bringing their animated classics to life but the quality has rarely lived up to the legacy of its original property. Now, for Disney's 100th anniversary, they swing for the fences by giving new life to one of their most popular films. But this iteration of THE LITTLE MERMAID has more to offer than a mere hit parade of Disney classic songs. This week, Seun Olowo-Ake and Chris Utley return to talk about necessary change and reclaiming voices.

In this 1on1, we speak to Jennings about burning away at stereotypes, colonialist mentalities and appreciating fire.

Directed by Anton Corbijn, the new documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) follows the relationship of Storm Thorgerson and Aubrey ‘Po’ Powell, the two men who formed Hipgnosis, one of the most influential album art companies in history. Working together during the Rock n’ Roll Revolution of the 60s and 70s, Powell and Storm worked with some of the biggest bands in the world to create images that have stood the test of time, ranging from Wings to Pink Floyd to Led Zeppelin. In this 1on1, we speak to Powell about the definition of great art, the energy of the era and our changing view of images.

Pixar's ELEMENTAL follows Ember (Leah Lewis) a fiery young woman who lives in Element City, a world where residents of fire, water, earth and air co-exist. The daughter of immigrants Cinder and Bernie (Shila Ammi and Ronnie del Carmen), Ember works hard in their family’s store and hopes to take over for her father one day. However, her life is changed when she comes into contact with Wade (Mamoudou Athie), a sappy man of water who is forced to shut down her father’s business. As they work together to solve the problem, a relationship between them begins to blossom, begging the question if fire and water can ever truly mix. In this 1on1, we speak to Ammi about the magic of Pixar, the film's portrayal of the immigrant experience and whether or not 'love conquers all'.

Directed by David Peck & Nathanael Draper, BROKEN COURAGE is set in the heart of Cambodia and tells the story of Suon Rottana, a former teenage Khmer Rebel and soldier with the Cambodian army. Now a landmine amputee, Rottana has built a museum to remind himself and teach the next generation about the horrors of war, even if they'd like to forget. BROKEN COURAGE is a story about how trauma leaves a mark on us all and the power to heal. In this 1on1, we speak to Peck and Draper about their passion for Cambodia and fighting to heal.

Beginning a year after the original film, SPIDER-MAN: ACROSS THE SPIDER-VERSE reintroduces the world to Miles Morales (Shameik Moore), New York’s friendly neighbourhood Spider-Man. As he looks towards his future, Miles is soon reunited with his friend, Gwen Stacey (Hailee Steinfeld), when she arrives from another dimension. Together, they travel across the Multiverse and encounter the Spider Society, an inter-dimensional group of Spider-People charged with protecting the innumerable universes from anomalys. In this 1on1, we speak to supervising animator Humberto Rosa about creating the Spider-Verse, the fun of the Spot and what sets Miles apart.

For many, Disney animation remains the pinnacle of the art form, especially during it's peak years in the 1990s. One of the key animators during that time was Andreas Deja, a man who helped create iconic characters such as THE LION KING's Scar, BEAUTY AND THE BEAST's Gaston, Hercules and many, many more. Now, Deja has returned with his directorial debut, MUSHKA. As a love letter to the classic Disney 2D animation, MUSHKA tells the charming a young girl who becomes best friends with an infant tiger, only for complications to develop as it grows older. In this 1on1, we speak to Deja about the magic of Disney, working with Richard Sherman and whether or not we lost anything with the move to CGI animation.

Written and directed by Lina Rodriguez, SO MUCH TENDERNESS tells the story ofAurora (Noelle Schonwald) who,  after the traumatic death of her husband, decides to flee Colombia in search of a new life. Hiding in the trunk of a couple’s car, she decides to leave her daughter behind and make her way to Canada. Although she is unable to speak the language and struggles to get settled, Aurora knows that she’s done the right thing. Years later, after she’s been reunited with her daughter, Lucia (Natalia Aranguren), mother and daughter finally feel as though they have found a new home. However, when Aurora encounters an unexpected person from her past, she must attempt to reconcile her previous life without destroying her new one. In this 1on1, we speak to Rodriguez about the challenges of immigrating and what it means to create a home.

Premiering at HotDocs '23, SATAN WANTS YOU is the terrifying story of the beginnings of the 'satanic panic' of the 70s and 80s. Because of the memoirs of Michelle Smith that tell the (alleged) ritualistic abuse of her childhood, the entire world became obsessed with the Devil's unseen actions within the world. In this 1on1, we speak to directors Sean Horlor and Steve J. Adams about discerning truth, the sale of fear and 'making your own hell'.

Decades before he was 'vengeance' and even before he was the 'Dark Knight', Batman blurred the lines between silly and (why so) serious. Throughout the 1990s, four films with three Caped Crusaders dominated the box office with varying degrees of success. Now, for our 200th episode, we welcome back Dave Voigt (@intheseats7388) and first timer Ally LaMere-Shedden (Route504PR) to revel in the madness of the Batman Legacy films that helped define the 1990s and talk about how our relationship with Batman has changed over the years and the need for nostalgia for everyone.

(NOTE: This episode also contains some spoilers for THE FLASH.)

Directed by James Mangold, INDIANA JONES AND THE DIAL OF DESTINY begins in the final days of World War II as the iconic hero is hot on the trail of another artifact that ‘belongs in a museum’. Along the way, he discovers (and loses) the Dial of Archimedes that is believed to have the ability to bend time itself. 25 years later, he is approached by the daughter of an old friend (Phoebe Waller-Bridge) who believes that the Dial may not be gone forever after all. But, when old friends re-emerge, old foes are never far behind. This week, Timothy Rideout (TheMindReels.com) and Dave Voigt (InTheSeats.ca) join the pod to discuss whether or not the world still needs Indy and saving our heroes.

Written and directed by William Kaufman, The Channel tells the story of Jamie (Clayne Crawford), a loving father and ex-marine who spends his days as a bank robber in New Orleans. Jamie’s partner-in-crime is his older brother, Mic (Max Martini). Filled with rage, Mic is erratic and ferocious but still wants to look out for his younger sibling. But, when their latest heist goes wrong, Jamie and Mic find themselves in the crosshairs of a determined FBI agent and the criminal underworld, leaving them to fight for their survival. In this 1on1, we speak to Kaufman about the spirit of New Orleans, his shooting style and the line between hero and villains.

Directed by Thaddeus O'Sullivan, THE MIRACLE CLUB tells the story of close friends Lily (Dame Maggie Smith), Eileen (Kathy Bates) and Dolly (Agnes O’Casey). Living in a working-class town, these women are excited to embark on a journey to the holy site of Lourdes. In Lourdes, it is believed that it was once visited by the Virgin Mary, creating a space of miraculous healing. However, they are unexpectedly joined by Chrissie (Laura Linney), the daughter of an old friend that had disappeared ages ago. As they leave on their quest for a miracle, their journey will open up past hurts that need healing themselves. In this 1on1, we speak to O'Sullivan about the power of pilgrimage and working with an all-star cast.

With the release of MISSION: IMPOSSIBLE - DEAD RECKONING, PART ONE , Tom Cruise returns to save the world once again. And, somewhat amazingly, even after seven films, this franchise continues to amaze audiences with its death-defying stunt work. This episode, should you choose to accept it, will delve into the magic of the MISSION franchise, as  @wadehbearden and Steve discuss blurring the lines of truth and sacrificing for the greater good.

In Greta Gerwig's BARBIE, the iconic doll lives a life of privilege in Barbieland. There, she is 'everything', and Ken remains her accessory. However, when their interaction with the human world changes their assumptions (and roles), Barbieland comes under attack and threatens to unravel before them. This week, Julie Levac enters the chat with Jolie Featherstone, Chris Utley and Steve Norton to talk about power in BARBIE's 'perfect' world and battling Ken's patriarchy.

After 10 years charming families on television, TOOPY AND BINOO: THE MOVIE finally brings the beloved duo to the Big Screen. In the film, Toopy (voiced by Frank Meschkuleit) and his beloved Binoo set out on an adventure to find their missing stuffy, Patchy-Patch. Along the way, they discover new friends who join them on their journey to the Lost and Found. In this 1on1, we speak to Meschkuleit about the magic of Toopy, leaning with respect and whether or not 'all roads lead to the lost and found'.

Directed by Ira Sachs, Passages follows the exploits of Tomas (Franz Rogowski), a filmmaker whose marriage to Martin (Ben Whishaw) is struggling. After his latest feature wraps, Tomas encounters Agathe (Adele Exarchopoulos), a stunning young schoolteacher that immediately charms him. After a night of passion together, Tomas finds himself eager to explore the potential of this new sexual relationship, sending shockwaves into his marriage. But when Martin begins to find love in the arms of another man, Tomas is the one who feels spurned and begins to re-pursue is husband. In this 1on1, we speak to Sachs about what it means to be happy and whether or not we can ever 'know' another person.

Co-directed by Nicole Bernardi-Reis, the new documentary WITH THIS LIGHT, follows Sister Maria Rosa Leggol, a nun in Honduras for over 70 years. In a landscape of systemic violence and toxicity, Sister Maria Rosa has faithfully served her people by helping children escape poverty and oppression. Through her commitment to education and social reform, she has helped over 80 000 children break the cycle of poverty and move forward into a healthier tomorrow. In this 1on1, we speak to Bernardi-Reis and producer Jessica Sarowitz about what makes Sister Maria Rosa so special and empowering young women in a world of toxic masculinity.

Directed by Roman Liubyi, IRON BUTTERFLIES tells the story of of Malaysia Airlines Flight 17 that was shot down by Russian forces as it flew over eastern Ukraine. The tragedy saw the death of 298 passengers and drew immediate denial from the Russian government and media, sparking fury in the midst of the then-ongoing war in Donbass. In this 1on1, we speak to Liubyi about what inspired the documentary and what Liubyi was trying to express through his more poetic moments within the film.

Premiering at TIFF '23, Jasmin Mozaffari's Motherland tells the story of Babak, an Iranian immigrant who has found love in America in 1979. However, this is also a time when Iranians are viewed with suspicion on American soil. After accepting an invitation to meet his fiancé’s parents, he nervously attempts to connect with his potential in-laws. In this 1on1, we speak to Mozaffari about bringing her family story to life, the tension between homes and being 'sold a lie'.

Premiering at TIFF '23, Kasey Lum's Bloom tells the story of a woman (Jodi Balfour) who returns home, only to find it empty. While she was out, her girlfriend has cleared out her clothes and abandoned the relationship. Left only with the plant that she had purchased as a gift for her lover, the woman grieves the loss by focusing her emotions on the seedling itself. In this 1on1, we speak to Lum about shooting on film, life-giving love and the scars of relationships.

With OPPENHEIMER, Christopher Nolan steps back into history to explore one of the key moments in human history. With the invention of the atomic bomb, J. Robert Oppenheimer sent a shift through the world, changing the balance of power and terror around the world. But, while one can argue that this was 'wartime', does it justify the creation of the world's greatest weapon of mass destruction? In the season finale, Victor Stiff (@VictorStiff1 ) and Ben Dower sit down to discuss the moral responsibility of progress and the power of the storyteller.

Directed by DK Welchman & Hugh Welchman, The Peasants is based non Wladyslaw Reymont’s novel of the same name. Set in early 20th Century Poland, the story follows the Jagna (Kamila Urvedowska), the most beautiful and charming woman in the village of Lipce. When she marries Maciej Boryna, a weathy widower (and the village’s ‘First Farmer’), she does so out of obligation rather than love. Fading away emotionally, Jagna soon rediscovers her passion in the arms of Antek, causing chaos within her family and the village itself. In this 1on1, we speak to DK Welchman and Hugh Welchman about the tactile nature of animation, the beauty of the 'coarse' and the power of choice.

Directed by Hirokazu Kore-eda, Monster begins with the story of Minato (Soya Kurokawa), a young man who lives with his mother. Having lost his father as a young child, Minato begins behaving oddly, claiming that his brain has been switched with a pig. Confused and frightened for her son, Minato’s mother assumes that this is caused by his teacher Hori (Eita Nagayama). But, when she approaches the school for answers, she finds little solace, leaving her wondering how to help her son snap back into reality. In this 1on1, we speak to Kore-eda about the making of a Monster, the myth of normal and the power of perspective.

Directed by Malden Djordjevic,  Working Class Goes to Hell follows a small-town union's struggle for justice after an industrial fire decimates a Balkan village, creating opposition as the owners evade responsibility. Ceca (Tamara Krcunovic), the leader of the labor movement, is steadfast in her efforts, but the addition of Mija to the group ignites a fascination with paganism that causes strange occurrences and the emergence of a shadowy figure who targets dishonest people.

Directed by Bishal Dutta, IT LIVES INSIDE follows Samidha (Megan Suri)—or ‘Sam’—a teenage girl who desperately wants to be accepted in her high school, even if it means separating from her oldest friend, Tamira (Mohana Krishnan). But, when Tamira approaches Sam and begs her for help, Sam soon finds herself under the influence of a mythological demonic spirit. Suddenly, she decides to step into her heritage in order to understand her new enemy and find peace. In this 1on1, we speak to Dutta about owning one's culture and making peace within.

In the midst of the SAG-AFTRA strike, film festivals continue to roll on, even if they're lacking the celebrity power that they're known for. Even so, TIFF '23 was one for the books! This week, the ScreenFish TIFF Squad regroup to debrief about the Fest that was, the films that we loved and what we learned this year.

Directed by Andy Palmer, THE RE-EDUCATION OF MOLLY SINGER tells the story of Molly Singer (Britt Robertson), a young woman who made a name for herself as the life of the party during her college years. But now, as an adult, she spends her days struggling along as low-level attorney who’s just trying to keep her boss, Brenda (Jaime Pressly) off her back. When her job is on the line, Brenda lets her know that the way back into her good graces is to help her socially awkward son, Elliot (Ty Simpkins) acclimatize to college life. Re-enrolling in her old almamater, Molly and her friend Olly (Nico Santos) step back into the past in an effort to repair Elliot’s severely damaged reputation. In this 1on1, we speak to Palmer about the comedy of college and being a good man in a modern world.

Directed by Kitty Green, The Royal Hotel tells the story of Hanna and Liv (Julia Garner and Jessica Henwick), two best friends who embark on a backpacking trip across the Australian Outback. When their money runs dry, the two are forced to take on temporary work in a bar called ‘The Royal Hotel’. However, what begins as a simple way to make some extra cash soon begins to spiral out of their control, exposing a riotous world of male dominance in the midst of the desert. In this 1on1, we speak to Green about the most dangerous men and fighting back against male toxicity.

Written by Bob Barlen and directed by Cal Brunker, PAW PATROL: THE MIGHTY MOVIE sees Ryder and the pups as they continue to be the law and order of Adventure City. However, when a ‘mad scientist’ (Taraji P. Henson) causes a meteor to crash down in the city, the Paw Patrol find themselves superpowers. Transformed into the Mighty Pups, the team must work together to defeat their villainous new foe who proves to be a greater threat than they had imagined (especially when she teams up with their arch-rival, Humdinger). In this 1on1, we speak with Brunker and Barren about the evolution of the Paw Patrol and where 'power' comes from.

Written and directed by Luke Higginson, RELAX, I'M FROM THE FUTURE tells the story of Casper (Rhys Darby), a time traveller who appears in the present day who’s interested in living in the moment. When he meets Holly (Gabrielle Graham), the two begin an almost instant friendship, especially since Casper has the knowledge that she needs to make a quick buck. However, as the two live it up in the present, time has a way of coming calling and they inadvertently change what’s ‘supposed to happen’. Suddenly, the future hangs in the balance as they attempt to fix what was broken. In this 1on1, we speak to Higginson about developing the mushy blob of reality and what it means to 'matter'.

Written and directed by Sophie Dupuis, SOLO introduces the world to Simon (Theodore Pellerin), a fiery drag artist who lights up the stage nightly. Vibrant and filled with youthful fire, Simon finds himself distracted when he encounters Olivier (Felix Maritaud), the charming drag artist that joins the troupe. Just as the two spark up a romance together, Simon’s long-estranged mother returns. Between her sudden arrival and the toxicity rising within his new relationship, Simon is torn between worlds and finds himself attempting to please everyone in his life. In this 1on1, we speak to Pellerin about the collaborative process and toxic relationships

Directed by Jeff Celentano, THE HILL tells the inspirational true story of Rickey Hill (Colin Ford), the son of a travelling pastor who yearned to becoming a professional ball player. Despite his physical obstacles, Hill became one of the best hitters in baseball and remained determined to follow his dream. In this 1on1, we speak to Celentano and the real Rickey Hill about bringing baseball to life onscreen and breaking down the line between sports and faith.

Directed by Ian Gabriel, RUNS IN THE FAMILY tells the story of River (Gabe Gabriel, who also wrote the script), a young trans drag man who is invited by his father, Varun (Ace Bhatti) to join him on a road trip across South Africa. Their mission? To break River’s estranged mother out of rehab. Things seem to be going their way until River finds out that his partner for an upcoming drag competition has gotten injured. For River, winning the competition would have provided the money he needed for his surgery and he’s broken by the loss. But would Varun be willing to step in and take their place?  In this 1on1, we speak to Gabriel about working with his father, taking an optimistic tone and owning your story.

Directed by Ariane Louise-Seize, Humanist Vampire Seeking Consenting Suicidal Person tells the story of Sasha (Sara Monpetit), a teenage (appearing) vampire who’s struggling to make a kill. Even though she needs human blood to live, Sasha’s empathy for others makes taking a life almost impossible. Unlike the other members of her family, her fangs only appear when she can connect with her prey. But that problem can potentially be resolved when she meets Paul (Felix-Antoine Benard), a regular teen who believes that life is no longer worth living. As the two strike up an agreement, Sasha offers to help him resolve his issues before making him her next meal. In this 1on1, we speak to Louise-Seize and Benard about laughing at the darkness and what teens really hunger for.

Directed by Liz Marshall, S-YEWYAW/AWAKEN tells the story of Alfonso Salinas of the shíshálh Nation (Sunshine Coast, BC) and impact producer Charlene SanJenko of Splatsin of the Secwépemc Nation (Shuswap, BC) as they delve into the horrifying realities of Canada’s Residential School system and the many ways that it impacted their culture and its teachings. For Salinas, that journey takes the shape of the establishment of a canoeing group for young people that will help them reconnect with their indigenous heritage. In the case of SanJenko, it involves hearing the truths that shaped (and rocked) her Elders as they speak to the traumas of the past. In this 1on1, we speak to Marshall and Salinas about returning pride to the First Nations people & passing on the story.

Written by (and starring) Joshua Sharp & Aaron Jackson, DICKS: THE MUSICAL tells the story of Craig and Trevor (Sharp and Jackson), two competing businessmen who are determined to climb over one another on the corporate ladder. But, when they discover that they’re long-lost identical twins, the two decide to join forces in an attempt to reunite their divorced parents and attempt to rebuild their family. In this 1on1, we speak to Sharp & Jackson about the legend of Larry Charles, the boundaries of comedy and birthing the Sewer Boys. 

Directed by Raoul Peck, SILVER DOLLAR ROAD gives voice to the Reels Family in North Carolina. Having lived in the area of Silver Dollar Road for generations, the Reels have claim to its stunning waterfront property. However, due to complicated legal proceedings, the land is taken away from them by land developers. What follows is a horrifying tale of harassment, unjust imprisonment and legal proceeds that speaks to the toxic soul of the American judicial system. In this 1on1, we speak to Peck about the power of land and how to prevent this in the future.

Directed by Amanda McBaine and Jesse Moss, THE MISSION documents the life of John Chau, a young American missionary who tragically lost his life. Back in 2018, Chau had committed his life to reaching the indigineous population on a remote North Sentinel Island. But Chau’s evangelistic passion also became his own undoing as he ignored the warnings of others and pursued his personal mission anyways. Killed by arrows upon contact with the population, the film highlights the people who he left behind who are asking whether or not this Mission was worth the sacrifice. In this 1on1, we speak to McBaine and Moss about colonialism in missions work and the line between committed and crazy. 

Directed by Marc Marriott and produced by Brigham Taylor, TOKYO COWBOY tells the story of Hideki, a Japanese businessman who travels to the American Mid-West to begin to farm wagyu beef. However, when he arrives, he is met with unwelcome glances from those who don't believe he understands their world. Befriended by ranch hand Javier (Goya Robles), he begins an unexpected journey of self-discovery. In this 1on1, we speak to Marriott, Taylor and Robles about the mystique of the American Mid-West and the meaning of 'halfway'.

Can the stock market save the world? Directed by Craig Gillespie, DUMB MONEY tells the story of Keith Gill (Paul Dano), a YouTuber who poured his life savings into GameStop stock. Stuck in the throws of the pandemic of 2020, no one could have predicted the ripple effect that came after. As the stock began to skyrocket, Gill and his online army held their 'diamond hands' together, shaking up Wall Street irrevocably. In the 10th Season Premiere, Steve welcomes back Jason Thai and Daniel Maranan to talk about the damage of greed and line between justice and profit.

Created by Robert Vince, AIR BUD was an unexpected hit with audiences. Although it seemed to be a story about a dog who wins the big game, it ultimately was a story about grief of a child and the love that it takes to heal. But what was even more surprising was the longevity of the franchise. Now streaming on Disney+, the franchise's 16 films (!) have the opportunity to continue to connect with the next generation. In this 1on1, we speak to Vince about man's unique relationships with dogs, the future of the franchise and, yes, whether or not there's a rule that says dogs can't play basketball.

Struggling to pay the bills, Mike (Josh Hutcherson) takes a position as a nighttime security guard at a local pizza joint On the surface, it seems like an easy gig... but Freddy Fazbear's is not your typical pizzaria. At night, the kid-friendly animatronics reveal their murderous side as they hunt Mike and any who stand in their way. This is the set-up of FIVE NIGHTS AT FREDDY'S, the long-awaited film adaptation of the beloved game franchise. Scaring up big bucks at the box office, the film has come alive in theatres, giving the fans what they want. Or did it? This week, Catherine Erskine and Riley Lovering Spencer join Steve to talk about meeting fan expectations and the haunting echoes of trauma.

Concert films have been around for decades but few (if any) have had the impact of TAYLOR SWIFT: THE ERAS TOUR. With the power of Swifties at her back, the pop queen has absolutely surpassed box office expectations to become not only the biggest concert film of all time butalso one of the biggest hits of the year. This week, Steve is joined by Judith McCartney and Swiftie Leila Atta to talk about the pop queen's relationship with her audience and what we learn about her from this show.

Directed by Sebastian Back, VERONA tells the story of Camila Baron (Kat Khan), a young woman who feels the burden of her father’s story after her estranged grandfather passes away. Romantically involved with her pastor, Mackenzie (Basia Wyszynski), Camila struggles to reconcile the wild nature of youth with the pain of her family. Feeling lost, Camila follows her own path but, in doing so, threatens to upend her relationships in the process. In this 1on1, we speak to Back about the power of quiet and whether or not God is scared of 'complicated people'.

Directed by Brendan Patrick Hughes, THE METAL DETECTOR follows Georg, an Austrian retiree who hunts for history amidst the hill surrounding his home. As a child, his mother claims to have witnessed a crash of an Allied B-17 during the Second World War and Georg spends his days with his simple metal detector, searching for fragments of a bygone era. As he researches the American crewmembers onboard, he reaches out to their descendants and invites them to his home to remember the 75th anniversary of the crash. However, digging up the past involves more than assembling artifacts and, suddenly, the families begin to unpack the challenges they faced within their own home as result of the war. In this 1on1, we speak to Hughes about digging up the past and the effects of trauma on 'normal people'.

Directed by Walt Dohrn, TROLLS: BAND TOGETHER returns to the fabled forest as Poppy (Anna Kendrick) and Branch (Justin Timberlake) are preparing to help their friends on their wedding day. However, the festivities are interrupted with the return of John Dory (Eric Andre), Branch’s estranged brother. John Dory explains their other brother Floyd (Troye Sivan) has been captured by pop sensation Velvet and Veneer (Amy Shumer & Andrew Rannells) and that the only thing that can save him is ‘the perfect family pitch’. Suddenly, Branch, John Dory and Poppy embark on a furious family reunion in order to reunite Branch’s brothers and save Floyd from a fate even worse than pop-culture obscurity. In this 1on1, we speak to Dohrn about the *NSYNC reunion, creating new worlds & 'fighting together'.

Directed by Scott Hamilton Kennedy and executive produced by Neil deGrasse Tyson, SHOT IN THE ARM begins in a time before the world had heard of COVID-19 as New York was situated in the midst of a deadly measles outbreak. And then... COVID happened. But, even in the midst of a terrifying global pandemic, people began to further mistrust scientific evidence that immunization shots were not only safe but necessary. In this 1on1, we speak to Kennedy and deGrasse Tyson about searching for truth in an age of misinformation and "the war against ourselves".

Directed (and starring) Aaron Murtagh, MAN BABY follows a man in the weeks following the birth of his child. As he attempts to navigate the changes within the home, the man soon discovers that there are changes happening within himself that defy the laws of nature. In this 1on1, we speak to Murtagh about struggling with change and the male perspective when having kids.

Directed by Paul Angeli, MEDICINE MAN introduces us to Stan Brock, a British-born cowboy who become an American television icon. However, Brock’s life is hardly Hollywood anymore. Having sacrificed everything, Brock has dedicated his life to bring free healthcare to the struggling American population. By way of his work with Remote Area Medical (RAM), Brock works tirelessly to heal a nation that remains divided by the political aisle, even as countless families lie in the balance. In this 1on1, we speak to Angeli and RAM co-ordinator Audra Fitzgerald about Stan's legacy and the 'power of together'.

Co-created by Alex Mifflin, THE WATER BROTHERS return for their fifth season to delve into our complex relationship with the environment and the ways that we need one another. This season, the team sets their sights on the epic nature of Ontario's biodiversity while sharing stories about such topics as The Breathing Lands, The Great Plastic Lakes and the World's Oldest Water. In this 1on1, we speak to Mifflin about Ontario's eco-system, the power of carbon and how the average person can get involved. 

Written and directed by Kyle Armstrong, HANDS THAT BIND is set in 1980s Alberta as farmhand Andy (Paul Sparks) is struggling to make ends meet. When his boss' estranged son re-emerges to replace him, Andy's life begins to spiral. With his job in peril, Andy begins to look for other ways to keep his family afloat financially. In this 1on1, we speak to Armstrong about what it means to 'be a man' and holding back our dark side.

Inspired by a horrifying true story, SQUEALER takes the viewer into a world of toxicity and brutality. Co-written by Danielle Burgio and Andy Armstrong, SQUEALER follows one officer's determination to bring down a serial killer who has a unique taste for his victims. In this 1on1, we speak to Burgio and Armstrong about the value of the unseen and bringing the story of a killer to life onscreen.

Directed by Sophie Compton and Reuben Hamlyn, ANOTHER BODY introduces us to Taylor, a young college student who discovers that someone has used deepfake technology to use her face in pornographic videos. Traumatized by the actions of a mysterious foe, Taylor sets out to bring her attacker to justice. Without help from the police, Taylor works with other victims of deepfake to find the young person who did this to her in a cautionary tale for the AI generation. In this 1on1, we speak to Hamlin & Compton about internet consent and 'shame as a form of silence'.

Set in the cold New England winter, The Holdovers follows Paul Hunnam (Paul Giamatti), a grumpy professor who is forced to remain on campus during the Christmas break to supervise the students who remain over the holidays. Locked away in a school with few support staff, Hunnam is as frustrated about his situation as the students themselves, leading to tension between them. During their enforced time together, Hunnam forms an unlikely bond with troublemaker (but highly intelligent) Angus (Dominic Sessa) and Mary Lamb, (Da’Vine Joy Randolph) the school’s head cook who is grieving the loss of her son in Vietnam. This week, the crew from The Movie Podcast (Shahbaz, Anthony Gagliardi & Daniel Baptista) join us to talk about holidays without the holidays and looking for community.

Set 64 years before Katniss volunteered as tribute, THE HUNGER GAMES: THE BALLAD OF SONGBIRDS AND SNAKES follows a young Coriolanus Snow (Tom Blyth) as a young man who does everything in his power to keep his mentee, Lucy Gray Baird (Rachel Zegler), alive in the 10th annual Hunger Games. Although he's drawn to the young woman, there's an inner darkness welling up within Snow that beckons him. This week, Seun Olowo-Ake and Daniel Collins step in to talk about being the 'victor' and holding back our dark side.

Directed by Miguel Angel Ferrer, LA SOMBRA DEL SOL (THE SHADOW OF THE SUN) tells the story of Leo (Carlos Manuel Gonzalez), a hard-working, blue-collar man who’s struggling to keep his family afloat financially. However, things begin to change when he encounters his younger brother, Alex (Anyelo Lopez). Having been deaf since birth, Alex has a passion for music and wants Leo to perform a song that he’s writing in a musical contest in the nation’s capital. As Leo attempts to reconnect with his musical past, the two brothers work together to build something greater than a song. To them, this could be a new life. In this 1on1, we speak to Gonzalez and Ferrer about the power of art, love for Venezuela & 'finding your voice'.

Written and directed by Liz Whitmere, COLD tells the story of Jane (Melanie Scrofano), a woman who has just turned 40 but remains inexplicably (and increasingly) chilled to the bone. Something is wrong—but she doesn’t know what to do about it. She reaches out to her partner, Theo (Sean Baek) and her friends but they insist that this is just part of ‘the Change’. However, as things worsen, Jane continues to fall apart, both figuratively and literally. In this 1on1, we speak to Whitmere and Baek about truly hearing another person and flippant feelings.

Written and directed by Nia DaCosta, THE MARVELS follows Carol Danvers (Brie Larson), aka Captain Marvel, as she deals with the fallout from her destruction of The Supreme Intelligence. Struggling with the burden of destabilizing the Kree homeworld, Danvers is shocked when she’s transported into the bedroom of young Kamala Khan (Iman Vellani), aka Ms. Marvel. Soon after, Danvers realizes that her powers have become entangled with those of Khan and her estranged niece, Captain Monica Rambeau (Teyonah Parris). Forced to team up together, the trio must attempt to save the day while saving themselves in the process. This week, returnee Miriam Ibrahim and newcomer Raevin Larue enter the ScreenFish Fishbowl to talk about underwritten villainy and the power of 'together'.

Directed by Jacqueline Castel and written by Jae Matthews, My Animal tells the story of Heather (Bobbi Salvor Menuez), a teenage girl who yearns to play for her local hockey team. However, in this male-dominated town, she is kept at bay simply because she ‘isn’t a boy’. Things begin to change for Heather though when she meets Jonny (Amandla Stenberg), an attractive figure skater who instantly catches Heather’s eye. As the two girls draw closer to one another, Heather struggles to hide her own personal secrets whether it’s her hidden sexual orientation or her alcoholic mother. Most threatening of all, though, is her devastating family curse that causes her to morph into a feral wolf whenever there’s a full moon. In this 1on1, we speak to Castel about the terror of sexuality, shooting in Timmins and whether or not we have an animal within.

BETTER DAYS follows Kate (Sonja Smits), a grieving wife who has just lost her husband of over thirty years. Broken by the loss, Kate withdraws into a bottle of vodka—and his Halloween costumes. Feeling lost and alone, she soon befriends three local teenagers who are fascinated by her enthusiasm for dressing up. But, as she and her new friends bond, Kate’s family become increasingly concerned. In this 1on1, we speak to Smits about our fear of grief, the zeal of youth and waiting for 'better days'.

Based on the iconic book series, PERCY JACKSON AND THE OLYMPIANS brings the mythological world to life as young Percy (Walker Scobell) learns that his estranged father is more than human. Uniting with other children of the gods, Percy and his friends set out on a quest to prevent an all-out war that could threaten an unwitting humanity. In this 1on1, we speak to stars Scobell, Leah Jeffries and Aryan Simhadri about the power of mythology, determining 'monsters' and how to respond to bullying.

On his 70th anniversary, Godzilla has truly made waves with his latest film, GODZILLA MINUS ONE. Focusing on the story of Shikishima, a former kamikaze pilot grappling with PTSD after World War II, the return of the giant lizard has garnered universal acclaim and awards buzz. This week, Kirk Haviland and Ben Dower return to talk about the power of Godzilla, the trouble with American remakes and healing through sacrifice.