Archinect Sessions One-to-One (Paul Petrunia & Amelia Taylor-Hochberg)

Michael Kimmelman, architecture critic for the New York Times, joins me for our first One-to-One interview of 2016. I wanted to talk with Kimmelman specifically about a piece he had published just at the end of last year, called “Dear Architects: Sound Matters”. The piece considers how an architectural space’s unique audio atmosphere helps create its overall personality, invariably affecting us as we experience it. Alongside Kimmelman’s writing in the piece are looped videos of different spaces – the New York Times’ office, a restaurant, the High Line, Penn Station, a penthouse – meant to be viewed while wearing headphones, to get to know that space’s sonic portrait, of sorts.

Too often, says Kimmelman, architects don’t think of sound as a material like they would concrete, glass or wood, when it can have a profound effect on the design’s overall impact. In our interview, Kimmelman shares how the piece came to be, and how it fits into the Times’ overall push into more multimedia journalism. We also discuss how Kimmelman’s role as former chief art critic for the Times has influenced his architecture criticism, and how multimedia and VR may affect the discipline.

Martino Stierli took over as MoMA's chief curator of architecture and design in 2015, when the museum was already undergoing major changes. Diller Scofidio + Renfro's redesign was underway, and the architecture and design galleries faced something of an uncertain future in the expanded museum layout. On the podcast, Stierli dispels the rumors that the galleries would be closed permanently, and discusses MoMA's strategies for exhibiting architecture, as well as his plans to diversify the museum's collection.

Mark Middleton, partner at Grimshaw in London, has been facing the Brexit decision's aftermath like many of his architecture-compatriots—with positive pragmatism. While many architects and design professionals strongly supported "Remain", they have little choice but to #keepcalmandcarryon, while carefully reevaluating how ties with the European Union could affect business, as well as London as a design capital.

Middleton joins Amelia Taylor-Hochberg on One-to-One to sort through the current mood for practitioners in the UK, and the effects Brexit could have on architecture projects and policy in the years to come.

We visited Ray Kappe in his breathtaking home in Rustic Canyon, Los Angeles, to hear his thoughts on the shifting grounds of architecture education, and how architecture seems to always play catch-up to the historical zeitgeist. In a career spanning 60+ years and counting – including his roles as co-founder of Cal Poly Pomona's architecture department, and the founding-director of SCI-Arc – Kappe has not only been an impressive force of architectural practice (often referred to as an under-the-radar southern Californian modern master), but an educator constantly seeking to bring science and the world at large into architecture.

Missed out on Next Up: The LA River, Archinect Sessions' podcasting event? Now you can listen to the whole thing, released in two parts on One-to-One. Last week, we released the first half of the interviews, and this week we've got the rest. 

This week's playlist of live recordings features interviews with:

Lou Pesce (designer with Metabolic Studio)

Julia Meltzer (director and founder of Clockshop, a non-profit arts organization) and Elizabeth Timme (co-director of LA-Más)

Renee Dake Wilson (partner at Dake Wilson Architects and VP of the Los Angeles City Planning Commission) and Alexander Robinson (assistant professor of architecture at USC and principal at Office of Outdoor Research)

Mia Lehrer (founder and president at Mia Lehrer + Associates)

Elaine Molinar joined founding partner Craig Dykers at Snøhetta's very beginning, when they won their first competition for the Alexandria Library in 1989. Since then, the firm has grown true to its mountainous namesake, expanding to four offices worldwide and winning pivotal cultural projects in architecture and design, among them the Norwegian National Opera and Ballet, SFMOMA's expansion, the entrance pavilion at the National September 11 Memorial Museum, and Norway's new banknotes.

They both joined me on One-to-One to talk about their future hopes for the firm, Snøhetta's office culture, and their advice for working with your significant other (they've been a couple since the firm began).

This week's guest is Garrett Jacobs, executive director of the phoenix rising from Architecture for Humanity's ashes, known as the Chapter Network. When Architecture for Humanity went bankrupt last year and shut down its formal, executive functions, many affiliated chapters continued business as usual, that is, operating independently with volunteer coalitions. To rally those troops and continue AFH's mission of humanitarian and sustainable development, the Chapter Network was formed, and Jacobs, formerly an outreach coordinator for AFH, became its organizing leader.

As an architectural designer trained literally in the midst of Hurricane Katrina, and with past experience organizing for Code for America, Jacobs has big plans for the newfangled Network. We spoke about how to continue Architecture for Humanity’s legacy without making its same mistakes, and how to create a sustainable organization on a shoestring.

Through their work as visual strategists for NASA's Jet Propulsion Laboratory, David Delgado and Daniel Goods inspire scientists and make science inspiring. Under 'The Studio' at JPL, David and Dan help engineers and scientists sort through their own design problems using creative methodologies, while also framing JPL's research for a general audience—making things like travel posters for exoplanets and helping realize a giant listening station for orbiting satellites.

David and Dan sat down with me to discuss their role in the JPL ecosystem, and the invaluable role their architect- and designer-collaborators play in imagining the future. David starts off the conversation by describing their 'Metamorphosis' project: visualizing the surface of a comet through sculpture, for the Rosetta Mission.

Update 11/15/16: To clarify, the "Jason" Dan refers to ~2:08 is Jason Klimoski, of the architecture firm StudioKCA, whom NASA JPL asked to design the installation 'Metamorphosis'. David and Dan are not themselves designers/architects, but work with those professionals as their clients to realize JPL/NASA's objectives.

One-to-One is taking a break this week – we've been super busy these last few weeks, getting together more interviews and doing some spring cleaning for the podcasts. We'll be back next week with a new One-to-One, featuring Oana Stanescu and Dong-Ping Wong of Family New York, the designers behind Kanye's volcano and the + Pool project.

Until then, we'd recommend checking out these recent interviews:

• The Ascendancy of Theory: writer and theorist Sylvia Lavin on Archinect Sessions One-to-One #13
• Architecture for Humanity's Next Chapter: Garrett Jacobs, executive director of AFH-offshoot the Chapter Network, on One-to-One #11
• The Art of Architecture Criticism: Archinect Sessions One-to-One #7 with Michael Kimmelman, architecture critic for the New York Times

As always you can share your thoughts on the podcast through @archsessions or #archinectsessions, or through connect@archinect.com. Until next week!

Missed out on Next Up: The LA River, Archinect Sessions' live podcasting event? Now you can listen to the first half all at once, on One-to-One. Next week we'll release the full second-half.

This playlist of live recordings features interviews with:

• Frances Anderton (host, KCRW’s DnA) and Christopher Hawthorne (architecture critic, Los Angeles Times)
• Steven Appleton (co-founder, LA River Kayak Safari) and Catherine Gudis (co-founder, Play the L.A. River game)
• Marissa Christiansen (Executive Director (formerly Senior Policy Director), Friends of the Los Angeles River)
• Deborah Weintraub (Chief Deputy City Engineer, LA Bureau of Engineering)

About Next Up: The LA River

When Frank Gehry's office was first attached to the L.A. River's master plan and redevelopment, the river began attracting fresh attention over a project that had already been evolving for decades. This October, in an attempt to do justice to the river's complexity and history (and the accompanying urbanist discourse), Archinect hosted 'Next Up: The LA River'—a live podcasting interview series with an array of architects, planners, artists, and journalists with varying perspectives on the subject.

We're now eager to share those conversations with everyone as eight Mini-Sessions, released as part of our Archinect Sessions podcast. Amelia Taylor-Hochberg, Paul Petrunia and Nicholas Korody moderated the conversations, which took place at the Los Angeles Architecture + Design Museum on October 29, 2016. While we reached out to them, unfortunately no representatives from Gehry's office were able to take part.

This week on the podcast, we speak with Jens Bertelsen – a Danish architect specializing in historic preservation, who since 2011 has called himself "The Queen's Architect." Bertelsen’s official title under the Danish monarch (Queen Margrethe II) translates to something like “Royal Building Inspector,” “Royal Builder” or “Royal Surveyor,” but essentially means he's responsible for making sure that all the structures belonging to the monarchy stay in shape, and ideally, in use. This includes buildings like the Danish Parliament and the royal family’s winter home, Amalienborg Castle.

Bertelsen's firm, Bertelsen & Scheving, was founded in 2007 in Copenhagen, and specializes in historic preservation work. Bertelsen will hold the Royal Builder position until 2016.

As Deputy Director for Urban Design and Mobility in Glendale, CA, a teacher of urban design at Woodbury University, and one of the Mayor's appointees on the City of Pasadena's Design Commission, Alan Loomis has thoroughly installed himself in the shifting scene of southern Californian urbanism. After moving from Michigan to get his MArch at SCI-Arc in the late 1990s, Loomis has seen enough of Los Angeles' urbanism to be convinced that whatever post-sprawl paradigm gets adopted here will become the guidebook for many more cities in the US, particularly those ever-expanding desert cities in the southwest.

Loomis joined Amelia Taylor-Hochberg in Archinect's studio to talk about urban design in the public and private realms, pedagogical approaches to urban design vs. urban planning, and his earlier days in LA as an Archinect editor.

In the late 1950s, some of the world's most prominent architects gathered in Berkeley, California, to take part in a landmark psychological experiment on creativity and personality. Eero Saarinen, Philip Johnson, Richard Neutra, William Pereira and dozens of other architects were put through a barrage of tests and surveys, to gain a better understanding of what creativity is, and its place in architecture. They also rated one another, and in the process exposed not only exposed their egos honestly, but also their insecurities.

For the first time, the story behind the study (along with its data and results) have been made public, in The Creative Architect, by architect and author Pierluigi Serraino. I spoke with Serraino about the context of psychological research in the 1950s and the evolving personality behind being a “creative” architect.

20 over 80: Conversations with Legends of Architecture and Design is the antidote to those breathless, over-hyped lists you’ve seen, trying to predict which baby-faced youngster will be the next big thing in their creative practice. A compilation of unique interviews with such greats as Milton Glaser, Michael Graves, Phyllis Lambert, Jens Risom, Denise Scott Brown and Deborah Sussman, 20 over 80 not only draws a thread through the last century of creative practice, but is also a testament to the talented people whose lifetime of experience came to define today’s design and architecture.

Editors Aileen Kwun and Bryn Smith joined Amelia Taylor-Hochberg to discuss how they approached the dream assignment of interviewing such "legends", and the surprising similarities and differences running through the interviewees' history.

Architect and educator Tom Wiscombe has made major inroads as SCI-Arc's BArch chair to establish a stronger connection to the humanities and critical theory in architecture education, founding the school's Liberal Arts Program last year and bringing in contemporary philosophers and theorists to spark new dialogues. We discuss his role in the southern Californian architecture culture (particularly in regards to MOCA's 2013 New Sculpturalism show), how he prioritizes theory in architectural practice and education, and his ongoing Main Museum of Los Angeles project in the city's enlivened downtown. 

Correction: this episode thanks SCI-Arc for helping coordinate the interview – while Tom is on faculty there, it was his alma mater of UCLA that assisted in scheduling the interview.

Today's podcast guests are NBBJ Managing Partner Steve McConnell and John SanGiovanni, co-founder of Visual Vocal, a new company bringing virtual and augmented reality systems to the architecture industry. As an investor in Visual Vocal, NBBJ plans to foster the company in all of its design processes, using its collaborative platforms to communicate among designers, clients, and users, at all stages of project development. With a beta program launching this summer, Steve and John gave me a taste of how NBBJ plans to use the service, why it invested in the company in the first place, and how ubiquitous VR stands to dramatically change the architectural process.

Steven Holl is globally renowned for monumental works that specifically invoke light, color and porosity in both programmatic and aesthetic ways. Holl can also be thought of as an artist’s architect—his firm has done work for many arts institutions, he methodically sketches his projects in watercolors, and his style is heavily influenced by art practice and theory. He’s also very interested in the phenomenology of architecture—how it’s sensed by humans, and its impact on our existence.

We spoke in a totally unremarkable conference room at the Salk Institute in La Jolla, California, the day before Holl was scheduled to give a keynote presentation for the Academy of Neuroscience for Architecture’s conference.

Tired of all those repetitive Pritzker-prediction lists? Always those same, predictable bigly names, and when was the last time they actually got it right? It's time to cut through all the crap and go straight to the source to get the info — the ones who operate at a higher level than any listicle or explainer-piece could. So we asked a psychic.

After a quest to find a future-seer who would let me record the reading, I (Amelia) ventured deep into the depths of Los Angeles' Echo Park neighborhood and sat for 15 minutes with a psychic named Mary. She gave me the following tarot reading, responding to two questions: What are going to be the major concerns for architecture in 2017, and who’s going to win the Pritzker? Find out the answers in this season finale of One-to-One.

After this, One-to-One will be going on indefinite hiatus for 2017. In the meantime, we'd love to hear your feedback on the show — things you liked, disliked, ways to improve, and people you'd like us to interview. Send any One-to-One thoughts to us via connect@archinect.com or through Twitter, @archsessions. Here's to 2017, and thanks for listening!

This week's One-to-One guest, the Los-Angeles based architect Michael Maltzan, may be best known for his multiple residential projects with the Skid Row Housing Trust, and the longer-than-the-Empire-State-Building-is-tall residential mixed user, One Santa Fe. But Maltzan’s office is also designing Los Angeles’ new Sixth Street Viaduct, a since-demolished infrastructural icon of the city that bridged the Los Angeles River between downtown and Boyle Heights. Michael shares his relationship with the growing identity of downtown Los Angeles, and his perspective on the style of urbanism arising on LA’s westside in the “Silicon Beach” neighborhood of Playa Vista. We also discuss the effect of China’s ban on “weird” architecture for LA-architects practicing there.

The small town of Columbus, Indiana is packed with the works of famous modernist architects, but unlike cities like New York or Chicago, Columbus’s pedigree isn’t so often brought into the national architectural discourse. Exhibit Columbus, a new symposium and exhibition happening annually in the city, is hoping to change that.

Deborah Berke, architect and dean at Yale, has worked extensively in Indiana and was a keynote speaker at this year's inaugural Exhibit Columbus symposium. She joined me on the podcast to reflect on the local and regional influences of Columbus IN, and the impact they've had on her career.

Shortly after Grafton Architects won RIBA's inaugural International Prize for their UTEC campus in Lima, Peru, I spoke with the firm's director, Yvonne Farrell, to get the backstory to the project and discuss how the award might affect the firm in the long run. As an academic building, UTEC joins a rich collection of other institutional projects by the Dublin-based Grafton.

Architecture writer and historian Hugh Howard has written many books on American architecture, telling stories that meld design and cultural history together in highly accessible and humanistic ways.

His latest book, "Architecture's Odd Couple: Frank Lloyd Wright and Philip Johnson", tracks the fruitful and contentious relationship between the two architectural frenemies—beginning with Wright’s role in Johnson’s pivotal “Modern Architecture” exhibition at MoMA in 1932, up until Wright’s death in 1959. Through their relationship, Howard provides an excellent overview of midcentury architecture's context in the United States, and personalizes the architectural giants in the process.

This week's One-to-One guest is Jenna Didier, founder of the Materials & Applications research and exhibition space in Los Angeles. Didier started the driveway-sized venue in the front yard of her Silver Lake home in the early 2000s, looking for a space to establish community and exchange for like-minded architects, artists, designers, and makers in the city. M&A has since hosted installations by architects such as John Southern (Urban Operations), Jenny Wu and Dwayne Oyler (Oyler Wu Collaborative) and Benjamin Ball and Gaston Nogues (of Ball-Nogues Studio), among many others, and regularly holds events and gatherings.

More recently, Didier also founded Urban Applications: an initiative of M&A that works directly in and with local communities on environmental installations. We spoke about her work with robotics and fountains, and how creative communities are formed in sprawling metropolises.

In the spring of 2015, we ran a Working Out of the Box feature with Abraham Burickson, the practicing architect who founded Odyssey Works—a theater company that produces performances for an audience of one, often lasting days. Participants are extensively researched and the performances are rigorously planned, so that the whole thing unfolds before them spontaneously, as they move about the world.

To Burickson, theater and architecture are one and the same—their objective is to immerse the audience, and make them feel something. And in preparation for this month’s theme of Games, it's impossible not to see Odyssey Works' performances in the same genre of experience: game-like interventions that change the way we experience the built environment.

The following interview is our conversation from February of 2015, edited for time and clarity.

Tomas Koolhaas is a filmmaker in Los Angeles, whose most recent project, a documentary about his father Rem, recently premiered at the Venice Film Festival. REM follows its titular architect around the world, visiting his projects and investigating their human impact. Aware of his special perspective on the film's subject, Tomas didn't want REM to be a teary biopic or heady architectural salvo, but something more impressionistic and accessible, appealing to emotions over intellectualism. We speak about managing family relationships in creative work, his influences as a filmmaker, and film's role in architectural media at large.

Kunlé Adeyemi founded NLÉ in Amsterdam and Lagos in 2010, after over eight years at OMA. Raised in Kaduna, Nigeria, with an architect father who was constantly redesigning his childhood home, Adeyemi studied architecture in Lagos before getting an MArch II at Princeton, studying with Peter Eisenman. His work at OMA included pivotal roles in projects such as Lagos’ master plan and the Shenzhen Stock Exchange. Throughout his work, he focuses on issues of rapid urbanization and climate change in the Global South.

I spoke with Kunlé this past August, for his keynote presentation at the AIA Tennessee Convention in Chattanooga. We cover his work in wide breadth: how he focuses on cities’ relationships to water and infrastructure, quickly iterating projects like the Makoko Floating School prototypes in Lagos and at the Venice Biennale, and why he left OMA to start his own firm in the first place. Due to a technical glitch in the live recording, the episode starts about ten minutes into our conversation.

Design/Build with Jersey Devil: A Handbook for Education and Practice is a wonderful mixture of history, interviews, experiments and how-to’s, all focused around the design/build pedagogy and practice of its 1970s pioneers, Jersey Devil. Author Charlie Hailey, who is also an architecture professor at the University of Florida, spoke with me about Jersey Devil's beginnings at Princeton University, and the implications of design/build pedagogy for today’s academic climate.

Special thanks to Princeton Architectural Press for helping coordinate this interview.

This episode's title is a reference to architect and writer Michael Sorkin's description of the firm: Jersey Devil “put the funk back in functionalism".

Never Built New York, by curators and authors Greg Goldin and Sam Lubell, is an astounding collection of architectural projects that never made it into being. The book features projects from the last two centuries, sited all throughout the five boroughs, that range from the monumental to the mortifying. Alongside infamous projects like Buckminster Fuller’s dome over Manhattan and Frank Lloyd Wright’s Key Plan for Ellis Island, visions for an alternate New York-urbanism abound: aborted reflections of their time, place and politics.

The book continues in the tradition of Goldin and Lubell's 2013 exhibition, "Never Built Los Angeles", including focused research on each project alongside gorgeous drawings and visualizations. I spoke with the authors about their curatorial approach to the book, and the projects that they were most excited by.

Writer and BLDGBLOG founder Geoff Manaugh's latest book, A Burglar's Guide to the City, isn't just a set of case studies on bank vaults and getaway routes—it's a dialectic for public and private space. It’s definitely the first book I’ve come across classified jointly under “architecture” and “true crime”, and it's full of fascinating insights into how burglars exploit architecture to pull off the perfect crime, as well as the extent architects go to prevent that from happening.

Geoff spoke with me about the research behind the book, and how a personal experience with burglary changed his ideas about privacy in architecture. For more podcasting with Geoff, check out our conversation about autonomous vehicles on Archinect Sessions #43.

Architect and educator Liam Young joins Paul Petrunia and Nicholas Korody in the Archinect studio for this week's One-to-One. Young, a kind of architect-non-architect (his definition of the role may vary), concerns his design and creative work with the anthropocentric futures of our globalized society, in architecture, energy, and technology.

Standard among his many roles are co-director of the AA's Unknown Fields Division, a nomadic research studio, and founder of the urbanism think tank, Tomorrow's Thoughts Today. Current projects include developing a new masters program at SCI-Arc in fiction and entertainment, and leading a studio at the AA. Special thanks to SCI-Arc for helping set up the interview.

Before coming to MIT to serve as dean of the School of Architecture + Planning in January 2014, Hashim Sarkis taught at Harvard's GSD as the Aga Khan professor of Landscape Architecture and Urbanism in Muslim Societies. He founded his own practice, Hashim Sarkis Studios, in Cambridge in 1998, and continues to lead the firm.

Sarkis’s experience working in two of the most highly-regarded architectural education institutions worldwide, while also managing his own firm, puts him in a unique position to approach theoretical questions of architecture from within the two, often discordant spheres of academia and practice. Our interview revolves around the same questions we ask in our Deans List series – how architecture education and practice are changing, how to address student needs, MIT’s particular take on how to cultivate exceptional architects, and the culture of the school in a global urban context.

We last spoke with Amale Andraos for our Deans List series, a year after she succeeded Mark Wigley as dean of Columbia University's GSAPP.Since 2011 at GSAPP, before her deanship began, Andraos has ledvarious research studios and seminars around "Architecture andRepresentation: The Arab City"—the results from which she has nowedited, with Studio-X Amman director Nora Akawi, into a newbook, The Arab City.

Andraos spoke with Amelia Taylor-Hochberg about theperpetuated stereotypes and simplifications that plague discussionsof Arab cities—the desert v. the oasis, the traditional v. themodern, etc.—and how her own experiences in Beirut inspired herresearch.

If the name didn't tip you off, CockyBoys is a gay porn studio based in New York. Jake Jaxson has been running it, quite successfully, since 2010, starting with implementing a major shift in the aesthetic and overall quality of its videos – not only to up the production value, but to communicate what Jake refers to as a "nostalgia," and a sense of place. In an industry awash with graceless, utilitarian money-shots, readily available for free, how do you justify that extra investment in design, and getting your audience to pay for it? 

Part of our special April focus on sex and sexuality in architecture, I spoke with Jake about the tandem inspiration between pornography and architecture, and how design-conscious porn can lead to a more sex-positive society. Jake also shares his dream house for a shoot – hint: it rhymes with "The Ass Mouse".

Los-Angeles based architect Michael Maltzan may be best known for his multiple residential projects with the Skid Row Housing Trust, and the longer-than-the-Empire-State-Building-is-tall residential mixed user, One Santa Fe. But Maltzan’s office is also designing Los Angeles’ new Sixth Street Viaduct, a since-demolished infrastructural icon of the city that bridged the Los Angeles River between downtown and Boyle Heights.

Michael shares his relationship with the growing identity of downtown Los Angeles, and his perspective on the style of urbanism arising on LA’s westside in the “Silicon Beach” neighborhood of Playa Vista. We also discuss the effect of China’s ban on “weird” architecture for LA-architects practicing there.

This episode originally aired on March 14, 2016.

Writer, critical theorist and architecture academic Sylvia Lavin has been a fixture in the southern California art and architecture scene for the better part of the last 30 years. Currently serving as Director of the Critical Studies programs at UCLA's Architecture and Urban Design department, she also recently launched a summer curatorial program at SCI-Arc, called MEAT: Making Exhibitions in Architecture Today, and is widely published on issues of architecture and art practice.

Lavin spoke with me about growing up in an academic family, splitting her childhood between New York and Rome, and her perception of the art/architectural scene in southern California.

Shownotes:

LA-based architect Frank Israel's obituary

UCLA urban planning professor Edward Soja's obituary

Pipilotti Rist's "Pour Your Body Out" (2008) installation at MoMA

For nearly 30 years, Michael Arbib taught computer science, neuroscience, engineering, psychology, and mathematics at the University of Southern California, and is known for his prolific work on brains and computers: essentially, what the mechanisms of one can teach us about how the other works. Gathering together all aspects of his work, he’s sharpened his focus on the connection between architecture and neuroscience, and developed the concept of neuromorphic architecture.

He is now associated with the NewSchool for Architecture and Design and UC San Diego, and has played a major role in the Academy of Neuroscience for Architecture, based in La Jolla, California. We spoke about the Academy’s upcoming conference, and what architecture practice can realistically take from neuroscientific research.

Shortly after starting out in Frank Gehry's office in the early 1990s, Clive Wilkinson founded his own firm in Los Angeles, and has since designed far-reaching workspaces for such big-name clients as Google, the BBC, 20th Century Fox and Microsoft. I spoke with Clive about the evolution from cubicle farms to “serendipity machines” in office design, and his thoughts on co-working spaces. Also turns out he’s not a huge fan of Apple's "spaceship" campus.

The Genesis-sized replica of Noah's Ark is just the beginning of Ark Encounter, Kentucky's new biblical theme park managed by the Christian apologist ministry, Answers in Genesis. Troyer Group are the architects behind the ark, with president and chair LeRoy Troyer as the lead architect.

I spoke with LeRoy about the challenge of building a project with Biblical construction specs, as well as the inherent controversy of designing something that is meant as a kind of proof of concept for Answers in Genesis' ideology: that the Bible "is the true history book of the universe".

You probably don’t recognize George Tsypin’s name, but you’re almost certainly familiar with his projects. After training as an architect in Moscow, Tsypin moved to New York to study theater design, and it’s now safe to say millions upon millions of people have seen his work. He’s designed stage sets for the MTV VMA’s, operas, Broadway plays, and the 2014 Winter Olympics’ Opening Ceremony at Sochi, among many others.

Tsypin's work is now captured in GEORGE TSYPIN OPERA FACTORY: Invisible City, released on October 18 by Princeton Architectural Press. We spoke about designing for theatrical and mass media performances, and how his architectural training grounds his practice.

Our interview begins with Tsypin's account of working in 5Pointz, the infamous graffiti building in Long Island City. Special thanks to Princeton Architectural Press for helping coordinate the interview.

Based in London, Elsie Owusu OBE runs her own firm (Elsie Owusu Architects), is a national council member at the Royal Institute of British Architects, and is vice chair at the London School of Architecture. But it’s likely that many Archinectors hadn’t heard of Owusu until December of last year, when we reported on claims of institutional racism and sexism she had made against RIBA, alleging that they had rigged an election she was up for in favor of another candidate, who wasn’t an elected RIBA council member.

In my correspondence with Owusu to arrange our interview, she analogized the issue this way (paraphrased here): an African-American or minority ethnic female actor (her) being nominated for an Oscar, only to have a white actor who hasn't even made a film "parachuted in" and given an award for Best Supporting Actor.

I wanted to speak with Owusu about her work alongside issues of diversity and exclusion in practice generally, and also at the institutional level of RIBA. We discuss the allegations, but Owusu is quick to point out that these conversations need to happen regardless of any publicized incidents – keeping these discussions going is vital if the profession is ever going to improve.

Our new podcast, Archinect Sessions: One-to-One is an interview show, straight-up. Each episode features a single interview with a notable figure in contemporary architecture – it's that simple. Usually, One-to-One will be led by me or Paul Petrunia, while occasionally others will serve as guide. The conversation will be casual and spontaneous, touching on the interviewee's role in the expanding range of architectural practice, and will serve (we hope) a valuable archival role in future discourse.

For our very first episode, I spoke with Neil Denari of Neil M. Denari Architects (NMDA). Aside from his firm's work, Denari is a tenured professor at UCLA, and was the director of SCI-Arc from 1997 - 2001. We spoke about the shifting focus of architecture education, multitasking, Los Angeles and the recession's impact on architecture.

Aside from their role as workshop co-chairs for the ACADIA conference, this week's One-to-One guests are both architects who work and teach at Taubman College of Architecture and Urban Planning at the University of Michigan. Their focus on fabrication led them to their roles at ACADIA, with McGee directing Taubman's FABLab and Newell serving as Director of the Master of Science in Material Systems and Digital Technologies.

ACADIA stands for the Association for Computer Aided Design in Architecture, and this year's conference, "Posthuman Frontiers: Data, Designers and Cognitive Machines" (October 27-29) attests to the extreme collaborative depths humans and machines have come to in architecture. I spoke with Catie and Wes about what they have planned for the conference workshops, taking place October 24-26, and just how close architects are to achieving the singularity.

We're taking a break from One-to-One this week to set off fireworks and contemplate the potential future of a Trump Presidential Center. In the meantime, we present some of our favorite episodes related to this big ol' hot mess of a nation.

We've got it all:

• "Traditional" architecture, not necessarily just like Jefferson would have wanted: Building Our Best Nature: Archinect Sessions One-to-One #8 with Scott Merrill, winner of this year's Driehaus Prize
• The too-common tragedy of mass shootings: Queer Space, After Pulse: Archinect Sessions #69 ft. special guests James Rojas and S. Surface
• Seeing through anti-LGBTQ legislation: Due Protest: pushing back against HB-2 and fighting for interns on Archinect Sessions #64, ft. special guest Gregory Walker
• Gun-control in the classroom: Guns in the Studio: Texas' new campus carry law prompted Architecture Dean Fritz Steiner to resign. He joins us to discuss the law's effect on architecture education, on Archinect Sessions #55
• Public health crises from compromised infrastructure: Dispatch from Flint: How architects can help, on Archinect Sessions #54
• Good ol' American architecture institutions: Inside the Institute: Archinect Sessions goes to the AIA National Convention on Episode #30
• Interview with the architects who would become the designers for Obama's Presidential Center: "Starts with me, ends with us": A conversation with Tod Williams and Billie Tsien on Archinect Sessions Episode #22
• and, of course, hot dogs: Hot Dogs Around the World: James Biber, architect of US Pavilion "American Food 2.0" at EXPO Milan, joins us for Episode #31 of Archinect Sessions

I (Amelia) also personally recommend you check out these prior One-to-One's:

• The "Impossible" Car – Faraday Future's lead designer, Richard Kim, on One-to-One #17
• The Ascendancy of Theory: writer and theorist Sylvia Lavin on Archinect Sessions One-to-One #13
• The Art of Architecture Criticism: Archinect Sessions One-to-One #7 with Michael Kimmelman, architecture critic for the New York Times
• Our brand new interview podcast "Archinect Sessions One-to-One" premieres today! Listen to episode #1 with Neil Denari

Scott Merrill, winner of this year’s Driehaus Prize for his work under his firm Merrill, Pastor & Colgan, studied economics before getting an MArch at Yale, and found inspiration early in his career from Vermont's vernacular architectures. He began practicing solo in Florida in 1990, and works at a range of scales, in a form true to what the Driehaus celebrates: traditional, classical architecture. The award, started in 2003 by the architecture school at Notre Dame, celebrates (and gives $200,000 to) an architect whose work “embodies the highest ideals of traditional and classical architecture in contemporary society, and creates a positive cultural, environmental, and artistic impact.”

Scott spoke with me about what the prize means to him, and his view of architecture as primarily about serving our human nature, not fulfilling a formal agenda.

Architect Jose Sanchez is the co-creator of Block'hood, a city-building computer game that runs on real city data. Under his practice, plethora-project (covering architecture and indie game development), he focuses on how play can initiate design practice. 

In Block’hood, players build cities out of 80 preset block types, and are rewarded for thinking “ecologically” and creating diverse cities. Sanchez wanted the game to be accessible to everyone, not just urban planners or architects, and to ultimately be both a learning tool and fun in its own right. Sanchez's interview is part of our special August focus on Games.

Richard Kim is a pretty busy guy – as the head designer at emerging electric vehicle company, Faraday Future, Kim is tasked with creating the company's very first EV for production, destined to compete with Tesla and, as he sees it, the airline industry. No public design is available yet, but Kim hopes to do the "impossible" and ready the car for production in 2017. We found some time in his tight schedule to discuss his role at Faraday Future and what's in store for car ownership and operation in the coming years, as automation and electric battery capabilities open up new paradigms for the humble automobile.

Amro Sallam helped start Architects for Society in 2015, gathering together a collective of international architects to focus their work on humanitarian and social-welfare projects. One of their first projects, Hex House, is a solar-powered, single-family unit designed for deployment in refugee camps and other displaced communities. Sallam shared with me the firm’s origin story, their mindset towards architecture’s involvement in humanitarian efforts, and his thoughts on Aravena's Biennale.

Complaints about the state of architecture education are easy to come by, both in academia and practice. It's expensive, long, and arguably ineffective in preparing graduates for the realities of the field. So who's actually trying to fix it?

Will Hunter, former deputy editor of the Architectural Review, has one idea – start a whole new school altogether. Back in October, Hunter opened the brand new London School of Architecture, starting 30+ postgraduate architecture students on a 2-year course working with local firms on local projects. As the school's founder and director, Hunter wanted to form a "cost-neutral" model of architecture education, where students work part-time – for pay equal to the cost of tuition – while also attending courses. Give students a vested interest in their city and practice, narrow the gap between education and practice considerably, and make their training financially sustaining.

We spoke with Hunter in August, about the thought process behind the school and how he went about building it from the ground up. Our conversation has all the trappings of nervous excitement that you'd expect in anticipation of a school's opening, and we hope to check back in with Hunter after the LSA's first year is over. 

Dora Epstein Jones is the newly minted executive director of the A+D Architecture and Design Museum in Los Angeles. With a doctorate in Architectural History, Theory and Criticism from UCLA, Epstein Jones came to A+D after nearly 15 years at SCI-Arc, where she led the coordination of humanities and theory courses, and served as the founding coordinator of the General Studies program.

Now situated in L.A.’s booming Arts District, A+D is neighbor to downtown’s own museum renaissance, not to mention the SCI-Arc campus. In our interview, Epstein Jones imagines how A+D could become the L.A version of Storefront, while working to keep it accessible to the local community.

In the late 1980s, Bernard Khoury came to the US from Lebanon to study architecture at RISD and Harvard, then returned to establish his practice in Beirut in the mid-1990s. His father was a prominent modernist architect during Beirut’s booming pre-civil war years, and much of Khoury’s work somehow engages with Lebanon’s post-war urbanity. We spoke about his time at Harvard, studying “war architecture” with Lebbeus Woods, and how his practice is a constant reevaluation of how architecture can reflect upon, and come to terms with, the traumas of war.

In line with this month's "Furniture" theme, Amelia Taylor-Hochberg speaks with Galen Cranz, an architecture professor at UC Berkeley specializing in body-conscious design. Cranz is trained in the "Alexander Technique" – a method for "correcting" the body's poor habits of movement, that can limit self-awareness in a space.

Before coming to Cal to teach architecture, Cranz received her PhD in sociology from the University of Chicago, influencing her pedagogy of architecture and furniture to primarily be about how humans occupy designs, and how social hierarchies emerge from those conventions.

This week on One-to-One, we check in with the partners behind Family, Oana Stanescu (former top-notch Archinect School Blogger) and Dong-Ping Wong, to hear how the pop culture-bending firm grew from when Oana and Dong met at REX, to now designing for Kanye West and pitching their own projects in New York, including the innovative + Pool project. Also, why Oana's dog is all over their website.