The Jazz Real Book (Jay Sweet)

54- McCoy Tyner and "Central Park West"

McCoy Tyner (1938–2020) was a groundbreaking jazz pianist known for his work with John Coltrane’s iconic quartet. Tyner's open fourth voicings and modal harmonies became a cornerstone of the group's sound on albums like A Love Supreme and My Favorite Things. After leaving Coltrane, Tyner forged a solo career, creating classics like The Real McCoy while drawing on African and Eastern influences. "Central Park West," from Coltrane's Coltrane's Sound (1964), is a serene ballad showcasing Coltrane's soprano saxophone and Tyner’s impressionistic piano work. The piece employs "Coltrane changes," a harmonic framework that cycles through specific key centers, adding complexity to the 10-bar form. Coltrane’s understated melody allows Tyner to shine, delivering a nuanced solo with rich voicings and fluid phrasing, complemented by Elvin Jones's delicate brushwork and Steve Davis’s steady bass.

John Coltrane Version 

Lakecia Benjamin's Version 

Spotify Playlist 

Don Braden Interview

Don Braden, born November 20, 1963, in Cincinnati, Ohio, is a distinguished jazz saxophonist, flutist, composer, and educator. A Harvard graduate, Braden quickly became a sought-after sideman in New York, playing with legends like Betty Carter and Wynton Marsalis. As a bandleader, he has released numerous acclaimed albums, such as "The Fire Within" and "Earth Wind and Wonder." Known for his rich tone and melodic inventiveness, Braden also excels as an educator, teaching at institutions like Harvard and the New Jersey Performing Arts Center, significantly contributing to the jazz world through both performance and education.

Guitarist James Popik brings a unique touch and repertoire to his music. From Acoustic Jazz to electrified Fusion Jams, classical Brazilian music and American songbook masters to reworked rock anthems, James has forged a unique voice. In this conversation James discusses his newest record Sourland Symphony and much more.

41- "Bluesette" -Toots Thielemans 

Standards Rating of 8-  Difficulty Rating  7  

"Bluesette," composed by Toots Thielemans in 1964, is a celebrated jazz standard recognized for its memorable melody and intricate harmonic structure. This 24-bar jazz waltz features wide intervallic leaps and recurring rhythmic motifs, creating a captivating listening experience. Thielemans, a renowned Belgian harmonica player and guitarist showcased his unique talent by whistling and playing guitar in unison, particularly in his album The Whistler and His Guitar. His collaborations with jazz legends and contributions to popular music, including soundtracks and sessions with artists like Paul Simon and Ella Fitzgerald, solidified his legacy. Sarah Vaughan’s interpretation, produced by Quincy Jones, adds a soulful vocal dimension, further enriching this timeless classic.

Toots Thielemans -https://youtu.be/Oi4G6UmYK9U?si=VcrHN8f5FzC2ttIA

Sarah Vaughan https://youtu.be/0cUoDcjovHA?si=1dh_QFZrj8vWMDGw

Curated Playlist https://open.spotify.com/show/0nS4HH56YVpefoQiaESjqQ?si=6d2a840dc20841de

Aaron Irwin Interview

Saxophonist, multi-woodwind instrumentalist and composer Aaron Irwin is from central IL. Recognized as a “lyrical alto saxophonist and a compelling original composer” (Steve Futterman, The New Yorker), Irwin is a sought-after commodity in both the jazz and commercial worlds. His latest recording (After) will be released on Adhyâropa Records in May of 2024, featuring longtime bandmates Mike Baggetta on guitar and Jeff Hirshfield on drums. He has eight other recordings as a leader with instrumentations spanning from trio to sextet. In addition to his groups, Irwin has performed with many leading jazz voices in the New York music community including the Grammy-nominated Darcy James Argue’s Secret Society, Jamie Baum’s Septet +, Bob Sabin’s Tentet, The Mike Fahie Jazz Orchestra, the mixed wind group Weathervest, as well as pop artists Kristen Chenoweth, Rufus Wainwright, Josh Groban, Idina Menzel, and The Roots. Irwin maintains a busy schedule as a freelance musician, performing in jazz clubs, concert halls, and Broadway theatres, working with many of New York’s finest musicians and bands.

(Ep 60) “Cherokee” and Clifford Brown

Standards Rating of 9  Difficulty rating of 7 

Clifford Brown’s rendition of “Cherokee” is one of the defining moments in jazz trumpet history, showcasing his virtuosic technique, impeccable articulation, and deep harmonic understanding. Originally composed by Ray Noble in 1938, “Cherokee” became a bebop staple due to its rapid tempo and harmonic structure. Brown’s version, recorded with Max Roach and released in 1955, is particularly notable for its blistering speed and precision as he navigates the tune’s shifting ii-V-I progressions with remarkable fluidity. His solo on the track is a masterclass in phrasing, blending bebop’s intricate lines with a warm, lyrical tone that set him apart from his contemporaries. Despite his tragically short career, Brown’s influence on jazz remains profound. His compositions, including “Joy Spring” and “Daahoud,” are jazz standards, and his approach to trumpet playing—clean, expressive, and technically flawless—became a model for future generations. Clifford Brown helped shape the hard bop movement, emphasizing both sophistication and accessibility. His untimely death in a car crash at just 25 robbed the jazz world of one of its brightest talents, but his recordings continue to inspire and define the essence of bebop and modern jazz.

Clifford Brown and Max Roach 

Bud Powell Trio 

Spotify Playlist

31-“Black Diamond” and Roland Kirk

“Black Diamond” is a lesser-known Real Book tune heavily associated with Roland Kirk, later known as Rahsaan Roland Kirk. A groundbreaking American jazz multi-instrumentalist born on August 7, 1935, Kirk was blind from infancy and mastered multiple instruments. He was renowned for his ability to play them simultaneously using circular breathing. His music, which blends hard bop, soul jazz, and avant-garde jazz, showcases profound innovation and musicality. "Black Diamond" exemplifies his talents on the tenor saxophone, manzello, and stritch. Despite a debilitating stroke in 1975, Kirk continued to perform and remained an influential figure in jazz until his death on December 5, 1977. The track captures Kirk's energy and talent.

You Tube https://youtu.be/aBN8mNVm2Zo?si=YpgRPBWHLMXTEHu4

Spotify Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=36178a8ac750404d

35-“Blue Bossa” and Kenny Dorham 

Standards Raitng 9, Difficulty Rating 5 

"Blue Bossa," composed by Kenny Dorham, is a quintessential jazz standard blending Brazilian samba with jazz. Joe Henderson first recorded it on his 1963 album Page One, where Dorham's trumpet style is showcased. The piece exemplifies Dorham's ability to merge melodic development with harmonic sophistication, distinguishing him in the bop and hard bop eras. Despite being underappreciated during his lifetime, Dorham's contributions to jazz, including work with Charlie Parker and Art Blakey, and his albums like Afro-Cuban and Quiet Kenny, have cemented his legacy. "Blue Bossa" remains a jazz classic, covered by artists like Pat Martino and many others, and continues to influence musicians globally. Dorham's unique lyrical style ensures his enduring impact on jazz.

Podcast Playlists

Joe Henderson https://youtu.be/EUxv3AAaK_Y?si=5kcNZMxJdCe9GeGA

Pat Martino https://youtu.be/gql2_RPwUeo?si=475Da3KjiV3aCPVs

 Playlist (Spotify) https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=9329169649e24f8f

(65) “Come Sunday” and Johnny Hodges

Standards Rating 7 Difficulty Rating 3 

Johnny "Rabbit" Hodges was a master of the alto saxophone, renowned for his expressive solos and smooth, emotive tone. A central figure in Duke Ellington's Orchestra, Hodges was instrumental in shaping the "Ellington sound," with memorable contributions to ballads and blues, such as his work on "Prelude to a Kiss" and "I Got it Bad and That Ain't Good." While often overshadowed by Ellington's legacy, Hodges' influence on future alto saxophonists, including Charlie Parker, is undeniable. "Come Sunday," a ballad composed by Duke Ellington, is a perfect showcase for Hodges' delicate phrasing and vibrato. The song’s straightforward melody, rich with emotional depth, allows Hodges to express the soulful quality that defined his playing. His ability to convey feeling through subtle nuances in tone and phrasing is exemplified in his rendition of "Come Sunday," a beautiful moment within the larger context of Ellington's visionary work.

Duke Ellington

Eric Dolphy 

Spotify Playlist

Kurt Rosenwinkel, a Philadelphia-born jazz guitarist, is renowned for blending genres and using guitar effects innovatively in jazz. His latest release, The Next Step Band (Live at Smalls, 1996), revisits the music from his acclaimed 2001 album The Next Step and features longtime collaborators Mark Turner, Ben Street, and Jeff Ballard. In addition to his album, Rosenwinkel has published Kurt Rosenwinkel’s Ultimate Book of Compositions, which includes scores, tabs, and commentary on his extensive work. He founded his label, Heartcore, in 2016 to release Caipi and take control of his career, likening the label's creation to playing a "record company" video game. His current projects include arranging for the Jazz at Lincoln Center Big Band, collaborating with Wynton Marsalis, and recording a Brahms interpretation following the success of The Chopin Project.

36- “Blue in Green” and Kind of Blue

Standards Rating 7 Difficulty Rating 6

"Blue in Green," a track from Kind of Blue (Columbia Records 1959), is a unique piece whose authorship has been questioned as it is sometimes credited to Miles Davis and/or Bill Evans. The song creates a lush, ethereal sound by featuring a 10-bar form and employing Dorian, Mixolydian, and Lydian modes. The musicians (soloists)—Miles Davis, John Coltrane, and Bill Evans—deliver performances marked by spacious phrasing, improvisation, and focus on mood and texture. Kind of Blue is a groundbreaking jazz album often hailed as the greatest of all time. Embracing modal jazz, its simplicity and harmonic richness contrast with the complex post-bop style of the era. The album captures a perfect, irreplaceable moment in jazz history, with the collective brilliance of its performers creating a timeless masterpiece. This configuration of artists never recorded together again in the studio, further solidifying the album's status as a singular achievement in jazz.

Miles Davis https://youtu.be/TLDflhhdPCg?si=HQCQ6EzO4AMn3dKF

Bill Evans https://youtu.be/3XpjOXsf2zg?si=AVn_PhIVpjn7aTNU

Chet Baker's “Alone Together” with “Blue and Green” Intro https://youtu.be/p0zIbYCu7Yc?si=bP9OeUgcoOUSXMik

Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=74cb49b3f0834ee5

(69) “Confirmation” and Max Roach 

Standards Rating 8   Difficulty Rating 8

Max Roach (1924–2007) was a pioneering jazz drummer and composer who played a key role in shaping modern jazz. Raised in Brooklyn and classically trained at the Manhattan School of Music, Roach rose to prominence at 18 when he filled in for Duke Ellington’s drummer. A central figure in the bebop movement, he collaborated with icons like Charlie Parker, Dizzy Gillespie, and Miles Davis, helping redefine the drummer’s role as a melodic and expressive force. Roach co-led a quintet with trumpeter Clifford Brown, merging bebop with gospel and blues to form hard bop. His 1960 work We Insist! Freedom Now Suite boldly addressed civil rights through music. In 1970, Roach continued innovating by founding M’Boom, a percussion ensemble exploring rhythmic textures. He also devoted himself to education and received many honors for his lasting contributions to jazz. Charlie Parker’s bebop standard “Confirmation” exemplifies the genre’s complexity, with rapid ii-V progressions and surprising resolutions in a 32-bar F major form. 

Charlie Parker 

Gillespie and Parker 

Spotify Playlist 

51-“Call Me” and Nancy Wilson 

Nancy Wilson (1937–2018) was an acclaimed American jazz and pop singer known for her smooth voice, exceptional phrasing, and ability to blend genres. Born in Ohio, she began her career early, hosting a TV show at 15. Her breakthrough came in 1959 when she signed with Capitol Records, leading to her debut album, Like in Love. Her collaboration with Cannonball Adderley on their 1961 album solidified her as a premier jazz vocalist. Wilson's biggest hit, “(You Don’t Know) How Glad I Am,” earned a Grammy in 1965, exemplifying her ability to merge jazz, soul, and pop. Over her career, she released over 70 albums and won three Grammys, among other honors. 

Wilson recorded “Call Me” for her 1966 album A Touch of Today. The jazz standard, written by Tony Hatch, gained fame from Chris Montez’s bossa nova-inspired 1966 hit. Wilson’s rendition is vibrant and funk-inflected, showcasing her precise delivery, though the arrangement leans toward overproduction. In contrast, Brazilian pianist Eliane Elias’s version on Dreamer (2004) embraces a slower Latin jazz style with lush instrumentation, highlighting its melodic elegance. Through its adaptability, “Call Me” remains a favorite among jazz and pop audiences, illustrating Wilson's skill in reinterpreting standards.

Spotify Playlist 

Nancy Wilson Version 

Elaine Elias 

(63) :Chippie " and Don Cherry 

Standard Rating 2 Difficulty Rating 8 

Don Cherry (1936–1995) was a groundbreaking jazz trumpeter known for his role in pioneering free jazz alongside Ornette Coleman. Born in Oklahoma City and raised in Los Angeles, Cherry was influenced by Clifford Brown before joining Coleman’s quartet in the late 1950s. His work on The Shape of Jazz to Come (1959) and Free Jazz (1961) helped redefine jazz by embracing spontaneity and rejecting traditional harmonic constraints. Beyond his collaborations with Coleman, Cherry explored world music, blending African, Indian, and Middle Eastern sounds into his work. His group Codona and projects like the Organic Music Society in Sweden exemplified his adventurous approach. Cherry’s impact on jazz remains profound, inspiring generations of musicians.

"Chippie" is a hard-swinging tune from Ornette Coleman’s 1958 album Something Else!!!!, featuring Cherry on cornet. It is structured around a 32-bar AABA form and draws from “I Got Rhythm” chord changes but introduces modern harmonic twists. The angular melody, reminiscent of Charlie Parker, poses challenges with its speed and rhythmic complexity. Cherry’s solo on the recording is fluid and well-connected, staying closer to the harmonic framework than Coleman’s more exploratory approach. The rhythm section, with Walter Norris on piano, Don Payne on double bass, and Billy Higgins on drums, drives the piece with intensity. “Chippie” highlights Cherry’s ability to balance bebop traditions with his evolving avant-garde sensibilities.

Ornette Coleman 

Stefano Bollani 

Spotify Playlist 

Giorgi Mikadze Interview Giorgi Mikadze, a Georgian pianist and composer, blends his cultural heritage with diverse musical experiences. Born during the Soviet Union's collapse, he began playing piano at four and trained classically at Tbilisi State Conservatoire. His discovery of jazz, through a composition teacher, led him to Berklee College of Music and later the Manhattan School of Music, where he refined his jazz skills. Mikadze has collaborated with artists like Wang Leehom and Roy Hargrove, and was the first Georgian to perform at the Newport Jazz Festival. His projects often integrate Georgian folk music with jazz, showcased in albums like "VOISA" and "Georgian Microjamz." His latest album, "Face to Face (Vol.1)," recorded in Paris, received critical acclaim. Now an associate professor at Berklee, Mikadze is committed to promoting Georgian music worldwide, celebrating the freedom that jazz offers.

Endea Owens is a jazz talent known for her unique bass playing, compositions, and dynamic performances. She has gained widespread recognition as a member of The Late Show with Stephen Colbert band, where her versatile bass playing has captivated a broad television audience. Her 2023 debut album, Feel Good Music, blends intricate arrangements with an accessible, feel-good vibe, appealing to casual listeners and jazz critics.

Owens' roots in Detroit and her diverse musical background inform her distinct style, which blends jazz with other genres like house music and soul. She has collaborated with major artists such as Jon Batiste and Juicy J, and her work with Batiste’s band earned her Grammy recognition.

Beyond her musical success, Owens is also committed to philanthropy. In 2020, she founded the Community Cookout project, which provides meals and connects with underprivileged communities.

38- “Blue Room” and Tommy Dorsey 

Standards Rating 5, Difficulty Rating 6 

"Blue Room," written by Richard Rodgers and Lorenz Hart for the 1926 Broadway musical The Girl Friend, is a classic show tune known for its romantic lyrics and cozy imagery. The song has a straightforward 32-bar AABA structure and features harmonic complexity with modulations, offering a rich canvas for jazz improvisation. Tommy Dorsey, a leading figure in the swing era, recorded a notable version in 1954 with his orchestra. This arrangement showcases a smooth, danceable swing with dynamic contrasts, highlighting Dorsey's skill in blending reeds and brass for a sophisticated call-and-response effect. The recording is a testament to Dorsey’s mastery, even as big bands were declining in popularity. An alternate version by Ella Fitzgerald in 1956, arranged by Benny Bregman, also stands out, further solidifying the tune's enduring appeal. Dorsey's impact on jazz and popular music, especially through his smooth trombone playing and successful big band, remains significant.

Tommy Dorsey https://youtu.be/6asX9Ay_La0?si=fMhw1OIXSUBfzIMC

Ella Fitzgerald https://youtu.be/MDdJsbu2AII?si=KI6GMPk4roVHRCAm

Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=49a69c9877c04ccc

(62) “A Child Is Born” and Thad Jones 

Standards Rating 8 Difficulty Rating 4

Thad Jones (1923–1986) was a pioneering jazz trumpeter, composer, and bandleader. A key figure in Count Basie’s Orchestra (1954–1963), he crafted classics like The Deacon and To You. In 1965, he co-founded the Thad Jones/Mel Lewis Orchestra, establishing it as a premier big band through legendary Village Vanguard performances. Moving to Denmark in 1979, he revitalized the Danish Radio Big Band and formed Eclipse. He briefly led the Count Basie Orchestra before health issues forced his return to Copenhagen, where he passed away in 1986. 

Thad Jones’ most famous composition, “A Child Is Born” (1969) is a jazz ballad later given lyrics by Alec Wilder. Its 30-bar form in 3/4 time features lyrical phrasing and rich harmonies. A staple of jazz repertoire, the tune has been recorded by artists like Tony Bennett,  Bill Evans, and Dianne Reeves, embodying Jones’ melodic brilliance and harmonic depth.

Thad Jones and Mel Lewis 

Dianne Reeves

Spotify Playlist 

(64) "Chitlins Con Carne" and Kenny Burrell 

Standards Rating 7  Difficulty Rating 4

Kenny Burrell's "Chitlins Con Carne," from his 1963 album Midnight Blue, is a masterful blend of blues and jazz. The track features a groovy bassline and a relaxed tempo, with Burrell and Stanley Turrentine sharing the melody. Burrell's first solo highlights his clear, bluesy phrasing and rich jazz guitar tone, while Turrentine’s soulful tenor saxophone adds depth during his solo. The song follows a 12-bar blues progression, infused with  jazz inflections, including the signature C7#9 chord. Burrell’s unique style bridges the gap between genres, making the track a timeless favorite. Covered by artists from blues legends like Stevie Ray Vaughan, Buddy Guy to jazz icons like Horace Silver, "Chitlins Con Carne" remains an enduring classic that showcases Burrell's profound influence on both blues and jazz guitar.

Kenny Burrell

Stevie Ray Vaughan and Double Trouble 

 Spotify Playlist

Donald Vega, a celebrated jazz pianist and composer from Nicaragua, continues to captivate audiences with his musical brilliance. His latest album, As I Travel, has garnered a Grammy nomination for Best Latin Jazz Album, showcasing his original compositions. Vega’s meticulous approach shines through, blending intricate grooves with masterful arrangements that offer structure and creative freedom to his ensemble, featuring John Patitucci, Lewis Nash, and Luisito Quintero.  In addition, Vega recently released All Is Merry and Bright, a festive Christmas album recorded with Clovis Nicolas and Pete Van Nostrand. This project, born from spontaneity and inspired by jazz greats, highlights Vega’s ability to reimagine timeless classics with fresh, vibrant interpretations.

44- Bright Size Life and Jaco Pastorius 

Standards Rating 6 Difficulty Rating 7 

In this episode, we look at “Bright Size Life,” the standout title track from Pat Metheny’s 1976 debut album of the same name, and the life and career of Jaco Pastorius, the man who redefined electric bass playing in jazz.  The track is a masterful blend of jazz, folk, and rock, featuring Metheny’s signature open chord voicings and a flowing, lyrical melody. But what truly sets it apart is the incredible bass work by Jaco Pastorius. His fretless bass gives the track a unique, almost singing tone, and his use of harmonics and fluid phrasing brings a new dimension to the music. Jaco’s bass line isn’t just a support; it’s a melodic force of its own, weaving in and out of Metheny’s guitar with rhythmic precision and harmonic creativity. This interplay between guitar and bass, supported by Bob Moses’ subtle drumming, creates an expansive atmosphere that defines the track. Bright Size Life showcases Metheny’s compositional genius and Jaco’s ability to push the boundaries of what a bass can do, making it a landmark in jazz fusion. 

Pat Metheny (studio recording) - https://youtu.be/0Ozv_S1fuis?si=B11U_5V55NrunhlK

Pat Metheny (live) https://youtu.be/TAAilVUqwSw?si=QQz32RKMqH69Pn0d

Spotify Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=jl6quMa3S16tJp3VtNAnSw

40- “Blues for Alice” and Red Rodney 

Standards Rating 7 Difficulty Rating 6

Charlie Parker's "Blues for Alice" is a landmark bebop composition that reimagines the 12-bar blues with angular melodies and intricate syncopation. Parker introduces harmonic complexity by incorporating II-V progressions and other substitutions, creating a sophisticated yet grounded piece. Trumpeter Red Rodney, often underappreciated, made his mark on Parker’s original 1951 recording, solidifying his place in bebop history. Despite battling addiction, which disrupted his career, Rodney displayed remarkable skill and adaptability, returning to the jazz scene in his later years. His later performances of "Blues for Alice" and other standards reflected his enduring mastery of the bebop style. 

Curated Spotify Playlisthttps://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=2jjeQR9SSP6HMcUeaoba5w

Charlie Parker https://youtu.be/G7USMqAH8qk?si=0KdAcMrBRAfpsmop

Red Rodney https://youtu.be/fxj_CunPkww?si=_mdJwJfXY50MxU34

Charlie Burnham Interview

Charlie Burnham is an accomplished American violinist, singer, and composer celebrated for his imaginative and eclectic style. Burnham traverses multiple genres, including bluegrass, folk, free jazz, blues, classical, and chamber jazz. His innovative use of the wah-wah pedal on the violin adds a distinctive flair to his performances. Burnham first gained prominence through his contributions to James "Blood" Ulmer's Odyssey album, highlighting his versatility and skill. The ensemble from that project later formed Odyssey the Band. Throughout his career, Burnham has been a pivotal member of several notable groups and artists, like Living Colour, Cassandra Wilson,  String Trio of New York, 52nd Street Blues Project, Hidden City, We Free Strings, the Improvising Chamber Ensemble, and the Kropotkins. He has also recently recorded new music with Eureka Shoes, showcasing his continual evolution as a musician.

Beginning as an informal gathering of friends and now blossoming into a fully-fledged collaborative band, Eureka Shoes’ Beautalina (Adhyâropa ÂR00079) soars aloft on gorgeous 3-part harmonies, delicate acoustic textures, and world-class songcraft. Eureka Shoes features award-winning songwriter Jean Rohe, acoustic music stalwart Skye Soto Steele, and omni-genre multi-instrumentalist Charlie Burnham. Rounded out here by the virtuosic bass of Rashaan Carter, Beautalina is an enduring testament to the power of music to unite, communicate, and elevate.

Eureka Shoes Beautalina https://open.spotify.com/album/1bH16X7J5KU6YNJgDbEVL2?si=t0YsU9C7RVehdGdwc6hpdg

(68) “Conception” and George Shearing 

Standards Rating 5   Difficulty Rating 9 

George Shearing, a blind British jazz pianist and composer, is celebrated for his significant contributions to jazz, particularly his distinctive harmonic style. Born in 1919 in London, Shearing's musical journey began early, despite his blindness, and his exceptional talents led him to international acclaim. In the 1940s, he moved to the United States, where his work, including the creation of the George Shearing Quintet, solidified his place in jazz history. His compositions, including "Lullaby of Birdland" and "Conception," are revered for their complex harmonies and innovative structures.  "Conception," composed in 1949, exemplifies Shearing's bebop influence and harmonic creativity. This challenging 44-bar composition is notorious for its intricate melodies filled with accidentals, fast chromatic movements, and frequent key shifts. Set in the difficult key of Db, it presents a formidable challenge for any jazz musician. The tune's harmony is dense, and the melody is note-heavy, making it one of the hardest melodies in the Real Book. 

George Shearing 

Miles Davis 

Spotify Playlist 

Dan Pugach, an Israeli-born composer, drummer, and bandleader, is pushing the boundaries of big band jazz with his Grammy-winning album Bianca Reimagined: Music for Paws and Persistence. The album, inspired by Pugach and his wife Nicole Zuraitis' love for rescue animals, combines personal stories with a tribute to their late dog Bianca. Pugach's unique journey from rock drummer to big band leader has shaped his innovative style, which blends influences from jazz greats and rock music. His Grammy Award for Best Large Jazz Ensemble places him alongside legendary jazz figures, and his compositions reflect both personal and cultural narratives. Pugach's drumming and leadership in big band music reflect his deep understanding of rhythm and tradition. As he continues to write and perform, Pugach is dedicated to pushing the genre forward and staying connected with his audience, performing regularly in New York and worldwide with his big band and nonet.

Website https://www.danpugach.com/

Dan Pugach Big Band: Bianca Reimagined: Music For Paws and Persistence https://youtu.be/hGX65TdtkGQ?si=FHQKEO6s2tcQc4iB

(61) “Cherry Pink And Apple Blossom White” and Pérez Prado 

Pérez Prado (1916–1989), known as "The King of the Mambo," was a Cuban bandleader, pianist, and composer who popularized mambo music worldwide in the 1950s. He blended Cuban danzón with energetic brass arrangements and syncopated rhythms, creating hits like Mambo No. 5 and Qué Rico el Mambo. Moving to Mexico in 1949, he signed with RCA Victor, where he found success with Cherry Pink and Apple Blossom White (1953). Featuring trumpeter Billy Regis, the instrumental topped the U.S. charts for 10 weeks in 1955 and became a defining mambo classic. Originally a French song (Cerisiers Roses et Pommiers Blancs), Cherry Pink and Apple Blossom White is a 32-bar AABA tune, commonly played as a mambo or boogaloo. Its melody follows a question-and-answer structure, with a memorable call-and-response phrasing. Harmonically, the song follows a simple ii-V-I progression in Eb major, with smooth voice leading and a connecting diminished chord. Pérez Prado’s innovative brass arrangements and rhythmic drive cemented the song’s lasting appeal. Though his popularity declined in the 1960s, his contributions to Latin music endure, influencing salsa, Latin jazz, and popular dance music worldwide.

Pérez Prado 

Lou Donaldson 

Spotify Playlist 

Stephane Wrembel is a Paris-born guitar virtuoso known for his authentic interpretation of Django Reinhardt's music and innovative compositions that blend jazz with various influences. Immersed in the culture, he has dedicated himself to understanding Reinhardt's legacy. Wrembel's career includes numerous albums, collaborations with esteemed musicians, and performances at prestigious venues worldwide. He is also recognized for his work on several Woody Allen films and his annual Django A Gogo Festival.   Wrembel's music reflects his vast experiences and intellectual curiosity, pushing the boundaries of jazz while paying homage to its rich history. The Django á Gogo Music Festival will run from May 1st to May 4th. It features international talents honoring Reinhardt's influential style. This year's festival will see the reunion of the Gypsy Guitars Trio, featuring legends like Angelo Debarre and Serge Camps alongside rising stars like Simba Baumgartner and Hugo Guezbar. Additionally, Wrembel's Django New Orleans band will perform. 

https://www.stephanewrembel.com/

Billy Mohler is a Grammy-nominated bassist, producer, and songwriter who works with legends like Lady Gaga, Sia, Dolly Parton, Miley Cyrus, Katy Perry, Macy Gray, Ringo Starr, Herbie Hancock, Steven Tyler, and Smashing Pumpkins.  In addition to his incredible success in pop music, he is a noted jazz musician and has released several records under his name; his most recent album release available is called Ultraviolet with saxophonist Chris Speed, trumpeter Shane Endsley, and drummer Nate Wood.

Chris Pinnella's musical journey is woven with experiences across diverse landscapes. His career took flight at 16 when he showcased his prodigious talent with Alphonse Stephenson and the Orchestra of St. Peter, a debut that set the stage for his future success. This early triumph was just the beginning of his musical odyssey, eventually leading him to earn a degree from Marymount Manhattan College in New York City. Post-college, his career trajectory led him to diverse platforms. He delved into off-Broadway and regional theater. Notably, he landed the role of Simeon in the musical "Simeon's Gift," a production co-authored by the legendary Julie Andrews and her daughter Emma Walton-Hamilton. His involvement in this project gave him a unique opportunity to collaborate closely with industry icons. Additionally, he toured with the famed Trans Siberian Orchestra. Over the last several years, Pinnella has led large-scale celebrated tribute shows featuring the music of Frank Sinatra and a tribute show on the music of Billy Joel.

52-“Call Me Irresponsible” and Bobby Darin 

Standards Rating 7 Difficulty Rating 6 

Bobby Darin’s rendition of "Call Me Irresponsible" exemplifies his ability to blend charm and sophistication with a vocal style that transitions seamlessly between crooning and swing. Written by Jimmy Van Heusen with lyrics by Sammy Cahn, the song earned an Academy Award in 1964 for Papa’s Delicate Condition. Darin’s 1964 recording, arranged by Richard Wess, highlights his versatility as an interpreter of the Great American Songbook. Backed by a lush swing ensemble, Darin’s phrasing captures the song’s self-deprecating yet endearing tone, conveying vulnerability while maintaining romantic confidence. Darin’s interpretation adds dynamic shifts that build intensity before resolving into a subdued conclusion, showcasing his ability to bring nuance to a standard. “Call Me Irresponsible” solidified its place in the jazz and pop repertoire with iconic recordings by artists like Frank Sinatra and Jack Jones. However, Darin’s version stands out for its technical precision and emotive delivery balance, underscoring his lasting legacy in American music.

Bobby Darin Version 

Frank Sinatra Version

Spotify Playlist 

Tal Yahalom, a Brooklyn-based jazz guitarist and composer, is set to release his highly anticipated ensemble-focused album Mirror Image on March 21, 2025, following the singles Hymn for Tomorrow (Feb. 24) and Tri-Tonal (March 10). Known for his intricate compositions and virtuosity, Yahalom brings together a stellar group of musicians, including David Leon (alto saxophone and flute), Ledah Finck (violin), Irene Han (cello), and Rogerio Boccato (percussion), to create a blend of chamber music and jazz that defies traditional boundaries. For more on Mirror Image, check out its official release on Bandcamp, and catch Yahalom live at the album release show on April 10 at Jazz Gallery, NYC.

https://www.talyahalom.com/

49-Freddie Hubbard "Byrdlike" (Birdlike)

Standards Rating 4 Difficulty Rating 8

Freddie Hubbard’s “Birdlike,” from his 1962 album Ready for Freddie, is a fiery bebop composition that pays tribute to Charlie Parker. The track opens with an angular, II-V-driven intro leading into a creatively harmonized 12-bar blues form. Hubbard’s solo is a masterclass in bebop improvisation, showcasing his technical brilliance, innovative phrasing, and signature tone. Known for blending complexity with lyricism, Hubbard balances rapid-fire runs with moments of space, creating a compelling narrative in his improvisation. His remarkable control over dynamics and articulation further underscores his status as one of jazz’s finest trumpeters. This composition highlights Hubbard’s virtuosity and cements his legacy as a trailblazer who helped define the hard bop era.

 Spotify Playlist 

Freddie Hubbard -YouTube 

George Cables YouTube

Ep 50- “C'est Si Bon” and Eartha Kitt 

Eartha Kitt's recording of C'est Si Bon in 1953 is one of her most iconic performances, showcasing her sultry voice and unique style. The French song, composed by Henri Betti with lyrics by André Hornez, became a global hit after its release. Kitt’s version, with Henri René's sophisticated arrangements, added a distinctive charm. Kitt, a multi-talented singer, actress, and activist, was known for her sensual stage presence and versatile musical talent. Born in 1927, she rose to fame in the 1950s, particularly in Paris, and became renowned for hits like Santa Baby and her role as Catwoman in the Batman TV series. Kitt’s activism, especially her bold stance on the Vietnam War, made her a fearless public figure. Her C'est Si Bon remains a classic example of her ability to blend jazz, cabaret, and pop, cementing her legacy in both music and culture.

⁠Eartha Kitt ⁠

⁠Louis Armstrong ⁠

⁠Spotify Playlist ⁠

56- “Ceora” and Hank Mobley 

Tenor saxophonist Hank Mobley (1930–1986) was an influential figure in jazz, blending swing, bebop, and post-bop with a warm, lyrical tone. His refined yet assertive style, often overshadowed by contemporaries, earned him recognition as a master of hard bop. Born in Georgia and raised in New Jersey, Mobley began his career in the 1950s, collaborating with legends like Dizzy Gillespie and Art Blakey. His work with Horace Silver and the Jazz Messengers helped define the hard bop sound. Albums like Soul Station (1960) showcased Mobley’s melodic genius and intricate phrasing. "Ceora," a Lee Morgan composition from Cornbread (1967), features Mobley alongside Morgan, Jackie McLean, and Herbie Hancock. This medium bossa nova tune in Ab Major highlights II-V progressions and provides a rich canvas for improvisation. Mobley’s solo on "Ceora" stands out, offering soulful lines and a warm tone that contrasts beautifully with Morgan’s fiery trumpet.

Lee Morgan Version 

Steve Grossman Version 

Spotify Playlist

Buster Williams, a legendary jazz bassist, composer, and instructor, has played on numerous records with iconic musicians like Herbie Hancock, Chet Baker, Art Blakey, and Stan Getz, among others. Known for his work as both a sideman and a bandleader, Williams continues to inspire audiences with his performances and compositions.

On September 28th, he will perform with his quartet at the Middlesex County Jazz Festival in New Brunswick. The quartet features Lenny White on drums, Steve Wilson on saxophone, and Brandon McCune on piano. The concert will showcase a repertoire primarily composed of Williams' original compositions. Interest in Williams grew after the 2019 documentary "Buster Williams: Bass to Infinity" highlighted his extensive career and personal journey. Now 82 years old, Williams remains dedicated to his craft, continually exploring the "infinite possibilities" of music. https://middlesexcountyjazzfestival.org/

https://busterwilliams.com/

Brian Bromberg, a virtuoso bassist, honors the legacy of Scott LaFaro with his latest album, LaFaro, and a series of live performances. LaFaro, who tragically died at 25, was a groundbreaking bassist with the Bill Evans Trio, inspiring Bromberg's tribute. Initially reluctant to take on the project due to the pressures of honoring a jazz legend, Bromberg eventually embraced it after realizing LaFaro's profound influence on his playing. Bromberg also shares personal connections to jazz greats like Stan Getz, with whom he played, and Bill Evans, a missed opportunity from his youth. His career spans collaborations with top artists and an eclectic solo catalog ranging from traditional jazz to contemporary styles. Known for his versatility on upright and electric bass, Bromberg defies genre boundaries, seeking to deliver heartfelt, high-quality musicianship in every project. His performances and music continue to celebrate innovation and jazz's rich history. https://njjs.org/magazine/

29- Big Nick and The Pairing of Jazz Legends

"Big Nick," a jazz composition by John Coltrane, appears on the 1963 album Duke Ellington & John Coltrane. Recorded on September 26, 1962, it features Coltrane on saxophone, Ellington on piano, Jimmy Garrison on bass, and Elvin Jones on drums. The piece is a tribute to jazz tenor saxophonist Big Nick Nichols. The track highlights the unique collaboration between jazz legends Ellington and Coltrane, illustrating the fluid nature of jazz partnerships where musicians often came together for spontaneous and improvisational recording sessions. This pairing blend showcases their ability to create compelling music across different jazz idioms. "Big Nick" exemplifies Coltrane's improvisation and jazz's spontaneous, collaborative essence.

Duke Ellington and John Coltrane - https://youtu.be/D4BHMD9PmpY?si=wqMEpyUMIATRElmo

Tony Willimas Lifetime - https://youtu.be/l_Vku6oRwqo?si=9NWuQRMGBUS-udqo

32- “Black Narcissus” and Joe Henderson 

Joe Henderson, a brilliant saxophonist born in 1937, melded traditionalism and experimentalism in his music. His 1969 track "Black Narcissus," from the album Power to the People, exemplifies his innovative style. The 24-bar tune in ¾ time features an AB form, with the A section lasting 16 bars and the B section 8 bars. Its melodic simplicity and harmonic complexity, marked by whole-step motion and lack of a key center, create an open, engaging soundscape. Henderson's tenor saxophone, accompanied by Herbie Hancock on Fender Rhodes, Ron Carter on double bass, and Jack DeJohnette on drums, delivers a captivating performance. The track showcases Henderson's ability to build intensity, particularly during the bridge, and highlights the synergy between the soloist and the rhythm section.

Joe Henderson https://youtu.be/WSQA61ENeRc?si=rscdXqcVsXr9rPre

Flora Purim https://youtu.be/jXBMywgcGYU?si=lAt8uJ6Jzhs-QI6y

Podcast Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=fe857b6e50cf4773

48- "Butterfly" and Herbie Hancock

Standards Rating 5, Difficulty Rating 5 

Herbie Hancock, a legendary jazz pianist and composer, is known for his groundbreaking contributions across jazz, funk, and electronic music. After early classical training and jazz studies, he rose to prominence with Miles Davis' Second Great Quintet and as a solo artist on albums like Maiden Voyage and Empyrean Isles. In the 1970s, Hancock embraced funk and electronic music, forming The Headhunters and releasing the influential Head Hunters album. His pioneering use of synthesizers and electronic elements continued into the 1980s with hits like "Rockit." “Butterfly,” from Hancock's 1974 album Thrust, is a slow, groove-based exploration featuring Bennie Maupin on reeds. The track’s spacious melody and rich harmonic shifts create a unique texture, focusing on rhythm and tonal experimentation rather than traditional structure. Butterfly exemplifies Hancock’s ability to blend jazz with funk, creating a deeply immersive, experimental sound that remains influential in modern music.

Spotify Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=Isyr7K84SmeWs-675afJeg

Herbie Hancock https://youtu.be/knbmKDUYDXc?si=uxCc7eOXezT18Qex

Robert Glasper https://youtu.be/PIDOeJa2nYY?si=xmTYm7lFvJU9VLYx

(70) “Contemplation” and Ron Carter 

Standard Rating 6  Difficulty Rating 6 

Ron Carter, born in 1937, is one of the most influential jazz bassists in history, with a career spanning over six decades and more than 2,000 recordings. Originally a cellist from Detroit, Carter switched to bass at 14 and studied at the Eastman School of Music before becoming a staple of the New York jazz scene in the 1960s. His work with Miles Davis’ “Second Great Quintet” solidified his legacy, and he has since led numerous projects, including his Grammy-winning 2022 album Skyline. A dedicated educator at Juilliard since 2008, Carter remains a humble and passionate advocate for lifelong learning in music. “Contemplation,” from McCoy Tyner’s 1967 album The Real McCoy, features Carter’s signature bass work and showcases his subtlety and depth. The piece is a meditative 16-bar waltz in C minor, with a minimalist bass line built on just three notes—C, F, and G—creating a grounded, reflective mood. The melody, played by Joe Henderson, is sparse and introspective, while Tyner’s harmonic language offers modal richness and emotional depth. Carter’s solo is melodic and thoughtful, aligning with the tune’s mood. A 2003 reimagining on Land of Giants features Bobby Hutcherson on vibraphone, offering a fresh take on this timeless composition.

McCoy Tyner-The Real McCoy 

McCoy Tyner -Land of Giant 

The Jazz Real Book

46 -“But Beautiful” and Stan Getz

Standards Rating 7 -Difficulty Rating 6

“But Beautiful,” composed by Jimmy Van Heusen with lyrics by Johnny Burke in 1947, is a classic ballad celebrated for its lyrical melody and complex harmonic progressions. The song’s 32-bar form in G major features rich ii-V movements and subtle key shifts that add a sense of harmonic intrigue. Notable recordings include renditions by Billie Holiday and Frank Sinatra, each capturing the song's emotional essence.

Stan Getz, renowned for his warm, lyrical tenor saxophone tone, recorded a memorable version of “But Beautiful” with pianist Bill Evans in 1964. This recording, released in 1973, also features Ron Carter on bass and Elvin Jones on drums. Evans introduces the melody delicately, creating a serene atmosphere. Getz’s entrance is marked by his signature smooth sound, bringing emotional depth to the piece. His expressive solos, complemented by Evans’s harmonic sensitivity, beautifully balance grace and complexity, exemplifying Getz’s lasting impact on jazz.

Spotify Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=KM1g5VEfSxmpKuplKnHDhg

Stan Getz and Bill Evans https://youtu.be/fl6aEZ47AVs?si=ObyZdd5DEHyv-BXT

Billie Holliday  https://youtu.be/ihBfxVcVEPY?si=_Uc9o0aL48owSEUH

58-João Gilberto “Chega de Saude (No More Blues)”

Standards Rating 7 Difficulty Rating 7 

João Gilberto (1931–2019), known as the "father of bossa nova," revolutionized Brazilian music with his innovative guitar techniques and understated vocal style. His 1959 album Chega de Saudade marked the birth of bossa nova, blending samba rhythms with jazz harmony and syncopation. The album’s title track, composed by Antônio Carlos Jobim with lyrics by Vinícius de Moraes, solidified the genre's prominence and showcased Gilberto's signature approach, emphasizing balance and subtlety between voice and guitar.

His collaboration with Stan Getz on the Grammy-winning Getz/Gilberto (1963) introduced bossa nova to global audiences, featuring hits like "The Girl from Ipanema." Known for his perfectionism, Gilberto maintained high standards in his recordings, influencing generations of musicians. "Chega de Saudade," often considered the first recorded bossa nova song, remains a cornerstone of the genre, blending harmonic sophistication, rhythmic syncopation, and poignant saudade, or yearning, that defines Brazilian music.

João Gilberto Version

Carmen McRae Version

Spotify Playlist 

37- Blue Monk and Thelonious Monk

Standards Rating 9 Difficulty Rating 5 

Thelonious Monk, a pioneering jazz pianist and composer, was instrumental in developing bebop. Born in 1917, he was known for his unique style of dissonance, unusual harmonies, and inventive rhythmic approaches. Despite initial skepticism, Monk's work eventually earned him recognition as one of jazz's most influential figures. His composition "Blue Monk," first recorded in 1954, is a standout piece that highlights his distinctive approach to the blues. It follows a 12-bar blues form but introduces innovative elements, such as omitting the IV chord in measure 10 and using chromaticism and intervallic jumps in the melody. These features and rhythmic motifs make "Blue Monk" a jazz standard that challenges and intrigues musicians. Monk's recordings of this piece, including the 1954 session with Art Blakey and Percy Heath, showcase his experimental style against a steady rhythmic backdrop. "Blue Monk" remains a testament to Monk's ability to transform traditional forms into something uniquely his own, solidifying his legacy in jazz history.

Thelonious Monk https://youtu.be/P7y1nMkYeRE?si=NBk9dX-Vs_L7Y5AD

Chick Corea https://youtu.be/-u_aMkqS1P4?si=cYhey60IQ6JxRpWX

Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=84abe50b5b8c4e97

57- “Chelsea Bells” and Steve Swallow 

Steve Swallow, born October 4, 1940, in Fair Lawn, New Jersey, is a pioneering jazz bassist and composer. A key figure in modern jazz, Swallow transitioned from double bass to electric bass in the early 1970s. Renowned for his melodic upper-register solos, played with a copper pick, he has collaborated with icons like Jimmy Giuffre, Gary Burton, Carla Bley, and John Scofield.

Swallow played a pivotal role in the creation of The Real Book during his time teaching at Berklee College of Music (1974–76). This now-iconic jazz fake book includes several of his compositions, such as “Chelsea Bells.” The 17-bar piece “Chelsea Bells” is harmonically adventurous, featuring spacious melodies, suspended chords, and no defined key center. Its ambient nature is showcased in Hotel Hello (1975), where Swallow’s piano work and Gary Burton’s vibraphone create a dreamlike soundscape. Swallow’s contributions to jazz composition and pedagogy remain influential and innovative.

Gary Burton and Steve Swallow Version 

Sergio Corbini & Stefano Franceschini Quintet Version

Spotify Playlist 

John Clayton's GoFundMe

(67) “Con Alma” and Dizzy Gillespie 

Standing Rating 6 Difficulty Rating 8

Dizzy Gillespie, a pioneering figure in bebop, blended technical mastery with a unique style, making significant contributions to jazz, particularly through his compositions like “Con Alma.” This 1954 tune, from his Afro album, merges bebop’s harmonic complexity with Latin rhythms, showcasing Gillespie’s innovative approach to jazz. The song features frequent key changes and a rhythmic pulse that challenges even seasoned musicians. “Con Alma” reflects Gillespie's deep engagement with Afro-Cuban music, a style he helped popularize within jazz.  Gillespie’s solo, full of grace and improvisational freedom, highlights his ability to navigate both complex harmonic changes and emotional depth. Gillespie’s commitment to jazz evolution is evident in his technical prowess and ability to seamlessly integrate Latin elements into the bebop genre. “Con Alma” remains one of his signature pieces, representing the sophisticated interplay of harmonic innovation and cultural fusion that defined his groundbreaking career.

Dizzy Gillespie 

Oscar Peterson Trio

Spotify Playlist 

Warren Wolf’s History of the Vibraphone pays tribute to 11 legendary vibe players, including Lionel Hampton, Gary Burton, and Dave Samuels, presenting a deep dive into the vibraphone’s jazz legacy. Starting in classical music under his vibraphonist father’s guidance, Wolf trained on vibraphone, marimba, xylophone, drums, and piano from a young age in Baltimore. Influenced by his dad’s extensive jazz record collection and the local organ trio jazz scene, he eventually studied under Dave Samuels at Berklee, where he later taught. Wolf’s rich blend of early classical rigor and exposure to jazz and R&B shaped his style, which now spans swing to fusion. 

In History of the Vibraphone, Wolf performs each track as an homage to original artists, joined by saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archer, and drummer Carroll “CV” Dashiell III. Standout selections like Gary Burton's “Captain Señor Mouse” and Samuels’s “Spring High” reflect Wolf’s influences and his mission to celebrate lesser-known vibes players. Currently a professor at Peabody Conservatory, Wolf remains dedicated to jazz education. Baltimore’s thriving scene is central to his work, with venues like Keystone Korner and An Die Musik hosting vibrant jam sessions. Wolf's upcoming tour hints at a possible sequel to this record, potentially honoring Red Norvo, Tito Puente, and Mike Mainieri. https://njjs.org/

https://www.warrenwolf.com/

History of the Vibraphone https://open.spotify.com/album/0raNJZzMHYyOr9R398NJ3E?si=CkIRJL2-Rm2iFwruCESL-Q

Steve Bryant is a fantastic jazz guitarist who lives and works near the New Jersey shore. His band, RED 123, showcases his masterful compositions and dynamic guitar playing. But beyond performing, Steve is also a dedicated educator, sharing his deep musical knowledge with the next generation. His journey began on French horn before discovering guitar in middle school—a passion that soon became an obsession. Jazz lessons with Vinny Corrao refined his technique, leading to six years in the Navy band. Then came rock and roll—tours, hotel rooms, and thousands of hours of dedication. All of these experiences—discipline, artistry, and life itself—have shaped Steve into the polished musician he is today. His music tells that story, blending skill with soul. Listen to RED 123, and you’ll hear his mastery and journey.

Website: https://red123music.com/home

New Townhttps://open.spotify.com/album/2nalE8WWE2xOjVk4hyihkP?si=T3lirZy-QH220-LGWaz6IA

Terence Blanchard Interview Terence Blanchard, born in New Orleans in 1962, is a celebrated jazz trumpeter, composer, and bandleader. Rising from the vibrant musical scene of his hometown, Blanchard's talent quickly garnered attention, leading to collaborations with jazz legends like Lionel Hampton and Art Blakey. His partnership with filmmaker Spike Lee catapulted him to international acclaim, as he composed scores for numerous acclaimed films, including "Jungle Fever," "Malcolm X," and "BlacKkKlansman." Blanchard's music transcends traditional boundaries, seamlessly blending jazz with other genres and addressing social issues through projects like his band E-Collective. He has also ventured into opera composition, premiering successful works such as "Champion" and "Fire Shut Up in My Bones." Blanchard's multifaceted career and unwavering commitment to innovation have solidified his legacy as a pioneering force in contemporary music. Recently, I spoke with the trumpet legend about his life, music, and thoughts on winning an NEA Jazz Masters Award, one of the highest honors for jazz musicians.  You can check out, my article at ​​https://njjs.org/

Hello, jazz enthusiasts, and welcome to the Jazz Real Book podcast! with host, Jay Sweet, a musician, music historian, and Jazz Professor. This podcast dives into the rich world of jazz standards and repertoire as presented in the revered Jazz Real Book, often hailed as "The Jazz Bible." This podcast will be your guide to essential recordings, exploring the nuances of each song, shedding light on the brilliant minds behind the compositions, and delving into the recordings that have left an indelible mark on jazz musicians and fans across the globe. So, whether you're a seasoned jazz aficionado or just beginning your exploration of this incredible genre, this show unravels the stories and sounds embedded in the pages of the Jazz Real Book. Let the jazz journey begin!

(66) “Como en Vietnam" and Gary Burton 

Standards Rating 2 Difficulty Rating 6 

Gary Burton, a pioneering jazz vibraphonist, is celebrated for his groundbreaking four-mallet grip, which revolutionized vibraphone technique and became a standard in modern jazz. His career began at a young age, self-teaching on marimba and vibraphone, and studying at Berklee College of Music. Burton's early work with Stan Getz and his formation of the Gary Burton Quartet in the late 1960s set the stage for his influence in jazz fusion. His collaborations with musicians like Chick Corea, Pat Metheny, and Herbie Hancock solidified his status as a jazz icon. Burton also had a significant role as an educator at Berklee College of Music, where he taught for over three decades."Como En Vietnam," composed by Steve Swallow, comes from the album Gary Burton and Keith Jarrett  and features a latin feel, and an early jazz fusion feel. While not a particularly popular tune it is well constructed with a unique harmonic landscape. 

Gary Burton and Keith Jarrett 

Thomas Clausen

Spotify Playlist 

59- “Chelsea Bridge” and Billy Strayhorn

Standards Rating 7, Difficult Rating 7 

Billy Strayhorn (1915–1967) was a brilliant jazz composer, pianist, and arranger whose work with Duke Ellington shaped the orchestra’s sound. Born in Dayton, Ohio, and raised in Pittsburgh, he studied classical music before transitioning to jazz. His compositions, including “Take the ‘A’ Trai,”  “Lush Life,” and “Chelsea Bridge,”  showcased his mastery of harmony and orchestration. As an openly gay Black man, Strayhorn faced societal challenges but remained a resilient artist and civil rights advocate."Chelsea Bridge," recorded in 1941, reflects Strayhorn’s impressionistic style, inspired by Debussy and Ravel. Its lush harmonies, chromatic movement, and unconventional modulations create a dreamlike atmosphere. The piece features Ben Webster’s warm tenor sax and prioritizes mood and color over rhythm, distinguishing it from typical big band works. Later interpretations, such as Joe Henderson’s 1968 rendition, highlight its adaptability. Strayhorn’s legacy endures through his sophisticated, genre-defying compositions.

Duke Ellington 

Joe Henderson 

Spotify Playlist

"Black Nile" from Wayne Shorter's 1964 album Night Dreamer showcases his innovative jazz composition style. The track blends traditional and modern elements, following a 32-bar AABA form in D minor with complex harmonies. Shorter’s and Lee Morgan’s solo navigates the piece’s narrative, with Tyner and Jones adding dynamic intensity. Elvin Jones's powerful drumming, noted for its polyrhythms and swing, provides "severe turbulence" during his solo, enhancing the track’s depiction of a river's journey. Born in 1927, Elvin Jones grew up in a musical family and became a prominent jazz drummer after moving to New York in 1955. His tenure with John Coltrane from 1960-1966 was pivotal, after which he led his own ensembles and influenced future generations through his performances and teaching until he died in 2004.

Wayne Shorter https://youtu.be/8OxrGVPBzZM?si=LKeV8qGknf7mYe3m

Jeff Tain Watts https://youtu.be/8OxrGVPBzZM?si=LKeV8qGknf7mYe3m

Podcast Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=ddf4bdf7ec0e4bb1

39- “Blue Train” and Lee Morgan 

Standards Rating 7, Difficulty Rating 3  

"Blue Train," the title track from John Coltrane's 1958 album Blue Train, is a defining piece of hard bop jazz. The composition is a 12-bar blues in the key of Eb, featuring sophisticated harmonic alterations like #9 and #11 chords, which add modern tension to the traditional blues structure. The melody is simple yet engaging, with call-and-response patterns reminiscent of gospel music. The solos, particularly from Coltrane and Lee Morgan, stand out on the original recording. Lee Morgan, a Philadelphia-born trumpet prodigy, made a significant contribution to jazz. Influenced by Clifford Brown, Morgan had already recorded as a leader by 1956 and played in Dizzy Gillespie’s Big Band before the Blue Train recordings.  After Blue Train, Morgan joined Art Blakey's Jazz Messengers and became a key figure in the hard bop movement. His 1964 album The Sidewinder was a major commercial success, marking his comeback after overcoming heroin addiction. Tragically, Morgan was shot and killed in 1972 at the age of 33, but his legacy as one of jazz’s most influential trumpeters endures.

Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=ae04712a5e334078

John Coltrane https://youtu.be/HT_Zs5FKDZE?si=s1h5mcTO-gufgvb0

Pancho Sanchez https://youtu.be/aNwRKFJi8XU?si=Y7HCak0Ffc9cboMx

Alvester Garnett Interview

Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife.

In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett’s ongoing commitment to jazz and his ability to blend leadership with collaboration.

Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano.

https://centraljerseyjazzfestival.com/

45-“Broad Way Blues” and Ornette Coleman 

Standards Rating 5 Difficulty Rating 6 

Ornette Coleman was a pioneering jazz figure known for breaking traditional boundaries with his radical approach to improvisation and composition. His 1959 album The Shape of Jazz to Come introduced free jazz, where he abandoned chord changes and rigid structures, allowing musicians more freedom. His work at New York's Five Spot Café with a groundbreaking quartet helped establish his status as a revolutionary in modern jazz. Coleman's 1961 album Free Jazz: A Collective Improvisation further pushed these boundaries with group improvisation, sparking praise and controversy.

One of his notable compositions, "Broadway Blues," features bluesy elements mixed with free improvisation. His 1968 album New York Is Now! blended avant-garde and post-bop, showing his continued evolution. Guitarist Pat Metheny later interpreted Coleman’s "Broadway Blues," reflecting Coleman's profound influence on later jazz artists, particularly through their 1985 collaboration Song X, which merged their experimental styles.

Ornette Coleman https://youtu.be/ue0XTgUx24o?si=v9ny2p9IU_UcE-1M

Pat Metheny https://youtu.be/eciUMTPmzm0?si=3JKlbTJfrtBqkvle

Spotify Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=kjHm7muGQB6O2jIs5623hw

Esperanza Spalding Interview

Esperanza Spalding, a Portland-born jazz musician, rose to prominence with her versatile talent as a bassist, singer, and composer. Trained in classical music from childhood, she explored various genres, leading to groundbreaking albums like "Esperanza" and "Chamber Music Society." Her Grammy win for Best New Artist in 2011 propelled her to international recognition despite competition from mainstream pop acts. Spalding's commitment to artistic integrity is evident in her experimental projects, such as writing and recording an album in 77 hours and exploring spirituality through music on "Songwrights Apothecary Lab." Collaborations with renowned artists like Wayne Shorter and Fred Hersch further cement her status as a jazz luminary. Now, as she embarks on a tour, she continues to captivate audiences with her innovative compositions and virtuosic performances.

43-Boplicity, Gil Evans and The Birth of The Cool 

Standards Rating 6, Difficulty Rating 7 

"Boplicity," from Birth of the Cool (1957), marks a key moment in jazz history; composed by Miles Davis under the pseudonym Cleo Henry and Gil Evans, Originally recorded in 1949, the track exemplifies the shift from bebop's fast-paced intensity to cool jazz's more relaxed, refined sound. Featuring a unique nine-piece ensemble, including trumpet, trombone, French horn, tuba, and saxophones, the arrangement showcases Evans' mastery of orchestration. The interplay between Davis' subtle trumpet lines and the intricate harmonies of the horns highlights the genre's focus on texture, space, and lyrical phrasing. "Boplicity" is a standout, blending bebop's phrasing with cool jazz's sophistication, offering a serene yet intricate musical experience that helped define the cool jazz movement.

Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=PYjJbekGT1ujj-X1e6ZsaQ

Miles Davis Nonet https://youtu.be/HLzqjmoZZAc?si=T68XnMIQ0mmS5K_h
Ronnie Cuber https://open.spotify.com/track/4E5fdTSJd28iSg6L9uNnn6?si=57231715f1814e0f

Ep. 30- Black Coffee and Sarah Vaughan. (Standards Rating 7, Difficulty Rating 6)  "Black Coffee," a bluesy classic jazz standard composed in 1948 by Sonny Burke with lyrics by Paul Francis Webster, has been immortalized by vocal legends like Sarah Vaughan. Vaughan's iconic 1949 rendition under Columbia Records, arranged by Joe Lipman, showcases her unmatched vocal range, technical skill, and emotive depth. Lipman's orchestration, including strings and muted brass, enhances Vaughan's nuanced delivery, highlighting her ability to convey deep emotion through music. Throughout her career, Vaughan transitioned from performing in Newark clubs to international acclaim, recording with luminaries like Charlie Parker and Dizzy Gillespie. Her versatile talent earned her numerous accolades. "Black Coffee" stands as a timeless example of Vaughan's mastery in jazz vocals, solidifying her legacy as one of the genre's most influential and revered artists. Sarah Vaughan https://youtu.be/CRyN9wQ1taY?si=Fz5nOtLP0MeSfNdH Sonny Criss https://youtu.be/1nP6G_we-z8?si=nyahd5A5HFyFUkP3 Playlists https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=699973ad1c254079

53-“Can’t Help Lovin’ Dat Man” and Teddy Wilson 

Standards Rating 7 Difficulty Rating 6 

Teddy Wilson (1912–1986) was a groundbreaking jazz pianist who was celebrated for his elegant swing-era style and role in racial integration in jazz. Born in Texas and classically trained in Alabama, Wilson worked with Louis Armstrong and Benny Carter before joining Benny Goodman in 1935. As part of Goodman’s racially integrated ensemble, alongside drummer Gene Krupa and later Lionel Hampton, Wilson helped redefine jazz, highlighted by the historic 1938 Carnegie Hall concert. As a bandleader, he recorded prolifically with iconic vocalists like Billie Holiday and Ella Fitzgerald, offering nuanced accompaniment that enhanced their performances without overpowering them.

"Can’t Help Lovin’ Dat Man," a classic ballad from Show Boat (1927), blends themes of enduring love with bluesy melodies and a 32-bar AABA form. Kern’s use of diminished seventh chords and harmonic shifts to Ab major and F minor enriches its emotional depth, making it a timeless standard in jazz and musical theater. Wilson’s 1937 recording of Jerome Kern’s "Can’t Help Lovin’ Dat Man," featuring Billie Holiday, exemplifies his sophisticated piano artistry. Holiday’s emotive delivery is supported by an all-star ensemble, including Buck Clayton (trumpet) and Vido Musso (tenor sax). Wilson’s light touch and harmonic depth create a rich interplay, shining in his accompaniment and solo passages.

Billie Holiday Version 

Oscar Peterson Version 

Spotify Playlist

55- Captain Marvel and Chick Corea

Standards Rating 4, Difficulty Rating 8

Chick Corea (1941–2021) was a legendary jazz pianist, composer, and innovator whose career spanned over five decades. Known for his genre-defying versatility, Corea contributed significantly to jazz fusion, Latin jazz, and other jazz genres. His work with Miles Davis on groundbreaking albums like In a Silent Way and Bitches Brew helped define the jazz fusion movement. Corea also led iconic projects such as Return to Forever, blending jazz, rock, and Latin influences.

"Captain Marvel," one of Corea's standout compositions, epitomizes his adventurous style. The piece showcases Corea's unique ability to merge tradition with innovation, featuring complex harmonies, shifting rhythms, and bold improvisation. Recorded with luminaries like Stan Getz and Stanley Clarke, the 1975 rendition highlights fiery interplay, while the 1973 Light as a Feather version emphasizes Latin-infused energy. "Captain Marvel" is a testament to Corea's enduring genius and impact on modern jazz.

Stan Getz Version 

Return To Forever Version 

Spotify Playlist

34-“Black Orpheus” and Charlie Byrd 

Standards Rating 9 Difficulty Rating 5

“Black Orpheus” or "Manhã de Carnaval," composed by Luiz Bonfá for the 1959 film Black Orpheus (Orfeu Negro), is a foundational bossa nova piece that became a jazz standard. The song, characterized by its 32-bar structure in A minor with sophisticated harmonic progressions, blends simplicity with elegance. Charlie Byrd, a pivotal figure in popularizing bossa nova in the United States, offered a refined interpretation of the song on his 1966 album Byrdland. Byrd transitions into a flowing solo on the track, demonstrating his technical prowess and deep understanding of Brazilian music. The performance is nuanced and expressive, reflecting Byrd's ability to bridge jazz and classical guitar techniques, cementing "Manhã de Carnaval" as a timeless piece.

Charlie Byrd https://open.spotify.com/track/242vRAj44NhtlFHodbzwXw?si=31769895545a41c4

Dexter Gordon https://open.spotify.com/track/1npsSHw0x08BOLPkKzUShe?si=d4aca3a57f374365

Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=3252735e69da46c6

Dave Stryker is a renowned American jazz guitarist with over 25 albums as a leader and collaborations with jazz greats like Stanley Turrentine, Jack McDuff, and Kevin Mahogany. Raised in Omaha, Nebraska, Stryker began playing guitar at ten, initially inspired by The Beatles and later drawn to jazz . By 17, he was performing jazz locally.

After moving to Los Angeles in 1978 and then began working with Jack McDuff, touring with him in 1984–1985. Stryker spent a decade with saxophonist Stanley Turrentine and formed bands with Steve Slagle and Jared Gold. He also worked extensively with singer Kevin Mahogany as a sideman and arranger, performing at Carnegie Hall and internationally. An experienced educator, Stryker has taught at Indiana University, Montclair State, William Paterson University, and Rutgers University, as well as online via ArtistWorks.

For More On Dave Stryker go to: https://www.davestryker.com/

Mindi Abair Interview Mindi Abair is a Grammy-nominated saxophonist and vocalist renowned for her dynamic blend of contemporary jazz, rock, and blues. Raised in a musical family, her early influences included her saxophonist father and opera-singer grandmother. After studying at Berklee College of Music, she moved to Los Angeles, where she played with high-profile acts like the Backstreet Boys and Aerosmith before launching a successful solo career. Known for her energetic performances and collaborations with artists like Booker T, Greg Allman and Joe Perry, Abair also co-runs WineandJazz.com with her husband, combining her passions for music and wine through unique events. https://www.mindiabair.com/

Enjoy this replay of a 2022 Ron Carter interview conducted for Jersey Jazz Magazine https://njjs.org/magazine/to celebrate the Maestro's 85th Birthday.

View the Interview at https://youtu.be/suzcfI7VznI?si=1vRV-w6KCfuBTBGI

Read the article at https://www.jaysweetmusic.com/blog

45-“Broadway” and Oscar Peterson  Standards Rating 6 Difficulty Rating 4 Oscar Peterson, a virtuoso jazz pianist from Montreal, was known for his swift, intricate runs and rhythmic precision, drawing influence from Art Tatum and Nat King Cole. His style and mastery shone especially in trio settings, often alongside bassist Ray Brown and guitarist Herb Ellis. Peterson's collaborations with Norman Granz in the 1950s, particularly in the Jazz at the Philharmonic series, solidified his international reputation. Peterson’s discography highlights his 1955 recording of the jazz standard “Broadway” on Oscar Peterson Plays Count Basie. Backed by Brown, Ellis, and drummer Buddy Rich, Peterson opens with a steady, Basie-inspired groove. The track’s 32-bar AABA form and Tin Pan Alley-inspired chord progressions create ample room for improvisation. Ellis’s solo adds a bluesy swing, while Peterson's solo is lively but restrained, perfectly capturing the energy and elegance that marked his approach to jazz. Oscar Peterson https://youtu.be/Ho1FZjum-Uw?si=opB53N5FlchGUFOl Ella Fitzgerald https://youtu.be/aIB7Ozx45r0?si=s4KCFeqZYZGwjVVs Jazz Real Book Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=VW3-VdNzTd-dS7h_mvJFxw

Originally a duo in 2012, 9 Horses, a New York City chamber jazz group featuring mandolinist Joe Brent, violinist Sara Caswell, and bassist Andrew Ryan, has evolved into a critically acclaimed trio. Their 2015 debut album, Perfectest Herald, established their sound: Brent's original compositions intertwined with the group's improvisational fire. Known for pushing boundaries, they explore the frontiers of chamber jazz. Their latest release, Strum (2024), joins in showcasing their genre-bending experimentation and emotionally rich music.

42- “Body and Soul” and Coleman Hawkins 

Standards Rating 8- Difficulty Rating 7 

Coleman "Hawk" Hawkins was a pioneering jazz tenor saxophonist who transformed the instrument into a key vehicle for jazz improvisation. Born in Missouri in 1904, Hawkins began playing saxophone in his teens and joined Mamie Smith's Jazz Hounds in 1921. His breakthrough came in 1924 when he joined Fletcher Henderson's Orchestra, where his improvisational style evolved, influenced by Louis Armstrong. Hawkins's technical mastery, harmonic innovations, and rich tone were noted.

One of his most iconic recordings is his 1939 interpretation of "Body and Soul," where Hawkins showcased his ability to navigate complex harmonic structures with inventive phrasing, including sixteenth-note runs, rhythmic motifs, and arpeggiated figures. His approach to the song’s challenging chord changes set the standard for future bebop improvisation. The performance highlights his blend of vertical and linear improvisation, often moving far from the original melody and incorporating sophisticated rhythmic techniques. Hawkins spent much of his later career dividing his time between Europe and the U.S., collaborating with younger musicians like Thelonious Monk and Miles Davis and contributing to the bebop movement. His legacy as the first great tenor saxophonist in jazz endures, especially through landmark recordings like "Body and Soul."

Coleman Hawkins: https://youtu.be/zUFg6HvljDE?si=ML1j-MVSXVyR1yIt

Billie Holiday https://youtu.be/AXnQeb0rgpU?si=7C0ZX1Hbh0ZPWc5V

Curated Spotify Playlist

https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=6AKq37uOQ3qR0wBhyLSLQA

Naomi Moon Siegel              

Naomi Moon Siegel is an award-winning trombonist, improviser, composer, and educator committed to creating a positive, transformative music culture beyond conventional genre norms. Her original musical vocabulary draws on the richness of various global musical traditions.

Siegel explores the trombone as a vehicle for sonic expression colored by breath, spit, and physicality. A longtime collaborator with Wayne Horvitz, Siegel has performed with such luminaries as Jessica Lurie, Matthew Golombisky, Carmen Staaf, March Fourth Marching Band, Allison Miller, Julian Priester, The California Honeydrops, Martha Scanlan, Stuart Dempster, Skerik, and Thione Diop. With saxophonist Kate Olson, Siegel formed the folk punk jazz duo Syrinx Effect, which has released four albums and performed around the United States.

Siegel is a recipient of Chamber Music America’s Performance Plus Grant, Jazz Journalists Association’s Jazz Hero Award, Montana Art Council’s Artist Innovation Award, and Earshot Jazz’s Golden Ear Award for Emerging Artist of the Year. .

Siegel is an adjunct professor of trombone at the University of Montana and a dedicated music educator. Siegel is also a staunch advocate for intersectional gender justice in jazz and music settings, leading workshops to build awareness and work towards positive systemic shifts in our music culture.

(S4 Ep18) The Real McCoy (Blue Note) 

October 1967, Recorded April 21, 1967 

The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane’s legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and his signature wide interval voicings. The album’s compositions, all written by Tyner wrote, demonstrate his incredible range as a pianist and composer, with tracks like "Passion Dance" and "Contemplation" now regarded as jazz standards. The interplay between the musicians is dynamic, with Henderson's fluid solos, Carter's solid bass work, and Jones's explosive drumming providing a perfect backdrop for Tyner's improvisations. The album balances uptempo tracks, like "Four by Five," with slower, more meditative pieces, such as "Search for Peace," highlighting Tyner’s ability to navigate diverse moods and textures. The Real McCoy is widely praised for its deep emotional resonance and technical brilliance, solidifying McCoy Tyner as one of his generation's most influential jazz pianists.

Signature Tracks: "Passion Dance", "Contemplation", "Four By Five" 

Full Album YouTube Spotify  

Playlist     YouTube  Spotify