Remnants : An Audio Drama (Eira Major)

Hello, I’m Eira, creator of Spirit Box Radio, Not Quite Dead and Clockwork Bird. This July I’m releasing a brand new show, Remnants, a gothic fantasy thriller. The show follows the new Apprentice at the First and Last Place as he sorts through objects who hold the remnants of their previous owners within them. His job is to decide which of them is re-shelved, and which is discarded, but he has no criteria to work with and no idea what the consequences of his decisions will be. As the story goes on, the Apprentice begins to wonder why he, of everyone, was chosen for this task, and whether his near-omniscient boss, known only as ‘sir’, has chosen now to train an assistant.

Remnants has a new story to muse over every week, and a mystery at its core which will have you pinning red string to cork boards as you try to solve it. Think The Talented Mr Ripley meets The Good Place and The Sandman.

Remnants, an audio drama will start airing wherever you listen to podcasts from 15th July 2024.

Find out more: https://hangingslothstudios.com/remnants/

Hosted on Acast. See acast.com/privacy for more information.

Just less than a month until Episode 1 & 2 drop on the 15th of July.

Find out more: https://hangingslothstudios.com/remnants/

Patreon: https://www.patreon.com/settings-creator/account

Transcript below.

SIR: Are you listening?

APPRENTICE: Yes, sorry, what?

SIR: You will take the job. That is why you are here.

APPRENTICE: Oh, um. Of course.

SIR: Very good.

APPRENTICE: When do start?

SIR: Here.

APPRENTICE: No, I mean when?

SIR: This is the first and last place.

APPRENTICE: Sure. Stellar. First and last of…?

SIR: Yes.

APPRENTICE: Right.

SIR: Usually.

APPRENTICE: So. I’ll come back in the morning then, shall I?

SIR: You wish to rest? Then sleep.

A RUMBLE, AND A GASP

EIRA: REMNANTS IS A BRAND NEW DARK FANTASY AUDIO DRAMA BY THE CREATOR OF SPIRIT BOX RADIO AND CLOCKWORK BIRD. TUNE IN TO EPISODES ONE AND TWO ON THE 15th JULY 2024 WHEREVER YOU LISTEN TO PODCASTS. FIND OUT MORE AT HANGINGSLOTHSTUDIOS.COM/REMNANTS.

.- .--. .--. .-. . -. - .. -.-. .

Hosted on Acast. See acast.com/privacy for more information.

Learn how to read a porcelain teacup alongside the Apprentice. This essential skill is multi-layered, and less straightforward tHan it first may seEm.

Transcript here: https://hangingslothstudios.com/remnants-transcripts/1-1/

Or here: https://docs.google.com/document/d/1YRDR_jx3BG5pPiNQXHnXW6Wxu_m_O4XIgllmy8b331M/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

– coarse language

– descriptions of war and occupied territories

– child neglect and endangerment

– descriptions of a fascist regime

– implications of sex with dubious consent

– descriptions of violence

– references to consensual sex

– implications of murder

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Sir brings the Apprentice two silk scarves as a method of demonstrating the criteria he ought to use to decIde who is re-shelved and who discArded.

Transcript here: https://hangingslothstudios.com/remnants-transcripts/1-2/

Or here: https://docs.google.com/document/d/11R7slP2CzjjEPvg84c1INI1KH6YBzXzxiB3Q9Rb62c4/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

– Implications of child neglect

– References to corporal punishment of children (caning, specifically. Brief, non-detailed.

– Mentions of verbal and emotional abuse of a child

– Mentions of blood

– Child death

– Implications of domestic abuse (primarily of an adult woman, but mention of instance of physical abuse towards a child

– Violent imagery

– Animal abuse, including killing (of rats)

– Accidental animal death (a dog)

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

A silver ring shows the Apprentice insights beyond the reMnants it contains.

Transcript here: https://hangingslothstudios.com/remnants-transcripts/1-3/

Or here: https://docs.google.com/document/d/1szDWt_U-kUeXpdLaxt-fw7C6fZyqImTj1sjVjEnzeVs/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

– Discussions of war

– Implications of experiences of homophobia

– Mentions of war

– Brief, reflective discussions of mental illness, including depression, suicidal ideation and a failed suicide attempt (not detailing these experiences, but referencing them as events in the past)

– Descriptions of death by natural causes

– Discussions of grief

– Discussions of WW2, with non-detailed, condemnatory references to the Holocaust

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

The remnants of a man with a love of museums might shOw the Apprentice something more about his role in the First and Last Place, but his puRpose, and that of the remnants he reads, remains unclear.

Transcript here: https://hangingslothstudios.com/remnants-transcripts/1-4/

Or here: https://docs.google.com/document/d/1IhXueIzrWYtVdHPwe-gxeqRPfWvXYx4iKA0UimuWwIM/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

– Vague mentions and allusions to war

– A child in mild emotional distress Scenes depicting gambling addiction, and the consequences of gambling addiction

– A character in poor physical and mental health

– Descriptions of guns and gunshots

– Murder, and brief descriptions of injury and death

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Things seEm to lurk in the dark corners of the First and Last Place, and Sir encOurages the Apprentice to deteRmine which remnant he ought to read next.

This show is often TWFW (Too Weepy For Work) so proceed with caution. Consult the content warnings at the top of the transcript if you're someone who often finds this helpful!

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-5/

Or: https://docs.google.com/document/d/1jsm5TdzWN67nnKho9QCJFHbIrOfUZWO9qELKGenPDZA/

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Themes of domestic abuse
• Child neglect and forced child labour
• Body-shaming of a child, specifically of a little girl for being too big
• Negative self-talk
• Child abandonment
• Death of a parental figure
• Non-graphic references to physical domestic abuse
• Violent, premeditated murder
• Allusions to the holocaust specifically in reference to Romani survivors

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

A traiL leads the The Apprentice to see somEthing he shouldn’t have.

This show is often TWFW (Too Weepy For Work) so proceed with caution. Consult the content warnings at the top of the transcript if you're someone who often finds this helpful!

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-6/

Or: https://docs.google.com/document/d/14PilUk9sV0XdRylSGmgcRMS2DcxeDCMGMRKtvUaBdGM/edit

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Mentions of an an adult having an inappropriate relationship with a minor (aged 16)
• Misogyny
• Sex negativity
• Pregnancy
• Blood
• Yelling
• Controlling behaviour

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Hey folks, no new episode this week as I'm still sick and I didn't plan this, but here's a little compilation of the outro music from episodes 1-6, with the morse code included.

Here's the track-listing:

1. The Forger

2. Fairies and Rat Traps

3. Orange Tea Kisses

4. Sketching Dinosaurs

5. The Candlelight at the End of the Tunnel

6. Music Box Swan Lake

Need help with that morse code? Ask and receive. Just look for a sign. https://hangingslothstudios.com/remnants/

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

A rare moment of kindneSs allows the Apprentice a moment of respite amongSt the general horrors.

This show is often TWFW (Too Weepy For Work) so proceed with caution. Consult the content warnings at the top of the transcript if you're someone who often finds this helpful!

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-7/

Or: https://docs.google.com/document/d/1k-yfRYtRorLtckMMur8yA0iv9VA47MrPY2NbIs_J0L8/edit

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Implications of child neglect
• Abstract inferences of mental illness
• Exploitative romantic relationships with a significant age gap between an adult and a teenager
• Implications of depression

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Sir is getting to grips with the ways the Apprentice’s recent experiences have changed hiM, and the Apprentice runS rings around Sir’s expecTations of him.

Remember this show is often TWFW (too weepy for work). This episode contains some pretty heavy stuff so do check the content warnings if you're someone who often finds that helps. They're listed below.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-8/

Or: https://docs.google.com/document/d/12e-8RzLoQHzVqhXhfJ51f791H7Bv__Iq-Po2rXMytb8/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Absent father
• Descriptions of autistic meltdowns in a situation predating the existence of autism diagnoses
• Ableism from a parental figure
• Ableism in school environments
• Death and grieving
• References to racism without use of slurs, but with reference to slurs
• Descriptions of life in an occupied war zone
• Mentions of guns and killing with guns (no SFX, no descriptions of shot wounds or bodies)
• Mentions of bombs in the distance (no SFX)
• Descriptions of planning guerilla tactics against occupying armies, specifically the use of bombs to explode trains
• Non-graphic descriptions of implied death by explosion

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

The Apprentice approacHes Sir with a question. His answers are as infuriAting aS you'd expect.

Remember this show is often TWFW (too weepy for work). This episode contains some pretty heavy stuff so do check the content warnings if you're someone who often finds that helps. They're listed below.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-9/

Or: https://docs.google.com/document/d/1M9_MzoryMfVc3lpUa3YDpqDBfiHE_Qlk9IeCazS-XxU/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Children growing up in poverty/unstable housing
• Implications of violence against sex workers
• Allusions to pregnancy loss
• Implications of sexual violence against a teenager
• References to a child who has passed away
• Infidelity
• Mentions of bombs and descriptions of buildings after bombings
• Mention of non-consensual sex. Non-graphic description of incident, with reference to injuries. 
• Possible suicide. Not explicit. Happens ‘off-screen’ and is referred to in passing. 
• Violent death

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Sir and the Apprentice contInue to colLide over the specifics of what the Apprentice's role enTails, but Sir does allOw him a small, new liberTy. Or at least, it's the first time the Apprentice remembers such a thing.

Remember this show is often TWFW (too weepy for work). This episode contains some pretty heavy stuff so do check the content warnings if you're someone who often finds that helps. They're listed below.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-10/

Or: https://docs.google.com/document/d/1Mez4bvcolzjquhNw2mX4CHBshfjPukUQYQ6RYpcHMj4/edit

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Children living in poverty
• Parentification of a child
• Violence against a sex worker, with descriptions of her injuries, and vague allusions to what happened, but no description of the actual abuse
• Mentions of blood, bruises, and cuts
• Descriptions of life in an active war-zone, including loss of civilian life, descriptions of destroyed homes and buildings, and bomb craters
• Bereavement
• Descriptions of children living in extreme neglect
• Death of children

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Sir mAkes a mistake which inadvertentLy reveals something which probabLy ought not to have been seen.

Remember this show is often TWFW (too weepy for work). Do check the content warnings if you're someone who often finds that helps. They're listed below.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-11/

Or: https://docs.google.com/document/d/1yi_YXzwOwUkQ-ePRqCu877bxbtvH-mLhSBHYU88vzUM/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Shouting
• Sounds of emotional distress
• Implied magical abuses of power, in a way
• Sounds of physical pain being experienced

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Want to help me keep making Remnants?

Patreon: https://www.patreon.com/hangingslothstudios

Ko-Fi: https://ko-fi.com/hangingsloths

Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315

Tumblr: https://www.tumblr.com/remnantspod

Twitter: https://x.com/hangingsloths

Hello Remnants listeners! I hope you’re enjoying the show. I'm Eira, creator of the show, and voice of the Apprentice and Sir! Today, supporters on Patreon got some Bonus Content for the show which is exclusive to my supporters over there! If you’re interested in getting more insight into the show, I also make a set of Creator’s Notes which comes out every five episodes, and goes into detail about my writing and character decisions. I’m an indie creator and all of my income is from my creative work, so I really depend on my audience to make ends meet. I love that this is my job and I’d like to keep doing it, but to do that, I need your help!Membership starts from just £2, and you can even get discounts if you decide to choose an annual membership where you pay for 12 months in advance.

If you’re not in a position to support the show financially, don’t worry! There’s stuff you can do to support the show totally for free. Listening to episodes helps me earn ad revenue, and though it amounts to a tiny amount of money, it still helps! You can also share the show with your friends and talk about it on social media. Posting your fan art and head-canons isn’t just good fun, it lets me know my work is resonating with you, and you never know; maybe your fanfic is the thing which gets someone else interested in the show you love! The best absolutely free thing you can do is to rate and review the show. You might be able to do that wherever you’re listening right now, but you can also leave reviews on sites like Podchaser and Listen Notes.

I’ve put all the links and the good stuff in the notes for this episode! (see above)

Thanks so much for listening, and with that, here is a supercut of… hmm? What was that?

(Need help? Look for 'a sign': https://hangingslothstudios.com/remnants/ )

Hosted on Acast. See acast.com/privacy for more information.

Look alive, would You? It seems Sir is feeLing even less generous than usual thIs time, hastily shovinG the remnant of a jeweller living in Paris during WW2 ontO the Apprentice with no explanation whatsoever.

As well as regular TWFW warnings, this episode has some extremely bad vibes. Please do check the content warnings! They're listed below.

Here: https://hangingslothstudios.com/remnants-transcripts/1-12/

Or here: https://docs.google.com/document/d/1x7shhtMFYqSLU9NRZyFTesK2zTARndOaC12HdFsYivw/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• References to war and living in occupied territory (France, WW2) with reference to property destroyed by bombs
• Classism 
• Collaboration with Nazis
• Mentions of guns
• Objectification of women
• Derogatory reference to sex workers (calling someone one of them with the intent to insult)
• References to implied sexual assault
• Emotional harassment
• Obsessive, unhealthy behaviour towards an object of affection
• Recollection of a sexual assault with no detail, by the perpetrator
• Death

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Tensions mouNt in the First and Last Place as the Apprentice's new perspEctive brings new challeNges in his relationship with Sir and the remnanTs themselves.

As well as regular TWFW warnings, this episode has some extremely bad vibes. Please do check the content warnings! They're listed below.

Here: https://hangingslothstudios.com/remnants-transcripts/1-13/

Or here: https://docs.google.com/document/d/1Wq-EqEZ7_D6nFEaztw5WB2ZrFpqJTZpuWk-SXrms49c/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Sounds of fireworks
• Implications of racism, specifically against Indian people through the framework of ‘the British Raj’ 
• Mentions of extreme sickness and vomiting
• Death and corpses
• A teenager (not the main character of the remnant) is sexually abused by a teacher. This is not described in detail or named explicitly for what it is, but there are several references to it throughout the episode, and the main character has witnessed an incident of this happening
• References to sex
• References to excessive alcohol use
• Suicide attempt of another character, interrupted
• Infidelity
• Implications of homophobia
• Brief mention of hard drugs (cocaine)

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

The Apprentice questiOns Sir’s motivations, anD his own, bUt his questioning is cut short when Sir insiSts on him reading yet another remnant.

As well as regular TWFW warnings, this episode has some extremely bad vibes. Please do check the content warnings! They're listed below.

Here: https://hangingslothstudios.com/remnants-transcripts/1-14/

Or here: https://docs.google.com/document/d/17iD4a-ttzPJg2lrFivpzSYdyGH2xALrnpO273XrY76Y/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Ableism and specifically discrimination against d/Deaf and HoH people, and people with epilepsy
• Mid-century medical and and religious interventions for people with epilepsy
• Mentions of fascism
• Implications of sex Descriptions of life at the edge of an active warzone, including lack of resources, displacement, and distant observations of bombings
• Depiction of a secondary character with PTSD
• Medical neglect resulting in death

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Things reach breaking poinT as the Apprentice pusHes Sir a step too far, and Sir rEsponds extRemEly poorly to this aggravation.

Very TWFW! Lots of very common triggers in this episode also, so please be canny about the content warnings. They're listed below.

Here: https://hangingslothstudios.com/remnants-transcripts/1-15/

Or here: https://docs.google.com/document/d/187Mfpd1BNcyjrui5GymKuwQA-dUkthT4gjXReX2LDYQ/edit?usp=sharing

To get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudios

You can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths

Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains:

• Violence and coercion 
• Recovering from serious injuries
• Memory loss - retrograde amnesia 
• Depictions of dissociation
• Descriptions of PTSD symptoms: panic attacks; dissociation; catatonia 
• Implications of financial abuse and exploitation
• Discussions of use of sex as a coping mechanism
• Mentions of use of alcohol as a coping mechanism
• Mentions of other drug abuse (opium)
• Violent murder
• Mentions of blood
• Existential suicidal ideation

This show is created, performed and produced by Eira Major.

Hosted on Acast. See acast.com/privacy for more information.

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

Leave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315

Leave a review on ListenNotes: https://www.listennotes.com/podcasts/remnants-an-audio-drama-eira-major-qxCsBXeOtzK/

Follow the show on Tumblr: https://remnantspod.tumblr.com/

Follow Eira on Bsky: https://bsky.app/profile/hangingsloths.bsky.social

Ask & Receive

Letters

Hosted on Acast. See acast.com/privacy for more information.

Have this little teaser, featuring Sir reading 'Death be not proud' by John Donne.

Find the poem here: https://www.poetryfoundation.org/poems/44107/holy-sonnets-death-be-not-proud

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

Leave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315

Leave a review on ListenNotes: https://www.listennotes.com/podcasts/remnants-an-audio-drama-eira-major-qxCsBXeOtzK/

Follow the show on Tumblr: https://remnantspod.tumblr.com/

Follow Eira on Bsky: https://bsky.app/profile/hangingsloths.bsky.social

Ask & Receive

Letters

Hosted on Acast. See acast.com/privacy for more information.

'You have taken the job. That is why you are here.'

The fIrst episode of Part Two of Remnant's debut season lends a fresH perspective on Sir, the Apprentice, and the First and Last Place they exist in. Is it enlightening? That really depends on your defInition of the word.

Transcript, here: https://hangingslothstudios.com/remnants-transcripts/1-16/

Also here: https://docs.google.com/document/d/1NHP6HRw-NeFV4CdXsRs2QdlleWR2rpFFAtXfn9U2Kdw/edit?usp=sharing

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

Leave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315

Leave a review on ListenNotes: https://www.listennotes.com/podcasts/remnants-an-audio-drama-eira-major-qxCsBXeOtzK/

Follow the show on Tumblr: https://remnantspod.tumblr.com/

Follow Eira on Bsky: https://bsky.app/profile/hangingsloths.bsky.social

Hosted on Acast. See acast.com/privacy for more information.

The Apprentice groggilY tries to get his bearings. He seeMs to be trapped. He's conFronted with another remnant before he has chance to work out why.

Transcript, here: https://hangingslothstudios.com/remnants-transcripts/1-17/

Also here: https://docs.google.com/document/d/14_0eeJFX4N-csY01KdEfQe7u2QkzYhkupo_v9qD9bag/edit?usp=sharing

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The Apprentice finds a wAy to move beyond his new confines in a surprising place, but his explorations go aWry when Sir asks what he is trYing to acheive.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-18/

Or: https://docs.google.com/document/d/1Qb4z7pF236C6AOKQRpQluFVyGBmVYs7jNIIB_kyE7Xk/edit?tab=t.0#heading=h.88ooz7d9i2g8

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

CONTENT WARNINGS:

• Gambling (specifically, poker)
• Depiction of a parent with a terminal illness
• Loss of a parent
• Description of painful, undignified death
• Mentions of drinking as a coping mechanism
• Misogyny, including some internalised misogyny
• Mentions of an unsafe abortion with complications, after recovering from this
• Threatening behaviour
• Murder

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Something even odder than usual is happening to the Apprentice, and it's unClear as to whether Sir has nOticed, or if he is Just continuing as usual.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-19/

Or: https://docs.google.com/document/d/12ZGdnOXxKW89Y8UtgiEbMy1vJ3qCy0y75XDQgPv66-Y/edit?usp=sharing

early access

remnants

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

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CONTENT WARNINGS:

• Implications of child neglect
• Child abandonment
• Descriptions of unsafe and poorly informed processes surrounding children and adoption processes, including a fleeting mention of a child being returned years after adoption
• Inappropriate behaviour from a teacher towards a student, which might be considered grooming. No sexual conduct between adults and minors. 
• Mentions of war
• Mentions of sex
• Discussions of terminal cancer
• Violent, deliberate killing with descriptions of the actions, but without gore

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The Apprentice finds himself in Quite the predicament after stumbling across an object whIch he ought not to have found. Sir's response is volatIle.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-20/

Or: https://docs.google.com/document/d/16Wor2aPevJ5pJtvuwLnqdMrFvAE6cSWqV9yQK6JgjCA/edit?tab=t.0#heading=h.88ooz7d9i2g8

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CONTENT WARNINGS:

• Child abuse and neglect (non-sexual)
• Implications of domestic violence
• Medical abuse of a woman (forced drug-use)
• Infanticide

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Sir keeps his word, but failed to coNsider how to move forwarD. The Apprentice seeks guidance eLsewhere, with dire consequences.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-21/

Or: https://docs.google.com/document/d/1Ord2Qtu6bYm8wL6b2CtPDdrRCSEZmFELL1N4IriK0kE/edit?tab=t.0

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CONTENT WARNINGS:

• Child endangerment
• House fires
• Sex with dubious consent
• Sex as coercion
• Poisoning (thallium, arsenic)
• Misuse of morphine
• References to potential domestic violence

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The Apprentice attempts a Quick escApe whilst Sir's attention is elsewhere, and fiNds himself somewhere listeners may find familiar.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-22/

Or: https://docs.google.com/document/d/1LCTd57PCgeiwzNhY_sr48TBwJBbVU6JuG4dTAlBo2R4/edit?tab=t.0

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CONTENT WARNINGS:

• Sounds of a character in physical and mental distress
• Descriptions of sexual acts
• Depictions of a character experiencing paranoia and delusions
• Descriptions of deliberate acts of poisoning (with morphine)
• Descriptions of abduction, with use of morphine to facilitate
• Strange psycho-sexual fixations
• Discriminatory language used against the mentally ill
• Mentions of abuse facilitated by drug misuse
• Depiction of murder

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The ApPrentice and Sir reunite and examine anotHer remnant. Has the Apprentice Forgotten what he learned, or is he lYing?

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-23/

Or: https://docs.google.com/document/d/1kbg2espEZMYQfvF-tiayL-peSgWWGfUuvSa1v5i3yWg/edit?tab=t.0

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CONTENT WARNINGS:

• Characters surviving poverty
• Living under an oppressive regime
• References to execution by guns
• References to becoming a refugee
• Mentions of sex and sexual encounters
• Descriptions of the experience of a stroke

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Notes plaYed on a piano connect the Apprentice to a remnant wHose life was far from easy, but shines a light on how the mundane can be daZzling, if one just takes the time to notice.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-24/

Or: https://docs.google.com/document/d/1uAYyUkn3IhIBXnGHZ60Po7yJotZnIbcOovH1PcHPp2E/edit?tab=t.0

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CONTENT WARNINGS:

• Vomiting
• Extreme anxiety
• Parental sickness, death of a parent
• Allusions to disordered eating - no specifics given
• Reference to persistent repeated child abuse by a teacher, including sexual abuse
• Suicidal ideation
• Reference to a suicide attempt by hanging, no further specifics given, only reference to the ideation itself
• Non-detailed descriptions of the experience of psychiatric inpatient care in the early 1930s, including non-consensual tube feeding, restraint, and other methods of care which may now be seen as abusive and inappropriate. These methods are implied, focus is placed on the experience of the patient, and is described in broad strokes.
• Internalised homophobia
• Depiction of a character with CPTSD, including panic attacks and extreme shame
• Implications of homophobia from parental figures
• References to structural homophobia and transphobia
• Depiction of a nonbinary forced to live closeted due to the above
• References to antisemitism, specifically in the lead up to WW2
• Allusions to the holocaust (brief; non-detailed)
• A character experiencing late-stage bowel cancer symptoms

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Sir's new strategy of maKing the Apprentice remnants in relentless succession falters When the Apprentice challenges hIm on his motivations for doing so.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-25/

Or: https://docs.google.com/document/d/19IdvqjmUw47BnVayORaoeuhZO0QScahjRTZusuZTUdc/edit?tab=t.0

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CONTENT WARNINGS:

• Abstract references to colonialism in India
• Minor injuries
• Depiction of a character experiencing a psychotic break and inadvertently (not deliberately) self-injuring, with blood
• References to mistreatment of people with mental illness
• References to misuse of alcohol
• Abstract references to negative relationships with a father figure
• Depiction of a character in late stages of illness experiencing side effects of strong pain relief
• Very coarse language
• Discussions of death and grief

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After restIng, the Apprentice continues to question Sir's methods, pressing him on What details he Finds importAnt.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-26/

Or: https://docs.google.com/document/d/1yHjpoo1xUwKp6RiTlIRuZghCOPBsNXyAQxhMACw5YwA/edit?tab=t.0

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CONTENT WARNINGS:

• Vague allusions to child neglect
• War, discussions of war, descriptions of indirect experiences at war
• Cancer and cancer treatments, specifically osteosarcoma, with mentions of side effects and symptoms
• Heavy discussion of life after limb amputation
• Brief description of violent limb-loss resulting from a landmine
• Discussions of frustration with inaccessibility 
• Experiences of breathing difficulty and pain
• Experiences with morphine during late-stage cancer treatment
• A character in distress at their spouse’s imminent passing

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The Apprentice wakes in a familiar corner of the First and Last PLace. WHat he finds there undersCores his need to read one remnant in particular.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-27/

Or: https://docs.google.com/document/d/1jKhtm9WjeIIj5fpNVJZbVqpNa2cmWHcn4e8wSlw3_o8/edit?usp=sharing

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Support the show on Patreon: https://www.patreon.com/hangingslothstudios

CONTENT WARNINGS:

• A child with internalised body-shaming
• Mentions of sex workers using outdated language
• Descriptions of injuries to a child which imply abuse
• Depiction of grief in an active warzone
• Implied murder

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The Apprentice Does not wake where he fell asleep. Sir prevents him from making a revelation, and the Apprentice demands to know whY. Sir's explaInation is not necessarily straightforward.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-28/

Or: https://docs.google.com/document/d/1A8RQ5qmq33_2dZ5I6ZgutOqzCNLBT3yEp77Gnyo4lQM/edit?tab=t.0

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

CONTENT WARNINGS:

• Mentions of a child in extreme pain from undiagnosed illness
• Direct discussion of antisemitism as experienced by visibly and non-visibly Jewish children in late 1920s to early 1930s Germany, including allusions to is escalation
• Implications of homophobia
• Allusions to depression
• Mention of the murder of a teenager in a homophobically-motivated hate-crime (no details are given about the violence, just that it happened, and the boy involved has died)
• Potentially insensitive characterisation of a person in a vegetative state
• Teenage pregnancy
• Descriptions of fear of childbirth 
• Death of complications related to childbirth - specifics are not given
• A mother having to confront the imminent death of a child and accepting this with grief but an extreme amount of grace and compassion
• Psuedo-sucidical ideation - a character expressing desire for non-exisitence 
• A character in emotional distress
• Complex discussions on the nature of death and grief

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Sir muses on some of the peculiArs of the Situation, trying to cheRish this moment.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-29/

Or:https://docs.google.com/document/d/1bBlMqmb9JalWhigoJQW7cx8G6T1bDGN713rSfG-_Esg/edit?usp=sharing

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

CONTENT WARNINGS:

• Existential dread
• Moments of suicidal ideation
• Mentions of murders
• A scene with sexual tension
• Heavy discussion of addiction
• Heavy discussion of death
• Heavy discussion of coercive control and manipulation
• Complex discussions on the nature of death and grief

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After an abrupt awaKening, the Apprentice finds a place that's half familiar, but unrememBered. He discovers that the extent of What Sir has been keeping from him is bigger than he could have imagined.

Transcript: https://hangingslothstudios.com/remnants-transcripts/1-30/

Or:https://docs.google.com/document/d/15n4VoPSSPHHQ9oCKzTIlxq5628ebE33Lo2C69IqOtwg/edit?tab=t.0

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

CONTENT WARNINGS:

• Discussions of death and grief
• A teenage girl in a relationship with an adult man
• Underage sex
• Implications of violent sex with dubious consent
• Discussion of bodily fluids, including phlegm and ejaculate
• Allusions to unsafe abortions
• Emotional manipulation
• Extremely traumatic birth
• Death in childbirth (potentially preventable)
• Complicated discussions about grief
• Discussions of a lack of sense of self
• Amnesia

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(If you're looking for a key, it is at the end the first glimpse. Are you listening?)

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Support Not Quite Dead!

Hi, it’s Eira, creator of Remnants! One of my other shows, Not Quite Dead, launched its crowd-funder for S4 today. It’s a gory horror romance about vampires, and it’s extremely gay. If you enjoy the emotional rollercoasters of Remnants and you’d like more of that but with vampires who can’t keep their hands or their teeth out of one another, Not Quite Dead will definitely satisfy your appetites. I’m really excited about this next season of the show and it’d be cool if you’d like to help me make it happen by going to tiny.cc/nqd4. The £15 tier will tell you if you live or die following an encounter with a vampire, and grant you a special role in the Hanging Sloth discord server, and higher tiers have tons of fun stuff like a digital collection of in-world notes written by the main character, Alfie, and opportunities to name a vampire in the show. You can find out more at tiny.cc/nqd4! That’s t-i-n-y dot c-c forward slash n-q-d and the number 4.

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Here's the first 'Real Remnant', where I take you through some of the research I did for Remnants, topic by topic. These aren't deep dives; they're just a little glimpse into some of the subjects the show explores. For more info, I've put together a short list of introductory sources which might be a good starting point if you do want to find out more.

Transcript here: https://docs.google.com/document/d/1qKYhPwbll20YTF7zlIlSSfJeoYUL8CE3yihvzZpC3U4/edit?usp=sharing

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Imperial War Museum's Online Blitz Exhibit: https://www.iwm.org.uk/history/the-blitz-around-britain 

National Archives Blog Post about the Blitz in London: https://blog.nationalarchives.gov.uk/beginning-london-blitz/ 

First-hand WW2 experiences in video: https://www.youtube.com/@ww2iwasthere653 

A video playlist exploring London's history: https://www.youtube.com/playlist?list=PLviHazTWiT07F9pqANdH82x0-bZA6Lrob 

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QnA Form: hangingslothstudios.com/qna

NQD Kickstarter: tiny.cc/nqd4

Hi folks! It’s Eira. I hope you enjoyed the first instalment of ‘Real Remnants’ last week! Now it’s been a couple of weeks since the finale of S1, I’m opening up the Hanging Sloth inbox for a Q&A! Submit your questions using the form on hangingslothstudios.com/qna, that’s the letters Q for queen, n for nose, and a for ambulance. The form will be open until the seventeenth of April, which is a Thursday. I’ll pop a little reminder on before then, though! I’m looking forward to hearing your questions!

Also, Not Quite Dead is still crowdfunding for season two! Support has been absolutely immense so far, and I’m so excited! If you’d like to support vampire rights AND vampire wrongs, you still have time to do so over on tiny.cc/nqd4! The campaign will be running until the second of April. Live, laugh, bite!

Support the show on Ko-Fi: https://ko-fi.com/hangingsloths

Support the show on Patreon: https://www.patreon.com/hangingslothstudios

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The next Real Remnant, in which I discuss the history of the Hollywood Studio System.

Transcript: https://docs.google.com/document/d/1wlf2XICk6wnoRHxtmODqV7banOce5jFmwmRw9xpEw50/edit?usp=sharing

Patreon: https://www.patreon.com/c/hangingslothstudios

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If you found this interesting and want to learn more, here are some resources which might make a good jumping off point:

Exploration of the system's collapse: https://www.boxofficepro.com/a-century-in-exhibition-the-1960s-the-collapse-of-the-studio-system/

Overview of the system's timeline: https://cinemawavesblog.com/film-blog/hollywood-studio-system-era/

YouTube Channel looking at film from a queer perspective: https://www.youtube.com/@MattBaume

YouTube Channel exploring the history of film more generally: https://www.youtube.com/@bkrewind

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Hi folks! Show creator Eira here to remind you that the QnA inbox is open for questions about Remnants S1! The inbox will be open for another 10 days, closing at midnight GMT on 17th April. I’m so looking forward to hearing your questions! Leave them at hangingslothstudios.com/qna. So far I’ve had loads of juicy stuff, and quite a few asks about secret messages and hidden codes. I won’t be answering those directly, but I will give you some little clues. Part one, two in one. Part two, you’ll need a key. The show’s webpage may help. Have fun, folks!

Announcements about Remnants’ S2 will be coming very soon, and those with very perky ears may find them out ahead of others. The next real remnant will be coming a week today. Until then, don’t forget to leave your questions at hangingslothstudios.com/qna that’s hanging sloth studios dot com forward slash q n a, as in q for queen, n for November, and a for alpha. There’s also a link in the description of this episode. Speak soon, folks!

Ask a question for the QnA until 17/04/2025: https://hangingslothstudios.com/qna/

Support on Patreon: https://www.patreon.com/c/hangingslothstudios

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Hi folks! Join me for this third installment of Real Remnants, where we take a peek at some of the extraordinary efforts taken to protect and recover artwork during the Second World War, and discuss a little of how much artwork was still lost and destroyed despite these incredible efforts.

Transcript available here: https://docs.google.com/document/d/1R40WMirR3efER8fchx3FVHG3rb-3-rNp0GcMU8W7AgI/edit?usp=sharing

For Early Access to the next part of Real Remnants and Remnants' second season when it starts airing, support me on patreon: https://www.patreon.com/hangingslothstudios

If you found this interesting and want to take a further look, here are some resources to get you started:

• Mental Floss article about Jaujard: https://www.mentalfloss.com/article/84865/how-mona-lisa-escaped-destruction-during-world-war-ii
• Monuments Men and Women Foundation website: https://www.monumentsmenandwomenfnd.org/
• The Met’s MFAA lecture: https://www.youtube.com/watch?v=JlovfRhcQpU

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