Social Justice & Activism - The Creative Process - Activists, Environmental, Indigenous Groups, Artists and Writers Talk Diversity, Equity and inclusion (Creative Process Original Series)
Explore every episode of Social Justice & Activism - The Creative Process - Activists, Environmental, Indigenous Groups, Artists and Writers Talk Diversity, Equity and inclusion
| Pub. Date | Title | Duration | |
|---|---|---|---|
| 26 Aug 2022 | Sonnet L’Abbé - Award-winning Poet, Songwriter, Author of “Sonnet’s Shakespeare” | 01:01:21 | |
Sonnet L'Abbé is a Canadian poet, songwriter, editor and professor. They are the author of A Strange Relief, Killarnoe, and Sonnet's Shakespeare. Sonnet's Shakespeare was a Quill and Quire Book of the Year. In 2014 they edited the Best Canadian Poetry in English anthology. Their chapbook, Anima Canadensis, won the 2017 bpNichol Chapbook Award. They teach Creative Writing and English at Vancouver Island University, and are a poetry editor at Brick Books. "Sonnet’s Shakespeare itself came out of thinking about the form of erasure, what working in that form could do and mean. And at the time there were conversations about appropriative poets where there were specific instances of pretty shady power dynamics around certain poets taking certain texts and presenting them as their own and saying, 'This is just an appropriative poetics move.’ And I was looking at critical writing about it, and I couldn't find anything that talked about the role of the poet who is doing that as censorial or as somehow violencing the original text. I was thinking about my resonance with the word erasure and thinking about censoring and deleting what somebody else has already said resonates with me as an analogy for being black, being mixed race, being racialized, and non-European in spaces that are predominantly Anglo-Canadian and in rooms where, classrooms where, playgrounds where, churches where, certain signifiers of difference would make fitting in harder. One tries very hard. At least I did as a child to just try to fit in and make my visible difference as minimal, as invisible as possible. So it's a way of thinking about erasing the self. And so I took that theme and thought, How do I show through a poetic erasure this dynamic of self-erasure and feeling erased?” https://www.instagram.com/sonnetlabbe/ https://www.poetryfoundation.org/harriet-books/2017/12/tree-i-invented-a-new-form-of-poem | |||
| 26 Aug 2022 | Highlights - Sonnet L’Abbé - Poet, Songwriter, Editor of “Best Canadian Poetry in English” | 00:12:30 | |
"Sonnet’s Shakespeare itself came out of thinking about the form of erasure, what working in that form could do and mean. And at the time there were conversations about appropriative poets where there were specific instances of pretty shady power dynamics around certain poets taking certain texts and presenting them as their own and saying, 'This is just an appropriative poetics move.’ And I was looking at critical writing about it, and I couldn't find anything that talked about the role of the poet who is doing that as censorial or as somehow violencing the original text. I was thinking about my resonance with the word erasure and thinking about censoring and deleting what somebody else has already said resonates with me as an analogy for being black, being mixed race, being racialized, and non-European in spaces that are predominantly Anglo-Canadian and in rooms where, classrooms where, playgrounds where, churches where, certain signifiers of difference would make fitting in harder. One tries very hard. At least I did as a child to just try to fit in and make my visible difference as minimal, as invisible as possible. So it's a way of thinking about erasing the self. And so I took that theme and thought, How do I show through a poetic erasure this dynamic of self-erasure and feeling erased?” Sonnet L'Abbé is a Canadian poet, songwriter, editor and professor. They are the author of A Strange Relief, Killarnoe, and Sonnet's Shakespeare. Sonnet's Shakespeare was a Quill and Quire Book of the Year. In 2014 they edited the Best Canadian Poetry in English anthology. Their chapbook, Anima Canadensis, won the 2017 bpNichol Chapbook Award. They teach Creative Writing and English at Vancouver Island University, and are a poetry editor at Brick Books. https://www.instagram.com/sonnetlabbe/ https://www.poetryfoundation.org/harriet-books/2017/12/tree-i-invented-a-new-form-of-poem | |||
| 09 Sep 2022 | Kent Redford - Co-author of "Strange Natures: Conservation in the Era of Synthetic Biology” | 00:56:24 | |
Kent H. Redford is a conservation practitioner and Principal at Archipelago Consulting established in 2012 and based in Portland, Maine, USA. Archipelago Consulting was designed to help individuals and organizations improve their practice of conservation. Prior to Archipelago Consulting Kent spent 10 years on the faculty of University of Florida and 19 years in conservation NGOs with five years as Director of The Nature Conservancy’s Parks in Peril program and 14 years as Vice President for Conservation Science and Strategy at the Wildlife Conservation Society. For six years he was Chair of IUCN’s Task Force on Synthetic Biology and Biodiversity Conservation. In June 2021 Yale University Press published Kent’s book with W.M. Adams: Strange Natures. Conservation in the Era of Synthetic Biology. "So there are lots of different indigenous peoples who have their own world views and experiences. One of the most impressive people I know is Aroha Mead. She's a Maori, and she's a lawyer, and she has been active in this conservation organization IUCN for decades. New Zealand as a nation and the Maori as a people have engaged in very careful and systematic discussions amongst themselves about what they think about synthetic biology, and its potential use on the islands of New Zealand and in some of the areas that are sacred to them. People can read. They have written and published on some of this work. And again, the first thing to say is there is no such thing as a Maori position. There are some people who felt very strongly that this was a terrible idea, and there were other people who felt it was an essential thing to do because New Zealand has a tremendous problem with invasive species." https://yalebooks.yale.edu/book/9780300230970/strange-natures/ | |||
| 09 Sep 2022 | Highlights - Kent Redford - Co-author, ”Strange Natures: Conservation in the Era of Synthetic Biology” | 00:13:20 | |
"So there are lots of different indigenous peoples who have their own world views and experiences. One of the most impressive people I know is Aroha Mead. She's a Maori, and she's a lawyer, and she has been active in this conservation organization IUCN for decades. New Zealand as a nation and the Maori as a people have engaged in very careful and systematic discussions amongst themselves about what they think about synthetic biology, and its potential use on the islands of New Zealand and in some of the areas that are sacred to them. People can read. They have written and published on some of this work. And again, the first thing to say is there is no such thing as a Maori position. There are some people who felt very strongly that this was a terrible idea, and there were other people who felt it was an essential thing to do because New Zealand has a tremendous problem with invasive species." Kent H. Redford is a conservation practitioner and Principal at Archipelago Consulting established in 2012 and based in Portland, Maine, USA. Archipelago Consulting was designed to help individuals and organizations improve their practice of conservation. Prior to Archipelago Consulting Kent spent 10 years on the faculty of University of Florida and 19 years in conservation NGOs with five years as Director of The Nature Conservancy’s Parks in Peril program and 14 years as Vice President for Conservation Science and Strategy at the Wildlife Conservation Society. For six years he was Chair of IUCN’s Task Force on Synthetic Biology and Biodiversity Conservation. In June 2021 Yale University Press published Kent’s book with W.M. Adams: Strange Natures. Conservation in the Era of Synthetic Biology. https://yalebooks.yale.edu/book/9780300230970/strange-natures/ | |||
| 20 Sep 2022 | Aniela Unguresan - Co-founder, Economic Dividends for Gender Equality - EDGE Cert. Foundation | 00:43:09 | |
Aniela Unguresan is Co-founder of EDGE Certification, the leading global assessment methodology and business certification standard for gender equality. Launched at the Annual Meeting of the World Economic Forum in 2011, EDGE Certification measures where organizations stand in terms of gender balance across their pipeline, pay equity, and effectiveness of policies and practices to ensure equitable career flows, as well as the inclusiveness of their culture. EDGE Certification has been designed to help companies not only to create an optimal workplace for women and men, but also to benefit from it. EDGE stands for Economic Dividends for Gender Equality and is distinguished by its rigor and focus on business impact. Their customer base consists of 200 large organizations in 50 countries across five continents, representing 30 different industries. Prior to co-founding EDGE Certified Foundation, Aniela acquired extensive professional experience as a consultant with Arthur Andersen and Andersen Consulting, as a trader and project manager with TXU Europe and SIG Geneva, and as the CEO of CT Technologies. "I think that what is really important on this journey is to understand when we talk about gender and intersectional equity - and yes, gender is that element that is the most universal across different geographies. So for organizations that are present across many different countries and many different continents, there will be one backbone which will be gender, the binary definition, to which they will be adding other aspects of the broader diversity spectrum based on the specificities of the countries of operations. For example, L'Oréal in the U.S., they look at the intersection between gender, race, and ethnicity. We have organizations in Europe that are very often looking at the intersection between age, gender, and sexual orientation. In Southeast Asia, sexual orientation and working with a disability are definitely emerging topics. So allowing ourselves this flexibility in saying we have a solid backbone - which is the one that can be legally measured and tracked across all geographies - which is the gender binary. And on this, we will be building this intersectional view with other beautiful characteristics that compose us as individuals. Having this flexibility allowed organizations such as L'Oréal, but then also some other institutions that we are working with within the UN system or international finance institutions, such as the IMF or the World Bank, to add different intersectional lenses to their gender binary approach." | |||
| 20 Sep 2022 | Highlights - Aniela Unguresan - Champion of Diversity, Equity, Inclusion in the Workplace - EDGE Cert | 00:10:18 | |
"I think that what is really important on this journey is to understand when we talk about gender and intersectional equity - and yes, gender is that element that is the most universal across different geographies. So for organizations that are present across many different countries and many different continents, there will be one backbone which will be gender, the binary definition, to which they will be adding other aspects of the broader diversity spectrum based on the specificities of the countries of operations. For example, L'Oréal in the U.S., they look at the intersection between gender, race, and ethnicity. We have organizations in Europe that are very often looking at the intersection between age, gender, and sexual orientation. In Southeast Asia, sexual orientation and working with a disability are definitely emerging topics. So allowing ourselves this flexibility in saying we have a solid backbone - which is the one that can be legally measured and tracked across all geographies - which is the gender binary. And on this, we will be building this intersectional view with other beautiful characteristics that compose us as individuals. Having this flexibility allowed organizations such as L'Oréal, but then also some other institutions that we are working with within the UN system or international finance institutions, such as the IMF or the World Bank, to add different intersectional lenses to their gender binary approach." Aniela Unguresan is Co-founder of EDGE Certification, the leading global assessment methodology and business certification standard for gender equality. Launched at the Annual Meeting of the World Economic Forum in 2011, EDGE Certification measures where organizations stand in terms of gender balance across their pipeline, pay equity, and effectiveness of policies and practices to ensure equitable career flows, as well as the inclusiveness of their culture. EDGE Certification has been designed to help companies not only to create an optimal workplace for women and men, but also to benefit from it. EDGE stands for Economic Dividends for Gender Equality and is distinguished by its rigor and focus on business impact. Their customer base consists of 200 large organizations in 50 countries across five continents, representing 30 different industries. Prior to co-founding EDGE Certified Foundation, Aniela acquired extensive professional experience as a consultant with Arthur Andersen and Andersen Consulting, as a trader and project manager with TXU Europe and SIG Geneva, and as the CEO of CT Technologies. | |||
| 28 Sep 2022 | Richard Thompson Ford - Author of “Dress Codes” - Stanford Prof. of Law - Expert on Civil Rights - Antidiscrimination Law | 00:53:26 | |
Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He’s a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs. His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation. "One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve. There are a lot of other reforms that would be useful in improving American policing. And certainly, there are biased attitudes on the part of some police officers, but again, I think the structural problems are even greater with respect to this. There's the problem of racial segregation in high-crime neighborhoods, which means that when police are using aggressive tactics in the neighborhoods with the highest levels of crime, the targets are disproportionately people of color. There's also the fact that in the United States, it's not true in most other countries, policing is decentralized. It's a local matter. And so there's a wide range of training and a wide range of different types of protocols." | |||
| 28 Sep 2022 | Highlights - Richard Thompson Ford - Author of “Dress Codes”, “Rights Gone Wrong”, “The Race Card” | 00:12:15 | |
"One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve. There are a lot of other reforms that would be useful in improving American policing. And certainly, there are biased attitudes on the part of some police officers, but again, I think the structural problems are even greater with respect to this. There's the problem of racial segregation in high-crime neighborhoods, which means that when police are using aggressive tactics in the neighborhoods with the highest levels of crime, the targets are disproportionately people of color. There's also the fact that in the United States, it's not true in most other countries, policing is decentralized. It's a local matter. And so there's a wide range of training and a wide range of different types of protocols." Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He’s a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs. His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation. | |||
| 29 Sep 2022 | Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Intimate Portraits of Bob Marley - Basquiat | 00:46:57 | |
Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world’s true legends through an unfiltered and authentic lens. “For me, watching him [Jean-Michel] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics,” Jaffe says. “With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place.” Basquiat and Jaffe connected over reggae music. It was the early 1980s in New York. Jaffe had been a member of Bob Marley’s band, producer on Peter Tosh’s first solo album. and collaborated with art world figures Helio Oiticica, Gordon Matta Clark, and Vito Acconci. Jaffe is the author of Jean-Michel Basquiat: Crossroads. "And it was a time of great political repression. People on the left were disappearing. There was group of artists and musicians and writers who were creating things against the military government in Brazil. When I arrived in Rio in 1969, Caetano Veloso and Gilberto Gil, they had been imprisoned. They were in exile. They were let out of prison on condition they would leave the country. They were living in England. It was dangerous to be an artist saying anything against the government. And it was the time of the Vietnam War, towards the end of the Civil Rights Movement. I mean, it's never really ended, but...there were the assassinations of all the Black Panthers and Malcolm X and Martin Luther King, and then RFK in '68, which very much pushed me into - I mean, I wanted to travel, I wanted to find out what the world was like, but - it was kind of a last straw when RFK was assassinated because then it was like, there is no law. The United States has no law. If there's political opposition, you'll just die. And then I was in Brazil, and it was very palpable. There was no disguise. There was no veneer.” www.leejaffe.com www.creativeprocess.info Photo: Bob Marley in Trenchtown, downtown Kingston, Jamaica, after football at the Boys’ Town field, 1974. At the far right is Alvin “Seeco” Patterson, the Wailers’ percussionist. Image courtesy of Lee Jaffe | |||
| 29 Sep 2022 | Highlights - Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Intimate Portraits of Bob Marley - Basquiat | 00:10:29 | |
"And it was a time of great political repression. People on the left were disappearing. There was group of artists and musicians and writers who were creating things against the military government in Brazil. When I arrived in Rio in 1969, Caetano Veloso and Gilberto Gil, they had been imprisoned. They were in exile. They were let out of prison on condition they would leave the country. They were living in England. It was dangerous to be an artist saying anything against the government. And it was the time of the Vietnam War, towards the end of the Civil Rights Movement. I mean, it's never really ended, but...there were the assassinations of all the Black Panthers and Malcolm X and Martin Luther King, and then RFK in '68, which very much pushed me into - I mean, I wanted to travel, I wanted to find out what the world was like, but - it was kind of a last straw when RFK was assassinated because then it was like, there is no law. The United States has no law. If there's political opposition, you'll just die. And then I was in Brazil, and it was very palpable. There was no disguise. There was no veneer.” Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world’s true legends through an unfiltered and authentic lens. “For me, watching him [Jean-Michel] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics,” Jaffe says. “With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place.” Basquiat and Jaffe connected over reggae music. It was the early 1980s in New York. Jaffe had been a member of Bob Marley’s band, producer on Peter Tosh’s first solo album. and collaborated with art world figures Helio Oiticica, Gordon Matta Clark, and Vito Acconci. Jaffe is the author of Jean-Michel Basquiat: Crossroads. | |||
| 05 Oct 2022 | Karina Manashil - President of Mad Solar - Creative Confidante for Kid Cudi - Exec. Producer of “Entergalactic” | 00:47:18 | |
Karina Manashil is the President of Mad Solar Productions. She began her career in the mailroom at WME (William Morris Endeavor) where she became a talent agent. She represented notable clients including Scott Mescudi, known by his stage name, Kid Cudi, and built her career taking talent into new arenas. In 2020, she partnered with Mescudi and Dennis Cummings to launch Mad Solar, which is backed by BRON Studios. Manashil then went on to Executive Produce SXSW fan-favorite X and its sequel, Pearl, directed by Ti West. Manashil is an Executive Producer on the Netflix animated series Entergalactic directed by Fletcher Moules. Entergalactic was created by Kid Cudi and features voiceover from Jessica Williams and Timothée Chalamet. It was released alongside its album of the same name from Kid Cudi on September 30th. Manashil is a native of Los Angeles and graduated from Chapman University with a BFA in Film Production. "So I'm Iraqi-Iranian-Jewish. So I remember growing up where the movie that felt most reflective of our family was My Big Fat Greek Wedding, which, it's Greek. They're not the same, but it was so close, talking about the lamb, and we have Nick, Nick, Nick, Nikki, and in my family, Shuly, Shuly, Shuly, Sol, and there was just... It felt like, Oh my God, this feels like my family seeing that. And the second thing like that was seeing Ramy Youssef, who's Egyptian, New York. I'm Iraqi, L.A. Jewish. He's Muslim. It's not a like for like, but there was so much. I was like, that feels like us. So I feel my guidance would be, go for it! Because I feel like I've had these moments within the business, but seeing Ramy, it felt like content is renewed. All of a sudden, there's a whole new world that's open simply because he was willing to tell his story. And I would love to see a million more opportunities of that. And I would love to be involved in fostering opportunities like that. And I found it to be so inspiring to see content like that. So that, and maybe it's simplistic just to say, Yes, go all in. But my pride would be, and my appreciation would be, to see more opportunities for creators that move me in the same way that those two experiences felt reflective of who I am.” Manashil www.imdb.com/name/nm3556462/?ref_=nv_sr_srsg_0 Mad Solar https://www.imdb.com/search/title/?companies=co0831164 Entergalactic www.netflix.com/title/81053303 Pearl www.imdb.com/title/tt18925334/ | |||
| 05 Oct 2022 | Highlights - Karina Manashil - Pres. of Mad Solar - Exec. Producer of “Entergalactic”, “Pearl”, “X” | 00:12:15 | |
"So I'm Iraqi-Iranian-Jewish. So I remember growing up where the movie that felt most reflective of our family was My Big Fat Greek Wedding, which, it's Greek. They're not the same, but it was so close, talking about the lamb, and we have Nick, Nick, Nick, Nikki, and in my family, Shuly, Shuly, Shuly, Sol, and there was just... It felt like, Oh my God, this feels like my family seeing that. And the second thing like that was seeing Ramy Youssef, who's Egyptian, New York. I'm Iraqi, L.A. Jewish. He's Muslim. It's not a like for like, but there was so much. I was like, that feels like us. So I feel my guidance would be, go for it! Because I feel like I've had these moments within the business, but seeing Ramy, it felt like content is renewed. All of a sudden, there's a whole new world that's open simply because he was willing to tell his story. And I would love to see a million more opportunities of that. And I would love to be involved in fostering opportunities like that. And I found it to be so inspiring to see content like that. So that, and maybe it's simplistic just to say, Yes, go all in. But my pride would be, and my appreciation would be, to see more opportunities for creators that move me in the same way that those two experiences felt reflective of who I am.” Karina Manashil is the President of Mad Solar Productions. She began her career in the mailroom at WME (William Morris Endeavor) where she became a talent agent. She represented notable clients including Scott Mescudi, known by his stage name, Kid Cudi, and built her career taking talent into new arenas. In 2020, she partnered with Mescudi and Dennis Cummings to launch Mad Solar, which is backed by BRON Studios. Manashil then went on to Executive Produce SXSW fan-favorite X and its sequel, Pearl, directed by Ti West. Manashil is an Executive Producer on the Netflix animated series Entergalactic directed by Fletcher Moules. Entergalactic was created by Kid Cudi and features voiceover from Jessica Williams and Timothée Chalamet. It was released alongside its album of the same name from Kid Cudi on September 30th. Manashil is a native of Los Angeles and graduated from Chapman University with a BFA in Film Production. Manashil www.imdb.com/name/nm3556462/?ref_=nv_sr_srsg_0 Mad Solar https://www.imdb.com/search/title/?companies=co0831164 Entergalactic www.netflix.com/title/81053303 Pearl www.imdb.com/title/tt18925334/ | |||
| 11 Oct 2022 | Dr. Jessica Hernandez - Transnational Indigenous Scholar, Scientist, Author of “Fresh Banana Leaves” | 00:44:11 | |
Dr. Jessica Hernandez (Binnizá & Maya Ch’orti’) is a transnational Indigenous scholar, scientist, and community advocate based in the Pacific Northwest. She has an interdisciplinary academic background ranging from marine sciences to environmental physics. She advocates for climate, energy, and environmental justice through her scientific and community work. Her book Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science breaks down why western conservationism isn’t working–and offers Indigenous models informed by case studies, personal stories, and family histories that center the voices of Latin American women and land protectors. In 2022, she was named by Forbes as one of the 100 most powerful women of Central America. She holds appointments at Sustainable Seattle, City of Seattle's Urban Forestry Commission, and the International Mayan League. Fresh Banana Leaves received the Bruce Piasecki and Andrea Masters Award on Business and Society Writing (2022). "So oftentimes, when we talk about genocide, especially in the United States, it's something that happened in the past, but for many communities, especially outside of the United States, genocide is something that can be traced to our parents', to our grandparents' generations, so it's not necessarily that long ago. So for my father, he was a child soldier during the Central American Civil War that has been coined a genocide by the United Nations because it targeted Indigenous peoples, especially in Guatemala, El Salvador, and Honduras. So during that time, he was 11 years old when he was forced to either join the military or join the opposition, which was community-led to reclaim our land. It was like a Land Back movement because a lot of our land was being sold to international corporations that introduced these monocultural, agricultural entities, and plantations. So we have these introductions of bananas and coffees into our lands." www.penguinrandomhouse.com/books/675699/fresh-banana-leaves-by-jessica-hernandez/ | |||
| 11 Oct 2022 | Highlights - Dr. Jessica Hernandez - Author of “Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science" | 00:08:40 | |
"So oftentimes, when we talk about genocide, especially in the United States, it's something that happened in the past, but for many communities, especially outside of the United States, genocide is something that can be traced to our parents', to our grandparents' generations, so it's not necessarily that long ago. So for my father, he was a child soldier during the Central American Civil War that has been coined a genocide by the United Nations because it targeted Indigenous peoples, especially in Guatemala, El Salvador, and Honduras. So during that time, he was 11 years old when he was forced to either join the military or join the opposition, which was community-led to reclaim our land. It was like a Land Back movement because a lot of our land was being sold to international corporations that introduced these monocultural, agricultural entities, and plantations. So we have these introductions of bananas and coffees into our lands." Dr. Jessica Hernandez (Binnizá & Maya Ch’orti’) is a transnational Indigenous scholar, scientist, and community advocate based in the Pacific Northwest. She has an interdisciplinary academic background ranging from marine sciences to environmental physics. She advocates for climate, energy, and environmental justice through her scientific and community work. Her book Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science breaks down why western conservationism isn’t working–and offers Indigenous models informed by case studies, personal stories, and family histories that center the voices of Latin American women and land protectors. In 2022, she was named by Forbes as one of the 100 most powerful women of Central America. She holds appointments at Sustainable Seattle, City of Seattle's Urban Forestry Commission, and the International Mayan League. Fresh Banana Leaves received the Bruce Piasecki and Andrea Masters Award on Business and Society Writing (2022). www.penguinrandomhouse.com/books/675699/fresh-banana-leaves-by-jessica-hernandez/ | |||
| 14 Oct 2022 | Jay Famiglietti - Hydrologist, Exec. Director - Global Institute for Water Security, Host of "What About Water?" Podcast | 00:53:23 | |
Jay Famiglietti is a hydrologist, a professor and the Executive Director of the Global Institute for Water Security at the University of Saskatchewan, where he holds the Canada 150 Research Chair in Hydrology and Remote Sensing. He is also the Chief Scientist of the Silicon Valley tech startup, Waterplan. Before moving to Saskatchewan, he served as the Senior Water Scientist at the NASA Jet Propulsion Laboratory at the California Institute of Technology. From 2013 through 2018, he was appointed by Governor Jerry Brown to the California State Water Boards. He has appeared on CBS News 60 Minutes, on HBO’s Real Time with Bill Maher, as a featured expert in water documentaries including Day Zero and Last Call at the Oasis, and across a host of international news media. He is the host of the podcast What About Water? "Well, I think these days we have good cause to be a little bit wary of our tap water, given what's happening in some cities in the United States. I'm thinking about Flint and thinking about Jackson, so not everyone's water is great. But you know what, in many cities - in fact in most cities - it actually is great. There will always be the issue of industry sort of trying to game the system vs. what is the EPA monitoring for vs. what is industry releasing into the environment. So that puts the EPA, it puts the environmental community always sort of on watch to be looking for these emerging contaminants. And it's a bit of a game in one which I think again, some national policy could be really helpful. Most water districts in the United States publish their water quality. It's all available online. I always tell people if you have any concerns at all, put it through an activated charcoal filter." What About Water? podcast with Jay Famiglietti Twitter @WhatAboutWater | |||
| 14 Oct 2022 | Highlights - Jay Famiglietti - Exec. Director - Global Institute for Water Security, Host of “What About Water?” Podcast | 00:10:14 | |
"I think water is taking a backseat and personally, I feel like water is the messenger that delivers the bad news of climate change to your front door. So in the work that I do, it's heavily intertwined, but it's taking a backseat. There are parts about water that are maybe separate from climate change, and that could be the quality discussions, the infrastructure discussions, although they are somewhat loosely related to climate change and they are impacted by climate change. That's sometimes part of the reason why it gets split off because it's thought of as maybe an infrastructure problem, but you know, the changing extremes, the aridification of the West, the increasing frequency, the increasing droughts, these broad global patterns that I've been talking about, that I've been looking at with my research – that's all climate change. Just 100% climate change, a hundred percent human-driven. And so it does need to be elevated in these climate change discussions.” Jay Famiglietti is a hydrologist, a professor and the Executive Director of the Global Institute for Water Security at the University of Saskatchewan, where he holds the Canada 150 Research Chair in Hydrology and Remote Sensing. He is also the Chief Scientist of the Silicon Valley tech startup, Waterplan. Before moving to Saskatchewan, he served as the Senior Water Scientist at the NASA Jet Propulsion Laboratory at the California Institute of Technology. From 2013 through 2018, he was appointed by Governor Jerry Brown to the California State Water Boards. He has appeared on CBS News 60 Minutes, on HBO’s Real Time with Bill Maher, as a featured expert in water documentaries including Day Zero and Last Call at the Oasis, and across a host of international news media. He is the host of the podcast What About Water? What About Water? podcast with Jay Famiglietti Twitter @WhatAboutWater | |||
| 18 Oct 2022 | Britt Wray - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis” | 00:42:06 | |
Britt Wray is the author of Generation Dread: Finding Purpose in an Age of Climate Crisis. She's a writer and broadcaster researching the emotional and psychological impacts of the climate crisis. Born and raised in Toronto, Canada, she is a post-doctoral fellow at Stanford University and the London School of Hygiene and Tropical Medicine, where she investigates the mental health consequences of ecological disruption. She holds a PhD in Science Communication from the University of Copenhagen. Her work has been featured in the New York Times, Washington Post Guardian, and Globe and Mail, among other publications. She has hosted several podcasts, radio, and TV programs with the BBC and CBC, is a TED Resident, and writes Gan Dread, a newsletter about staying sane in the climate crisis. She is also the author of Rise of the Necrofauna: The Science, Ethics, and Risks of De-Extinction. "In our study, we're looking at climate anxietyin 10,000 young people around the world, 16 to 25-year-olds in 10 countries across low, middle, high income settings, and 45% of the global respondents of these young people said that their climate anxiety is impairing their daily functioning. So concentrating, eating, going to school, going to work, playing, having fun, that kind of thing. They had very negative thoughts. 75% of the people around the world said that the future is frightening. 56% said that they feel humanity is doomed. And 39% said that they're hesitant to have their own kids. So, because of all that, we know - if we're talking in Nigeria, India, Philippines, Canada, UK, US, Australia, Finland, and some other countries - we're looking across really diverse scenarios in terms of the national income and what that means for their ability to adapt and respond to climate threats and also their exposure already to climate hazards and disasters that are going on. So for that global aggregate to be that high, it's pretty striking. And then when you really dig into the most affected and underserved countries on this issue, so those with lower level economies and more climate disasters, you see the distress shooting through the roof – more around 74% of the young people saying that it's impairing functioning, for instance. So it's a severe health equity issue thinking about what it means to live with the psychological impacts of the climate crisis. And then also pointing out who's deserving who needs the most attention and support at this time, rather than just kind of foisting all the attention and resources on, in this case, it would be young people in industrialized nations who are suffering as well but not at the rates of lower income nations with more climate disasters." www.penguinrandomhouse.com/books/647141/generation-dread-by-britt-wray https://greystonebooks.com/products/rise-of-the-necrofauna | |||
| 18 Oct 2022 | Highlights - Britt Wray - Author, Researcher Working on Climate Change and Mental Health | 00:12:35 | |
"In our study, we're looking at climate anxietyin 10,000 young people around the world, 16 to 25-year-olds in 10 countries across low, middle, high income settings, and 45% of the global respondents of these young people said that their climate anxiety is impairing their daily functioning. So concentrating, eating, going to school, going to work, playing, having fun, that kind of thing. They had very negative thoughts. 75% of the people around the world said that the future is frightening. 56% said that they feel humanity is doomed. And 39% said that they're hesitant to have their own kids. So, because of all that, we know - if we're talking in Nigeria, India, Philippines, Canada, UK, US, Australia, Finland, and some other countries - we're looking across really diverse scenarios in terms of the national income and what that means for their ability to adapt and respond to climate threats and also their exposure already to climate hazards and disasters that are going on. So for that global aggregate to be that high, it's pretty striking. And then when you really dig into the most affected and underserved countries on this issue, so those with lower level economies and more climate disasters, you see the distress shooting through the roof – more around 74% of the young people saying that it's impairing functioning, for instance. So it's a severe health equity issue thinking about what it means to live with the psychological impacts of the climate crisis. And then also pointing out who's deserving who needs the most attention and support at this time, rather than just kind of foisting all the attention and resources on, in this case, it would be young people in industrialized nations who are suffering as well but not at the rates of lower income nations with more climate disasters." Britt Wray is the author of Generation Dread: Finding Purpose in an Age of Climate Crisis. She's a writer and broadcaster researching the emotional and psychological impacts of the climate crisis. Born and raised in Toronto, Canada, she is a post-doctoral fellow at Stanford University and the London School of Hygiene and Tropical Medicine, where she investigates the mental health consequences of ecological disruption. She holds a PhD in Science Communication from the University of Copenhagen. Her work has been featured in the New York Times, Washington Post Guardian, and Globe and Mail, among other publications. She has hosted several podcasts, radio, and TV programs with the BBC and CBC, is a TED Resident, and writes Gan Dread, a newsletter about staying sane in the climate crisis. She is also the author of Rise of the Necrofauna: The Science, Ethics, and Risks of De-Extinction. www.penguinrandomhouse.com/books/647141/generation-dread-by-britt-wray https://greystonebooks.com/products/rise-of-the-necrofauna | |||
| 20 Oct 2022 | Highlights - Maya van Rossum - Author of “The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment” | 00:13:04 | |
"So the first thing I learned is that you need to live what you believe. Whether it's environmental justice, social justice, environmental protection, do whatever you can, live your best life to try to advance that good objective goal and belief. We can all do better in our own personal lives. And that's really important. I think the other thing that I learned, my parents did it in a different way than I do it, but they did it every day - when they saw, just like when I see injustice, no matter how large or how small, they spoke up, and they did something about it. When, you know, it came to my opa, he stood up against the Nazis and did not allow them to take his sons to have to work in service to the Nazi movement. And so did my Tante Truus. My great aunt is recognized with saving on the order of 10,000 children, Jewish children, from the Nazis. With my mom, she had so many beliefs in the importance of living a good life. And so she always carried that forward. Even if it was seeing somebody behaving inappropriately in the supermarket, butting in line, or being unkind to the check register person unnecessarily, my mom was always the first to speak up and say, "Hey, don't do that!" And so I just learned from them by watching them, by being supported by them, that again, you live what you believe and when you see injustice in the world, you do what you can to address it, whether it's large or whether it's small." Maya K. van Rossum is the founder of Green Amendments For The Generations, a national nonprofit organization dedicated to inspiring passage of Green Amendments in every state constitution across our nation, and also at the federal level when the time is right. She is an environmental attorney, community organizer, and the Delaware Riverkeeper, leading the regional advocacy organization, the Delaware Riverkeeper Network, for over 30 years. The Delaware Riverkeeper Network works throughout the four states of the Delaware River watershed (NY, NJ, PA & DE) and at the national level using advocacy, science and litigation to protect the Delaware River and its tributaries. She is the Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment. https://forthegenerations.org/the-green-amendment/ | |||
| 20 Oct 2022 | Maya van Rossum - Founder of Green Amendments For The Generations - Delaware Riverkeeper | 00:58:33 | |
Maya K. van Rossum is the founder of Green Amendments For The Generations, a national nonprofit organization dedicated to inspiring passage of Green Amendments in every state constitution across our nation, and also at the federal level when the time is right. She is an environmental attorney, community organizer, and the Delaware Riverkeeper, leading the regional advocacy organization, the Delaware Riverkeeper Network, for over 30 years. The Delaware Riverkeeper Network works throughout the four states of the Delaware River watershed (NY, NJ, PA & DE) and at the national level using advocacy, science and litigation to protect the Delaware River and its tributaries. She is the Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment. "So the first thing I learned is that you need to live what you believe. Whether it's environmental justice, social justice, environmental protection, do whatever you can, live your best life to try to advance that good objective goal and belief. We can all do better in our own personal lives. And that's really important. I think the other thing that I learned, my parents did it in a different way than I do it, but they did it every day - when they saw, just like when I see injustice, no matter how large or how small, they spoke up, and they did something about it. When, you know, it came to my opa, he stood up against the Nazis and did not allow them to take his sons to have to work in service to the Nazi movement. And so did my Tante Truus. My great aunt is recognized with saving on the order of 10,000 children, Jewish children, from the Nazis. With my mom, she had so many beliefs in the importance of living a good life. And so she always carried that forward. Even if it was seeing somebody behaving inappropriately in the supermarket, butting in line, or being unkind to the check register person unnecessarily, my mom was always the first to speak up and say, "Hey, don't do that!" And so I just learned from them by watching them, by being supported by them, that again, you live what you believe and when you see injustice in the world, you do what you can to address it, whether it's large or whether it's small." https://forthegenerations.org/the-green-amendment/ | |||
| 21 Oct 2022 | Fury Young - BL Shirelle - Co-Executive Directors of DJC Records | 00:59:30 | |
Fury Young and BL Shirelle are the powerhouse team behind Die Jim Crow Records, the first non-profit record label in United States history for currently and formerly incarcerated musicians. DJC Records’ mission is to dismantle stereotypes around race and prison in America by amplifying the voices of our artists. As a pair, Fury Young and BL Shirelle form a perhaps unlikely, but unstoppable duo. Young is a Jewish New Yorker who has not experienced incarceration. Shirelle is a queer, Black woman from Philadelphia who has been heavily impacted by police violence and incarceration. The two formed an inseparable bond. As friends, musical collaborators and now Co-Executive Directors of Die Jim Crow Records, their leadership and commitment to values of representation, fairness, passion for the cause, and a love for art, are at the core of DJC. "Well, I got the idea in 2013 when I was a wee young 23-year-old activist, and I had been studying history at Los Angeles City College, and I took this class on genocide that had a huge impact on me, and it also coincided, just the timing, with the Occupy Wall Street movement. So then two years later in 2013, I was reading The New Jim Crow by Michelle Alexander, and the book is about how mass incarceration is like a modern-day racial caste system. And I just heavily related to the book. I grew up around some impacted people. I had a mentor who was formerly incarcerated named Alexander, who was actually Muhammad Ali's bodyguard. And I just got the idea to do an album, because I was listening to a lot of concept albums like Pink Floyd, The Wall. And it started from there, just a little seed and a spark of just this idea for this one album. And then over time, it just evolved into an EP, and then a record label and a nonprofit. And here we are." | |||
| 21 Oct 2022 | Highlights - Fury Young - BL Shirelle - Co-Executive Directors of DJC Records | 00:10:18 | |
"Well, I got the idea in 2013 when I was a wee young 23-year-old activist, and I had been studying history at Los Angeles City College, and I took this class on genocide that had a huge impact on me, and it also coincided, just the timing, with the Occupy Wall Street movement. So then two years later in 2013, I was reading The New Jim Crow by Michelle Alexander, and the book is about how mass incarceration is like a modern-day racial caste system. And I just heavily related to the book. I grew up around some impacted people. I had a mentor who was formerly incarcerated named Alexander, who was actually Muhammad Ali's bodyguard. And I just got the idea to do an album, because I was listening to a lot of concept albums like Pink Floyd, The Wall. And it started from there, just a little seed and a spark of just this idea for this one album. And then over time, it just evolved into an EP, and then a record label and a nonprofit. And here we are." Fury Young and BL Shirelle are the powerhouse team behind Die Jim Crow Records, the first non-profit record label in United States history for currently and formerly incarcerated musicians. DJC Records’ mission is to dismantle stereotypes around race and prison in America by amplifying the voices of our artists. As a pair, Fury Young and BL Shirelle form a perhaps unlikely, but unstoppable duo. Young is a Jewish New Yorker who has not experienced incarceration. Shirelle is a queer, Black woman from Philadelphia who has been heavily impacted by police violence and incarceration. The two formed an inseparable bond. As friends, musical collaborators and now Co-Executive Directors of Die Jim Crow Records, their leadership and commitment to values of representation, fairness, passion for the cause, and a love for art, are at the core of DJC. | |||
| 23 Nov 2022 | Highlights - Walter Stahel - Architect, Founding Father of Circular Economy - Founder-Director, Product-Life Institute | 00:18:05 | |
"We have to solve three problems. We have to create a low-waste society through incentives to change individual behavior from consumer to user through loss and waste prevention, and intelligent resource management. We also have to create a low-carbon society by preserving the water, electricity, and CO2 emissions embodied in physical assets or through innovation in green electricity and circular energy. And the third challenge, which is probably the biggest, we have to create a low anthropogenic mass society by preserving these existing stocks of infrastructure, buildings, equipment, vehicles, and objects. The only strategy I know that can fulfill these three challenges is a circular industrial economy. Now the last point, low anthropogenic mass society is simply because some years ago, the rapidly growing anthropogenic mass has become bigger than the world's biomass. And that of course means we are destroying the biomass because we have a limited planet, and we are destroying biodiversity and replacing it with synthetic manmade materials and objects. And this in the long term means we are killing ourselves, so we have to stop producing anthropogenic mass, except in countries that don't yet have sufficient infrastructures for education, health, living, and sufficient food to feed the population." Walter R. Stahel is the Founder-Director of the Product-Life Institute (Switzerland), the oldest established consultancy in Europe devoted to developing sustainable strategies and policies. He is Senior Research Fellow at the Circular Economy Research Centre, Ecole des Ponts Business School and Visiting Professor in the Department of Engineering and Physical Sciences, University of Surrey. He is also a full member of the Club of Rome. He was awarded degrees of Doctor honoris causa by the University of Surrey, l’Université de Montréal, and the 2020 Thornton Medal of the Institute of Materials, Minerals and Mining. He is the author of The Circular Economy: A User’s Guide. www.routledge.com/The-Circular-Economy-A-Users-Guide/Stahel/p/book/9780367200176 Instagram @creativeprocesspodcast | |||
| 15 Nov 2022 | Highlights - Todd Kashdan - APA Award-winning Author of The Art of Insubordination, and Curious? | 00:15:10 | |
"This is the cause that's most near and dear to me, the criminal justice system. And I think there are so many current issues right now to be considering, but one of them is people normally, they're going to reenter society. And so when you have these questions of should people who are incarcerated receive education, particularly be able to get high school degrees and college degrees, and there's actually so much friction and so much disagreement with that. The question is, in terms of the endgame, do you want people to come out who are educated and reenter society and can contribute something? Or do you want people who actually are the same person as when they came in and perhaps actually have a sense of vengeance because they feel that they were unduly and unfairly punished or punished for too long? Or don't know how to reengage with the non-criminal members of society. And I would say, geez, how could you not root for increasing the EQ, the emotional intelligence, increasing the IQ, the analytical intelligence problem-solving ability, of people? So when they come out, and they're faced with the ambiguity of: I have no money, should I go back to the criminal life or go back to the non-criminal life? They would be able to make a good decision. What's the best way of increasing people's problem solving abilities? Reading books, talking about them, and having conversations is the best strategy for adults to increase their intelligence quotient." Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group. www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/ www.creativeprocess.info | |||
| 15 Nov 2022 | Todd Kashdan - Award-winning Author of “The Art of Insubordination: How to Dissent and Defy Effectively” | 00:57:31 | |
Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group. "This is the cause that's most near and dear to me, the criminal justice system. And I think there are so many current issues right now to be considering, but one of them is people normally, they're going to reenter society. And so when you have these questions of should people who are incarcerated receive education, particularly be able to get high school degrees and college degrees, and there's actually so much friction and so much disagreement with that. The question is, in terms of the endgame, do you want people to come out who are educated and reenter society and can contribute something? Or do you want people who actually are the same person as when they came in and perhaps actually have a sense of vengeance because they feel that they were unduly and unfairly punished or punished for too long? Or don't know how to reengage with the non-criminal members of society. And I would say, geez, how could you not root for increasing the EQ, the emotional intelligence, increasing the IQ, the analytical intelligence problem-solving ability, of people? So when they come out, and they're faced with the ambiguity of: I have no money, should I go back to the criminal life or go back to the non-criminal life? They would be able to make a good decision. What's the best way of increasing people's problem solving abilities? Reading books, talking about them, and having conversations is the best strategy for adults to increase their intelligence quotient." www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/ www.creativeprocess.info | |||
| 23 Nov 2022 | Walter Stahel - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life Institute | 00:51:39 | |
Walter R. Stahel is the Founder-Director of the Product-Life Institute (Switzerland), the oldest established consultancy in Europe devoted to developing sustainable strategies and policies. He is Senior Research Fellow at the Circular Economy Research Centre, Ecole des Ponts Business School and Visiting Professor in the Department of Engineering and Physical Sciences, University of Surrey. He is also a full member of the Club of Rome. He was awarded degrees of Doctor honoris causa by the University of Surrey, l’Université de Montréal, and the 2020 Thornton Medal of the Institute of Materials, Minerals and Mining. He is the author of The Circular Economy: A User’s Guide. "We have to solve three problems. We have to create a low-waste society through incentives to change individual behavior from consumer to user through loss and waste prevention, and intelligent resource management. We also have to create a low-carbon society by preserving the water, electricity, and CO2 emissions embodied in physical assets or through innovation in green electricity and circular energy. And the third challenge, which is probably the biggest, we have to create a low anthropogenic mass society by preserving these existing stocks of infrastructure, buildings, equipment, vehicles, and objects. The only strategy I know that can fulfill these three challenges is a circular industrial economy. Now the last point, low anthropogenic mass society is simply because some years ago, the rapidly growing anthropogenic mass has become bigger than the world's biomass. And that of course means we are destroying the biomass because we have a limited planet, and we are destroying biodiversity and replacing it with synthetic manmade materials and objects. And this in the long term means we are killing ourselves, so we have to stop producing anthropogenic mass, except in countries that don't yet have sufficient infrastructures for education, health, living, and sufficient food to feed the population." www.routledge.com/The-Circular-Economy-A-Users-Guide/Stahel/p/book/9780367200176 Instagram @creativeprocesspodcast | |||
| 09 Dec 2022 | Mathis Wackernagel - Founder, President, Global Footprint Network - World Sustainability Award Winner | 00:44:45 | |
Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures. "If you can live with fewer resources, then you feel more safe. So we are talking more about resource security rather than reducing your demand, which is the same thing, but it comes with a twist. If we talk about you've got to reduce your demand, it generates resentment in society because if I put an effort into showering less or with cold water or not going somewhere, and I see my neighbor still doing it, I feel resentful about that neighbor. So it generates resentment in society. It's because you think I gave myself up for humanity and you didn't. Then it's unfair, you know? But if you think from a perspective of resource security, and you learn how to live not by depending on that many resources, you feel safe for yourself. And if your neighbor is not able to do it and still depends on all of the resources, you can feel empathy for the neighbor. Oh my god, my neighbor is really exposed. And so it's so by empathy, it's kind of a more stable mechanism. So I think we have to find ways to build empathy for saying, Wow, it's really about preparing ourselves. Like with COVID, if you protect yourself, that's good for society as well. And so that's kind of a win-win that we want to develop. Big shifts are needed if you want to be able to operate in the future. So it is very serious. I think in the end, only things we want to do will happen. So I think the best thing to get on that track is to. In our own speech, ban the word should because as soon as we say should, we indicate it's not going to happen, and we lose agency." www.footprintnetwork.org/tools www.overshootday.org/power-of-possibility/ www.creativeprocess.info Instagram @creativeprocesspodcast | |||
| 09 Dec 2022 | Highlights - Mathis Wackernagel - Founder, Pres., Global Footprint Network - World Sustainability Award Winner | 00:13:28 | |
"If you can live with fewer resources, then you feel more safe. So we are talking more about resource security rather than reducing your demand, which is the same thing, but it comes with a twist. If we talk about you've got to reduce your demand, it generates resentment in society because if I put an effort into showering less or with cold water or not going somewhere, and I see my neighbor still doing it, I feel resentful about that neighbor. So it generates resentment in society. It's because you think I gave myself up for humanity and you didn't. Then it's unfair, you know? But if you think from a perspective of resource security, and you learn how to live not by depending on that many resources, you feel safe for yourself. And if your neighbor is not able to do it and still depends on all of the resources, you can feel empathy for the neighbor. Oh my god, my neighbor is really exposed. And so it's so by empathy, it's kind of a more stable mechanism. So I think we have to find ways to build empathy for saying, Wow, it's really about preparing ourselves. Like with COVID, if you protect yourself, that's good for society as well. And so that's kind of a win-win that we want to develop. Big shifts are needed if you want to be able to operate in the future. So it is very serious. I think in the end, only things we want to do will happen. So I think the best thing to get on that track is to. In our own speech, ban the word should because as soon as we say should, we indicate it's not going to happen, and we lose agency." Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures. www.footprintnetwork.org/tools www.overshootday.org/power-of-possibility/ www.creativeprocess.info Instagram @creativeprocesspodcast | |||
| 17 Dec 2022 | Nina Hall - Author of “Transnational Advocacy in the Digital Era: Think Global, Act Local” | 00:44:52 | |
Nina Hall is an Assistant Professor in International Relations at Johns Hopkins School of Advanced International Studies (Europe). She previously worked as a Lecturer at the Hertie School of Governance, where she published her first book Displacement, Development, and Climate Change: International Organizations Moving Beyond their Mandates? Her latest book is Transnational Advocacy in the Digital Era: Think Global, Act Local. She holds a DPhil in International Relations from the University of Oxford and is the co-founder of an independent and progressive think tank, New Zealand Alternative. She has been a Senior Fellow at the Weizenbaum Institute (the German Internet Institute) and a Faculty Affiliate at the SNF Agora Institute, Johns Hopkins University. "Climate activists also successfully reframed debates on loss and damage as a justice issue, and lobbied alongside vulnerable states for it to be a separate article of the Paris Agreement. NGO advocacy may lead to the closure of coal plants or mines. However, scholars continue to debate how, when, and why, transnational environmental advocacy has an impact. After all, there are many different ways to understand their influence, including mobilizing people; gaining media coverage; shaping societal attitudes; changing policy outcomes; or influencing the target." https://ninahall.net | |||
| 17 Dec 2022 | Highlights - Nina Hall - Author of “Transnational Advocacy in the Digital Era” | 00:13:20 | |
"Climate activists also successfully reframed debates on loss and damage as a justice issue, and lobbied alongside vulnerable states for it to be a separate article of the Paris Agreement. NGO advocacy may lead to the closure of coal plants or mines. However, scholars continue to debate how, when, and why, transnational environmental advocacy has an impact. After all, there are many different ways to understand their influence, including mobilizing people; gaining media coverage; shaping societal attitudes; changing policy outcomes; or influencing the target." Nina Hall is an Assistant Professor in International Relations at Johns Hopkins School of Advanced International Studies (Europe). She previously worked as a Lecturer at the Hertie School of Governance, where she published her first book Displacement, Development, and Climate Change: International Organizations Moving Beyond their Mandates? Her latest book is Transnational Advocacy in the Digital Era: Think Global, Act Local. She holds a DPhil in International Relations from the University of Oxford and is the co-founder of an independent and progressive think tank, New Zealand Alternative. She has been a Senior Fellow at the Weizenbaum Institute (the German Internet Institute) and a Faculty Affiliate at the SNF Agora Institute, Johns Hopkins University. https://ninahall.net | |||
| 19 Dec 2022 | Highlights - Abby Ajayi - Creator of “Riches” - Writer/Producer “Inventing Anna” “The First Lady” | 00:13:36 | |
"I think Riches has all the hallmarks of the things I've worked on before in terms of complex, slightly subversive women. At the heart of it, it is negotiating power dynamics. And at the heart of it, there are two very complex and yet vulnerable black women, but I've always loved family drama shows and particularly family businesses, whether it's fictional ones or in real life. I think whether you're talking about the Hiltons, the Kardashians, or the Royal Family, the dynamics of how, where power and money and blood merge is just such a potent and combustible mix that I've always been intrigued by them. I watched them growing up, whether it was Dallas or Dynasty or Six Feet Under, so it was a space which I was really interested in, and wanted to write a black family business show. Myself and my producers, they knew my interest, and we talked around what would a black British business be, and they were interested in cosmetics, which I thought was a really good start because obviously, that's incredibly visual, but for me, hair was the piece that kind of tied it all together. A hair and cosmetics business because black hair is often so politicized, and it's such a way in which black people are sometimes policed in terms of having dreadlocks, having relaxed hair, whether they wear wigs. So it was a way in which we would have a glamorous visual for a show and an entertaining world that's aspirational, but still have a layer in which we get to tell substantive issues about black beauty, about black ownership, about how the spoils from a very lucrative industry often don't go back into the black community. So that's why I was interested in that. It could be glamorous and fun but also have slightly more in-depth issues to talk about as well." Abby Ajayi is a British Nigerian writer and director who serves as a show creator, executive producer, and writer on the Amazon Series Riches, which is currently on Amazon Prime and premiers on ITVX in the UK on December 22. She has previously worked on the shows Four Weddings and a Funeral, How to Get Away with Murder, Inventing Anna, The First Lady, and Eastenders. As a result, she had the opportunity to learn under the likes of Shonda Rhimes, Pete Nowalk, and Tracey Wigfield. Abby’s next project is the Onyx Collective on Hulu’s limited series The Plot with Mahershala Ali. She is adapting the eight-episode series from Jean Hanff Korelitz’s novel of the same name. www.amazon.com/Riches-Season-1/dp/B0B8MTCYVM www.creativeprocess.info | |||
| 19 Dec 2022 | Abby Ajayi - Creator of “Riches” - Writer/Producer “Inventing Anna” “The First Lady” | 00:44:15 | |
Abby Ajayi is a British Nigerian writer and director who serves as a show creator, executive producer, and writer on the Amazon Series Riches, which is currently on Amazon Prime and premiers on ITVX in the UK on December 22. She has previously worked on the shows Four Weddings and a Funeral, How to Get Away with Murder, Inventing Anna, The First Lady, and Eastenders. As a result, she had the opportunity to learn under the likes of Shonda Rhimes, Pete Nowalk, and Tracey Wigfield. Abby’s next project is the Onyx Collective on Hulu’s limited series The Plot with Mahershala Ali. She is adapting the eight-episode series from Jean Hanff Korelitz’s novel of the same name. "I think Riches has all the hallmarks of the things I've worked on before in terms of complex, slightly subversive women. At the heart of it, it is negotiating power dynamics. And at the heart of it, there are two very complex and yet vulnerable black women, but I've always loved family drama shows and particularly family businesses, whether it's fictional ones or in real life. I think whether you're talking about the Hiltons, the Kardashians, or the Royal Family, the dynamics of how, where power and money and blood merge is just such a potent and combustible mix that I've always been intrigued by them. I watched them growing up, whether it was Dallas or Dynasty or Six Feet Under, so it was a space which I was really interested in, and wanted to write a black family business show. Myself and my producers, they knew my interest, and we talked around what would a black British business be, and they were interested in cosmetics, which I thought was a really good start because obviously, that's incredibly visual, but for me, hair was the piece that kind of tied it all together. A hair and cosmetics business because black hair is often so politicized, and it's such a way in which black people are sometimes policed in terms of having dreadlocks, having relaxed hair, whether they wear wigs. So it was a way in which we would have a glamorous visual for a show and an entertaining world that's aspirational, but still have a layer in which we get to tell substantive issues about black beauty, about black ownership, about how the spoils from a very lucrative industry often don't go back into the black community. So that's why I was interested in that. It could be glamorous and fun but also have slightly more in-depth issues to talk about as well." www.amazon.com/Riches-Season-1/dp/B0B8MTCYVM www.creativeprocess.info | |||
| 25 Dec 2022 | Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door” | 00:47:26 | |
Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. "I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there. There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends." www.etgarkeret.com www.creativeprocess.info | |||
| 25 Dec 2022 | Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years” | 00:14:36 | |
"I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there. There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends." www.etgarkeret.com www.creativeprocess.info | |||
| 07 Jan 2023 | Joëlle Gergis - Lead Author - IPCC Sixth Assessment Report - Author of “Humanity’s Moment” | 00:47:11 | |
Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua. “I guess removing the social license for the continued destruction of our planet has to shift. And this is where these social movements become really inspiring to think about it because it always just takes a small group of really committed people to shift a social norm. And I quote some research in the book, which basically says you only need about 25% of a population to shift a norm, and then the rest of the population goes with those progressive elements. So right now we're in this moment where we're basically saying No More Fossil Fuels. We are cooking the planet. This is what the world's scientific community - that's what we are saying. We're cooking the planet. We must stop. And I guess the challenge here is to get enough people from all over the world, from all different parts of society, not just the scientific community, because we're only just a very, very small fraction people that make up our communities, but we need to mobilize people in a huge way to vote for our politicians at every level. From the local to the federal level who are going to reflect our values around shifting to a sustainable future, and choosing to leave a legacy, which is more one of care and repair rather than just complete destruction. And we owe it to the young people. There's a chapter in my book where I talk about intergenerational damage. I don't think it's fair to leave this burden on the shoulders of young people. We have to take that responsibility here and now for all of us in positions where we do have political power or economic power through the way we consume. We have to do what we can. It's really up to decision-makers and the people in power because they're really doing that to put pressure on our decision-makers. And I guess that's really where the rest of the community can play a role in that. And that's where I think it's quite exciting because that's how all social movements happen. That's how you get political." http://joellegergis.com www.creativeprocess.info | |||
| 07 Jan 2023 | Highlights - Joëlle Gergis - Lead Author - IPCC Sixth Assessment Report - Author of “Humanity’s Moment” | 00:10:13 | |
“I guess removing the social license for the continued destruction of our planet has to shift. And this is where these social movements become really inspiring to think about it because it always just takes a small group of really committed people to shift a social norm. And I quote some research in the book, which basically says you only need about 25% of a population to shift a norm, and then the rest of the population goes with those progressive elements. So right now we're in this moment where we're basically saying No More Fossil Fuels. We are cooking the planet. This is what the world's scientific community - that's what we are saying. We're cooking the planet. We must stop. And I guess the challenge here is to get enough people from all over the world, from all different parts of society, not just the scientific community, because we're only just a very, very small fraction people that make up our communities, but we need to mobilize people in a huge way to vote for our politicians at every level. From the local to the federal level who are going to reflect our values around shifting to a sustainable future, and choosing to leave a legacy, which is more one of care and repair rather than just complete destruction. And we owe it to the young people. There's a chapter in my book where I talk about intergenerational damage. I don't think it's fair to leave this burden on the shoulders of young people. We have to take that responsibility here and now for all of us in positions where we do have political power or economic power through the way we consume. We have to do what we can. It's really up to decision-makers and the people in power because they're really doing that to put pressure on our decision-makers. And I guess that's really where the rest of the community can play a role in that. And that's where I think it's quite exciting because that's how all social movements happen. That's how you get political." Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua. http://joellegergis.com www.creativeprocess.info | |||
| 12 Jan 2023 | Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias” | 00:41:43 | |
Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives. "I think what we really wanted to do with this show with mental health, with self-harm, anxiety, depression, eating disorders, we wanted to show really grounded representations of a deaf family, like 'we are just are there.' It's just they do American Sign Language. They just sign to each other. We're just there. So that was always our goal is to try to be as grounded and as authentic as possible. And I think where teens and even adults are, it's through the lens. We're talking a lot more about mental health out, on social media, out in the world, how important it is. We've all just lived through a global pandemic, and I think it's really important to show grounded representations of people on screen. Diversity. These are all things that people really...it makes them feel a part of, and it's something that's so important. I think we showed that in season one with Abby with her parents going through a divorce. Everything seems great on the outside, but then when you open the door and get on the inside - struggling. Everyone's fighting a battle that you really can't see. It's like the theme always - you open the door, you pull back the curtain, and there's always something behind there. Always. And that's just the grounded representation that we really wanted to show with Ginny & Georgia." "We really want to highlight - one of the things we talked about in season one - these systems, these establishments in place that, keep people down, things like that. What Georgia's had to go through and overcome with abuse, sexual abuse, things like that. So there is a gray area for people growing up in certain ways and capacities. " www.instagram.com/debrajfisher www.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-date www.creativeprocess.info | |||
| 12 Jan 2023 | Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias” | 00:12:47 | |
"I think what we really wanted to do with this show with mental health, with self-harm, anxiety, depression, eating disorders, we wanted to show really grounded representations of a deaf family, like 'we are just are there.' It's just they do American Sign Language. They just sign to each other. We're just there. So that was always our goal is to try to be as grounded and as authentic as possible. And I think where teens and even adults are, it's through the lens. We're talking a lot more about mental health out, on social media, out in the world, how important it is. We've all just lived through a global pandemic, and I think it's really important to show grounded representations of people on screen. Diversity. These are all things that people really...it makes them feel a part of, and it's something that's so important. I think we showed that in season one with Abby with her parents going through a divorce. Everything seems great on the outside, but then when you open the door and get on the inside - struggling. Everyone's fighting a battle that you really can't see. It's like the theme always - you open the door, you pull back the curtain, and there's always something behind there. Always. And that's just the grounded representation that we really wanted to show with Ginny & Georgia." "We really want to highlight - one of the things we talked about in season one - these systems, these establishments in place that, keep people down, things like that. What Georgia's had to go through and overcome with abuse, sexual abuse, things like that. So there is a gray area for people growing up in certain ways and capacities. " Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives. www.instagram.com/debrajfisher www.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-date www.creativeprocess.info | |||
| 18 Jan 2023 | Max Stossel - Award-winning Poet, Filmmaker, Creator of "Words That Move" | 00:50:57 | |
Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests. "I've felt when two boxers get too close to hit each other / they hug each other, and not because they love each other / because when two people get too close / it becomes too hard to strike each other hard / not to smell the humanity on one another. It's confusing to see our reflection in our enemy's eyes / helps us start to recognize where our actions might be misaligned / with the identities that we've defined. That was one where, as I started writing it, it's fun to be in an analogy, working through a phrase, unraveling and discovering all the new details of truth inside of a metaphor. And that really felt like one of them. There's nothing else to do but hug, we're like right here in the fight. And I just felt poignant for where, certainly where America was at. And I think a lot of the world is really going through, partially because of social media, these very big polarizations of political perspective. And it being harder and harder to just see the humanity in each other." www.humanetech.com www.creativeprocess.info | |||
| 18 Jan 2023 | Highlights - Max Stossel - Award-winning Poet, Filmmaker, Creator of "Words That Move" | 00:10:45 | |
"I've felt when two boxers get too close to hit each other / they hug each other, and not because they love each other / because when two people get too close / it becomes too hard to strike each other hard / not to smell the humanity on one another. It's confusing to see our reflection in our enemy's eyes / helps us start to recognize where our actions might be misaligned / with the identities that we've defined. That was one where, as I started writing it, it's fun to be in an analogy, working through a phrase, unraveling and discovering all the new details of truth inside of a metaphor. And that really felt like one of them. There's nothing else to do but hug, we're like right here in the fight. And I just felt poignant for where, certainly where America was at. And I think a lot of the world is really going through, partially because of social media, these very big polarizations of political perspective. And it being harder and harder to just see the humanity in each other." Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests. www.humanetech.com www.creativeprocess.info | |||
| 27 Jan 2023 | Robert Sternberg - Award-winning Educator - Author of “Adaptive Intelligence” - Fmr. President, American Psychological Assoc. | 00:51:16 | |
Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty. “Now, we didn't purposely say let's create a diverse group, but the group is really diverse. And I find that to be enormously advantageous because it's not superficial diversity. What color is your skin? What ethnic group are you a member of? It's diversity of different cultures and different belief systems and then trying to find ideas that reflect the combination of our cultural upbringings. I think too much about diversity in the United States has become extremely superficial. The most important aspect is that people think differently, not just, you could have two people who are white who think more differently, or two people who are black, who think more differently than one who is white and one who is black. What's important is the intercultural interchange rather than just checkoffs of what ethnic group you are. What race you are. What sex you are. What gender you are. I think the biggest problem today isn't individualism but tribalism. At least in our country, it's become extremely tribal. And you've got these almost two warring factions who view each other with disdain. Sometimes almost it seems like hate, but, you know, contempt disguised that doesn't point to a positive future. You can't live that way. You just can't go on that way and keep a country intact. And we're not, the United States, isn't keeping the country intact.” www.creativeprocess.info | |||
| 27 Jan 2023 | Highlights - Robert Sternberg - Fmr. President, American Psychological Assoc. - Author of “Adaptive Intelligence” | 00:13:06 | |
“Now, we didn't purposely say let's create a diverse group, but the group is really diverse. And I find that to be enormously advantageous because it's not superficial diversity. What color is your skin? What ethnic group are you a member of? It's diversity of different cultures and different belief systems and then trying to find ideas that reflect the combination of our cultural upbringings. I think too much about diversity in the United States has become extremely superficial. The most important aspect is that people think differently, not just, you could have two people who are white who think more differently, or two people who are black, who think more differently than one who is white and one who is black. What's important is the intercultural interchange rather than just checkoffs of what ethnic group you are. What race you are. What sex you are. What gender you are. I think the biggest problem today isn't individualism but tribalism. At least in our country, it's become extremely tribal. And you've got these almost two warring factions who view each other with disdain. Sometimes almost it seems like hate, but, you know, contempt disguised that doesn't point to a positive future. You can't live that way. You just can't go on that way and keep a country intact. And we're not, the United States, isn't keeping the country intact.” Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty. www.creativeprocess.info | |||
| 22 Feb 2023 | BRUCE EVAN BARNHART - Author of “Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture” | 00:52:47 | |
Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics. "The interesting text is Quicksand, right? Because it shows a couple of engagements with jazz, and there's a certain point in which the protagonist of Quicksand dances to music in a cabaret, and it's described as 'jungle music'. So we would think of Duke Ellington's Jungle Music Band of the 1920s, and we would also notice the kind of reactionary, racial ideas that go with labeling something as from the jungle. And so there's a way in which jazz is trying to be America's responding to jazz by containing it, thinking of it as something kind of primitive. But this is something that's codified or themetized in Nella Larsen's novel. The protagonist goes in here, and one, she's like the music drives her with a certain kind of intensity, something like ecstasy that's really unparalleled throughout the rest of the novel. And so it's exciting, and it moves her in a certain way, but she knows that if she becomes part of this 'jungle music', she'll be figured as a certain kind of woman. And so there are all sorts of racial assumptions, including primitivism that work to kind of limit recognition of its sophistication and its brilliance and its importance." www.hf.uio.no/ilos/english/people/aca/bruceb https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/ www.creativeprocess.info | |||
| 22 Feb 2023 | Highlights - BRUCE EVAN BARNHART - Author of “Jazz in the Time of the Novel”, “Temporal Experiments” | 00:11:03 | |
"The interesting text is Quicksand, right? Because it shows a couple of engagements with jazz, and there's a certain point in which the protagonist of Quicksand dances to music in a cabaret, and it's described as 'jungle music'. So we would think of Duke Ellington's Jungle Music Band of the 1920s, and we would also notice the kind of reactionary, racial ideas that go with labeling something as from the jungle. And so there's a way in which jazz is trying to be America's responding to jazz by containing it, thinking of it as something kind of primitive. But this is something that's codified or themetized in Nella Larsen's novel. The protagonist goes in here, and one, she's like the music drives her with a certain kind of intensity, something like ecstasy that's really unparalleled throughout the rest of the novel. And so it's exciting, and it moves her in a certain way, but she knows that if she becomes part of this 'jungle music', she'll be figured as a certain kind of woman. And so there are all sorts of racial assumptions, including primitivism that work to kind of limit recognition of its sophistication and its brilliance and its importance." Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics. www.hf.uio.no/ilos/english/people/aca/bruceb https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/ www.creativeprocess.info | |||
| 03 Mar 2023 | SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Prof. Env. Change & Public Health | 00:46:04 | |
Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022. “So in many cities, it's certainly true in many US cities, the poorer neighborhoods are much less likely to have green space, and they're much more likely to suffer exposure to extreme heat. So one issue is redesigning cities to withstand these climatic shocks, reducing the inequities in the prospects for living that many people have. And thinking about how to minimize the potential impact of climate change by increasing inequities, which could happen unless we forestall that. So that's one issue. The other is how we recreate the transport systems. Now in many industrialized countries, of course, we depend very much on the private car, and that leads to congestion, traffic, traffic injuries, and deaths on a global scale, about 1.3 million people a year die of traffic injuries. I won't call them accidents because I think many of them can actually be can be factored out with appropriate policies. So we need to think about win-win policies, which will make cities more pleasant places to live and reduce their environmental footprint. And one of the approaches, of course, is by creating more active opportunities for active travel, walking and cycling, safer walking, and cycling, but also better public transport systems. So reducing our dependence on a private car and then emphasizing more when we do need to use a car. Shared ownership, for example, is one option. So a number of things can be done. But of course, in order to change people's travel patterns, you need to make active travel, and public transport, both affordable, safe, and pleasant. And, and that's, I think a challenge for urban planners that we need to focus much more on that. And also, this has led to the rise of the concept of the 15-minute city, in which basically all basic services are within 15 minutes walking or cycling.” https://tylerprize.org www.creativeprocess.info | |||
| 03 Mar 2023 | Highlights - SIR ANDY HAINES - Tyler Prize Award-winner - Fmr. Chair of WHO World Health Report - Chair InterAcademy Partnership | 00:12:12 | |
“So in many cities, it's certainly true in many US cities, the poorer neighborhoods are much less likely to have green space, and they're much more likely to suffer exposure to extreme heat. So one issue is redesigning cities to withstand these climatic shocks, reducing the inequities in the prospects for living that many people have. And thinking about how to minimize the potential impact of climate change by increasing inequities, which could happen unless we forestall that. So that's one issue. The other is how we recreate the transport systems. Now in many industrialized countries, of course, we depend very much on the private car, and that leads to congestion, traffic, traffic injuries, and deaths on a global scale, about 1.3 million people a year die of traffic injuries. I won't call them accidents because I think many of them can actually be can be factored out with appropriate policies. So we need to think about win-win policies, which will make cities more pleasant places to live and reduce their environmental footprint. And one of the approaches, of course, is by creating more active opportunities for active travel, walking and cycling, safer walking, and cycling, but also better public transport systems. So reducing our dependence on a private car and then emphasizing more when we do need to use a car. Shared ownership, for example, is one option. So a number of things can be done. But of course, in order to change people's travel patterns, you need to make active travel, and public transport, both affordable, safe, and pleasant. And, and that's, I think a challenge for urban planners that we need to focus much more on that. And also, this has led to the rise of the concept of the 15-minute city, in which basically all basic services are within 15 minutes walking or cycling.” Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022. https://tylerprize.org www.creativeprocess.info | |||
| 03 Mar 2023 | TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion” - Freelance Fashion & Beauty Writer Award Winner | 00:39:58 | |
Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull. “I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways. I'm like sat here in London and, you know, there's a reason why British brands go to India, Bangladesh, Pakistan, following the same colonial trade routes. It's also a system very much based on really unfair debt and a total lack of debt justice whereby Global South economies are having to earn foreign capital by opening themselves up to these export industries, whether that's cotton or coffee or garments. 80% of everything that Bangladesh exports are garments. It is a ludicrous position for an economy to be in. And it's very deliberate exploitation as well. Brands make these sourcing decisions very, very deliberately. They go where they think that workers' rights will be suppressed and environmental legislation will be suppressed. And if anything does happen that the government will step in and do the suppressing and just give them a sort of carte blanche to do whatever they want. So at the moment, it's very difficult to point at any part of the fashion industry and go, that's not exploitative. You know, that's exploiting the land, that's exploiting these people, that's based on fossil fuels. Those toxic dyes are going into the river. It's a deeply exploitative, industry.” www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/ www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/ www.creativeprocess.info Photo credit: Sarah Van Looy | |||
| 03 Mar 2023 | Highlights - TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion”, “Foot Work”, “Stitched Up” | 00:10:47 | |
“I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways. I'm like sat here in London and, you know, there's a reason why British brands go to India, Bangladesh, Pakistan, following the same colonial trade routes. It's also a system very much based on really unfair debt and a total lack of debt justice whereby Global South economies are having to earn foreign capital by opening themselves up to these export industries, whether that's cotton or coffee or garments. 80% of everything that Bangladesh exports are garments. It is a ludicrous position for an economy to be in. And it's very deliberate exploitation as well. Brands make these sourcing decisions very, very deliberately. They go where they think that workers' rights will be suppressed and environmental legislation will be suppressed. And if anything does happen that the government will step in and do the suppressing and just give them a sort of carte blanche to do whatever they want. So at the moment, it's very difficult to point at any part of the fashion industry and go, that's not exploitative. You know, that's exploiting the land, that's exploiting these people, that's based on fossil fuels. Those toxic dyes are going into the river. It's a deeply exploitative, industry.” Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull. www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/ www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/ www.creativeprocess.info | |||
| 09 Mar 2023 | MAGGIE GROUT - Founder & CEO of Thinking Huts tackling Global Education Crisis with 3D Printing | 00:26:24 | |
Maggie Grout is the founder and CEO of Thinking Huts, an international NGO that increases global access to education with innovative, humanitarian-driven technology solutions. Founded by Maggie 8 years ago, when she was15, Thinking Huts seeks to empower young people, especially girls, to achieve more opportunities by obtaining an education. Grout gave a TEDx talk in 2021 on “how we can tackle the global education crisis with 3D printing.” Grout was born in a rural village in China and adopted at a young age, but where she came from largely shaped her outlook on life and subliminally led her to start Thinking Huts in 2015. Growing up in London and Colorado, Grout was exposed to the melting pot of cultures in British and American society, but she often wondered why so many people were unaware of how others lived an ocean away. She understood what poverty looks like firsthand and how education empowers people to attain greater opportunities. “I definitely observed that in university where you see maybe multiple choice tests rather than critical thinking usage. You're exactly right. In developing countries such as Madagascar, it's a matter of not even having the basic education skills like literacy and mathematics to then be able to advance beyond their village of origin to pursue greater opportunities. So I would say, in the US people are more focused on grades and standardized test scores, and then how much money they could make after graduation. At least from my experience going to university, I was a business major, so a lot of people wanted to go into banking, venture capital, and those type of consulting jobs where they would be guaranteed a stable income. Whereas, in Madagascar, they're just really wanting to learn English and how they can go to higher education, oftentimes in France or other European countries.” www.creativeprocess.info | |||
| 09 Mar 2023 | Highlights - MAGGIE GROUT - Founder & CEO of Thinking Huts tackling Global Education Crisis with 3D Printing | 00:07:43 | |
“I definitely observed that in university where you see maybe multiple choice tests rather than critical thinking usage. You're exactly right. In developing countries such as Madagascar, it's a matter of not even having the basic education skills like literacy and mathematics to then be able to advance beyond their village of origin to pursue greater opportunities. So I would say, in the US people are more focused on grades and standardized test scores, and then how much money they could make after graduation. At least from my experience going to university, I was a business major, so a lot of people wanted to go into banking, venture capital, and those type of consulting jobs where they would be guaranteed a stable income. Whereas, in Madagascar, they're just really wanting to learn English and how they can go to higher education, oftentimes in France or other European countries.” Maggie Grout is the founder and CEO of Thinking Huts, an international NGO that increases global access to education with innovative, humanitarian-driven technology solutions. Founded by Maggie 8 years ago, when she was15, Thinking Huts seeks to empower young people, especially girls, to achieve more opportunities by obtaining an education. Grout gave a TEDx talk in 2021 on “how we can tackle the global education crisis with 3D printing.” Grout was born in a rural village in China and adopted at a young age, but where she came from largely shaped her outlook on life and subliminally led her to start Thinking Huts in 2015. Growing up in London and Colorado, Grout was exposed to the melting pot of cultures in British and American society, but she often wondered why so many people were unaware of how others lived an ocean away. She understood what poverty looks like firsthand and how education empowers people to attain greater opportunities. www.creativeprocess.info | |||
| 10 Mar 2023 | JOY GORMAN WETTELS - Exec. Producer “UnPrisoned” starring Kerry Washington, “13 Reasons Why”, Founder of Joy Coalition | 00:48:15 | |
Joy Gorman Wettels is the founder of Joy Coalition, an impact producing venture with a focus on creating purpose-driven film and television content for a global audience. She executive-produced the newly-released UnPrisoned, and is currently working on a multi-part storytelling ecosystem inspired by landmark civil rights documentary Eyes on the Prize. Her body of work includes, notably, the critically acclaimed series Home Before Dark, the influential 13 Reasons Why, created by Pulitzer and Tony Award-winning playwright Brian Yorkey and directed by Oscar-winner Tom McCarthy (Spotlight). Other works include The Meddler, named Vanity Fair's #1 film of 2016, and the forthcoming adaptation of Little House on the Prairie. She serves on the Advisory Council for UCLA’s Center for Scholars and Storytellers and the Advisory Board for Hollywood, Health and Society at USC. As part of their commitment to social change, Joy Coalition works in collaboration with the Office of the Surgeon General in response to the youth mental health crisis. She’s accepted a Sentinel Award, Television Academy Honors for advancing social change, and the 2018 Mental Health America Media Award. “And you see these kids who are put away at 12 and 13 years old. I mean, what is the path for that child, rejected by your family, rejected by your community? There's so little hope there. And so I became drawn to stories of hope of men who were in that situation. My friend Chris Wilson, I helped him sell a book called The Master Plan. He was put away for murder when he was 16 years old. And he was in prison for life, and he wrote a bucket list. He wrote a master plan when he was 18 about what he was going to try to achieve. And he was one of those exceptional stories. And he's now a really successful artist and entrepreneur who spends most of his time giving back to the community and hiring other reentering citizens. Our friend Louis Reed, who consulted on Delroy Lindo's character, Louis is a senior director for Van Jones' Dream Corps, and he was 15 years incarcerated. And I see these people who had made one mistake, and usually it was to survive in whatever situation they were born into. And the folks who are these exceptional stories, who turn it around in such an unbelievable way that they can then coach and help 650,000 other people. With Louis, our consultant who helped Delroy with his character, he has worked on so much policy change with Van Jones with Cut50 and Reform Alliance, and you can't even quantify the amount of work that still needs to be done. But that has been done by the gentlemen who survived the system and devoted themselves to redemption and giving back to the community.” www.joycoalition.com www.creativeprocess.info | |||
| 10 Mar 2023 | Highlights - JOY GORMAN WETTELS - Exec. Producer “UnPrisoned”, “13 Reasons Why”, "Home Before Dark”, “Eyes on the Prize: Hallowed Ground” | 00:11:16 | |
“And you see these kids who are put away at 12 and 13 years old. I mean, what is the path for that child, rejected by your family, rejected by your community? There's so little hope there. And so I became drawn to stories of hope of men who were in that situation. My friend Chris Wilson, I helped him sell a book called The Master Plan. He was put away for murder when he was 16 years old. And he was in prison for life, and he wrote a bucket list. He wrote a master plan when he was 18 about what he was going to try to achieve. And he was one of those exceptional stories. And he's now a really successful artist and entrepreneur who spends most of his time giving back to the community and hiring other reentering citizens. Our friend Louis Reed, who consulted on Delroy Lindo's character, Louis is a senior director for Van Jones' Dream Corps, and he was 15 years incarcerated. And I see these people who had made one mistake, and usually it was to survive in whatever situation they were born into. And the folks who are these exceptional stories, who turn it around in such an unbelievable way that they can then coach and help 650,000 other people. With Louis, our consultant who helped Delroy with his character, he has worked on so much policy change with Van Jones with Cut50 and Reform Alliance, and you can't even quantify the amount of work that still needs to be done. But that has been done by the gentlemen who survived the system and devoted themselves to redemption and giving back to the community.” Joy Gorman Wettels is the founder of Joy Coalition, an impact producing venture with a focus on creating purpose-driven film and television content for a global audience. She executive-produced the newly-released UnPrisoned, and is currently working on a multi-part storytelling ecosystem inspired by landmark civil rights documentary Eyes on the Prize. Her body of work includes, notably, the critically acclaimed series Home Before Dark, the influential 13 Reasons Why, created by Pulitzer and Tony Award-winning playwright Brian Yorkey and directed by Oscar-winner Tom McCarthy (Spotlight). Other works include The Meddler, named Vanity Fair's #1 film of 2016, and the forthcoming adaptation of Little House on the Prairie. She serves on the Advisory Council for UCLA’s Center for Scholars and Storytellers and the Advisory Board for Hollywood, Health and Society at USC. As part of their commitment to social change, Joy Coalition works in collaboration with the Office of the Surgeon General in response to the youth mental health crisis. She’s accepted a Sentinel Award, Television Academy Honors for advancing social change, and the 2018 Mental Health America Media Award. www.joycoalition.com www.creativeprocess.info | |||
| 16 Mar 2023 | HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts | 00:42:32 | |
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers. “We're living between past and future. And we're kind of on a tightrope. And there are forces that are trying to knock us off our precarious balance. And we need to somehow see the future and remember the past in the same breath and hope that we can have the stability to chart a path that's going forward.” www.creativeprocess.info | |||
| 16 Mar 2023 | Highlights - HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts | 00:12:45 | |
“We're living between past and future. And we're kind of on a tightrope. And there are forces that are trying to knock us off our precarious balance. And we need to somehow see the future and remember the past in the same breath and hope that we can have the stability to chart a path that's going forward.” Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers. www.creativeprocess.info | |||
| 18 Mar 2023 | AMANDA E. MACHADO - Writer, Public Speaker, Facilitator - Founder of Reclaiming Nature Writing | 00:39:29 | |
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues. “So I do workshops on what in the industry called Diversity, Equity & Inclusion. Although I have a lot of issues about those terms, but essentially I do workshops that create spaces where folks can talk about issues of white supremacy and basically any oppression, homophobia, gender roles, things that we now call diversity, equity, and inclusion, but I like to think of as issues that are actually affecting us so much deeper than that. I think a lot of times when people seek me out to book one of those workshops, it's because they think that they want to help their company become more diverse or help their company become more inclusive. And I guess what I'm realizing is that the issue with that framework is that it actually makes us only think about how we're helping others and not really thinking about the impact that these issues are actually having on ourselves. And what I have noticed in these workshops is that the people who do the deepest work on this and actually create the biggest changes and make the best impact are people that are wanting to learn about oppression and white supremacy and all these systems. Not just to help others and not just to make their company more diverse or more inclusive, but also because they're realizing that these systems are also making them feel less free, even at the same time that they might be benefiting from it, right? And at the same time they're noticing that even with that privilege, something about this system still does not feel good and does not feel right. That dismantling that system would not only help the people who are not benefiting from it but would also help themselves and would also free themselves. I try to teach people about how these systems work and how imbalanced power systems affect not only the people with the least amount of power but also the people with the most amount of power and how everybody is suffering under that system. And how dismantling the system, changing the system, and finding a different way to live without those imbalances in power ultimately makes everybody feel free.” IG www.instagram.com/amandaemachado0 www.creativeprocess.info | |||
| 18 Mar 2023 | Highlights - Amanda E. Machado - Writer, Public Speaker - Founder of Reclaiming Nature Writing | 00:10:27 | |
“So I do workshops on what in the industry called Diversity, Equity & Inclusion. Although I have a lot of issues about those terms, but essentially I do workshops that create spaces where folks can talk about issues of white supremacy and basically any oppression, homophobia, gender roles, things that we now call diversity, equity, and inclusion, but I like to think of as issues that are actually affecting us so much deeper than that. I think a lot of times when people seek me out to book one of those workshops, it's because they think that they want to help their company become more diverse or help their company become more inclusive. And I guess what I'm realizing is that the issue with that framework is that it actually makes us only think about how we're helping others and not really thinking about the impact that these issues are actually having on ourselves. And what I have noticed in these workshops is that the people who do the deepest work on this and actually create the biggest changes and make the best impact are people that are wanting to learn about oppression and white supremacy and all these systems. Not just to help others and not just to make their company more diverse or more inclusive, but also because they're realizing that these systems are also making them feel less free, even at the same time that they might be benefiting from it, right? And at the same time they're noticing that even with that privilege, something about this system still does not feel good and does not feel right. That dismantling that system would not only help the people who are not benefiting from it but would also help themselves and would also free themselves. I try to teach people about how these systems work and how imbalanced power systems affect not only the people with the least amount of power but also the people with the most amount of power and how everybody is suffering under that system. And how dismantling the system, changing the system, and finding a different way to live without those imbalances in power ultimately makes everybody feel free.” Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues. IG www.instagram.com/amandaemachado0 www.creativeprocess.info | |||
| 24 Mar 2023 | MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. | 01:01:09 | |
Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France. “I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.” www.pritzkerprize.com www.creativeprocess.info | |||
| 24 Mar 2023 | Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. | 00:10:15 | |
“I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.” Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France. www.pritzkerprize.com www.creativeprocess.info | |||
| 20 Mar 2023 | ARMOND COHEN - Executive Director of Clean Air Task Force | 00:43:14 | |
Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University. “There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. Today, there are hundreds of thousands, if not millions, just in the advocacy and policy space now. And then you look at all the people, the scientists and the engineers and the investors and the business people who are trying to create these new machines and bring down the cost. You're talking tens of millions maybe. And the annual spend on clean energy globally is somewhere in the range I believe of about 400 billion a year. We're getting up there in terms of social effort, and it's hard to believe that with all these options coming onto the scene that we won't solve or get very close to solving this problem during this century. And our philosophy, which makes us a little different from other environmental organizations that work on this, is we think you ought to be pursuing all of those options because you don't know which are going to work out.” www.creativeprocess.info | |||
| 20 Mar 2023 | Highlights - ARMOND COHEN - Executive Director of Clean Air Task Force | 00:10:24 | |
“There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. Today, there are hundreds of thousands, if not millions, just in the advocacy and policy space now. And then you look at all the people, the scientists and the engineers and the investors and the business people who are trying to create these new machines and bring down the cost. You're talking tens of millions maybe. And the annual spend on clean energy globally is somewhere in the range I believe of about 400 billion a year. We're getting up there in terms of social effort, and it's hard to believe that with all these options coming onto the scene that we won't solve or get very close to solving this problem during this century. And our philosophy, which makes us a little different from other environmental organizations that work on this, is we think you ought to be pursuing all of those options because you don't know which are going to work out.” Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University. www.creativeprocess.info | |||
| 23 Mar 2023 | Introducing: Speaking Out of Place: Ep 1 - What Is Behind the Revolutionary Moment in Iran? | 00:42:36 | |
We’re pleased to introduce “Speaking Out of Place,” Professor David Palumbo-Liu’s new podcast, which carries on the spirit of his book of the same title, argues against the notion that we are voiceless and powerless, and that we need politicians and pundits and experts to speak for us. In this episode, Palumbo-Liu is in conversation with scholar, activist, and poet Dr. Persis Karim, director of the Center for Iranian Diaspora Studies at San Francisco State University. Karim provides indispensable background information reaching back to 1979, explains the long history of gender apartheid in Iran and why today there has been an explosion of mass protests led by young women joined by tens of thousands of others, including rappers, educators, human rights workers, ethnic minorities, artists, children, and others. She also explains the tremendous gaps in Western media coverage and fills in missing information. She ends with a reading from her own poetry, and a plea to link these protests to all protests against authoritarian regimes. Judith Butler on “Speaking Out of Place”: “In this work we see how every critical analysis of homelessness, displacement, internment, violence, and exploitation is countered by emergent and intensifying social movements that move beyond national borders to the ideal of a planetary alliance. As an activist and a scholar, Palumbo-Liu shows us what vigilance means in these times. This book takes us through the wretched landscape of our world to the ideals of social transformation, calling for a place, the planet, where collective passions can bring about a true and radical democracy.” David Palumbo-Liu is the Louise Hewlett Nixon Professor and Professor of Comparative Literature at Stanford University. He has written widely on issues of literary criticism and theory, culture and society, race, ethnicity and indigeneity, human rights, and environmental justice. His books include The Deliverance of Others: Reading Literature in a Global Age, and Speaking Out of Place: Getting Our Political Voices Back. His writing has appeared in The Washington Post, The Guardian, The Nation, Al Jazeera, Jacobin, Truthout, and other venues. https://twitter.com/palumboliu?s=20 www.creativeprocess.info | |||
| 31 Mar 2023 | CHAYSE IRVIN - Cinematographer of Spike Lee’s "BlacKkKlansman", “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling | 01:14:48 | |
Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson. “Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.” www.creativeprocess.info | |||
| 31 Mar 2023 | Highlights - CHAYSE IRVIN - Cinematographer of Spike Lee’s "BlacKkKlansman", “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling | 00:15:08 | |
“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.” Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson. www.creativeprocess.info | |||
| 01 Apr 2023 | LISA JACKSON PULVER - Deputy Vice-Chancellor, University of Sydney's Indigenous Strategy and Services | 00:47:36 | |
Professor Lisa Jackson Pulver is a proud Aboriginal woman with connections to communities in southwestern New South Wales, South Australia, and beyond. She is the Deputy Vice-Chancellor of Indigenous Strategy and Services for the University of Sydney and leads the institution's strategy to advance Indigenous participation, engagement, education, and research, including the university's One Sydney, Many People 2021-2024 strategy. She is a recognized expert and tireless advocate for health and education. Her research focuses on capacity building for healthcare workers and improved health for Aboriginal and Torres Strait Islander people. She serves her country in the Royal Australian Air Force Specialist Reserve as a Group Captain and is a member of the Australian Statistical Advisory Committee, the Australian Medical Council, and the Health Performance Council of South Australia. “We come from the land, and we go back to the land. Aboriginal people have been on this land for at least 60,000 years in some of the most extreme conditions on Earth and survived. And over the last 230 years, the most catastrophic events have occurred to this land because people didn't listen to ancient Aboriginal cultures and knowledge. So my question is, if people were able to look after this place for 60,000 years and thrive, what have we done to ensure that we have a healthy fit world for the next 60,000 years?” Season 2 of Business & Society focuses on Leaders, Sustainability & Environmental Solutions | |||
| 04 Apr 2023 | PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum | 00:39:52 | |
Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red). “Well, it's difficult. At the height of our activism, like all of the democracy movements in the world that were happening altogether, there was this emerging moment where Tunisia, Egypt, Iran, Spain, and Chile...I think that we were kind of super in love at the time with the technology and the tools. Everything seemed very fresh and groundbreaking, but I think we were kind of naive in saying that a particular set of tools was really going to bring the change that we wanted to see without us really looking at the B side of it. All the tools that we were using are designed for virality. They're not designed for healthy public debate, not even generating consensus because that's not even the problem at this stage. We're so far away from that. They're not designed to bring out the best in us. They're designed to bring out the worst in us, and that's what pays off. So I think we missed that as a generation or as an activist group. We missed that. The tools that we were so smitten by were really producing this almost collateral damage to our civic tissue and our societies. And we are so far down that rabbit hole at the moment that I think there's so much we need to walk back in terms of the power platforms have lack of accountability these algorithms have. So I guess as I grew older, I came to realize that most of the challenges that we face are not necessarily technological. They are in part, but they're also very human, right? They're very much human challenges. And we need to build these digital public spaces in a very different way than we have done.” www.creativeprocess.info | |||
| 05 Apr 2023 | Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum | 00:08:35 | |
“Well, it's difficult. At the height of our activism, like all of the democracy movements in the world that were happening altogether, there was this emerging moment where Tunisia, Egypt, Iran, Spain, and Chile...I think that we were kind of super in love at the time with the technology and the tools. Everything seemed very fresh and groundbreaking, but I think we were kind of naive in saying that a particular set of tools was really going to bring the change that we wanted to see without us really looking at the B side of it. All the tools that we were using are designed for virality. They're not designed for healthy public debate, not even generating consensus because that's not even the problem at this stage. We're so far away from that. They're not designed to bring out the best in us. They're designed to bring out the worst in us, and that's what pays off. So I think we missed that as a generation or as an activist group. We missed that. The tools that we were so smitten by were really producing this almost collateral damage to our civic tissue and our societies. And we are so far down that rabbit hole at the moment that I think there's so much we need to walk back in terms of the power platforms have lack of accountability these algorithms have. So I guess as I grew older, I came to realize that most of the challenges that we face are not necessarily technological. They are in part, but they're also very human, right? They're very much human challenges. And we need to build these digital public spaces in a very different way than we have done.” Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red). www.creativeprocess.info | |||
| 06 Apr 2023 | MICHAEL BEGLER - Showrunner of PERRY MASON starring Matthew Rhys, Juliet Rylance, Shea Whigham, Hope Davis | 00:37:51 | |
Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO’s most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. “In the 1930s, there was this movement to rid the city and the country of the Mexican community. And what we see is really this forced deportation. I think they called it repatriation. It was taking not only people who were born in Mexico and came across the border and settled, but people who were born in the United States and, even if they didn't speak a word of Spanish, they sent them away because it was someone to blame. It was 'taking away jobs.’ And this was what they felt was the answer, which we see a lot in, again, the politics of today.” www.imdb.com/title/tt2077823 www.creativeprocess.info | |||
| 06 Apr 2023 | Highlights - MICHAEL BEGLER - Showrunner of PERRY MASON starring Matthew Rhys, Juliet Rylance - THE KNICK starring Clive Owen, dir. Steven Soderbergh | 00:11:17 | |
“In the 1930s, there was this movement to rid the city and the country of the Mexican community. And what we see is really this forced deportation. I think they called it repatriation. It was taking not only people who were born in Mexico and came across the border and settled, but people who were born in the United States and, even if they didn't speak a word of Spanish, they sent them away because it was someone to blame. It was 'taking away jobs.’ And this was what they felt was the answer, which we see a lot in, again, the politics of today.” Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO’s most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. www.imdb.com/title/tt2077823 www.creativeprocess.info | |||
| 07 Apr 2023 | CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer | 00:51:07 | |
Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society. “There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them. Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media. And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message. It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.” www.wcff.org | |||
| 07 Apr 2023 | Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer | 00:10:58 | |
“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them. Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media. And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message. It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.” Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society. www.wcff.org | |||
| 12 Apr 2023 | HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford | 00:51:50 | |
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations. “This distinction between subsistence emissions and luxury emissions was my main contribution to these debates. And it has recently been calculated that the richest 1% of people in the world produce more emissions than the bottom 50%. A whole lot more. And a lot of these emissions are by those of us who are in the richest 1%. And I'm probably one of those people. A lot of our emissions are from things we don't really need to do. We don't need to constantly fly for our vacations. We can walk in natural places near where we live, or at worst, we can drive in an electric car and so on. That of course means changing some of the things that we take for granted and noticing how great the emissions that they cause are and doing something to reduce our emissions. One thing we can do and which I've tried to do is spell out the ways in which this is an ethical or moral problem. People don't need philosophers to tell them that they're facing problems. I first became interested in this problem by talking to delegates from India who said, 'You people in the rich countries keep saying we have a problem. And our question is, who are we? You industrialized countries, and it's mainly the greenhouse gas from your industrialization that's created climate change. We haven't done that much industrialization yet.' This was 25 years ago. Of course, now India is beginning to industrialize, but their point then was, and it's still largely true, that a lot of the problems are going to hit countries that haven't caused climate change. And so this strikes people just intuitively as unfair. What a philosopher like me can do is just spell out exactly why it is unfair. It is unfair if one person causes a problem, and then someone else has to deal with it. That makes it as if the one who's dealing with it is the slave of the one who caused the problem. I make a mess. And then you have to clean it up. That's as if you worked for me. And that's really incompatible with equal respect for all human beings. And that's the sort of thing philosophers can spell out. And there is now a lot of good philosophical work being done spelling these things out.” www.merton.ox.ac.uk/people/professor-henry-shue www.creativeprocess.info | |||
| 12 Apr 2023 | Highlights - HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Ctr. for International Studies, Oxford | 00:15:30 | |
“This distinction between subsistence emissions and luxury emissions was my main contribution to these debates. And it has recently been calculated that the richest 1% of people in the world produce more emissions than the bottom 50%. A whole lot more. And a lot of these emissions are by those of us who are in the richest 1%. And I'm probably one of those people. A lot of our emissions are from things we don't really need to do. We don't need to constantly fly for our vacations. We can walk in natural places near where we live, or at worst, we can drive in an electric car and so on. That of course means changing some of the things that we take for granted and noticing how great the emissions that they cause are and doing something to reduce our emissions. One thing we can do and which I've tried to do is spell out the ways in which this is an ethical or moral problem. People don't need philosophers to tell them that they're facing problems. I first became interested in this problem by talking to delegates from India who said, 'You people in the rich countries keep saying we have a problem. And our question is, who are we? You industrialized countries, and it's mainly the greenhouse gas from your industrialization that's created climate change. We haven't done that much industrialization yet.' This was 25 years ago. Of course, now India is beginning to industrialize, but their point then was, and it's still largely true, that a lot of the problems are going to hit countries that haven't caused climate change. And so this strikes people just intuitively as unfair. What a philosopher like me can do is just spell out exactly why it is unfair. It is unfair if one person causes a problem, and then someone else has to deal with it. That makes it as if the one who's dealing with it is the slave of the one who caused the problem. I make a mess. And then you have to clean it up. That's as if you worked for me. And that's really incompatible with equal respect for all human beings. And that's the sort of thing philosophers can spell out. And there is now a lot of good philosophical work being done spelling these things out.” Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations. www.merton.ox.ac.uk/people/professor-henry-shue www.creativeprocess.info | |||
| 22 Apr 2023 | MAX RICHTER - Award-winning Composer - Pianist - Environmentalist - Activist | 01:00:44 | |
Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams. A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation. Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo. He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community. "At the Studio Richter Mahr, we're trying to make it as 360 degrees as possible. So the center of the building is a cafe, and that cafe is fueled, if you like, from the organic garden. So there are no food miles. We grow everything. The electricity comes from the solar on the roof. The building itself was upcycled from a big old tractor shed. And we took the insides out and put new insides in, which are all the studios. It's a project which really is the outcome of an idealistic vision of how creativity can coexist with the broader community, but it's something that Yulia and I passionately believe in. We believe in the possibility of creative work having an elevating effect in society more broadly. It's a challenging time, I feel like the next half a dozen decades maybe are the kind of pinch point where things can either start to get better or a lot worse. And that's to do with large-scale ideas about what society is and what it should do. And how we distribute wealth, power, opportunity, education, and creativity. And creative work, I think, can be a catalyst that can help us to see bigger contexts, and engage with deeper meanings. And these are all ways to figure out what's important and what isn't important. The world is very busy and we too tend to get sort of a bit sidetracked by things that are not important. Creativity is a way to reconnect with important things. So our children, they're facing probably some of the biggest challenges we've ever faced, in the way, they're existential. And I think the kinds of narratives, the kinds of perspectives that we put into the world with creativity can be a way to sort of elevate the gaze a little bit. You know, Beethoven, somebody who lived 250 years ago, makes my life better just every day. It's not huge, but it's a little bit better every day. And I think that's what creativity can do. And, if you multiply that across time and populations, you can make a little change, and I think that's what creativity can do." Photo by William Waterworth www.creativeprocess.info Max Richter’s music featured in this episode in order of appearance "On the Nature of Daylight” from The Blue Notebooks, Path 19: Yet Frailest” from Sleep, “Spring 1” from The New Four Seasons – Vivaldi Recomposed, "Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour, Vladimir’s Blues” from The Blue Notebooks. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 22 Apr 2023 | Highlights - MAX RICHTER - Award-winning Composer - Pianist - Environmentalist - Activist | 00:18:09 | |
"At the Studio Richter Mahr, we're trying to make it as 360 degrees as possible. So the center of the building is a cafe, and that cafe is fueled, if you like, from the organic garden. So there are no food miles. We grow everything. The electricity comes from the solar on the roof. The building itself was upcycled from a big old tractor shed. And we took the insides out and put new insides in, which are all the studios. It's a project which really is the outcome of an idealistic vision of how creativity can coexist with the broader community, but it's something that Yulia and I passionately believe in. We believe in the possibility of creative work having an elevating effect in society more broadly. It's a challenging time, I feel like the next half a dozen decades maybe are the kind of pinch point where things can either start to get better or a lot worse. And that's to do with large-scale ideas about what society is and what it should do. And how we distribute wealth, power, opportunity, education, and creativity. And creative work, I think, can be a catalyst that can help us to see bigger contexts, and engage with deeper meanings. And these are all ways to figure out what's important and what isn't important. The world is very busy and we too tend to get sort of a bit sidetracked by things that are not important. Creativity is a way to reconnect with important things. So our children, they're facing probably some of the biggest challenges we've ever faced, in the way, they're existential. And I think the kinds of narratives, the kinds of perspectives that we put into the world with creativity can be a way to sort of elevate the gaze a little bit. You know, Beethoven, somebody who lived 250 years ago, makes my life better just every day. It's not huge, but it's a little bit better every day. And I think that's what creativity can do. And, if you multiply that across time and populations, you can make a little change, and I think that's what creativity can do." Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams. A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation. Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo. He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community. Photo by William Waterworth www.creativeprocess.info Max Richter’s music featured in this episode is "On the Nature of Daylight” from The Blue Notebooks. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 22 Apr 2023 | Special Earth Day Stories - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1 | 00:15:09 | |
Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: MAX RICHTER INGRID NEWKIRK, Founder of PETA BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation CARL SAFINA, Ecologist, Founding President of Safina Center CLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy” ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcast CYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composer JOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment” KATHLEEN ROGERS, President of EARTHDAY.ORG ODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth Theory SIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible” ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing Equipment NOAH WILSON-RICH, Co-founder & CEO of The Best Bees Company CHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes DAVID FARRIER, Author of “Footprints: In Search of Future Fossils” DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree” PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can Save JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry www.creativeprocess.info www.maxrichtermusic.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 24 Apr 2023 | DEBORA CAHN - Showrunner & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell | 00:44:03 | |
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon. "I feel like film and television are often representing corrupt power and evil in leaders. That exists. But I've been writing about people in that world for a long time and have had the privilege of talking to a lot of them. And for the most part, they're smart people with integrity and good values, and they're good at what they do, and they just want to help people in their own country and around the world. And even with good people at the helm, it can all go to hell and that, to me, is what's most interesting. I always had a hard time reading the newspaper. I found it very overwhelming in the suffering that you're seeing described every single day. And for me, coming at it through the lens of what's a story that I can relate to that I can follow a character through that they're surviving. For me was a kind of a way to come at it and not have to turn away from the darkness." www.imdb.com/name/nm1263223 www.creativeprocess.info Images courtesy of Netflix/Alex Bailey | |||
| 24 Apr 2023 | Highlights - DEBORA CAHN - Showrunner of The Diplomat starring Keri Russell - Exec. Producer Homeland, Grey’s Anatomy | 00:11:23 | |
"I feel like film and television are often representing corrupt power and evil in leaders. That exists. But I've been writing about people in that world for a long time and have had the privilege of talking to a lot of them. And for the most part, they're smart people with integrity and good values, and they're good at what they do, and they just want to help people in their own country and around the world. And even with good people at the helm, it can all go to hell and that, to me, is what's most interesting. I always had a hard time reading the newspaper. I found it very overwhelming in the suffering that you're seeing described every single day. And for me, coming at it through the lens of what's a story that I can relate to that I can follow a character through that they're surviving. For me was a kind of a way to come at it and not have to turn away from the darkness." Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon. www.imdb.com/name/nm1263223 www.creativeprocess.info Images courtesy of Netflix/Alex Bailey | |||
| 26 Apr 2023 | EARTH MONTH STORIES - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet | 00:14:31 | |
Listen to Part 2 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. BRITT WRAY - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University WALTER STAHEL - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life Institute MATHIS WACKERNAGEL - Founder & President of the Global Footprint Network - World Sustainability Award Winner JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast RICHARD VEVERS - Founder & CEO of The Ocean Agency ARMOND COHEN - Executive Director of Clean Air Task Force PAULA PINHO - Director of Just Transition at the European Commission Directorate-General for Energy MARTIN VON HILDEBRAND - Indigenous Rights Activist - Winner of Right Livelihood & Skoll Awards - Founder of Fundacion Gaia Amazonas, named #40 NGOs of the World by The Global Journal HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts - NYU, Beihang University, East China University BILL HARE - Founder & CEO of Climate Analytics, Physicist, Climate Scientist SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Professor of Environmental Change & Public Health LISA JACKSON PULVER - Deputy Vice-Chancellor of University of Sydney's Indigenous Strategy & Services Max Richter’s music featured in this episode: “Spring 1” from The New Four Seasons – Vivaldi Recomposed Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.maxrichtermusic.com www.creativeprocess.info | |||
| 27 Apr 2023 | Speaking Out of Place: NAOMI ORESKES discusses “The Big Myth: How American Business Taught Us to Loathe Government & Love the Free Market” | 00:44:45 | |
Naomi Oreskes is Henry Charles Lea professor of the History of Science and affiliated Professor of Earth and Planetary Sciences at Harvard University. She is a world-renowned earth scientist, historian, and public speaker. Oreskes is a leading voice in the role of science in society, the reality of anthropogenic climate change, and the role of disinformation in blocking climate action. In 2010, she and her co-author Erik Conway published Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming, where they identified something called the tobacco strategy that became paradigmatic in terms of corporate efforts to debunk science. This discovery led them to explore more deeply and more broadly the attack on science. They found that as science was demoted, the idea of market fundamentalism or the “magic of the market” became a mantra that covered up corporate malfeasance. In today's program, we discuss Oreskes’ and Conway's new book, The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market. https://histsci.fas.harvard.edu/people/naomi-oreskes Judith Butler on “Speaking Out of Place”: “In this work we see how every critical analysis of homelessness, displacement, internment, violence, and exploitation is countered by emergent and intensifying social movements that move beyond national borders to the ideal of a planetary alliance. As an activist and a scholar, Palumbo-Liu shows us what vigilance means in these times. This book takes us through the wretched landscape of our world to the ideals of social transformation, calling for a place, the planet, where collective passions can bring about a true and radical democracy.” David Palumbo-Liu is the Louise Hewlett Nixon Professor and Professor of Comparative Literature at Stanford University. He has written widely on issues of literary criticism and theory, culture and society, race, ethnicity and indigeneity, human rights, and environmental justice. His books include The Deliverance of Others: Reading Literature in a Global Age, and Speaking Out of Place: Getting Our Political Voices Back. His writing has appeared in The Washington Post, The Guardian, The Nation, Al Jazeera, Jacobin, Truthout, and other venues. www.palumbo-liu.com Photo credit: Kayana Szymczak | |||
| 29 Apr 2023 | JOHN PATRICK SHANLEY - Academy Award-winning Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams - Moonstruck | 00:47:29 | |
John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing. "You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life." www.creativeprocess.info | |||
| 29 Apr 2023 | Highlights - JOHN PATRICK SHANLEY - Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis - Moonstruck | 00:15:20 | |
"I'm New York to the soles of my feet, and more specifically, The Bronx. I was formed in The Bronx. I lived there till I was 19. Then I went into the Marine Corps, and I came up against really something that I feel has really been lost when they stopped drafting people. I came up against everybody in the country, mostly poor people of every persuasion from Virginia to DC to wherever. And we lived together in an open barracks, like 90 of us in double-decker bunks for a year. And that is gold. It's irreplaceable. Not simply as an artist, but as a citizen of a given country, you really come to realize we're all in this together. And you see all of the prejudices play out in a kind of healthily violent way. People just punch each other in the face. So, this is back then. Now, apparently, it's much more civilized. I'm not sure I'm in favor of that, but back then, people said Marines said the most awful things to each other imaginable, of a racist nature, and of every other kind of nature. And you know, the shape of your head, anything. And then fists were thrown and somehow the world didn't come to an end. Then everybody calmed down, and they went back to their bunks and read their comic books or whatever they were going to do, and went to bed. And we got up the next day, and we worked together. That's a big lesson in how to get along, how to live, and how to live with people you don't necessarily agree with." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing. www.creativeprocess.info | |||
| 03 May 2023 | Speaking Out of Place: ASHLEY DAWSON discusses “Environmentalism from Below” | 00:42:03 | |
Ashley Dawson is Professor of English at the Graduate Center / City University of New York and the College of Staten Island. Recently published books of his focus on key topics in the Environmental Humanities, and include People’s Power: Reclaiming the Energy Commons (O/R, 2020), Extreme Cities: The Peril and Promise of Urban Life in the Age of Climate Change (Verso, 2017), and Extinction: A Radical History (O/R, 2016). Dawson is the author of a forthcoming book entitled Environmentalism from Below (Haymarket) and the co-editor of Decolonize Conservation! (Common Notions, 2023). “The message is that indigenous sovereignty is connected to the preservation of biodiversity. And right now the statistics are really shocking on so-called protected areas, which currently constitute 17% of the planet. And the goal coming out of that Montreal conference for the biodiversity crisis last autumn is to roughly double that amount of protected areas, right? So the slogan was 30 by 30. 30% of the planet in protected area status by 2030. So we're really talking about massive expansion of protected areas. But within protected areas themselves, according to recent reports, only about 1% of the land actually has indigenous sovereignty. There are other arrangements like co-management, for instance, or indigenous people who are kind of encouraged to see their claims to conservation organizations with the guarantee that it will be protected and they'll have access of some kind. But, you know, as some of the indigenous activists who appeared at this conference and who are in the Decolonize Conservation! book said, they don't like the idea of co-management because it's essentially colonialism. They want control of their land.” https://ashleydawson.info | |||
| 04 May 2023 | What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories | 00:17:00 | |
Listen to Part 3 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for Energy PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute MERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021 RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC MANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir” MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation Biology MIKE DAVIS, CEO of Global Witness JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast BRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University RICHARD VEVERS, Founder & CEO of The Ocean Agency ARMOND COHEN, Executive Director of Clean Air Task Force BILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate Scientist DAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place Podcast IBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene” INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals www.creativeprocess.info www.maxrichtermusic.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. | |||
| 05 May 2023 | We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories | 00:22:57 | |
Listen to Part 4 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals JEFFREY D. SACHS, President of the UN Sustainable Development Solutions Network, Director of Center for Sustainable Development, Columbia University, Economist, Author JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry MERLIN SHELDRAKE, Biologist & Bestselling Author of “Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures”, Winner of the Wainwright Prize 2021 WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute ARMOND COHEN, Executive Director of Clean Air Task Force PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC AIMEE NEZHUKUMATATHIL, Poet & Author of “World of Wonders: In Praise of Fireflies, Whale Sharks and Other Astonishments” ANA CASTILLO, Award-Winning Xicana Activist, Editor, Poet, Novelist & Artist www.creativeprocess.info www.maxrichtermusic.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. Artwork: Saudade, Mia Funk | |||
| 11 May 2023 | SAGARIKA SRIRAM - Founder of Kids4abetterworld, Youth Climate Change Initiative | 00:31:02 | |
Sagarika Sriram is currently a student at Jumeirah College in Dubai. She founded the organization Kids4abetterworld when she was 10 years old with a mission to educate and encourage young children to lead a more sustainable life and reduce their carbon footprint. Children are the worst affected by the effects of climate change, yet most children do not participate in climate change discussions or take actions to live more sustainably because they do not have the awareness and capability to do so. Kids4abetterworld conducts awareness workshops on sustainability aiming to Educate, Motivate and Activate young children to conserve natural resources, protect biodiversity, and positively impact climate change. As a UN Climate Advisor, she has participated in the global consultations that will ensure children are made aware of their environmental rights and that UN member states protect and uphold these. Kids4abetterworld is a platform for young children to connect across the globe as they adopt sustainable lifestyles and drive systemic solutions to the climate crisis. www.creativeprocess.info | |||
| 16 May 2023 | Speaking Out of Place: ADAM ARON discusses “The Climate Crisis: Science, Impacts, Policy, Psychology, Justice, Social Movements” | 00:31:54 | |
Adam Aron is a Professor in the Psychology Dept at UC San Diego. His research and teaching focus on the social science of collective action on the climate crisis. His climate activism has been through the Green New Deal at UC San Diego where he has worked on several campaigns such as fossil fuel divestment and also campus decarbonization via ElectrifyUC and he has also produced the documentary Coming Clean. Before switching to the climate crisis, Adam had a successful career in cognitive neuroscience. He earned his PhD from the University of Cambridge, and was a postdoctoral fellow at UCLA. “Psychology has something to tell us about why so few people are really engaged in the climate struggle. There are different components to this. First of all, there is what I call epistemic skepticism in the book, which is to say, skepticism about the facts of climate change. The second thing is threat perception, that threat levels are not as high as they should be. And the third is that people are skeptical about the response. They don't think that they can do anything, or they don't believe that groups or even countries can make a difference. Epistemic skepticism: psychologically this means that quite a lot of people, for example, the United States, don't believe in the human cause of heating. And the reason for that is very much to do in fact, with the systematic campaign of misinformation that's been fostered by the fossils industry, systematically set out to confuse people about the scientific consensus. We should be very threatened by this. In fact, the youth, generally speaking, are anxious to some extent about it. In effect, Mother Earth is saying, "I can't deal with what you're doing to me, people. I'm putting up my temperature." And if you're not feeling anxious, then you're not paying attention. That's the right way to feel on Planet Earth.” https://aronlab.org/climate-psychology-and-action-lab Judith Butler on “Speaking Out of Place”: “In this work we see how every critical analysis of homelessness, displacement, internment, violence, and exploitation is countered by emergent and intensifying social movements that move beyond national borders to the ideal of a planetary alliance. As an activist and a scholar, Palumbo-Liu shows us what vigilance means in these times. This book takes us through the wretched landscape of our world to the ideals of social transformation, calling for a place, the planet, where collective passions can bring about a true and radical democracy.” David Palumbo-Liu is the Louise Hewlett Nixon Professor and Professor of Comparative Literature at Stanford University. He has written widely on issues of literary criticism and theory, culture and society, race, ethnicity and indigeneity, human rights, and environmental justice. His books include The Deliverance of Others: Reading Literature in a Global Age, and Speaking Out of Place: Getting Our Political Voices Back. His writing has appeared in The Washington Post, The Guardian, The Nation, Al Jazeera, Jacobin, Truthout, and other venues. | |||
| 16 May 2023 | MADELEINE WATTS - Author of The Inland Sea - Creative Writing Professor, Columbia University | 00:50:58 | |
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming. "I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia." www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts www.creativeprocess.info | |||
| 16 May 2023 | Highlights - MADELEINE WATTS - Author of The Inland Sea | 00:13:04 | |
"I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia." Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming. www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts www.creativeprocess.info | |||
| 19 May 2023 | RACHEL ASHEGBOFEH IKEMEH - Whitley Award-winning Conservationist - Founder/Director, Southwest Niger Delta Forest Project | 00:43:35 | |
Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist. She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country. Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. "There's no question, we are in a state of conservation emergency. And we have a real situation on our hands and it's so fragile that if we take a step back, we could say goodbye to two types of chimpanzee species and the forest is also on the brink of disappearing forever. And when I started as a conservation researcher, there was kidnapping and insecurity throughout the Nile Delta region, and it was immersed in a lot of oil politics and civil conflicts. Kidnapping and insecurity ran throughout that region. Let's not forget that Nigeria is Africa's most populous nation now. We are over 200 million people in the country, and it's a growing population of young people who are looking for means of livelihood and on the lookout to find space to live. So parts of the forest within one year would suddenly become a new village." https://swnigerdeltaforestproject.org.ng www.creativeprocess.info | |||
| 19 May 2023 | Highlights - RACHEL ASHEGBOFEH IKEMEH - Whitley Award Winner - Founder of Southwest Niger Delta Forest Project | 00:11:36 | |
"There's no question, we are in a state of conservation emergency. And we have a real situation on our hands and it's so fragile that if we take a step back, we could say goodbye to two types of chimpanzee species and the forest is also on the brink of disappearing forever. And when I started as a conservation researcher, there was kidnapping and insecurity throughout the Nile Delta region, and it was immersed in a lot of oil politics and civil conflicts. Kidnapping and insecurity ran throughout that region. Let's not forget that Nigeria is Africa's most populous nation now. We are over 200 million people in the country, and it's a growing population of young people who are looking for means of livelihood and on the lookout to find space to live. So parts of the forest within one year would suddenly become a new village." Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist. She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country. Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. https://swnigerdeltaforestproject.org.ng www.creativeprocess.info | |||
| 23 May 2023 | Speaking Out of Place: IMRAAN MIR & HALEY DUSCHINSKI discuss Human Rights in Kashmir | ||
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji interview Dr. Haley Duschinski and Mr. Imraan Mir, who are active in trying to grow global awareness of Kashmir and in working to secure human rights for the people of Kashmir. They give us important historical background on Kashmir, which is normally reduced to simply a place of struggle between India and Pakistan. To counter that image, Duschinski and Mir characterize Kashmir as a region with a deep and rich culture and history that is suffering under a brutal and anti-democratic occupation imposed and maintained by the state of India. Dr. Haley Duschinski is an Associate Professor of Anthropology at Ohio University (Ph.D. Anthropology, Harvard University, 2004). A legal and political anthropologist, she has co-edited Resisting Occupation in Kashmir (2018), The Routledge Handbook of Critical Kashmir Studies (2022), and The Palgrave Handbook of New Directions in Kashmir Studies (2023). Duschinski is a founding member of the Critical Kashmir Studies collective and an active member of the Kashmir Scholars Consultative and Advocacy Network (KSCAN). Imraan Mir is a lawyer, entrepreneur and author. His Kashmir-related work involves research, writing and advocacy to increase understanding of historic and contemporary realities and to facilitate accountability for rights violations. He has done human rights-related work on Kashmir since the late 1990s independently and through collaborations with various organizations, including the Kashmir Law and Justice Project. He holds a J.D. from Harvard Law. www.ohio.edu/cas/duschins www.palumbo-liu.com | |||
| 24 May 2023 | ANDRI SNÆR MAGNASON - Icelandic Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok | 00:42:52 | |
Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water. "In On Time and Water, I was invited to interview the Dalai Lama twice. I was thinking, what do you ask a person that has been reincarnated 14 times? I also interviewed lots of scientists, and sometimes the gurus are more rational than scientists, and they talk about climate solutions. And I seek wisdom from my grandparents, and simple friendship and stories. They were both 98 years old, and I would ask them: 'Is 100 years a long time or a short time?' And they would tell me it's a very short time. And this climate scientist encouraged me to write and said, 'People don't understand data, but they understand stories.' And it's a very strong belief that the artist does have a role in our society. Sometimes he's an entertainer. Sometimes he's just documenting, but sometimes you maybe have a role in a very fundamental shift in our history. I think I could not be a writer here and now in history and not make some effort to address this issue." www.creativeprocess.info | |||
| 24 May 2023 | Highlights - ANDRI SNÆR MAGNASON - Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok | 00:12:54 | |
"In On Time and Water, I was invited to interview the Dalai Lama twice. I was thinking, what do you ask a person that has been reincarnated 14 times? I also interviewed lots of scientists, and sometimes the gurus are more rational than scientists, and they talk about climate solutions. And I seek wisdom from my grandparents, and simple friendship and stories. They were both 98 years old, and I would ask them: 'Is 100 years a long time or a short time?' And they would tell me it's a very short time. And this climate scientist encouraged me to write and said, 'People don't understand data, but they understand stories.' And it's a very strong belief that the artist does have a role in our society. Sometimes he's an entertainer. Sometimes he's just documenting, but sometimes you maybe have a role in a very fundamental shift in our history. I think I could not be a writer here and now in history and not make some effort to address this issue." Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water. www.creativeprocess.info | |||
| 01 Jun 2023 | Speaking Out of Place: OLIVIA HARRISON discusses “Natives Against Nativism” | 00:48:05 | |
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Olivia Harrison, author of a new book entitled, Natives Against Nativism, which takes on the appropriation of the figure of the “native,” or in the French case, the “indigene” to serve progressive and indeed revolutionary causes, but also its appropriation by the alt-right both in France and internationally to drive a reactionary program against so-called anti-white racism. The conversation covers a lot of ground, from a discussion of the basic premises of the French Republic, to unpacking the long history of anti-racist struggles in France, to the period of the late 1960s and 1970s, where we see in particular the figure of the Palestinian, and of the American Indian, play enormous roles in the radical imaginary. Olivia discusses the ways things like the “Great Replacement Theory” signal a convergence of US and French anti-right “nativism,” and use photographs, films, and poetry to show the complexity of this terrain, perhaps best illustrated by the collaboration between French avant-garde film maker Jean-Luc Godard and the pre-eminent Palestinian poet, Mahmoud Darwish. Olivia C. Harrison is Associate Professor of French and Comparative Literature at the University of Southern California. Her research focuses on postcolonial North African, Middle Eastern, and French literature and film, with a particular emphasis on transcolonial affiliations between writers and intellectuals from the Global South. Her publications include Natives against Nativism: Antiracism and Indigenous Critique in Postcolonial France (University of Minnesota Press, 2023), Transcolonial Maghreb: Imagining Palestine in the Era of Decolonization (Stanford University Press, 2016), and essays on Maghrebi literature, Beur and banlieue cultural production, and postcolonial theory. With Teresa Villa-Ignacio, she is the editor of Souffles-Anfas: A Critical Anthology from the Moroccan Journal of Culture and Politics (Stanford University Press, 2016) and translator of Hocine Tandjaoui’s proem, Clamor/Clameur (Litmus Press, 2021). www.palumbo-liu.com | |||
| 02 Jun 2023 | PABLO HOFFMAN - Whitley Award-winning Conservationist - Exec. Director & Co-Founder of Sociedade Chauá | 00:33:49 | |
Pablo Hoffman has always been passionate about plants and natural ecosystems, with special appreciation for research and dissemination with practical results for the production and conservation of native species. Pablo graduated in Forestry at the Federal University of Paraná (UFPR) 2002, had his Master’s in Forestry – UFPR 2014, currently he is a PhD candidate in Forestry. One of the Founders of the Sociedade Chauá, Pablo has been a board member since 2008. Currently is the Executive Director as well Coordinator of the Chauá Nursery of native species. A specialist in conservation, propagation and restoration of rare and endangered species of the Araucaria Forest, whose projects are locally and internationally recognized. As a result of Sociedade’s Chauá efforts to save endangered plant species Pablo was awarded the Marsh Award (2018), Whitley Award (2022), and Guardians of Nature (2022). As a life choice, working with conservation of rare and endangered plant species is the lifeblood of his personal and professional aspirations, to leave a positive legacy for the next generations, keeping the ecosystems alive with humans as part of it. "I understood that the Araucaria Forest ecosystem was really degraded and needed conservation to protect the plant species, the Araucaria Forest ecosystem where I live used to cover around 40% of the land. And nowadays there's less than 1% left of good, quality remnants of forest. So it's almost nothing. So you can imagine what happens with the plant species and also animal species. But nowadays the conversion of natural areas, even grassland savannahs are forced into agribusiness areas that have the most impact, as they have the capacity of using machines, and tractors for converting these areas, using more and more fertilizers, agrichemicals, and pesticides that can destroy one hector in less than one hour with their tractors and machines. It will take like 50 years to a hundred years to recover - if it recovers. Depending on how many species we still have left the dispersers, pollinators, and the other actors of the ecosystem to aid in the recovery." www.creativeprocess.info | |||
| 03 Jun 2023 | ANTHONY JOSEPH - T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band | 00:17:01 | |
Anthony Joseph is a poet, novelist, academic and musician who moved from Trinidad to the UK in 1989. A lecturer in creative writing at Birkbeck College, he is particularly interested in the point at which poetry becomes music. As well as four poetry collections, a slew of albums, and three novels – most recently Kitch – Joseph has published critical work exploring the aesthetics of Caribbean Poetry among other subjects. He performs internationally as the lead vocalist for his band The Spasm Band. Sonnets for Albert is his first poetry collection since Rubber Orchestras. “Calling England Home” and “Language (Poem for Anthony McNeill)” were released in 2021 by Anthony Joseph and appear on his album "The Rich Are Only Defeated When Running For Their Lives”. | |||
| 04 Jun 2023 | CARL SAFINA - Ecologist - Founding President of Safina Center - NYTimes Bestselling Author | 00:04:44 | |
Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace. "So we tend to take living for granted. I think that might be the biggest limitation of human intelligence is to not understand with awe and reverence and love that we live in a miracle that we are part of and that we have the ability to either nurture or destroy. The living world is enormously enriching to human life. I just loved animals. They're always just totally fascinating. They're not here for us. They're just here like we're just here. They are of this world as much as we are of this world. They really have the same claim to life and death and the circle of being." IG www.instagram.com/creativeprocesspodcast Photo: Carl Safina in Uganda | |||
| 06 Jun 2023 | DITTE LYSGAARD VIND - Circular Economy & Design Expert - Author of Danish Design Heritage & Global Sustainability | 00:43:48 | |
Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH. "Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions." www.thecircularway.com www.creativeprocess.info | |||
| 06 Jun 2023 | Highlights - DITTE LYSGAARD VIND - Circular Economy & Design Expert - Founder of The Circular Way | 00:11:55 | |
"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions." Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH. www.thecircularway.com www.creativeprocess.info | |||
| 05 Jun 2023 | Special World Environment Day Stories - Environmentalists, Students & Teachers share their Love for the Planet | 00:18:53 | |
Today we’re streaming voices of environmentalists, students, and teachers with music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast or reflectors of our participating students. Voices on this episode are BRITT WRAY JEFFREY SACHS EVELINE MOL, Student Barnard College BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation AVA CLANCY, Student MIRA PATLA, Student DARA DIAMOND, Student ARIELLE DAVIS, Student CLAIRE POTTER, Designer, Lecturer, Author of Welcome to the Circular Economy MEGAN HEGENBARTH, Participating Student, University of Minnesota GRACE PHILLIPS, Participating Student, Pitzer College BIANCA WEBER, Participating Student, Syracuse University ELLEN EFSTATHIOU, Participating Student, Oberlin College SURYA VIR, Participating Student, University of Wisconsin-Madison MACIE PARKER, Participating Student, Boston University BEILA UNGAR, Participating Student, Columbia University CARL SAFINA, Ecologist, Founding President of Safina Center, Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace” Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.creativeprocess.info | |||