The MoMA Magazine Podcast (momamagazine)

Jazz in the Garden, Episode One: “In the Beginning”

Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA’s Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you’ll hear about the first era of jazz at MoMA from some of the musicians who were there.

Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik

Music: “That’s a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now’s The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

Hear from current and former teens about their experiences of growing up queer.

When was the last time you thought about your teenage self?

For a lot of us, our teenage years were an uncomfortable time. Sure, there were some good moments, but there were also a lot of confusing thoughts and big emotions that we couldn't figure out. For Pride 2024, we invite you to enter the world of Open Art Space (OAS), MoMA’s weekly drop-in program for LGBTQ+ high school students and their allies. You’ll hear from different community members about the ways they discovered and embraced their identity as queer people. They discuss what it was like growing up queer, the role of art in their lives, and the places and spaces that played a vital role in making them feel safe.

A maker of multisensory artworks reflects on the importance of listening to our surroundings.

In 2014, Nigerian-born artist Emeka Ogboh moved from Lagos to Berlin. This experience marked not only a shift in his surroundings, but also a shift in his artwork. “Shuttling between two places,” Ogboh explains, “your brain has to do this switch. And that fusion of two places started occurring to me.” His immersive installation Lagos State of Mind III, currently on view in MoMA’s second-floor galleries, blends the experience of living in these two cities.

For this month’s Ten Minutes podcast, just in time for World Listening Day—an annual celebration held on July 18—we invite you to explore your surroundings and reflect on how sound shapes our world.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/923

Love can be complicated, messy, and inspiring—and has shaped the history of art more than we knew. In this episode of the Magazine podcast, we’re bringing love stories to light. From Robert Mapplethorpe and Patti Smith, who “felt magnified” by one another as struggling young artists in New York; to a recent love story sparked at the Museum; to Felix Gonzalez-Torres, who found that love could conquer fate and even death, these stories prove that love can mean many things, and each definition can affect the way we make, view, and understand art.

On June 14, in the midst of the Black Lives Matter protests and the COVID 19 pandemic, more than 15,000 people gathered in front of the Brooklyn Museum in New York City to protest the violence, harassment, and discrimination faced by Black trans people in the United States. The Brooklyn Liberation march, the brainchild of drag queen West Dakota, turned out to be the largest event for Black trans rights in history. Last month, Alex Halberstadt spoke over Zoom to four people with key roles in the event: West Dakota, who tells us what nightlife and political organizing have in common; Mohammed Fayaz, whose images work as a call to community; Ceyenne Doroshow, who looks back with decades of perspective; and Raquel Willis, who gave one of the day’s most powerful speeches. He asked them to reflect on this historic event, how it fits into the larger struggle for equity and justice, and the future of Black trans people in this country.

MoMA PS1’s new exhibition Marking Time: Art in the Age of Mass Incarceration features artists who were incarcerated or impacted by the US prison system, and who address these issues in their work. In this episode, Dr. Nicole Fleetwood speaks with artists James Hough, Rowan Renee, Mary Enoch Elizabeth Baxter aka Isis tha Saviour, and Halim Flowers about the relationship between art and freedom, the failures of the American justice system, and their visions for a future without prisons.

The artist and writer David Wojnarowicz, who died in 1992 at age of 37 from complications of AIDS, is best remembered for his political activism and his vibrant, confrontational paintings. Yet in her 2016 book The Lonely City, author Olivia Laing writes movingly about Wojnarowicz as a figure haunted by loneliness, a condition that inspired to him to fashion his work into a vehicle for visibility and connection. As part of our celebration of Pride month, writer Alex Halberstadt recently spoke with Laing—whose latest is Everybody: A Book About Freedom—about David Wojnarowicz’s life, legacy, and the desire for connection that animated his incandescent writing and art. 

Join meditation artist Dora Kamau for an eight-minute guided audio meditation that explores the spectrum of emotions and energies associated with each color.

We’ll delve into color theory and the psychological and emotional effects colors can have on us. Composer James Pratley Watson, who created the soundscape for this meditation, aligned each color with its respective sonic “healing frequency,” in an attempt to infuse it with a deeper vibrational resonance. As Kamau leads you through this immersive meditation, allow the interplay of sound and color to guide you through a calming exploration of your own consciousness.

What are some of the most urgent challenges facing our planet? And how can design help us meet them?

Join Paola Antonelli, senior curator of architecture and design at MoMA, for Broken Nature, a four-episode podcast series in conjunction with MoMA’s current exhibition, that explores our fragile but fundamental ties to the rest of nature and the world around us. Antonelli and her guests—bloggers, anthropologists, judges, entrepreneurs, and more—will look at systems that sustain and permeate our lives, from food to fashion and the law, and ask how we might redesign them to make them fairer to all humans and other species.

Join us next Monday, April 26, for the launch of Episode 1: Is Corn Feeding a Lie?

Jazz in the Garden, Episode Three: “Return to the Garden”

An overwhelmingly popular series of jazz concerts in MoMA’s Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century.

Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik

Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford’s The Tent. Used by permission. Courtesy Myra Melford; “Malinke’s Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich

Humans depend on certain conditions to survive on Earth: oxygen, water, food, and the atmosphere’s protection from the sun’s most dangerous rays. But what happens when these conditions begin to change? Host Paola Antonelli is joined by Sarah Henderson, Scientific Director of Environmental Health Services at the British Columbia Center for Disease Control, geneticist Christopher Mason, and Nathalie Cabrol, Director of the SETI Institute at the Carl Sagan Center for Research, to investigate the how the climate crisis affects the most intimate system in our lives: our own body.

For more information on this episode, visit moma.org/magazine.

The winner of RuPaul’s Drag Race All Stars reflects on how drag changes us for the better.

For this month’s Ten Minutes podcast, we spoke to the award-winning opera singer and drag queen Monét X Change about the anti-drag movement, which has led to protests across the country in response to the growing popularity of drag. “With all these legislations and bills to try to keep drag away from certain people,” says Monét X Change, “it feels like an attack on our livelihood and this, like, way to dehumanize us.” But queer people across the country are using their voice and artistry to resist and show that the contributions of LGBTQIA+ communities are crucial to society. In Monét’s words, “Drag has been around for a very long time. Something that has been around for so long is living proof that it informs the culture and that it is completely valid.”

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/917

After 50 years of making music, singer, songwriter, and composer Beverly Glenn-Copeland's genre-bending compositions are finally being celebrated. When he left New York in the early 1960s, he believed the future he was fixated on could not exist for him in the US. Copeland, a transgender black man whose obscure electronic sound and non-binary beliefs were ahead of their time, continued to create music from abroad while acting on the Canadian children’s show Mr. Dressup and writing for Sesame Street. On this episode of MoMA’s Magazine Podcast, Taja Cheek, assistant curator at MoMA PS1, sat down with Copeland the day after his sold out VW Sunday Sessions performance at MoMA PS1, to discuss his first return to the US in over 50 years, his father’s piano, and why he considers himself a grandparent to young creatives.

For many, a trip to MoMA means confronting questions of access: Does this space welcome people like me? Will I be given what I need in order to feel safe and included?

At the core of this month’s Ten Minutes podcast is the question, What does access look like? According to Laura Aguilar’s work Access + Opportunity = Success, access includes, among other things, “the right to enter or use.” But Dr. Therí Pickens argues that access goes deeper than that. Using Aguilar’s work as a point of departure, the writer and disability studies scholar explores how our lives are shaped by our identities and the privileges granted to certain bodies and experiences.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/894

This episode of The MoMA Magazine Podcast's Broken Nature series explores the global secondhand clothing landscape: who participates in it, who benefits from it, who suffers because of it, and whether it is in fact a sustainable alternative to the excessive consumption encouraged by the fashion industry. Host Paola Antonelli is joined by Andrew Brooks, the author of Clothing Poverty: The Hidden World of Fast Fashion and Second-Hand Clothes, Katekani Moreku, a South African fashion designer who uses discarded clothing to create new garments, and Julie Wainwright, founder and CEO of The RealReal, a business focused on luxury consignment. 

Jazz in the Garden, Episode Two: “One Magic Summer”

After a golden age of big names and big crowds throughout the 1960s, by the mid 1970s live jazz at MoMA had become something of an afterthought. But a magical summer of performances in 1985—including landmark concerts by the Art Ensemble of Chicago, “Butch” Morris, and the “saxophone colossus” himself, Sonny Rollins—put the music back at center stage. Join us for our second episode, and hear the story from Rollins and others who were there.

Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik

Music:

“Now’s the Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing; “Uncle.” Written by Roscoe Mitchell. Performed by the Art Ensemble of Chicago. Courtesy of Universal Music Group. By arrangement with Art Ensemble of Chicago Publishing; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG

A hundred years later, a Surrealist artwork continues to inspire curiosity in all who encounter it.

“It is an object that—once you’ve seen it, it’s there in your imagination forever,” says former MoMA senior curator Anne Umland about Meret Oppenheim’s Surrealist Object. Objects conservator Caitlin Gozo Richeson had a similar reaction on seeing the fur-lined teacup, saucer, and spoon for the first time as a MoMA intern. “I remember seeing it in the galleries and just being floored,” she recalls. “For me, it’s always been one of those objects that is just so burned into my memory and my senses.”

Oppenheim’s Object is one of the most celebrated works in MoMA’s collection—and for good reason. It’s an artwork full of wonder and humor, often leaving us with more questions than answers. For this edition of the Magazine podcast, we plumb the mysteries of an artwork that has come to embody Surrealism, an artistic and literary movement celebrating its 100th anniversary this year.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1133

Listen to the acclaimed writer talk about Elizabeth Catlett’s sculpture Mother and Child, and its connections to rest, intimacy, and reproductive justice.

In this Ten Minutes podcast episode, Hall reflects on a childhood wrapped in the embrace of Black community and an adulthood of “relearning how to hold” three generations of women in her family. Through tender descriptions of this sculpture and lyrical insights that weave together the personal and political, Hall conjures the spirit of Catlett and the many Black mothers who came before and after.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/732

A tech ethnographer explains some key terms and ideas behind the future of the Internet.

In Unsupervised, Refik Anadol’s new installation at MoMA, the artist makes use of a core part of the Web3 technology: blockchain. What is blockchain technology and how does it relate to Web3? More importantly, why should we care about any of this? In this Ten Minutes podcast, we explore these questions with Tricia Wang, a tech ethnographer who studies the ways technology shapes our humanity. For Wang, Web3 offers enormous creative potential. In this new vision for the Web, we can tell new stories, explore our identities, and build more equitable communities.

Hear from the revolutionary artist about his iconic designs for the Black Panther newspaper.

Emory Douglas has a battle cry: “Culture is a weapon.” And this chant reverberates throughout everything he does. In 1967, Douglas was chosen as the minister of culture and revolutionary artist for the Black Panther Party, where he designed the layouts and iconic imagery for the Black Panther newspaper.

For this month’s Ten Minutes podcast, Douglas shares his path toward arts activism and the power of art to “penetrate the souls of the resistance via the resistors (We The People) against all forms of cruel and unjust authority.”

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/939

Beekeepers reflect on how fear transformed into love after they realized the huge impact of these tiny creatures.

In 2016, Tim Jackson and Nicole Lindsey founded Detroit Hives, a local organization dedicated to transforming vacant lots into urban bee farms, where they not only produce honey for their communities but also host educational programs about the crucial role of bees.

This month’s Ten Minutes podcast is all about bees—what they do, how they’re organized, and why we need them. Bees do more than just produce honey—they help our ecosystem grow and keep the produce sections of our supermarkets plentiful. Even more importantly, they can teach us about living and thriving in community.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/965

Being an artist or a writer in Russia has never been particularly easy, or free of risk—especially during the 19 years since Putin became the nation’s president. For this podcast episode, writer Alex Halberstadt spoke with Masha Gessen, staff writer at the New Yorker and author of 11 books of nonfiction, including 2017’s National Book Award–winning The Future Is History. They talked about the legacies of the Soviet period, self-censorship, and what the experiences of Russia’s artists can teach us about the dangers of tyranny everywhere—a subject touched on in Gessen’s forthcoming book, Surviving Autocracy. 

Showing up in food, cosmetics, fuel, medicine, and even the air we breathe, corn has become one of the most ubiquitous presences in our lives. In this episode of The Broken Nature Series, host Paola Antonelli talked to Bex, who runs the blog Corn Allergy Girl, cultural anthropologist Alyshia Galvez, and community organizers Yira Vallejo and Jonathan Barbieri about the proliferation of corn and its consequences for our health, environment, and communities.

For more about the guests in this episode, visit moma.org/magazine

A neuroscientist discusses how smell influences everything from emotions and relationships to identity and wellbeing.

Our sense of smell is something many of us take for granted, but this sensation is more powerful than you may think. “It literally filters through all aspects of our existence,” explains neuroscientist Rachel Herz, “and the more we deliberately use our sense of smell…the better our brain health is, and even the general health of our bodies.” Smell also plays an important role in art, with many artists using scent as a way to prompt questions. These artworks encourage us to slow down and engage our senses. As Herz reminds us, when we stop and smell the metaphorical roses, “it can really ground us and bring us into that moment.”

For this month’s Ten Minutes podcast, we dig into the complex process that takes beans to bars, and the real-world impact chocolate has on the people who make it.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1017

For our first installment of Books that Matter, we read Saidiya Hartman’s Wayward Lives, Beautiful Experiments (2019). Hartman is a professor in the Department of English and Comparative Literature at Columbia University. For the last few decades, she’s been writing about and analyzing the afterlife of slavery in such books as Lose Your Mother: A Journey Along the Atlantic Slave Route (2007) and Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (1997). Her most recent book, Wayward Lives, follows the lives of young black women at the beginning of the 20th century in New York and Philadelphia, and the ways that they tried to break free from imposed and invisible forms of servitude. It’s unlike any history book we’ve read before.

What is the relationship between literature and modern art? 

Join Adam F. Bradley, English professor and co-editor of Ralph Ellison's unfinished second novel, for a discussion about race and invisibility on the written page and beyond. Discover Ellison's iconic book Invisible Man and the ways it continues to resonate with readers (and artists) 70 years after its original publication.

 

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/751

In Bangladesh, a garment worker barely makes enough money to cover the cost of rent. Discover the truth about the unfair labor practices behind many of the clothes we wear.

In this Ten Minutes podcast episode, Kalpona Akter, founder of the Bangladesh Center for Workers Solidarity (BCWS), describes the lives of garment workers in Bangladesh and some of the ways we can advocate for fair labor practices when making purchases.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/816

Across her long career, pioneering photographer Dorothea Lange grappled with the relationship between words and pictures, the subject of MoMA’s recent exhibition. The Creative Team’s Prudence Peiffer sat down with poet Tess Taylor to discuss Taylor’s engagement with Lange and words in her book, Last West: Roadsongs for Dorothea Lange.

Hear how this popular crop is helping craft a more sustainable future in Mexico.

What do corn, craft, and Mexico have in common? The answer to this question comes in the form of Totomoxtle, a project and materials created by designer Fernando Laposse in collaboration with the village of Tonohuixtla. On view through July 7 in the exhibition Life Cycles: The Materials of Contemporary Design, Totomoxtle is an example of how good design can do more than please the eye—it can offer new pathways to preserving cultures, supporting local communities, and bringing balance to an ecosystem that has been exploited for far too long. 

For this Earth Month edition of the Magazine podcast, we sat down with Laposse to discuss the origins of his Totomoxtle project and how corn is helping build a more sustainable future for people and planet.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1062

What do video games reveal about our reality?

In this Ten Minutes podcast, hear from gamer and content creator Amira Virgil, developer of the Melanin Pack for The Sims 4, about her vision to create a more accurate and inclusive version of the game.

 

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/778

The founder of Harlem Chocolate Factory reflects on her lifelong journey with chocolate—and why you should never buy it at a low price.

Inspired by artists’ inventive uses of chocolate, we interviewed Jessica Spaulding, local chocolatier and cofounder of Harlem Chocolate Factory. For Spaulding, chocolate offers endless opportunity: “I think that being a chocolatier is that space where you get to get into your Willy Wonka greatness and just let your imagination run wild.”

For this month’s Ten Minutes podcast, we dig into the complex process that takes beans to bars, and the real-world impact chocolate has on the people who make it.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/980

Society ridiculed the modern art she loved, so Lillie P. Bliss set out to create a museum to house it.

It might be hard to imagine, but there was a time when the work of modern artists like Vincent van Gogh, Henri Matisse, and Paul Cézanne was ridiculed by the public. Despite all the criticism, three women founded a museum dedicated to art that was new. In this edition of the Magazine podcast, we explore the life and work of Lillie P. Bliss, one of MoMA’s three founders and a passionate advocate for modern art. Bliss is also the subject of MoMA’s exhibition Lillie P. Bliss and the Birth of the Modern. Described by her niece as “the most typical Victorian daughter,” the dutiful Bliss nonetheless defied not only society but her parents by going on to build an art collection that became the cornerstone of The Museum of Modern Art.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1169

Singer-songwriter Rosanne Cash recently created a playlist to accompany Taking a Thread for a Walk, an exhibition of textiles and fiber art from MoMA’s collection. We spoke with her about her thoughts in choosing these songs and about the connections between weaving, making art, and writing music.

Hear how a publisher decided to “create the world that we want to see” by founding the first natural-hair magazine.

In this Ten Minutes podcast episode, we talk to Lindsey Farrar, who cofounded CRWNMAG in 2016 with Nkrumah Farrar. The print and digital publication is dedicated to celebrating the diversity of Black women and the beauty of their natural hair textures. Hear Farrar talk about about CRWNMAG, the natural hair movement, and the possibilities of changing society through media.

Access a transcript of the conversation here: https://www.moma.org/magazine/articles/852

In 1980, MoMA’s senior film curator Laurence Kardish organized a comprehensive retrospective of actor/director John Cassavetes’s career. The retrospective gave a second life to underseen films like Opening Night and offered a holistic overview of an artist that, as Kardish puts it, describes “the whole glorious arc of American cinema.” In this podcast episode, we spoke to Kardish and Rajendra Roy, MoMA’s Celeste Bartos Chief Curator of Film, about Cassavetes and his relationship with MoMA.

Harry Belafonte once wrote that artist Charles White's work “is a testimony to the vitality of American culture.” In this conversation with WQXR host Terrance McKnight, who worked with curator Esther Adler to select music and other audio for Charles White: A Retrospective, Belafonte describes his relationship with White and their commitment to celebrating and advancing black culture.

Discover how architecture can unite communities divided by an international border.

Political theorist Fonna Forman and architect and visual artist Teddy Cruz talk about Manufactured Sites, an architectural project based on the flow of material waste between border cities in the United States and Mexico. Tires, garage doors, and even entire homes make their way from San Diego to Tijuana, where migrants seeking entry into the US reconfigure the parts into emergency housing. But the project doesn’t stop there—it also presents new possibilities for safer emergency housing. In this Ten-Minutes podcast, we hear about the ways communities can collaborate across international borders and the possibility of creating a safe home for everyone.

What does it mean for bodies of water, animals, and all of nature to be granted legal rights? In this episode of the Broken Nature series, host Paola Antonelli explores how the law can help us conceive of nature differently, and maybe even curb our destructive instincts. Author Nathaniel Rich tells the story "Dark Waters" about how environmental regulations in the United States have fallen short, activist Vimlandu Jha describes how he fights the pollution of India's Yamuna river, and Belkis Izquierdo describes her role as a magistrate in Colombia's Special Jurisdiction for Peace, a judicial body created to investigate and judge the crimes committed during the country’s decades-long civil war.

For more on this episode, visit moma.org/magazine.

Is art the secret to everlasting love?

It’s no secret that some of the most powerful art has been inspired by love, that singular, indescribable feeling that, as it turns out, we are all capable of experiencing. “We all have the 12 brain areas that are critical for love,” says Dr. Stephanie Cacioppo, a leading figure in the neuroscience of social connections. It doesn’t matter if that love we feel is for our friends, our community, or our romantic partners, the only thing that changes between these relationships is the intensity we feel and see in the brain. What’s more, when we embrace that love, amazing things can happen and our brains become stronger.

In this Valentine’s Day episode of the Magazine Podcast, we’re exploring the science of love and how art can help foster it. We’ll hear from Dr. Cacioppo about her research, and from a couple who met at MoMA more than 50 years ago. Together, they’ll teach us that we don’t need to look far for love—sometimes we’ll find it where we least expect.

Access a transcript of the conversation here: moma.org/magazine/articles/1027

Can junk be transformed into art?

Discover the life and work of John Outterbridge, an artist who combined discarded objects and found materials into complex works of art. Hear from architect Mabel O. Wilson about her uncle's salvaging practice and the ways it brought him closer to his family, community, and visions for a better future.

Many mysteries surround Florine Stettheimer’s Four Panel Screen: its title, the date it was made, and even how it should be displayed. In the latest episode of the Magazine podcast, we spoke to the team that rediscovered this work in MoMA’s storage facility, including senior curator Anne Umland, curatorial assistant Jenny Harris, and curatorial fellow Charmaine Branch. Senior conservator Anny Aviram joined the conversation to detail the extensive efforts made to restore the work after years in storage. Hear more about this work, the world of Stettheimer, and the journey to document and uncover the many lives of her Four Panel Screen.