Trailer Geeks and Teaser Gods (SCAN Media, LLC)

For those who are blessed to call Helen Ahn Cutler friend, the four words that come to mind are heart, soul, mind and strength. Because Helen is all heart, all soul, all brilliance and so powerful in all the best ways. All the time! We discuss her work as an Editor and Creative Director at some great shops like Ant Farm, JAX and her stint at Paramount Vantage. But any introduction of Helen has to include her contribution to the people of this industry as a friend, a mentor, a champion of so many others who are just now coming into their own and in a lot of ways the glue that makes this industry a community.

In this episode, we’re joined by Paul Cartlich, VP and Creative Director of Intermission Film. Paul shares personal experiences of imposter syndrome and the influence of music on his editing career, detailing his non-traditional journey into the world of film trailers. The episode explores the history and evolution of the trailer industry, with insights into its development particularly in London and its expansion into the US market. Paul discusses working with iconic editors, adapting to remote work, and the potential impact of AI on the industry. He highlights memorable campaigns (see below for some links) and the challenges of maintaining creative quality amidst technological advancements. Additionally, our conversation honors industry pioneers and we discuss key figures like Hitchcock and Kubrick, underscoring the continuous evolution of the industry while inviting admiration towards its legendary contributors.

https://intermissionfilm.com/

https://www.paulcartlich.com/

THE BOYS - https://www.paulcartlich.com/the-boys

RUST AND BONE - https://www.paulcartlich.com/rust-and-bone

DUNE PT 2 - https://www.paulcartlich.com/dune

THE BOOK OF BOBA FETT - https://www.paulcartlich.com/boba

FARGO S4 - https://www.paulcartlich.com/fargo-s4

Be sure to check out our wonderful sponsors: 

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

As EVP Crea. Adv. for Universal, Patrick has overseen successful campaigns incl JURASSIC WORLD, STRAIGHT OUTTA COMPTON, TED & PITCH PERFECT. Prior to Uni, he worked at Fox Searchlight, where he created award-winning campaigns for BLACK SWAN, SLUMDOG MILIONAIRE, JUNO & LITTLE MISS SUNSHINE. Patrick started at HBO where he worked on THE SOPRANOS, CURB YOUR ENTHUSIASM & THE WIRE, winning awards for his work on these Series, and for his work on HBO Films, Sports and Comedy & Live Event specials.

Stephanie Allen started in NYC at Rolling Stone Mag. as Assoc. Photo Editor. She went on to Tri-Star as Dir. of Advertising, and then promoted to VP of Creative Adv. In her career, she also worked at Seiniger Advertising, Orion and Digital Pulp. In 2000, Stephanie relocated to L.A. to join Fox Searchlight as the SVP Crea. Adv. and New Media, having worked on Slumdog Millionaire, Sideways, Juno, Little Miss Sunshine, Napoleon Dynamite, I Heart Huckabees, Thirteen, Garden State, Crazy Heart and many others.

We start today's episode with the Director of Music at Aspect, Alison Sieh, who shares about a great fundraiser for Leukemia & Lymphoma Society. Then we get into Part 1 of our 2 part conversation with Brent "B Rock" Rockswold, Senior Editor/Producer best known for such seminal pieces including ROGUE ONE, THE LAST JEDI, and FURIOUS 7. Today we discuss how B Rock got into the industry; the dedication it took for him to rise up the ranks; the heroes in the industry who mentored and inspired him; and how being a stand-up guy can be hard in the moment but is well-worth it in the long run.

On this episode we have both Miguel Branco and Clark Zhu. They are both rising star trailer editors - Miguel is cutting at Rogue Planet and Clark is at Wild Card. Miguel and Clark were both doing fan trailers and mashups as passion projects before they ever got into the trailer industry. Their stuff online got a ton of attention, justifiably so, because they’re really good. In both their cases, they were able to turn their passion into their profession and represent the next generation of great creative contributors to the industry.

Today’s guest is the first of what we’ll be doing a lot more of in 2021: Bringing in folks who are in the trenches now. Louis Plamondon, Trailer Editor at Zealot, who some might know as “Sleepy Skunk,” is helping to shape the trailer industry of today. He’s perhaps best known for those incredible trailer mashups he’s been doing since 2010. But he’s also a pretty killer editor on major campaigns such as the redband teaser for Possessor he did with Zealot last year.

Phil Daccord, long time Creative Director of Giaronomo and Managing Partner of Giaronomo LA, is the VP of AV and Creative Director at Ignition Creative, well known in the trailer industry as a legend of the craft having finished dozens of top trailers and teasers including such absolute trailer gems such as The Matrix, Panic Room, V for Vendetta, Scorsese’s classic The Departed, Steve Jobs for Danny Boyle, Rogue One for Disney/Lucasfilm and so many more.

Jackson George, SVP of Creative Advertising at Disney, has worked in motion picture advertising for over 20 years and has been with Disney since 2012. Jackson has been named to AdAge’s annual 40 Under 40 list, and has won many Key Art, Golden Trailer, & Clio awards. He is also a member of the Academy of Motion Picture Arts and Sciences. 

At Disney, Jackson has guided the creative marketing campaigns for Star Wars: The Force Awakens, Star Wars: The Last Jedi, Incredibles 2, Toy Story 4, Maleficent, OZ: The Great And Powerful, Cinderella, Rogue One, Pirates of The Caribbean: Dead Men Tell No Tales, and Ralph Breaks The Internet. Currently, he is responsible for creative advertising strategy and execution for Lucasfilm, Pixar, and Walt Disney Animation Studios. His upcoming projects include Star Wars: The Rise of Skywalker, Frozen 2, and Onward.

Previously, Jackson held positions at Universal Pictures, Overture Films & InSync Advertising, where he led the theatrical creative campaigns for:  Despicable Me, Bridesmaids, Ted, The Lorax, Walk The Line, Cast Away, and Rocky Balboa, among many others.

Tina Hsu and Casmir Jordan of Rogue Planet break down what it’s like working as POC women in the industry. Listen to them chat about rhythmic cutting styles, their breakthrough franchise finishes such as MORTAL KOMBAT and BUMBLEBEE, as well as a special conversation about unicorns . Featuring special guest Helen Ahn Cutler!

It was so cool to get to hang out with Chris Daniel, the Senior Vice President of Marketing at LionsGate. Prior to LionsGate, Chris led 360 marketing campaigns on some of Netflix’s biggest films such as Red Notice, Glass Onion, Dayshift, To All The Boys: P.S. I Still Love You, Dolemite Is My Name, and Over The Moon. Previously, he edited and produced trailers, digital-social, and brand campaigns at AV Squad where he was a part of a ton of award-winning work. Chris came up through the ranks at highly creative shops Mocean, Ignition and Seismic. Over his years on the agency side, he's been recognized with Clio Entertainment and Golden Trailer Awards (and even a CUTTER AWARD - y'all remember that?) for his campaigns for Red Notice, Dayshift, Bright, The 13th, Spy, Top 5, The Drop and many more.

Be sure to check out our wonderful sponsors: 

Carrma - www.carrma.com/  

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e 

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. 

Damon Wolf, Prez Worldwide Marketing at Lionsgate, leads on campaigns ranging from John Wick: Chapter 3 to Knives Out and Hitman’s Bodyguard. Before that, he was Co-Head of Marketing at TriStar and Screen Gems working on Baby Driver, Don’t Breathe, All the Money in the World, Trainspotting 2 and more. On the agency side, Wolf was partner at Fanthropology and Crew Creative where he worked on Harry Potter, The Matrix, Saw, Twilight, 40-Year-Old Virgin, Bridesmaids, The Sopranos, Game of Thrones and many more.

We've got the team that brought you the CALL OF DUTY, ASSASSINS CREED and BATMAN ARKHAM TRILOGY campaigns and so much more! That's David Wilson, Executive Producer / Co-Head of Immersive Media at Aspect (Los Angeles); Ryan Vickers, Co-Head of Games at Aspect; and Ashley Vong, Games Producer at Aspect and Women in Games Ambassador.

It's been so cool to track with folks like Ryan Vickers and David Wilson from when they were working their way up at that legendary, groundbreaking team at Ant Farm, and then as they took the leap to launch the games division at Aspect LA. Ashley Vong made her way on the theatrical side initially at Big Pic and then over at Aspect, and really hit her stride with David and Ryan (aka "my people") doing all that great work in games.

This is an in-depth conversation on each of their stories, all they've overcome, what they love working on, their perspective on the work and the industry as a whole.

Be sure to check out our wonderful sponsors:

Defacto Sound - www.defactosound.com/

Carrma - www.carrma.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

www.teamaspect.com/

www.instagram.com/goteamaspect/

Co-host Brandi Seymour, 10 year entertainment advertising industry veteran, and Corey discuss some great pieces of work from the last several weeks. Lily Lasuzzo, SVP Global Creative Advertising at LionsGate, makes a special appearance to discuss the fabulous Barb & Star. Here's what's on the docket:

Barb & Star Go to Vista Del Mar Teaser; LionsGate, Trailer Park

The United States Vs. Billie Holiday Poster; Paramount, Hulu, BLT

Cherry Trailer; Apple TV+, Rogue Planet

Boogie Poster; Focus Features, Gravillis

Coming 2 America Poster; Paramount, Amazon Prime, BLT

Malcolm & Marie Trailer; Netflix, JAX

This is Part 1 of our 2 part conversation with David Kim, Senior Editor at Zealot. David has done such a diverse range of work from Teenage Mutant Ninja Turtles to The Willoughbys, from Central Intelligence to I, Tonya; New Order, Parasite, Hacks and so many more. We discuss growing up in SoCal, how much of a hero his mom is, how he spent time in other jobs before he ever got into the trailer industry and, of course, we talk plenty about his incredible trailer work.

We're joined on this episode by Darnell Brisco, Patricio Hoter and Drea Althoff of BOND. Darnell is the EVP of Growth; Patricio is Creative Dir. in A/V; and Drea is SVP, Creative Dir. in Print. 

We got many nuggets of wisdom and heard a ton of passion for the work. We discussed

• What it means to be "unanimously collaborative" to create the best cut, the best comp or arrive at the best idea;
• How virtues like empathy and grit have been necessary to get through the last few years and will serve all of us going forward;
• The evolution of campaigns;
• What the process for creating great work is, i.e. how to even get started;
• How creatives incorporate research and data into the content they make...

And so much more!

Be sure to check out our wonderful sponsors:

BRASH - justbrash.com

Defacto Sound - www.defactosound.com/

Oh, and doesn't our new episode artwork look great?!?! HT and many thanks to our brilliant pals at BOND for that.

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

www.wearebond.com/

@wearebond

Joe Dante, beloved director, producer and editor, started with Roger Corman's company as in-house trailer editor, the same company where filmmakers Francis Coppola, Martin Scorsese, James Cameron, Ron Howard, Jonathan Demme, John Sayles and many others got their start. Dante worked his way up to edit features, and then direct and produce his own films. He went on to make cult classics The Howling as well as widely popular movies including Gremlins, The Burbs, Innerspace, Expolorers, Matinee, Looney Tunes Back in Action and many more. He continues to produce and direct, and has also made his mark in the podcast world with Trailers from Hell.

Aimee Pitta is an award-winning writer/producer and marketing exec who’s created successful campaigns for almost every major studio from the early days of New Line, with top agencies like Trailer Park, and as a consultant with Paramount, Lionsgate and Roadside Attractions. Aimee is also a published author (having just won TaleFlick’s writers award first place for The Theory of Invisibility), the writer of a couple shows from Reel One Entertainment (Love’s Second Chance just premiered on the W network), and she is arguably the best “retitler” in the business.

Founded in 1979, Intralink was a force in entertainment advertising for over 30 years contributing to the marketing of such films as  E.T.,  The Color Purple,  Rain Man,  Thelma & Louise,  The Da Vinci Code, the Batman movies and many more. It is also where some of the greatest contributors to the industry got their start.  Anthony’s and Intralink’s impact on the art and the industry as a whole is indelible and lives on.

In this edition, we have a rock star in the making, Matthew Zuckerman, trailer editor at X/AV, who's already finished some of the coolest pieces over the last few years including Furiosa, House of the Dragon Black and Green trailers, Sexy Beast, Memory and so much more The conversation dives into his approach to editorial; his journey from studying at Columbia College Chicago to getting a shot at X/AV, detailing his evolution from intern to full editor; and his work on all those great projects, highlighting the varied techniques required for different genres. Matthew also elaborates on the impact of AI in trailer editing, his favorite trailers and their influence on his work, advice for aspiring editors, and the future trajectory of the trailer industry.

04:08 Diving Into the World of Trailer Editing with Matthew Zuckerman; 
08:05 From Chicago to LA: Matthew's Journey into Editing; 
23:13 Developing a Unique Editing Style: Learning and Growing at X/AV; 
32:30 Navigating the Shift to Remote Work During the Pandemic; 
35:06 Deep Dive into Crafting Movie Trailers; 
45:50 Navigating Challenges and Changes in the Industry; 
48:20 The Future of Trailers and AI's Role; 
52:52 Personal Favorites and Influences in Trailer Editing; 
59:33 Advice for Aspiring Trailer Editors; 
01:04:22 Reflecting on the Podcast's Journey and Impact; 
01:08:10 Closing Thoughts and How to Connect

Be sure to check out our wonderful sponsors:

Defacto Sound - www.defactosound.com/

Carrma - www.carrma.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

https://www.youtube.com/watch?v=FVswuip0-co

https://www.youtube.com/watch?v=csSaSrJJPRs

https://www.youtube.com/watch?v=pkPgmkyBfi0

https://www.youtube.com/watch?v=d6VsrSHQdVw

https://xav.la/

https://matthew-zuckerman.com/

Ricky Strauss has worked at the highest levels of both Entertainment Marketing AND is a prolific film producer. He’s also had a significant impact on our culture. Ricky's work as President of Participant Media brought groundbreaking, conversation-starting films that have had lasting impact on the way we think about important issues in our world. More recently in his role as President of Content and Marketing at Disney+, a key figure in its immensely successful launch, he helped us as audiences adapt to what’s possible in terms of excellence in content and navigating through these uncertain times. You could say Ricky’s helped to shape how we experience content, has helped to raise our expectations for how good of an experience it can be and how profound of an impact on our culture content can have.

An Inconvenient Truth (Exec. Prod.)

Fast Food Nation (Exec. Prod.)

The Best Exotic Marigold Hotel (Exec. Prod.)

Contagion (Exec. Prod.)

Proclaimed by the LA Times as the "Trailer Titan" and placed on Entertainment Weekly's Top Creative People in Hollywood "It" List, Bob Israel has had an extraordinary career in entertainment. His achievements include producing blockbuster films that launched major careers, creating the longest running movie advertising agency in Hollywood, and overseeing the prestigious star-studded Key Art Award shows.

Along with Ron Moler, Bob is the Co-Founder and former CEO-Creative Director of Aspect Ratio. Included among the many award-winning campaigns created by the agency are Men In Black, GoldenEye, Spiderman, Groundhog Day, Forest Gump and Philadelphia. When they sold the company in 1999, Aspect had grown into the largest entertainment advertising agency in Hollywood. Bob left the company in 2004 and helped launch another prestigious agency, Workshop Creative.

Bob's feature film producing credits include the box office smash Ace Ventura: Pet Detective, which helped launch Jim Carrey's movie career. With Ron Moler, he produced the cult classic, Bachelor Party, which starred 27-year-old Tom Hanks.

Live shows include a run as Lead Producer of The Hollywood Reporter's Key Art Awards Show from 2000-2008. Featured hosts and presenters included Sarah Silverman, Clint Eastwood and Sharon Stone. Bob proudly produced a live musical for Sony Pictures at Showest starring Robert Goulet, Leslie Nielsen and an ensemble of 20 singer dancers.

In 2013, Bob returned full-time to his first love. He created The Broadway & Vine Fund to option the underlying rights to existing properties and develop them for the stage. In Spring 2019 he produced the regional premiere of The Flamingo Kid, a musical adaptation of the heartwarming movie, at the prestigious Hartford Stage. He continues to develop the show for Broadway with the Tony award-winning team of book writer/lyricist Robert Freedman, director Darko Tresnjak and composer Scott Frankel. He is also lead producing an adaptation of the movie, Mad Hot Ballroom, with the "dream team" of Rick Elice (Jersey Boys) and Jerry Mitchell (Kinky Boots).

Bob is a member of the motion picture academy (AMPAS) and the Directors Guild of America (DGA). He is a former officer and board member of three non-profits: A Place Called Home (since 2001), Skylight Theater Company and University Synagogue.

Bob has won several CLIO and Key Art awards as well as other accolades. He was honored with the Sepharad Cinema Lifetime Achievement Award and A Place Called Home’s Humanitarian Award. In 2012 the L.A. City Council commended him for "for improving the lives of thousands of children and families living under great duress."

He is extremely grateful to have in his life two incredible children, Jesse and Rachel, and his supportive life-partner and wife, Gail. He resides in Los Angeles.

Tamara Krinsky hosts Science Channel’s TOMORROW’S WORLD TODAY, now streaming on Amazon Prime.  A correspondent for Marvel, she co-hosts the live broadcasts of Marvel Studios’ World Premiere Red Carpet shows. Tamara is a co-founder of Scirens, a creative team focused on making science-infused entertainment. SCIRENS SHOW streams on YouTube & IGTV. Fave acting/VO adventures: STAR TREK: FIRST CONTACT, Disney Jr’s SOFIA THE FIRST + FLASH FORWARD podcast, and theater projects with Antaeus Theater Co. She won a Primetime Emmy Award for EMMA APPROVED, a multi-platform adaptation of Jane Austen’s EMMA. 

How may people on the planet can say they've been involved in 2,500 major motion picture campaigns? Tony Seiniger can! His work includes some of the most iconic movie posters of all time such as Jaws, Rocky Horror Picture Show, One Flew Over the Cuckoo's Nest, 9 to 5, Breakfast Club, Planes, Trains and Automobiles, Poltergeist, Moonstruck, Private Benjamin, Schindler's List and on and on. Joined for this wide ranging conversation by Dawn Baillie, one of Tony's many proteges, who's in the midst of a hall of fame career of her own.

Joel Wayne, long-time EVP of Crea Adv at Warner Bros and living legend in the trailer industry, started in the late 1950’s among the real-life Mad Men of Madison Ave. Joel came to Warner Bros in 1980 and spearheaded campaigns for Chariots of Fire, Road Warrior, The World According to Garp, Outsiders, Risky Business, The Color Purple, Beetlejuice, Driving Miss Daisy, Goodfellas, New Jack City, X, You’ve Got Mail, The Matrix and many others. Joined by special co-host Seth Gaven, Founder and Prez of AV Squad.  

Joined on this episode by Ben Snyder, the owner, chief creative officer and editor of Rogue Planet. So of course we talk about some of Ben's killer work such as 

• LOGAN 
• BUMBLEBEE
• and TETRIS

...among others. We also talk about the early part of this brilliant creative's career like getting a shot from Goktug Sarioz and learning from Skip Chaisson. Ben was also super candid about learning from his mistakes, his approach to the work now vs when he was younger, the importance of relationships and so much more.

Not for nothin' but can you believe this is episode 100?!?!

Be sure to check out our wonderful sponsor:

Defacto Sound - www.defactosound.com/

Oh, and doesn't our new episode artwork look great?!?! HT and many thanks to our brilliant pals at BOND for that. We're also very grateful to the good folks at Ignition Creative for building a fantastic boutique studio for our recordings. And much love to Brian at BRASH for the terrific music his team created for this podcast.

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

www.rogueplanetav.com

www.instagram.com/rogueplanetav

www.youtube.com/watch?v=Div0iP65aZo

www.youtube.com/watch?v=fAIX12F6958

www.youtube.com/watch?v=-BLM1naCfME

Mike Ferman, editor/producer from Buddha Jones is absolutely prolific conquering theatrical, broadcast and streaming, working on campaigns for major studios and mini-majors, for domestic and international, for action, drama, horror and even documentaries: We’re talking about A Good Day to Die Hard | The recent McCartney 3 piece | The Walking Dead | Fearless | Birds of Prey | Glass | Ready Player One | Baby Driver | Hobbs & Shaw and on and on. 

Along with our dynamic co-host, Helen Ahn Cutler, we discuss being mentored and being a mentor; Mike's incredible mastery of the art of anticipation in trailers; how so many trailers are really a collaboration among numerous editors; and the time Mike started a call with "...it's 5am! How did you get my cell phone?"

We're Baa-aaack... It's been a minute! A little longer than we first planned. But we're glad to be back with the next chapter of Trailer Geeks and Teaser Gods. 

Host and Exec. Producer, Corey Nathan hops on to say hello again and to give a rundown on the exciting new direction the program will be going including panel discussions on topics folks in entertainment advertising care about, subscriber segments, workshops and get togethers. And yes, we'll still be doing one-on-ones with some of the industry's greats as well as rising stars.

Corey also gives a brief state of the business, looks back on what we've all been through and takes an educated guess at what's ahead.

Please support our wonderful sponsor, BRASH: justbrash.com

And you can find Corey on all the socials @coreysnathan such as www.threads.net/@coreysnathan.

Bill Neil, editor/producer at Buddha Jones, is often regarded as one of the leading trailer editors of all time, in particular for his work in horror, but really across multiple genres and in trailers as an artform. Two of his trailers, Texas Chainsaw Massacre and Dawn of the Dead, are often cited among the top trailers of all time. His other work includes Once Upon a Time in Hollywood, It, It Chapter 2, The Wolf of Wall Street, Amityville Horror, Split, Glass, Mother!, 10 Cloverfield Lane and many more. 

Christine G. Birch is the CEO of THE ROYGBIV COLLECTIVE. Christine immigrated to the US from the island of Jamaica at the age of 3. As a young girl, she taught herself to read & write before Kindergarten, resulting in her declaring the entire experience a waste of time & skipping it entirely. Since then, she has been on an incredible odyssey through the American Dream via its most famous educational, cultural & business institutions.

Heavily influenced by her Jamaican father’s wisdom & wit, Christine blazed a trail through the Ivy League (Dartmouth College), New York publishing (Scholastic & Random House) & eventually, Hollywood where her strategic skill & creative instincts won multiple industry awards & recognition.

Hailed as “one of the best pieces of manpower in the business,” Christine rose through the Hollywood power ranks to become the first & only black woman (& the only Jamaican!) ever to run marketing for a major studio (Sony Pictures), a legendary filmmaker (Steven Spielberg) and a successful independent. She has collaborated with the entertainment industry’s top executives & creative talent, disrupting the status quo, shaping popular culture, & driving performance. Along the way, she has become famous -- & infamous -- for her ability to “cut through nonsense like a hot knife through butter.”

Now, Christine is focusing her wide-ranging talents on her new company, THE ROYGBIV COLLECTIVE, which develops business leaders & projects focused on advancing the next phase of human progress.

Based on years of motivating people to create billions of dollars in global wealth, Christine applies her unique understanding of how to drive mass behavior toward tackling the world’s bigger challenges. "With all the emphasis on analytics and micro-targeting, it’s tempting to forget how mythic narrative connects all the dots and creates emotional resonance. Since the beginning of man, transcendent narratives have helped establish a sense of common purpose, which is how successful movements are built,” said Birch. “I’m excited by the idea of how the narrative-building process can be applied to the companies, projects, and ideas that are transforming our lives.”

Christine’s company name, which stands for the colors of the light spectrum, is a nod to the professional & personal diversity which is instrumental to her work.

Scott Edwards is the EVP of Fox Creative Advertising where he oversees the “formula-free process” of creating the campaigns from first-look trailers, launch promos, current-show episodics, key art one sheets or billboards, custom social content, and anything else on the horizon to help ignite hits such as 9-1-1 LONESTAR, ACCUSED, BOB’S BURGERS, THE CLEANING LADY, CRIME SCENE KITCHEN, FAMILY GUY, KRAPOPOLIS, LEGO MASTERS, THE GREAT NORTH, THE SIMPSONS, THE MASKED SINGER, SPECIAL FORCES, and an array of Gordon Ramsay shows. And prior to Scott’s incredible run at Fox, let’s just say he probably owes you fifteen bucks for, as he would confess, “convincing you to see a movie that didn’t really deliver. It happens. That’s the gig.”

01:57 Introducing Scott Edwards: A Creative Force in Entertainment Advertising;

09:22 The Art of Building Elite Teams and Navigating Industry Changes;

43:51 Elevating Campaigns with Strategic Creativity and Music;

45:16 Crafting Iconic Campaigns: A Deep Dive into Creative Processes;

48:47 Navigating Creative Choices in Entertainment Marketing;

50:22 The Art of Marketing and the Influence of Music;

51:22 Evolving Strategies in Entertainment Marketing;

53:55 The Impact of Teaching on Professional Perspective;

58:27 The Power of Authentic Storytelling in Marketing;

58:58 Learning from the Next Generation: Teaching Insights;

01:14:06 The Future of Entertainment Marketing in the Age of AI;

01:20:20 Personal Reflections and the Importance of Connection

Be sure to check out our wonderful sponsors:

Defacto Sound - www.defactosound.com/

Carrma - www.carrma.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

And here's Scott on LinkedIn: https://www.linkedin.com/in/scott-edwards-a815466/ 

Matt Brubaker, Trailer Park’s President of Film and active member of the Academy,  is considered one of the top theatrical marketers in the industry, having worked on award-winning campaigns such as DUNKIRK, BABY DRIVER, INTERSTELLAR, MAD MAX, SUICIDE SQUAD, THE DARK KNIGHT RISES, THE GREAT GATSBY, GODZILLA, and OCEAN’S ELEVEN. Previously he was a creative exec at New Line Cinema and Warner Bros. Matt also led Trailer Park as it received Clio’s inaugural Agency of the Year Award.  

Dawn Baillie is a founding partner of BLT Communications, an entertainment marketing agency employing over 200 passionate artists, strategists, and technologists. For more than 25 years, BLT has created award-winning campaigns for hundreds of film, television, streaming, and Broadway productions. In addition to numerous Clio Entertainment and Hollywood Reporter Key Art Awards (including Best Poster of the Past 35 Years for Silence of the Lambs), Dawn was also honored with the inaugural Saul Bass Award, which recognizes talented creatives who demonstrate iconic and influential style.

In 2009, Dawn developed BLT Helps, a nonprofit arm dedicated to sharing BLT's wealth of experience and creative resources with organizations making a difference in their communities.

A Los Angeles native, Dawn earned a BFA from Otis/Parsons, where she has set up the Dawn Baillie Scholarship Fund to benefit women artists.

Tom Grane, Co-founder and CEO of Mob Scene, arguably the pre-eminent creative agency for strategic content, such as Behind-the-Scenes and what’s called “EPKs” Electronic Press Kits, in the entertainment industry. Mob Scene also has a widely respected trailer division along with social/digital, brand work and original productions. Tom shares his experience navigating family and the company through the many challenges of the last year. He also has great stories about the many huge films he's worked on like AVATAR, brilliant directors like "Jim" Cameron and so many others he's befriended along the way.

In this episode, we have an all-time great trailer editor and an even better person, Alan Toomayan. We delve into Alan's significant journey from his academic roots at the University of Bridgeport, his early struggles in Hollywood, and pivotal career moments at New World Pictures and Cimarron. We discuss his hand in iconic projects like 'American Beauty' and 'Road to Perdition,' his tenure at Mob Scene starting in 2009, and his adaptation to technological advances like Avid, Final Cut and Premiere. Alan emphasizes the importance of adaptability, collaboration, and maintaining professional relationships for enduring success. We wrap up with advice for listeners on integrity and business longevity... and yes that was a real earthquake!

03:29 Alan's Early Career and Education

06:02 First Steps in Hollywood

08:16 Holy Sh!t! That's an Earthquake!

12:04 Breaking into Editing

17:46 Transition to Trailer Editing

26:40 Technological Evolution in Editing

33:06 Collaborations and Notable Projects

36:37 Reimagining the Trailer: From Comedy to Dark Elements

37:49 The Impact of Great Music and the Studio's Strategy

52:14 Adapting to Industry Changes: From Cimarron to Mob Scene

56:51 The Art of Featurettes and Behind-the-Scenes Content

59:30 Reflections on a Dynamic Career and Industry Insights

Be sure to check out our wonderful sponsors: 

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e 

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. 

www.toomayan.com

In 1977 Clive graduated from the London College of Printing and Graphic Arts (now London College of Communication) with a BA in Graphic Design.

The experience he gained in London as a designer eventually bought him to Los Angeles in 1985 so he could pursue a career in the entertainment industry.

After beginning at Cannon Films he went on to work at B. D. Fox, Seiniger Advertising (where he met his future wife Dawn), and then DAZU, where he and Dawn worked together with Rick Lynch.

In 1992 Clive, Dawn and Rick founded BLT Communications. A creative agency, founded by creatives, run by creatives. It has grown to over 200 passionate artists, strategists, and technologists. Over the last 28 years BLT has created thousands of campaigns for film, streaming, television, and Broadway productions, across print, online, and audio visual.

Clive is passionate about playing a broader advocacy role in the arts and education, in particular the nurturing of creative talent. He is a member of the Board of Trustees at the Buckley School in Los Angeles. He participates in the Academy of Motion Picture Mentorship Program. And in 2015 he launched the Clive Baillie Scholarship for Graphic Design which is available to multiple students enrolled on the BA Graphic and Media Design course at London College of Communication

Mark joined Kaleidoscope Films in 1985 as General Manager before taking over the role of Senior VP. Mark left Kaleidoscope in 1996 to join Aspect Ratio, an award winning Creative Advertising agency that provides strategic marketing solutions across all entertainment platforms. Mark was first hired as Co-President, before becoming President and eventually was named President and CEO. Mark left Aspect in 2012 to pursue freelance writing and consulting work. Notable campaigns include Django Unchained, Spider-Man, Bruce Almighty, and The Italian Job.

This is our latest installment in our series of speaking with folks who've gone from making fan trailers and mashups to being rising stars in the trailer industry. On this episode, we have both Joel Walden of Mark Woollen + Assoc. and Lyle Goodale of Giaronomo. Joel's had several standout projects including work on I'M THINKING OF ENDING THINGS, JOJO RABBIT and HIGH LIFE among others. Lyle's also contributed to great pieces on campaigns for WESTWORLD, INGRID GOES WEST, LIFE, DON JON and many more.

Kate Cox and Gregg Ostrin are two of the most prolific writers in the entertainment advertising industry. Kate has spent her career as a freelance writer working for many agencies, mini-majors and major studios. She shares about her early work such as how she collaborated on the campaign for PLATOON, as well as more recent projects like with FOCUS FEATURES. Gregg is a staff writer at InSync PLUS. Gregg reveals much about how he got into the industry, developed his process and the discipline to moonlight as a writer of screenplays, tv shows and stage plays.

Originally a “theatre geek” Destiny Esposito has carved out a career in entertainment marketing as an editor, producer, creative director and now EVP Creative Advertising at Paramount. Des has a 20+ year track record of designing and executing successful motion picture, television, online content, home entertainment, and Broadway creative marketing efforts. SpongeBob, Crawl, Incredibles 2, Coco, Moana, Zootopia, Inside Out, Frozen, Brave, Tangled, and Shrek are just a few of her many successful campaigns.

Who better to have our first one-on-one after the long hiatus? HELEN AHN, of course! Coming off of her well-deserved Clio Entertainment Impact Award, Helen came back on the show to discuss

• Mentorship (and whether there's a better word for that);
• How our best work is still in us - "I don't know if I could have done that until this very day;"
• Her passion to leave a lasting legacy, specifically in the realm of social justice;
• The wonderful organizations Helen is a part of such as Good City Mentors;
• The terror of an empty timeline and how to just get started;
• EDITORIAL PASTICHE... including some of Helen's favorite work (see below for some links);

And yeah, we got into an argument. A pretty public one at that. But how do we disagree in a healthier way? As Helen says, there's got to be room for grace.

Speaking of which, here's a link to that documentary we discussed:

https://www.disclosurethemovie.com/about

Be sure to check out our wonderful sponsor, BRASH: 

justbrash.com

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

www.linkedin.com/in/helen-ahn-2349004/

clios.com/the-muse/clio-entertainment-awards-2023-impact-award-recipient-helen-ahn

www.goodcitymentors.org

Fall Guy by Transit: Edited by Charles Yi - 

https://youtu.be/j7jPnwVGdZ8?si=XlKuwO8cGOyS-D9z

The Creator by Wild Card Creative Group: Edited by Royce Choi - 

https://youtu.be/ex3C1-5Dhb8?si=DdjOOwjsPlqu6HBj

Charlotte “Charlie” Honess, a groundbreaking trailer editor and producer who’s known for so many great pieces from the original The Fast and the Furious teaser to The Devil Wears Prada, from True Detective to The Glorias and so many more, has won multiple awards, leading the way and influencing so many other prominent women as well as everyone in the trailer industry. Plus, Charlie discusses the influence her father, renowned editor Peter Honess, has had on her craft.

This is a special Twenty Thousand Hertz presentation of THE BOOJ STRIKES BACK!

This episode was written and produced by Abigail Barr.

In the 80s and 90s, movie trailers were ruled by “voice-of-God” narrators who used stock phrases like, “In a world…” Today, movie studios have a different trick up their sleeves: epic sound design. In this episode, Professor James Deaville explains the history of trailers, and Youtuber Craven Moorhaus crafts a hilarious takedown of the overused clichés of modern blockbuster trailers. We’ve remixed one of our most popular episodes for your listening pleasure. 

MUSIC FEATURED IN THIS EPISODE

Digital Future by Christoffer Moe Ditlevsen
Full Momentum by Christoffer Moe Ditlevsen
Flare by Chad Lawson
Falling In by Shawn Williams
Furies by Ryan Taubert
Absolute Zero (Instrumental) by Evan Giia
Miracle Caught on Camera (Instrumental) by Icelandia

Follow the show on Twitter, Facebook, & Reddit.

Subscribe to our Youtube channel.

Sign up for Twenty Thousand Hertz+ to support the show and get our entire catalog ad-free.

If you know what this week's mystery sound is, tell us at mystery.20k.org.

Use promo code 20k to get $20 off your next purchase over $100 at American Musical Supply.

Get 10% off your first month of online therapy with our sponsor BetterHelp at betterhelp.com/20k.

Subscribe to Björk's Sonic Symbolism show wherever you get your podcasts.

Visit shopify.com/20k to get a free 14-day trial with Shopify’s entire suite of features.

Check out more videos from the Auralnauts at youtube.com/Auralnauts.

Be sure to check out our wonderful sponsors:

BRASH - justbrash.com

Defacto Sound - www.defactosound.com/

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

Craig Murray started out writing copy for Disneyworld in the mid 70s before working for Disney's film studio as a writer in creative advertising. Then in 1986, Craig got an opportunity to work on trailers from concept to completion - thus the beginning of Craig Murray Productions, aka CMP, and later Mocean which has gone on to earn Entertainment Agency of the Year 3 times over.

Doug Brandt owner of Monster Creative + Phantom Power has been editor, sound dsnr, graphic dsnr, music prod., crea, dir., + CEO. Doug became known at Ignition Creative for films such as Transformers, Spider-Man, Cloverfield, Kill Bill, and Shutter Island. Doug founded Industry Creative under the umbrella of The Ant Farm where he then became CEO, overseeing campaigns incl. Transformers, Mission Impossible, and Star Trek. Doug did Amazon Studios’ logo, bakes a mean cheesecake, + works with Michael Bay.

Steve Panama was not only the CEO and Creative Director of Kaleidoscope, which established the standard for what a modern trailer shop could be before there really was such a thing as trailer companies; he is also the trailblazer who was the first in the industry to transition from film to non-linear computer editing systems, as well as the first to bring fiber into the process as a way for creative execs at the studios to collaborate in real time with their creative partners on the agency side. On this episode you'll hear about all of that as well as stories about the many films he worked on and all the other people who Steve worked with along the way and made the trailer industry what it is to this day.

Trailers, Indie Film and AI... plus Special Shoots with FX, MAX and more!

This conversation, we did a deep dive with the Chief Creative Officer of Mocean, Greg Harrison. You'll hear us delight in the art of mixing the perfect Sazerac; what it's like to be onset with the likes of Ben Stiller, Larry David, John Oliver, Samantha Bee, John Travolta and how Greg got some good acting out of LeBron James; the long road to making his first indie film, Groove, and then his second film, November; moving from trailer editing into special shoots with top notch creative teams; yeah, we get into AI and where it's gonna land in terms of tools people can use for the creative process; how Mocean is paving new ground in the modern brand space; and we take a moment to wonder whether Picasso's early showings of Guernica tested well. Plus, if you stay to the end, you get to hear about a 1 star listener review... FUN!

01:32 Introducing Greg Harrison: A Creative Force in Entertainment Marketing; 

02:05 The Art of Crafting the Perfect Drink; 

03:14 Behind the Scenes: The God of War Campaign; 

05:57 From Indie Films to Entertainment Marketing: Greg's Journey; 

07:26 The Craig Murray x Michigan State Connection; 

18:16 Making It in the Movies: The Journey of an Independent Filmmaker; 

38:30 Returning to Entertainment Marketing with a Filmmaker's Perspective; 

43:43 Advice for Aspiring Creatives: Talent, Perseverance, and Luck; 

52:55 Exploring the Creative Process with Industry Giants; 

01:01:53 The Impact of AI on Creativity and Industry Evolution; 

01:22:04 Finding Your Creative Path and Embracing the Mess

Be sure to check out our wonderful sponsors:

Defacto Sound - www.defactosound.com/

Carrma - www.carrma.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

www.moceanla.com/

www.gregharrisonfilm.com/

When he’s not rocking out on stage, doing book readings or ripping through the canyons in his car, Brett is busy leading an incredibly talented team of editors, producers, writers and motion graphic designers, making cool marketing materials for all the major studios, networks and streaming services

as Partner and creative director at The Refinery AV.

He has over 25 years of experience writing, producing and editing for every avenue and has worked in every facet of the industry, from network to vendor to studio to owner and everything in between.  

He prides himself on being one of the “nice guys” in the industry and believes that we learn from all of our experiences, failures as well successes,

which is why every single campaign is an exciting new challenge. 

He is a lover of film, TV and music and is thankful every day that he found a career that marries all 3. 

He has had to work hard and prove himself time and time again, while being fortunate enough to have some amazing successes. 

Dana Flowers, EVP of Crea. Adv. at Sony Pics + a member of the Academy, has worked on award-winning campaigns in the theatrical, home entertainment and Broadway space incl. Acrimony, Insecure, Deep Water Horizon, Gemini Man, Anchorman 2, Frozen, Monsters University + many more. At Sony, Dana oversees the studio’s movie campaigns including trailers, media spots as well as in-theater and outdoor advertising and proudly serves on the Sony Action Council, the studio’s racial equity and inclusion initiative.

We were fortunate to be joined by Senior Global Marketing Executive Dana Flowers and Writer, Producer, Marketer Kelly Turner for this discussion. And yeah, it was dopetey f'in' dope!

We talked about how Dana, Kelly and others are helping the industry evolve to be more representative of the diverse audiences this industry markets to; who's doing good work and leading the way in this regard; what kind of progress still needs to be made; the importance of mentoring so more people of color will be in the rooms where the big decisions get made; changing expectations; processing cultural trauma; how good marketers can effectively reach all kinds of audiences; putting purpose to what we do... and so much more!

Be sure to check out our wonderful sponsor, BRASH: 

justbrash.com

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

www.linkedin.com/in/dana-flowers/ 

@dewaflowers

www.linkedin.com/in/kellyturner-wpm/

@klturn

Michael Kahane is one of the original rock star editors of the modern trailer industry and went on to co-found Mojo which he ran for about 12 years before starting Carve with Markus Wernig in 2012. Some of his greatest hits include To Live and Die in L.A., Driving Miss Daisy, Field of Dreams, Glory, Jerry Maguire, Saving Private Ryan, Almost Famous, Terminal, W, Precious, and The Hunger Games among many others.

Michael Greenfeld is a Co-founder of Picture Head Holdings, which owns Picture Head, Formosa Group, Picture Shop, Finale Vancouver and The Farm in London.  Along with his partners they have expanded Picture Head Holdings from a small boutique post facility to a leader in the post production field, offering a vast array of services for motion pictures, television, video games, streaming and commercials.  As former Co-CEO and founder of the Ant Farm, Greenfeld built one of the world’s largest and most successful full-service entertainment advertising agencies which he sold to Omnicom and exited ten years ago.

Mr. Greenfeld is also a partner in a music library under the Siren cues label.  Before his entrepreneurial phase, he worked at Universal Pictures as Sr. Vice President of Creative Advertising in the early 1990s, overseeing the in-house creative agency while working with such filmmakers as Steven Spielberg and George Miller.  He earned his BFA in Radio, TV and Film at the University of Arizona in 1981. Michael is also a Co-founder of DeToledo High School in West Hills, California and served as its board president. He is also an active member of the Academy of Motion Picture Arts and Sciences.  He lives in Los Angeles with his wife Kimberly and has four children, Samantha, David, Katie and Alex.

David Sameth started out on the vendor side with Intralink and Seiniger Bloom. He then led Creative Advertising for Universal (Jurassic Park, Schindler’s List, Field Of Dreams, Do The Right Thing) where he also created the in house trailer group. He was then at DreamWorks ( Saving Private Ryan, Gladiator, Anchorman, The Ring, Shrek) followed by Disney where he headed Marketing for all Pixar and Disney Animation films including Frozen, Inside Out, Zootopia, Finding Dory, and Coco. His most recent stint was at Paramount where ran Worldwide Marketing for such pictures as A Quiet Place, Book Club and Mission Impossible:Fallout.

Jennie Wilkes - Director, Global Crea. Mktg. @ Netflix + part of the team named Ad Age’s Top Marketer of 2016, has worked on campaigns for Marvel properties Jessica Jones + Daredevil, with Shawn Levy on Stranger Things + I Am Not Ok With This, with Ryan Murphy on Hollywood + Politician + many more. *This was recorded in early May at the onset of Corona Virus but before the murder of George Floyd. So we wouldn’t want to communicate anything other than the utmost support for Black Lives Matter + the protests.

Eugene Fillios is the founder and creative director of Creature Street, a trailer company that’s worked on campaigns such as Halloween, Candyman, Minions, The Hunt, The Invisible Man and many more. Something that’s also unique about Creature Street is that they’re based in Portland, Oregon. 

On this pod, we discuss everything from Eugene's days as a professional musician, starting over in the trailer industry and coming up the ranks before starting his own company. We also get pretty deep into how to stay creative, how the industry's changed and where things are going.

Barbara Glazer, Tommy Gargotta, and Damon Wolf with a candid yet hopeful message for the community.

Recorded March 19, 2020

Skip Chaisson, one of the greatest trailer editors of all time from his days at Kaleidoscope Films, is founder of Skip Film + Chief Creative Officer of El Rey Network. At Skip Film, in addition to trailers, his team’s done brilliant work in broadcast, main titles, original content, commercials + more. Skip’s trailer work includes Mission: Impossible, Space Jam, Titanic, The Lost World, Gone In 60 Seconds, Shaft, Man on Fire, I Am Legend, Machete, Prometheus, Gravity, Wolverine, Sin City 2 + many more. 

Many in our industry know Samantha Hart from her time as a Creative Executive at Gramercy, Searchlight and Universal where her creative marketing campaigns brought prominence and Academy Awards to films such as Fargo, Dead Man Walking and Boys Don't Cry while earning cult status for indie features Dazed and Confused, Four Weddings and a Funeral and Priscilla Queen of the Desert. Sam later transitioned to build Foundation Content a shop that uniquely did both creative production and post-production under one roof. More recently, Sam and her partner and husband, director James Lipetsky rebranded and started Wild Bill creative, another disruptive creative content company. And something perhaps a lot of folks in our industry might not know, is that Samantha is an author with an upcoming book we talk on this pod about called Blind Pony: As True A Story As I Can Tell which comes out in March. samanthahart.net

In this much anticipated conversation, we had the joy of sitting down with Dwight Caines, President of Domestic Marketing for Universal Pictures. With a career that evolved from being an aspiring scriptwriter to high-profile marketing roles, Dwight generously shares about his personal and professional experiences and what he learned along the way that helped shape his success in the industry. We discuss his early interest in film; freelancing on production gigs around NYC on TV and film (which led to his epiphany that freelance is not his cup of tea!); how he got his first job in the business; and he details the digital innovation he championed in marketing and the campaigns that left a significant impact on him.

Dwight goes beyond discussing his professional achievements and delves into subjects that matter deeply to him. He highlights the importance of diversity and inclusion in Hollywood, underlining the evolution of inclusivity in film marketing. He also talks about his role in the Universal Pictures Inclusion Council and the 'Make It Universal' initiative aimed at showcasing diverse talent in the company. Dwight also underlines the significance of mentorship, the benefits of his teaching roles, and how he tries to inspire the next generation of filmmakers; as well as his involvement with Stand Up To Cancer and why the organization is so meaningful to him. Before we wrap, it was cool to hear Dwight shed light on the future of the film industry in the face of an increasingly digital world.

Be sure to check out our wonderful sponsor:

Defacto Sound - www.defactosound.com/

Oh, and doesn't our new episode artwork look great?!?! Many thanks to our brilliant pals at BOND for that. Also very grateful to the good folks at Ignition Creative for building a fantastic boutique studio for our recordings. And much love to Brian at BRASH for the terrific music his team created for this podcast.

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

Below are links to the Make It Universal Instagram and YouTube playlist:

• Make It Universal IG - https://www.instagram.com/makeituniversal/?hl=en

• Make It Universal YouTube - https://www.youtube.com/playlist?list=PLuq_rgCzEP_Nwi0LlH_i-v9z1i7UVE2Lb

For more information on Stand Up To Cancer, check out

• https://standuptocancer.org/

Here’s a Deadline feature covering the work Dwight and the studio team did on behalf of the Anti-Recidivism Coalition:

• Deadline ARC Article - https://deadline.com/2023/05/anti-recidivism-coalition-universal-helps-disenfranchised-win-hollywood-careers-1235368833/ 

Lastly, here’s some information on the Inclusion Council:

• Inclusion Council - https://www.universalgtdi.com/culture (Scroll to the second widget)

In this edition of TG&TG, we're joined by Jonathan Parks, founder and executive producer, and David Diaz, director of marketing at ALIBI Music. We cover the creative realm of trailer music, sound design, and the duo’s professional backgrounds and career journeys. We also tackle the intricate aspects of music licensing, industry strikes, the changing face of creative advertising, and the increasing demand for "authentic" content in a tech-driven world.

03:12 Guest Introductions and Backgrounds

05:09 Magic and Resin Art

06:58 Career Trajectories and Industry Insights

25:19 Challenges and Adaptations in the Industry

41:56 Licensing Music for Trailers

43:39 Challenges in Music Replacement

45:04 Favorite Creative Campaigns

46:50 Advice for Aspiring Creatives

47:39 The Reality of Creative Work

56:32 Future of the Industry

01:01:12 AI in Creative Processes

01:04:08 Personal Insights and Fun Questions

Be sure to check out our wonderful sponsors:

Carrma - www.carrma.com/

Brent Allen Hagel - www.brentallenhagel.com/

The Golden Trailer Awards - goldentrailer.com/

Please leave us a rating and review: https://apple.co/3QYy80e.

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

https://alibimusic.com/

Founded in 1979, Intralink was a force in entertainment advertising for over 30 years contributing to the marketing of such films as E.T., The Color Purple, Rain Man, Thelma & Louise, The Da Vinci Code, the Batman movies and many more. It is also where some of the greatest contributors to the industry got their start. Anthony’s and Intralink’s impact on the art and the industry as a whole is indelible and lives on.

Jeff Elefterion is a seasoned creative storyteller who’s had the privilege of working with some of the most innovative filmmakers, collaborative marketers and generous human beings in entertainment. From leading the creative campaigns on 9 best picture nominated films in a row yielding 3 wins, to sinking his teeth into genre defining franchises, his passion for all things movies and TV continues to drive his desire to draw others into each of those cinematic and compelling worlds.

Michele Bell, SVP W’wide Creative Services for Paramount Home Entertainment, leads creative adv. for DVD package + menu design + print, broadcast, VOD + Internet advertising. Prior to Para., Michele was VP Crea. Services Home Ent. at Universal. Before that, she rose through the ranks at New Line to VP Crea. Adv. Home Ent. Just a few highlight campaigns incl Dumb & Dumber, Se7en, Scarface, E.T. 20th Anniversary, Iron Man, Transformers, Mission: Impossible, several Dreamworks Animation movies and many more.  

Ron Moler

Ron started his career at the young age of 13 shooting surf movies with his mother’s movie camera.  They weren’t very good but it set the hook. Ron Graduated from the Cal State Fullerton University film department. First Job CBS Television, Television City. Worked his way up to promo editor. After freelancing around for a couple of years he started Aspect Ratio with Bob Israel. Ultimately after 20 years of hard work they became the largest of the motion picture advertising agencies. Not being content with just cranking out trailers Ron produced Bachelor Party, I love you to Death, and The Endless Summer 2.  Ron sold his interest in Aspect Ratio and directed two movies The Runner and Local Boys. Missing the trailer business he started Ignition Creative with Martin Kistler in 2003. Finally deciding it was time to follow his adventure dream of sailing the world and making documentaries, he sold his interest in 2012. Now happily semi-retired he still does consulting work. Ron is blessed with 3 children.

Jeff Smith

After graduating UCLA as an Econ major, Jeff moved to Australia for a year before coming back home to work at KNXT (CBS)news for three years.  In the late 60s he became disillusioned with the political climate here, and moved to London, where he went to film school at The London School of Film Technique (now called the London Film School). Jeff stayed in Europe for 4 years. Returning to LA to work in the film business as a cameraman and grip where he worked on low budget movies.  Eventually Jeff burned out on that, and started making furniture.  After 2 years, and after in haling too much sawdust, he was offered a job in the finishing department at Kaleidoscope Films...then the preeminent trailer company in LA.  He lasted there two years before he found is true calling...to become a screenwriter, which he did, with varying success, for the next three years. 

But dirt poor, $27,000 in debt and living off credit cards, Jeff took what he thought would be a six months job at Aspect Ratio.  Jeff's title was producer, he was good at doing graphics and reels, but his real job was to keep the owners, Ron Molar and Bob Israel, from killing one another!  Jeff was successful, and as the company grew, he forgot about his writing career and began what would become his life long career in the movie advertising business. For a number of years he was Ron and Bob’s consiglieri, and produced all the reels and special projects. Eventually Jeff became Co President along with Mark Trugman, and ran the company til he left.

In 2001, Jeff opened Open Road Entertainment.  "We were one of the first boutique agencies, stating with just 11 people.  Over the years we grew, expanded, contracted, moved and had a great time together."  In 2017 Jeff sold the company and now after 33 years, and what he thought would be a six months job, he has returned to writing.  "I loved the trailers business, it was exciting, demanding, creative, frustrating, tiring, and filled with some of the best people I have ever met.  But now I am happy to say, I am ecstatic to be out of it, and writing once again."

After re-defining video game advertising and co-founding the first-ever ad agency of its kind, Lisa has spent the last few years helping startups across multiple business categories achieve their dreams. She is currently pursuing her own passion as co-founder of Foodocracy. Long time foodie and supporter of the sustainable food movement, Lisa along with her partner Deep Silver, launched the non-profit organization to help small batch food companies grow and expand their reach. Foodocracy is dedicated to creating social change through food.

Chad Misner, is well known and well loved as one of the most respected editors and creative directors of the entire trailer industry. Most recently Chad was the SVP of Creative Advertising at Focus Features and, prior to that was responsible for 2 of the greatest trailers of all time Little Children and The Social Network, among dozens, if not hundreds of other brilliant contributions. Some other favs:
https://vimeo.com/82565290
https://vimeo.com/57498175
https://vimeo.com/57433705

Kevin Abernathy started out making, as he would say, “really bad YouTube videos” with his friends until one day he randomly followed his passion for “previews” and moved to L.A. to pursue his dream. Game Grumps brought him unexpected fame in the world of video games. But his heart has always been in trailers, aka coming attractions. On this episode, along with our dynamo co-host Helen Ahn Cutler, we explore Kevin’s journey thus far from rock star in the eyes of gamers everywhere to making his way in the trailer industry.

Michael Blackburn is the Executive Creative Director of AV at Concept Arts where he recently oversaw the creation of Trailers and TV spots for the last two Spider-Man movies.  His love for all things editorial has led him on a career filled with twists. He worked in the Netherlands cutting international trailers, he cut a feature film in Moscow, and followed his heart to San Francisco where he accidentally worked for the Mafia.  As an Editor he cut for Ant Farm, Ignition Creative, CMP and directly for FOX’s Tony Sella. He has experience with campaigns on every genre of film imaginable, from Minions and Madagascar to Mother and The Grudge, from Pineapple Express and Talladega Nights to Kill Bill and Django Unchained.  The road is long and winding and he’s picked up a few scars along the way (e.g. John Carter and Fantastic Four) but he wouldn’t change a thing (he met his wife Esther Aronson in this business!) - He is always looking forward to the adventure of the next campaign...

The great summit of Nerds & Geeks! Today’s episode is with 2 of the hosts of the Nerd On! podcast “...where ALL LEVELS OF NERD (and geek) ARE WELCOME!” It is a weekly comedy, pop-culture podcast, in which a group of nerds in LA hangout, joke, analyze, discuss, and laugh about all things nerd! From comic books to film and everything in between, the Nerd On crew tackles it all. Two of the hosts Joshua Manley and Tom Petborisooth join us. Joshua is an audio mixer who’s worked at a couple shops in the trailer industry Trailer Park and Buddha Jones and Tom is an Award winning director. We start by getting to know these interesting, crazy cats and then we switch gears and have Tom & Joshua put on their host hats with me as their guest on Nerd On!

In this special episode, we unveil the story behind the Golden Trailer Awards, and Monica Brady and Evelyn Brady-Watters’ journey from starting this industry staple to the ups and downs that have been traversed in recent years. Monica and Evy share their unique backgrounds in film and commercial production and the inception of the Golden Trailer Awards. This conversation also covers their challenges during the pandemic, standout trailers and campaigns, and advice for emerging talent. Additionally, we explore personal stories of professional growth in the film industry, the announcement of an exciting new documentary, and the importance of community and genuine dialogue.

Sisters, Monica Brady and Evelyn Watters are trailblazers and visionaries in the entertainment and consumer technology industries. Together, they co-founded the Golden Trailer Awards (GTA) and the VUniverse application. GTA attracts thousands of submissions worldwide, spanning 111 categories. The show is now a favored and highly attended event, coined as the “Oscars for the short attention span” by the Wall Street Journal. They are proud to have bolstered the careers of numerous trailer artists, helping catapult them to huge success after winning a Golden Trailer Award. 

01:19 Meet Monica and Evelyn Brady

01:35 The William the Conqueror Connection

02:45 Family History and Storytelling

06:01 Growing Up and Sibling Bond

09:44 Monica's Educational Journey

18:50 Evy's Career in Commercial Production

25:55 The Birth of the Golden Trailer Awards

37:49 Memories of the Golden Trailer Awards

38:16 Early Industry Insights and Networking

40:11 Hosting and Memorable Moments

40:51 Impact of the Pandemic

42:25 Resilience and Adaptation

44:28 Celebrating Creativity and Community

51:59 Advice for Aspiring Creatives

58:45 Favorite Campaigns and Trailers

01:08:20 Excitement for the Upcoming Show

Be sure to check out our wonderful sponsors:

Defacto Sound - www.defactosound.com/

Carrma - www.carrma.com/

Brent Allen Hagel - www.brentallenhagel.com/

And of course, here's where you can find info on the Golden Trailer Awards: https://goldentrailer.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

In Part 2 of our convo with David Kim, Sr. Editor at Zealot, we talk some more about his time with Transit and the great team there; Helen and David get into some spirited debates about k-pop; we go deep on some more projects including PARASITE, CENTRAL INTELLIGENCE and TEA WITH THE DAMES; David shares about what makes Zealot's culture so great; and then we talk some more k-pop!

In this episode, we’re joined by Jim Fredrick, trailer editor, creative executive, and film professor and now… author of the new book OPENING WEEKEND. Jim shares his journey from his early sports aspirations to his pivotal roles in the film and marketing industries, working with icons like Steven Spielberg, Robert Redford, Jack Nicholson and Rob Reiner among so many others. We dive into the evolution of movie marketing, navigating challenging personalities, and the influence of Rotten Tomatoes. Jim also discusses motivational styles in the workplace, choosing passion over money, building a strong portfolio, and the transformative power of mentorship and hands-on education. We also get into the impact of Jim's teaching, his work with young trailer makers, and his upcoming book filled with personal industry insights and stories.

02:28 Meet Jim Fredrick: A Journey in Film Marketing

03:57 From Sports Dreams to Movie Magic

10:30 The Path to Becoming a Trailer Editor

14:36 Joining Intralink and Working with Legends

24:11 Creating the Teaser for THE COLOR PURPLE

28:49 Brushes with Fame: Main Title Design

38:17 A Week at Stanley Kubrick's Estate

42:28 The Unique Challenge of Creating the EYES WIDE SHUT Trailer

46:45 Castle Rock: A Unique Chapter in Editing and Heading Up Marketing

54:21 Transitioning to Warner Brothers

01:11:14 The Role of Rotten Tomatoes and Influencers

01:14:29 Dealing with Difficult Personalities in the Industry

01:18:46 Advice for Aspiring Trailer Editors

https://www.upress.state.ms.us/Books/O/Opening-Weekend

Be sure to check out our wonderful sponsors: 

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

Bill Neil has only continued his remarkable run as one of the trailer industry's most dedicated creatives whose passion for his craft persists. So we figured it was worth re-sharing this conversation we had with the trailer maestro...

Bill Neil, editor/producer at Buddha Jones, is often regarded as one of the leading trailer editors of all time, in particular for his work in horror, but really across multiple genres and in trailers as an artform. Two of his trailers, Texas Chainsaw Massacre and Dawn of the Dead, are often cited among the top trailers of all time. His other work includes Once Upon a Time in Hollywood, It, It Chapter 2, The Wolf of Wall Street, Amityville Horror, Split, Glass, Mother!, 10 Cloverfield Lane and many more. 

Be sure to check out our wonderful sponsors: 

Carrma - www.carrma.com/  

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e 

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. 

This is part 2 of our conversation with Brent "B Rock" Rockswold, Senior Editor/Producer best known for such seminal pieces including ROGUE ONE, THE LAST JEDI, and FURIOUS 7. In this part of the conversation we do a deeper dive on the work itself. In addition to the above, we discuss a :60 he did for JURASSIC WORLD, his STAR TREK: INTO DARKNESS trailer and THE FORCE AWAKENS trailer he co-edited with Josh Dunn among a number of his other great projects.

We brought in three industry heavyweights Kenny Gravillis, Dawn Baillie, and Noël Claro to discuss a collaboration between Netflix and Otis College of Art and Design. ACCESS was launched to help historically underrepresented students unlock their "peak potential and shape the future of entertainment marketing." We also explore Noël, Kenny and Dawn's respective careers and views on the industry, underlining the value of education and practical experience. We also candidly address some of the challenges many have faced, how we've muddled our way through and how folks can come together to overcome obstacles. And of course we geek out on influential posters and campaigns, highlighting the ones for 'Barry', the 1979 'Alien' movie, and 'All About Eve' from 1950. Ultimately, Dawn, Kenny and Noël provide advice to aspiring marketers, focusing on the importance of meaningful relationships, persistent research, and inspiration.

01:28 Introducing the Guests: Dawn Baillie, Noël Claro and Kenny Gravillis; 

03:59 The Journey of Noël Claro in the Entertainment Industry; 

15:42 Kenny Gravillis from Def Jam Records to award-winning entertainment advertising campaigns; 

30:24 The Role of Mentorship and Networking in Career Growth; 

42:43 Reflecting on the Unforeseen Challenges of the Past Years; 

43:32 Introducing ACCESS, the Netflix x Otis Entertainment Marketing Certificate Program;

45:06 Addressing Diversity and Inclusion in the Advertising and Design Industry;

46:35 The Importance of Education and Preparation in the Creative Industry;

47:17 The Journey of Developing and Implementing the Certificate Program;

55:28 The Future Vision for ACCESS; 

01:02:22 Advice for Aspiring Professionals in the Industry

Be sure to check out our wonderful sponsor:

Defacto Sound - www.defactosound.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

otis.edu/netflix

Matt Bravmann is a marketing guru currently with The Hollywood Reporter as Marketing Director, Film/TV. Matt started his career as a Marketing Intern with ESPN before moving on to help develop Marketing and Social media strategies for The New York Mets, WWE, Shindig, and Brigade, an award winning, full-service entertainment digital marketing & publicity agency, before landing at The Hollywood Reporter.

Matt is also an accomplished musician, singer/songwriter, and piano player with a love for Jazz.

In this episode we’re joined by Michael Carr, the owner and CEO of Carrma, entertainment advertising’s unique boutique creative post destination, specializing in both sound and picture finishing for theatrical, broadcast, streaming, radio and digital. Michael shares his inspiring journey from growing up in a small town in Florida, where his passion for music and film began, to establishing himself in the bustling heart of the entertainment industry in Los Angeles. Alongside his various roles in audio engineering, long form at Tyler Perry Studios, creative editing for sports, and starting a new company among other stops along the way, Michael discusses the challenges he faced and the importance of relationships and adaptability in his career. Michael also touches on industry trends and memorable campaigns, as well as his commitment to community support through initiatives like Project Possible. This episode offers deep insights into Michael’s career and valuable advice for navigating and succeeding in the entertainment advertising post-production landscape.

Be sure to check out our wonderful sponsors: 

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e 

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. 

https://www.carrma.com/

https://projectpossible.org/ 

For today's panel discussion, we were joined by three leaders from Ignition Creative, Jaclyn Thomas, SVP AV and Creative Director; Dhruv Kumar, Assoc. Creative Dir. and Sr. Editor; and Eric Breshears, Creative Dir. of Print; (with a cameo from Wayne Watson, Pres. and Exec. CD) to have a candid conversation about how we're all doing. We've all been through a lot as an industry, collectively and individually. So, how are you?

We also discussed how Jaclyn, Dhruv and Eric each got into the industry. Then we dove right into how we're all doing as well as how we've helped others through the ups and downs of the last few years. We definitely got pretty real about mental health. After a random story about Corey's Aunt Rhoda from Brooklyn, we dove into some of our favorite trailers and posters (see links below). And of course, we got some great career wisdom from these remarkable leaders.

Please support our wonderful sponsor, BRASH: justbrash.com

ignitioncreative.com

Abraham Lincoln: Vampire Hunter Teaser - https://www.youtube.com/watch?v=yXulj8Lgcyg&t=32s

The Shallows Trailer - https://www.youtube.com/watch?v=i0KcbNwEw5g

Battle: Los Angeles Trailer - https://www.youtube.com/watch?v=-Pd-uuDi28U

The Accountant Trailer - https://www.youtube.com/watch?v=DBfsgcswlYQ

Atomic Blonde Trailer - https://www.youtube.com/watch?v=JIqcMl0hzXs

Buried Teaser Poster

And you can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

Neal Spector has 3 distinct chapters in his career: starting out as one of the “Mad Men” of mainstream advertising; then paved the way and dominated home entertainment advertising; and more recently has re-made himself again as the owner of Ammo Creative, that is playing at the highest levels in all the areas that define our culture from brand to digital, movies and television, design, writing, editorial and post production. Neal Spector is crushing it.

Dave Yocum and Kelly Yocum are both great trailer editors. And, yes, they're related - Dave is Kelly's dad. Dave is a legendary editor, producer, creative director at Create Advertising Group. He’s responsible for some of the most admired trailers of all time including the 300 Trailer and the Bohemian Rhapsody Teaser. He’s also known for creating most of the Harry Potter trailers as well as campaigns for films like Benjamin Button, the Matrix and A Beautiful Mind. Kelly Yocum is a rising star editor at JAX under the banner of Rock, Paper, Scissors. She has some pretty killer finishes including the trailer for BORAT SUBSEQUENT MOVIE FILM and some really cool pieces for HBO like the teaser for The Undoing and Euphoria. We explore what it was like working on some of the projects, how trailer editing has evolved, the value of having great mentors and how they each developed their process among many other topics.

Tommy "Pitt" Malatesta, Editor/Producer at AV Squad, is doing some of the most ground-breaking work being done today. You'll notice he's very quick to talk about all the other incredibly creative people that are part of the collaborations that result in all of his work including the most renowned pieces he's known for such as The Witch trailer, Hereditary trailer and The Green Knight teaser among so many others.

Ben Brown, the VP Head of Film at Zealot, has worked with some of the most talented editors, graphic designers, producers, and music supervisors in the business. He started at Aspect Ratio as an Associate Producer, then moved on to AV Squad where he spent nearly a decade working his way up to Creative Director. A multiple Clio and Golden Trailer award winner, Ben's worked on many exciting campaigns over the years, including AIR, A QUIET PLACE, THE BIG SHORT, THE NORTHMAN, SONIC THE HEDGEHOG, SCREAM, SPOTLIGHT, TERMINATOR DARK FATE, GI JOE: SNAKE EYES, FURIOUS 7, MISSION IMPOSSIBLE: ROGUE NATION and many others.

01:06 Introducing Ben Brown: A Journey in Theatrical Marketing;

01:23 Personal Connections and Industry Insights;

02:42 From UVA to Hollywood: Ben's Backstory;

10:06 The Early Days in LA: From Reality TV to Talent Agencies;

22:45 Learning the Ropes at Aspect Ratio;

27:43 Evolving Career: The Transition to AV Squad;

40:28 Leading Theatrical at Zealot: A New Chapter;

43:09 Navigating Career Transitions and Embracing Challenges;

45:13 The Impact of Industry Shifts and Personal Adaptation;

48:57 Creative Processes and the Art of Making Trailers;

01:03:16 The Evolution of the Industry and Future Outlook

Be sure to check out our wonderful sponsors:

Defacto Sound - www.defactosound.com/

Carrma - www.carrma.com/

Brent Allen Hagel - www.brentallenhagel.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

https://zealotinc.com/

https://zealotinc.com/air/

We were joined on this episode by Peter Stark, the Head of Print at AV Squad, and Brian Lauzon, the Creative Director there at AV Print.

Peter shares about how one goes from serving in the Peace Corps to running print at one of the most successful shops in the business. Brian gives us a glimpse at how a guy could get from Buttzville, NJ (jk, he's actually from Long Valley, NJ - Buttzville was just a place he visited for the hot dogs) to working on some of the most kick-ass posters we've enjoyed over the last 20 years.

We also talked about plenty of their work. There was a pretty scary SAW poster, CRASH posters they each worked on, a really rad PATRIOTS DAY poster, a motion and emotion-filled TAR piece and so much more. I mean, check out their site. There's HOUSE OF THE DRAGON, CIVIL WAR, THE HOLDOVERS... Anyway, check it out. So much great work!

Here's the site for Good City Mentors: goodcitymentors.org

Be sure to check out our wonderful sponsor: Defacto Sound - www.defactosound.com/

Please leave us a rating and review on Apple Podcasts. It really helps. Here's the link: https://apple.co/3QYy80e. Just scroll down a bit and the option to review is tucked in the middle of the episode list.

And you can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

www.avsquad.com/print

GOOD NEWS FOR LATE BLOOMERS.

JOHN LONG’S CAREER PROVES YOU DON’T NEED A CLEAR PATH OR PLAN. JOHN STARTED IN THE INDUSTRY IN HIS 30s, CO-FOUNDED A COMPANY IN HIS LATE 40s AND, 15 YEARS LATER, IS STILL EXCITED AND CURIOUS. SINCE STARTING BUDDHA JONES IN 2005, JOHN AND CO-OWNER DAN ASMA HAVE BUILT A TEAM THAT’S CREATED AWARD-WINNING WORK ACROSS THE INDUSTRY INCLUDING ONCE UPON A TIME IN HOLLYWOOD, IT 2, READY PLAYER ONE, SILVER LININGS PLAYBOOK, NO COUNTRY FOR OLD MEN, THE HANGOVER, KUNG FU PANDA AS WELL AS MR. ROBOT, THE MARVELOUS MRS. MAISEL STREAMING SERIES, THE HOMECOMING SERIES, BRIGHT, AND THE ASSASSIN’S CREED AND OUTER WORLD VIDEO GAME FRANCHISES.

WHEN NOT SERVING CLIENT NEEDS, JOHN CAN BE FOUND AT HOME WATCHING NAKED AND AFRAID WITH HIS FOURTEEN AND TEN YEAR OLD DAUGHTERS.

Wayne Watson, Creative Dir. and President of Ignition Creative, initially wrote a long winded 6 paragraph bio overusing words like “passion” and “inspiration”.  Remembering his humble beginnings as a trailer editor, he realized he needed to get it down to “time” and wrote a simple paragraph… For over 15 years, he’s worked across the entertainment spectrum in every genre, platform and style. He loves music, film, working on great projects and collaborating with a team of extremely talented people.  

Brilliant. Strategic. Bold. Humble. Three of these words describe Peter Adee. The guy who led the marketing efforts at several studios created countless campaigns that still resonate. He doesn’t need you to know he’s funny as hell, but he won’t deny it. It’s part of the charm. So is the way he helped so many achieve so much. He’s an original as these stories attest.

Sean Uyeoka, Editor at Aspect, arrived on the scene with quite a splash with a BLACK MASS teaser that garnered so much industry recognition that he finished when he was still an assistant. Since then, Sean hasn't looked back having gone on to contribute to a diverse range of other top notch pieces such as trailers for ANNABELLE CREATION, MOXIE, MOTHERLESS BROOKLYN, FIVE FEET APART, CAPTAIN UNDERPANTS, WOLVES AT THE DOOR, FRIENDS FROM COLLEGE, THE CURSE OF LA LLORONA and many more.

Tommy Malatesta's name gets brought up so often on this program, we thought it'd be good to share this conversation again, just in case you missed it... 

Tommy "Pitt" Malatesta, Editor/Producer at AV Squad (and now Partner/co-Head of AV), is doing some of the most ground-breaking work being done today. You'll notice he's very quick to talk about all the other incredibly creative people that are part of the collaborations that result in all of his work including the most renowned pieces he's known for such as The Witch trailer, Hereditary trailer and The Green Knight teaser among so many others.

Be sure to check out our wonderful sponsors:

Carrma - www.carrma.com/ 

Brent Allen Hagel - www.brentallenhagel.com/ 

The Golden Trailer Awards - goldentrailer.com/ 

ALIBI Music - alibimusic.com/ 

Please leave us a rating and review: https://apple.co/3QYy80e 

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. 

https://www.youtube.com/watch?v=iQXmlf3Sefg 

https://www.youtube.com/watch?v=3e_yI2_Mu3g 

https://www.youtube.com/watch?v=VoJc2tH3WBw 

Mike Southerly is an award winning creative executive and creative director with over 20 years in the industry working on both sides of the marketing world, most recently a long stint as EVP Creative Advertising at Fox and Creative Director at Concept Arts. Dumb and Dumber, Austin Powers, Not Another Teen Movie, The Simpsons Movie, Marley and Me and Percy Jackson are just a few of the many campaigns Mike’s worked on.

Unlocking Motion Design Magic: Deep Dive with the Minds behind 'The Color Purple' and 'She-Hulk'

In this edition of Trailer Geeks, we sit down with Jon Berkowitz and Brad Colwell from Aspect to explore the fascinating world of high-end motion graphics for trailers as well as opening title sequences. We cover their unique journeys into the industry, from Brad's relocation from Georgia to LA, and Jon's switch from international basketball to the film industry. They delve into the creation of iconic title sequences for projects like 'The Color Purple' and 'She-Hulk', the creative challenges of remote work, and the dynamic relationship between motion design and film marketing. Additionally, the episode highlights the impact of legendary title sequences, the importance of curiosity, writing, and graphic design in their careers, and Corey’s reflections on mental health and authentic connections.

www.teamaspect.com/motion-design

Opening Title Sequence for Se7en: www.youtube.com/watch?v=-BJkDyCdw0c

Be sure to check out our wonderful sponsors: 

Carrma - www.carrma.com/  

Brent Allen Hagel - www.brentallenhagel.com/  

The Golden Trailer Awards - goldentrailer.com/  

ALIBI Music - alibimusic.com/  

Please leave us a rating and review: https://apple.co/3QYy80e 

You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. 

Adam Fogelson, Chairman STXfilms. Currently Leading all aspects of film production, marketing, distribution and home entertainment. Former Chairman of Universal Pictures, Adam was involved in films including, Ted, Bridesmaids, Dr. Seuss' The Lorax, Snow White and the Huntsman, The Purge, Les Miserables, Despicable Me 1 and 2, and Fast and Furious 5 and 6.

Angel Mendoza, the Director of Music at AV Squad, is arguably the soul of some of the greatest collaborations in the history of the trailer business. Check out some great pieces such as the No Country for Old Men red band trailer, the 42 trailer with Brooklyn We Go Hard, all the Fast & Furious campaigns of recent years, or Creed, John Wick 3, The Witch, Hereditary, Climax and Free Guy and soak in how the music and sound help shape the whole experience.

The first ever Clio Entertainment Shortlist announcement show, with a number of truly special guests from the industry including Ashley Sewell and Chad Miller from AV Squad, Jennie Wilkes from Netflix, Ashley Falls from Clio, Patrick Starr from Universal, Matt Bravmann from the Hollywood Reporter, and Kelly Adelman from Trailer Park.

Dallas Taylor is the host and creator of Twenty Thousand Hertz, a lovingly crafted podcast revealing the stories behind the world’s most recognizable and interesting sounds. Dallas is also the Creative Director of Defacto Sound, where he has led thousands of high-profile projects ranging from blockbuster trailers and advertising campaigns to Sundance award-winning films and major television series. At Defacto Sound, they're experts at everything from making dialog crystal clear to creating entire sonic worlds from the ground up. Bottom line, at Defacto they’re obsessed with every nuance of sound. Dallas is also a sought-after speaker at conferences, a regular contributor to major publications, and a respected thought leader on the narrative power of sound.

Brian McKinney is the owner of the boutique, bespoke music publisher Brash - which listeners of this show will recognize. BRASH is a top tier company with great people who specialize in trailer music, publishing and licensing.  Brian is also the co-host of the Trailer Therapy Podcast, an excellent program about trailers, media, and entertainment. Brian has nearly two decades of music industry experience and prior to that served as a non-commissioned officer in the United States Marine Corps with combat deployments. But now he’s a 5 star general when it comes to helping talented creatives find success!

Be sure to check out our wonderful sponsor, BRASH:

justbrash.com

And you can find Corey on all the socials @coreysnathan such as

www.linkedin.com/in/coreysnathan.

www.defactosound.com/

www.20k.org/

podcasts.apple.com/us/podcast/trailer-therapy/id1709770252

Ryan Hegenberger is the owner of Big Picture Ent, the “creative, talented, obsessed” trailer shop that’s worked with Disney, Dreamworks, Focus, Fox Sports, Happy Madison, Hulu, Lionsgate, Netflix, NFL Network, Paramount, Searchlight Sony Pictures, Universal, Warner Brothers and YouTube among others. Ryan came to Hollywood by way of Clemson where he played D1 football. He started in the trailer industry with the legendary Intralink Film alongside several other trailer geeks and teaser gods.

Creatively and fiscally responsible for over 1,000 theatrical trailers, corporate product reels, TV and radio campaigns. Jim created unique advertising for some of the most highly successful motion pictures of all time, including ET The Extraterrestrial, Planes Trains and Automobiles, Amadeus, The Color Purple, Crocodile Dundee, The Big Chill, and Home Alone.

Formerly Executive VP of Creative Advertising for Paramount Pictures, Jim now works as a consultant with numerous studios and indie film makers.

Selling pictures since 7th grade, Rick eventually transformed from illustrator to Art Director, first at Pacific Eye and Ear, A tour of duty at Seineger advertising, then Spiros, which morphed into DAZU, then Going on 30 years at BLT with Dawn and Clive and a team of amazing artists.