Gramophone Classical Music Podcast (Gramophone)

The 10 recording category winners have been announced, and the countdown to the naming of the 2020 Gramophone Recording of the Year has begun. All with be revealed during the evening of October 6 at a special online ceremony from Glyndebourne hosted by Gramophone's James Jolly and the mezzo-soprano Kate Lindsey. (Watch it on Gramophone's website, Facebook and YouTube channels and on Medici.TV.)

To accompany the revealing of the 10 recording category winners, James Jolly was joined by Gramophone's Editor, Martin Cullingford, and Gramophone's Reviews Editor, Tim Parry, to talk through the winning albums, an inspiring mix of the familiar and the unfamiliar - everything linked by the excellence of its performance.

In this week's Gramophone Podcast, Editor Martin Cullingford speaks to the Artistic Director of Voces8 about their fascinating new album 'After Silence' - it's out on July 24, but several sections are already available to stream online - and about the forthcoming online choral festival from the Voces8 Foundation, Live from London, of which Gramophone is a media partner.

The Estonian conductor, Paavo Järvi, talks about his three orchestras, and particularly his Tokyo-based NHK Symphony Orchestra as they arrive in Europe as part of a concert tour that takes in nine cities. To coincide with the tour, Sony Classical has released two new albums: Mahler's Sixth Symphony and three work by Bartók, the Music for strings, percussion and celesta, Dance Suite and Divertimento.

Organist and pianist James McVinnie's new album 'Dreamcatcher' is a beautiful series of works by contemporary composers including Nico Muhly, John Adams, Giles Swayne, Gabriella Smith, Meredith Monk and others, all based around ideas of imagining – be that to do with memory, architecture, musical form or social justice. He joins Editor Martin Cullingford in this week's Podcast to talk through the programme, and about the sound world he's created for this captivating recording. 'Dreamcatcher' is available on the Pentatone label from next Friday, January 17. 

This week Gramophone's Editor Martin Cullingford is joined by Owain Park, conductor, composer and founding director of The Gesualdo Six to explore the ensemble's new album, 'Morning Star', a programme of music for the feast of Epiphany, released by Hyperion Records. 

Tenor Ian Bostridge and pianist Saskia Georgini join Gramophone Editor Martin Cullingford this week to talk about their new album of Schumann Songs, Twilight, released on the Pentatone label. 

This week's topic is a new recording by Brecon Baroque of Bach's Goldberg Variations in a fascinating new arrangement by Chad Kelly who, together with violinist Rachel Podger, joins Editor Martin Cullingford to talk about it. This week's Podcast is published in association with Wigmore Hall. 

As Dame Emma Kirkby, of the UK's most popular sopranos, reaches a milestone birthday, we catch up with her and look back over her career, with Editor-in-Chief James Jolly. With music courtesy of Hyperion records. 

The French pianist Cédric Tiberghien has just released a new album, Variation[s], on Harmonia Mundi. It takes Beethoven's many sets of themes and variations for solo piano as its starting point, and weaves in major sets by others composers, in Vol 1 by Mozart, Schumann and Webern.

James Jolly caught up with the pianist in New York, by Zoom, to talk about the project and find out his thinking on the programme of this first volume.

Gramophone Podcasts are given in association with Wigmore Hall

This week’s Gramophone Podcast sees flautist Sharon Bezaly talk to Editor Martin Cullingford about her new and wide-ranging album of concerto collaborations called ‘Synergy’, available today on BIS. Gramophone Podcasts are presented in association with Wigmore Hall.

The Welsh soprano Natalya Romaniw, who has received terrific reviews of her stage performances in the Russian operatic repertoire (particularly as Tchaikovsky's Tatyana in Eugene Onegin), releases her first solo album, for Orchid Classics. Joined by her teacher from the Guildhall School of Music, the pianist Lada Valešová, they present 'Arion: Voyage of a Slavic Soul', songs by three Russians – Rimsky-Korsakov, Tchaikovsky and Rachmaninov – and three Czech composers – Dvořák, Janáček and Novák.

James Jolly, in Gloucestershire, caught up simultaneously with Natalya in Swansea and Lada in London to talk about the repertoire, the programme and how they started working together.

Bertrand Chamayou, who won Gramophone's Recording of the Year in 2019 for his Erato album of two Saint-Saëns piano concertos, has turned his attention to two groundbreaking composers. John Cage was a great admirer of the music and aesthetic experiments of the Frenchman, Erik Satie - and Chamayou has created a programme for Erato that links the two, 'Letter(s) to Erik Satie'.

James Jolly caught up with Bertrand Chamayou at his Festival Ravel in St Jean de Luz in south-west France this summer to talk about the project.

During holiday periods, we occasionally return to past podcasts, and this week, prompted by the news that he is about to release a new album inspired by an encounter with György Kurtág, we revisit a conversation from September 2021 with the Icelandic pianist Víkingur Ólafsson. 

James Jolly caught up by video call with the pianist at his home in Iceland just a few days after Ólafsson's triumphant debut at the 2021 BBC Proms to talk about the album 'Mozart & Contemporaries' which gathers music by CPE Bach, Galuppi, Cimarosa and Haydn around the great Wolfgang Amadeus.

Alan Gilbert is Chief Conductor of the NDR Elbphilharmonie Orchestra, as well as Music Director of the Royal Swedish Opera. Gramophone's James Jolly caught up with him during a run of Wagner’s Die Walküre in Stockholm, where he lives.

They talked about his Hamburg-based orchestra, the role today of a radio orchestra and also about the work orcherstra and conductor have just released (on the NDR Elbphilharmonie Orchester label to stream and download), Brahms's Third Symphony.

Thélème won Gramophone’s Early Music Award in 2022 with their Aparté album of music by Josquin Desprez, ‘Baisiez-moi’. Now they return with a new programme, also for Aparté, ‘All we get is life’, that brings together the music of John  Dowland and John Cage – with an extra track featuring Sting in his song ‘Shape of my Heart’ which he performs alongside Thélème.

James Jolly caught up with Thélème’s Director and one of his vocalists, Jean-Christophe Groffe, to talk about what made him bring these two composers together on a single album.

On this week's Gramophone podcast, Editor Martin Cullingford is joined by the founder and Music Director of the Crouch End Festival Chorus, David Temple, to explore the music of Benjamin Britten. His new album, released on the Signum Classics label, features Saint Nicolas and A Ceremony of Carols, both early works from the composer. What made Britten such an extraordinary composer for voices, and what role did his belief in community music play in his work?

Nico Muhly’s Stranger, premiered in 2020, gives its name to a new album from Avie featuring the tenor Nicholas Phan. The album also includes two earlier works, Muhly's Lorne ys my likinge, written as a companion piece to Benjamin Britten’s Abraham and Isaac and similarly scored for countertenor, tenor and piano (for which Phan is joined by countertenor Reginald Mobley and pianist Lisa Kaplan), and Impossible Things, setting poems by CP Cavafy, and featuring a solo violin and ensemble: on the new recording, The Knights, conducted by Eric Jacobsen with Colin Jacobsen taking the solo violin role. 

James Jolly caught up by video call with Nicholas Phan in San Francisco and Nico Muhly in New York to talk about the album, and how Stranger came into being.

Gramophone's Orchestra of the Year Award is the only prize voted on by readers. To help you choose this year's winner, James Jolly spoke to two of Gramophone's regular contributors about five orchestras each, and in this second of two podcasts, Andrew Mellor gives his perspective on ensembles from Hungary, France, Norway, the UK and one that draws its players for over 40 different nationalities. The Orchestra of the Year Award is presented in association with Apple Music.

Dmitry Masleev took first prize in the Piano category of the 2015 Tchaikovsky International Competition and since then has released a number of recordings. The latest, from Aparté, is a concertante collection of Liszt's Totentanz, his Rhapsodie espagnole (in a version for piano and orchestra made by Masleev's professor at the Moscow Conservatoire, Mikhail Petukhov) and Rachmaninov's Rhapsody on a Theme of Paganini. He was joined by the Svetlanov Symphony Orchestra.

James Jolly, who first met Masleev during the 2019 Tchaikovsky Competition in Moscow, caught up with him again to talk about how the competition changed the course of his career, the new album and how the Dies irae theme infuses so many great classical works.

During holiday periods, we occasionally revisit past podcasts, and this week, prompted by the announcement that Andrew Nethsingha will be succeeding James O'Donnell as Organist and Choirmaster of Westminster Abbey, we return to a conversation from November last year.

Editor Martin Cullingford was joined by Andrew, Director of the Choir of St John's College, Cambridge to discuss the choir's new album on Signum, 'The Tree' - as well as the recent announcement that the choir will soon welcome female voices for the first time in its history. 

For her first solo album, 'Anima Rara', for Opera Rara, for whom she's already recorded Leoncavallo's Zazà and Puccini's Le Willis, Ermonela Jaho celebrates one of her great soprano predecessors, Rosina Storchio. Joined by the Orquestra de la Comunitat Valenciana conducted by Andrea Battistoni, Jaho offers a programme of verismo arias, some familiar but many less so.

James Jolly met Ermonela Jaho early this year – face to face – while she was in London for a Wigmore Hall recital, and they talked about Storchio, the new album and both Puccini and Leoncavallo's takes on La bohème.

Andrew Mellor is a former Gramophone Reviews Editor who now lives in Denmark where he pursues a career as a freelance journalist with a special focus on things Nordic, and he's still very much part of the Gramophone family as a regular contributor to the magazine. James Jolly caught up with him recently to talk about his new book, The Northern Silence, his passion for Nordic culture and the differences between the various countries he writes about. The Northern Silence is published by Yale University Press, and is just out. The recording of Sibelius's Tapiola is by the Helsinki PO and Leif Segerstam (Ondine).

The Tallis Scholars's acclaimed series of recordings of the Masses of Josquin reaches Volume 8. Featuring what may be the last Mass the composer wrote, along with a Mass not by Josquin but once thought to have been by him, this penultimate volume certainly raises some fascinating questions! To discuss them, the Tallis Scholars's founder and director Peter Phillips joins Gramophone's Editor Martin Cullingford on this week's podcast - which features excerpts from the album, available now on Gimell.

Pianist Roman Rabinovich discusses recording Haydn piano sonatas for First Hand Recordings. Presented by Gramophone's Editor-in-Chief James Jolly.

The Oscar-winning composer's latest project is the score for a musical animation of Sir Michael Morpurgo’s children’s book Mimi and the Mountain Dragon. Commissioned by the BBC, and to be broadcast on BBC One on Boxing Day, the film also features illustrations by Emily Gravett. In the latest Gramophone podcast, the composer talks about the project, which was recorded by the BBC Philharmonic and the Hallé's family of choirs.

2020 is Beethoven Year - he was born 250th years ago, in 1770 – and the record industry is lining up a vast number of releases in celebration. Berlin-based Deutsche Grammophon, not surprisingly, is spearheading the campaign with a huge Beethoven Edition and one of the earliest releses is a new set of the five piano concertos.

The young Polish-Canadian pianist, Jan Lisiecki, joined the Academy of St Martin in the Fields for a tour which ended up in Berlin with a live recording.

Lisiecki spoke to James Jolly at the Jurmula Festival in Latvia – where Jan was playing the Fourth Concerto with the Israel Philharmonic and Zubin Mehta, and he explained how this project came about and how the Fourth Concerto occupies a special place in his musical affections and career. 

Chandos was named Gramophone’s Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label’s key artists and the people who steer and shape the label. 

This month, James Jolly talks to the conductor Edward Gardner, Principal Conductor of the London Philharmonic and Chief Conductor of the Bergen Philharmonic; in August 2024 he will assume the Music Directorship of the Norwegian Opera and Ballet. His recorded catalogue for Chandos is extensive and is crowned by the 2020 release of Benjamin Britten’s Peter Grimes, recorded in Bergen, which was voted Gramophone’s Opera Award winner but also our Recording of the Year.

Gramophone’s Editor Martin Cullingford and Editor-in-Chief James Jolly discuss some of the topics and releases covered in the latest issue of the magazine, including the legacy of Leonard Bernstein, and Bizet's The Pearl Fishers, a fabulous new recording of which is our August issue's Recording of the Month. 

To mark the 200^th anniversary of the premiere of Beethoven’s Ninth Symphony in Vienna, which took place on May 7, 1824, Gramophone’s podcast this week focuses on the work.

Antonello Manacorda has just completed a cycle of the nine symphonies with Akademie Potsdam for Sony Classical, including a brand-new Ninth. James Jolly went to visit him at the Royal Opera House, Covent Garden , where he was conducting a run of Bizet’s Carmen.

This Gramophone Podcast is produced in association with Wigmore Hall.

The Venezuelan conductor Rafael Payare was appointed Music Director of the Orchestre symphonique de Montréal (Montreal SO) at the start of the 2022-23 season and one of their first projects together, Mahler's Fifth Symphony, has just been released by Pentatone.

Rafael Payare was in London recently conducting a run of much-praised performances of Rossini's Il barbiere di Siviglia at Covent Garden, and Gramophone's James Jolly took the opportunity to catch up with him to talk about his work in Montreal and the new Mahler recording.

Gramophone Podcasts are given in association with Wigmore Hall.

Following his Gramophone Award short-listed recording of Charles Valentin Alkan's Symphony and Concerto for solo piano (BIS), Paul Wee takes on another challenging work of the piano literature, Sigismond Thalberg's L'Art du chant appliqué au piano. Gramophone's Reviews Editor, Tim Parry – himself a pianophile – talked to Paul about the recording, Thalberg's piano music and how he balances his piano playing with his 'day job'.

Elgar's Cello Concerto was premiered 100 years ago today, and to mark the anniversary Julian Lloyd Webber joins Gramophone's Editor Martin Cullingford to explore the work, its performance and recording history, and to discuss why it still speaks so powerfully to audiences today. The podcast features excerpts from Julian Lloyd Webber's own recording of the work with Yehudi Menuhin, on the Philips label.

On this week's Gramophone Podcast we talk to tenor Karim Sulayman and guitarist Sean Shibe about their album 'Broken Branches', released today on the Pentatone label. Featuring music by composers including Dowland, Britten, and Takemitsu, as well traditional songs from the Middle East, it's a fascinating and highly personal project for them both. A podcast produced in association with Wigmore Hall. 

Gramophone Podcasts are presented in association with Wigmore Hall.

Stephen Hough's new album 'Vida Breve' is a beautiful and thought-provoking meditation on death - and life - drawing on works by Busoni and Gounod (including their Bach arrangements), Chopin and Lizst - and even Hough himself. The pianist explores the programme with Gramophone Editor Martin Cullingford, and you hear excerpts from the new album, which is released today on the Hyperion label. 

Gramophone’s Editor Martin Cullingford and Editor-in-Chief James Jolly discuss some of the topics and releases covered in the latest issue, including our cover artist Viktoria Mullova’s new recording of the music of Arvo Pärt on Onyx, the New York Philharmonic’s new music director Jaap Van Zweden, and this month’s best recordings, including our Recording of the Month, Bernstein symphonies conducted by Antonio Pappano on Warner Classics.

The broadcaster, critic, composer and author Stephen Johnson has recently published a new study of Mahler's Symphony No 8 – The Eighth: Mahler and the World in 1910. James Jolly spoke to him about the book: why Mahler's Eighth and the extraordinary story of its 1910 Munich premiere.

The Eighth: Mahler and the World in 1910 is published by Faber & Faber (hardback: £18.99 & ebook: £14.99). The musical excerpts come from Lorin Maazel's third (!) recording of the work, one captured live with the Philharmonia Orchestra, five choruses and nine soloists, and available from Signum Classics.

Purcell's The Fairy Queen, music originally written for an adaption of Shakespeare's A Midsummer Night's Dream, features music of delightful theatricality and some of the composer's most beautiful songs. Paul McCreesh, founder and Artistic Director of the Gabrieli Consort and Players, has recorded the work for his latest release on the group's Winged Lion label. For this week's podcast the conductor joins Gramophone's Editor Martin Cullingford to discuss the work, and his approach to capturing and conveying its 17th-century spirit and splendour.

Youth is an EP of solo piano music by Edmund Finnis and performed by Clare Hammond, and described as 'a set of brief pieces recalling an image, sensation of place, significant encounter or a moment of vivid perception'. Editor Martin Cullingford invited both Finnis and Hammond into the Gramophone Podcast studio to talk about this beautiful new recording. 

Jennifer Higdon wrote her Concerto for Orchestra for the Philadelphia Orchestra and its then-Music Director Wolfgang Sawallisch who gave the work its premiere in 2002. Since then it's been recorded by the Atlanta Symphony and, on a new Naxos album just out, by the Houston Symphony - both conducted by Robert Spano. The new recording finds the Concerto for Orchestra joined by a much newer work, Higdon's double percussion concerto, Duo Duel (2020), played by the artists who commissioned it, Svet Stoyanov and Matthew Strauss.

James Jolly caught up with Jennifer Higdon to talk about the two works' beginnings, and about how the composer manages her amazingly busy schedule.

This week's podcast is produced in association with the Lake George Music Festival where you can enjoy classical music among some of America's most spectacular scenery. Visit lakegeorgemusicfestival.com to find out more.

'Colin Currie and Steve Reich. Live at Fondation Louis Vuitton' is the third album to be released on Colin Currie's own label and captures five performances, taken live, at a Steve Reich presentation in Paris. The music ranges from Clapping Music of 1972 to Pulse of 2015. James Jolly met up with Colin to talk about his long association with Reich's music, the approach needed to perform music of mathematical precision yet at the same surprising emotional weight, and performing Clapping Music with Reich himself.

Editor Martin Cullingford is joined by sopranos Julia Doyle and Grace Davidson to talk about their new recording of music for Tenebrae, Couperin's Leçons de Ténèbres and Gesualdo's Tenebrae Responsories for Maundy Thursday. The album, featuring the choir Tenebrae under the direction of Nigel Short, is available now on Signum Classics.

In this week's Gramophone Podcast, the horn player Alec Frank-Gemmill joins Editor Martin Cullingford to talk about his beautiful new recording of Mozart's horn concertos, released today on the BIS label. 

In the latest Gramophone podcast, Editor Martin Cullingford meets renowned pianist Norma Fisher to talk about her life and career, about the condition that forced her to give up public performance in the 1980s, about her teaching work, and about volume 2 of the fascinating recordings from the BBC archives.

The choir of Westminster Abbey’s new recording for the Hyperion label features the music of 16th-century English composer Nicholas Ludford. Organist and Master of the Choristers James O’Donnell talks to Gramophone's Editor Martin Cullingford about Ludford, as well as about the role of the choir in the life of the Abbey today.

The young Polish countertenor Jakub Józef Orliński - a recent Gramophone ‘One to Watch’ - is something of an internet sensation, his performances on YouTube of the Vivaldi aria ‘Vedro, con mio diletto’ having been watched tens of thousands of times. March 30 sees a studio recording with Il Pomo d’Oro being released by Erato as a digital single. You can hear it in in this week’s episode of Gramophone’s The Listening Room.

Dame Janet Baker's contribution to classical music - in performance and on record - has been remarkable, enriching both the stage and the catalogue with performances of astonishing beauty, power and vivid insight. To mark her 80th birthday in August 2013, James Jolly met with her at Wigmore Hall to talk about her career for a Gramophone Milestones Podcast, made in association with EFG International. She shared her memories of working with Sir John Barbirolli, Leonard Bernstein, Gerald Moore, Raymond Leppard and Benjamin Britten.

Now 10 years on, we revisit the podcast to celebrate one of the UK's greatest musical artists, the recipient in 2011 of Gramophone's Lifetime Achievement Award.

Michael Spyres has won three Gramophone Awards: Opera and Recording of the Year in 2018 for Berlioz's Les troyens, and Voice and Ensemble in 2022 for 'Baritenor', an album that reveals his remarkable vocal range. Now, again for Erato and in the company of his Trojans conductor, John Nelson, he has recorded Les nuits d'été – but in the original keys and in Berlioz's envisaged registers. James Jolly spoke to Michael Spyres about his approach to the Berlioz songs, and also about whether he considers himself a tenor or a baritone these days.

This week’s Podcast is another special long-length edition, for which Editor Martin Cullingford is joined by Rob Cowan, Gramophone’s expert on historic and archive recordings and the author for 30 years now of our monthly feature devoted to the area, Replay. Why should we listen to historic recordings? What can we learn from them, and which artists, many decades on, still offer listeners such extraordinary joy and insight? Across more than 45 fascinating minutes Rob addresses these questions, and we play excerpts from some absolute highlights from the archives. 

Conductor and founder of The Sixteen Harry Christophers speaks to Gramophone Editor Martin Cullingford about his new album, ‘70: A Life in Music’, which features 39 carefully selected recordings from the conductor's career so far, spanning periods from the renaissance to contemporary music. Reflecting on his 45-year career, Christophers' talks about his introduction to music, the formation of The Sixteen and the future of young composers today. 

‘70: A Life in Music’ is out now on CORO.

The winners of the 2021 Gramophone Classical Music Awards have been revealed. To hear more about what lay behind the decisions to honour this year's winners, and to hear excerpts from all the winning artists and recordings, listen to this special second edition of our Awards Podcast, featuring Editor-in-Chief James Jolly, Editor Martin Cullingford and Reviews Editor Tim Parry. This week's Gramophone Podcast is in association with Leipzig – the City of Music.

Following five acclaimed albums with the LSO and JoAnn Falletta for Naxos, the composer Kenneth Fuchs has released a new collection of his orchestral works with John Wilson's Sinfonia of London. Recorded at St Augustine's, Kilburn, in North London, by Chandos, the collection has just been issued.

James Jolly caught up with Kenneth Fuchs just before last Christmas - and the day after recording sessions - to talk about the four works on the new album.

The two violinists of the Tippett Quartet – John Mills and Jeremy Issacs – tell Editor Martin Cullingford about the group's new recording of the three string quartets of Erich Korngold, released on the Naxos label.

This week's podcast sees acclaimed flautist Adam Walker join Gramophone Editor Martin Cullingford to talk about his two new albums of French music, both released on Chandos Records. The first, ‘French Works for Flute’, sees him joined by pianist James Baillieu in music by Franck, Widor, Saint‑Saëns and Duruflé - that last work also featuring viola player Timothy Ridout. The second album, ‘Belle Époque’, features Walker's Orsino Ensemble joined by pianist Pavel Kolesnikov in an eclectic programme of French music for wind ensemble. Gramophone podcasts are presented in association with Wigmore Hall.

Violinist Anne Akiko Meyers's new album, 'Shining Night', takes listeners on a musical journey through the passing of a day - via Villa-Lobos, Leo Brouwer, Bach and even Elvis - much of it in the company of guitarist Jason Vieaux. She talks to Gramophone's Editor Martin Cullingford about how she developed this wonderful programme. A Gramophone Podcast presented in association with Wigmore Hall.

Helen Charlston has recorded her first entirely solo album for Delphian, for which she was joined by the theorbo player Toby Carr. 'Battle Cry: She Speaks' combines music of the 17th century with a new work written for her by Owain Park, 'Battle Cry', which gives the album its title.

James Jolly caught up with her to talk about the album and find out about what's coming up from this much sought-after young singer.

A BBC New Generation artist, Helen won First Prize in the 2018 Handel Singing Competition and was a Rising Star of the Orchestra of the Age of Enlightenment for 2017-19.

Her first album for Delphian, mainly of duets with her soon-to-be-husband Michael Craddock, was 'The Isolation Songbook', warmly welcomed by Gramophone's Alexandra Coghlan who wrote that 'the results are varied, from comic miniatures to distilled dramas and contemplative outpourings, but together add up to a recital that’s hard to resist, at once fresh and profoundly familiar'.

Danny Elfman is known to millions for his scores for over 100 movies, including many collaborations with the director Tim Burton, not to mention his inimitable title music for The Simpsons. This summer he released a new album on Sony Classical containing his Violin Concerto and Piano Quartet. The concerto, written for and played by Sandy Cameron, joined by the Royal Scottish National Orchestra conducted by John Mauceri, was the subject of a conversation Gramophone's James Jolly had with Elfman. But they started by talking about the emergence of the specialist film composer in the past 50 or so years.

Anna Lucia Richter's second album for Pentatone, 'Il delirio della passione', is devoted to the music of Claudio Monteverdi, a programme she put together with Luca Pianca, who directs Ensemble Claudiana on the recording.

James Jolly caught up with Anna Lucia by video call to talk about the project, but also hear about her decision to switch from singing soprano to mezzo-soprano. Making use of the 'down-time' afforded her by lockdown, she worked with Prof Tamar Rachum in Tel Aviv via Skype and phone to develop her 'new voice'.

Hattie Butterworth meets soprano Sophie Bevan ahead of her appearance at the First Night of the Proms. Moving through Sophie's early life and career, they speak about her experience navigating a diagnosis of bowel cancer, the importance of her faith and family, and what she wishes audiences knew about the life of a singer. 

Music included in the epsiode:

'Take the Heart' from Jephtha Act I, Scene 3: George Friderich Handel · The Sixteen · Harry Christophers on CORO (2014)

'Perché, se tanti siete' from Scena di Berenic on Perfido!  · Sophie Bevan · Franz Joseph Haydn · Ian Page · Classical Opera / The Mozartists on Signum Classics (2017)

'Ferma l'ali' from Pt. 1 Scene 2 from Handel's La Resurrezione · The English Concert · Harry Bicket · Sophie Bevan on Linn Records (2023)

'Beati Quorum Via' by Charles Villiers Stanford from Vidi Speciosam: Sacred Choral Music · Graham Ross · The Bevan Family Consort  on Signum Records (2023)

On this week's Gramophone Podcast, Editor Martin Cullingford talks to Santtu-Matias Rouvali, the Principal Conductor Designate of the Philharmonia Orchestra, about his first recording with the orchestra, excerpts from Tchaikovsky's Swan Lake, which is available now on Signum Classics.

In the latest Gramophone podcast, Editor Martin Cullingford talks to Max Richter about the composer's new album Voices, a powerful and poetic musical response to the Universal Declaration of Human Rights, released today on Decca Records. 

The cellist Inbal Segev has just released an album of cello concertos by Anna Clyne, DANCE, and Sir Edward Elgar. Her partners on this Avie release are the London Philharmonic and Marin Alsop. James Jolly caught up with them – Inbal in New York and Marin in Baltimore – to talk about the album, how the Anna Clyne piece came about and what makes them fit so well together on the same album.

Eric Lu, winner of the 2018 Leeds Piano Competition and now signed to Warner Classics, today releases his new album. The bulk of the programme is given over to Chopin's Op 28 Preludes, to which he adds Brahms's late Intermezzo Op 117 No 1 and Schumann's last completed work, the so-called Ghost Variations. James Jolly caught up with him to talk about the programme, but also to find out about some of Eric's piano heroes ...

The latest recording from the choir of St John's College, Cambridge celebrates the 150th anniversary of the consecration of its chapel, and its 100th recording. Director of Music Andrew Nethsingha talks to Gramophone Editor Martin Cullingford about the album - titled Locus Iste - and about how the extraordinary building shapes the choir's sound.

The violinist Johannes Pramsohler has recorded an album of sonatas by Pieter Hellendaal who studied in Italy and moved to England in the middle of the 18th century and worked as violinist, composer and teacher, spending the last couple of decades of his life in Cambridge. Pramsohler and his musical partners Gulrim Choï and Philippe Grisvard have recorded six of Hellendaal's 'Cambridge Sonatas' for Audax, an album released on March 6. Pramsohler talks to Gramophone's James Jolly about the composer and his music.

For this week's Gramophone podcast, Editor Martin Cullingford is joined by Andrew Nethsingha, Director of the Choir of St John's College, Cambridge to discuss their new album on Signum, 'The Tree' - as well as the recent announcement that the choir will soon welcome female voices for the first time in its history. This week's Gramophone Podcast is produced in Association with Leipzig, the City of Music. 

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and, this week, Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. 

In this final podcast, James talks to the Financial Times and Gramophone critic Richard Fairman about this towering figure in British musical life. Britten recorded for Decca, as composer, pianist and conductor, for most of his adult life and left a peerless catalogue of recordings, including one of the classics of the gramophone, the War Requiem.

Christmas has long inspired composers to write works of great beauty, reflectiveness and drama, and the new album from acclaimed choir Tenebrae explores a diverse and wonderful range of them. Placing Benjamin Britten's A Ceremony of Carols at its heart, 'In Winter's House' begins its journey in Advent, embracing composers including Bob Chilcott, Joanna Marsh, Owain Park, Vaughan Williams, Sally Beamish, Elizabeth Poston and many more in a wonderful celebration of seasonal works. In the latest Gramophone podcast, Editor Martin Cullingford meets with Tenebrae's artistic director Nigel Short to talk about the recording. 

For this week's Gramophone podcast, Editor Martin Cullingford is joined by violinist Daniel Hope to explore his new album 'America', available now on the Deutsche Grammophon label 

Isata Kanneh-Mason has chosen to explore the music of Clara Schumann - whose bicentenary is marked this year - for her debut disc on Decca. Gramophone’s Editor Martin Cullingford met with her, to talk about the life of one of the 19th century’s most acclaimed virtuosos, and her often neglected music.

The Eloquence label issued its first 25 titles exactly 21 years ago, a project conceived, and looked after ever since, by Cyrus Meher-Homji. James Jolly spoke to him about the label, how it came about and how it has changed over its first two decades. And Cyrus also reveals some of the releases scheduled for the coming months, including box sets devoted to the pianist Ruth Slenczynska and the organist Gillian Weir.

The 2024 Gramophone Classical Music Awards were revealed on Wednesday October 2, and for this week's edition of the Podcast Editor Emeritus James Jolly, Editor and Publisher Martin Cullingford, and Deputy Editor – and Editor of International Piano – Tim Parry, gathered in the studio to discuss the winners. From Instrumental to Opera, and from Early to Contemporary, join us as we discuss and celebrate the finest albums of the past year. 

Benjamin Nicholas, Music Director of Merton College, Oxford joins Editor Martin Cullingford to talk about his new recording of Gabriel Jackson's The Christmas Story. This major new commission by the college, available now on the Delphian label, has been recorded by the Choir and Girl Choristers of Merton College and the Oxford Contemporary Sinfonia, and is an Editor's Choice in the latest edition of Gramophone.

Huw Montague Rendall is a singer who is making waves in the musical world, and he has just released his debut album with orchestra, 'Contemplation'. Signed to Erato by Alain Lanceron, Rendall gives us a superb showcase of his talents with a programme that ranges widely, and reveals many different facets of this fine young artist. Huw's partners for the album are the Opéra Orchestre Normandie Rouen and conductor Ben Glassberg.

The son of two distinguished singers – the mezzo Diana Montague and the tenor David Rendall – Huw talks to James Jolly about 'Contemplation'.

In this episode, Gramophone's Editor Martin Cullingford talks to pianist Leif Ove Andsnes about his new recording on Sony Classical of the extraordinary work Via Crucis by Franz Liszt, the composer's deeply spiritual meditations on the Stations of the Cross, released just before the start of Holy Week. 

This week's podcast is produced in association with Wigmore Hall, where performers over the coming week include two performances by the former Gramophone Artist of the Year, pianist Víkingur Ólafsson, conductor William Christie with the ensemble that he founded, Les Arts Florissants, and the Chiaroscuro Quartet. For full details of these concerts, and many more, visit https://www.wigmore-hall.org.uk

Gramophone Editor Martin Cullingford and Editor in Chief James Jolly pay tribute to the great soprano Montserrat Caballé, discuss the music of Bach, and enjoy some of the best new classical releases - including a remarkable recording of Rachmaninov playing his own music. 

In 2019, Joyce DiDonato and Yannick Nézet-Séguin performed Schubert's great song-cycle in concert at New York's Carnegie Hall, and Erato were on hand to record it. James Jolly caught up with the multi-Gramophone Award-winning mezzo to talk about her unique approach to the work. As one of a handful of women singers who have recorded Winterreise, Joyce needed to find her own way into the cycle, as she explains from her house in Spain. 

Gramophone Podcasts are presented in association with Wigmore Hall.

As Benjamin Appl draws to the end of his year as Gramophone's Young Artist of the Year - and of touring his Sony Classical debut disc Heimat - he talks to Editor-in-Chief James Jolly about programming and plans

Jennifer Johnston has just appeared, as Waltraute, on the new BR-Klassik recording of Wagner's Die Walküre conducted by Sir Simon Rattle. She talks to James Jolly about her decade-long association with the Bavarian State Opera and its Generalmusikdirektor, Kirill Petrenko; about music in her home city of Liverpool; and memories of Christa Ludwig with whom she studied as a student.

Gramophone Podcasts are presented in association with Wigmore Hall.

For his second album for Alpha Classics, again with his regular piano partner James Baillieu, the German baritone Benjamin Appl has put together a programme under the title 'Forbidden Fruit'. Musically it ranges widely, taking in songs in English, French and German, and all bound together by a theme, and then grouped under biblical verses. James Jolly caught up with singer and pianist by Zoom – Benjamin Appl in Switzerland and James Baillieu in the UK – to talk about the programme, whether audiences today demand such an approach and how concert-giving has changed since the dark days of the pandemic.

For his new album, the pianist Joseph Moog has chosen to explore the music of Franz Liszt, presenting works from across the composer's life, including his monumental Sonata in B Minor. Called 'Between Heaven and Hell', it's available on the Onyx label, and in the latest Gramophone podcast Moog discusses the project with Editor Martin Cullingford.

Jonathan Biss has been recording the 32 Beethoven piano sonatas for the past nine years. Now, as he reaches the end of the journey with Vol 9, Gramophone's James Jolly caught up with the pianist to talk about this extraordinary series of works. Excerpts are taken from the album, released today by Orchid Classics. 

The pianist Stephen Hough has just released a new Brahms album for Hyperion, 'The Final Piano Pieces'. It has just been named Gramophone's Recording of the Month in the January 2020 issue. James Jolly caught up with Stephen just before Christmas to talk about the recording for this Gramophone Podcast.

As is traditional, Gramophone's reviewers have named their favourite recordings of the year (in the December issue and online). Now Gramophone's Editor, Martin Cullingford, Reviews Editor, Tim Parry, and Editor-in-Chief, James Jolly, each nominate three albums that they've enjoyed over the past 12 months.

As Gramophone publishes its annual digital magazine round up of Editor's Choice releases – 130 recordings in all – the magazine's Editor, Reviews Editor and Editor-in-Chief each select three albums that have made a big impact on them over the past 12 months. From solo guitar to two major 20th-century operas, the selection is broad, and celebrates some of the finest music-making of today from the likes of Víkingur Ólafsson, Sean Shibe, Marc-André Hamelin, Paavo Järvi, Edward Gardner, Natalya Romaniw and many more ...

Gramophone’s Orchestra of the Year Award is the only one offered as a public vote. Our editorial team has produced a short list of ten ensembles which have particularly impressed for their work on record over the past 12 months and, with Apple Music, has created ten playlists featuring each of the orchestras’ work (as well as an 11th which includes all ten ensembles and which is updated regularly).

In this, the second of three podcasts dedicted to the Award, Gramophone’s Contributing Editor, the critic and broadcaster Rob Cowan, joins Gramophone’s James Jolly to talk about the nominated ensembles. This week their focus is on three major European ensembles, the Staatskapelle Berlin, the Orchestra dell'Accademia Nazionale di Santa Cecilia and the Gothenburg Symphony Orchestra.

To listen to these three playlists (as well as the other eight) and to vote, just visit the Apple Music page on Gramophone's website, where you can also start your free three-month trial to Apple Music. 

Jeremy Eichler's new book, Time's Echo, just out from Faber (HB; £25) tangles with memory – what we choose to remember, what to forget – as history takes hold, and he argues that music can become in many ways the most powerful form of memorial. To illustrate this argument, he engages with works by Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich and Benjamin Britten. James Jolly caught up with him recently to talk about the book. 

The musical excerpts which appear on the podcast, with kind permission, are:

Shostakovich Symphony No 13, 'Babi Yar' Nikita Storojev; CBSO & Choir / Okko Kamu (Chandos)

Schoenberg A Survivor or from Warsaw Franz Mazura; CBSO & Chorus / Simon Rattle (Warner Classics)

R Strauss Metamorphosen Sinfonia of London / John Wilson (Chandos)

Britten War Requiem Soloists; Choristers of St Paul's Cathedral; LSO & Chorus / Richard Hickox (Chandos)

This Gramophone Podcast is published in association with Wigmore Hall. Visit Wigmore Hall's webite for full details of this week's events.

A special Gramophone Podcast devoted to this year's Awards - join us as we discuss the winners of this year's Artist of the Year, Lifetime Achievement, Label of the Year, Young Artist, Orchestra of the Year, Special Achievement, Concept Album and Beethoven 250 awards - plus we hear from the winner of this year's Recording of the Year!

The pianist Joseph Middleton has been busy in the studio and the past months have seen a number of albums released that find him alongside some great voices. It seemed a perfect opportunity for a chat, so James Jolly caught up with Joseph to talk about his role playing for singers, how he builds programmes, the changing landscape for song recitals and how the English have focused on the art of of the accompanist (a word they also discuss). The podcast contains excerpts from recent recordings featuring Carolyn Sampson, James Newby, Samuel Hasselhorn and Ashley Riches.

Debussy’s Pelléas et Mélisande was recorded for Harmonia Mundi, following performances directed by Daniel Jeanneteau at the Opéra de Lille last March. François-Xavier Roth conducted his period-instrument ensemble, Les Siècles, with Julien Behr and Vannina Santoni singing the title-roles. James Jolly caught up with the conductor by Zoom to talk about the opera.

Gramophone podcasts are given in association with Wigmore Hall.

For her third album for Gramophone’s current Label of the Year, Alpha Classics, the mezzo-soprano Kate Lindsey re-visits the Baroque for ‘Tiranno’. She offers five works by four composers – Alessandro Scarlatti, George Frederick Handel, Claudio Monteverdi and Bartolomeo Monari – that put Nero, his mother Agrippina and second wife Poppea centre stage. Lindsey’s last stage role before the pandemic was as Nero in Sir David McVicar’s acclaimed production of Handel’s Agrippina at New York’s Metropolitan Opera and her first role before an audience as the Staatsoper in Vienna recently re-opened its doors to the public was as Nero in Monteverdi’s L’incoronazione di Poppea.

James Jolly spoke to Kate Lindsey the day before L’incoronazione di Poppea opened and they discussed the new album and its themes of power and corruption, her experience of playing Nero and her plans for the future.

Gramophone Podcasts are presented in association with Wigmore Hall.

Dame Evelyn Glennie talks to Editor Martin Cullingford about her latest recordings of new works for percussion, by composers Alexis Alrich, Sir Karl Jenkins, Ned Rorem and Christian Linberg. The first three are released next week on a new album from Naxos called Concertos for Mallet Instruments, while Lindberg's new work - called Liverpool Lullabies, a concertante work for percussion and trombone - appears on a new album out today from BIS.

The Swedish pianist Peter Jablonski has recently released an album for Ondine of piano music by the Russian composer Alexei Stanchinsky (1888-1914). James Jolly caught up with Jablonski at his home in Stockholm to talk about this all-but-forgotten musician and what drew him to his music.

Jablonski, who was signed to Decca in his late teens, also reflects on how his career largely dictated his recorded repertoire – until quite recently – and how he has been using the fallow period of lockdown when concerts have ceased to explore new repertoire.

Gramophone Podcasts are presented in association with Wigmore Hall.

Guitarist Plínio Fernandes's debut album for Decca Gold, 'Saudade', is a very personal album drawing on his Brazilian roots. From music at the heart of the classical guitar repertoire such as Villa-Lobos's Five Preludes to arrangements of popular songs, it's a wonderful portrait of both Fernandes as an artist and of the guitar's place in Brazilian musical life. Gramophone's Editor Martin Cullingford met up with him.

Gramophone Podcasts are in association with Wigmore Hall.

January 5 sees Alfred Brendel turn 90 and he graciously agreed to speak to us for a Gramophone podcast and answer a few questions ...

Alfred Brendel had a long performing career – he gave his first recital in Graz, Austria when he was 17, in 1948, and his last concert 60 years later, in Vienna in December 2008. Early in his career he recorded for Vox, for whom he made many records of Beethoven’s music including the sonatas and concertos, as well as much other solo piano music. Since 1970 he recorded for Philips with whom he remained until the label was merged with Decca. His repertoire for Philips focused on the Austro-German repertoire and his recordings embraced the complete Mozart piano concertos, the Beethoven piano sonatas and concertos twice, as well as concertos and solos works by Schumann, Brahms and Liszt, and many of Schubert’s piano sonatas.

The soprano Rachel Willis-Sørensen has just released an album of Richard Strauss, two late works – the Four Last Songs and the Closing scene from the opera Capriccio. On this new Sony Classical release she's joined by the Gewandhausorchester and Andris Nelsons. James Jolly caught up with her by Zoom to talk repertoire and the allure of Strauss's vocal writing.

Gramophone Podcasts are given in association with Wigmore Hall.