Poetry Unbound (On Being Studios)

Through her poetry, Patricia Smith generously, skillfully puts language around what can be seen both in the present and deliberately looking back at oneself. We are excited to offer this conversation between Pádraig and Patricia, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they explore how memory, persona, and a practice of curiosity inform Patricia’s work, and the ways writing a poem is like writing a piece of music.

Patricia Smith is the author of nine books of poetry, including Unshuttered (Triquarterly Books, 2023); Incendiary Art (Triquarterly Books, 2017), winner of the 2018 Kingsley Tufts Poetry Award, the 2017 Los Angeles Times Book Prize, and the 2018 NAACP Image Award, and finalist for the 2018 Pulitzer Prize; Shoulda Been Jimi Savannah (Coffee House Press, 2012), winner of the Lenore Marshall Prize from the Academy of American Poets; and Blood Dazzler (Coffee House Press, 2008), a National Book Award finalist. Her work has appeared in Poetry, The Paris Review, The Baffler, The Washington Post, The New York Times, Tin House, and in Best American Poetry, Best American Essays, and Best American Mystery Stories. Smith is a Distinguished Professor for the City University of New York, a visiting professor in creative writing at Princeton University, and a faculty member in the Vermont College of Fine Arts postgraduate residency program.

Find the transcript for this show at onbeing.org.

Have you ever gotten consumed by watching a couple argue in public and trying to decipher what’s really going on between them? Denise Duhamel’s deliciously entertaining “How It Will End” offers us that experience. Come for the voyeurism, stay for the awareness it stirs up. Why are we so captivated by other people’s disagreements? And how can what we notice about them teach us about ourselves?

Denise Duhamel is a distinguished university professor in the MFA program at Florida International University in Miami. She is the author of several poetry collections, including Pink Lady, Scald, and Blowout. She is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Denise Duhamel’s poem and invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

What sacrifices were made by your parents when you were a child? How did you think about them as they were happening? And how do you think about them now? In his poem “Those Winter Sundays,” Robert Hayden holds space for a weighted childhood memory and the regret, love, and pain it evokes.

Robert Hayden (1913-1980) was the first Black American poet to be appointed the Consultant of Poetry to the Library of Congress (now known as the U.S. Poet Laureate); he held this role from 1976 to 1978. Hayden was the recipient of numerous awards, including a Hopwood Award, Academy of American Poets Fellowship, Grand Prize for Poetry at the First World Festival of Negro Arts, and Russell Loines Award for distinguished poetic achievement from the National Institute of Arts and Letters.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Robert Hayden’s poem and invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

In Mosab Abu Toha’s “Ibrahim Abu Lughod and brother in Yaffa,” two barefoot siblings on a beach sketch out a map of their former home in the sand and argue about what went where. Their longing for return to a place of hospitality, family, memory, friends, and even strangers is alive and tender to the touch.

Mosab Abu Toha is a Palestinian poet, scholar, and librarian who was born in Gaza and has spent his life there. He is the founder of the Edward Said Library, Gaza’s first English-language library. Things You May Find Hidden in My Ear is his debut book of poems: it won an American Book Award and a 2022 Palestine Book Award, and was named a finalist for the National Book Critics Circle Award in Poetry as well as the 2022 Walcott Poetry Prize. His writings from Gaza have appeared in The Nation and Literary Hub, and his poems have been published in Poetry, The Nation, the Academy of American Poets’ Poem-a-Day, Poetry Daily, and the New York Review of Books, among others.

Find the transcript for this show at onbeing.org.

This is the fourth episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.

We’re pleased to offer Mosab Abu Toha’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

How to remember a beloved who died tragically, violently? Remember the violence? Sometimes, yes. But also this: remember his love of flowers.

Jenny Mitchell is the author of the poetry collections Her Lost Language (Indigo Dreams Publishing, 2019) and Map of a Plantation (2021). Her latest collection, Resurrection of a Black Man (2022), is a Poetry Kit Book of the Month. Mitchell is a winner of the Poetry Book Awards and joint winner of the Geoff Stevens Memorial Prize. She is also a recipient of the inaugural Ironbridge Prize, the Bedford Prize, and the Gloucester Poetry Society Open Competition. 

Find the transcript for this show at onbeing.org.

We’re pleased to offer Jenny Mitchell’s poem, and invite you to connect with Poetry Unbound throughout this season.

If you had to make a self portrait of your daily morning routine through language and sensation, what would you include? John Lee Clark offers memories of a birthday through experiences the body holds.

John Lee Clark is a DeafBlind poet, essayist, historian, translator, and an actor in the Protactile movement. He is the author of the poetry collection How to Communicate (W. W. Norton & Company, 2022) and the essay collection Where I Stand (Handtype Press, 2014). Clark is a 2021-2023 Bush Leadership Fellow, a core member of Protactile Language Interpreting National Education Center, and a research consultant with the Reciprocity Lab at the University of Chicago.

Find the transcript for this show at onbeing.org.

We’re pleased to offer John Lee Clark’s poem, and invite you to connect with Poetry Unbound throughout this season.

In strength and defiance, Lucille Clifton celebrates her Black body and her survival. When have you said or heard words like this? 

Calling herself “both nonwhite and woman,” Lucille Clifton glories in her shape and fact of her life in these two poems. She invites the reader to witness everything she's lived through, and to celebrate the flourishing life that she has created in spite of everything that has tried to kill her.

Lucille Clifton was the author of several books of poetry including Blessing the Boats: New and Selected Poems 1988–2000, which won the National Book Award, The Book of Light, and Good Woman: Poems and a Memoir 1969-1980. She served as poet laureate for the state of Maryland from 1979-1985 and was a distinguished professor of humanities at St. Mary’s College of Maryland. She died in 2010.

Find the transcript for this show at onbeing.org.

Firefighting pushes the body to breaking point; Kevin Goodan’s poem locates the “ash-dark art” of firefighting not just in the wilderness where the team worked, but in the muscles of the firefighters. 

Kevin Goodan was born in Montana and raised on the Flathead Indian Reservation where his stepfather and brothers are tribal members. Goodan earned his BA from the University of Montana and worked as a firefighter for ten years with the U.S. Forest Service before receiving his MFA from University of Massachusetts-Amherst in 2004. He has taught at the University of Connecticut and has served as Visiting Writer at Wesleyan University. He is author of Spot Weather Forecast (Alice James Books 2021), Anaphora (Alice James Books 2018), Let the Voices (Red Hen Press 2016), and Upper Level Disturbances (Center for Literary Publishing 2012).

Find the transcript for this show at onbeing.org.

We’re pleased to offer Kevin Goodan’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

When you look at people who are younger than you — particularly teenagers — does your mind ever take you back to yourself at their age? Taylor Johnson’s poem “Pennsylvania Ave. SE” performs this feat of time travel, going from a glimpse of two boys on bicycles to a haunting sense memory of what was once so yearned for: to be seen, to be wanted, to be free.

Taylor Johnson is proud of being from Washington, D.C. He has received fellowships and scholarships from CALLALOO, Cave Canem, Lambda Literary, VONA, Tin House, Vermont Studio Center, Yaddo, Conversation Literary Festival, Bread Loaf Writers’ Conference, and Bread Loaf Environmental Writers' Conference, among others. In 2017, Johnson received the Larry Neal Writers' Award from the D.C. Commission on the Arts and Humanities. His poems appear in The Baffler, Indiana Review, Scalawag, and The Paris Review, among other journals and literary magazines. His first book, Inheritance, was published in November 2020 by Alice James Books.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Taylor Johnson’s poem and invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Patrick Kavanagh’s poem “The One” is about seeing beauty in the ordinary places of home. One of Ireland’s most famous poets, Kavanagh grew up in rural County Monaghan and moved to Dublin as a young man. This poem revisits the boglands of his home, which he once hated but came to love. 

A question to reflect on after you listen: Think about where you’re from. How has your understanding of it changed over time?

About the Poet:

Patrick Kavanagh was a prominent Irish poet and writer who died in 1967. His books include the memoir, The Green Fool, the novel Tarry Flynn, and the poetry collections The Great Hunger, The Complete Poems of Patrick Kavanagh, and Collected Poems.

“The One” comes from Patrick Kavanagh’s book Collected Poems, edited by Antoinette Quinn. Thank you to the trustees of the late Katherine B. Kavanagh Estate and to the Jonathan Williams Literary Agency, for letting us use Patrick’s poem. Read it on our website at onbeing.org.

Find the transcript for this episode at onbeing.org.

The original music in this episode was composed by Gautam Srikishan.

Friends, we are awakening your Poetry Unbound feed for a moment to share this episode from the big, beautiful new season of On Being. And Pádraig’s here with a quick hello and a glimpse of what more On Being conversations await you in coming months. You won’t want to miss — subscribe now in the On Being feed and catch each episode as it drops, every Thursday. And now…

An electric conversation with Ada Limón's wisdom and her poetry — a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. With an unexpected and exuberant mix of gravity and laughter — laughter of delight, and of blessed relief — this conversation holds not only what we have traversed these last years, but how we live forward. 

It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limón's publisher, Milkweed Editions.

Ada Limón is the 24th Poet Laureate of the United States. She’s written six books of poetry, most recently, The Hurting Kind. Her volume The Carrying won the National Book Critics Circle Award for Poetry, and her volume Bright Dead Things was a finalist for the National Book Award. She is a former host of the poetry podcast The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina.

Find the transcript for this show at onbeing.org.

Brad Aaron Modlin’s poem “What You Missed That Day You Were Absent from Fourth Grade” speaks of learning to grow up by yourself. The poet wonders what life lessons would look like if they could be taught by a teacher; a good teacher, a teacher like Mrs. Nelson.

A question to reflect on after you listen: What life lessons did you have to learn by yourself?

About the poet: Brad Aaron Modlin is the Reynolds Endowed Chair of Creative Writing at the University of Nebraska at Kearney. He holds a PhD from Ohio University and an MFA from Bowling Green State.

“What You Missed That Day You Were Absent from Fourth Grade” comes from Brad Aaron Modlin’s book Everyone at This Party Has Two Names. Thank you to Southeast Missouri State University Press, which published the book and gave us permission to use Brad’s poem. Find the full poem at onbeing.org.

Find the transcript for this episode at onbeing.org.

The original music in this episode was composed by Gautam Srikishan.

Building up in lists of delicious words — uvular, hibiscus, loquacious, shuttlecock, dollop, chipotles and chocolate — this poem uses sensual language to make a simple point. Vievee Francis moves past these words and all their suggestions by telling us that her favorite word is the name of her husband — the poet Matthew Olzmann — and how she loves it when he says her name. Love, like this poem, can rejoice in many things, and take its own time to unfold its own delight.

Vievee Francis is the author of Blue-Tail Fly, Horse in the Dark, and Forest Primeval, winner of the Kingsley Tufts Poetry Award and the Hurston/Wright Legacy Award for Poetry. She is an associate professor at Dartmouth College and an associate editor for Callaloo.

Find the transcript for this show at onbeing.org.

What do sandwiches, laundry, therapy, childhood homes, and forgiveness have to do with each other? Wo Chan weaves a poem that charts the many things a single day can hold.

Wo Chan is a poet and drag artist who performs as The Illustrious Pearl. They are a winner of the Nightboat Poetry Prize and the author of Togetherness (Nightboat Books, 2022). Wo has received fellowships from MacDowell, New York Foundation of the Arts, Kundiman, The Asian American Writers Workshop, Poets House, and Lambda Literary. Their poems appear in POETRY, WUSSY, Mass Review, No Tokens, The Margins, and elsewhere. As a member of the Brooklyn-based drag/burlesque collective Switch N’ Play, Wo has performed at venues including The Whitney Museum of American Art, National Sawdust, New York Live Arts, and the Architectural Digest Expo. Find them at @theillustriouspearl.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Wo Chan’s poem, and invite you to connect with Poetry Unbound throughout this season.

So much of what was once deemed impossible was found — during Covid — to be possible. Here, a poet watches a tent, a huge temporary hospital, be raised up on the green of Central Park, a place she’d previously walked her dog.

Maya C. Popa is the author of Wound Is the Origin of Wonder (W. W. Norton, 2022) and American Faith (Sarabande, 2019), which was a recipient of the North American Book Prize and a runner-up in the Kathryn A. Morton Prize judged by Ocean Vuong. She is also the author of two chapbooks, both from the Diagram Chapbook series: You Always Wished the Animals Would Leave (New Michigan Press, 2018) and The Bees Have Been Canceled (New Michigan Press, 2017). She is the Poetry Reviews Editor at Publishers Weekly and teaches poetry at New York University. She is Director of Creative Writing at the Nightingale-Bamford school, where she oversees visiting writers, workshops, and readings. She holds degrees from Oxford University, NYU, and Barnard College, and is currently pursuing her PhD on the role of wonder in poetry at Goldsmiths, University of London.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Maya C. Popa’s poem, and invite you to connect with Poetry Unbound throughout this season.

In a poem that directly addresses Robert Frost’s “Mending Wall,” Darrel Alejandro Holnes asks questions: who gets to build walls, or guard borders?. Do good fences really make good neighbors? Taking a poem that’s been part of an American imagination both of poetry and of citizenship, Darrel offers a critique that places contemporary migrant experiences at the center, challenging contemporary ideas of territory, conquest, and expansion.

Darrel Alejandro Holnes is the author of Stepmotherland & Migrant Psalms. Holnes is an Afro-Panamanian American writer, performer, and educator. His writing has been published in English, Spanish, and French in literary journals, anthologies, and other books worldwide and online. He also writes for the stage. Most of his writing centers on love, family, race, immigration, and joy. He works as a college professor in New York City, NY.

Find the transcript for this show at onbeing.org.

If you could put a lock of your hair under a microscope, what would it contain? DNA certainly, but here in dg nanouk okpik’s poem, the hair also contains memory, smell, location, disease, dreams, and medicine.

dg nanouk okpik is Iñupiat-Inuit from Alaska. Her first book, Corpse Whale (University of Arizona Press, 2012), won the American Book Award and May Sarton Award. okpik was long-listed for the PEN American Award for Blood Snow (Wave Books, 2022). She is a Lannan Fellow with the Institute of American Indian Arts. okpik resides in Santa Fe, NM.

Find the transcript for this show at onbeing.org.

We’re pleased to offer dg nanouk okpik’s poem, and invite you to connect with Poetry Unbound throughout this season.

In this poem, a son writes to his parents and invites them to a meal, letting them know that his boyfriend will also be there. He gives instruction to his parents on how they should behave, parenting his parents. In all this family tension, the boyfriend’s question “What’s in that recipe again?” offers calm, and builds lines of connection that had otherwise seemed unlikely.

Chen Chen – is the author of When I Grow Up I Want to Be a List of Further Possibilities, which was longlisted for the National Book Award for Poetry and won the Thom Gunn Award for Gay Poetry. He teaches at Brandeis University as the Jacob Ziskind Poet-in-Residence. 

Find the transcript for this show at onbeing.org.

When you feel like crying, do you cry? Or do you stifle it? Why? 

The U.S. Congress 2009 “Joint resolution to acknowledge a long history of official depredations and ill-conceived policies by the Federal Government regarding Indian tribes” stated “Whereas the arrival of Europeans in North America opened a new chapter in the history of Native Peoples.” Layli Long Soldier wrote poems in response to this resolution and its non-consultative process. In this poem, she speaks of the need to let griefs and laments be heard and acknowledged.

Layli Long Soldier – is the recipient of the 2015 Lannan Fellowship for Poetry and a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation. Her first book of poetry, WHEREAS, won the Whiting Award and was named a finalist for the National Book Award. She lives in Santa Fe, New Mexico.

Find the transcript for this show at onbeing.org.

A love poem with a playful title that sounds like an ad from a travel agent unfolds into a poem about choosing to stay at home. Imtiaz Dharker’s husband died in the years between this poem’s setting and its publishing. The poem, too, moves from long lines across the page into shorter and shorter lines. In sensuality, locality, intimacy, and simplicity, this poem is all about the man she loved, and moves from noise to focus: “You Are / Here” its final lines assert.

Imtiaz Dharker is a poet, artist and video film-maker. She was awarded the Queen’s Gold Medal for Poetry in 2014. Her poems are on the British GCSE and A Level English syllabus, and she reads with other poets at Poetry Live! events all over the country to more than 25,000 students a year. She has been Poet in Residence at Cambridge University Library, worked on a series of poems based on the Archives of St Paul’s Cathedral as well as projects across art forms in Leeds, Newcastle and Hull. She has had eleven solo exhibitions of drawings in India, London, New York and Hong Kong. She scripts and directs films, many of them for non-government organizations in India, working in the area of shelter, education and health for women and children.

Find the transcript for this show at onbeing.org.

Don McKay’s poem “Neanderthal Dig” begins with the discovery of an ancient, child-sized skeleton placed on the wing of a swan and then takes flight, showing us how love and death are riddled with paradoxes — mixing the earthbound and the sacred, the personal and the universal, the time-stamped and the never ending.

Don McKay is the multi-award-winning author of multiple books of poetry, including Lurch, Paradoxides, Strike/Slip (winner of the Griffin Poetry Prize), and Camber: Selected Poems (finalist for the Griffin Poetry Prize and a Globe and Mail Notable Book of the Year). McKay has taught poetry in universities across Canada. He currently lives in St. John’s, Newfoundland.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Don McKay’s poem and invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Ross Gay’s poem “Ode to Buttoning and Unbuttoning My Shirt” uses an everyday task to examine what is made and unmade in small moments. He imagines his fingers opening and closing things, like buttons, the eyes of a dead person, relationships. In doing so, the poem asks us to simply pay attention, today, to what we’re doing with our hands — to understand them as intimate pathways into the stories of our bodies and the stories of our lives.

A question to reflect on after you listen: What have you done with your hands today? What are you opening? What are you closing?

About the Poet:

Ross Gay is a writer and a professor of English at Indiana University Bloomington. His books include the poetry collection Catalog of Unabashed Gratitude, winner of the 2016 Kingsley Tufts Poetry Award, and a book of essays, The Book of Delights. He is a board member of the Bloomington Community Orchard and a co-founder of The Tenderness Project.

“Ode to Buttoning and Unbuttoning My Shirt” comes from Ross Gay’s book Catalog of Unabashed Gratitude. Thank you to the University of Pittsburgh Press, who published the book, and gave us permission to use Ross’s poem. Read it on our website at onbeing.org.

Find the transcript for this episode at onbeing.org.

The original music in this episode was composed by Gautam Srikishan.

We are delighted to offer this extended conversation between host Pádraig Ó Tuama and the poet Sasha taqʷšəblu LaPointe. Together, they take a deep dive into the story and language of her poem "Blue," featured in Season 7 of Poetry Unbound, as well as Sasha's beginnings in poetry.

Sasha taqwšəblu LaPointe is the author of Rose Quartz. She is from the Upper Skagit and Nooksack Indian Tribes. Native to the Pacific Northwest, she draws inspiration from her coastal heritage as well as her life in the city. She is the author of the critically acclaimed memoir Red Paint, and holds a double MFA in creative nonfiction and poetry from the Institute of American Indian Arts. Her work has appeared in The Rumpus, Yellow Medicine Review, Hunger Mountain, and elsewhere. She lives in Tacoma, Washington.

Find the transcript for this show at onbeing.org.

Listen to our episode featuring Sasha’s poem “Blue,” and stay connected with Poetry Unbound throughout this season.

Bereavement brings all kinds of pressures. This poem by Martín Espada starts off with a grief-to-do-list: a phone call, a flight, a blizzard, cremations, shipments of ashes, memorial services. After all of this — in a first stanza that builds in intensity — he needs to be reconnected with something tangible. He goes to feed birds at the park, and among the birds is a goose, like a god of the geese, who shrieks with all the emotion stored in him. This goose is like a priest of grief for Martín Espada, voicing the sounds of all that he’s feeling.

Martín Espada has published more than twenty books as a poet, editor, essayist and translator. His new book of poems from Norton is called Floaters. Other books of poems include Vivas to Those Who Have Failed, The Trouble Ball, and Alabanza. A former tenant lawyer in Greater Boston, Espada is a professor of English at the University of Massachusetts-Amherst.

Find the transcript for this show at onbeing.org.

On one particular day, a poem places events alongside each other, the ordinariness of each event casting the other events into light and shade.

Charif Shanahan is the author of two collections of poetry: Trace Evidence: Poems (Tin House, 2023) and Into Each Room We Enter without Knowing (Crab Orchard Series in Poetry/SIU Press, 2017), which was a finalist for the Lambda Literary Award for Gay Poetry and the Publishing Triangle's Thom Gunn Award. His work has been supported by a National Endowment for the Arts Literature Fellowship; a Wallace Stegner Fellowship at Stanford University; and a Fulbright Senior Scholar Grant to Morocco. Originally from the Bronx, he is an Assistant Professor of English and Creative Writing at Northwestern University, where he teaches poetry in the undergraduate and Litowitz MFA+MA graduate creative writing programs.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Charif Shanahan’s poem, and invite you to connect with Poetry Unbound throughout this season.

In Richard Langston’s poem “Hill walk,” he proffers a handful of things that move us over the course of a day — words said or read, notes played, the sight of halting steps taken by a sibling. We marvel at the sound of an unfamiliar bird call, but there’s a startling mystery to the human heart and what it responds to (or doesn’t) and one that we don’t always mark.

Richard Langston is a veteran broadcast journalist and director. He comes from Dunedin, New Zealand, and was a driving force in the city’s music scene in the 1980s. He now lives in Wellington and is a proud member of the three-person South Wellington Poetry Society. His poetry collection, Five O’Clock Shadows, was published in 2020 by The Cuba Press.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Richard Langston’s poem and invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

In a poem of strict rhymes and old forms, Alexander Posey (1873-1908), a poet of the Creek Nation, poses challenges to pomposity.

Alexander Posey was a poet, editor, and satirist born in 1873 in the Creek Nation. Posey was the publisher of the first Indian-published daily newspaper, the Eufaula Indian Journal.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Alexander Posey’s poem, and invite you to connect with Poetry Unbound throughout this season.

An item of clothing — the blouse of a grandmother — is praised for its artistry, is remembered for how it sits on the body. And then, having been lost, is remade, refined, and reimagined on a new body that recalls the bodies of women of previous generations.

Nithy Kasa is a Dublin-based poet of Congolese origin. Published in poetry magazines such as Poetry Ireland Review and anthologies like Dedalus Press’s Writing Home: The New Irish Poets, her work can also be found in the archive of the University of Galway and University College Dublin special collections. Her debut collection of poetry, Palm Wine Tapper and The Boy at Jericho (Doire Press, 2022), was listed among the top poetry books of 2022 by The Irish Times.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Nithy Kasa’s poem, and invite you to connect with Poetry Unbound throughout this season.

The word “flush” is a verb, as in an activity that we do umpteen times a day. It’s also an adjective that conveys abundance. Fittingly, Rita Wong’s poem “flush” offers a praise song to water’s expansive and unceasing presence in our lives — from our toilets to our teacups, from inside our bodies to outside our buildings, and from our soil to our skies. 

Rita Wong is the author of several poetry collections, including monkeypuzzle (Press Gang, 1998), forage (Nightwood Editions, 2007), and undercurrent (Nightwood Editions, 2015). Wong is an associate professor at the Emily Carr University of Art + Design.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Rita Wong’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

How would you tell your own creation myth? Who — or what — would be in it? 

Abigail Chabitnoy is the author of How to Dress a Fish (Wesleyan 2019), winner of the 2020 Colorado Book Award for Poetry and shortlisted in the international category of the 2020 Griffin Prize for Poetry. Most recently, she was the recipient of the Witter Bynner Funded Native Poet Residency at Elsewhere Studios in Paonia, CO, and is a mentor for the Institute of American Indian Arts MFA in Creative Writing. She is a Koniag descendant and member of the Tangirnaq Native Village in Kodiak. Her upcoming collection, In the Current Where Drowning Is Beautiful, will be out in Fall 2022.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Abigail Chabitnoy’s poem, and invite you to sign up here for the latest from Poetry Unbound.

Some friendships are built on small encounters and last a lifetime. Two women — from across culture, location, and age — spend a lifetime in communication. 

Dunya Mikhail is an Iraqi-American poet and writer. She is the author of Diary of a Wave Outside the Sea (New Directions Publishing Corporation 2009), The Iraqi Nights (New Directions Publishing Corporation 2014), The Beekeeper (New Directions Publishing Corporation 2018), In Her Feminine Sign (New Directions Publishing Corporation 2019), and The Bird Tattoo (forthcoming from Pegasus Books 2022). She is a laureate of the UNESCO Sharja Prize for Arab Culture and has received fellowships from United States Artists, Guggenheim, and Kresge. Her honors also include the Arab American Book Award, and the UN Human Rights Award for Freedom of Writing. She currently works as a special lecturer of Arabic at Oakland University in Michigan.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Dunya Mikhail’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

In a poem that addresses a worm directly as “you,” Gail McConnell considers how these tube-shaped beings live: ingesting the earth, aerating it, digesting it, making its nourishment accessible for all kinds of growth. The worm burrows, knows dead things, and knows underground ways. Tiny and segmented though a worm is, nonetheless it senses that “all there is // can be gone through.” The poem’s close attention to the worm’s tactics of survival seems to indicate that much could be learned from its underground ways.

Gail McConnell publishes literary criticism and poetry and is curious about the living and the dead. Her writing interests include violence, creatureliness, queerness and the possibilities and politics of language and form. She is the author of The Sun is Open, Northern Irish Poetry and Theology, and two pamphlets of poetry: Fothermather and Fourteen.

Find the transcript for this show at onbeing.org.

In many ways this poem can be analyzed by how it ends: by examining the contents of organic shops. Roshni Goyate looks at one such item — coconut oil for hair —  and considers its long line of history in her British-Indian family. As a child, she was shamed by classmates for using coconut oil in her hair, but now it’s double the price in shops. In a cruel irony, her race and culture were both hypervisible to those who taunted her and rendered invisible by those same people who invalidated her presence and citizenship.

Roshni Goyate is one quarter of the 4 BROWN GIRLS WHO WRITE poetry collective. Together they have published a book of poetry, a zine of essays, and most recently, a collection of solo works, published by Rough Trade Books, in which Roshni's pamphlet, Shadow Work, appears. Roshni is a Londoner, proud daughter of Indian immigrants and co-founder of The Other Box, an inclusion and equity company.

Find the transcript for this show at onbeing.org.

Are there places you've lived or visited that others would disregard? What do you see in them that others might miss?" 

This poem takes place at night, describing a scene from a town on the edge of a city. The poet feels at home in a “nowhere” town, with cattle pacing in the fields, boarded houses, and rowdy filling stations. This is a place that through the eyes of some would be considered a “shit town,” but to the poet it is home.

Molly McCully Brown is the author of The Virginia State Colony For Epileptics and Feebleminded, which was named a The New York Times Critics’ Top Book of 2017, and the forthcoming essay collection, Places I’ve Taken My Body. She teaches at Kenyon College, where she is the Kenyon Review Fellow in Poetry.

Find the transcript for this show at onbeing.org.

In a slight change to the normal format, host Pádraig Ó Tuama speaks with the poet Jake Skeets who reads his poem “Daybreak,” a poem combining Diné language with English, a poem rich with observation: of land, of growth, of memory, of place. Land is not just a tool to use for food, nor is it a blank space for human projection. In this poem, Jake Skeets reflects on an ethical engagement with land: an engagement that sees land as itself, not just for its uses.

Jake Skeets is the author of Eyes Bottle Dark with a Mouthful of Flowers, winner of the National Poetry Series. He is the recipient of a 92Y Discovery Prize, a Mellon Projecting All Voices Fellowship, an American Book Award, and a Whiting Award. He is from the Navajo Nation and teaches at Diné College.

Find the transcript for this show at onbeing.org.

Friendships deserve praise songs, and here’s a praise song — an ode — to friends that have crossed continents for each other, and would go further if needed.

Sudanese by way of D.C., Safia Elhillo is the author of Girls That Never Die, The January Children, and Home Is Not a Country, and is co-editor of the anthology Halal If You Hear Me. Winner of the Sillerman First Book Prize for African Poets, the Arab American Book Award, and the Brunel International African Poetry Prize, she is also the recipient of a Cave Canem Fellowship, a Wallace Stegner Fellowship from Stanford University, and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from The Poetry Foundation. Her work has appeared in Poetry magazine, The Atlantic, and the Academy of American Poets’ Poem-a-Day series, among others.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Safia Elhillo’s poem, and invite you to connect with Poetry Unbound throughout this season.

The search for authentic love is a powerful hunger in humans and, as Stephanie Burt shares, in werewolves. 

Stephanie Burt is a poet, literary critic, and professor with nine published books, including two critical books on poetry and three poetry collections. Her essay collection Close Calls with Nonsense was a finalist for the National Book Critics Circle Award. Her other works include We Are Mermaids; Advice from the Lights; The Poem Is You: 60 Contemporary American Poems and How to Read Them; and The Art of the Sonnet. Her writing has appeared in the New York Times Book Review, the London Review of Books, the Times Literary Supplement, The Believer, and the Boston Review.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Stephanie Burt’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

In times of isolation, what stories have you turned to for comfort?  

This poem is an exploration of isolation as seen through the mythical Irish character, Suibhne. Suibhne was cursed and lived a life on the move, a transitory isolation. In the midst of the sadness at all he’s missed, he also sees beauty — and he holds both sadness and appreciation together.

Seán Hewitt was born in 1990 and studied English at the University of Cambridge. He is a fiction reviewer for The Irish Times and a Leverhulme Research Fellow at Trinity College Dublin. His awards include the Northern Writers' Award, the Resurgence Prize, and an Eric Gregory Award. His debut book of poetry is Tongues of Fire.

Find the transcript for this show at onbeing.org.

In a poem of extraordinary poise, Kathleen Flenniken recounts her parents’ lively parties, their rich social life, their summer trips, and their friendships: friendships that were not always straightforward. The poem closes with an observation of a moment of sexual tension between her mother and another man. Kathleen’s right there, but feels like she’s barely noticed. Everyone goes to bed alone, and we are left with the poet and her awareness of what lay underneath the surface.

Kathleen Flenniken is the author of three poetry collections, most recently Post Romantic, selected by Linda Bierds for the Pacific Northwest Poetry Series and published by University of Washington Press in Fall 2020. Kathleen’s awards include a Pushcart Prize and fellowships from the National Endowment for the Arts and Artist Trust. She served as Washington State Poet Laureate from 2012 – 2014.

Find the transcript for this show at onbeing.org.

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, April 11. Featured poets in this season include Rita Dove, Joshua Bennett, Tiana Clark, Yu Xiuhua, and many more. New episodes released every Monday and Friday through June 3.

Follow us on Apple Podcasts, Spotify, Google Podcasts, Overcast, or wherever you listen.

In the aftermath of disaster, how do you sing a song to mark what’s gone, and praise what’s growing? 

Hinemoana Baker is a writer and musician living in Berlin, Germany. Baker descends from the Ngāi Tahu tribe in the South Island of New Zealand and from Ngāti Raukawa, Ngāti Toa, and Te Āti Awa in the North Island. Baker is the author of several books of poetry including mātuhi | needle (Victoria University Press and Percival Press 2004), kōiwi kōiwi | bone bone (Victoria University Press 2010), and funkhaus (Victoria University Press 2020). She is currently completing a PhD at the University of Potsdam with the research training group RTG Minor Cosmopolitanisms.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Hinemoana Baker’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Who is in your chosen family? 

This poem considers the lines of loyalty in families and how particular memories, like a grandmother keeping “wishbones from chicken carcasses / in an empty margarine container on top of the fridge,” can be a portal to love. The nan in this poem is a character of generosity and permission, and we imagine her through stories of trips, funerals, and visits.

Tayi Tibble – (Te Whānau-ā-Apanui/Ngāti Porou) is a writer and poet who lives in Wellington, New Zealand. In 2017 she completed a Masters in Creative Writing from the International Institute of Modern Letters, Victoria University of Wellington, where she was the recipient of the Adam Foundation Prize. Poūkahangatus is her first book.

Find the transcript for this show at onbeing.org.

How do you speak with your mother when she’s forgotten who you are? By turning to myth, it seems, and by holding gentleness with bewilderment, love with patience. Rita Dove lets us overhear a phone call, and in this listening, we hear lifetimes unfold.

Rita Dove was U.S. Poet Laureate from 1993–1995 and she served as the Poet Laureate of Virginia from 2004–2006. In 1987 she received the Pulitzer Prize in poetry for her book Thomas and Beulah. She is currently Commonwealth Professor of English at the University of Virginia in Charlottesville.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Rita Dove’s poem, and invite you to sign up here for the latest from Poetry Unbound.

Sometimes leaving feels like you’re splitting yourself in two, but you leave anyway. What compels us? What holds us together even as we look back? David Whyte’s poem combines pain and promise as someone is both departing and venturing at the same time. 

David Whyte is the author of many books of poetry and prose. He grew up with a strong, imaginative influence from his Irish mother among the hills and valleys of his father’s Yorkshire. He now makes his home in the Pacific Northwest of the United States. He holds a degree in Marine Zoology and has worked as a naturalist guide in the Galapagos Islands. His books include The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America, Consolations: The Solace, Nourishment and Underlying Meaning of Everyday Words, and The Bell and the Blackbird. His latest collections are David Whyte: Essentials and Still Possible.

Find the transcript for this show at onbeing.org.

We’re pleased to offer David Whyte’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

The sounds of a city can be overwhelming — but in the imagination of this poem, they are made into something new. 

Carolina Ebeid is a multimedia poet. Her first book, You Ask Me to Talk About the Interior, was published by Noemi Press as part of the Akrilica Series, and selected as one of ten best debuts of 2016 by Poets & Writers. Her work has been supported by the Stadler Center for Poetry at Bucknell University, Bread Loaf, CantoMundo, as well as a residency fellowship from the Lannan Foundation. Ebeid currently edits poetry at The Rumpus and the multimedia zine Visible Binary.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Carolina Ebeid’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Aimee Nezhukumatathil’s poem “On Listening to Your Teacher Take Attendance” offers a way to ground yourself during vulnerable moments. The poet gathers strength from being loved, which helps her in times of displacement.

A question to reflect on after you listen: What stories do you hold on to when you're feeling displaced?

About the poet:

Aimee Nezhukumatathil is a professor of English and creative writing in the MFA program at the University of Mississippi. She also serves as the poetry editor for Orion magazine. Her books include Lucky Fish, At the Drive-In Volcano, Miracle Fruit, and Oceanic. Her upcoming book of illustrated essays is World of Wonders. She is the recipient of a Pushcart Prize and a fellowship from the National Endowment for the Arts.

“On Listening to Your Teacher Take Attendance” comes from Aimee Nezhukumatathil’s book Oceanic. Thank you to Copper Canyon Press, who published the book, and to Aimee for letting us use her poem. Read it on onbeing.org.

Find the transcript for this episode at onbeing.org.

The original music in this episode was composed by Gautam Srikishan.

We ask questions to find out the facts, but what if you can’t trust the answers, the questions, or the person who's asking the questions? In Constantine P. Cavafy’s “Waiting for the Barbarians,” translated by Evan Jones, leaders exercise a sinister kind of violence — they’ve taken over people’s imaginations with showy displays of wealth and privilege, time-wasting ceremony, and fear coursing beneath it all.

Constantine P. Cavafy was a Greek-language poet born in Alexandria, Egypt, and he lived from 1863 to 1933. His poetry has been published in numerous collections, including The Complete Poems of Cavafy, The Collected Poems, and The Barbarians Arrive Today.

Evan Jones is a Greek-Canadian poet based in Manchester, England. His first collection, Nothing Fell Today But Rain, was a finalist for the Governor General's Literary Award for Poetry, and his British debut, Paralogues, was published in 2012. He is the translator of Constantine Cavafy’s The Barbarians Arrive Today: Poems & Prose, and his most recent poetry collection is Later Emperors.

Find the transcript for this show at onbeing.org.

This is the third episode of "Poems as Teachers," a special seven-part miniseries on conflict and the human condition.

We’re pleased to offer Constantine P. Cavafy’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

The opening poem to Ilya Kaminsky’s masterpiece, “Deaf Republic,” is written in the voice of someone who is confessing their complacency during a time of trial. There’s a war going on, but it doesn’t affect the person speaking, so they don’t get involved. Instead they stayed outside and caught the sun. They lived happily during the war, and are now saying (forgive us). This poem leaves us wondering what it would mean to make such a confession, to ask for forgiveness, and whether it’d do any good.

Ilya Kaminsky was born in Odessa, former Soviet Union in 1977, and arrived in the United States in 1993, when his family was granted asylum by the American government. He is the author of Deaf Republic and Dancing In Odessa, and has co-edited and co-translated many other books, including Ecco Anthology of International Poetry and Dark Elderberry Branch: Poems of Marina Tsvetaeva. He holds the Bourne Chair in Poetry at Georgia Institute of Technology and lives in Atlanta.

Find the transcript for this show at onbeing.org.

What’s a moment when you grew up? When you realized the help you get might not be the help you want? 

Jennifer Huang is the author of Return Flight, which was awarded the 2021 Ballard Spahr Prize for Poetry from Milkweed Editions. Their poems have appeared in POETRY, The Rumpus, and Narrative Magazine, among other places. They have received recognition from the Academy of American Poets, Brooklyn Poets, and the North American Taiwan Studies Association. In 2020, Jennifer earned their MFA in Poetry at the University of Michigan’s Helen Zell Writers' Program. Born in Maryland to Taiwanese immigrants, they have since called many places home.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Jennifer Huang's poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

What is the landscape that has most influenced you? When do you go there? In person? Andrés N. Ordorica goes in dreams. 

Andrés N. Ordorica is a queer Latinx writer based in Edinburgh. His writing attempts to map the journey of his diasporic experience and unpack what it means to be from ni de aquí, ni de allá. His writing has been published widely and he regularly features at festivals around the UK. He is the recipient of a Second Life grant through the Edwin Morgan Trust. In 2021, his fiction manuscript was shortlisted for both the Morley Prize for Unpublished Writers of Colour and the Mo Siewcharran Prize. He is the author of the poetry collection, At Least This I Know.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Andrés N. Ordorica’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

This ‘Essay on Reentry’ charts life after prison: and the way that others keep your sentence alive even when you’re wishing to just get on with your own life. It’s about secrets and choice and disclosure. And in the midst of all this, there is also love between a son and his dad, a son like a “straggling angel, / lost from his pack finding a way to fulfill his / duty.”

Reginald Dwayne Betts is the author of a memoir and three books of poetry. His memoir, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison, was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm, Bastards of the Reagan Era, and Felon. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a PhD student at Yale Law School.

Find the transcript for this show at onbeing.org.

This poem starts off by describing how split the poet — Jónína Kirton — feels between two identities: having both Métis and Icelandic heritage. The poem imagines a bridge between these two places and cultures, and arrives, in the second stanza, at the image of a “living root bridge.”It is in this image that the poem anchors itself: a bridge that is part of the earth, a bridge that lives, that is not torn, but alive and growing. This metaphor speaks to what is possible in a life, and helps Jónína Kirton thrive in the tension she thought would tear her.

Jónína Kirton is a Red River Métis/Icelandic poet and a graduate of the Simon Fraser University’s Writer’s Studio where she is currently their BIPOC Auntie supporting and mentoring BIPOC students. In 2016, she received the City of Vancouver’s Mayor’s Arts Award for an Emerging Artist in the Literary Arts category. Her books of poetry include page as bone ~ ink as blood and An Honest Woman, which was a finalist for the Dorothy Livesay Poetry Prize.

Find the transcript for this show at onbeing.org.

While preparing for the next season of Poetry Unbound, host Pádraig Ó Tuama sat down with Krista Tippett for a conversation about the power of poetry to find us at the exact moment we need it. Pádraig and Krista also invite listeners to share their experience of Poetry Unbound through our survey.

You can also sign up for the latest updates from Poetry Unbound.

If you were to use a metaphor for your worries, what metaphor would you turn to? Here, the worries have worry babies of their own. And they look back at the poet. What do they see? 

Laura Villareal is the author of Girl’s Guide to Leaving (University of Wisconsin Press 2022), The Cartography of Sleep (Nostrovia! Press 2018), and Poems to Carry in Your Pocket (L'Éphémère Review 2018). Villareal interviews writers for the series “Writers Talking about Anything But Writing” at F(r)iction.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Laura Villareal’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

After Margaret Noodin recited her poem, “Gimaazinibii'amoon” / “A Message to You,” for this week’s Poetry Unbound episode, she spoke with host, Pádraig Ó Tuama, about the story behind that poem as well as the Anishinaabemowin language, translation, and the importance of language preservation.

Margaret Noodin is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature, Weweni: Poems in Anishinaabemowin and English, and What the Chickadee Knows. She teaches American Indian Literature, Celtic Literature, Indigenous Language Revitalization and Anishinaabemowin language at University of Wisconsin Milwaukee. Margaret is the editor of ojibwe.net and the Papers of the Algonquian Conference.

Find the transcript for this show at onbeing.org.

What is the story of your name? 

In this poem, the poet calls on place, ancestors, and history to bear witness to the dignity of their name. They recall how their ancestors “acknowledged my roots grew in two / places” and how their name “is the definition of resilience.” With Black/Indigenous, Pasifika, and West Asian heritage, the poet speaks to those who mispronounce their name: “Say it right or don’t say it at all / for I am Meleika.”

Meleika Gesa-Fatafehi is a Black/Indigenous, Pasifika, and West Asian writer. Her work has been published internationally, including in Radio NZ, Nerdy PoC, Djed Press, The Big Issue, Overland literary journal and Endless Yarning. Meleika is a 2019 Next Chapter recipient from the Wheeler Centre.

Find the transcript for this show at onbeing.org.

Friends, Pádraig here — we are awakening your Poetry Unbound feed to share this brilliant episode from the newest season of On Being, which is well underway. Conversations on love and loss, comedy and ecology, social creativity, poetry, and more all await you in the On Being feed — subscribe now and don’t miss out.

And — Poetry Unbound Season 8 is in production and will be arriving this winter.  And now...

This phrase recurs throughout Clint Smith's writing: "in the marrow of our bones." It is an example of how words can hold encrypted wisdom — in this case, the reality that memory and emotion lodge in us physically. Words and phrases have carried this truth forward in time long before we had the science to understand it.

Clint Smith is best known for his 2021 book, How the Word Is Passed, but he is first and foremost a poet. He and Krista discuss how his various life chapters have been real-world laboratories for him to investigate the entanglement between language and the intelligence of the body — and the related entanglement between history and place. His poetic sensibility has singularly opened readers to approach a generative reckoning with American history — on whatever side of that history our ancestors stood. 

Clint Smith has a way of making reckoning possible at a humanizing, softening, bodily level — in the marrow, you might say, of our bones. 

Clint Smith is a staff writer at The Atlantic. His narrative nonfiction book, How the Word Is Passed: A Reckoning With the History of Slavery Across America, won the National Book Critics Circle Award for Nonfiction and many other honors. His poetry collections are Counting Descent and Above Ground.

Find the transcript for this show at onbeing.org.

Old stories — of mythology or religion — have sometimes been depicted as having one narrative and one interpretation. Here, J. Estanislao Lopez takes on the voice of a character whose story ended in violence, inviting listeners to claim their agency as this character claims hers.

J. Estanislao Lopez is the author of We Borrowed Gentleness (Alice James Books, 2022). His poetry has appeared in The New Yorker, Ploughshares, The Rumpus, and Poetry Magazine, as well as the anthology The BreakBeat Poets Vol. 4: LatiNext. Lopez received his MFA from the Warren Wilson Program for Writers.

Find the transcript for this show at onbeing.org.

We’re pleased to offer J. Estanislao Lopez’s poem, and invite you to connect with Poetry Unbound throughout this season.

Is something lost once it’s gone? How do we blend sadness with sweet memory? 

Richard Blanco practiced civil engineering for more than 20 years. He is now an associate professor of creative writing at his alma mater, Florida International University. His books of nonfiction and poetry include Looking for the Gulf Motel and, most recently, How to Love a Country.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Richard Blanco’s poem, and invite you to sign up here for the latest from Poetry Unbound.

A horse race from the 1980s may not seem like the obvious inspiration for a poem that celebrates so many of the things that make our lives worth living — good company (human and animal), good books, good food, and honest work — and that is just part of the surprise, delight, and surging joy of Michael Klein’s “Swale.” 

Michael Klein is a two-time winner of the Lambda Literary Award for poetry and is the author of five books of poetry and two memoirs. His work has appeared in many places, including Poetry, Tin House, The Paris Review, and Bennington Review. His newest book is The Early Minutes of Without: New & Selected Poems (Word Works, 2023). 

Find the transcript for this show at onbeing.org.

We’re pleased to offer Michael Klein’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Is there life after death? This poem says yes: where one life is part of a cycle of life that continues. 

Michael Kleber-Diggs is a poet, essayist, literary critic, and arts educator. His debut poetry collection, Worldly Things (Milkweed Editions 2021), won the Max Ritvo Poetry Prize, the 2022 Hefner Heitz Kansas Book Award in Poetry, the 2022 Balcones Poetry Prize, and was a finalist for the 2022 Minnesota Book Award. Since 2016, Michael has been an instructor with the Minnesota Prison Writing Workshop. He also teaches Creative Writing in Augsburg University’s low-res MFA program and at Saint Paul Conservatory for Performing Artists. 

Find the transcript for this show at onbeing.org.

We’re pleased to offer Michael Kleber-Diggs's poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

A poem about blossoms that is not only about blossoms. Li-Young Lee remembers a glorious day when he and a companion bought peaches; peaches that had come from blossoms. And in the taste of peaches, the brown paper bag they came in, sold by a boy at a bend in a road, the poem tells us — again and again — that sweetness, yearning and generosity is possible, on all kinds of days.

Li-Young Lee is the author of five critically acclaimed books of poetry, most recently The Undressing. His earlier books of poetry include Book of My Nights; Behind My Eyes; Rose, winner of the Delmore Schwartz Memorial Award from New York University; and The City in Which I Love You, the 1990 Lamont Poetry Selection.

Find the transcript for this show at onbeing.org.

The life of a sugar worker is the center of this poem: a worker whose body and person bear the imprint of that industry, with its demands and smoke and exhaustion. The worker in question is the poet’s father, and No’u Revilla brings us into a consideration of how he takes pride in work that depleted him, how he needed to find ways to recover from work that exhausted him, how in his body he carries the story of Hawaii and its indigenous people.

No‘u Revilla (she/her) is an ʻŌiwi (Native Hawaiian) queer poet and educator. Born and raised with the Līlīlehua rain of Waiʻehu on the island of Maui, she currently lives and loves with the Līlīlehua rain of Pālolo in the ahupuaʻa of Waikīkī on Oʻahu. She has performed and facilitated workshops throughout the pae ʻāina of Hawaiʻi as well as in Papua New Guinea, Canada, and the United Nations. She is an assistant professor of creative writing at the University of Hawaiʻi-Mānoa and is proud to have taught poetry at Puʻuhuluhulu University in the summer 2019 as she stood with her lāhui to protect Maunakea. A winner of the 2021 National Poetry Series, her debut poetry book will be published by Milkweed Editions in 2022.

Find the transcript for this show at onbeing.org.

We carry memory in our body: memories of our own selves, but memories of our forebears, too — talking with them as we walk, learning from them as they inquire. 

Denise Low is the former Kansas Poet Laureate, and an award-winning author of 30 books of prose and poetry. She blogs, reviews, and co-publishes Mammoth Publications, which specializes in Indigenous American authors. Recent poetry books are A Casino Bestiary and Mélange Block, poetry based on geologic structures and mixed-blood experiences.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Denise Low’s poem, and invite you to sign up here for the latest from Poetry Unbound.

Music works a kind of poetry in us. This poem is like a mix-tape of Hanif Abdurraqib’s memories, complete with a soundtrack that’s as roaring as it is tender. An adult now, he remembers moments of grief and growth in the adults of his childhood, and how Journey’s “Don’t Stop Believin’,” opens up more than just those memories. In a poem that you can almost dance along with, Hanif  wraps other people’s griefs — and his own — into language that uplifts.

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His books include A Little Devil in America: Notes in Praise of Black Performance, The Crown Ain’t Worth Much, They Can’t Kill Us Until They Kill Us, and A Fortune for your Disaster.

Find the transcript for this show at onbeing.org.

In a short poem recalling a childhood response to grief, Jacob Shores-Argüello brings us into the fantasy world of a child: leaving an ill adult in a hospital bed, he and his cousin take to the mountains, turn magically into bears, and begin tearing holes in the earth for rest while the world continues below. Are they escaping? Or playing with rage? This extraordinary poem is a thing of wonder and survival.

Jacob Shores-Argüello is a Costa Rican American poet and prose writer. He is the author of poetry books  In The Absence of Clocks and Paraíso, which was selected for the inaugural CantoMundo Poetry Prize judged by Aracelis Girmay. He is a 2018/019 Hodder Fellow at Princeton University and a Lannan Literary Fellow for Poetry. His poetry appears in The New Yorker, Poetry Magazine, and The Academy of American Poets, among others. His fiction appears in The Oxford American, among others.

Find the transcript for this show at onbeing.org.

In the face of wonder, we can sometimes lose ourselves. 

M. Soledad Caballero is Professor of English and chair of the Women’s Gender and Sexuality Studies Program at Allegheny College. Her first collection, titled I Was a Bell, won the 2019 Benjamin Saltman Poetry Award. Her scholarly work focuses on British Romanticism, travel writing, post-colonial literatures, Women’s Gender and Sexuality Studies, and interdisciplinarity. She splits her time between Pittsburgh and Meadville, Pennsylvania.

Find the transcript for this show at onbeing.org.

We’re pleased to offer M. Soledad Caballero’s poem, and invite you to sign up here for the latest from Poetry Unbound.

A club is a place for dancing, for abandon, for music, and for meeting strangers. Romeo Oriogun recalls a gay club that was for all those things, but also for escape. Living in a place where queer lives were under threat, he offers a praise song for this cathedral of safety and movement. Outside the world is silent, but inside the bar, people carry stories of their own desire, of their families, of their hopes; both for the future and the present.

Romeo Oriogun is a Nigerian poet, essayist, and author of Sacrament of Bodies (University of Nebraska) and three chapbooks. He is the winner of the 2017 Brunel International African Poetry Prize. His poems have appeared in Poetry, Harvard Review, American Poetry Review, Poetry London, The Poetry Review, Narrative Magazine, The Common, and others. A graduate of the Iowa Writers’ Workshop, his poems have been translated into several languages.

Find the transcript for this show at onbeing.org.

What’s a chance encounter in a city that’s never left you? 

In this poem the speaker is asked a question by a stranger while standing near the water outside the Metropolitan Museum of Art in New York City. “Pardon me Old School he / says you know is this a wishing well?” He initially brushes off the stranger, but something happens: a shared coin, a well, a wish that is answered as it is made.

Gregory Pardlo won the 2015 Pulitzer Prize for Poetry for his collection Digest. He is poetry editor of the Virginia Quarterly Review (VQR) and Director of the MFA program at Rutgers University-Camden. His most recent book is Air Traffic, a memoir in essays.

Find the transcript for this show at onbeing.org

What’s it like to be owned by the world, to have populations claiming you, to have millions speaking on your behalf? Naomi Shihab Nye takes a close look — from a distance — at Jesus, and herself.

Naomi Shihab Nye is a professor of creative writing at Texas State University. From 2019-2021, Nye was the Young People's Poet Laureate through the Poetry Foundation. She is the author of You & Yours (BOA Editions 2005). Her more recent books include The Tiny Journalist (BOA Editions 2019), Voices in the Air: Poems for Listeners (Greenwillow Books 2022), Cast Away (HarperCollins 2020), and Everything Comes Next: Collected and New Poems (Greenwillow Books 2020). She received the 2019 Ivan Sandrof Lifetime Achievement Award from the National Book Critics Circle.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Naomi Shihab Nye’s poem, and invite you to connect with Poetry Unbound throughout this season.

Order your copy of Poetry Unbound: 50 Poems to Open Your World and join us in our vibrant conversational space on Substack.

A note from the Poetry Unbound team:
We’ve updated the audio for our episode “Amanda Gunn — Ordinary Sugar.” This updated version includes an additional stanza initially omitted from the recording and additional reflection from Pádraig.

How can russet potatoes be made to taste of sugar and caramel? By dedication, love, and craft. Amanda Gunn places her poetry in conversation with the farming and culinary skills of her forebears: women who cultivated land, survival, strength, and family bonds.

Amanda Gunn grew up just at the edge of the woods in southern Connecticut with two older brothers. She is the author of Things I Didn’t Do with This Body (Copper Canyon Press, 2023). Gunn is a Wallace Stegner Fellow at Stanford, as well as a PhD candidate in English at Harvard, where she studies poetry, ephemerality, and Black pleasure. Her recent work appears in Poetry, Los Angeles Review of Books Quarterly Journal, and Narrative Magazine. Photo credit: Moon Duchin

Find the transcript for this show at onbeing.org.

We’re pleased to offer Amanda Gunn’s poem, and invite you to connect with Poetry Unbound throughout this season.

A person is lost, and in panic. A calm voice says strangely comforting things. 

David Wagoner is the author of 24 poetry collections and 10 novels. He is the recipient of two Pushcart Prizes (1977 and 1983) and the Ruth Lilly Poetry Prize (1991). Wagoner’s final collection of poetry, After the Point of No Return, was published by Copper Canyon Press in 2012.

Find the transcript for this show at onbeing.org.

We’re pleased to offer David Wagoner’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Life can feel exhausting sometimes: how do you find rest? 

Tiana Clark is the author of the poetry collection, I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018), winner of the 2017 Agnes Lynch Starrett Prize, and Equilibrium (Bull City Press, 2016), selected by Afaa Michael Weaver for the 2016 Frost Place Chapbook Competition.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Tiana Clark’s poem, and invite you to sign up here for the latest from Poetry Unbound.

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, September 27. Featured poets in this season include Margaret Atwood, Kaveh Akbar, Danez Smith, Tishani Doshi, and many more. New episodes released every Monday and Friday through December 17.

Follow us on Apple Podcasts, Spotify, Google Podcasts, Overcast, or wherever you listen.

When looking at Andy Warhol’s painting of Geronimo —  a leader and medicine man of the Bedonkohe band of the Apache tribe —  b: william bearheart wonders who the Geronimo of the painting is looking back at, and who is looking at it. In many ways, this poem reflects on how this piece of art depicting an Indigenous American was painted by a White person for White people. However, the poet finds connections — of pain, occupation and experience — between himself and Geronimo; and the poem challenges the centrality of the White european gaze.

b: william bearhart is a direct descendent of the St. Croix Chippewa Indians of Wisconsin. A graduate of the Lo-Rez MFA program at the Institute of American Indian Arts, bearhart’s work appeared in numerous journals and anthologies, including When the Light of the World was Subdued, Our Songs Came Through (W. W. Norton, 2020). His work can be found in Bloom, North American Review, Plume, Prairie Schooner, and Tupelo Quarterly, among others. bearhart worked as a poker dealer in a small Wisconsin casino. He died in August, 2020.

Find the transcript for this show at onbeing.org.

How far would you go for great love? And what distances would you cross? 

Yu Xiuhua is a poet from Hengdian, in Hubei, China. She became well known in 2014 with her online poem “Crossing Half of China to Sleep with You.” In 2015, her debut book sold fifteen thousand copies in one day. The New York Times named her one of the eleven most courageous women around the world in 2017.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Yu Xiuhua’s poem, and invite you to sign up here for the latest from Poetry Unbound.

The exile’s return to the motherland is the theme around which Lory Bedikian’s poem “On the Way to Oshagan” circles. She, a proud Armenian, stops by a roadside stall on a trip to her home country; and is immediately understood as an Amerigatzi, even though she’s speaking Armenian, not English. The poem could end with this awkward exchange, but instead pushes through, and a connection occurs between the returned-departed and the never-departed: there’s a gift, an invitation, and a bridge across exile.

Lory Bedikian received her BA from UCLA with an emphasis in Creative Writing and Poetry. She earned her MFA in Poetry from the University of Oregon, where she received the Dan Kimble First Year Teaching Award for Poetry. Bedikian's The Book of Lamenting won the 2010 Philip Levine Prize in Poetry. She currently teaches poetry workshops in Los Angeles.

Find the transcript for this show at onbeing.org.

What stories or myths bring you strength?

This poem tells the story of a person living with invisible chronic pain who finds unexpected fortitude from a girl dressed as a superhero. Their encounter, “at the swell of the muddy Mississippi,” doesn’t have a fantasy ending, but instead finds strength and glory in bodies and myth.

Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry and was named one of the best poetry books of the year by The Washington Post. She serves on the faculty of Queens University of Charlotte Low Residency MFA program.

Find the transcript for this show at onbeing.org.

Many people say their experience of time changes after they have children, a phenomenon that Diego Báez captures in “Inheritance.” In this poem, a past, present, and future starring the same child shift ceaselessly in a parent’s mind, like photos flipped through in an album, dots placed on a timeline, moments that one wishes they could build monuments for.

Diego Báez, is a writer and educator in Chicago, where he teaches at the City Colleges of Chicago. He earned an MFA in Creative Writing from Rutgers University - Newark. A writer of fiction, nonfiction, and poetry, Báez’s work has been published in Freeman's, The Rumpus, The Georgia Review, The Thing Itself Journal, Number Eleven Magazine, and Hobart. His poetry has appeared in Luna Luna, la fovea, Granta, and elsewhere. He serves as a Director of the Board for the National Book Critics Circle and the International David Foster Wallace Society. Báez was an inaugural fellow at CantoMundo in 2010. Yaguareté White, published in 2024 by The University of Arizona Press, is his debut poetry collection.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Diego Báez’s poem and invite you to subscribe to Pádraig’s weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Standing at the edge of a desert, surveying the stars on a December morning, the speaker in this poem observes the everything of everything. He is so small; the universe is so loud and so silent. Thinking about the enormity of all this, he thinks of the smallness of the hearts of birds, wasps, moths, bats, and dragonflies — all flying things around him, suspended in space, like the earth is suspended in space. His own heart, too, echoes the universe’s noise.

Alberto Ríos is Arizona’s inaugural poet laureate and a recent chancellor of the Academy of American Poets, as well as the author of twelve collections of poetry, most recently, Not Go Away Is My Name. Published in the New Yorker, Paris Review, Ploughshares, and other journals, he has also written three short story collections and a memoir, Capirotada, about growing up on the Mexican border.  Ríos is also the host of the PBS programs Art in the 48 and Books & Co. University Professor of Letters, Regents’ Professor, Virginia G. Piper Chair in Creative Writing, and the Katharine C. Turner Chair in English, Ríos has taught at Arizona State University since 1982.

Find the transcript for this show at onbeing.org.

In Kinsale Drake’s poem “Put on that KTNN,” she writes about driving to a hometown as a familiar station crackles to life on the car radio. From this corner of America, she creates her own country music — of Navajo voices alongside Johnny Cash and Loretta Lynn, of drumbeats and guitar licks, of things wrought by nature and things made by humans, all of them rooted in the desert sand.

Kinsale Drake (Diné) is a poet, playwright, and performer based out of the Southwest U.S. She is a winner of the 2023 National Poetry Series Competition. Her poetry collection, The Sky Was Once a Dark Blanket, was published by The University of Georgia Press in 2024. Drake’s work has appeared in Poetry Magazine, Poets.org, Best New Poets, Black Warrior Review, Nylon, MTV, Teen Vogue, Time, and elsewhere. She recently graduated from Yale University, where she received the J. Edgar Meeker Prize, Academy of American Poets College Prize, Young Native Playwrights Award, and the 2022 Joy Harjo Poetry Prize. She is the founder of NDN Girls Book Club.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Kinsale Drake’s poem and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

In a poem brimming with love and nostalgia for winter, a poet leaves California to return to their Minnesotan homeplace, a place where winter makes sense, where sadness makes sense, where the isolation that’s at the heart of humanity can be met with a landscape that can contain it. Here, solitude is looked at with wisdom and necessity. A season can deepen the human experience. Joy finds new expressions.

Danez Smith is a Black, queer, HIV-positive writer and performer from St. Paul, Minnesota. They are the author of Homie and Don’t Call Us Dead, which was a finalist for the National Book Award.

Find the transcript for this show at onbeing.org.

This poem offers critique into a moment of Irish history when Ireland, through independence, was rising to the light. But Irish women were facing lives as constricted in independence as under empire. Decades later, Eavan Boland reads a newspaper of her grandmother’s near-eviction and is consumed both by rage and critique of how history concerns itself with the politics of men, not women. This poem is a corrective, turning the gaze on historians, as well as history.

Eavan Boland was an Irish poet, author, and professor at Stanford University, where she taught from 1996. Her work deals with the Irish national identity, and the role of women in Irish history. Her books of poetry include The Historians: Poems, Against Love Poetry: Poems, New Collected Poems, and many more.

Find the transcript for this show at onbeing.org.

What holds our bodies together? Yes, there are the biological components, such as the cells, fluids, fibers, but what about the bone-deep stuff, the histories, myths, aches, resolves? In “Our Bird Aegis,” poet Ray Young Bear evokes an adolescent eagle to show how this blend of the visceral, the inherited, and the self-made abides in each of us, no matter our form, wherever we go. 

Ray Young Bear is a Meskwaki poet and fiction writer. He is the author of several books of poetry including, The Invisible Musician (Holy Cow Press, 1990), The Rock Island Hiking Club (University of Iowa Press, 2001), and Manifestation Wolverine (Open Road Media, 2015). Young Bear is also the author of two novels, Black Eagle Child: The Facepaint Narratives (University of Iowa Press, 1995) and Remnants of the First Earth (Grove Atlantic, 1996).

Find the transcript for this show at onbeing.org.

We’re pleased to offer Ray Young Bear’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

Is the light a comfort and the night disturbing? Yusef Komunyakaa explores the life and brilliance of what’s in shadow and darkness.

Yusef Komunyakaa was born in Bogalusa, Louisiana. The son of a carpenter, Komunyakaa has said that he was first alerted to the power of language through his grandparents, who were church people: “the sound of the Old Testament informed the cadences of their speech,” Komunyakaa has stated. “It was my first introduction to poetry.” He has taught at numerous institutions including University of New Orleans, Indiana University, and Princeton University. He is a senior faculty member in the NYU Creative Writing Program.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Yusef Komunyakaa’s poem, and invite you to sign up here for the latest from Poetry Unbound.

Our lives are filled with distances, the physical spans that we travel but also the stranger, vaster expanses between our past and our present or between feeling anchored and connected and feeling terribly alone. A poem can capture all of those in a way that a map can’t, as Elisa Gonzalez superbly demonstrates in “To My Twenty-Four-Year-Old Self.”

Elisa Gonzalez is a poet, essayist, and fiction writer. Her work appears in the New Yorker, New York Times Magazine, Paris Review, and elsewhere. A graduate of Yale University and the New York University MFA program, she has received fellowships from the Norman Mailer Center, Bread Loaf Writers' Conference, Rolex Foundation, and the U.S. Fulbright Program. She is the recipient of a 2020 Rona Jaffe Foundation Writers’ Award. Her debut poetry collection is Grand Tour (Farrar, Straus, and Giroux, 2023).

Find the transcript for this show at onbeing.org.

We’re pleased to offer Elisa Gonzalez’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

When you move to a new place, everything seems different. Hell’s not hot anymore; it’s freezing. A poem of strangeness and wonder. 

Dan Vera is a writer, editor, watercolorist, and literary historian. Vera is the author of two books of poetry: Speaking Wiri Wiri (Red Hen Press 2013) and The Space Between Our Danger and Delight (Beothuk Books 2008). His honors include the Oscar Wilde Award for Poetry (2017) and the Letras Latinas/Red Hen Poetry Prize (2012). 

Find the transcript for this show at onbeing.org.

We’re pleased to offer Dan Vera’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

How do you hold onto hope? And who helped you find it? 

This poem is about holding onto paradise in the midst of an environment that seeks to steal or quash it. Roger Robinson praises his grandmother who told him to “carry it always / on my person, concealed.” His deft language helps us understand that paradise is a quality of life; and, even deeper than that, paradise is your life.

Roger Robinson is a writer and performer who lives between London and Trinidad. His first full poetry collection, The Butterfly Hotel, was shortlisted for The OCM Bocas Poetry Prize, and his latest book is A Portable Paradise. He is a co-founder of both Spoke Lab and the international writing collective Malika’s Kitchen.

Find the transcript for this show at onbeing.org.

Are there languages that once were spoken in your family that are not anymore? What caused those changes? 

This poem considers the plight of a language, how it — like the child Moses in the biblical story of the Exodus — is vulnerable, and might be in need of someone like the Pharaoh’s daughter to nurture it. In considering the precarious situation of many lesser-spoken languages, Nuala Ní Dhomhnaill casts a story of language preservation through the archetype of women helping women in ancient texts. 

Nuala Ní Dhomhnaill – is one of the most prominent poets writing in the Irish language today. Her poetry collections include Pharaoh’s Daughter, The Astrakhan Cloak, and Cead Isteach/Entry Permitted. Her work has been translated into English by a number of well-known Irish poets, including Seamus Heaney, Medbh McGuckian, and Paul Muldoon.

Find the transcript for this show at onbeing.org.

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, December 2. Featured poets in this season include Robert Hayden, Kinsale Drake, Danielle Chapman, Diannely Antigua, and many more. New episodes every week through March 3.

Follow us on Apple Podcasts, Spotify, Pocket Casts, Overcast, or wherever you listen.

Find the transcript for this show at onbeing.org.

As appealing as it may sound, is it really possible to live in a world completely free of conflict? No. And since differences and disagreements are inevitable and natural, Joy Harjo gives ground rules in “Conflict Resolution for Holy Beings.” Her call to us echoes across time and space — a call to listen, to humility, to justice, and to recognizing the land, the living, the dead, the not-yet-living.

Joy Harjo is a member of the Muscogee Creek Nation and the 23rd Poet Lau­re­ate of the Unit­ed States. She is the author of 10 books of poet­ry, including An American Sunrise, Conflict Resolution for Holy Beings, and She Had Some Horses, and the memoirs Crazy Brave and Poet Warrior. Her most recent poetry collection is Weav­ing Sun­down in a Scar­let Light: Fifty Poems for Fifty Years. She’s also produced several award-winning albums of music, including her most recent, I Pray for My Ene­mies.

Find the transcript for this show at onbeing.org.

We’re pleased to offer two sections of Joy Harjo’s longer poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

What might have been? A poet recalls flirtations and electric connections that could have led to a different life.

Selina Nwulu is a writer of Nigerian heritage who is based in London. Her poetry and essays have been widely featured in a variety of journals, short films, and anthologies, including the critically-acclaimed anthology New Daughters of Africa. Her first chapbook collection, The Secrets I Let Slip, was published in 2015 by Burning Eye Books and is a Poetry Book Society recommendation. She has toured her poetry extensively, both internationally and throughout the U.K. in a number of cultural institutions. She has also been featured in Vogue, ES Magazine, i-D, and Blavity, among others. Her work has been translated into Spanish, Greek, and Polish, and exhibited in Warsaw, New York, Dublin, and Glasgow. She was the Young Poet Laureate for London in 2015-16, and was shortlisted for the 2019 Brunel International African Poetry Prize. She was also a finalist for the 2021 U.K. Arts Award for Environmental Writing. A Little Resurrection is her debut full-length collection. 

Find the transcript for this show at onbeing.org.

We’re pleased to offer Selina Nwulu’s poem, and invite you to connect with Poetry Unbound throughout this season.

While preparing for this week’s episode of Poetry Unbound, host Pádraig Ó Tuama began an email correspondence with the poet, No‘u Revilla. The exchange was so rich that Pádraig asked No‘u to join him in conversation. Together they talk about poetry, queerness and how Hawaiian language, culture, and history show up in her poetry.

No‘u Revilla (she/her) is an ʻŌiwi (Native Hawaiian) queer poet and educator. Born and raised with the Līlīlehua rain of Waiʻehu on the island of Maui, she currently lives and loves with the Līlīlehua rain of Pālolo in the ahupuaʻa of Waikīkī on Oʻahu. She has performed and facilitated workshops throughout the pae ʻāina of Hawaiʻi as well as in Papua New Guinea, Canada, and the United Nations. She is an assistant professor of creative writing at the University of Hawaiʻi-Mānoa and is proud to have taught poetry at Puʻuhuluhulu University in the summer 2019 as she stood with her lāhui to protect Maunakea. A winner of the 2021 National Poetry Series, her debut poetry book will be published by Milkweed Editions in 2022.

Find the transcript for this show at onbeing.org.

Who do you trust with your body? 

In this poem, a man writes about his wife’s life-drawing class. She’s been sketching a naked male model for weeks, and the poet worries, comparing himself, trying to figure out how he feels. This poem moves from anxiety to request to consent to reciprocality. His self-consciousness about sharing his body with someone is transformed into trust and vulnerability.

R.A. Villanueva is the author of Reliquaria, winner of the Prairie Schooner Book Prize in Poetry. His honors include commendations from the Forward Prizes and fellowships from Kundiman and the Constance Saltonstall Foundation for the Arts. He teaches at Sarah Lawrence College and lives in Brooklyn.

Find the transcript for this show at onbeing.org.

A man whose baby daughter has died turns to stars, mythology, and imagination for solace. There, he encounters what might help, a little. 

Saddiq Dzukogi is a poet and professor of English at Mississippi State University. He is the author of Your Crib, My Qibla (University of Nebraska Press, 2021), and winner of the 2021 Derek Walcott Prize for Poetry. Dzukogi is completing a PhD in English at the University of Nebraska-Lincoln.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Saddiq Dzukogi’s poem, and invite you to connect with Poetry Unbound throughout this season.

Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Yeshiva students stand around in the middle of the night while firemen find the cause of the alarm. It’s a student — distressed by distressing news at home. The teachers cancel classes for the morning after. A poem can describe one thing, but point to another, and beyond the drama of this 2 a.m. scene is a question about whether the presence of God can dwell among those plagued by sadness, or whether God only dwells there.

Yehoshua November is the author of two books of poetry, God's Optimism (winner of the MSR Book Award and a finalist for the L.A. Times Book Prize) and Two Worlds Exist (a finalist for National Jewish Book Award and the Paterson Poetry Prize).

Find the transcript for this show at onbeing.org.

In a church there are liturgies and prayers and statues. But in José Olivarez’s poem, there are more urgent things taking place, things that have “no time to wait.”

José Olivarez is the son of Mexican immigrants.  He is the author of Promises of Gold, a collection of poems. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere

Find the transcript for this show at onbeing.org.

We’re pleased to offer José Olivarez’s poem, and invite you to connect with Poetry Unbound throughout this season.

Bro — this is definitely not the “Beowulf” that you read back in school. Maria Dahvana Headley’s gutsy, swaggering translation brings the Old English epic poem roaring into this century, showing you why this tale of fraught family ties, power plays and posturing, and mighty, imperfect people is as relevant as ever.  

Maria Dahvana Headley is the New York Times-bestselling author of eight books, most recently Beowulf: A New Translation (MCD X FSG Originals, 2020). Her novel The Mere Wife (MCD X FSG, 2018), an adaptation of the Beowulf poem set in suburban America, was named by The Washington Post as one of its Notable Works of Fiction in 2018. Her essays on gender, chronic illness, politics, propaganda, and mythology have been published and covered in The New York Times, The Daily Beast, Nieman Storyboard, and elsewhere. She grew up in the high desert of Idaho on a survivalist sled dog ranch, where she spent summers plucking the winter coat from her father’s wolf.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Maria Dahvana Headley’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

A seven-year poem: from the start of the process to bring a mother to live in the US to the time she walks through the gate. 

Divya Victor is the author of Curb (Nightboat Books, winner of PEN America Open Book Award and the Kinglsey Tufts Poetry Award); Kith (Fence Books/ Book*hug); Scheingleichheit: Drei Essays (Merve Verlag); Natural Subjects (Trembling Pillow), Unsub (Insert Blanc), Things To Do With Your Mouth (Les Figues). She is currently an Associate Professor of English at Michigan State University.

Find the transcript for this show at onbeing.org.

We’re pleased to offer Divya Victor’s poem, and invite you to sign up here for the latest from Poetry Unbound.

In a taxi, a poet speaks to the driver. It’s the only taxi in town. He mentions travel, mentions Afghanistan, that he was there with the forces. She’s from Afghanistan and the conversation continues — awkward; complicated; him trying to say good things, but failing; her feeling like she should rescue him, but deciding not to. War is upended by the point of view of a person in whose country the war was fought. Underneath the action of the poem is a question about whether conversation is possible, and an appreciation for silence.

Aria Aber is based in Oakland, CA. Her poems are forthcoming or have appeared in The New Yorker, Poetry Magazine, Kenyon Review, The Poetry Review and elsewhere. She is the author of Hard Damage, which won the Prairie Schooner Book Prize in Poetry and a Whiting Award. She is currently a Stegner Fellow in Poetry at Stanford University.

Find the transcript for this show at onbeing.org.