Philosophy, Ideas, Critical Thinking, Ethics & Morality: The Creative Process: Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists (Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists · Creative Process Original Series)
Explorez tous les épisodes de Philosophy, Ideas, Critical Thinking, Ethics & Morality: The Creative Process: Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists
| Date | Titre | Durée | |
|---|---|---|---|
| 09 Dec 2022 | Mathis Wackernagel - Founder, President, Global Footprint Network - World Sustainability Award Winner | 00:44:45 | |
Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures. "I think actually it's not that complex. Complexity is a racket for not wanting to act. Whole institutions try to generate complexity so everybody can become and maintain business as usual. It's not so complex because, in the end, there's just one planet Earth we live on. It's hard to get to Mars. That's that. And so how can we thrive within that planetary constraint? So I think the first thing is to say is this whole conundrum we live in is not your burden. So it's more helpful rather than saying, "This is my burden" to recognize the conundrums you are in as your context. That's just your game board. You're on that game board, and the question is what is helpful? The second point is what is helpful is solutions that are replicable, and physically replicable, are good for you because you're much more likely to succeed. With them, you're not running into competition. And it also helps others more than they want others to also take on these solutions because they're replicable are not in competition with you. So that's kind of the true meaning of win-win solutions. Solutions that are replicable are more stable. They make the system more stable. So that's kind of the two simple rules. Recognize it's your context. The second one is focus on replicable solutions, and the complexity just falls away." www.footprintnetwork.org/tools www.overshootday.org/power-of-possibility/ www.creativeprocess.info Instagram @creativeprocesspodcast | |||
| 09 Dec 2022 | Highlights - Mathis Wackernagel - Founder, Pres., Global Footprint Network - World Sustainability Award Winner | 00:13:28 | |
"I think actually it's not that complex. Complexity is a racket for not wanting to act. Whole institutions try to generate complexity so everybody can become and maintain business as usual. It's not so complex because, in the end, there's just one planet Earth we live on. It's hard to get to Mars. That's that. And so how can we thrive within that planetary constraint? So I think the first thing is to say is this whole conundrum we live in is not your burden. So it's more helpful rather than saying, "This is my burden" to recognize the conundrums you are in as your context. That's just your game board. You're on that game board, and the question is what is helpful? The second point is what is helpful is solutions that are replicable, and physically replicable, are good for you because you're much more likely to succeed. With them, you're not running into competition. And it also helps others more than they want others to also take on these solutions because they're replicable are not in competition with you. So that's kind of the true meaning of win-win solutions. Solutions that are replicable are more stable. They make the system more stable. So that's kind of the two simple rules. Recognize it's your context. The second one is focus on replicable solutions, and the complexity just falls away." Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures. www.footprintnetwork.org/tools www.overshootday.org/power-of-possibility/ www.creativeprocess.info Instagram @creativeprocesspodcast | |||
| 16 Dec 2022 | Alberto Savoia - Google’s 1st Engineering Director - Author of “The Right It” | 01:01:54 | |
Alberto Savoia was Google’s first engineering director and is currently Innovation Agitator Emeritus, where, among other things, he led the development and launch of the original Google AdWords. He is the author of The Right It: Why So Many Ideas Fail and How to Make Sure Yours Succeed, a book that provides critical advice for rethinking how we launch a new idea, product, or business, and gives insights to help successfully beat the law of market failure: that most new products will fail, even if competently executed. He is a successful serial entrepreneur, angel-investor and an expert practitioner in pretotyping and lean innovation. He is based in Silicon Valley where he teaches his uniquely effective approach to innovation at Google, Stanford. He has also taught and coached many Fortune 500 companies, including Nike, McDonald’s, and Walmart, as well as the US Army. "But then what is the next problem? The challenge is not coming up with new technology, right? The challenge is how do we humans adapt to this technology, and put it to a good use? And, right now, so I've gone from hardware and software, Right now I'm most interested in what some people call wetware. How our brain works because all of these ideas that you see behind me on the screen, where do they come up from? They come up from my head. And if you look at how your thought process is working, sometimes they just seem to pop up, right? Especially these days. I think what all this technology has shown us, especially with the pandemic, Twitter, Facebook, I don't think it's so much that the technology has changed us, more that it kind of reveals what's going on in our mind. And basically, I cannot think of any single thing that anybody could write that you don't get all kinds of feedback. Great idea. Terrible idea. So like Galileo with the telescope, it kind of allows us to see into our collective mind. Some days it's very illuminating because finally we have the data in front of us. You could not cure infectious diseases until you had the microscope, until you could actually see, Oh, this is what's happening at the cellular level. So similarly, I think what the tools that we have developed for communicating with each other have given us is an ability to look at what is actually happening. What is inside our minds." www.albertosavoia.com www.creativeprocess.info | |||
| 16 Dec 2022 | Highlights - Alberto Savoia - Google’s 1st Engineering Director - Author of “The Right It” | 00:10:47 | |
"But then what is the next problem? The challenge is not coming up with new technology, right? The challenge is how do we humans adapt to this technology, and put it to a good use? And, right now, so I've gone from hardware and software, Right now I'm most interested in what some people call wetware. How our brain works because all of these ideas that you see behind me on the screen, where do they come up from? They come up from my head. And if you look at how your thought process is working, sometimes they just seem to pop up, right? Especially these days. I think what all this technology has shown us, especially with the pandemic, Twitter, Facebook, I don't think it's so much that the technology has changed us, more that it kind of reveals what's going on in our mind. And basically, I cannot think of any single thing that anybody could write that you don't get all kinds of feedback. Great idea. Terrible idea. So like Galileo with the telescope, it kind of allows us to see into our collective mind. Some days it's very illuminating because finally we have the data in front of us. You could not cure infectious diseases until you had the microscope, until you could actually see, Oh, this is what's happening at the cellular level. So similarly, I think what the tools that we have developed for communicating with each other have given us is an ability to look at what is actually happening. What is inside our minds." Alberto Savoia was Google’s first engineering director and is currently Innovation Agitator Emeritus, where, among other things, he led the development and launch of the original Google AdWords. He is the author of The Right It: Why So Many Ideas Fail and How to Make Sure Yours Succeed, a book that provides critical advice for rethinking how we launch a new idea, product, or business, and gives insights to help successfully beat the law of market failure: that most new products will fail, even if competently executed. He is a successful serial entrepreneur, angel-investor and an expert practitioner in pretotyping and lean innovation. He is based in Silicon Valley where he teaches his uniquely effective approach to innovation at Google, Stanford. He has also taught and coached many Fortune 500 companies, including Nike, McDonald’s, and Walmart, as well as the US Army. www.albertosavoia.com www.creativeprocess.info | |||
| 17 Dec 2022 | Nina Hall - Author of “Transnational Advocacy in the Digital Era: Think Global, Act Local” | 00:44:52 | |
Nina Hall is an Assistant Professor in International Relations at Johns Hopkins School of Advanced International Studies (Europe). She previously worked as a Lecturer at the Hertie School of Governance, where she published her first book Displacement, Development, and Climate Change: International Organizations Moving Beyond their Mandates? Her latest book is Transnational Advocacy in the Digital Era: Think Global, Act Local. She holds a DPhil in International Relations from the University of Oxford and is the co-founder of an independent and progressive think tank, New Zealand Alternative. She has been a Senior Fellow at the Weizenbaum Institute (the German Internet Institute) and a Faculty Affiliate at the SNF Agora Institute, Johns Hopkins University. "There's a couple of reasons I think that it slipped attention. Partly because International Relations has tended to focus on large professionalized international NGOs, groups that many of your listeners are probably familiar with, like Greenpeace, Oxfam, Human Rights Watch, Amnesty International, but in being focused on those now well-established professional NGOs, our scholarship had missed, in my view, the rise of new forms of organization, which the digital era had enabled. So scholars since the nineties had written about how digital communications could be useful for sharing messages and tactics between different activists around the world, but they hadn't asked how is it going to change the very form? The very organizational structure, and this is where I think political communications scholars who really got interested in digital technology and how it was shaping political communications had done some writing and they had spelled out the ways that we were seeing new, what they called hybrid forms of organization that were blurring the boundaries between social movements or media or political parties. Most of their literature was focused on national impact. So for IR scholars, it was flying under the radar because these were organizations that might be shaping national debates, but they weren't seen to have an international impact. And one of the things my book does is spell out how, even though these groups might be targeting national actors - ministers, government officials, prime ministers - they can influence public opinion in important ways on international issues like trade, climate, and refugees." https://ninahall.net | |||
| 17 Dec 2022 | Highlights - Nina Hall - Author of “Transnational Advocacy in the Digital Era” | 00:13:20 | |
"There's a couple of reasons I think that it slipped attention. Partly because International Relations has tended to focus on large professionalized international NGOs, groups that many of your listeners are probably familiar with, like Greenpeace, Oxfam, Human Rights Watch, Amnesty International, but in being focused on those now well-established professional NGOs, our scholarship had missed, in my view, the rise of new forms of organization, which the digital era had enabled. So scholars since the nineties had written about how digital communications could be useful for sharing messages and tactics between different activists around the world, but they hadn't asked how is it going to change the very form? The very organizational structure, and this is where I think political communications scholars who really got interested in digital technology and how it was shaping political communications had done some writing and they had spelled out the ways that we were seeing new, what they called hybrid forms of organization that were blurring the boundaries between social movements or media or political parties. Most of their literature was focused on national impact. So for IR scholars, it was flying under the radar because these were organizations that might be shaping national debates, but they weren't seen to have an international impact. And one of the things my book does is spell out how, even though these groups might be targeting national actors - ministers, government officials, prime ministers - they can influence public opinion in important ways on international issues like trade, climate, and refugees." Nina Hall is an Assistant Professor in International Relations at Johns Hopkins School of Advanced International Studies (Europe). She previously worked as a Lecturer at the Hertie School of Governance, where she published her first book Displacement, Development, and Climate Change: International Organizations Moving Beyond their Mandates? Her latest book is Transnational Advocacy in the Digital Era: Think Global, Act Local. She holds a DPhil in International Relations from the University of Oxford and is the co-founder of an independent and progressive think tank, New Zealand Alternative. She has been a Senior Fellow at the Weizenbaum Institute (the German Internet Institute) and a Faculty Affiliate at the SNF Agora Institute, Johns Hopkins University. https://ninahall.net | |||
| 23 Dec 2022 | Manuel Billeter - Cinematographer - “The Gilded Age” “Inventing Anna” “Jessica Jones” “Luke Cage” | 00:39:03 | |
Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón’s Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix’s Inventing Anna, starring Julia Garner. "By doing research and reading about the time and reading contemporary reports about New York and how New York grew very fast and how society was stratified, what was astonishing is that if I hadn't known that some reports were actually written in 1881 or 1882, if I didn't know that they were 140 years old, I would have thought they were talking about the current time. So it's something this incredible amassment of riches and wealth in the hands of a few people, it's something that maybe is always prevalent in any culture, but definitely, there were very strong parallels between the current time and The Gilded Age, where there was this very rapid ascent to immeasurable riches. It's just, Bezos, Musk, you name them, it's a similar kind of discrepancy between who has a lot and who doesn't. And so in that sense, it wasn't a stretch, trying to imagine how those individuals lived in the past because there are parallels to draw from in our current time." www.imdb.com/name/nm1193850/ www.creativeprocess.info | |||
| 23 Dec 2022 | Highlights -Manuel Billeter - Cinematographer - “The Gilded Age” “Inventing Anna” “Jessica Jones” “Luke Cage” | 00:10:05 | |
"By doing research and reading about the time and reading contemporary reports about New York and how New York grew very fast and how society was stratified, what was astonishing is that if I hadn't known that some reports were actually written in 1881 or 1882, if I didn't know that they were 140 years old, I would have thought they were talking about the current time. So it's something this incredible amassment of riches and wealth in the hands of a few people, it's something that maybe is always prevalent in any culture, but definitely, there were very strong parallels between the current time and The Gilded Age, where there was this very rapid ascent to immeasurable riches. It's just, Bezos, Musk, you name them, it's a similar kind of discrepancy between who has a lot and who doesn't. And so in that sense, it wasn't a stretch, trying to imagine how those individuals lived in the past because there are parallels to draw from in our current time." Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón’s Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix’s Inventing Anna, starring Julia Garner. www.imdb.com/name/nm1193850/ www.creativeprocess.info | |||
| 25 Dec 2022 | Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door” | 00:47:26 | |
Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. "I think that there are many complete pictures, but in a sense, they are all kind of redacted. And the truth is that it's strange, but I feel that, let's say, if there's a collective narrative that you totally identify with, then one should go with it. It doesn't matter if it's the Catholic Church or Antifa or the Klu Klux Klan. If people say something, they say, Oh my God, yes! They got it! They cracked it. Yay! Give me a torch. Now I got it. It's good enough. But I think that, at least the experience that I've had, many times it's that I'm too passive. And there are all kinds of narratives passing by, and I hitchhike, kind of sitting on a narrative without really judging and thinking, to say, Oh, it's nice. Oh, people say it's good. You know? And from my mother, I learned to be very, very critical of all those narratives. Because the fact that many people say something and are excited about it, doesn't mean anything." www.etgarkeret.com www.creativeprocess.info | |||
| 25 Dec 2022 | Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years” | 00:14:36 | |
"I think that there are many complete pictures, but in a sense, they are all kind of redacted. And the truth is that it's strange, but I feel that, let's say, if there's a collective narrative that you totally identify with, then one should go with it. It doesn't matter if it's the Catholic Church or Antifa or the Klu Klux Klan. If people say something, they say, Oh my God, yes! They got it! They cracked it. Yay! Give me a torch. Now I got it. It's good enough. But I think that, at least the experience that I've had, many times it's that I'm too passive. And there are all kinds of narratives passing by, and I hitchhike, kind of sitting on a narrative without really judging and thinking, to say, Oh, it's nice. Oh, people say it's good. You know? And from my mother, I learned to be very, very critical of all those narratives. Because the fact that many people say something and are excited about it, doesn't mean anything." Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. www.etgarkeret.com www.creativeprocess.info | |||
| 07 Jan 2023 | Joëlle Gergis - Lead Author - IPCC Sixth Assessment Report - Author of “Humanity’s Moment” | 00:47:11 | |
Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua. "So even though I might be feeling really distressed by some of the work that I'm exposed to in my profession, it isn't just black and white. And sometimes things are going to be really difficult, and that's life. I mean, the reality is that life is really painful, and there are some really difficult realities, but there's also an immense amount of beauty and joy and all those things. And so it's an active decision to seek those things out, seek those people out and groups that make you feel connected. And also just realizing that sometimes you need to go into a deep place of contemplation and a place of solitude where you sort of put your own pieces back together. And for me, that often involves connecting with nature. So whether it's the ocean near where I live or the rainforests being around living creatures and other landscapes. And that makes me feel like I'm a part of something that does feel timeless and eternal. And I think that human beings, we have that in our bones no matter where we are, whatever culture you're from, wherever you live on the planet, we all share that really deep primal connection to the planet. So I guess it's a case of letting it flow through you really because sometimes it is going to, I think sometimes resistance is futile. Like it is just going to move through you, but realizing that it will pass. It's not going to completely break you. So, that's been my experience. I try and write about my experience with that. You know why? Because I think a lot of people feel these things, and I hope that my writing gives other people permission to express their own emotions and realize that there's another conversation that we could be having in public about how we feel about climate change and our changing world. And I really hope that it just provides people with some language around how we express those things." http://joellegergis.com www.creativeprocess.info | |||
| 07 Jan 2023 | Highlights - Joëlle Gergis - Lead Author - IPCC Sixth Assessment Report - Author of “Humanity’s Moment” | 00:10:13 | |
"So even though I might be feeling really distressed by some of the work that I'm exposed to in my profession, it isn't just black and white. And sometimes things are going to be really difficult, and that's life. I mean, the reality is that life is really painful, and there are some really difficult realities, but there's also an immense amount of beauty and joy and all those things. And so it's an active decision to seek those things out, seek those people out and groups that make you feel connected. And also just realizing that sometimes you need to go into a deep place of contemplation and a place of solitude where you sort of put your own pieces back together. And for me, that often involves connecting with nature. So whether it's the ocean near where I live or the rainforests being around living creatures and other landscapes. And that makes me feel like I'm a part of something that does feel timeless and eternal. And I think that human beings, we have that in our bones no matter where we are, whatever culture you're from, wherever you live on the planet, we all share that really deep primal connection to the planet. So I guess it's a case of letting it flow through you really because sometimes it is going to, I think sometimes resistance is futile. Like it is just going to move through you, but realizing that it will pass. It's not going to completely break you. So, that's been my experience. I try and write about my experience with that. You know why? Because I think a lot of people feel these things, and I hope that my writing gives other people permission to express their own emotions and realize that there's another conversation that we could be having in public about how we feel about climate change and our changing world. And I really hope that it just provides people with some language around how we express those things." Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua. http://joellegergis.com www.creativeprocess.info | |||
| 10 Jan 2023 | Adam Alter - Author of “Irresistible: The Rise of Addictive Technology”, “Anatomy of a Breakthrough" | 00:47:48 | |
Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023. It gives you back about two and a half hours of your day, which people when they start doing it, say, I can't believe I've lost that much time. So I think that there are many things we can do. We just have to make the decision to do them." https://adamalterauthor.com www.creativeprocess.info | |||
| 10 Jan 2023 | Highlights - Adam Alter - NYTimes Bestselling Author of “Irresistible: The Rise of Addictive Technology” | 00:14:40 | |
"So there are analog solutions to the digital problem. I think the single biggest solution, for most people, at least in terms of low-hanging fruit, the most obvious place to begin is to just say, I'm going to carve out time every day, create habits where I will not be near my devices at certain times of the day. It might be dinner time, maybe no matter where I am, whom I'm with, or what I'm doing, I will not during dinnertime use a device. Or it might be the first hour of the day. A lot of people do that, spend the first hour of the day tech-free. Have a cup of coffee, if that's what you like to do, read a physical newspaper, or just read a book - whatever you want to do. Or be with your kids or loved ones, depends what your situation is. And then the same before bed. So between 60 and 90 minutes before bed, don't use a phone. And even those small changes, no phone at dinner time, no phone first hour of the day, no phone an hour before bed. That will change your life. It gives you back about two and a half hours of your day, which people when they start doing it, say, I can't believe I've lost that much time. So I think that there are many things we can do. We just have to make the decision to do them." Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023. https://adamalterauthor.com www.creativeprocess.info | |||
| 18 Jan 2023 | Max Stossel - Award-winning Poet, Filmmaker, Creator of "Words That Move" | 00:50:57 | |
Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests. "On mythologies or collective stories, in more recent writing, this is less true of Words That Move, but the next Special will very much draw on basically a religious or spiritual concept that my friend Alice Frank and Derek Hake and a couple of others have really helped instill in me as literally true - that I am literally you. That we are one thing looking through many different eyes. Like one thing having all of these different human experiences. And not as a metaphor, we're all one. No, like actually there's actual, literal oneness. And what does that look like to explore with words? But that is a concept that I will certainly be playing more on in the next Poetry Special." www.humanetech.com www.creativeprocess.info | |||
| 18 Jan 2023 | Highlights - Max Stossel - Award-winning Poet, Filmmaker, Creator of "Words That Move" | 00:10:45 | |
"On mythologies or collective stories, in more recent writing, this is less true of Words That Move, but the next Special will very much draw on basically a religious or spiritual concept that my friend Alice Frank and Derek Hake and a couple of others have really helped instill in me as literally true - that I am literally you. That we are one thing looking through many different eyes. Like one thing having all of these different human experiences. And not as a metaphor, we're all one. No, like actually there's actual, literal oneness. And what does that look like to explore with words? But that is a concept that I will certainly be playing more on in the next Poetry Special." Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests. www.humanetech.com www.creativeprocess.info | |||
| 25 Jan 2023 | Julio Ottino - Author of “The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science” | 00:54:43 | |
Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering. Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science. www.juliomarioottino.com | |||
| 26 Jan 2023 | Highlights - Julio Ottino - Founding Co-Director of Northwestern Institute on Complex Systems | 00:10:31 | |
Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science. Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering. www.juliomarioottino.com | |||
| 27 Jan 2023 | Robert Sternberg - Award-winning Educator - Author of “Adaptive Intelligence” - Fmr. President, American Psychological Assoc. | 00:51:16 | |
Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty. “I think the most important lesson for me is to figure out who you are and be that person and be that person to make the world a better place. So that's what I think is my most important lesson.” www.creativeprocess.info | |||
| 27 Jan 2023 | Highlights - Robert Sternberg - Fmr. President, American Psychological Assoc. - Author of “Adaptive Intelligence” | 00:13:06 | |
“I think the most important lesson for me is to figure out who you are and be that person and be that person to make the world a better place. So that's what I think is my most important lesson.” Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty. www.creativeprocess.info | |||
| 09 Feb 2023 | CHRIS BLACKWELL - Founder of Island Records featuring Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Amy Winehouse… | 00:49:05 | |
Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley’s Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond. “I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn’t blink. He didn’t bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope. Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.” www.islandoutpost.com www.creativeprocess.info | |||
| 09 Feb 2023 | Highlights - CHRIS BLACKWELL - Founder of Island Records - Author of “The Islander: My Life in Music and Beyond" | 00:21:28 | |
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts. Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn’t blink. He didn’t bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope. Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.” Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley’s Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond. www.islandoutpost.com www.creativeprocess.info | |||
| 11 Feb 2023 | JILL HEINERTH - Explorer, Presenter, Author of “Into The Planet: My Life as a Cave Diver” | 00:53:05 | |
Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer, and filmmaker. She is a veteran of over thirty years of filming, photography, and exploration on projects in submerged caves around the world. She has made TV series, consulted on movies, written several books and is a frequent corporate keynote speaker. Jill is the first Explorer in Residence for the Royal Canadian Geographical Society, recipient of Canada’s prestigious Polar Medal and is a Fellow of the International Scuba Divers Hall of Fame. In recognition of her lifetime achievement, Jill was awarded the Sir Christopher Ondaatje Medal for Exploration from the RCGS and the William Beebe Award from the Explorers Club. “I wrote a book called The Aquanaut for kids. I realized that our best hope for humanity is to ignite the imagination of kids. There were lots of things I was afraid of when I was a little kid. I was afraid of the dark. I was afraid to go down the basement stairs, and yet now I live most of my entire career in the dark, in places that would make people feel terrified and claustrophobic. So a lot of those young life experiences that I had I actually turned into my superpowers. And I want to encourage children to know that anything they dream of that they can make it come true with hard work and dedication. I talk all the time to groups, big and small, and I still get asked by people, 'Do you believe in climate change?' And I'm like, it's not a question of belief. It's science. It's happening. And although I might feel frustrated, I try to never communicate that frustration. I recognize that for whatever reason, someone just doesn't have the knowledge. So maybe it hasn't been taught at school. Maybe they've become subjected to the very strong voices of a political entity that has steered them away from believing in climate change. And so I try to take people at wherever they are and try to just very carefully and without judgment share what I've seen and my experiences and try to gently guide them towards better information sources because we can't just be polarized. We can't just call each other names when we don't understand. We have to help people to understand, put out a hand, and, hopefully, bring them onto our side, onto a better understanding of the science of what's occurring.” www.creativeprocess.info | |||
| 11 Feb 2023 | Highlights - JILL HEINERTH - Explorer, Presenter, Author of “Into The Planet: My Life as a Cave Diver” | 00:12:11 | |
“I wrote a book called The Aquanaut for kids. I realized that our best hope for humanity is to ignite the imagination of kids. There were lots of things I was afraid of when I was a little kid. I was afraid of the dark. I was afraid to go down the basement stairs, and yet now I live most of my entire career in the dark, in places that would make people feel terrified and claustrophobic. So a lot of those young life experiences that I had I actually turned into my superpowers. And I want to encourage children to know that anything they dream of that they can make it come true with hard work and dedication. I talk all the time to groups, big and small, and I still get asked by people, 'Do you believe in climate change?' And I'm like, it's not a question of belief. It's science. It's happening. And although I might feel frustrated, I try to never communicate that frustration. I recognize that for whatever reason, someone just doesn't have the knowledge. So maybe it hasn't been taught at school. Maybe they've become subjected to the very strong voices of a political entity that has steered them away from believing in climate change. And so I try to take people at wherever they are and try to just very carefully and without judgment share what I've seen and my experiences and try to gently guide them towards better information sources because we can't just be polarized. We can't just call each other names when we don't understand. We have to help people to understand, put out a hand, and, hopefully, bring them onto our side, onto a better understanding of the science of what's occurring.” Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer, and filmmaker. She is a veteran of over thirty years of filming, photography, and exploration on projects in submerged caves around the world. She has made TV series, consulted on movies, written several books and is a frequent corporate keynote speaker. Jill is the first Explorer in Residence for the Royal Canadian Geographical Society, recipient of Canada’s prestigious Polar Medal and is a Fellow of the International Scuba Divers Hall of Fame. In recognition of her lifetime achievement, Jill was awarded the Sir Christopher Ondaatje Medal for Exploration from the RCGS and the William Beebe Award from the Explorers Club. www.creativeprocess.info | |||
| 17 Feb 2023 | ANNA ABRAHAM - Author of “The Neuroscience of Creativity” - Director of Torrance Center for Creativity & Talent Development | 00:54:47 | |
Anna Abraham, Ph.D. is the E. Paul Torrance Professor and Director of the Torrance Center for Creativity and Talent Development at the University of Georgia (USA). She investigates the psychological and neurophysiological mechanisms underlying creativity and other aspects of the human imagination, including the reality-fiction distinction, mental time travel, social and self-referential cognition, and mental state reasoning. She is the author of the 2018 book, The Neuroscience of Creativity (Cambridge University Press) and the editor of the multidisciplinary volume, The Cambridge Handbook of the Imagination (2020). “I love podcasts and things like that, if only to listen to people who've done incredible things. We live in a kind of unusual time where we can hear firsthand people talking about their own experiences, and what they went through when they were creating something. And while artists differ greatly from one another in terms of the specifics of their process, what certainly seems to be the case is that they're extraordinarily interested in their own mind, and they have what we would call a metacognitive awareness. They know almost quite precisely, at least what doesn't work for them. They're very cued into what to avoid and how to sort of generate the mental conditions that are necessary in order to be as generative or as creative as they're likely to be in a specific situation. So that is a deep medical awareness that they have about their own process that is really quite something. They know themselves very well.” https://coe.uga.edu/directory/torrance-center www.cambridge.org/core/what-we-publish/elements/elements-in-creativity-and-imagination www.creativeprocess.info | |||
| 17 Feb 2023 | Highlights - ANNA ABRAHAM - Author of “The Neuroscience of Creativity” - Director of Torrance Center for Creativity | 00:11:29 | |
“I love podcasts and things like that, if only to listen to people who've done incredible things. We live in a kind of unusual time where we can hear firsthand people talking about their own experiences, and what they went through when they were creating something. And while artists differ greatly from one another in terms of the specifics of their process, what certainly seems to be the case is that they're extraordinarily interested in their own mind, and they have what we would call a metacognitive awareness. They know almost quite precisely, at least what doesn't work for them. They're very cued into what to avoid and how to sort of generate the mental conditions that are necessary in order to be as generative or as creative as they're likely to be in a specific situation. So that is a deep medical awareness that they have about their own process that is really quite something. They know themselves very well.” Anna Abraham, Ph.D. is the E. Paul Torrance Professor and Director of the Torrance Center for Creativity and Talent Development at the University of Georgia (USA). She investigates the psychological and neurophysiological mechanisms underlying creativity and other aspects of the human imagination, including the reality-fiction distinction, mental time travel, social and self-referential cognition, and mental state reasoning. She is the author of the 2018 book, The Neuroscience of Creativity (Cambridge University Press) and the editor of the multidisciplinary volume, The Cambridge Handbook of the Imagination (2020). https://coe.uga.edu/directory/torrance-center www.cambridge.org/core/what-we-publish/elements/elements-in-creativity-and-imagination www.creativeprocess.info | |||
| 22 Feb 2023 | BRUCE EVAN BARNHART - Author of “Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture” | 00:52:47 | |
Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics. "There's all sorts of fantastic things in the music, but if we think about the music as a model for social form or interaction, it lets one get away from fixed assumptions about the present and the future and attunes one to other people. You're not dependent upon, if you follow a jazz model, a fixed conception of progress or a calendar, but rather other people. And other people are flexible—sometimes disappointing, but sometimes surprising in fantastic ways. If you take this model of jazz temporality and coordination, it suggests another way of organizing social life. One that is important and productive in all sorts of different ways." www.hf.uio.no/ilos/english/people/aca/bruceb https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/ www.creativeprocess.info | |||
| 22 Feb 2023 | Highlights - BRUCE EVAN BARNHART - Author of “Jazz in the Time of the Novel”, “Temporal Experiments” | 00:11:03 | |
"There's all sorts of fantastic things in the music, but if we think about the music as a model for social form or interaction, it lets one get away from fixed assumptions about the present and the future and attunes one to other people. You're not dependent upon, if you follow a jazz model, a fixed conception of progress or a calendar, but rather other people. And other people are flexible—sometimes disappointing, but sometimes surprising in fantastic ways. If you take this model of jazz temporality and coordination, it suggests another way of organizing social life. One that is important and productive in all sorts of different ways." Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics. www.hf.uio.no/ilos/english/people/aca/bruceb https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/ www.creativeprocess.info | |||
| 24 Feb 2023 | NICHOLAS ROYLE - Co-author of "An Introduction to Literature, Criticism and Theory" - Author of “Mother: A Memoir” | 00:52:48 | |
Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle’s current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023. "I think our students are the greatest source of inspiration. We learn from them a great deal more than we probably manage to teach them. In many ways, it's an amazing thing to be able to teach. It's a great responsibility, but it's also an enormous opportunity. And although I'm not teaching at the moment, that's why I'm missing it, I suppose. And that impulse, the desire that is there in teaching to talk to people, but also to listen to people is something that I never stop valuing and appreciating. When academics end their careers, generally speaking, they're never asked to give a final lecture or to kind of attempt to sum up what they've learned or what they've understood or what they've most appreciated, or what they've been most moved by in their years of teaching. I suppose the creative is essentially to do with the unforeseeable. I think it's so much to do with chance, with what you don't see coming, and what turns out or what befalls." www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 www.creativeprocess.info | |||
| 24 Feb 2023 | Highlights - NICHOLAS ROYLE - Co-author of "An Introduction to Literature, Criticism and Theory" | 00:10:30 | |
"I think our students are the greatest source of inspiration. We learn from them a great deal more than we probably manage to teach them. In many ways, it's an amazing thing to be able to teach. It's a great responsibility, but it's also an enormous opportunity. And although I'm not teaching at the moment, that's why I'm missing it, I suppose. And that impulse, the desire that is there in teaching to talk to people, but also to listen to people is something that I never stop valuing and appreciating. When academics end their careers, generally speaking, they're never asked to give a final lecture or to kind of attempt to sum up what they've learned or what they've understood or what they've most appreciated, or what they've been most moved by in their years of teaching. I suppose the creative is essentially to do with the unforeseeable. I think it's so much to do with chance, with what you don't see coming, and what turns out or what befalls." Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle’s current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023. www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 www.creativeprocess.info | |||
| 01 Mar 2023 | MARK BURGMAN - Director, Centre for Environmental Policy, Imperial College London - Editor-in-Chief, Conservation Biology | 00:44:27 | |
Mark Burgman is Director of the Centre for Environmental Policy at Imperial College London and Editor-in-Chief of the journal Conservation Biology. He is author of Trusting Judgments: How to Get the Best Out of Experts. Previously, he was Adrienne Clarke Chair of Botany at the University of Melbourne, Australia. He works on expert judgement, ecological modelling, conservation biology and risk assessment. He has written models for biosecurity, medicine regulation, marine fisheries, forestry, irrigation, electrical power utilities, mining, and national park planning. He received a BSc from the University of New South Wales, an MSc from Macquarie University, Sydney, and a PhD from the State University of New York at Stony Brook. He worked as a consultant ecologist and research scientist in Australia, the United States and Switzerland during the 1980’s before joining the University of Melbourne in 1990. He joined CEP in February, 2017. He has published over two hundred and fifty refereed papers and book chapters and seven authored books. He was elected to the Australian Academy of Science in 2006. “And we are all wondering the same thing about our threatened species, and so we did some experiments and that's when we found that asking the best-regarded person is a mistake. You don't ask them. They're usually overconfident, and they know more than a random person from the street. But if you are interested and you understand the data and the jargon, then your judgment will be as good as anyone else's. And then I've got a much wider pool of people. I can go to people who are interested than people who profess knowledge and insights. Get them together, talk to them, facilitate the discussion in a structured way, and generate an answer. And that's, we did that because we were interested in conservation problems, but it has implications for expert judgment in epidemiology, medicine, dentistry, social security, national security, and geopolitics. These same questions and these same constraints arise. And so the results of that work are much more generally useful than just conservation.” www.imperial.ac.uk/environmental-policy www.creativeprocess.info | |||
| 01 Mar 2023 | Highlights - MARK BURGMAN - Author of “Trusting Judgments: How to Get the Best Out of Experts” | 00:11:02 | |
“And we are all wondering the same thing about our threatened species, and so we did some experiments and that's when we found that asking the best-regarded person is a mistake. You don't ask them. They're usually overconfident, and they know more than a random person from the street. But if you are interested and you understand the data and the jargon, then your judgment will be as good as anyone else's. And then I've got a much wider pool of people. I can go to people who are interested than people who profess knowledge and insights. Get them together, talk to them, facilitate the discussion in a structured way, and generate an answer. And that's, we did that because we were interested in conservation problems, but it has implications for expert judgment in epidemiology, medicine, dentistry, social security, national security, and geopolitics. These same questions and these same constraints arise. And so the results of that work are much more generally useful than just conservation.” Mark Burgman is Director of the Centre for Environmental Policy at Imperial College London and Editor-in-Chief of the journal Conservation Biology. He is author of Trusting Judgments: How to Get the Best Out of Experts. Previously, he was Adrienne Clarke Chair of Botany at the University of Melbourne, Australia. He works on expert judgement, ecological modelling, conservation biology and risk assessment. He has written models for biosecurity, medicine regulation, marine fisheries, forestry, irrigation, electrical power utilities, mining, and national park planning. He received a BSc from the University of New South Wales, an MSc from Macquarie University, Sydney, and a PhD from the State University of New York at Stony Brook. He worked as a consultant ecologist and research scientist in Australia, the United States and Switzerland during the 1980’s before joining the University of Melbourne in 1990. He joined CEP in February, 2017. He has published over two hundred and fifty refereed papers and book chapters and seven authored books. He was elected to the Australian Academy of Science in 2006. www.imperial.ac.uk/environmental-policy www.creativeprocess.info | |||
| 03 Mar 2023 | SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Prof. Env. Change & Public Health | 00:46:04 | |
Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022. “In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take. So when we started, we were mainly talking about the effects of extreme heat without being able to attribute them to climate change because obviously heat waves have occurred throughout history, and populations are more or less adapted to different climates. But now I think the science has moved on, and we can be much more competent about attributing either some extreme events or trends in extreme heat exposure, for example, to human-induced climate change. So it isn't just natural fluctuation. So that's a change. And as the evidence becomes stronger, of course, it also strengthens the case for climate action, which sadly, as we know at the moment, is not sufficient to really have the desired effect. So our knowledge has advanced, but the actions that we need to put into practice have not gone at the same speed. And so we're really facing an increasing climate emergency. And we don't know quite where it's going to end up, but it could end up 2.5%, 3% hotter than pre-industrial times on global average as we reach the end of the century.” https://tylerprize.org www.creativeprocess.info | |||
| 03 Mar 2023 | Highlights - SIR ANDY HAINES - Tyler Prize Award-winner - Fmr. Chair of WHO World Health Report - Chair InterAcademy Partnership | 00:12:12 | |
“In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take. So when we started, we were mainly talking about the effects of extreme heat without being able to attribute them to climate change because obviously heat waves have occurred throughout history, and populations are more or less adapted to different climates. But now I think the science has moved on, and we can be much more competent about attributing either some extreme events or trends in extreme heat exposure, for example, to human-induced climate change. So it isn't just natural fluctuation. So that's a change. And as the evidence becomes stronger, of course, it also strengthens the case for climate action, which sadly, as we know at the moment, is not sufficient to really have the desired effect. So our knowledge has advanced, but the actions that we need to put into practice have not gone at the same speed. And so we're really facing an increasing climate emergency. And we don't know quite where it's going to end up, but it could end up 2.5%, 3% hotter than pre-industrial times on global average as we reach the end of the century.” Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022. https://tylerprize.org www.creativeprocess.info | |||
| 04 Mar 2023 | TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion” - Freelance Fashion & Beauty Writer Award Winner | 00:39:58 | |
Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull. “For me, standing in solidarity with the garment workers, 80 million people who are on the front line of capitalism, and in the garment industry. And showing up for them, with the living wage campaigns and the anti-gender-based violence campaigns. And sticking up for land defenders, the protestors in Myanmar, and the people defending the rainforest in Brazil. I think that's where you can start kind of living the political ideology of anti-capitalism. And we've got to free ourselves as well. Capitalism wants us to sort of fixate on our appearance and our consumer choices. Whereas I think if we free ourselves from that...the main thing I'm going to concentrate on is how we change the world in a collective internationalist fashion. I think then we start getting towards being anti-capitalist fashionistas, definitely.” www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/ www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/ www.creativeprocess.info Photo credit: Sarah Van Looy | |||
| 04 Mar 2023 | Highlights - TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion”, “Foot Work”, “Stitched Up” | 00:10:47 | |
“For me, standing in solidarity with the garment workers, 80 million people who are on the front line of capitalism, and in the garment industry. And showing up for them, with the living wage campaigns and the anti-gender-based violence campaigns. And sticking up for land defenders, the protestors in Myanmar, and the people defending the rainforest in Brazil. I think that's where you can start kind of living the political ideology of anti-capitalism. And we've got to free ourselves as well. Capitalism wants us to sort of fixate on our appearance and our consumer choices. Whereas I think if we free ourselves from that...the main thing I'm going to concentrate on is how we change the world in a collective internationalist fashion. I think then we start getting towards being anti-capitalist fashionistas, definitely.” Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull. www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/ www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/ www.creativeprocess.info | |||
| 16 Mar 2023 | HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts | 00:42:32 | |
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers. “Early philosophies as sources of personal guidance and how do we learn to live well? The university has undergone such an enormous shift. In my day, we were engaged with history, literature, philosophy, poetry, and art. And we could because it was a much more open-ended, reflective, sort of existential what am I here for and what am I doing? kind of thing than students today who are very concerned – I have to have this skill, otherwise, I won't be able to get a job. And what is missing is a sense of how do we think maturely about these kinds of questions that worry us. Questions of what does it mean to be happy? And what is a satisfying life? And how am I going to deal with personal adversity?” www.creativeprocess.info | |||
| 16 Mar 2023 | Highlights - HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts | 00:12:45 | |
“Early philosophies as sources of personal guidance and how do we learn to live well? The university has undergone such an enormous shift. In my day, we were engaged with history, literature, philosophy, poetry, and art. And we could because it was a much more open-ended, reflective, sort of existential what am I here for and what am I doing? kind of thing than students today who are very concerned – I have to have this skill, otherwise, I won't be able to get a job. And what is missing is a sense of how do we think maturely about these kinds of questions that worry us. Questions of what does it mean to be happy? And what is a satisfying life? And how am I going to deal with personal adversity?” Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers. www.creativeprocess.info | |||
| 18 Mar 2023 | AMANDA E. MACHADO - Writer, Public Speaker, Facilitator - Founder of Reclaiming Nature Writing | 00:39:29 | |
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues. “When I was 24, I decided to take a year off to travel. And I sold everything. I ended a relationship that I was in. And I ended up taking a plane trip to Colombia, a one-way ticket. And then I backpacked throughout South America for the next six months. And that's where my father is from in Ecuador. My mom is from Mexico. So a part of that trip also was trying to reconnect to a continent that I didn't really have much knowledge of or experience in, even though it was where my family came from. I did all kinds of new things that I had never tried before. But I do think now looking back, there was also an ancestral connection. So that area was really important for me and really got me thinking too about my identity as a Latinx person in the US and as a person of color. I think what also was really important about those travels is that it made me realize that identity is really malleable, that in the US, I'm considered a Latinx person of color. In South America, I was considered a white person, actually, or an American. People heard my accent, but even when I was speaking Spanish, because of my light skin, I had a different classification in Latin America than I did growing up in the States. So I think also seeing how I changed based on where I was traveling to and where I was living within, in some ways that was kind of liberating. It was educational, and it was also liberating that these identities are not fixed and that we need to be cognizant of them and responsible and accountable to the position we live in or the positionality that we have of privilege or not privilege, depending on where we are. But that there is no concrete identity really. It moves and changes and shifts with us, depending on where we go. So I think that was also something that helped expand and broaden the way I was thinking about all the things I was feeling a little bit trapped in when I was in the United States.” IG www.instagram.com/amandaemachado0 www.creativeprocess.info | |||
| 18 Mar 2023 | Highlights - Amanda E. Machado - Writer, Public Speaker - Founder of Reclaiming Nature Writing | 00:10:27 | |
“When I was 24, I decided to take a year off to travel. And I sold everything. I ended a relationship that I was in. And I ended up taking a plane trip to Colombia, a one-way ticket. And then I backpacked throughout South America for the next six months. And that's where my father is from in Ecuador. My mom is from Mexico. So a part of that trip also was trying to reconnect to a continent that I didn't really have much knowledge of or experience in, even though it was where my family came from. I did all kinds of new things that I had never tried before. But I do think now looking back, there was also an ancestral connection. So that area was really important for me and really got me thinking too about my identity as a Latinx person in the US and as a person of color. I think what also was really important about those travels is that it made me realize that identity is really malleable, that in the US, I'm considered a Latinx person of color. In South America, I was considered a white person, actually, or an American. People heard my accent, but even when I was speaking Spanish, because of my light skin, I had a different classification in Latin America than I did growing up in the States. So I think also seeing how I changed based on where I was traveling to and where I was living within, in some ways that was kind of liberating. It was educational, and it was also liberating that these identities are not fixed and that we need to be cognizant of them and responsible and accountable to the position we live in or the positionality that we have of privilege or not privilege, depending on where we are. But that there is no concrete identity really. It moves and changes and shifts with us, depending on where we go. So I think that was also something that helped expand and broaden the way I was thinking about all the things I was feeling a little bit trapped in when I was in the United States.” Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues. IG www.instagram.com/amandaemachado0 www.creativeprocess.info | |||
| 22 Mar 2023 | MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. | 01:01:09 | |
Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France. “I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge. We need to invest a lot in education. Education of the future practitioners, but also the education of future clients. And by client, I don't mean only governments or investors. I mean each one of us, we should become responsible for our demands to architects and to whoever is involved in the building process. And this is why I see so much that education is the main tool to get there because we have to educate ourselves, first of all, and prepare the future generations. And the extent to which, as you say, it's not just beauty, but bringing people together in spaces that are inspiring because it can be a radical thing. It could create societies that are more equal in terms of public spaces. And right now that's being unequally distributed.” www.pritzkerprize.com www.creativeprocess.info | |||
| 22 Mar 2023 | Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. | 00:10:15 | |
“I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge. We need to invest a lot in education. Education of the future practitioners, but also the education of future clients. And by client, I don't mean only governments or investors. I mean each one of us, we should become responsible for our demands to architects and to whoever is involved in the building process. And this is why I see so much that education is the main tool to get there because we have to educate ourselves, first of all, and prepare the future generations. And the extent to which, as you say, it's not just beauty, but bringing people together in spaces that are inspiring because it can be a radical thing. It could create societies that are more equal in terms of public spaces. And right now that's being unequally distributed.” Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France. www.pritzkerprize.com www.creativeprocess.info | |||
| 20 Mar 2023 | ARMOND COHEN - Executive Director of Clean Air Task Force | 00:43:14 | |
Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University. “It's all part of the same kind of mindset of trying to live lighter on the planet. We all know that cities are much lower energy consumers per capita. That is to say, city dwellers use much less energy than other people because of the density of housing, the transport is easier...So densification of human development is a huge climate benefit, and making cities more attractive and livable is a critical part of the equation. If you look at universities' engineering programs, civil engineering, chemical, mechanical, and electrical, or you look at city planning departments around the world, and you open any catalog of any major university, within all those disciplines, there's going to be a major climate focus. It's like a unifying theme. So I'm seeing young people coming out of their training with a sense that their mission is within those areas, but there's no separating that in their minds from the need to control emissions on the planet and to get to a more livable climate. So, what I'm seeing is this massive amount of social energy and intellectual energy.” www.creativeprocess.info | |||
| 20 Mar 2023 | Highlights - ARMOND COHEN - Executive Director of Clean Air Task Force | 00:10:24 | |
“It's all part of the same kind of mindset of trying to live lighter on the planet. We all know that cities are much lower energy consumers per capita. That is to say, city dwellers use much less energy than other people because of the density of housing, the transport is easier...So densification of human development is a huge climate benefit, and making cities more attractive and livable is a critical part of the equation. If you look at universities' engineering programs, civil engineering, chemical, mechanical, and electrical, or you look at city planning departments around the world, and you open any catalog of any major university, within all those disciplines, there's going to be a major climate focus. It's like a unifying theme. So I'm seeing young people coming out of their training with a sense that their mission is within those areas, but there's no separating that in their minds from the need to control emissions on the planet and to get to a more livable climate. So, what I'm seeing is this massive amount of social energy and intellectual energy.” Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University. www.creativeprocess.info | |||
| 31 Mar 2023 | CHAYSE IRVIN - Cinematographer of “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s BlacKkKlansman, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling | 01:14:48 | |
Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson. “I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect. And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.” www.creativeprocess.info | |||
| 31 Mar 2023 | Highlights - CHAYSE IRVIN - Award-winning Cinematographer - Blonde starring Ana de Armas, Beyonce: Lemonade, Spike Lee’s BlacKkKlansman | 00:15:08 | |
“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect. And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.” Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson. www.creativeprocess.info | |||
| 05 Apr 2023 | PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum | 00:39:52 | |
Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red). “So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there. And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda. I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process. It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.” www.creativeprocess.info | |||
| 05 Apr 2023 | Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum | 00:08:35 | |
“So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there. And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda. I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process. It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.” Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red). www.creativeprocess.info | |||
| 07 Apr 2023 | CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer | 00:51:07 | |
Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society. “There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them. Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media. And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message. It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.” www.wcff.org | |||
| 07 Apr 2023 | Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer | 00:10:58 | |
“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them. Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media. And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message. It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.” Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society. www.wcff.org | |||
| 12 Apr 2023 | HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford | 00:51:50 | |
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations. “However good the methods of analysis one has at any given time They're not going to be perfect. And so one needs to keep some humility and keep an open mind and keep on learning and not assume that you're on top of things. So, one lesson I would draw for education is we really do need to teach people to think critically and not just try to pump them full of the beliefs that we think are right. People like Greta Thunberg, that's what gives me the most hope is that there is one segment of society, namely the youngest people, who are fired up and who do see the problem and do want to do something about it. I think it's really accurate to say that the battle to get a grip on climate change is also the battle for democracy. Our politics are now heavily influenced if not literally controlled by vested interests. And these include fossil fuel interests. So the Clear evidence of this is that the richest governments in the world are subsidizing the extraction of fossil fuels. I mean, the United States and the UK have tax breaks and other subsidies for fossil fuel. So that's a climate problem, but it's also a democratic problem because it means that the politics are not being run for the benefit of the general public. They're being run for the benefit of some relatively small numbers of vested interests. So we need things like youth movements on climate change for the sake of the climate and for the sake of getting our politics back under democratic control.” www.merton.ox.ac.uk/people/professor-henry-shue www.creativeprocess.info | |||
| 12 Apr 2023 | Highlights - HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Ctr. for International Studies, Oxford | 00:15:30 | |
“However good the methods of analysis one has at any given time They're not going to be perfect. And so one needs to keep some humility and keep an open mind and keep on learning and not assume that you're on top of things. So, one lesson I would draw for education is we really do need to teach people to think critically and not just try to pump them full of the beliefs that we think are right. People like Greta Thunberg, that's what gives me the most hope is that there is one segment of society, namely the youngest people, who are fired up and who do see the problem and do want to do something about it. I think it's really accurate to say that the battle to get a grip on climate change is also the battle for democracy. Our politics are now heavily influenced if not literally controlled by vested interests. And these include fossil fuel interests. So the Clear evidence of this is that the richest governments in the world are subsidizing the extraction of fossil fuels. I mean, the United States and the UK have tax breaks and other subsidies for fossil fuel. So that's a climate problem, but it's also a democratic problem because it means that the politics are not being run for the benefit of the general public. They're being run for the benefit of some relatively small numbers of vested interests. So we need things like youth movements on climate change for the sake of the climate and for the sake of getting our politics back under democratic control.” Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations. www.merton.ox.ac.uk/people/professor-henry-shue www.creativeprocess.info | |||
| 22 Apr 2023 | MAX RICHTER - Award-winning Composer - Pianist - Environmentalist | 01:00:44 | |
Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams. A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation. Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo. He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community. "The world is very busy, and we tend to get a bit sidetracked by things that are not important. Creativity is a way to reconnect with important things. And I think the kinds of narratives, the kinds of perspectives that we put into the world with creativity can be a way to elevate the gaze a little bit. And it's true that literature is a big part of what I'm about in a way. I love stories, music, literature, visual art… These are ways to experience how another mind encounters the world. And that, for me, is really the most exciting thing about when you are reading a piece of writing by someone or you are seeing a piece of visual art – you are seeing a window into that person's encounter with reality. That person's biography. What things mean to them. And then you can compare notes with that person. How is it that person sees these things, and how do I see these things? And it's a way to understand one another. And I think that's really one of the most important things that creativity does in our world." Photo by William Waterworth www.creativeprocess.info Max Richter’s music featured in this episode in order of appearance "On the Nature of Daylight” from The Blue Notebooks, Path 19: Yet Frailest” from Sleep, “Spring 1” from The New Four Seasons – Vivaldi Recomposed, "Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour, Vladimir’s Blues” from The Blue Notebooks. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 22 Apr 2023 | Highlights - MAX RICHTER - Award-winning Composer - Pianist - Environmentalist | 00:18:09 | |
"The world is very busy, and we tend to get a bit sidetracked by things that are not important. Creativity is a way to reconnect with important things. And I think the kinds of narratives, the kinds of perspectives that we put into the world with creativity can be a way to elevate the gaze a little bit. And it's true that literature is a big part of what I'm about in a way. I love stories, music, literature, visual art… These are ways to experience how another mind encounters the world. And that, for me, is really the most exciting thing about when you are reading a piece of writing by someone or you are seeing a piece of visual art – you are seeing a window into that person's encounter with reality. That person's biography. What things mean to them. And then you can compare notes with that person. How is it that person sees these things, and how do I see these things? And it's a way to understand one another. And I think that's really one of the most important things that creativity does in our world." Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams. A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation. Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo. He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community. Photo by William Waterworth www.creativeprocess.info Max Richter’s music featured in this episode is "On the Nature of Daylight” from The Blue Notebooks. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 22 Apr 2023 | Special Earth Day Stories - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1 | 00:15:09 | |
Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: MAX RICHTER INGRID NEWKIRK, Founder of PETA BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation CARL SAFINA, Ecologist, Founding President of Safina Center CLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy” ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcast CYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composer JOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment” KATHLEEN ROGERS, President of EARTHDAY.ORG ODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth Theory SIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible” ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing Equipment NOAH WILSON-RICH, Co-founder & CEO of The Best Bees Company CHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes DAVID FARRIER, Author of “Footprints: In Search of Future Fossils” DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree” PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can Save JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry www.creativeprocess.info www.maxrichtermusic.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 24 Apr 2023 | DEBORA CAHN - Showrunner & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell | 00:44:03 | |
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon. "I try to look at people in those positions with as much of an open mind as possible. I think they all want the best for the country, but I think the people who are good at walking into a diner and shaking people's hands in a thousand different towns across the country with a lot of very different diners, I think the people who can walk in and handle that and meet absolutely everybody and create an instant connection with them are not necessarily the people who are interested in the kind of granularity of federal regulations and a wide, wide series of topics. I think the people who are good at those things have cultivated over the course of their life, different parts of themselves and grown different strengths. But then there comes this moment where we want one person to be able to do all of it, and we're somehow surprised when they're not good at every piece." www.imdb.com/name/nm1263223 www.creativeprocess.info Images courtesy of Netflix/Alex Bailey | |||
| 24 Apr 2023 | Highlights - DEBORA CAHN - Showrunner of The Diplomat starring Keri Russell - Exec. Producer Homeland, Grey’s Anatomy | 00:11:23 | |
"I try to look at people in those positions with as much of an open mind as possible. I think they all want the best for the country, but I think the people who are good at walking into a diner and shaking people's hands in a thousand different towns across the country with a lot of very different diners, I think the people who can walk in and handle that and meet absolutely everybody and create an instant connection with them are not necessarily the people who are interested in the kind of granularity of federal regulations and a wide, wide series of topics. I think the people who are good at those things have cultivated over the course of their life, different parts of themselves and grown different strengths. But then there comes this moment where we want one person to be able to do all of it, and we're somehow surprised when they're not good at every piece." Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon. www.imdb.com/name/nm1263223 www.creativeprocess.info Images courtesy of Netflix/Alex Bailey | |||
| 26 Apr 2023 | Earth Month Stories - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet | 00:14:31 | |
Listen to Part 2 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. BRITT WRAY - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University WALTER STAHEL - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life Institute MATHIS WACKERNAGEL - Founder & President of the Global Footprint Network - World Sustainability Award Winner JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast RICHARD VEVERS - Founder & CEO of The Ocean Agency ARMOND COHEN - Executive Director of Clean Air Task Force PAULA PINHO - Director of Just Transition at the European Commission Directorate-General for Energy MARTIN VON HILDEBRAND - Indigenous Rights Activist - Winner of Right Livelihood & Skoll Awards - Founder of Fundacion Gaia Amazonas, named #40 NGOs of the World by The Global Journal HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts - NYU, Beihang University, East China University BILL HARE - Founder & CEO of Climate Analytics, Physicist, Climate Scientist SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Professor of Environmental Change & Public Health LISA JACKSON PULVER - Deputy Vice-Chancellor of University of Sydney's Indigenous Strategy & Services Max Richter’s music featured in this episode: “Spring 1” from The New Four Seasons – Vivaldi Recomposed Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.maxrichtermusic.com www.creativeprocess.info | |||
| 29 Apr 2023 | JOHN PATRICK SHANLEY - Academy Award-winning Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams - Moonstruck | 00:47:29 | |
John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing. "You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life." www.creativeprocess.info | |||
| 29 Apr 2023 | Highlights - JOHN PATRICK SHANLEY - Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis - Moonstruck | 00:15:20 | |
"I'm New York to the soles of my feet, and more specifically, The Bronx. I was formed in The Bronx. I lived there till I was 19. Then I went into the Marine Corps, and I came up against really something that I feel has really been lost when they stopped drafting people. I came up against everybody in the country, mostly poor people of every persuasion from Virginia to DC to wherever. And we lived together in an open barracks, like 90 of us in double-decker bunks for a year. And that is gold. It's irreplaceable. Not simply as an artist, but as a citizen of a given country, you really come to realize we're all in this together. And you see all of the prejudices play out in a kind of healthily violent way. People just punch each other in the face. So, this is back then. Now, apparently, it's much more civilized. I'm not sure I'm in favor of that, but back then, people said Marines said the most awful things to each other imaginable, of a racist nature, and of every other kind of nature. And you know, the shape of your head, anything. And then fists were thrown and somehow the world didn't come to an end. Then everybody calmed down, and they went back to their bunks and read their comic books or whatever they were going to do, and went to bed. And we got up the next day, and we worked together. That's a big lesson in how to get along, how to live, and how to live with people you don't necessarily agree with." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing. www.creativeprocess.info | |||
| 04 May 2023 | What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories | 00:17:00 | |
Listen to Part 3 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for Energy PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute MERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021 RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC MANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir” MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation Biology MIKE DAVIS, CEO of Global Witness JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast BRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University RICHARD VEVERS, Founder & CEO of The Ocean Agency ARMOND COHEN, Executive Director of Clean Air Task Force BILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate Scientist DAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place Podcast IBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene” INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals www.creativeprocess.info www.maxrichtermusic.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 05 May 2023 | We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories | 00:22:57 | |
Listen to Part 4 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals JEFFREY D. SACHS, President of the UN Sustainable Development Solutions Network, Director of Center for Sustainable Development, Columbia University, Economist, Author JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry MERLIN SHELDRAKE, Biologist & Bestselling Author of “Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures”, Winner of the Wainwright Prize 2021 WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute ARMOND COHEN, Executive Director of Clean Air Task Force PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC AIMEE NEZHUKUMATATHIL, Poet & Author of “World of Wonders: In Praise of Fireflies, Whale Sharks and Other Astonishments” ANA CASTILLO, Award-Winning Xicana Activist, Editor, Poet, Novelist & Artist www.creativeprocess.info www.maxrichtermusic.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. Artwork: Saudade, Mia Funk | |||
| 09 May 2023 | DAVID J. LINDEN - Author of “Unique:The New Science of Human Individuality” “The Accidental Mind” “The Compass of Pleasure” “Touch” | 00:55:45 | |
David J. Linden is a Professor in the Department of Neuroscience at the Johns Hopkins University School of Medicine. He is the author of Unique: The New Science of Human Individuality, The Accidental Mind: How Brain Evolution Has Given Us Love, Memory, Dreams, and God, The Compass of Pleasure: How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good, and Touch: The Science of the Hand, Heart, and Mind. His laboratory has worked for many years on the cellular substrates of memory storage, recovery of function following brain injury and a few other topics. "It's a fundamental human question, how do we become individuals? It's a basic thing about being alive and thinking. Nature versus nurture is a phrase that was popularized by Francis Galton in the late 19th century. and the idea behind it is that if you were to look at a particular trait, say, shyness or height, you could say, well, to what degree can we attribute height to nature? In this case, meaning the gene variants that you inherit from your parents versus nurture in this case, meaning how you were raised by your parents and by your community. And I have many problems with this expression. Part of it is that the nature part shouldn't just mean genetics. In other words, there's all kinds of biological things that are not genetic things. If your mother fought off a viral infection while you were developing in utero, then you have a much higher chance of developing schizophrenia or autism when you grow up. Now that's biological, but it's not hereditary. That's not something that you would then acquire and then pass on to your own children. It only happens in the one generation. The other problem is when we hear the word nurture, we really focus on the family, how your parents raised you or failed to raise you, how your community was involved. And those things are very important, but they're far from everything that impinges upon you in your life. I take experience as the thing to substitute for nurture because it is much more inclusive and it includes not just social experience from your family and your peers and your community, but also experience in the more general sense." www.creativeprocess.info | |||
| 09 May 2023 | Highlights - DAVID J. LINDEN - Professor of Neuroscience - Author of “Unique” “The Accidental Mind” “The Compass of Pleasure” “Touch” | 00:19:01 | |
"It's a fundamental human question, how do we become individuals? It's a basic thing about being alive and thinking. Nature versus nurture is a phrase that was popularized by Francis Galton in the late 19th century. and the idea behind it is that if you were to look at a particular trait, say, shyness or height, you could say, well, to what degree can we attribute height to nature? In this case, meaning the gene variants that you inherit from your parents versus nurture in this case, meaning how you were raised by your parents and by your community. And I have many problems with this expression. Part of it is that the nature part shouldn't just mean genetics. In other words, there's all kinds of biological things that are not genetic things. If your mother fought off a viral infection while you were developing in utero, then you have a much higher chance of developing schizophrenia or autism when you grow up. Now that's biological, but it's not hereditary. That's not something that you would then acquire and then pass on to your own children. It only happens in the one generation. The other problem is when we hear the word nurture, we really focus on the family, how your parents raised you or failed to raise you, how your community was involved. And those things are very important, but they're far from everything that impinges upon you in your life. I take experience as the thing to substitute for nurture because it is much more inclusive and it includes not just social experience from your family and your peers and your community, but also experience in the more general sense." David J. Linden is a Professor in the Department of Neuroscience at the Johns Hopkins University School of Medicine. He is the author of Unique: The New Science of Human Individuality, The Accidental Mind: How Brain Evolution Has Given Us Love, Memory, Dreams, and God, The Compass of Pleasure: How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good, and Touch: The Science of the Hand, Heart, and Mind. His laboratory has worked for many years on the cellular substrates of memory storage, recovery of function following brain injury and a few other topics. www.creativeprocess.info | |||
| 12 May 2023 | ANIL SETH - Author of Being You: A New Science of Consciousness - Co-director of Sussex Centre for Consciousness Science | 00:56:29 | |
Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade. "Whenever we are conscious, we are conscious of something, or of many things. These are the contents of consciousness. To understand how they come about, and what I mean by controlled hallucination, let's change our perspective. Imagine for a moment, that you are the brain. Really try to think about what it's like up there, sealed inside the bony vault of a skull, trying to figure out what's out there in the world. There's no light, no sound, no anything - it's completely dark and utterly silent. When trying to form perceptions, all the brain has to go on is a constant barrage of electrical signals, which are only indirectly related to things out there in the world, whatever they may be. These sensory inputs don't come with labels attached... How does the brain transform these inherently ambiguous sensory signals into a coherent perceptual world full of objects and people, and places?" – ANIL SETH www.anilseth.com www.creativeprocess.info | |||
| 12 May 2023 | Highlights - ANIL SETH - Co-director of Sussex Centre for Consciousness Science & Canadian Institute for Advanced Research Program on Brain, Mind & Consciousness | 00:13:54 | |
"Whenever we are conscious, we are conscious of something, or of many things. These are the contents of consciousness. To understand how they come about, and what I mean by controlled hallucination, let's change our perspective. Imagine for a moment, that you are the brain. Really try to think about what it's like up there, sealed inside the bony vault of a skull, trying to figure out what's out there in the world. There's no light, no sound, no anything - it's completely dark and utterly silent. When trying to form perceptions, all the brain has to go on is a constant barrage of electrical signals, which are only indirectly related to things out there in the world, whatever they may be. These sensory inputs don't come with labels attached... How does the brain transform these inherently ambiguous sensory signals into a coherent perceptual world full of objects and people, and places?" – ANIL SETH Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade. www.anilseth.com www.creativeprocess.info | |||
| 16 May 2023 | MADELEINE WATTS - Author of The Inland Sea - Creative Writing Professor, Columbia University | 00:50:58 | |
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming. "I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future." www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts www.creativeprocess.info | |||
| 16 May 2023 | Highlights - MADELEINE WATTS - Author of The Inland Sea | 00:13:04 | |
"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future." Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming. www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts www.creativeprocess.info | |||
| 19 May 2023 | RACHEL ASHEGBOFEH IKEMEH - Whitley Award-winning Conservationist - Founder/Director, Southwest Niger Delta Forest Project | 00:43:35 | |
Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist. She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country. Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. "So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation. One of my teammates was asking a young boy "What would you like to be when you grow up?" And he pointed at me and said, "That's what I want to be." When I started as a female doing conservation and going to these communities, at that time I was disrespected and really looked down on for being out there doing what I was doing. Like it's either "You're not married. You don't have children. What are you doing in the middle of the forest looking for monkeys?" So to have a young man look up to a woman as a role model, especially in an African society, it's an experience that will live with me forever because I realize that not only are we bringing species back from the brink of extinction, but we are changing the way society thinks. And it makes me glad that I've been persistent. We saw that in real life how a community can be transformed to the point that an entire community has become conservation champions. So knowing that people can turn 180 and really become the protectors of the same species they tried to wipe out." https://swnigerdeltaforestproject.org.ng www.creativeprocess.info | |||
| 19 May 2023 | Highlights - RACHEL ASHEGBOFEH IKEMEH - Whitley Award Winner - Founder of Southwest Niger Delta Forest Project | 00:11:36 | |
"So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation. One of my teammates was asking a young boy "What would you like to be when you grow up?" And he pointed at me and said, "That's what I want to be." When I started as a female doing conservation and going to these communities, at that time I was disrespected and really looked down on for being out there doing what I was doing. Like it's either "You're not married. You don't have children. What are you doing in the middle of the forest looking for monkeys?" So to have a young man look up to a woman as a role model, especially in an African society, it's an experience that will live with me forever because I realize that not only are we bringing species back from the brink of extinction, but we are changing the way society thinks. And it makes me glad that I've been persistent. We saw that in real life how a community can be transformed to the point that an entire community has become conservation champions. So knowing that people can turn 180 and really become the protectors of the same species they tried to wipe out." Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist. She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country. Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. https://swnigerdeltaforestproject.org.ng www.creativeprocess.info | |||
| 24 May 2023 | ANDRI SNÆR MAGNASON - Icelandic Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok | 00:42:52 | |
Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water. “Your time is the time of the people you know and love, the time that molds you. And your time is also the time of the people you will know and love. The time that you will shape." “Glaciers are frozen manuscripts that tell stories just like tree circles and sedimentary deposits; from them, you can gather information and create a picture of the past. Glaciers store histories of volcanic activity. They store pollen, rainwater and air that reveal the chemical make-up of the atmosphere tens of thousands of years back in time. They are important sources of details about vegetation and precipitation of the past.” “We do not see fire; we rarely see coal or oil. We’re frequent flyers but we have no idea about the size of the bonfire that could be ignited with 20 tons of jet fuel. We buy our airline tickets online but we never have to check in the oil barrels that will carry us out into the world. Take the time I went to a two-day poetry festival in Lithuania, a journey of around 1,750 miles, the same distance as Chicago to Los Angeles. A barrel of oil holds about 42 gallons, so a single airline passenger burns through about three-quarters of a barrel on such a flight: up to one gallon every 60 miles.” ― Andri Snær Magnason, On Time and Water www.creativeprocess.info | |||
| 24 May 2023 | Highlights - ANDRI SNÆR MAGNASON - Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok | 00:12:54 | |
“Your time is the time of the people you know and love, the time that molds you. And your time is also the time of the people you will know and love. The time that you will shape." “Glaciers are frozen manuscripts that tell stories just like tree circles and sedimentary deposits; from them, you can gather information and create a picture of the past. Glaciers store histories of volcanic activity. They store pollen, rainwater and air that reveal the chemical make-up of the atmosphere tens of thousands of years back in time. They are important sources of details about vegetation and precipitation of the past.” “We do not see fire; we rarely see coal or oil. We’re frequent flyers but we have no idea about the size of the bonfire that could be ignited with 20 tons of jet fuel. We buy our airline tickets online but we never have to check in the oil barrels that will carry us out into the world. Take the time I went to a two-day poetry festival in Lithuania, a journey of around 1,750 miles, the same distance as Chicago to Los Angeles. A barrel of oil holds about 42 gallons, so a single airline passenger burns through about three-quarters of a barrel on such a flight: up to one gallon every 60 miles.” ― Andri Snær Magnason, On Time and Water Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water. www.creativeprocess.info | |||
| 26 May 2023 | BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living | 00:34:54 | |
Brock Bastian is author of The Other Side of Happiness: Embracing a More Fearless Approach to Living and a professor at University of Melbourne’s School of Psychological Sciences. His research and writing focus on pain, happiness, morality, and wellbeing. In his search for a new perspective on what makes for the good life, Bastian has studied why promoting happiness may have paradoxical effects; why we need negative and painful experiences in life to build meaning, purpose, resilience, and ultimately greater fulfilment in life; and why behavioural ethics is necessary for understanding how we reason about personal and social issues and resolve conflicts of interest. "I think it's led to a focus on success and standing out, and I do think that the more young people can walk away with an understanding that perhaps the best thing they can do in life is actually contribute to the lives of others, that's probably where they're going to get most of their happiness from and most of their fulfillment from. And the rest is probably a little bit hollow. You know, money doesn't really buy happiness. I mean, it certainly buys comfort, and we do know some money is very important for that. But you do need to feel connected to other people, and you can't whilst consuming and even promoting ourselves on social media. Or playing the popularity game or aiming to be famous. That seems to be a value that a lot of young people have these days, but I don't think that it's going to breed happiness. And so being able to really identify what the values are that are going to make us happy, that are going to connect us to meaning and purpose in other people and that will actually contribute to a better world for all of us, I think would be great. And I think there's competition and space for young people's minds at the moment. So if we can get them on board with some of those values and approaches to life, I think the future generations would probably be better off." www.abebooks.com/9780141982106/Side-Happiness-Embracing-Fearless-Approach-0141982101/plp www.creativeprocess.info | |||
| 26 May 2023 | Highlights - BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living | 00:09:00 | |
"I think it's led to a focus on success and standing out, and I do think that the more young people can walk away with an understanding that perhaps the best thing they can do in life is actually contribute to the lives of others, that's probably where they're going to get most of their happiness from and most of their fulfillment from. And the rest is probably a little bit hollow. You know, money doesn't really buy happiness. I mean, it certainly buys comfort, and we do know some money is very important for that. But you do need to feel connected to other people, and you can't whilst consuming and even promoting ourselves on social media. Or playing the popularity game or aiming to be famous. That seems to be a value that a lot of young people have these days, but I don't think that it's going to breed happiness. And so being able to really identify what the values are that are going to make us happy, that are going to connect us to meaning and purpose in other people and that will actually contribute to a better world for all of us, I think would be great. And I think there's competition and space for young people's minds at the moment. So if we can get them on board with some of those values and approaches to life, I think the future generations would probably be better off." Brock Bastian is author of The Other Side of Happiness: Embracing a More Fearless Approach to Living and a professor at University of Melbourne’s School of Psychological Sciences. His research and writing focus on pain, happiness, morality, and wellbeing. In his search for a new perspective on what makes for the good life, Bastian has studied why promoting happiness may have paradoxical effects; why we need negative and painful experiences in life to build meaning, purpose, resilience, and ultimately greater fulfilment in life; and why behavioural ethics is necessary for understanding how we reason about personal and social issues and resolve conflicts of interest. www.abebooks.com/9780141982106/Side-Happiness-Embracing-Fearless-Approach-0141982101/plp www.creativeprocess.info | |||
| 01 Jun 2023 | PABLO HOFFMAN - Whitley Award-winning Conservationist - Exec. Director & Co-Founder of Sociedade Chauá | 00:33:49 | |
Pablo Hoffman has always been passionate about plants and natural ecosystems, with special appreciation for research and dissemination with practical results for the production and conservation of native species. Pablo graduated in Forestry at the Federal University of Paraná (UFPR) 2002, had his Master’s in Forestry – UFPR 2014, currently he is a PhD candidate in Forestry. One of the Founders of the Sociedade Chauá, Pablo has been a board member since 2008. Currently is the Executive Director as well Coordinator of the Chauá Nursery of native species. A specialist in conservation, propagation and restoration of rare and endangered species of the Araucaria Forest, whose projects are locally and internationally recognized. As a result of Sociedade’s Chauá efforts to save endangered plant species Pablo was awarded the Marsh Award (2018), Whitley Award (2022), and Guardians of Nature (2022). As a life choice, working with conservation of rare and endangered plant species is the lifeblood of his personal and professional aspirations, to leave a positive legacy for the next generations, keeping the ecosystems alive with humans as part of it. “We're trying to do a nice thing to save species, but the problem is not ours. I mean it's ours as well, but the problem is a state problem or a countrywide problem. Everybody needs to see this. And also the communication about what we are doing. How hard what we are doing is in terms of even finding these species, and finding funds to keep on going. Almost 20 years of working with species conservation in a country like Brazil is quite difficult. It's like almost like a miracle that we are still here and keep on going. One of the questions of the Princess was: are you still doing the same? Are you still fighting for this? And she said it because normally people give up. And this is my life. This is my life. I want to leave a legacy, in terms of trying to do something to save this ecosystem, to save the species to make sure that my daughter can see some of the species in the future, and not only my daughter. So that people in the future can see, can discover more species, and can use the species." www.creativeprocess.info | |||
| 02 Jun 2023 | HENRIK FEXEUS - Mentalist, Author & TV Host “The Art of Reading Minds”,“Mind Melt”,“Cult” | 01:03:36 | |
Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic. "Social media is basically built around: Oh, so this is what you think of the world? Well, here are some people who think just the way you do. Listen to them and no one else. So, that is, of course, a great way to manipulate people. Tell them that they're right and have them go off in their own little bubble. If I meet you in the street, I will put on a certain demeanor. I will smile. I say hi. I want to elicit a positive response from you. That also means that I have influenced your emotional state. Basically, you can't communicate anything to anyone without in some way influencing their thoughts or their behavior. Communication, influence, and manipulation, it's all part of the package. Our brains are hardwired to react to this. That's why marketing works so well." www.creativeprocess.info | |||
| 02 Jun 2023 | Highlights - HENRIK FEXEUS - Mentalist, Author & TV Host - The Art of Reading Minds, Mind Melt | 00:10:44 | |
"Social media is basically built around: Oh, so this is what you think of the world? Well, here are some people who think just the way you do. Listen to them and no one else. So, that is, of course, a great way to manipulate people. Tell them that they're right and have them go off in their own little bubble. If I meet you in the street, I will put on a certain demeanor. I will smile. I say hi. I want to elicit a positive response from you. That also means that I have influenced your emotional state. Basically, you can't communicate anything to anyone without in some way influencing their thoughts or their behavior. Communication, influence, and manipulation, it's all part of the package. Our brains are hardwired to react to this. That's why marketing works so well." Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic. www.creativeprocess.info | |||
| 04 Jun 2023 | CARL SAFINA - Ecologist - Founding President of Safina Center - NYTimes Bestselling Author | 00:04:44 | |
Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace. "So we tend to take living for granted. I think that might be the biggest limitation of human intelligence is to not understand with awe and reverence and love that we live in a miracle that we are part of and that we have the ability to either nurture or destroy. The living world is enormously enriching to human life. I just loved animals. They're always just totally fascinating. They're not here for us. They're just here like we're just here. They are of this world as much as we are of this world. They really have the same claim to life and death and the circle of being." IG www.instagram.com/creativeprocesspodcast Photo: Carl Safina in Uganda | |||
| 06 Jun 2023 | DITTE LYSGAARD VIND - Circular Economy & Design Expert - Author of Danish Design Heritage & Global Sustainability | 00:43:48 | |
Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH. "Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions." www.thecircularway.com www.creativeprocess.info | |||
| 06 Jun 2023 | Highlights - DITTE LYSGAARD VIND - Circular Economy & Design Expert - Founder of The Circular Way | 00:11:55 | |
"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions." Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH. www.thecircularway.com www.creativeprocess.info | |||
| 05 Jun 2023 | Special World Environment Day Stories - Environmentalists, Students & Teachers share their Love for the Planet | 00:18:53 | |
Today we’re streaming voices of environmentalists, students, and teachers with music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast or reflectors of our participating students. Voices on this episode are BRITT WRAY JEFFREY SACHS EVELINE MOL, Student Barnard College BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation AVA CLANCY, Student MIRA PATLA, Student DARA DIAMOND, Student ARIELLE DAVIS, Student CLAIRE POTTER, Designer, Lecturer, Author of Welcome to the Circular Economy MEGAN HEGENBARTH, Participating Student, University of Minnesota GRACE PHILLIPS, Participating Student, Pitzer College BIANCA WEBER, Participating Student, Syracuse University ELLEN EFSTATHIOU, Participating Student, Oberlin College SURYA VIR, Participating Student, University of Wisconsin-Madison MACIE PARKER, Participating Student, Boston University BEILA UNGAR, Participating Student, Columbia University CARL SAFINA, Ecologist, Founding President of Safina Center, Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace” Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.creativeprocess.info | |||
| 08 Jun 2023 | WORLD OCEANS DAY | 00:22:11 | |
Happy World Oceans Day! Today we’re streaming voices of environmentalists and artists with music courtesy of composer, producer and multi-instrumentalist Erland Cooper. Voices on this episode are GIULIO BOCCALETTI PAULA PINHO RON GONEN MARCIA DESANCTIS JEAN WEINER DERRICK EMSLEY DR. FARHANA SULTANA NEIL GRIMMER ALAN JACOBSEN RICHARD VEVERS BRIAN WILCOX SETH M. SIEGEL JOELLE GERGIS JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast ROB BILOTT JILL HEINERTH OSPREY ORIELLE LAKE JESS WILBER BERTRAND PICCARD IBRAHIM ALHUSSEINI GARY GRIGGS Sample Credits: BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited. BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited. UN Broadcast Excerpt, Greta Thunberg, Young Climate Activist at the Opening of the Climate Action Summit 2019, United Nations license 24 October 2022. CBS News Excerpt 1970. Fair usage, archive courtesy Leah Hodge, CBS www.creativeprocess.info Artworks by Mia Funk www.miafunk.com Music from Folded Landscapes courtesy of Erland Cooper and Universal Music Enterprises. | |||
| 08 Jun 2023 | RICHARD VEVERS - Founder & CEO of The Ocean Agency · Featured in Netflix’s Chasing Coral | 00:35:20 | |
Richard Vevers is the Founder and CEO of The Ocean Agency. He is a fellow of The Explorers Club and an Adjunct Professor at the University of Rhode Island. He is best known for his leading role in the Emmy Award-winning documentary Chasing Coral on Netflix and his work has been featured in numerous publications and documentaries. Before diving into ocean and coral reef conservation, Vevers worked at some of the top London advertising agencies and then as an artist and underwater photographer. This background guides his unique creative and business-thinking approach to ocean conservation that includes inventing the camera that took Google Street View underwater, pioneering virtual reality ocean education, currently available to over 90 million kids, leading the most comprehensive underwater photographic survey of the world’s coral reefs, and developing a science-based global plan 50 Reefs. "People just forget the importance of the ocean. It controls the climate system and sustains life. For example, there are 20 billion carbon-capturing sea creatures for every human being. They are sucking carbon out of the system and pooping it to the ocean floor. And this is one of the solutions happening on an epic scale in the ocean. And there are so many other examples like that. And if you think about our bodies, we're 60% water. And that water was once in the ocean with fish swimming through it." www.theoceanagency.org www.creativeprocess.info | |||
| 21 Jun 2023 | JEFFREY SACHS - Director, Center for Sustainable Development, Columbia - President, UN Sustainable Development Solutions Network | 00:26:37 | |
What is the path to peace for the war in Ukraine? Is America still powerful enough to impose global order? The US has just 4.1% of the world's population, while the BRICS countries have 41.5%. In this conversation with economist Jeffrey Sachs, we discuss the origins of the conflict in Ukraine and NATO enlargement, US-China relations, and the decline of US dominance. Jeffrey Sachs is Director of the Center for Sustainable Development at Columbia University and President of the UN Sustainable Development Solutions Network, Sachs has been Special Advisor to three United Nations Secretaries-General. He was an economic adviser to Gorbachev, Yeltsin, and Former President of Ukraine, Leonid Kuchma. Sachs was twice named among Time magazine’s 100 most influential world leaders, received the Tang Prize in Sustainable Development, the Legion of Honor from France, and was co-recipient of the Blue Planet Prize. He is Co-Chair of the Council of Engineers for the Energy Transition, and academician of the Pontifical Academy of Social Sciences at the Vatican. Sachs has authored and edited numerous books, including three New York Times bestsellers: The End of Poverty (2005), Common Wealth: Economics for a Crowded Planet (2008), and The Price of Civilization (2011). "The US has militarized the dollar. Meaning that usually, you think about money, well, you have it, you can use it, you can spend it. But the United States has come to say: if we don't like you, you don't necessarily have access to your money anymore if it's in our banks. So the US froze the dollar holdings of Russia. The US has frozen the dollar holdings of Venezuela. The US froze the dollar holdings of Afghanistan. My advice to any government that's not getting along with the US government is be careful about your money because the US might come in and freeze your money. And so countries are looking to hold their reserves in other ways now. Perfectly understandable. And I think that this is another part of the move to an international system from a dollar-based international system." www.jeffsachs.org www.creativeprocess.info | |||
| 28 Jun 2023 | FABRIZIO MANCINELLI - Composer, Songwriter, Conductor | 00:40:18 | |
What is the role of music in cinema and why it is such an important part of the storytelling process? How does music increase our capacity for empathy and wonder? Fabrizio Mancinelli is an Italian-American composer, songwriter, and conductor, best known for his musical contributions to the world of cinema. As a songwriter, he has created original scores for The Land of Dreams,The Snow Queen 3, The Boat, and the upcoming animated drama Mushka, among others. In 2017, he led the orchestral recording for the Academy Award-winning Green Book, and he recently scored the documentary Food 2050, which premiered at the UN Climate Change Conference in 2022. "And here I have to recall a conversation I had with one of my mentors, Luis Bacalov, who won the Oscar for the movie Il Postino, one of the biggest film composers of the 20th century and a great music arranger. He told me that he always has music in his brain, and I always had music in my brain as well. It's always there in the background. I would be concerned if there was no music for one day or even for one minute. Silence is a different kind of sound for me in the difference when I write music. Silence, a rest, is as important as a note because it prepares us for something else. It's part of the music. There is a difference between relative silence, which I put in the music, and absolute silence, which I fear." https://fabriziomancinelli.us www.creativeprocess.info | |||
| 30 Jun 2023 | Highlights - DOMINIC McAFEE - Marine Ecologist, University of Adelaide - Restoring Lost Oyster Reefs | 00:16:19 | |
"Oysters are incredible beasts. You know, dolphins have cute eyes. Marine mammals, we have a natural affinity with them. How do you engage with a shelled introvert that hides away its entire life? But if we think about them as an organism, they are quite fascinating. A real character of the sea. So part of the reproductive process for the oyster that I work on are what we call sequential hermaphrodites. That means that they can switch between male and female almost on a daily basis. When you open them up, you can actually sometimes see egg and sperm next to each other. Incredibly dynamic organisms. They redefine, in many ways, how we think about sexuality. It's far more fluid with oysters. One of the amazing things about them though is that they were forming these reefs since before the time of the dinosaurs. We've lost something like 85% of oyster reefs globally.We've been using healthy marine sounds with underwater speakers to attract oysters to these reefs. So when the historical native habitat was lost, it also lost the sound that was associated with those reefs, that sound created by the millions of animals that live in that complex habitat. Now there's recognition that anthropogenic noise, noise from shipping and motorboats, and other urban noise is masking the natural sounds of the sea and dominating the soundscape as we call it. We're hoping that we can counteract some of those negative impacts of anthropogenic noise by playing healthy marine sounds." We have lost around 85% of oyster reefs. That’s not only the loss of oysters but also the habitat they provide other marine animals and plants. Oysters are amazing, not only do some create pearls but as sequential hermaphrodites, they can switch between male and female almost on a daily basis. Dr. Dominic McAfee is a researcher at the University of Adelaide in Australia. His work centers around restoring lost marine ecosystems, specifically shellfish reefs. Along with employing novel technology and reef restoration projects, he seeks to understand how oysters enhance the resilience and function of coastal ecosystems. He seeks to develop conservation messaging strategies that enhance public engagement via conservation optimism. https://researchers.adelaide.edu.au/profile/dominic.mcafee www.creativeprocess.info | |||
| 30 Jun 2023 | DOMINIC McAFEE - Marine Ecologist, University of Adelaide - Restoring Lost Oyster Reefs | 00:35:45 | |
We have lost around 85% of oyster reefs. That’s not only the loss of oysters but also the habitat they provide other marine animals and plants. Oysters are amazing, not only do some create pearls but as sequential hermaphrodites, they can switch between male and female almost on a daily basis. Dr. Dominic McAfee is a researcher at the University of Adelaide in Australia. His work centers around restoring lost marine ecosystems, specifically shellfish reefs. Along with employing novel technology and reef restoration projects, he seeks to understand how oysters enhance the resilience and function of coastal ecosystems. He seeks to develop conservation messaging strategies that enhance public engagement via conservation optimism. "Oysters are incredible beasts. You know, dolphins have cute eyes. Marine mammals, we have a natural affinity with them. How do you engage with a shelled introvert that hides away its entire life? But if we think about them as an organism, they are quite fascinating. A real character of the sea. So part of the reproductive process for the oyster that I work on are what we call sequential hermaphrodites. That means that they can switch between male and female almost on a daily basis. When you open them up, you can actually sometimes see egg and sperm next to each other. Incredibly dynamic organisms. They redefine, in many ways, how we think about sexuality. It's far more fluid with oysters. One of the amazing things about them though is that they were forming these reefs since before the time of the dinosaurs. We've lost something like 85% of oyster reefs globally.We've been using healthy marine sounds with underwater speakers to attract oysters to these reefs. So when the historical native habitat was lost, it also lost the sound that was associated with those reefs, that sound created by the millions of animals that live in that complex habitat. Now there's recognition that anthropogenic noise, noise from shipping and motorboats, and other urban noise is masking the natural sounds of the sea and dominating the soundscape as we call it. We're hoping that we can counteract some of those negative impacts of anthropogenic noise by playing healthy marine sounds." https://researchers.adelaide.edu.au/profile/dominic.mcafee www.creativeprocess.info | |||
| 04 Jul 2023 | JASON deCAIRES TAYLOR - Sculptor, Environmentalist, Creator of Underwater Museums | 00:28:26 | |
What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life? Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world. "I just think we need to protect these areas. We have to feel for them. We have to understand them. And we have to feel that connection. So I would certainly encourage as many people as possible to learn to dive, to learn to snorkel and to really be in the moment, be in the space, in order to foster that empathy for the marine world. For me, it's one of the most beautiful, spiritual, and diverse places on the planet. And it's so little understood, but it's changing. We actually have some new works which have scientific monitoring devices in them. They actually have little sensors in them that monitor temperature and salinity and other factors. And they can be removed and then scanned. And all that data can then be downloaded to also monitor how the works are. I just completed a big project in Australia which just opened on World Ocean's Day. And one of the main pieces there is this piece called The Ocean Siren. And it is a young indigenous woman who is standing on the coastline, and she's actually attached to a weather station connected via a satellite link to a weather station out on the Great Barrier Reef. And that feeds data back to her. And then there's a solar array that changes a series of LEDs on her skin. So she changes red and orange color when there are prolonged spikes in temperature that could indicate coral bleaching. And then when the water is cooler, she obviously comes back down to a cooler blue or green color." www.creativeprocess.info | |||
| 04 Jul 2023 | Highlights - JASON deCAIRES TAYLOR - Sculptor, Environmentalist, Creator of Underwater Museums | 00:10:18 | |
"I just think we need to protect these areas. We have to feel for them. We have to understand them. And we have to feel that connection. So I would certainly encourage as many people as possible to learn to dive, to learn to snorkel and to really be in the moment, be in the space, in order to foster that empathy for the marine world. For me, it's one of the most beautiful, spiritual, and diverse places on the planet. And it's so little understood, but it's changing. We actually have some new works which have scientific monitoring devices in them. They actually have little sensors in them that monitor temperature and salinity and other factors. And they can be removed and then scanned. And all that data can then be downloaded to also monitor how the works are. I just completed a big project in Australia which just opened on World Ocean's Day. And one of the main pieces there is this piece called The Ocean Siren. And it is a young indigenous woman who is standing on the coastline, and she's actually attached to a weather station connected via a satellite link to a weather station out on the Great Barrier Reef. And that feeds data back to her. And then there's a solar array that changes a series of LEDs on her skin. So she changes red and orange color when there are prolonged spikes in temperature that could indicate coral bleaching. And then when the water is cooler, she obviously comes back down to a cooler blue or green color." What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life? Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world. www.creativeprocess.info | |||
| 04 Jul 2023 | SERGEI GURIEV - Economist - Provost of SciencesPo - Co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century | 00:37:05 | |
What is a spin dictator? What does tyranny look like in the 21st century? Why is populism on the rise? And how do we reinvent democracy? Sergei Guriev is the co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century. Guriev is Provost and a professor of economics and at Sciences Po in Paris. He is a former Chief Economist of the European Bank for Reconstruction and Development, London, and a former Rector of the New Economic School in Moscow in 2004-13. "We feel a great responsibility in that we train the citizens for the future. We train the leaders for the future. And SciencesPo is a unique institution in many ways. And one of those is it plays a disproportionately important role in training the social, political, and business elites in France. In no other country, do you have just one single institution which is so important for training the political elite. And that's why we feel a great responsibility. That's why we always ask ourselves what else we can do to make sure that people who will run this country 20 years later actually know what they are supposed to do? And we make sure that our student body is diverse. So we don't have this disconnect between elites and the others, but we also think about the subjects. So we teach more and more about environmental transformation. On digital transformation, we have special research programs on discrimination inequalities, and we teach courses on this. And of course, we also involve a highly international faculty and student body. This is, again, something that is a part of my strategy as a provost. We need to recruit more international faculty because we already have internationalized our student body. We have about half of SciencesPo students who are either international or binational. So this is also an important part of our strategy to become not just an institution in France, but also an institution for the whole world because of all these issues: climate change, digital transformation, inequalities, geopolitics, and crisis. These are all global issues that have to be addressed not by one country, but by the international community." https://sites.google.com/site/sguriev/ www.creativeprocess.info | |||
| 05 Jul 2023 | Highlights - SERGEI GURIEV - Political Economist - Provost of SciencesPo - Co-author of Spin Dictators | 00:11:04 | |
"We feel a great responsibility in that we train the citizens for the future. We train the leaders for the future. And SciencesPo is a unique institution in many ways. And one of those is it plays a disproportionately important role in training the social, political, and business elites in France. In no other country, do you have just one single institution which is so important for training the political elite. And that's why we feel a great responsibility. That's why we always ask ourselves what else we can do to make sure that people who will run this country 20 years later actually know what they are supposed to do? And we make sure that our student body is diverse. So we don't have this disconnect between elites and the others, but we also think about the subjects. So we teach more and more about environmental transformation. On digital transformation, we have special research programs on discrimination inequalities, and we teach courses on this. And of course, we also involve a highly international faculty and student body. This is, again, something that is a part of my strategy as a provost. We need to recruit more international faculty because we already have internationalized our student body. We have about half of SciencesPo students who are either international or binational. So this is also an important part of our strategy to become not just an institution in France, but also an institution for the whole world because of all these issues: climate change, digital transformation, inequalities, geopolitics, and crisis. These are all global issues that have to be addressed not by one country, but by the international community." What is a spin dictator? What does tyranny look like in the 21st century? Why is populism on the rise? And how do we reinvent democracy? Sergei Guriev is the co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century. Guriev is Provost and a professor of economics and at Sciences Po in Paris. He is a former Chief Economist of the European Bank for Reconstruction and Development, London, and a former Rector of the New Economic School in Moscow in 2004-13. https://sites.google.com/site/sguriev/ www.creativeprocess.info | |||
| 07 Jul 2023 | Erland Cooper - Nature’s Songwriter - Composer of “Folded Landscapes” | 00:57:51 | |
How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic? "Limitations are the greatest, greatest tools for advancing something. And that's where a narrative for me works very well. It acts like a kind of nautical map. I know where I'm going, and I know if I've gone way off course and I shouldn't be there because I look back at the limitations I've set for myself based on the stories within it. One of our great British artists is Brian Eno, and he spoke a lot about limitations. I had the great joy of having a conversation. We ended up chatting for a couple of hours and he said, 'Oh, I want to show you something. I want to show you my library, and this tool I've created!' His Sonic Library, which is decades of audio material. (I have something similar. I call it an orphanage of sound. These files and folders that will eventually find a home.) But he's created a piece of software using algorithms that will at random pull out sounds and play them. And he can set certain parameters: I want a string sound to be here. And I'd like some bass sounds to come in. And I'd like some drum sounds, but it's just choosing these layers and playing them all at the same time. Again, a bit like the cacophony of birdsong. It's a bit of a mess initially, but then you can edit, and you start to refine. And in those limitations that have come out of this tool - and this is the point I guess I'm trying to make - is that it can be used as a tool to set limits or to burst limits. Or to mix things up. Out of that editing process, you can output something that to your ear sounds good to somebody else's ear." www.creativeprocess.info Photo by Alex Kozobolis | |||
| 07 Jul 2023 | Highlights - Erland Cooper - Scottish Composer, Producer, Multi-instrumentalist | 00:14:08 | |
"Limitations are the greatest, greatest tools for advancing something. And that's where a narrative for me works very well. It acts like a kind of nautical map. I know where I'm going, and I know if I've gone way off course and I shouldn't be there because I look back at the limitations I've set for myself based on the stories within it. One of our great British artists is Brian Eno, and he spoke a lot about limitations. I had the great joy of having a conversation. We ended up chatting for a couple of hours and he said, 'Oh, I want to show you something. I want to show you my library, and this tool I've created!' His Sonic Library, which is decades of audio material. (I have something similar. I call it an orphanage of sound. These files and folders that will eventually find a home.) But he's created a piece of software using algorithms that will at random pull out sounds and play them. And he can set certain parameters: I want a string sound to be here. And I'd like some bass sounds to come in. And I'd like some drum sounds, but it's just choosing these layers and playing them all at the same time. Again, a bit like the cacophony of birdsong. It's a bit of a mess initially, but then you can edit, and you start to refine. And in those limitations that have come out of this tool - and this is the point I guess I'm trying to make - is that it can be used as a tool to set limits or to burst limits. Or to mix things up. Out of that editing process, you can output something that to your ear sounds good to somebody else's ear." How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic? www.creativeprocess.info | |||
| 13 Jul 2023 | MARK MASLIN - Author of How To Save Our Planet: The Facts - Professor, Earth System Science, University College London | 00:45:07 | |
Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society? Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts. "Economic growth in particular areas, when it comes to developed countries, economic growth in the US does nothing for the average person. It doesn't improve their health, doesn't improve their circumstances, doesn't improve their education. It just goes to the top 1%." www.geog.ucl.ac.uk/people/academic-staff/mark-maslin www.creativeprocess.info All images courtesy of Mark Maslin | |||
| 13 Jul 2023 | Highlights - MARK MASLIN - Author of How To Save Our Planet: The Facts - Professor, Earth System Science, UCLondon | 00:21:20 | |
"Economic growth in particular areas, when it comes to developed countries, economic growth in the US does nothing for the average person. It doesn't improve their health, doesn't improve their circumstances, doesn't improve their education. It just goes to the top 1%." Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society? Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts. www.geog.ucl.ac.uk/people/academic-staff/mark-maslin www.creativeprocess.info Image courtesy of Mark Maslin | |||
| 14 Jul 2023 | TOM LIN - Author of The Thousand Crimes of Ming Tsu - Andrew Carnegie Medal for Excellence in Fiction 2022 | 00:41:56 | |
How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century? Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis. "I think I would like young people to preserve everything. I think so much of historical work is going back and trying to piece together the things that have not been preserved. And so even with biodiversity and the planet, I think we should try to have less impact on our surroundings and more impact on each other. There's less and less investment in the humanities, and that really saddens me. I think art is important because it's something that we do as humans that has no purpose beyond how it makes us feel. And something like that is valuable because it is hard and because it is directed at other people. The making of art, the consumption of art, I think is what makes us human as opposed to animals. If we are going to draw that line, I think that's where it is. And I think the purpose of artists is to preserve the feeling of being alive and to communicate that to others." www.creativeprocess.info Image courtesy of Little, Brown and Company & Tom Lin | |||
| 14 Jul 2023 | Highlights - TOM LIN - Author of The Thousand Crimes of Ming Tsu - Andrew Carnegie Medal for Excellence in Fiction 2022 | 00:11:05 | |
"I think I would like young people to preserve everything. I think so much of historical work is going back and trying to piece together the things that have not been preserved. And so even with biodiversity and the planet, I think we should try to have less impact on our surroundings and more impact on each other. There's less and less investment in the humanities, and that really saddens me. I think art is important because it's something that we do as humans that has no purpose beyond how it makes us feel. And something like that is valuable because it is hard and because it is directed at other people. The making of art, the consumption of art, I think is what makes us human as opposed to animals. If we are going to draw that line, I think that's where it is. And I think the purpose of artists is to preserve the feeling of being alive and to communicate that to others." How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century? Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis. www.creativeprocess.info Image courtesy of Little, Brown and Company & Tom Lin | |||
| 19 Jul 2023 | ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear | 00:46:07 | |
The lone wolf is actually alone because it's looking for connection. They leave in order to find a mate and form their own pack. If loneliness is an epidemic, what can wolves teach us about loneliness, courage, and connection? Erica Berry is the author of Wolfish: Wolf, Self, and the Stories We Tell About Fear. Her essays in journalism appear in Outside, Wired, The Yale Review, The Guardian, Literary Hub, The New York Times Magazine, The Atlantic, and Guernica, among other publications. Berry has taught workshops for teenagers and adults at Literary Arts, the Sitka Center for Art and Ecology, the New York Times Student Journeys in Oxford Academia. "And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities." www.ericaberry.com www.creativeprocess.info Photo by Andrea Lonas | |||
| 21 Jul 2023 | JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of “How We Do It: Black Writers on Craft, Practice, and Skill” | 00:49:13 | |
How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters? In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University. "This is a book I wish existed 20 years ago. I would have led an easier life if it had. I want you to have what I always wanted. Here is an anthology that gives us modes to try on the way we might wear and change clothing. And these wonderful writers are proof that nothing ever beat a failure but a try. In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done." www.jerichobrown.com www.creativeprocess.info | |||
| 24 Jul 2023 | Speaking Out of Place: JENNIFER JACQUET discusses The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World | 00:32:24 | |
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Jennifer Jacquet, who is an Associate Professor in the Department of Environmental Studies and Director of XE: Experimental Humanities and Social Engagement at NYU. She is also deputy director of NYU's Center for Environmental and Animal Protection. Her research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. Among other things, we learn how corporations create an arsenal of experts and pseudo-experts at prestigious universities to create misinformation and disinformation for corporate profit, and at great cost to the public. At the end, we make the case for a partnership between the sciences and the humanities to fight such lies and violence. Jennifer Jacquet’s research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World (Pantheon/Penguin, 2022)-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. She also wrote Is Shame Necessary? (Pantheon/Penguin, 2015) about the evolution, function, and future of the use of social disapproval in a globalized, digitized world. She is the recipient of a 2015 Alfred P. Sloan research fellowship and a 2016 Pew Fellowship in Marine Conservation. https://jenniferjacquet.com www.palumbo-liu.com | |||