Explorez tous les épisodes de Due signori in giallo
Plongez dans la liste complète des épisodes de Due signori in giallo. Chaque épisode est catalogué accompagné de descriptions détaillées, ce qui facilite la recherche et l'exploration de sujets spécifiques. Suivez tous les épisodes de votre podcast préféré et ne manquez aucun contenu pertinent.
Rows per page:
50
1–41 of 41
Date
Titre
Durée
25 Nov 2022
Episode 24: What Have You Done to Solange?
00:49:54
Graphic violence, illicit liasons and chunky knitwear all feature prominently in this episode's film. Jon and Dave ponder who is killing the girls at an exclusive Catholic school in Massimo Dallamano's 1972 thriller What Have You Done to Solange?/Cosa avete fatto a Solange?
Dave and Jon talk Hitchcock influence, movie strip clubs, and somewhat bizarrely the TV career of Emily Booth as they break down Lucio Fulci's swinging '69 giallo Perversion Story/One on Top of The Other/Una sull'altra.
CW: Gendered violence, gaslighting, the death penalty, exhumation.
Who is the mysterious masked figure terrorizing TV's Michael Brandon? And what is the strange connection between Dario Argento and Thomas the Tank Engine? All will be revealed as Dave and Jon tackle 1971's Four Flies on Grey Velvet/4 mosche di velluto grigio.
CW: Gendered violence, mental illness, homophobic portrayals of LGBTIQ+ characters.
This time, Jon and Dave take a sidestep into Proper Film™ as we attempt to ascertain if a movie that influenced a lot of gialli, Michelangelo Antonioni's legendary Blowup (1966), is itself a giallo. Also, whether anything happens in the movie.
It's season 2 of Due signori in giallo! We're back to (almost) the beginning with the Italian gothic/giallo hybrid The Murder Clinic, a.k.a. La lama nel corpo (1966), directed by Lionello De Felice and Elio Scardamaglia.
Dave and Jon have their first encounter with giallo queen Edwige Fenech in Sergio Martino's 1972 classic All the Colors of the Dark/Tutti i colori del buio.
Episode 21; The Night Evelyn Came Out of the Grave
00:52:42
Dungeons, thigh boots, heroic serial killers and plot holes you could fit several pairs of tits through? Jon and Dave come up against Emilio P. Miraglia's 1971 trashfest The Night Evelyn Came Out of the Grave/La notte che Evelyn uscì dalla tomba.
CW: Gendered violence, rape, sex work, animal cruelty, mental illness.
How did we manage to do twenty of these things?? For their 20th discussion, Jon and Dave delve into the dark delights of Aldo Lado's 1971 classic Short Night of Glass Dolls/La corta notte delle bambole di vetro.
Episode 14: Black Christmas (2021 Christmas Special)
01:02:24
With a Christmas special to record and no festive giallo to be found, Jon and Dave turn instead to Canada (the Italy of North America) and Bob Clark's Black Christmas (1974).
Two beautiful giallo queens, a faded Hollywood star, a remote Venetian island and a heavy sigh from Jon. It's Silvio Amadio's Amuck!/Alla ricerca del piacere, literally 'In Pursuit of Pleasure,' from 1972. Did we find any? Listen and see.
Pop art explodes in an orgy of gaslighting, funkadelic disco sounds and unfortunate body suits in Romolo Guerrieri's 1968 treat The Sweet Body of Deborah/Il dolce corpo di Deborah.
Availability on disc and streaming: Blu-ray.com (the various German blu-ray releases contain the Italian track with English subtitles but no English dub)
Dave and Jon discuss an early calling card for the legendary Ernesto Gastaldi, who along with Vittorio Salerno (sorta), writes and directs1965's Libido.
Dave and Jon find the countryside less than relaxing in Lucio Fulci's magnificent 1972 rural giallo Don't Torture a Duckling/Non si sevizia un paperino.
An array of giallo regulars, and Stanley Baker, are confounded by a murder-within-a-dream in Lucio Fulci's bloody, brilliant 1971 classic A Lizard in a Woman's Skin/Una lucertola con la pelle di donna.
CW: Sexualised violence, suicide, drug use, gaslighting, animal cruelty, gore.
Inspector Dave and District Attorney Jon investigate a dark and disturbing sex crime ring in Massimo Dallamano's What Have They Done to Your Daughters?/La polizia chiede aiuto (1974).
CW: Child sexual abuse, sexualised violence, coercion, rape.
Dave and Jon are lost in an oddly Gallic version of Spain in Carlos Aured and Paul Naschy's 1974 giallo Blue Eyes of the Broken Doll/Los Ojos Azules de la Muñeca Rota.
Darkness rolls in to engulf Jon Dear and Dave Thomas as they examine Luigi Bazzoni and Franco Rossellini's 1965 arthouse thriller The Possessed/La donna del lago.
The Possessed Arrow Blu-Ray: the original pressing contained a booklet with writing on the film by Andreas Ehrenreich and Roberto Curti. Though sadly this version is now out of print, the excellent disc without booklet is still available.
Jon and Dave asked for Star Wars for Christmas but the shops were were all sold out, so instead our nans got us Luigi Cozzi's delightful space opera shambles Starcrash/Scontri stellari oltre la terza dimensione (1978) instead.
We're back for our fourth season and fortieth episode. Dang, if only Mimsy Farmer had been in a famous movie with 'four' in the title... Instead we catch up with her being affected by the heat in Armando Crispino's 1975 shocker Autopsy/Macchie solari.
CW: Violence, sexual violence, self harm, suicide, real autopsy images.
There are terrible crimes being committed in an ancient castle - and that's just the Scottish accents. Dave and Jon tackle Antonio Margheriti's Seven Deaths in the Cat's Eye/La morte negli occhi del gatto from 1973.
Dave and Jon find that being set in Australia isn't the only atypical thing about Flavio Mogherini's downbeat 1978 film The Pyjama Girl Case/La ragazza dal pigiama giallo.
In their sophomore outing, Dave Thomas and Jon Dear discuss Mario Bava's classic 1964 body-count masterpiece Blood and Black Lace/6 donne per l'assassino.
Episode 25: The Corruption of Chris Miller (2022 Christmas-ish Special)
00:47:58
A rather tangiential festive episode as Jon and Dave discover the rain in Spain falls mainly on the deranged, with Jean Seberg and Marisol competing to have it away in a manger with Barry Stokes, in J.A. Bardem's 1973 film The Corruption of Chris(tmas?) Miller/La corrupción de Chris Miller.
CW: Sexual violence, rape, gendered violence, PTSD, the killing of a child.
There' a lot of plot to figure out in Luciano Ercoli's 1972 thriller Death Walks at Midnight/La morte accarezza a mezzanotte. Are Dave and Jon up to the task?
Is Alfred Vohrer's 1967 murder mystery caper The College Girl Murders/Der Mönch mit der Peitsche the missing link between German krimi films and Italian gialli? Or is Dave an idiot? Jon has strong feelings on both.
CW: Gendered violence, sexual assault, the Holocaust.
Season two comes to a bloody climax with one of the quintessential gialli, which bizarrely was made by a Hollywood director in the USA. Jon and Dave spend a New York minute delving into Brian De Palma's Dressed to Kill (1980).
CW: Gendered and sexualised violence, victimisation of sex work, problematic and invalid depictions of trans characters
Dave and Jon ponder another fateful meeting with Paul Naschy in Italy, no honest, it is, in León Klimovsky's A Dragonfly for Each Corpse/Una libélula para cada muerto (1975).
One of the eighties-est gialli ever, a story of boobs, intrigue, boobs, hallucinations, boobs, murder and boobs. It's Lamberto Bava's Delirium/Le foto di Gioia from 1987.
CW: Gendered and sexualised violence, sexual assault, probkematic portrayals of LGBTIQ+ characters and people with disabilities.
Jon and Dave venture back to the days when London's Covent Garden had several actual apple stores instead of an Apple Store, in Alfred Hitchcock's 1972 return to form Frenzy. Lovely!
There's a voice reaching out in a piercing cry. It's definitely a case of "Argh! Vienna!" as Jon and Dave tackle the tantalising Edwige Fenech (if only) in Sergio Martino's The Strange Vice of Mrs. Wardh/Lo strano vizio della Signora Wardh (1971).
CW: Sexualised violence, suicide, gaslighting, sexual assault.
In the first episode of Due Signori in Giallo, Dave Thomas and Jon Dear discuss Mario Bava's seminal 1963 thriller The Girl Who Knew Too Much/La ragazza che sapeva troppo, a.k.a. The Evil Eye.
A welcome return to familiar territory (and Carroll Baker) for Dave and Jon with Umberto Lenzi's not-at-all-awkwardly-named Orgasmo (1969), also known as Paranoia. Not to be confused with Lenzi/Baker's other giallo called Paranoia. Sigh...
Améliorez votre compréhension de Due signori in giallo avec My Podcast Data
Chez My Podcast Data, nous nous efforçons de fournir des analyses approfondies et basées sur des données tangibles. Que vous soyez auditeur passionné, créateur de podcast ou un annonceur, les statistiques et analyses détaillées que nous proposons peuvent vous aider à mieux comprendre les performances et les tendances de Due signori in giallo. De la fréquence des épisodes aux liens partagés en passant par la santé des flux RSS, notre objectif est de vous fournir les connaissances dont vous avez besoin pour vous tenir à jour. Explorez plus d'émissions et découvrez les données qui font avancer l'industrie du podcast.
