Vinyl Emergency (Jim Hanke)

Influenced equally by Elizabethan composers and pop radio, Dessa consistently dissects the human condition, while deftly defying genre tags. A member of the Minneapolis indie-rap collective Doomtree (and championed by playwright Lin-Manuel Miranda), her interest in examining behavioral science has fueled multiple careers in creative writing, music and live poetry, as well as spawned TED Talks and her own BBC Radio program on not just how our brains work, but why. During this episode, Dessa shares the impetus for her latest book, previous and upcoming collaborations with the Minnesota Orchestra, the myriad of condiments that travel with her on tour, and the 30-year impact of Liz Phair’s groundbreaking album Exile in Guyville. Visit dessawander.com for literature, vinyl, tour dates, social media and more. Her aforementioned radio series Deeply Human is available however you listen to podcasts.

Born in Italy and raised in the English city of Oxford, Olivia Chaney is an acclaimed and classically-trained pianist/folk singer who -- thanks to a Twitter dialogue with Decemberists frontman Colin Meloy -- recently partnered with the group to form the side-project Offa Rex, providing a psychedelic motif to traditional British folk songs from as early as the 17th century. This week, Olivia talks about being intrigued by Bob Dylan's John Wesley Harding LP as a child, the vinyl care package she recently received from her label Nonesuch, opening shows for the legendary Robert Plant, the song selection process for Offa Rex's debut album The Queen Of Hearts, how our discussion has potentially influenced her to record direct to analog from now on and how cassette tapes on family road trips not only formed her earliest musical memories, but also became the focus for the cover of her debut album, 2015's The Longest River. Visit both oliviachaney.net and offarex.co for music, social media and more! SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl For A Cause; Flipbin.

Enjoy this repeat of our interview last year with film and television composer Dave Porter. You can hear Dave's music on "Preacher" and "Better Call Saul," celebrating their season premieres on the AMC Network on June 24th and August 6th, respectively.

As a child of the 1970's, vinyl records were intrinsic to Ben Harper's understanding of and approach to music. “If somebody came to the house and said 'We're gonna repossess either your refrigerator or your turntable,'" he states today, "they would've been hauling out the fridge.” Growing up, the 3x Grammy-winner and heralded lap steel guitarist/vocalist's taste jumped from Ozzy Osbourne to Robert Johnson to Funkadelic to Jackson Browne on any given day. To get to those places, he points to varied avenues of discovery, from the underground world of skateboarding to his family’s folk music shop and museum. That same diverse recipe eventually led to an equally unique list of collaborators over the years, including Ringo Starr, Eddie Vedder, Harry Styles, Natalie Maines and The Blind Boys of Alabama. On today’s program, Ben recounts an emotional day spent with soul legend Solomon Burke, finding the blues buried in hip-hop, and the importance of communicating with our former selves. Ben's latest album Wide Open Light is out now, wherever you get physical or digital music. Visit benharper.com for tour dates, socials and more.

My good pals and self-described "crappy twins" Josh and Chris Marcanti -- both of the Rock And Roll Brunch Podcast -- join me for an in-depth talk about the current state of vinyl and what the future could hold for music fans and the industry as a whole. Having played music together for years (both in The American Autumn and now The Throwbacks), we also discuss whether twins indeed have a secret language, being in a cover band after years of performing original material, and the many reactions they would get while podcasting at diners and restaurants. You can check out music from The American Autumn at theamericanautumn.bandcamp.com, follow The Throwbacks at facebook.com/thethrowbackschicago and hear some of the old classic Rock and Roll Brunch episodes at rockandrollbrunch.tumblr.com! Be sure to follow us at facebook.com/vinylemergency and twitter.com/vinylemergency, and write the show with comments, questions or suggestions at vinylemergency@gmail.com!

Surrounded by her parents' jovial and eccentric group of friends as a youngster -- whom she likened to "the Marx Brothers in tie-dye" -- photographer and director Autumn de Wilde has captured a venerable who's who list of artists on film, such as Willie Nelson, Prince, Ryan Adams, the White Stripes, Death Cab for Cutie, Sonic Youth, Fiona Apple and the Decemberists. This week, Autumn and Jim discuss how her shots on iconic record covers for Beck's "Sea Change," Elliott Smith's "Figure 8" and Jenny Lewis' "The Voyager" came to fruition, the comedy albums that she loved growing up, some long-lost photos Autumn took of Jim during a shoot for "Wilco the Album" back in 2009, and how she uses a certain improvisational wildness within her art while ensuring her subject never feels trapped by it. Follow @autumndewilde on Instagram and Twitter, and keep an eye out for the latest video she has directed for Starcrawler's "I Love L.A.," coming later this month. SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl for a Cause; flipbin.

Check out details on our brief upcoming hiatus, and what you can expect when we return.

This is an encore presentation of a previous episode, originally airing in January 2022.

---

Championed by some today’s biggest names on the fringes of country music, singer/songwriter Amythyst Kiah released her breakthrough album Wary + Strange in 2021 to rave reviews. Upon its release, Pitchfork dubbed the record “an intensely personal document (that) examines the realities of being a Southern Black LGBTQ+ woman in songs both defiant and vulnerable.” One of those tracks in particular, the Grammy-nominated “Black Myself,” matches a hypnotic groove and gritty distortion with lyrics addressing the horrors of chattel slavery and the Brown Paper Bag Test, making for an unforgettable statement that channels both Odetta and Public Enemy. On today’s episode, Amythyst discusses “Black Myself” in detail, as well as growing up with an audiophile father, being intrigued as a kid by a particular Santana album cover, and how an a cappella Tori Amos song inspired her to share her most personal struggles. Visit amythystkiah.com for tour dates, social media and more.

For over two decades, Polyvinyl Records -- which started in the small Midwestern town of Danville, IL -- has been releasing various offshoots of indie-rock with touches of folk, hardcore punk, chamber pop or new wave, including records from Braid, Japandroids, Of Montreal, Joan of Arc, Deerhoof, Alvvays, Beach Slang, Jeff Rosenstock, Matt Pond PA, Owen, Jay Som, Mates of State and countless others. On today's show, Polyvinyl co-founder Matt Lunsford remembers the hands-on DIY nature of the label’s first releases, the early importance of documenting a scene (along with co-founder and wife Darcie), how long their lead time is at pressing plants for a label of their caliber and adapting quickly to how listeners consume music. Plus, we’ll learn more about recent or upcoming Polyvinyl releases from American Football, Pedro the Lion and Rainer Maria. Shop for the label's music, merch and take advantage of their massive holiday sale at PolyvinylRecords.com, follow them on Facebook and Instagram @polyvinylrecords, or on Twitter @polyvinyl.

Troubled Hubble drummer and acclaimed photographer Nate Lanthrum talks with host Jim Hanke on this debut episode! Nate has photographed the likes of President Obama, U2, R.E.M. and Tom Waits, but the work he's most proud of was featured by the Chicago Tribune in 2014, spotlighting his interaction with the last families living in the Cabrini-Green housing projects. We discuss his original interest in vinyl (which then parlayed into collecting cameras), Troubled Hubble's early days and recent reunion after a 10-year hiatus, what it's like to be a juvenile probation officer in the digital age and he tells some hilarious stories about meeting both 30 Seconds To Mars and Fugazi's Ian MacKaye. Visit Nate's photography portfolio at nplanthrum.com and keep tabs on all things Hubble at troubledhubble.com!

This year, the record industry hit arguably its greatest bottleneck yet: Though Taylor Swift and Adele have recently delivered two of the largest vinyl sales weeks of the modern era (with revenue on an incline for physical indie retailers during the pandemic), COVID-19 has made materials like PVC, cardboard, dyes, shrink wrap, paper for inner sleeves and even wood pallets increasingly harder to find, afford and ship around the world. Thus, an album by your favorite artist that comes out digitally today may not see a physical vinyl release for months. On this week's episode, Billy Fields (VP of Sales, Account Management for an arm of Warner Music Group), Eric Astor (President/CEO of Furnace Record Pressing) and Dustin Currier (an independent, Chicago-area musician whose latest album on vinyl has been delayed due to the aforementioned circumstances) participate in a roundtable discussion separating fact from fiction around these headaches, and how their own personal stake in promoting, releasing or pressing music has been affected. 

Milwaukee-based Americana duo Dead Horses have performed anywhere from coffee shops to opera houses since their formation in 2010, and their profile is only getting larger: While on the road supporting their latest album My Mother The Moon this year and next, they'll play Colorado's legendary Red Rocks Amphitheatre, as well as a Jamaican and Mexican cruise alongside Emmylou Harris, the Indigo Girls, Billy Bragg and Jason Isbell. Singer/guitarist Sarah Vos and double bassist Daniel Wolff talk today about their relationships with vinyl, getting their own LP's pressed without a label, working with former Wilco drummer Ken Coomer and more. PLUS they'll grace us with two live acoustic performances which you can also download separate from today's episode at deadhorseswi.bandcamp.com, with proceeds benefitting Texas non-profit RAICES -- the Refugee and Immigrant Center for Education and Legal Services. For Dead Horses tour dates, social media and more, visit deadhorses.net.

After years of playing upright bass for cult country act BR5-49, Jay McDowell stumbled into a dream job for any music geek: Multimedia Archivist for Nashville's Musicians Hall of Fame and Museum, established in 2006. From the actual drumkit Santana's Michael Shrieve played at Woodstock to the original lathe used to cut Elvis Presley's first recording to hand-written lyrics from some of the greatest songwriters ever, the MHFM is a literal treasure trove of artifacts and memorabilia that speaks both to the brilliance of music's biggest stars as well as the ingenuity of those behind the scenes. To Jay's end, he wears many hats day-to-day, whether giving private tours to everyone from school kids to the musicians themselves who are being honored, on top of video production, archival research and assisting with the presentation of specific exhibits. On today's program, recorded at the Russell Hotel in Nashville, Jay speaks to his own history with vinyl, how historical context can morph a good song into a classic, why we continue to absorb and collect music even though it's impossible to hear everything, and he shares plenty of stories behind some of the MHFM's coolest acquisitions and inductions, involving Elvis Presley, Velma Smith, Howlin' Wolf, Willie Nelson and Bob Dylan. For more information on the Musicians Hall of Fame & Museum or to plan your trip today, visit musicianshalloffame.com. On Instagram, follow @musicianshalloffame.

Vinyl Emergency may not have existed without inspiration from Billy Fields. Within the record industry, he's known as the resident vinyl expert for Warner-Elektra-Atlantic, the artist and label services arm of Warner Music Group, overseeing all aspects of vinyl production, including marketing, sales forecasts and strategy. For record lovers on Twitter, Billy is a required presence, keeping the world updated with weekly vinyl sales numbers and trends, while being a vocal advocate for quality vinyl, no matter who's releasing it. Recorded in Nashville during this year's Music Biz conference, Billy dives into the cyclical nature of music retail, his college days working at Tower Records, how Bandcamp and Qrates are working with unsigned artists to create custom limited pressings, and why his team strives to keep the price of albums down, while still giving musicians and fans what they want. Follow @billysezvinyl on both Twitter and Instagram.

Pioneer of podcasting and stand-up comedy veteran Jimmy Pardo joins me this week to discuss his memories of vinyl growing up, working in Chicago record stores, his sales career with MCA Records in the mid-80's, warming up audiences for The Tonight Show with Conan O'Brien and TBS' Conan, and possibly his shortest comedy gig ever, "opening" for Elton John! As host of the incredibly popular Never Not Funny podcast, Jimmy also talks about the fantastic work the show has done for cleft palate charity Smile Train during their yearly Pardcastathon, having raised almost $800,000 since 2009. Jimmy's 2005 album Pompous Clown is now available for the first time on vinyl from astrecords.bigcartel.com, and Pardcastathon 2017 takes place this coming March! Subscribe to Never Not Funny however you listen to podcasts, and follow @jimmypardo and @nevernotfunny on Twitter!

Kansas City native Nathan Ellis joined the pioneering experimental outfit Coalesce in the late 90's, as they made a name across the globe for intricate dynamics partnered with the fervency of hardcore punk and a live show that bordered on chaos. He later formed The Casket Lottery with more dialed-in, yet equally engaging songwriting, pointing to area bands like Boys Life, Kill Creek and Giants Chair as influences. A few years ago saw the vinyl reissue of the band's first three full-lengths, and today's wide-ranging conversation with Nathan takes us from Vincent Price to baseball, as well as obscure Robert Smith side-project The Glove to The Casket Lottery's truly-collaborative split EP with longtime friends Small Brown Bike. The band's new album Short Songs For End Times comes out November 6th, and can be pre-ordered at wiretaprecords.limitedrun.com. Visit @thecasketlottery on Instagram for further updates.

Enjoy this encore presentation of Episode 110 with guest Matt Earley, president of acclaimed vinyl pressing plant Gotta Groove Records in Cleveland. PLUS a sneak peek on next week's guest!

Long before his current position as Editorial Director of Onion Inc., -- and his freelance work for Magnet, Spin and Rolling Stone -- Josh Modell created Milk Magazine (along with his buddy Jim Minor), a D.I.Y. publication responsible for introducing me to independent music when I was just a high-schooler. Josh and I discuss his vinyl obsessions when he was younger, his tenure at Milwaukee's storied Atomic Records (with memories of in-store performances from The Wedding Present, Frank Black and Jason Molina), pressing vinyl for acts like Clem Snide and Crooked Fingers on his Foreign Leisure label, how The Promise Ring's "Very Emergency" album got its title (and his role as a milkman in the band's "Emergency! Emergency!" music video), his favorite A Very Milky Christmas memories and A.V. Undercover segments, the benefits and drawbacks of internet commenting and much more! Follow Josh at twitter.com/joshmodell and tune in as well for details on our current giveaway: A hand-crafted wood album jacket display, courtesy Sand & Stain! Visit instagram.com/sandandstain to have a look, and follow the show at twitter.com/vinylemergency, facebook.com/vinylemergency and instagram.com/vinylemergency for details on entry!

Despite vinyl's comeback, selling it online as a small, independent label is an uphill battle; Now imagine doing so door-to-door. As former Director of Operations for G.E.D. Soul Records, there were times when Nashville native David Guy would do just that: visit record stores across the country unannounced, selling funky 45's and adding to his own vast record collection along the way.

Currently, David is a hard-working bassist for hire, having spent time in many G.E.D. Soul projects like The Coolin' System and DeRobert & The Half-Truths -- as well as Time Is Tight, a Booker T. & The MG's tribute act -- before joining up with Amanda Shires last year, touring behind her 2016 album My Piece Of Land and playing some of the largest shows he's ever done, opening for Jason Isbell & The 400 Unit.

With even more excitement coming soon (Amanda and her band hit Red Rocks next month and film a set for PBS' Austin City Limits in a few weeks), David discusses some of his recent soul jazz finds on vinyl, the remarkable history of United Record Pressing's Motown Suite, which albums he picks up for Amanda while on tour, how race can wrongfully decide who reaches a wider audience, and much more. Follow David's record collection and life on the road via Instagram @davidandguy, check upcoming tour dates at AmandaShiresMusic.com and pick up some of David's releases via GEDSoulRecords.com!

Since launching in 2007, the Los Angeles-based comedy label ASpecialThing has churned out laughs on 7, 10 and 12" formats, putting influential voices such as Patton Oswalt, Cameron Esposito, Karen Kilgariff, Jonah Ray and Kyle Kinane to vinyl. Today, on top of his early love for hip-hop, how he swayed his parents to buy him a Muppet Show album and what it's like to get a Grammy, AST co-founder Matt Belknap takes us through the in's and out's of putting stand-up sets to wax. Plus, as producer of the groundbreaking podcast Never Not Funny, Matt will co-host Pardcast-A-Thon -- a 12-hour, live-streaming telethon version of NNF -- on Saturday, May 4th. Proceeds benefit children's cleft palate charity Smile Train, for whom Matt and the gang have raised over $1 million during their past nine fundraisers. Watch all the craziness for a good cause via youtube.com/nevernotfunny, purchase albums from ASpecialThing via astrecords.bigcartel.com, follow @mattbelknap on Instagram and subscribe to NNF's weekly podcasts on the Earwolf Network however you listen.

Comedian, podcasting pioneer and former MCA Records employee Jimmy Pardo returns to discuss what defines prog rock, whether there's a current American band that could garner the sendoff that Canadians gave The Tragically Hip, finally owning a favorite LP after a 20-year search, and his new web series Jimmy's Record & Tapes, where he revisits albums in his collection from 1975 to 1995, along with hilarious personal stories. Subscribe and catch a new episode every Tuesday at youtube.com/nevernotfunny. You can also use that link for the 11th annual Pardcast-A-Thon -- a 12-hour, live-streaming celebrity fundraiser to benefit the cleft palate charity Smile Train -- airing Saturday, May 23rd. Dive into Jimmy's award-winning podcast Never Not Funny however you listen, follow him on the web at jimmypardo.com and on Twitter, @jimmypardo.   

An obsessive record collector since third grade, Josh Berwanger's adoration for glam-tinged rock and synth-heavy new-wave led to the formation of indie quintet The Anniversary, who toured heavily in the early 2000's behind a pair of full-lengths for the Vagrant label at its zenith. On today's program, Josh dishes about his days behind the counter at Lawrence, KS record store Love Garden, spotlights some rare finds in his collection, remembers how having the band's music on vinyl was always part of their record contract, and shares his thoughts on how scaling vinyl production back could benefit the industry long term. We also dig into his latest project Radar State, formed with longtime pals Matt Pryor and Jim Suptic of The Get Up Kids and Gadjits drummer Adam Phillips. Check out the band's tour dates and social media, plus pick up their debut LP "Strays" released by Wiretap Records, at radarstate.bandcamp.com.

Though much of this year's Pilgrimage Music and Cultural Festival in Franklin, TN was sidelined due to weather-related safety concerns, we still managed to chat with Dawes lead vocalist/guitarist Taylor Goldsmith, soulful singer/songwriter Courtney Marie Andrews and Ireland's Grammy-nominated Hozier, who all shared their thoughts about the importance of vinyl in a digital world, and how the medium has influenced their own work. For details on Pilgrimage Festival, visit pilgrimagefestival.com. 

Formed in Evansville, IN during the late 90's, Mock Orange gained a devoted following amongst indie-rock circles for progressive, whiplash time signatures, buoyed by sentimental yet urgent lyrics. Though the quartet's debut album Nines & Sixes provided an addictive and aggressive spark, 2000's The Record Play delivered a deeper and more nuanced emotional payout: Singer/guitarist Ryan Grisham's wordplay (drenched in poetic metaphors on time and distance), drummer Heath Metzger's prog-like precision and the clear, masterful production style of Mark Trombino made the album somewhat of an underground touchstone for early 2000's emo. On today's show, Ryan talks about piecing together the thematic nature of The Record Play two decades later, why turning 40 gave him a new outlook on the band's first album and how he managed -- long before iPods -- to play his beloved 7" collection on the road. This episode also features the WORLD PREMIERE of the band's new single "So Maybe," from their upcoming EP The Bridge, their first release in nearly four years. Vinyl for both The Bridge, as well as a 20th anniversary repress of The Record Play, will be available for pre-order via mockorange.net later this month. Follow @mockorange on Facebook, Twitter and Instagram for updates.

Popular female country artists like Kacey Musgraves and Maren Morris have scored major pop crossover hits, made huge splashes in the vinyl market and perform for sold-out crowds across the United States, yet barely have a blip on country radio. Though far from a new phenomenon, it’s one that has drawn battle lines over the last two decades between gatekeepers of a genre dominated by white males and a rightfully fervent opposition seeking accountability, diversity and equal representation. On this week’s episode, music journalist Marissa R. Moss (Rolling Stone, Billboard) explains how she tackles these issues and more in her new book, “Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be” (available today, May 10th). We also dive into why Sturgill Simpson’s latest record is best enjoyed on vinyl, the rise of Nashville’s Black Opry, and how life events influence how we hear and appreciate music. Visit marissarmoss.com for more information about “Her Country,” and follow her on Instagram and Twitter @marissarmoss.

Over the last 25+ years, the legendary Chuck Berry, an inarguable architect of rock n' roll and known worldwide for hits like "Johnny B. Goode" and "Roll Over Beethoven," had been working on what would become his final album. The aptly-titled Chuck is his first studio record since 1979 and was finished prior to his death this past March. The LP features current rock staples like Gary Clark Jr., Nathaniel Rateliff and Rage Against The Machine's Tom Morello alongside members of his family, including son Charles Jr., who had already built himself a successful career in IT, but had virtually zero music experience, before joining his father's band in the early 2000's. This week, Charles Jr. remembers 16RPM records, his mother's vinyl collection and his dad's guitars over the years, plus we discuss his own vinyl buying habits and why this final album took over a generation to complete. He also talks about the memories he's made through his father's music with his own son, Charles III, including their recent appearance together on The Tonight Show. The album Chuck is available on Dualtone Records wherever you buy music; go to ChuckBerry.com for more info. SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl For A Cause; Flipbin.

Early in his career, John Moreland says he existed in a state of what he dubs "under-being": Living in perpetual humility to a fault, believing he wasn't deserving of appreciation for his art, let alone basic kindness. But in 2024, whether being championed by his Grammy-winning peers, or hailed by GQ as "the new face of folk rock,” he's finding being one of the most talked-about singer/songwriters today a little easier to take. And the last 12 months alone have given his fans multiple reasons to celebrate: On top of a raw, live-to-acetate recording at Nashville's Third Man Records and a 10th-anniversary vinyl reissue of his terrific sophomore LP, he suddenly dropped his latest album Visitor, without warning, back in April to wild acclaim. Today, the Oklahoma-based Moreland speaks about learning to love surprises, his infatuation with Sheryl Crow’s harrowing hit “Strong Enough,” and how ditching his smartphone reconnected him with his record collection. Visit johnmoreland.net for tour dates, social media and more.

Racking up an astonishing 13 proper albums within the last two decades -- not including singles or EP releases -- Matt Pond has solidified himself as one of the most prolific singer-songwriters working today. Though the name Matt Pond PA was retired in 2017 (a moniker for his recording and touring band of which he was the sole consistent member), his work over the last 12 years with musician and engineer Chris Hansen has led to film and commercial scoring, as well as An Orchestrated Impulse, a new multi-sensory collaboration with visual artist Eva Magill-Oliver, comprised of twelve paintings each paired with an instrumental composition in a different key. On today's show, Matt muses about The Minutemen's "Double Nickels on the Dime," why he's had to abandon three completely separate record collections over the years, the Beatles-influenced stage name he almost went by when he moved to Brooklyn and how his mom's confusion between John Waite and Tom Waits paved Matt's musical journey. The installation of An Orchestrated Impulse debuts October 11th at the O+ Festival in Kingston, NY with full performance details at orchestratedimpulse.com, and accompanying music available for digital download at anorchestratedimpulse.bandcamp.com. Visit mattpondpa.com for news, social media and more.

Long before his flawless debut album Dying Star in 2018, Ruston Kelly had been loud and clear about metal and punk rock shaping his brand of Americana songwriting. But last year's covers EP, Dirt Emo Vol. 1, cemented that fact and laid out a confessional throughline between Taylor Swift and Saves The Day. On this episode, we’ll hear how vinyl played an important role in Ruston’s childhood, his attraction to authenticity -- be it from Eminem or the Carter Family -- and after overcoming addiction, what event made him realize "the universe is not out to get me, it’s out to show me what things are worth." Ruston’s new album Shape & Destroy is available August 28th, wherever you get physical or digital music. Visit RustonKelly.com for vinyl pre-orders and more. 

In the pantheon of 90's alternative-rock, you could say Boston trio Morphine were one of the most alternative. Leader Mark Sandman's seductive vocals and two-string slide bass, partnered with only baritone saxophone and drums, created a sound Sandman himself dubbed as "low rock" but almost 30 years after the band's inception, their fans as well as newcomers still struggle to put Morphine's uniqueness into words. Since Sandman's tragic death in 1999, saxophonist Dana Colley (along with surviving members of Morphine and other collaborators) has kept that distinct sound alive through Orchestra Morphine and currently Vapors Of Morphine, as well as an upcoming limited LP release from Warner Music Group imprint Run Out Groove of Morphine's 1997 set at The Warfield Theatre in San Francisco, cut to vinyl by Jeff Powell at the legendary Sam Phillips Recording. On today's show, Colley discusses his fascination with liner notes and how vinyl records act as an archive for a moment in time, while Run Out Groove's Matt Block visits to talk about the label's fan-driven voting process, why a Morphine live show was chosen over studio albums that have yet to see vinyl pressings and how quality digital recordings have as much of a right to exist in the vinyl market as analog. Visit RunOutGrooveVinyl.com to find a store near you that will carry Morphine's Live At The Warfield 1997 next month, and check out VaporsOfMorphine.com for news and tour dates.

What do Hulk Hogan, Ed McMahon, the Pink Panther and Hamm's Beer all have in common? Tony Thaxton, host of the podcast Bizarre Albums, joins us today to discuss the unique, obscure or oddly legendary records these pop culture icons created, as well as other LP's put out by actors, athletes, fictional characters and auto companies over the last half-century. Plus, we talk about our mutual fascination with the documentary film Bathtubs Over Broadway, a must-watch for any record collector. Find Bizarre Albums however you listen to podcasts, and follow the show on Instagram, @bizarrealbums. 

Here's something a little different this week! I recently guested for the second time on The Great Albums podcast -- a fantastic show hosted by Bill Lambusta and Brian Erickson -- that dissects classic records track-by-track, defining what makes them so special. I was ecstatic that they invited me back to talk about 1998's "Yield," recently reissued on vinyl and the fifth album from one of my favorite bands: Pearl Jam. So instead of me hosting this week and asking the questions, I thought you'd enjoy hearing the entire Great Albums "Yield" episode, as a gesture of solidarity and cross-promotion in music podcasting, and giving Bill and Brian exposure to the Vinyl Emergency audience, just as they've been kind enough to do for us. In this spirited round-table discussion, we get into deep Pearl Jam lore, nerd out on the various amps and guitars used on the album, PJ's relationship with vinyl and so much more! Be sure to subscribe to The Great Albums however you listen to podcasts, visit them at TheGreatAlbums.com and follow them on Twitter and Facebook @thegreatalbums.

"People ask us, 'What's your favorite record?' Our answer is 'The one we're going to hear next week.'" That anecdote on today's show from Greg Kot is why he and his Sound Opinions co-host Jim DeRogatis have inspired legions of music journalists for decades: Between emotional reactions to pop music and intellectual analysis of art-rock, they consistently remain curious. As former critics at the Chicago Tribune and Sun-Times respectively, they have seen weird fads, legendary careers and physical media come and go, documenting it all -- whether in print, via the web or on the air. On this episode, Greg and Jim dive into their own early obsessions with vinyl, whether or not we can truly judge someone by their record collection, and why music criticism shouldn't be a solo project. Find Sound Opinions wherever you hear podcasts, or at soundopinions.org.

Today's guests are more than just bandmates. Friends since the first grade -- with matching tattoos to boot -- being founding members of the influential Kansas collective The Get Up Kids has taken Rob Pope and Jim Suptic (along with Matt Pryor and Rob's brother Ryan) to seemingly every corner of the world since their 1995 formation. This year marks the 25th anniversary of their breakthrough sophomore LP Something to Write Home About — an album layered in lovelorn distance and declarations of proving oneself. Back then, Jim and Rob say that getting the album out was a frustrating practice in learning who to trust; at the moment, currently on tour playing the album in full, the pair look at the release as a "coming-of-age" album, one that inspired and launched thousands of bands itself through its heroic melodies and relatable points of view. Recorded backstage at the legendary Great American Music Hall in San Francisco, Jim and Rob discuss the two-sided coin of nostalgia, what inspires them about each other, and why maple syrup isn’t always a positive smell. The band's 2LP Something to Write Home About reissue, complete with demos and previously unheard material, is available now via digital platforms, and physically on September 20th. Tour dates and more can be found at thegetupkids.com.

Eric Astor — CEO and President of Furnace Record Pressing in Virginia — returns to the show to discuss last month’s 2nd annual Making Vinyl conference in Detroit and Furnace’s recent addition of several new record presses. Plus we go over this year’s Record Store Day Black Friday releases with former podcast guest Nick Digilio from WGN Radio in Chicago.

Music discussion and vinyl news podcast Sharing Needles With Friends has been both a favorite of mine for years as well as an inspiration for me to start Vinyl Emergency. Based out of Knoxville, TN and fueled by the nearly 20-year camaraderie of hosts Derek Jones and Gene Priest, SNWF is an always informative and hilarious listen, whether they're talking about their own record collections, what excites them about upcoming releases, or divisive topics, like whatever Kanye West is up to that particular week. Derek and Gene were kind enough to air this interview as their own SNWF episode a few weeks ago as a showing of solidarity and cross-promotion, but if you're brand new to SNWF, buckle up for a really fun episode! We also revisit our new segment Where's The Wax?, by bringing 15 more albums to the table that need a vinyl pressing.

On the heels of a fiery new album (Here We Go Crazy), influential indie icon Bob Mould reflects on how record store culture informed Hüsker Dü's formation and why the jukebox singles of his youth still help him get out of the occasional songwriting stalemate. Visit bobmould.com for tour dates, social media and more. 

275 miles, 6 record stores and 2 states in 1 day. I made it my mission on Record Store Day 2016 to bring you a slew of interviews with vinyl collectors of all sorts in both Wisconsin and Illinois (fathers and daughters, aunts and nephews, couples, best friends and more) about their passion for records and what they wanted from this year's list of exclusive releases. Plus I chat with several record store owners about their prep for the big crowds and their love for their customers on the biggest music shopping day of the year! In Milwaukee, these chats took place at The Exclusive Company (Farwell Ave.), Rush-Mor Records, Off the Beaten Path and ACME Records & Music Emporium, plus there's audio from show-sponsor Pinwheel Records in Chicago as well as Rediscover Records in Elgin, IL. I also talk with Ben Robertson and Chris Baronner of flipbin, a new Chicago-made record display product whose Kickstarter campaign recently launched in order to help vinyl lovers better organize their "now playing" or "recently purchased" stacks of wax! Visit them at flipbin.com and listen in to learn how to win a FREE flipbin for yourself! Follow @vinylemergency on Facebook, Twitter and Instagram, and write the show atvinylemergency@gmail.com.

It’s not out of bounds to say that the Smoking Popes began as a bit of a joke. Vocalist, guitarist and songwriter Josh Caterer deems the earliest incarnation of the band as “a Spinal Tap version of hardcore punk,” choosing song titles first and how those songs would actually go later. But after finding a propulsive drummer in a teenage Mike Felumlee, the quartet began showing true heart around 1993: no longer just goofing off in the garage, Caterer was penning some of the punchiest, most direct odes to lost love on the college radio dial, emphasizing all the best parts of the Smiths, Cheap Trick, Roy Orbison and the Ramones, while feeling wholly original. It’s now been three decades since Born To Quit, the band’s heroic half-hour featuring “Need You Around” and “Rubella,” put them on the map. And although an LP reissue dropped earlier this year (without the band’s consent or knowledge), Josh and Mike decided that the Popes needed their own “Taylor’s Version” of sorts, in order to take these songs back into their possession — even in the most modest of terms. So before a minimal audience in a small, central Illinois studio, the band chose to cut Born To Quit live, front to back, and a vinyl version comes out this week to put a stamp on the occasion. During this episode, Josh and Mike speak to their longevity as a unit, what we can expect from their brand new album this spring, and what it meant to control Born To Quit’s legacy a bit, with this new approach. We also dive into Mike’s tenure in Alkaline Trio, and Josh’s solo performances pressed to wax during the 2020 lockdown. Visit anxiousandangry.com to pre-order the Born To Quit Live Session, and hit up smokingpopesmusic.com for tour dates, social media and more.

Bassist and Alabama native Jimbo Hart has been holding down Jason Isbell & The 400 Unit's low end for over a decade -- touring the world and earning a Grammy for the group's 2017 barnburner The Nashville Sound. Recorded in his home studio, Jimbo articulates why geology plays a significant role in the music of Muscle Shoals, the joy he gets from recording others (like recent projects for Ross Adams and King Corduroy), his adoration for Monty Python, how New Orleans radio station WWOZ still broadcasts vinyl, and killer stories about encounters with Robert Plant, Kris Kristofferson and dobro legend Jerry Douglas. Jason and the 400 Unit's first two albums -- 2009's self-titled effort and 2011's Here We Rest -- were recently remixed, remastered and reissued on vinyl, available on limited edition colored variants at your favorite local indie retailer or while on tour. Visit JasonIsbell.com for more information. Jimbo also appears on bandmate Sadler Vaden's upcoming solo LP Anybody Out There? (available March 6th) and Isbell merch manager Chance Gray's debut EP The Long Crossing, out now. Stop by sadlervaden.com and chancegray.com for details. Follow @jimbohart on Twitter or @thejimbohart on Instagram.

The recent, sudden passing of Tom Petty has been rough for all who knew him and adored his music, so this week we're rerunning our chat last fall with Heartbreakers keyboardist Benmont Tench. Ben's memories over the last 40 years of performing with Tom, and his passion for vinyl and music in general, make this one of our favorite interviews we've done. Follow @BenmontTench on Facebook and Instagram, as well as @BenchTen on Twitter.

Author, freelance writer and Do You Know Who You Are? podcast host Eric Grubbs comes on the show to discuss the wide range of influences that got him into vinyl - Face To Face, Eric Carmen, Pet Shop Boys and Bruce Springsteen among them - as well has how inspiration can literally come from being hit on the head! We also discuss his 2008 book "POST: A Look at the Influence of Post-Hardcore 1985-2007" at length, including anecdotes on interviewing members of Fugazi, Sunny Day Real Estate, The Promise Ring and more for it. You can listen to Eric's podcast at soundcloud.com/eric-grubbs, and become a fan of the show at facebook.com/doyouknowpod. 

Enjoy this encore presentation of Episode 46, recorded live 01/14/17 at Pinwheel Records (Chicago) with vocalists/guitarists Bob Nanna and Chris Broach from Braid. 

Our special guests this week are Grammy-winner John Paul White (formerly of The Civil Wars), acclaimed singer/songwriter Erin Rae, sibling vocal duo The Watson Twins, Rock & Roll Hall of Famer John Oates of Hall & Oates, Australian guitar virtuoso Tommy Emmanuel, photographer "Cowtownchad" Cochran and former Vinyl Emergency guest Austin Lucas, all providing great stories about their appreciation and personal history with vinyl, recorded live at various locations during Americanafest 2018 in Nashville, TN! For details on Americanafest, including how to join the Americana Music Organization, visit AmericanaMusic.org.

For over 25 years, Texas native Rhett Miller has fronted the Old 97's, recognized as one of the most acclaimed staples within Americana or alt-country music. Still, he's found plenty of time over that span to step out on his own: Hosting the podcast Wheels Off, writing children's books and recording seven solo records containing collaborations with Jon Brion, Aimee Mann, R.E.M.'s Peter Buck, longtime session drummer Jim Keltner and members of the Decemberists. Recorded at Vance Powell's renowned Sputnik Sound in Nashville (as the Old 97's began work on their 12th proper album), Rhett muses on his early fascinations with Joan Jett, the Kingston Trio and ZZ Top, pumping quarters into the vinyl jukeboxes of his local diner, how patterns in genre fiction influence his solo albums and what Wheels Off has taught him about the creative process. Visit old97s.com and rhettmiller.com for tour dates, music, social media and more. Plus, subscribe to Wheels Off however you get podcasts.

Raised in Virginia, Caroline Spence grew up experiencing vinyl mainly through her dad's taped collection of Beatles records, and later absorbed that collection - along with her aunt's LP's - as she began to make a name for herself as a singer/songwriter both in and outside of Nashville. Rolling Stone heralded her 2019 full-length Mint Condition as "a gorgeous reflection on finding peace amid upheaval and confusion," delivering "deft chronicles of interpersonal complexity." This week, Caroline talks about her debut performance at Nashville's famed Ryman Auditorium, the current value of her vinyl releases from before she got signed, having Emmylou Harris contribute to Mint Condition's airy brilliance, and why her first face-to-face interactions with Dave Matthews were as a pissed-off seven-year-old on Rollerblades. For news, social media and more, visit carolinespencemusic.com. Watch her appearance on Craft Recordings' new record-shopping video series at craftrecordings.com/pages/shoplifting.

After 15+ years on the road, Seattle's Minus the Bear said goodbye in 2018... but not for long. Marking two decades since the release of their second album, Menos El Oso -- heralded by both critics and fans alike -- the five-piece are back this year to play the album in full across the country. A sprawling, math-rock masterclass, Menos takes listeners on a globetrotting trail through Spain, Ireland, Los Angeles and more, while vocalist/guitarist Jake Snider inhabits characters seeking escape, be it from fever dreams, crime scenes or soul-crushing day jobs. Today, Jake is joined by guitarist David Knudson, as the pair breakdown Menos track-by-track. Along with host Jim Hanke, they dive into the meanings behind some of the band's most impactful songs twenty years later, and how the genre-bending experimentation of Danger Mouse and DJ Shadow influenced the LP. Catch Minus the Bear at this year's Best Friends Forever Fest in Las Vegas, or on tour cost-to-coast, this fall. Visit minusthebear.com for tickets, social media and more.

Born in Scotland but moving to Australia by the age of 14, Colin Hay grew up around a music shop owned and operated by his parents, who sold everything from pianos to LP’s. Finding worldwide success and a Grammy win in the early 80’s with Men At Work, Colin has penned some of the most endearing songs of that decade (“Down Under,” “Who Could It Be Now?,” “Overkill”) as well as unassuming yet emotionally resonant tracks since then, like “Waiting for My Real Life to Begin” and “I Just Don’t Think I’ll Ever Get Over You.” His charm has always lied in crafting bleakly beautiful melodies, blanketed by lyrics that somehow find comfort in isolation or discomfort in new surroundings. On June 4th, Compass Records will release a 20th anniversary vinyl pressing of Colin’s album Going Somewhere, and on today’s show, Colin discusses the process in revisiting that material, how moving from Scotland to Australia was like changing “from black-and-white into technicolor,” and how he became a member of Ringo Starr’s All-Starr Band. Pre-order Going Somewhere from compassrecords.com and follow @ColinHay on Instagram for updates.

Los Angeles native Robert Fisher has designed records for some of the most popular acts since the alternative rock boom, including Beck, Weezer and No Doubt. But starting with 'Nevermind' onward -- including all posthumous releases following Kurt Cobain's death -- Robert is most recognized for being Nirvana's sole art director, creating iconic album covers, sleeves for singles, box set packaging and anything else relating to arguably the most important band of the last 30 years. Recently, Robert launched the @NirvanaBucket Instagram feed, dedicated to his body of work for the group and showcasing rare flyers, tapes, scrapped ideas and even items Kurt provided him for inspiration throughout their partnership. 

On today's show, Robert discusses how the final version of 'Nevermind' came to be, as well as stories surrounding Beck's 'Odelay' and Urge Overkill's 'Saturation'. HIs latest work for Nirvana is on the 'Live & Loud' 2LP set, released last summer, capturing the band's 1993 performance in Seattle for MTV. Visit flyingfishstudio.us to check out more of Robert's work.

Music on today's show is from 'Every Sun, Every Moon,' the new album from I'm Glad It's You, available from 6131Records.com.

Whether you hailed from Gainesville, Grand Forks or Green Bay in the late 90's, it wasn't rare to hear criss-crossing vocal shouts, razor-sharp guitars and drums with jazz-like precision, all blasting out of your local VFW hall. That's partly thanks to Braid, four modest Midwesterners who funneled their obsessions with Fugazi, Jawbox and Gauge through a roulette wheel of glorious rhythmic shifts and six-string swan dives. During their original run, the quartet were known to be workhorses, releasing new songs as immediately as they wrote them, and putting thousands of tour miles on the odometer. The culmination of these efforts took the shape of Frame & Canvas, their third album, released in 1998. Recorded and mixed in just five days, it became much more than a benchmark for Braid's then brethren; these twelve tracks grew to influence each punk rock generation (and variation) that followed, with Rolling Stone even listing it as one of the top five emo albums of all-time. On today's show, returning guests Bob Nanna (vocalist/guitarist), J. Robbins (engineer/producer) and Polyvinyl Records co-founder Matt Lunsford discuss the album sessions and original release, as well as the new 25th anniversary remix and remaster, along with mastering engineer Dan Coutant of Sun Room Audio. For social media, upcoming F&C anniversary tour dates, and to purchase this latest reissue, visit polyvinylrecords.com/artist/braid.

From the first time she ever put a Kylie Minogue cassette in her pink Sony stereo, Australia native Emma Swift has been a music obsessive. Her songwriting prowess brought her to Nashville in 2013 and she recently dropped the terrific LP Blonde On The Tracks, an album of Bob Dylan covers ranging from 1965's "Queen Jane Approximately" all the way to this year's "I Contain Multitudes" (which Dylan released as a single only just a few months ago), backed up by partner Robyn Hitchcock and Wilco's Pat Sansone. On this episode, Emma talks about Gram Parsons being a sort of "gateway drug" to country music, splurging on 7" Smiths singles while in Japan and why her dad was "a record collector's worst nightmare." Follow her on socials @emmaswiftsings, and get Blonde On The Tracks digitally or on vinyl from emmaswift.bandcamp.com.

2017's Trinity Lane, the third album from Nashville-based Lilly Hiatt, is a true triumph within the alt-country/Americana genre, from an artist who has not only overcome personal tragedy, addiction and heartbreak, but has done so while standing outside of the musical shadow of her dad, Grammy-nominated singer/songwriter John Hiatt. NPR nailed it earlier this year by saying, "Her willingness to portray herself in moments of anger or neediness that others might deem unseemly, particularly coming from a woman, and to examine gender divisions in emotional labor at close range, is courageous and affecting." Today, Lilly talks about digging through vinyl dollar bins on the road, how her turntable played a part in her newfound independence, playing everything from Cat Stevens to Kendrick Lamar while in the van, what her dream vinyl pressing of Trinity Lane would entail, and the romance that blossomed through the recording of her recent Third Man Records seven-inch. Trinity Lane is available wherever you buy physical or digital music, and visit LillyHiatt.com for upcoming tour dates, social media and more. PLUS check out @VinylEmergency on Facebook or Twitter for our corresponding Spotify playlist to this episode!

While stepping outside of Death Cab for Cutie and The Postal Service - inarguably two of the most influential names that indie rock has birthed in the last two decades - lead singer/songwriter Ben Gibbard has acquired a stunningly diverse range of collaborators, from The Monkees to Chance the Rapper. On today’s show — as DCFC approaches the fall release of their tenth album, Asphalt Meadows — Ben describes why the pandemic changed his vinyl listening habits, how he’s fallen randomly into some of the aforementioned collaborations, and the band’s explosive (literally) new video, directed by Lance Bangs. We also discuss Yoko Ono, AC/DC, Pharoah Sanders, and Ben’s soft spot for former Milwaukee Brewer Gorman Thomas. Pre-order Asphalt Meadows, via deathcabforcutie.com or wherever you get music, prior to its release September 16th.

Esquire editor-at-large and former MTV VJ Dave Holmes discusses how his ADHD allowed him to embrace the chaos of live television, why hitting up a NYC vinyl listening bar with The Mandalorian didn't go exactly as planned, and his new podcast docuseries examining MTV's cultural impact. Subscribe to Who Killed the Video Star?: The Story of MTV wherever you get podcasts, and follow @daveholmes on Instagram and Threads.

Chicago's Smoking Popes are one of my seminal favorite bands, having released several crucial albums of lovelorn power-pop including 1994's Born To Quit and 1997's Destination Failure. Gaining notoriety via soundtrack appearances on films like Clueless, Tommy Boy and Angus, the band split up at the turn of the century, reformed 11 years ago, and have since added a few more proper full-lengths to their catalog while focusing their performances primarily around the Midwest. Recorded on a rainy night in his church office, singer/guitarist Josh Caterer -- now a pastor of music and worship -- discusses the influence of his father's record collection on he and his bandmate brothers, getting the first few Popes seven-inches pressed, the process of reissuing Born To Quit on vinyl, astonishing interactions with both Morrissey and Dave Grohl, the new EP Black As Midnight from his blues-focused band Jackson Mud, and so much more! PLUS Josh graciously performs two songs LIVE and exclusively for Vinyl Emergency! Follow @joshcaterer on both Twitter and Instagram, and visit SmokingPopesMusic.com and JacksonMud.com for social media, live dates and more info on both bands. 

Enjoy this encore presentation of the podcast with singer/songwriter Emma Swift from August 2020. We will be back with new episodes soon!

If any band personified a record collection with ADHD, it was The Dismemberment Plan. Connecting the dots between soul, post-punk and experimentalism, the quartet also brought dark humor, deep grooves and an appreciation for music history to the forefront, over five albums and millions of miles on the road. On today's show, vocalist Travis Morrison delves into the go-go scene of Washington DC, the artists that influenced his improvisational nature on stage, and a long-lost reel-to-reel that connected Travis' parents during the Vietnam War. The Dismemberment Plan's 2001 album Change will be reissued on sky blue vinyl for this year's Record Store Day, April 22nd. Follow both @travismmorrison and @thedplan on Instagram, and visit recordstoreday.com for more details.

This is an encore presentation of a previous episode, originally airing in August 2023.

---

The two sounds Tommy Prine says he remembers most growing up were having the AM radio on or his father (renowned singer/songwriter John Prine) workshopping tunes at the kitchen table. Journeying through adolescence, his eclecticism later manifested through acts like Outkast and System of a Down. But now, on the heels of This Far South — his debut album — Tommy has found his own unique voice that marries his mom’s Irish wisdom and his dad’s dry Midwestern/Southern wit. On today’s show, Tommy shares why Radiohead’s “Videotape” speaks to him, his experiences working with Nashville talents Ruston Kelly and Gena Johnson on This Far South, and how the artwork for this album feels like both an ending and a beginning. Visit tommyprine.com for your dates, socials and more.

This year brings with it several anniversaries for songwriter and multi-instrumentalist Pat Sansone: 2019 marks his 50th birthday, two decades as part of The Autumn Defense (formed with Wilco bassist John Stirratt) and subsequently 15 years within Wilco itself. Entering the band during a pivotal shift between A Ghost Is Born's riveting complexities and the more serene nature of Sky Blue Sky, Pat has been a welcome key to the influential sextet since day one, serving up piano, guitar, vocal harmonies and a myriad of other accoutrements. On today's milestone 100th episode from his home in Nashville, Pat reflects on his family's strong ties to show business, the upcoming loss of his neighborhood record shop Fond Object, creating album artwork from thousands of unearthed slides, why John Lennon’s death sparked his deep dive into the Beatles and how Big Star's third album changed his life. Follow Pat on Instagram @sansonic1, and keep current on tour dates and more via wilcoworld.net and theautumndefense.com. 

Hello! For my day job, I host and produce Looped In: Chicago, a podcast for WBBM Newsradio. And this week, they allowed me to make an episode all about the city's ties, past and present, to the record industry. So while it's different from your typical Vinyl Emergency episode, I hope you'll find this one to be an equally engaging listen, with guests including Evan Weiss of Into It. Over It., Smashed Plastic Record Pressing co-owner Steve Polutnik, Chicago Reader columnist Steve Krakow and music history TikTok sensation Patrick Hicks. Subscribe to Looped In: Chicago wherever you get podcasts, and new VE episodes will come your way soon.

Original Violent Femmes drummer Victor DeLorenzo and his Nineteen Thirteen bandmate/cellist Janet Schiff discuss their own relationships with vinyl over the years, the unique sounds they're creating as a portable two-piece band and how a chance meeting at a diner spawned their musical kinship. Janet recalls "inventing" her own cello as a child, spinning records in her makeshift basement roller rink and whether or not to buy your bandmate's classic LP while he's in the record store with you, while Victor talks about the iconic artwork of the Femmes' self-titled debut and sets the record straight on their now legendary gig opening for The Pretenders at Milwaukee's Oriental Theatre in 1981, plus how it feels to have sports fans in packed stadiums around the world clapping along with his seminal percussion on "Blister In The Sun." Check out their two most recent albums, Music For Time Travel and The Dream, on Spotify and visit nineteenthirteen.com for upcoming gigs, their social media and more!

It almost sounds like a song in itself: An acclaimed musician on his big album release day, three years in the making, finds himself on jury duty for a murder trial. As crazy or poetic as it may sound, that was the story for Maryland-based Joe Pug back in July, as his latest LP The Flood In Color hit shelves. Though born in the mid-'80s, his tales of destruction and redemption ring with a wisdom that could reflect an artist twice his age, effortlessly penning critical and emotional snapshots of the human condition. The Working Songwriter, Joe's monthly podcast since 2016, also allows him to plug into the minds of friends in the same boat, exchanging stories and unique perspectives on crafting music. On today's program, Joe details how the limitations of vinyl only add to its mystique, why he's using today's postmodern methods of promotion, whose albums filled his childhood basement, why the artwork for Weezer's self-titled debut bucked the trends of its era and how talented people survive a media that's dying around them. Stop by JoePugMusic.com for news, tour dates, social media, info on The Working Songwriter and more.  

With razor-sharp guitars, breakneck rhythms, unrivaled harmonies and a socio-political worldview that disavows much of punk rock's anarchistic nature, Bad Religion has inspired countless bands over their 40+ year existence. Even their iconic logo, known by fans worldwide as "the cross-buster," has become synonymous with the genre itself. This is all without mentioning the inspirational trajectory of vocalist/songwriter Greg Graffin, who is seen as one of the genre's most vibrant and educated minds, earning a PhD in zoology from Cornell University and having written multiple books on evolution and theology. On this episode, Greg discusses the influence of his parents' divorced record collections, refining his vocal delivery over the years, and why he classifies his latest book, Punk Paradox: A Memoir (available now, wherever you get literature) as a "novelistic biography." The band also released their own collaborative autobiography, Do What You Want, in 2020.

Over six proper studio albums and a slew of EP's and seven-inches within 15+ years, Seattle's Minus the Bear established themselves as one of indie-rock's most unique, shape-shifting bands. On today's episode, vocalist/guitarist Jake Snider discusses the band's new triple-LP live set recorded over several shows of their last tour in 2018, and how the band focused on the quality of the vinyl master with each recording. 

In celebration of his debut album's 20th anniversary, this year has seen a massive vinyl reissue/remastering campaign for much of Chris Carrabba's early Dashboard Confessional catalog. This includes two LP's that the majority of his fanbase discovered him with (The Swiss Army Romance and The Places You Have Come To Fear The Most), plus the band's 2002 MTV Unplugged performance and several 10" EP's, the latter pressed by popular specialty label Mondo. On our last broadcast of 2020, Chris discusses his road to recovery after a debilitating motorcycle crash earlier this year, his own vinyl collecting habits, a new canned wine company he's partnered with, and the time Marilyn Manson sold him a Fugazi record. Plus, some stories behind rare gems in his collection from the Beach Boys, Less Than Jake and Christie Front Drive. Visit store.dashboardconfessional.com or your favorite local indie retailer to pick up the above reissues.