Music Not Diving with Scuba (Scuba)

Dubstep Wars is a series we're incorporating into the show which takes a serious look at the development of Dubstep in the US. How it got there, how it grew, and what happened then. This is the second in the series, but we've got so much more than that on this episode.

Joe Nice is an actual hero of underground music in North America. Justifiably regarded as the first person on that side of the pond to push the Dubstep sound, he's also a political activist of deep knowledge and passion.

Regular listeners will know that I love digging into political matters with music people and we absolutely do that here, including on whether musicians have a duty to be political, the differences between the US and Europe, and the issue of censorship in the media.

We also discuss topics including the cutting of dubplates, AOL Instant Messenger, and the legendary NYC Dubstep institution that was Dub War.

This is our longest conversation to date on the show and one that I absolutely loved having. Joe is an awesome guy and I can guarantee that you will love his stories and energy.

No releases on Hotflush labels this week but we just announced the next collab between myself and Bakongo, which also includes a remix from the totally awesome Hassan Abou Alam.

And don't forget to check the new Anna Kost EP if you haven't already. It's really good.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

MJ Cole's seminal track 'Sincere' is a true classic. In this clip from Episode 26 of the Not A Diving Podcast, he breaks down how it was made, and how it developed as a dance scene phenomenon.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We have been angling for a booking agent to guest on the show since launching the podcast, and finally we have one!

Ned Beckett is the founder of the Little Big agency, represents Aphex Twin, and is as well placed as anyone to make the case for the contribution made by agents to the careers of artists and live music as a whole.

We discuss his formative period with Warp Records, the development of electronic music in the live space, and the challenges of founding an agency when you have no idea what an agency does.

Ned is a super interesting guy and this is a great conversation... a different perspective to previous guests, you will enjoy this one.

We would be extremely grateful if you would support the show on Patreon. There's two tiers... one which gets the show ad-free plus at least a couple of bonus podcasts each month, and a higher tier which additionally gets you all the music we release on Hotflush ahead of time and in HD formats. And also some extra music that you can't get anywhere else. We think it's great value, so if you can do it... we'd love you forever.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

As you know, we're in the midst of celebrating 20 years of Hotflush Recordings.

I've done a few interviews to co-incide with that recently, but I am very rarely satisfied with how an interview turns out in print. Luckily I do a weekly podcast and am taking the opportunity to interview myself (kind of) over a two part podcast, the first half of which is this week's episode.

I talk about the motivations for starting a label twenty years ago, the problem with A&Ring your own material, the key developments in the period up to 2010, and the invaluable help and guidance from a man called Chris Parkinson.

This episode refers to Episodes 10 (Appleblim), 27 (Chris Goss), 28 (Joe Nice), 54 (Distance).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Roska is a DJ, producer, and label owner from the UK. His name is synonymous with UK Funky, and his three albums, released on UK label Rinse and his own label, are classics of the genre. He has stories to tell and many highly digestible nuggets of experience and advice to share with us.... you will enjoy this conversation!

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Roska: on instagram or twitter

For more platform-specific playlist links and other info visit scubaofficial.io/podcast

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Better late than never! We had all sorts of problems with getting the podcast out this week, not helped by a trip to ADE in Amsterdam to record an episode with Ellen Allien which (all things going well) will be on your feed next week.

But right now on the show we have a very interesting and important person in the underground music scene of the UK - Elijah.

You may remember his work in the grime scene with Skilliam, you may remember his label, Butterz, if you're in the industry you may know him as an artist manager. But most likely you'll know his Yellow Squares project which has recently brought him a lot of attention as he leads a broad discussion of how the industry works, and how artists should conduct their careers.

So given our mission on this podcast, the man is an ideal guest and you are going to get a lot out of this conversation. We cover a range of topics including the cancellation of shows, transparency and the idea of making your income public, as well as getting into the history of the grime scene too.

An awesome episode which I think was worth the wait.

You can check his 'Close The App, Make The Thing' lecture here.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We are 15 weeks into the Not A Diving Podcast. On this week's show we discuss how it has gone so far, what the emergent themes have been, how it might develop in the future, and why we're doing it anyway. We also assess a weekend in Berlin involving two shows of sharply contrasting fortune.

The interview mentioned: http://www.lebronjames.co/interviews/scuba

Also discussed is: Der Klang Der Familie

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Electronic music and DJing are intrinsically linked, so what happens when your studio output shifts from being explicitly designed for mixing to something far less functional?

Performing live is a challenge many DJs have taken up, but few as comprehensively as George FitzGerald who fully embraced the live experience after signing to Domino Records and releasing music which was a step away from the UK-bass inflected house bangers with which he initially made his name.

We discuss all that, before embarking on a much wider discussion on the recent changes in the music industry and potential developments that may or may not transpire over the coming decade or two, including the possibility of a VR Berghain, and speculating on why private jet selfies aren't treated in the manner they surely deserve.

Those of you who have followed my career will be aware that George and I go back a long way, but fear not: this episode manages to avoid descending into bro-down territory and was nonetheless an extremely enjoyable and illuminating conversation to have.

We would be extremely grateful if you would support the show on Patreon. There's two tiers... one which gets the show ad-free plus at least a couple of bonus podcasts each month, and a higher tier which additionally gets you all the music we release on Hotflush ahead of time and in HD formats. And also some extra music that you can't get anywhere else. We think it's great value, so if you can do it... we'd love you forever.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Episodes of this podcast tend to hover around the ninety minute mark, maybe an hour forty-five. That seems to be the natural length for this kind of format, but sometimes they just acquire a life of their own and end up a fair bit longer and quite often those are my favourites.

My conversation with the noted American DJ and producer Fred P this week is one of those longer ones, and it was one that found really rewarding. That's not an uncommon experience in recording these podcasts, but Fred is a genuinely thoughtful and insightful guy who is dedicated to his craft in a way that is really striking.

We talk about his roots in New York City, the different approaches to owning and distributing your own music these days, and overcoming life's challenges to reach a place where you can express yourself fully.

As you can probably tell, I love this one and I think you will too !

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Should you bother to learn music theory if you want to make dance music? This is a rare area in life where ignorance is quite often openly celebrated. That's not to be sniffy about those who can't pick out the sixth note of a minor harmonic scale, but the arguments used to justify the lack of knowledge do lend themselves to a suspicion that the people involved are either kidding themselves or seeking to do as much to everyone else.

In the introduction to an interview with MJ Cole, the term 'classically trained' is reliably invoked - notwithstanding the opening paragraph this is an epithet which can justifiably be met with some trepidation. In this case however, the briefest acquaintance with his late 90s, genre-defining UK Garage classic 'Sincere' instantly banishes any such worries.

This is a maker of tunes with the highest level of sophistication in terms of knowledge and technique, but also the chops to know when to let those things get out of the way.

I was intending to have something of a deep dive into the development of UK Garage during this conversation, but instead we got a snapshot of a career defined much more by a personal approach to music than fitting into a given genre, even though the MJ Cole name is synonymous with the aforementioned style.

We also discuss other stuff including that first question about the value of technique in making club music, engineering tunes for DJs, and the relationship between UK Garage and Jungle/DnB.

This is an awesome conversation with a really important figure in UK music. You will enjoy it!

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What happens when you discover a new form of music being made thousands of miles away, but there’s nowhere to dance to it in your city? Or even your country?

If you’re Dave Q, you go right ahead and put on a party, which is what he did when he held the first Dub War event in New York City during the summer of 2005. 

That makes him an extremely important person in the development of bass music in North America, and while we heard a lot about this from Joe Nice, one of the resident DJs at Dub War, it was Dave’s relationship with the music that really made this happen. 

So what we have here is a crucial addition to the story of Dubstep. We talk about all that of course, in addition to the challenge of juggling it all with another career, pilgrimages to DMZ in London, and the effects of 9/11 on the music scene in New York. 

After an 8k mile round trip to Infrasound Equinox Festival in Minnesota last weekend, I am feeling pretty fried. To the extent that I actually get the name of the festival wrong in the intro to this week's show... but that's what touring does to you ! Great to meet so many nice people, loved the vibes. Mental note to stay a bit longer next time...

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Mano Le Tough emerged as a DJ and producer of note in late 00s Berlin, in the wake of the minimal sound that had defined that decade and of which he was not a particular fan. Originally from a small town outside Dublin, he made his bones as a DJ in the Irish capital before decamping to Germany after Tensnake picked up his first effort on Ableton via Myspace. We talk about all of that, plus his voyages around the worldwide club scene, the decline of Ibiza, whether the album format makes sense for club music, the RA top DJs poll, and much else besides. A deep dive into the mind of one of the European underground's favourite DJs.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Yotam Avni is a DJ and producer who established himself in the last decade with key releases on a wide range of some of the best-loved labels in house and techno, including Ovum, Innervisions, Kompakt, Stroboscopic Artefacts, and of course our own Hotflush Recordings. We discuss music journalism, his development as a producer, and his relationship with different music scenes around the world. We also discuss the difficulties of being an Israeli artist, from the unfortunate ubiquity of psytrance in the local scene, to the boycotting of Israel by some foreign acts and the difficulties of being an artist in a country whose government you deeply disagree with. Yotam is a singular guy with distinctive angle, and you will enjoy this episode!

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We are now live on Patreon! Support the show and get tons of extra content right here.

Pirate radio as part of underground music is commonly seen as a London phenomenon, but in the early 90s Kiss FM in Berlin was a key part of the emerging landscape.

Anja Schneider played an important role in that extremely exciting period in the development of dance music, and has gone on to have a varied and successful career running labels, making tracks, presenting radio shows, and of course DJing.

We discuss topics including the position of radio today, the development of record labels in the dance scene over time, a 1991 Wu Tang Clan appearance in Berlin, and of course we get into some detail on the topic of the history of Berlin clubs.

Anja is an awesome person and this was a great conversation!

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Very few techno records cross over. A ridiculously small number given the mountain of cookie cutter nonsense that gets spewed out in to the ether every week. But every now and then you get one that catches the imagination of a wider audience.

'We Do What We Want' by this week's guest was probably 2016's biggest festival tune, and Alan Fitzpatrick has been hiding from it ever since. Or at least that's the impression he gives on this week's episode - I hadn't really given what must be the quite-considerable-associated-baggage much thought, but when there's a track that big next to your name it definitely changes people's perception of you.

So we discuss all that this week, as well as the DJ circuit and the pros and cons of hitting it as hard as possible, and his extremely-good lockdown album, Machine Therapy.

We also discuss the state of contemporary techno, the legacy of Drumcode, and Alan's formative years on the south coast of England.

Alan Fitzpatrick is one of the good guys of the techno scene, and it was awesome to have him on the show.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Speedy J is a key figure in the history of Techno, most recently with the development of his improvisational collaborative project Stoor.

Check out some of the epic ADE performances: 

2023 JakoJako x Karenn (Blawan & Pariah) x Surgeon x Speedy J - https://www.youtube.com/watch?v=h9D0sPIaSY4 

2022 Dasha Rush x Rod20 x Rødhåd x Surgeon - https://www.youtube.com/watch?v=yMfbX6714j0 

So of course we discuss that, but also the 30th anniversary of his landmark album Ginger. Released as part of the Warp Records Artificial Intelligence series, it was a key plank in the run of releases that made such a huge impact on electronic music. And an album that I smoked a lot of weed to as a teenager. 

This is a bit shorter than usual, but it's a good one... you're gonna enjoy it. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Musicians often view the public relations side of the industry with a degree of suspicion. Sometimes outright hostility. This is occasionally the result of misinformation, or perhaps just a poor level of understanding of what can be a crucial cog in the wheel of an artist's career.

But like most things in music there can be a slightly unsavoury side to the construction of narrative and crafting of messages of the sort that PRs get up to which justifies a certain level of cynicism.

Melissa Taylor, we can rest assured, is not one of the bad ones. The owner of Tailored Communication, her day job as a PR guru(!) also involves management, and music consultancy. She was formerly press officer at Fabric in London, and is a current board member of the streaming co-operative Resonate.

She is also an engaging and witty conversationalist, and someone who is unafraid to be disagreed with - which is fortunate as we did have some points of departure in the course of this episode. But that's what a free exchange of ideas is all about, right? And in woefully short supply in the music conversation generally.

We cover topics including the problems of the streaming model, the role of co-operatives in a potential improvement, what it was like promoting a record in the early 2000s, the inability of the industry to deal with diversity issues, the Berlin club scene, the death of music reviews, and much else besides.

A great episode, you'll love it.

On Hotflush-affiliated labels this week we welcome Jayson Wynters to Rhythm Nation, and check Etapp Kyle's remix of Glaskin's Slim Line monster.

Some links from Melissa:

https://resonate.is/pricing/

https://pioneerworks.org/broadcast/library-music-liz-pelly

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Groupthink is everywhere, but rarely found in a more pronounced form these days than in the dance scene.

Patrice Bäumel is not a fan of this phenomenon and, to his credit, he is willing to challenge received wisdom and orthodoxy. That approach to life makes him an ideal guest for this show and it was a pleasure to dig into some thorny topics with him over the course of a two hour conversation.

In addition to the topic of groupthink itself, we discussed the definitions of freedom and art, community living at Burning Man, and the legendary Amsterdam club known as Trouw.

I was very much looking forward to this episode, and I think we managed to keep a musical grounding to a discussion which covered many areas of culture, politics, and even some economics.

Here's the KLF book by John Higgs that I reference.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Solo pod today... thoughts on the developing situation over at Bandcamp, both on the platform itself and its position in the ecosystem.

I read a whole load of stuff so you don't have to:

https://components.one/posts/bandcamp-the-chaos-bazaar

https://components.one/posts/tactility-and-experience

https://www.fastcompany.com/90951664/bandcamp-spotify-vinyl-renaissance

https://www.midiaresearch.com/blog/recorded-music-market-2022-reality-bites

https://pitchfork.com/thepitch/is-bandcamp-as-we-know-it-over/

https://firstfloor.substack.com/p/first-floor-190-waiting-for-the-other

https://firstfloor.substack.com/p/bandcamp-anxiety

https://www.wired.com/story/tiktok-platforms-cory-doctorow/

https://www.theverge.com/23899461/discogs-sellers-vinyl-cds-community-fees

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

DJs get better with age... don't they? Are DJs artists? And is DJing even an art form anyway? In this cut from Episode 37 of the Not A Diving Podcast, Patrice Bäumel breaks down these issues in his unique style.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Prince taught us all the importance of controlling your own music, and that is a concept which this week's guest has taken to heart over the course of his career. A label-owner, publisher, and spinner of DJ sets featuring exclusively his own material, Levon Vincent is a producer's producer and a proper hero of the underground.

In this conversation we get pretty deep into his roots in Newark and New York City, covering his formative musical years in the late 80s, through his experiences as an opening DJ at the legendary Limelight club, through to the Giuliani era which brought New York clubbing to an abrupt halt.

We also discuss topics including the life-affirming experience of Berghain, the difficulty of coming up with original titles (or even DJ names), and the importance of sound checks.

This week 'OneZeroFive', the second part of my collaboration with Bakongo aka Roska is out on Hotflush, also featuring a remix of 'Over Again' by Hassan Abou Alam.

We have also announced a Hotflush label event at Æden in Berlin on 2 Sept... Get involved!

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2023 Annual Not A Diving Podcast Pledge Drive is here... for one extra week.

For the next week, support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

Lockdown was a weird time for all of us. So many good intentions, so many regrets afterwards at not having done much except put on weight and watched a ton of Netflix.

NIKS, our guest this week did not fall into the Duolingo trap in 2020, and was instead a leading member of the team who launched Black Bandcamp which subsequently became the Black Artist Database.

So of course we discuss that, and also many of the issues around why such a thing is necessary. But we also get deep into her backstory as a station manager on student radio, working the door at key venues in London, and learning the ropes as a producer.

This is a great conversation with someone who makes things happen... you're gonna enjoy it!

Join us in the Hotflush Discord Server.

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Why do musicians seem to be so depressed all the time? One of the many interesting takeaways from Tamsin Embleton's recent book 'Touring And Mental Health' is that people who go into music have been shown to be disproportionately susceptible to certain mental health problems.

I found this book really fascinating and was very excited by the opportunity to talk about it with Tamsin, who edited it and contributed a large amount of the text itself. The conversation did not disappoint.

A psychotherapist who had a previous career in the music industry, Tamsin was the perfect person to pull this kind of project together. We discuss issues including the '27 Club', cancel culture, the fetishisation of creativity, and Tamsin identifies some of the easiest wins to improve mental health on the road.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

House music all night long is a fine adage for the feckless youth of no responsibility, but try delivering the aforementioned while breastfeeding a newborn and facing the prospect of doing the same thing tomorrow in a different country.

Cassy has unquestionably done the 'DJ thing'. Formerly resident of Circoloco and graduate of the inaugural Panorama Bar class, she's played all the shows anyone serious about House music ever wanted to.

We talk about all of that stuff, and also dig into some of the less glam aspects of DJing, like the limitations of being part of a highly-insular community like the dance scene, the increasing pressures to conform to the norms of that community, and the deficit of authentic voices in the scene. We also discuss making music, the influences of Prince and most notably James Brown, and address the crucial question of whether DJing is a form of art.

Cassy is a true original, and you will enjoy this conversation!

On Hotflush this week I drop a collaboration with Bakongo, aka former podcast guest Roska.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Hello from Tokyo... I am playing at Vent on 28 Dec and in Hakuba on 29 Dec.

On New Year's Eve I will be playing all night in Toronto at Sub Division. Pretty sure that's gonna sell out so grab a final-release ticket quick.

I recorded this on 24 Dec so didn't have a chance to mention the incredibly sad passing of Shaun Roberts, a really important figure in UK Underground music who gave opportunities to so many key artists, particularly through his role at fabric. RIP Shaun.

This week on the show we're rounding up some of the best music of 2022, as picked by members of the Discord community and some by myself too.

I also mention the best DJ set I witnessed this year, and talk a bit about the recent football World Cup and its implications for artists boycotting political regimes (yay!).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

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Every producer wants to be an auteur. The legend of the isolated guy (it's almost always a guy) turning out hits without any outside help is as potent a narrative in the culture as there has ever been.

Totally Enormous Extinct Dinosaurs, aka TEED, aka Orlando Higginbottom is doing exactly that, and has made one of my favourite albums of recent memory with When The Lights Go.

He's also a thoughtful and insightful chap who recently wrote an article for Billboard which exhibited those qualities and provided the perfect basis for the discussion on this week's episode of the podcast.

Amongst other things, we talk about his journey from major label to self-releasing, the wonders of classical music, the challenges facing artists, and the need to challenge received music industry wisdom.

This was a conversation I was looking forward to immensely, and it did not disappoint.

If you want to support the show then this the best week to do so - we are running a pledge drive on Patreon where for one week only new signups get some cracking bonus presents, including the awesome black-on-grey "Musicality" t-shirt.

Even if you're not supporting financially you can get involved via the Hotflush Discord Server. There is however a private area in that server for Patrons... you won't know about that until you're signed up though.

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Untitled Group is Australia's largest independent music & events company, running a list of key festivals including Beyond The Valley and Pitch, and selling over 400k tickets per year in the process.

Our guest this week, Fil Palermo, is a co-founder and director of Untitled, which he and his partners built from teenagers running DIY club nights into a world class promoter of large festivals booking some of the worlds biggest acts.

Australia is a distinctive corner of the global music industry, and Fil guides us through the details and distinguishing features of the local market. We also discuss the mechanics of running a festival, the learning curve required to get up to speed from a knowledge base of not-that-much, diversity and variety on festival lineups, and a whole lot of other stuff as well.

Untitled is a great example of an organisation showing it's possible to be serious about music, show real attention to detail in large events, and build something great without the need for corporate backing.

This was a great conversation and an episode you're going to enjoy!

A quick heads up that the second in the HF20 Scuba mix series will out this Friday. It's called 'Post Whatstep?' and unsurprisingly features a lot of Post-Dubstep. Tunes from Mount Kimbie, Untold, and George FitzGerald, amongst many others.

It also features my single 'In Yr Dreams' which is OUT NOW. And a recent collab I knocked up with Nikki Nair called Expression which is out as a single on Friday too.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Hosted on Acast. See acast.com/privacy for more information.

This week's show is follows on from last week, where we left off in 2010 at a cliff hanger where the underground music scene was about to change significantly.

We follow the narrative up to the present day, discussing the development of Hotflush Recordings, my own journey from imposter syndrome to bad attitude, and end up by identifying five important things to get right if you want to make a career in music.

There's a lot of self-examination, a few things discussed in detail, and a few things that get glossed over. But we make it through in the end.

Back to the regular format next week with a guest.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Releasing your own music can be liberating, but it also involves challenges. How keen are you on self-promotion? Well you better get used to it if you're self-releasing.

Steffi is a long running resident of Berghain/Panorama Bar, and an alumnus of their label, Ostgut Ton. For her forthcoming album, The Red Hunter, she has taken over those responsibilities with a new imprint called Candy Mountain.

We discuss all that at length, plus taking the opportunity to dig into her background in the Netherlands, what it means to be underground, the challenges of production, and the possible future paths of the dance scene.

This was a conversation I have been waiting for since we launched the pod, and it did not disappoint. Steffi is great and you will love this episode.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Welcome to the inaugural episode of the Not A Diving Podcast with Scuba.

The first ever guest on the podcast is Will Saul. Will is the head of A&R at !K7 Records, the curator of the legendary DJ Kicks series, the head of the Aus Music label, and a storied DJ and producer.

The twitter thread in question

Join us in the Hotflush Discord Server

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Listen to Scuba's DJ Kicks from 2011

Follow Will Saul: on twitter or on instagram

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Machinedrum is a producer from the United States, currently based in Los Angeles having voyaged from beginnings in North Carolina through the deep waters of New York and Berlin. His reputation as a sonic innovator pays tribute to a career steeped in collaboration and a commitment to releasing albums. We dig into his long-players on Ninja Tune and Planet Mu, finding a balance between experimentation and wider appeal, the culture to be found in different cities, and much else besides.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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At this point the argument over NFTs probably seems a bit tired. But the fact is that very often the real benefits, theoretical though they might be, can be absent from the conversation as a whole.

When Jacques Greene effectively sold the publishing rights to a track via the blockchain he was hinting at a world which currently doesn't exist, but the reality of which would unquestionably be a huge improvement to musicians. That is a world where contracts automatically execute without the need for legacy institutions which operate with extreme opacity and questionable efficacy.

So clearly the subject needed to be addressed during this conversation, and on this episode we get fairly deep on all that stuff.

Additionally to the NFT debate, we cover topics including the minutiae of 808 kickdrums, his experience with a major label, and the effect of high and low rents on the productivity of musicians.

This was a super-interesting conversation with someone with whom I have many mutual friends but had previously never talked to directly. You will enjoy it!

On Hotflush and affiliated labels.... a reminder for last week's drop of the James Welsh Sound Exchange Remix of Jayson Wynters' Lost City.

This week we have Biemsix dropping the second half of his latest EP with 'Highway High Way Too High' - proper techno.

And over on YAEL trip, Glaskin present their full remixes EP featuring me + Etapp Kyle, Baby T, Uncrat and Isaac Reuben... also out on Friday.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Berlin is the centre of the European dance scene. It's changed almost beyond recognition in the past two decades but its influence has steadily grown in that time, and while those two things mean that some people will inevitably be sniffy about it, the reality is that it's still the place to be.

Paul Hanford literally wrote the book on coming to Berlin as an outsider, and even though the path is extremely well-trodden at this point, the experiences continue to develop. The stories in his book are similar to my own experiences of moving over from London in 2007, but there are points of culture and geopolitics which distinguish the narratives entirely.

Paul is also the host of the Lost And Sound podcast, a musician with major label releases to his name, the former head of music at Secret Cinema, and a lecturer the BIMM Institute. So additionally to the book and Berlin, we discuss a range of topics including alternative media, cancel culture, and politics and populism in modern culture.

This is a good one, you're gonna enjoy it.

A reminder that the vinyl-only release of Hardcore Heaven II is imminent - grab a copy here.

And here's some more info about my forthcoming mixtape 'Digital Underground'.

Grab a preorder of Digital Underground here. (will be live shortly)

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Here's a bonus pod to give you a taste of what being a subscriber is like, because...

The 2023 Annual Not A Diving Podcast Pledge Drive is here!

For the next two weeks support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

There's a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

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Hosted on Acast. See acast.com/privacy for more information.

Mark Broadbent, the slightly embarrassed recipient of an Outstanding Contribution award from DJ Mag, is a nonetheless-legendary promoter and prominent proponent of the importance of serious music policy in nightclubs. Most noted for his work in Ibiza with We Love Space and Cream, he currently works on festivals in Croatia (including Love International and Hospitality) and events at Pikes Hotel in Ibiza. We discuss his journey through music, from the roots of acid house, the emergence of Cream in Liverpool, booking Carl Cox on Bondi beach on Millennium Eve, having Jeff Mills as a resident DJ, to being not-that-keen on the Swedish House Mafia. Mark has been everywhere and done everything, and you will enjoy this episode!

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Daniela Caldellas is an electronic musician from Brazil. Having broken through as part of Digitaria on DJ Hell's International DeeJay Gigolo Records and latterly on Jamie Jones' Hot Creations, she launched Terr as a solo project in 2016 and has just released a debut album entitled Consciousness As A State Of Matter under that name via Phantasy Sound.

We discuss her journey from Bela Horizonte to Berlin via Barcelona, the culture shock of the touring lifestyle, trying to keep your perspective while working as an artist, and the importance of other interests.

Daniela is an interesting person who just released a great record - dig into the conversation and then check the album!

Degradation by Yoikol ft. an SCB edit of the title track is OUT NOW.

Grab a copy of the HF20 compilation on 3 x 12" gatefold sleeve vinyl HERE.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Collaboration is a blessing and a skill. In this cut from Episode 8 of the Not A Diving Podcast, Machinedrum shares some tips from his vast experience on how best to get the most out of working in the studio with other people.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Where do you go when you reach the top at the age of 15?

The world of turntablism can seem somewhat murky to the untrained eye. What's up with all that competing? Where does it fit in to the culture of dancefloors and clubs? And what has the decline of vinyl DJing meant for the whole thing?

A-Trak won the DMC World Championship way before he was old enough to set foot in a nightclub. He then embarked on a truly unique career which has seen him supporting Usher in arenas as Kanye West's tour DJ, produce genuine hit records with Armand Van Helden, and maintain a top level status on the international circuit for over two decades. As well as running a label for 15 years. 

So there was lots to talk about, and we dig into the details of turntablist culture, the challenges of maintaining a varied music career, the changing nature of the industry, and a lot of other things too. 

This conversation touched on areas which we haven't covered on the podcast before, and includes some really fascinating insights into a slightly different culture. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

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Two guests on the show this week - first of all, Ben Morris (Kudos Distribution, and previously heard on NDP episode 63) joins us to discuss the SAULT phenomenon and their already-legendary show in London last week. If you're not familiar with the act then check all of the 11 albums released since 2019 here.

After that, it's time for...

James Jackson, known in the industry as Jacko, is managing director of radio, club and streaming at Listen Up, one of the bigger UK agencies focused on dance music.

The dream of hearing Pete Tong read out your name as he cues up your latest track through that unmistakable compression algorithm on BBC Radio 1 is one held my many an aspiring producer. But how does the dream become a reality?

We haven't discussed radio much on the show previously, but we remedy that this week with one of the UK's top men in the sector.

As well as working many of the dance scene's biggest tracks, as well as some very credible underground ones too, Jacko works UK radio for global stars including Doja Cat, and has a complete view of the radio landscape.

This is a great insider look into a fascinating aspect of the industry, you're gonna enjoy it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Happy Holidays! Normal service will resume on Tuesday 16 January.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Happy new year! A couple of weeks break for me has turned into a bit of a sciatica ordeal, but fear not - the inconvenience of stabbing pains in my legs doesn't stop me recording podcasts.

DJ Paulette is an actual legend of the game - a resident at the legendary Flesh night at the Hacienda in the early 90s, she has enjoyed a truly varied and successful career since in many areas of the industry.

All of it, or the amount that could fit into 200 pages, is documented in her forthcoming book, Welcome To The Club. But we talk about lots of it here too.

This was a great conversation with someone who has genuinely done it all in the dance scene.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Regarding the brevity of the intro... which actually wasn't that brief because I was able to use some audio I'd already recorded to pad it out. The bout of sciatica that I was suffering from last week has got significantly worse and I'm typing this while lying on the floor, where I have been for the majority of the last three days. So that's not great - it may affect the podcast schedule next week but let's hope not. Apologies in advance if it does. And now, on with the show...

--

Would you get “tech house” tattooed on your butt?

Me either, and in fairness I don’t think our guest this week actually has, despite the title of one of the tracks on her 2020 EP ‘Pleasant Stay But I Won’t Come Back’.

Machine Woman has emerged as a really great producer with releases on Ninja Tune’s Technicolour, Delsin, as well as her own label Take Away Jazz Records. And she is also a character with an interesting story.

We discuss the challenges of moving to a new country as a teenager, navigating through musical gender stereotypes, the scene in different cities, and much else besides.

This was a fun conversation with one of the more irreverent characters of the dance scene, and you’re gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I have been laid up with a serious back problem for nearly two weeks now and haven't been able to record a new episode in that time. But fear not, because we are taking this opportunity to revisit one of absolute my favourite episodes of the show, all the way back to February 2022.

Fingers crossed we will be back with a new episode next week!

--

From episode 006 (Feb 2022):

dBridge is an unequivocal legend of Drum n Bass.

From his work as part of Future Forces Inc. on Renegade Hardware in the mid 90s, through the supergroup Bad Company and the Autonomic project with Instra:mental, right up to releasing 4 albums since 2018 on his own Exit Records label, he has been right at the cutting edge of the genre, and of electronic music generally for more than 25 years.

We talk about the early Jungle scene, subgenre fragmentation, DnB politics, the tyranny of rewinds, and making peace with your own musical output.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The ongoing travails with my lower back have now eased somewhat, but not in time to record a new episode for this week's show. That IS HAPPENING today however, so there will be a brand new piece of content for you next Tuesday. Or this Thursday if you sign up on Patreon in the meantime, as episodes go live early over there.

But in the meantime let's take the opportunity to revisit one of the best episodes of the podcast so far... the one with Dave Clarke.

--

From episode 022 (June 2022):

Musicians can be broadly assigned one of two categories - those who are willing to say what they think, and those who are not. There is an element of risk and reward at play in this dynamic - and it might be a calculated strategy or purely a reflection of a given person's ability (or otherwise) to express themselves.

This week's guest, Dave Clarke, is a reliable representative of the former group. He is frequently interviewed, and those interviews often cover topics which have little to do with music - international politics is a common point of discussion.... which leads us to the disclaimer that there is quite a lot of non-music related chat on the show this week.

BUT THAT'S OK. DJs shouldn't be limited to talking about kick drums, and we cover topics here including living abroad, Brexit, energy policy, cultural conservatism, as well as the disappearance of counter-culture, the perils of record deals, and the secret sauce of hardware compressors.

This was a conversation I was looking forward to having and it did not disappoint.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

And we're back! Thanks so much for you patience - the last couple of weeks have been a total nightmare for me actually but I'm happy to say that normal service can now be resumed. 

Head over to the Hotflush Bandcamp where we have unveiled a new policy of 'Pay What You Feel' for all catalogue items! Vinyl, CD, tapes, tees, mugs... Name your price on everything. This does NOT cover new releases, as we don't want to be undermining the record shop ecosystem, and digital downloads still have a floor price - but you get free downloads with the physical item anyway. Get involved!

Fracture is a London DnB vet who cut his teeth in the early Jungle clubs and has been playing on pirate since the late 90s. He was involved in the early Dubstep scene as part of Compound One, and been running a great label called Astrophonica since 2009. 

On that label they've released some really great music from important producers including Sully, Sam Binga, and Nikki Nair. 

We talk about his musical philosophy, the pros and cons of the DnB scene, and the problems with underground music more generally today. We also discuss his pirate radio history project, '0860'.  

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Welcoming Danny Daze back for a second appearance on the podcast. Danny graced us with his presence on episode 32, but a lot has happened since then both in the scene generally and in Danny's life too. 

We get deep into his recent album and visual project, Blue, which is a great piece of music but also a really interesting example of how to build a truly engaging visual element into the album format. We talk about constructing spatial audio mixes, Dolby Atmos, the audience perception of albums, and the music itself... it's not a dancefloor record, but is it IDM?

Additionally, we also discuss topical issues in the scene... developments in music AI, and also (deep breath) the return of NFTs and the crypto market!

So this one's definitely worth checking. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I think this might be a classic episode in the making... it's a really fun and interesting comversation about scenes, new music, new tech, and being a musician. 

T.Williams is a UK house don, a close friend and long-time recommendation of previous NDP guest Roska, who has done all sorts of stuff over a long career covering multiple genres, touring with Disclosure, releasing a great new album, but starting all the way back in the early Grime scene as a member of the Black Ops crew in West London. 

Here's his album, Raves Of Future Past - Spotify and Bandcamp 

You're going to enjoy this one, it's a banger.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The Orb are the biggest ambient act of all time - that's probably true but they were certainly THE ambient band of the 90s, selling enormous amounts of records, touring a live show which drew breathless comparisons to Pink Floyd, arguably inventing the concept of Chill Out, and generally occupying a unique space as a truly experimental group in the mainstream of music. 

Alex Paterson is the only constant member of The Orb, who last released an album in 2023, and has the scars of litigation to prove it - their 90s catalogue is till being argued over with its owners, Universal, and the lawsuits over uncleared samples have been numerous and acrimonious. 

So we talk about all that, plus his formative years as an unofficial member of and sometime roadie for The Killing Joke, doing A&R for E.G. Records in the 80s, starting The Orb with KLF legend Jimmy Caughty, DJing at the legendary UFO in Berlin the night the wall came down, and of course his new record with his other project, Sedibus. 

Some parallels here with the episode we did with Adrian Sherwood... it took a fair bit of work to get this one into shape, but I think it was worth it. You're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What connects hair metal on the sunset strip with Burning Man, the Dotcom Bubble, and Planet E Communications?

On this this week's episode we find out, with the man who was formerly label manager for Carl Craig's imprint, grew up in the Bay Area and was in the first group of employees and AskJeeves.com...!

Monty Luke is a great DJ and producer who has been around the block a few times. We therefore had much to discuss, including the aforementioned journey from dive bars in LA in the late 80s, through early years as a DJ in California rave scene, emerging as a character in the industry to eventually ending up in Berin.

And we discuss his new album on Rekids too.

This is a great conversation with a man who has stories for days, you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

For the dance producer, a move into scoring film and TV is often a secret (or not-so-secret) career aspiration. Hardly anyone manages to pull it off though. How do you do it? And what is the work and life actually like if you make it?

Nathan Micay has released singles and albums on labels including Aus Music and Lucky Me, but now spends most of his time writing music for projects for Netflix and the like. His CV in that area now includes Industry, the new Sexy Beast series, and HBO's Reality.

So he's a great person to get into the details of the above questions with... and on this episode we do just that. 

We also talk about the dance stuff too though, and get some great stories about Berlin, Berghain, and music making generally. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Coming to you from Dehli, India.... via dodgy mic in a hotel room so don't watch the sound quality!

I play Vent in Tokyo this Friday, and will be making my debut in Shanghai this Saturday.

On the show this week...

What makes an Ibiza DJ? And does anyone want to be one anymore?

Chloé Caillet is always talked up that way in the press, but there's a lot more to her than a residency at Circo Loco. One of house music's breakthrough DJs of the post-pandemic era, Chloé has really become a big name on the circuit in a way that transcends the pigeonholing that, in fairness, just about everyone in this position has to deal with to some extent.

We discuss her formative years in Paris and Bristol, as well as her time in New York going to party's like former NDP guest Taimur's Blkmarket Membership.

Chloé is a classically trained musician so we get deep into that debate. We also cover the AI-in-music questions, the looming changes in music tech and the wider industry, as well as the more recent ones too.

I hadn't met Chloe before this conversation and it was great to be able to shoot the breeze with her on some crucial stuff. You're gonna enjoy the conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

How many elite sportsmen know their way round a modular synthesiser?

Steve Davis was the first modern star of snooker. He dominated the game in the 1980s, winning six world titles, appearing in 8 of the 9 finals between 1981 and 1989. He was ranked number one in the world for seven consecutive years, posted the first ever 147 maximum break in official competition, and was easily (Alex Higgins hipsters aside) established as the best player ever to play the game by the end of that decade.

As well as being the most successful player at that point, he was also the first snooker player to do product endorsements, and fully participate in the emerging business of sports entertainment, guided by the legendary manager and promoter Barry Hearn.

What brings him to the Not A Diving Podcast is his second career as a DJ and member of The Utopia Strong, an experimental band in which he plays modular synth.

That's a late-career curve ball if ever there was one. But since he's also been President of the British Chess Federation and competed in serious poker tournaments, it's perhaps not as much of a surprise as it might be.

I was incredibly excited to talk to Steve, and he didn't disappoint... the first NDP guest to have appeared on I'm A Celebrity is always going to be a good episode isn't it?

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Sign up for London / Bristol / Manchester Scuba live shows! scubaoficial.io/live

What's it like to mediate a disagreement between members of one of the biggest bands in history? And to do that while you're trying to produce their new record?

This is a question which is answered in this week's episode, in which our guest is one of the most prolific producers of Big UK Acts of the last two decades.

As well as being a member of Simian Mobile Disco, James Ford (occasionally with his middle name included) has a production credits list which includes Depeche Mode, Blur, Arctic Monkeys, Pet Shop Boys, and Beth Gibbons.

If that's not going to yield some good podcast content, then the blame should fall squarely on the host.

We discuss the role of the record producer today, as well as how that role has changed over time. Regular questions like the one about AI are covered. And we also get into detail about some specific projects, including the making of the brand new Pet Shop Boys record in James' home studio.

This is a highly illuminating discussion on a topic that isn't particularly well understood. One of the best episodes so far, and a worthy follow-up to Steve Davis last week!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

We haven't covered Drum n Bass anywhere near as much as I'd like. dBridge was an early guest, and we've also had Fracture, Chris from Hospital, and Krust. So that's not even 5% of the episodes so far, and DnB really is a fascinating topic.

Doc Scott was there from the very start. A teenage attendee of acid house raves like Sunrise, he was on the dancefloor at Rage, and a regular on the decks at one of the most legendary club nights of all time of any genre - Metalheadz at the Blue Note.

An important producer in the 90s, including the all-timer Shadow Boxing, he hasn't released a tune in over 20 years, but still runs his label 31 Recordings and DJs all over the world.

We talk about the history of the scene, those acid house raves, the detailed story of the Rage - Jungle Fever - Speed - Metalheadz progression. And we get deep into the DnB scene today, which he regards as being as good as ever.

This is a great conversation, and hopefully the first of more DnB coverage coming up!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

If you were discussing, as people sometimes do, the possible identity of ' the best techno producer of all time' then Luke Slater would surely be mentioned in that conversation. At least if I was involved in the debate it certainly would be.

Is anything else necessary to say here?

Well, he has a new album coming under his LB Dub Corp alias, which is usually closer to deep house and this time features vocals from Kittin, Robert Owens, and Paul St Hilaire amongst others.

And we talk about techno, acid house, and the state of the current scene. What more could you want from an episode of the Not A Diving Podcast?

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

How could we possibly follow last week's episode with the techno legend Luke Slater? Well, with another legend of techno of course!

Laurent Garnier is, in fact, and all-time great of dance music PERIOD. He was playing the Hacienda before acid house really got going. He can plausibly claim a large amount of the credit for the sound gaining popularity in France. And he continues to be one of the best DJs on the planet.

So it's a slightly daunting prospect to welcome him to a humble podcast such as ours, but welcome him we absolutely do.

Discussion topics include: what are the challenge facing the current scene, and the grounds for optimism. We talk about Paris as a dance music city, and the role of venues such as the Rex Club and Concrete. And we talk about his relationship with music, as a DJ and also as a producer.

This is a great conversation with a man who many claim to be the GOAT. You're gonna enjoy it...

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Radio is not something we've covered massively on the podcast to date but this week's guest is often (and somewhat lazily) referred to as the Irish John Peel, so this is a step towards rectifying that.

Cian Ó Cíobháin has been curating his 5-nights-a-week show An Taobh Tuathail on the Irish state broadcaster RTE RnaG for 25 years. That longevity is an achievement in itself, but doing a great music show for that long is a very rare thing indeed.

Originally from Gaeltacht in Co Kerry, he's been based in Galway since 1993, and has been a big part of the music scene ever since as a DJ and club promoter, bringing acts like Erol Alkan, Andrew Weatherall, and Justice to the city.

Cian is a real legend of underground music in Ireland and it's great to have him on the show!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Ceri is a DJ, producer, Find Your Own Records label owner, and Find Your Own Sound music production masterclass host.

A former resident of the legendary after hours party Jaded in London, she has really taken off on the circuit since the pandemic with recent debuts at Panorama Bar and Blitz Munich.

She's also an Ibiza resident and a long-time participant in the scene there, with a full season as a worker under her belt... so we talk a lot about Ibiza in this episode.

We also discuss technique vs creativity, selling vinyl in 2024, and the Kendrick / Drake beef... kind of!

Check out her recent mix appearance on the Blitz Club podcast https://soundcloud.com/blitzclub/blitzcast-019-ceri

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Is it possible for the music to do the talking in 2024?

Maybe, but probably not the extent that Paranoid London managed it for the first few "vinyl-only, no interviews" years of their career. Quinn joins us on this episode for a chat that includes a lot more laughter than usual for an episode of this podcast. But that's a good thing!

And we talk about some interesting stuff too, like their new album, the effect of playing on big stages, how great London is right now, recording techniques... and a lot more.

This is a good one, you're gonna enjoy it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Tom Vek is a solo artist from the UK who has been signed to majors, indies, and been self released. He was in the news recently in the debate surrounding James Blake's Vault platform, penning an opinion piece on the subject in the Guardian.

So obviously we discuss all that stuff in this conversation, as well as his own contribution to the music distribution development conversation - the Supercollector blockchain platform.

We also get into his journey as a musician, from his extremely great first album 'We Have Sound' through a difficult period on Island/Universal, via his various excursions in tech and up to the present day.

Tom is a great guy whose music I've been a fan of for many years and you're gonna enjoy this conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

We've been covering techno quite a lot on the show recently, but mostly from a legacy perspective. This week we are joined with one of the last few years' breakdown names on the production side.

Based in Krakow, Poland, Karol Mozgawa aka Deas emerged largely via the Audio River festival, a truly world class event which is now its seventeenth year. Releases on CLR, Dynamic Reflection, Planet Rhythm, Materia and others have cemented his name in the DJ sets of the biggest and best techno jocks on the circuit.

Karol is a proper studio guy, with a room full of kit in his house outside Krakow, so we get into the weeds a bit with audio interfaces and outboard gear in this conversation.

But we also delve into more familiar territory too, addressing the state of the current scene, the good points and bad, as well as some scene-specific stuff in Poland too.

This is a good one, you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming this week!! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

How many proper recording studios are there left in big cities in 2024? And how many of those are used regularly for making proper dance music?

Probably not that many but one of them is run by this week's guest, a recoding engineer with a ton of house and techno credits and one half of the Lost Souls Of Saturn alongside previous NDP guest Seth Troxler.

Phil Moffa is a born-and-raised New Yorker, with the accent to prove it. He's also a great person too discuss many of our favourite topics with, including the historic club scene of NYC, the ethics of music technology, and the current state of house and techno.

We also get deep into Phil's journey through music as a DJ, engineer, and lecturer.

This is a good one!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

It's the week after the week before.... no guest this week, but a deep dive into my experiences with live electronic music in the audience as well as being on stage myself.

And on stage I was, last week in London, Bristol, and Manchester. Huge thanks to all of you who attended the shows, had so much great feedback it's been a bit overwhelming actually. If you missed it then there will be more later in the year!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

At what point does criticism of changes in culture become overly reactive? This is a question I've wrestled with continuously over the past couple of years, but I can't get past the conclusion that if something isn't good then pointing that fact out is never really a bad thing... right?

My conversation with Radio Slave this week doesn't pull any punches on what is wrong with dance music currently. It's no longer cool. Social media is rewarding the wrong stuff. The history of the thing is being trampled on and turned into something that bears no resemblance to the original vision.

But over the top of all that is a sense that good things are still happening, and that maybe it wouldn't take much for the forces of commercialism too be swept away and something great to emerge. Kind of like what happened after the turn of the millennium, a period which felt quite a bit like it does now.

We also discuss the new Radio Slave album, the changing nature of running a label in this space (Rekids, in this instance), and try to anticipate how it's all going to develop... positive or negative!

Matt Edwards is a don of the scene and you're going to enjoy this conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Are we partying like it's 1999? I mean what it was actually like in 99, not how Prince imagined it might be back in 1982.

Millennium eve was supposed to be the best thing ever. I was beside myself with excitement for months beforehand, possibly years. But when push came to shove, my group of friends didn't even bother going to a rave and spent an underwhelming evening drinking warm champagne on Brighton Beach before attending a number of deeply boring house parties.

The subsequent inquest carried out in the pages of Mixmag, DJ Mag, and the rest suggested that our experience wasn't unusual. Promoters lost unfathomable amounts of money that night and the overall impression was that an enormous bubble had prematurely burst with the least fanfare possible.

The current landscape lacks a similar finishing line, but the bug-eyed faux enthusiasm and lip-smacking commercialism which seems to define everything in the dance scene right now definitely has a similar feel to the end of the 90s. But what, if anything, is going to let the air out this time? 1999 was also the time that our guest this week, Steve Bug, and some of the Superstition Records gang from Hamburg started Poker Flat Recordings, one of the labels that would define the minimal sound that emerged from the wreckage of Millennium Eve.

Steve has been pretty outspoken in his interviews of the last few years on above topics, so of course I wanted to get him on the podcast to talk about it. This conversation dovetails nicely with last week's episode with Radio Slave, in which I noted that 'if something is shit, then you should say it's shit, and this [the current dance scene] is shit'.

There is a reasonable degree of constructive comment in this episode though, as well as the doom. I think there is anyway!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Join us at the D:U:2 listening party -> https://scubaofficial.bandcamp.com/merch/d-u-2-listening-party

Listen to the awesome Laurus Ascending EP by Bodhi -> https://ingrv.es/laurus-ascending-ya4-9

It's been a while since we had a promoter on the show, and this week's guest is one of the most influential in Europe since the turn of the century.

Having spent his 20s servicing in the military and fire brigade, Danny Whittle joined the Renaissance team direct from the job centre and since then has been running parties mostly in Ibiza but in other places too, including a memorable detour to Bondi Beach on Millennium Eve.

We get deep into his legendary 14 year stint running Pacha were he essentially invented the enduring trend of season-long DJ residencies on the island, and all of the benefits and problems which have come with that approach to music polices on the island. And we talk about his current job, programming the 'small' 1500 cap venue Chinois.

As well as interrogating the pros and cons of the current dance scene, we discuss the parallels with the late 90s, and of course cover what was one of the few major successes of what was supposed to be the biggest party night ever, that Bondi Beach rave with Carl Cox.

Danny is a real legend of the European club scene and we get a lot of info here that you can't get anywhere else!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Afro House is not something we've covered in depth on the show to date, but this week we welcome one of the UK's foremost exponents of the form.

Kitty Amor was born in London, but cut her musical teeth running nights as a student Nottingham where she and her associates were instrumental in bringing the second wave of Grime, Funky, and other key London genres out of the capital.

Her sound as a DJ was also developed during that stint in the midlands, and upon returning to London she made a success in establishing herself on the scene, and put herself in a great position to kick on when the international opportunities came knocking as they inevitably did.

We discuss the challenges of getting started in the industry, the influence of musical parents, the peculiarities of running student nights, taking advantage of the time in lockdown, and the nature of the scene today.

Kitty has some great stories and you're gonna enjoy this episode!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The pandemic is a topic of conversation we studiously avoided for the first year or so of the podcast, it just seemed a bit boring and predictable. It was shit, basically, and there's only so much you can say about being locked inside for 18 months.

But what if you suddenly became a successful DJ in 2019? That was some of the worst timing possible, and must've posed a series of challenges to keep it going, both professional and psychological.

This week's guest had to deal with exactly that scenario, and he just about managed to come out of the other side. The pressures of success aren't intuitively easy to imagine from the outside but this particular case probably isn't that hard to empathise with. Work for years to achieve your dreams, manage to do it, and then face the prospect of it all going up in smoke through the most bizarre social circumstances in living memory.

Don't worry though, it's not all Covid chat this week, we also get into the music, some technical stuff, more discussion of the state of Techno today (the main theme of the show in recent weeks), and some much-needed detail on the scene in Spain.

Regal is a great guy and you're gonna enjoy this one!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What do you call a music scene with no name?

The lack of a commonly-accepted moniker for the mid-to-late 90s movement centred around Ninja Tune and Gilles Peterson amongst others is a real anomaly in contemporary music. One of the most interesting insights from our guest this week, Mr Scruff, is the revelation not even the DJs themselves referred to it as anything in particular. That's pretty crazy!

This is a great conversation, a classic episode even. We discuss Manchester, sampling, tape editing, record collecting, as well as the AI stuff and the general making of ones way in the music scene.

You're gonna love this one...!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What is future music anyway? And is it any different from the future OF music?

Simon Reynolds is one of the most influential music writers of the last two decades, authoring such seminal works as 'Energy Flash' (on acid house and rave, 'Rip It Up And Start Again' (on the post-punk era), and 'Retromania' (on the obsession of popular culture with the past).

His latest book, the recently published 'Futuromania', is a discussion of future music, past and present. And over the course of this conversation we dig deep into its contents, written at various points since the early 2000s.

Also covered in the discussion are the current landscape of musical influence in culture, the changing nature of the global dance scene, the rise and fall of Autotune, Lady Gaga and Charli XCX, Burial and Omni Trio, and the influence of Skrillex.

I was looking forward to this one and it didn't disappoint!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Stream the video version of this episode: https://youtu.be/WoQuHAjWYMs

And listen to Triple Transit: https://push.fm/fl/tripletransit

This is the first in a new series entitled Studio Stories, in which I'll be sitting down with a producer and discussing a release in detail.

Today I'm talking to Praveen Sharma, aka Braille, about his awesome new LP Triple Transit which was released today.

We get into the technical challenges of making the record, incorporating modular synths and designing an efficient workflow, as well as the emotional journey Praveen embarked upon in the period that he was making the tracks.

This is a great insight into an excellent piece of work and you're gonna enjoy the conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Mike Parker is one of the most singular practitioners of the discipline of Techno as is possible to identify. His biography describes his approach to music as 'experimental and ritualistic' and on detailed listening you'd have to agree.

He's also a professor of fine art at Daemen College in Buffalo, and a graduate of the art school at Carnegie Mellon University.

So this is an episode about Techno, but not typical of nominally similar episodes of recent weeks.

We discuss recording, work in the studio without a computer, his early experiences in bands, the influence (or not) of EDM, and the mid 90s east coast warehouse scene.

And we also get a definition of 'art' from someone who actually knows what they're talking about!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I'm on holiday currently but since we never actually take days off here's an unprecedented episode of the show with two guests and two separate interviews!

Gregor Tresher is DJ and producer from Frankfurt, Germany who's been releasing music since the 90s under his own name and under the Sniper Mode alias. We focus on production in this conversation, and specifically collaboration since much of his output in recent years as been working with other people, perhaps most notably in co-writing and producing Sven Väth's 2022 album Catharsis.

Juliet Fox is a breakthrough DJ from Australia who has been riding the wave of the current techno boom since the pandemic. We chart her journey from Adelaide, to Melbourne and on to Europe where she now lives in London, having enjoyed the customary spell in Berlin too.

Both of these conversations include discussion on the challenges facing the current dance scene, and the reasons to be optimistic. We get some interesting divergences AND convergences of opinion of the various issues, making this a pretty effective double header.

Stick it on by the pool!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

In 2020, our guest this week was named an Artist in Residence at the Search for Extraterrestrial Intelligence (SETI). Thus we are finally able to continue the theme established on episode 84 with Matthew Dear, a line of enquiry which I know many of you were keen to see more fully interrogated on the podcast.

Daedelus has been making music since the 90s, releasing albums (on labels including Brainfeeder and Ninja Tune) almost every year this century, and performing with such virtuosity that they are now a professor of electronic music performance at Berklee's Electronic Production and Design Department.

So we had much to discuss during this conversation, including the nature of extra terrestrial communication, government efforts to support the creativity, intellectual property and sampling, the making of albums, and the views and expectations of the new generation of musicians.

This is a good one...

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The potential of NFTs to save musicians was always pretty tenuous, and the more excitable proponents of the whole thing always sounded a bit too much like they were either trying to convince themselves about it. Or maybe that they were just scamming.

Our guest this week is deep in the world of digital art, but doesn't make any bold claims to be even linking it in much of a way to his first area of creative interest which was, of course, music.

Agoria is an important name in the history of the French scene, with a long career releasing records on the full spectrum of labels, throwing parties (including the key festival Nuits Sonores), and DJing all over the world. He's also a thoroughly nice chap who I've had the pleasuring of hanging out with a playing a good few b2b sets with over the years.

We discuss the whole web3 thing, his involvement in the digital art scene more generally, the Paris olympics, meeting President Macron, the Presidential art collection, the future of dance music, and a lot more besides.

I loved this conversation and you're going to too!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

If the medium is the message then surely anyone closely involved with Ableton over the past couple of decades can justifiably claim to have changed the world of music in that time.

Since our guest this week is a co-founder of the company, then his contribution should probably be described as world-changing. And not just electronic music, since all music today is to some extent running on tech. Ableton has done more than any other emergent piece of technology to enable vast, previously unprecedented numbers of people to make records.

But is that a good thing? We find out in this conversation.

Of course we also discuss Robert's contributions as an artist, in particular his new album as Monolake, entitled 'Studio'. We get into the process of making it, and the differences from his previous album projects. And we talk about the challenges and pressures of making music over time.

We also get deep into his story, moving from Munich to Berlin in 1990 and gradually developing the projects which would... well, change the world.

This is as good as I'm making it out to be, so make sure you get all the way through it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

This is an unedited recording of our LIVE EPISODE at Lost Village Festival in the UK last month featuring Hot Chip's Joe Goddard.

We rarely do these live episodes, so sign up to our Discord server to tell us what you think!

The next regular episode of the show will be out on the normal schedule of next Tuesday.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What are we all doing here anyway? That's a question I've asked myself recently, not in purely existential terms so much as continuing to pursue some sort of platonic ideal of dance music. Something that means so many different things to so many different people.

Truncate is a key man in the world of Techno, a producer who i suspected might have been the most played artist on Aslice (he denies this), and a key DJ who spins all over the world. He's also a man of opinions and observations and therefore a great guest for this show.

We talk about topical stuff like the Aslice thing, the prevalence of DJ tools, and the influence of DJ tech on the music, as well as digging into his history and local scene in southern California.

I use far too much profanity in this episode, but don't worry about that - this was a fun with a key man in the scene and you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

*****ANNOUNCEMENT*****

Join us for the first ever Not A Diving Club at fabric in London on Thursday 24 Oct.

Full details to follow but this will be a FREE ENTRY EVENT but you must be on the advance signup list to get in -> sign up here.

Back in the 90s, classic records were being released seemingly every week. So for one of your tracks to make it into the annual top ten really meant something. But what if you had three in a single year?

That was 1995 for this week's guest, and the short period in which he released Don't Laugh, I'm Ready, and Higher States Of Consciousness was always going to be a defining one in the history of the music itself, let alone the story of the actual producer.

It's possibly just as much of an achievement that Josh subsequently managed to escape the legacy of those monster records and build a lasting career on the global circuit, and it's that longevity that makes this such a great conversation.

We talk about the musical influence of his home town of Philadelphia, the early US rave scene, the pivotal role of college radio, the challenges and opportunities of today's industry, and of course the experience and aftermath of 1995.

This is a good one... of course it is!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

*****ANNOUNCEMENT*****

Join us for the first ever Not A Diving Club at fabric in London on Thursday 24 Oct.

Full details to follow but this will be a FREE ENTRY EVENT but you must be on the advance signup list to get in -> sign up here.

The term 'underground hero' is often bandied about the dance scene with not much of a definition and in many cases an inappropriate target. But this week's guest is very much a plausible recipient of the accolade.

A veteran of the techno scene in London since the cutting his teeth as a teenager in the early 90s, Jerome Hill has made the records, played the gigs, run the labels, and served records from the behind the counter of shops including the seminal Dragon Discs in Camden Town.

We get into the mid 90s squat party scene in this episode, a key aspect of UK techno and something which I was very much aware of at the time but didn't experience at all first hand. And we also get a eye witness account of the legendary south London venue Club UK, which was closed down after years of police raids and controversy in 1996.

This is a great conversation with an important figure in UK techno, you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

*****ANNOUNCEMENT*****

Join us for the first ever Not A Diving Club at fabric in London on Thursday 24 Oct, an evening of chat and unreleased bangers from 8pm til late.

This will be a FREE ENTRY EVENT but you must be on the advance signup list to get in -> sign up here.

On with the show...

Rune Reilly Kölsch is one of the biggest names on the melodic techno circuit, a long time member of the Kompakt Records roster and collaborator with names including previous NDP guest Tiga and Jane's Addiction frontman and part-time boxer Perry Farrell. 

He's also a very thoughtful guy with a huge amount of experience, having released his first record back in 1995, so a perfect guest for the show.

We cover the small clubs vs festivals debate, the recent question of should big acts lower their fees to play small venues, the history of the scene in his home town of Copenhagen, and his process of making music.

We also get into the impact and legacy of the EDM boom of the early 2010s, and the extent of his direct involvement in it.

This is a really good one with some great insights, you're gonna love it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

*****ANNOUNCEMENT*****

Join us for the first ever Not A Diving Club at fabric in London on Thursday 24 Oct, an evening of chat and unreleased bangers from 8pm til late.

DJs on the night will be

Minder b2b Machine Woman

Oneman b2b Lu.Re

T.Williams b2b Tasha

Scuba b2b Braille

This will be a FREE ENTRY EVENT but you must be on the advance signup list to get in -> sign up here.

---

To call Shackleton an enigmatic figure would be to understate the case, especially in the context of the modern music scene. The requirements of the modern musician to constantly explain themselves, preferably direct to camera on social media, are so far from the operating system of this week's guest as to be entirely alien. So to welcome him to the podcast is a great privilege.

A co-founder of the legendary Skull Disco label, veteran of the embryonic dubstep scene, and subsequent traveller through musical psychedelia, he's a producer with an instantly recognisable style who has managed to develop it in surprising ways while keeping absolutely true to his musical principles.

This is an extremely rare Shackleton interview so there was much to discuss, and we get deep into his highly prolific recent catalogue, his transplant to Germany and relationship with his home country, as well as that formative period in the movement that became known as dubstep.

This is a big episode and a great conversation, you're gonna love it

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

*****ANNOUNCEMENT*****

Join us for the first ever Not A Diving Club at fabric in London on Thursday 24 Oct, an evening of chat and unreleased bangers from 8pm til late.

DJs on the night will be

Minder b2b Machine Woman

Oneman b2b Lu.Re

T.Williams b2b Tasha

Scuba b2b Braille

This will be a FREE ENTRY EVENT but you must be on the advance signup list to get in -> sign up here.

---

The second in our series of Studio Stories episodes, we are joined by UK producer Decka in a conversation about his recently released LP entitled "Exit" on Tar Hallow Records.

We get into some of the technical details behind making the LP, the creative ideas and inspirations behind it, and also the philosophy behind making long form records in the genre of Techno.

Grab the release here.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

*****ANNOUNCEMENT*****

Join us for the first ever Not A Diving Club at fabric in London on Thursday 24 Oct, an evening of chat and unreleased bangers from 8pm til late.

DJs on the night will be

Minder b2b Machine Woman

Oneman b2b Lu.Re

T.Williams b2b Tasha

Scuba b2b Braille

This will be a FREE ENTRY EVENT but you must be on the advance signup list to get in -> sign up here.

---

On the show this week we preview the Not A Diving Club event at fabric in London, our first ever live event, getting into the thinking behind the format, the lineup, and other stuff too.

And we also welcome artist manager and former DGTL label manager Tim Hoeben to the show. We sat down last week at ADE to discuss various things from the festival circuit eating small clubs all the way through to the ridiculous rider demands of CERTAIN artists.

Tim's a great guy and this was a fun and informative conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Our first ever Not A Diving Club event at fabric in London last week was a success. We played a ton of unreleased bangers and had a panel discussion on topical issues with Machine Woman, T.Williams, and Braille.

On this week's episode we bring you a recording of the discussion, plus some of my thoughts on a topic close to my heard... relating to this little nugget which developed over the past week. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We have discussed this thread on a few recent episodes of the podcast, so it seemed appropriate to have the man himself back on the show to discuss it.

Man Power has been making waves in the UK scene since our last conversation on episode 52, with his parties at the Are You Affiliated venue and willingness to speak his mind on various topics affecting the grassroots club scene.

Obviously this makes him a great candidate for an NDP episode and we here we have it.

I'm currently on holiday but will be back in a couple of weeks, in case anything in this episode isn't entirely up to the minute!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

SP:MC is an MC (ofc), DJ, and producer from the UK, mostly inhabiting the DnB space but who also regularly ventures into other areas of bass music and beyond.

We discuss the DnB scene in the US (where he was on tour when we recorded this conversation) as well as in the UK, his formative years MCing with DJ Friction, his journey as a producer, and also a few of the topical scene issues we've been discussing in recent weeks too.

I'm still on holiday but will be back next week!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I am back from holiday, and of course during my break events occurred.

Back in 2016, Trump's win was a nasty shock. But ultimately as it panned out, the worst of it was confined to a generally queasy sense of chaos, the Trump family's probably-illegal self-enrichment, and the trashing of the public finances in the pursuit of all time highs on the S&P500. That was until the attempted insurrection of January 6 2021, an event which should've disqualified the incumbent from ever being involved in politics again.

This time around it feels totally different - much more so given the hand waving of that event and the apparently serious and organised nature of the incoming administration. Things could get bad. But why did they win?

You've probably had a bellyfull of election coverage already, but the relationship the forces at play here have with some of the broad themes discussed on the show recently mean we have to get into it. Themes like counterculture, the declining importance of music and musicians, the debasement of culture more generally. And the failure of the other side of politics to construct a coherent alternative to the coming chaos.

We'll have a guest on next week but this one is just me... so buckle up!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Back with a guest! After last week's solo pod we welcome an extremely important figure in dance music broadcasting, BBC Radio 1's Sarah Story.

Last week we talked about alternative media - of course BBC Radio is as legacy as it gets, but particularly in dance music there really isn't anything to rival Radio 1. It's notionally British public radio but the global influence is huge and the degree to which new presenters gain an instant profile hasn't really diminished.

A relatively new addition to the roster, Sarah Story and her Future Dance show is now firmly established as one of the most important cornerstones of dance music radio. So of course she's a great person to have on the show.

We dig into her journey to Radio 1, via Capital FM, seasons as a worker in Ibiza, and running the breakfast show on regional radio.

And we also get into the workings of Radio 1 shows, how playlisting works, the role of pluggers, the wider perception of the station and the BBC... and a lot more.

This is a good one!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2024 Not A Diving Podcast Pledge Drive is now live!

Sign up to the Musicality Tier on Patreon by Monday 23 Dec and receive a Not A Diving Club t-shirt!

Thank you for your support, it makes this podcast possible.

---

We've had a few legends of dance music on the show, but this week we welcome our first member of the Belleville Three.

Along with Juan Atkins and Derrick May, Kevin Saunderson crested the first wave of Detroit Techno and birthed a global movement that persists to this day. Under his own name as well as a plethora of alias and groups including Inner City and E Dancer, Kevin made some of the most important tracks of any era of dance music.

So of course this is an exciting episode. We talk about the forthcoming E Dancer record, working with his son who is now a member of that group as well as Inner City, as well as getting deep into the early era as well as his breakout success with Inner City.

This is a great episode, you're going to love it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2024 Not A Diving Podcast Pledge Drive is now live!

Sign up to the Musicality Tier on Patreon by Monday 23 Dec and receive a Not A Diving Club t-shirt!

Thank you for your support, it makes this podcast possible.

---

What happens when your DJ set bears very little resemblance to your much-loved output as a producer? And what happens when your production output doesn't seem to entirely tally with your rapturously-received turns as a DJ?

This week's guest has both of those problems, which should probably be categorised as first-world in nature. Equally loved for his high impact DJ sets and hauntingly beautiful studio output, DjRUM has over a long period established discrete reputations in both fields while successfully avoiding the beartraps offered by success in either one.

In this conversation we mostly focus on the DJ side, digging into the philosophy of big tempo jumps, turntablism, musical influences, and technology. But of course production can't escape entirely, and we cover Ai, new developments, and whether having loads of terrible music in the world can really be a positive thing.

Strap in, this is a good one! 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2024 Not A Diving Podcast Pledge Drive is now live!

Sign up to the Musicality Tier on Patreon by Monday 23 Dec and receive a Not A Diving Club t-shirt!

Thank you for your support, it makes this podcast possible.

---

The last year of the show has been more squarely focused on musicians than the first two. We've talked about general issues in the industry, but the expertise has mostly been from the artist side. This week we widen the net.

Darren Hemmings is the Managing Director of Motive Unknown, a music-focused strategic marketing agency based in the UK. He's a previous Head Of Digital Marketing at PIAS and various other jobs at majors and independents across the industry. He's also the author of the Network Notes letter on Substack, in which he discusses trends and big stories in the industry.

We discuss the state of the industry today, the health of the streaming platforms and their changing approach to payment models and staffing, and the independent sector with its challenges and potential for a future breakout against the ongoing encroachment of the majors.

We also discuss a&r strategy, why dance music doesn't stream well, and the comparison between music companies and the decline of Nike.

This is a detailed excursion into the music business today... get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I recorded a solo holiday special episode for this week... but we have decided that it's far too depressing to come out this week, so instead we are returning to one of our favourite ever episodes.

Originally from all the way back on episode 50, we bring you an extended interview with a very interesting guy, a great producer and DJ from the US - it's Fred P.

We talk about his roots in New York City, the different approaches to owning and distributing your own music these days, and overcoming life's challenges to reach a place where you can express yourself fully.

Have a good holiday and we'll be back on New Year's Eve!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Into 2025! We will be back next Tuesday with a brand new episode, but in the meantime here is a re-run of one of our absolute favourites - discussing the merits of music theory knowledge and the legacy of UK Garage... it's MJ Cole!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Steve Hillage is a founding member of System 7, one of the key proto-trance acts of the early 90s, and Mirror System whose latest album 'Route 77' is out now.

Prior to his involvement in dance music he had an extensive career as a guitarist in bands such as Gong, Decadence (with Kevin Ayers), Khan, and Uriel, formed with the members still at school. His solo career includes records produced by Nick Mason and Todd Rundgren, and his own production career includes records with Simple Minds and The Charlatans.

Additionally, that pretty stellar CV also includes a key contribution to the representation of dance music at Glastonbury with the establishment of the dance tent in 1995.

So clearly this is a good person to have on the show. We discuss the psychedelic rock scene in the 70s, the development of music tech in the 80s, and his eventual realisation that dance music was his musical home by the time of the first System 7 record in 1990.

And of course a lot of other stuff too... including some advice from Jimi Hendrix and the connection between Underground Resistance and George Clinton.

This is a great way to start 2025, get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Hosted on Acast. See acast.com/privacy for more information.

On the show today I lay out my plans for a hypothetical stint as editor of one of the big dance music media platforms. I spend enough time shitposting these guys, so given the opportunity what would I actually do?

Spoiler alert - it would be pretty sick.

Lester Bangs profile.

Barret Brown columns.

Clive Martin in Vice.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Hosted on Acast. See acast.com/privacy for more information.

How does a record collection reach an accumulation of 70,000 pieces of vinyl? I guess it must through a single-minded commitment to searching and buying over a long period of time?

That is the story of Mr G, a life-long digger who broke through as part of one of the biggest techno acts of the 90s - The Advent - before going solo and gradually carving a niche as one of the best proponents of pure house music on the global circuit.

We are here to talk about his new album though, The Fifth Chakra, which is neither house nor techno but an excursion into soundscapes and textures whose stylistic shifts are a statement of their own.

The discussion is of course wider than just the new music however, and we talk about his early years in the English midlands, childhood trips to Jamaica, his journey as a producer and engineer, and his approach to music generally.

This is a great conversation with a true original. Get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Hosted on Acast. See acast.com/privacy for more information.

The Not A Diving Podcast is supported by AC55ID... head over to www.ac55id.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!

--

What is Hardgroove anyway? It's a genre of techno isn't it? A general sort of vibe? Maybe even a music trend that has saved techno as a whole from the encroachment of the execrable nonsense that really shouldn't be included in the genre in the first place?

Well actually Hardgroove is really just Ben Sims techno. It's a term that he coined in the mid 90s and the name of a label he's been running since not too long after that. But it's also become a kind of shorthand for a wave in the music whose renewed popularity in recent years has been a something of a lifeline for a corner of the scene that had got itself into a very bad spot indeed. 

So we talk about all that in this episode, as well as what it's like to be one of the biggest techno DJs on the planet, as well as his journey from being fascinated by early hip hop, through Acid House and onto the global techno circuit that he's inhabited for a good few decades now. 

This is a great conversation with a true legend of the scene... get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Hosted on Acast. See acast.com/privacy for more information.

The Not A Diving Podcast is supported by AC55ID... head over to www.ac55id.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!

--

We are getting deep in the independent music industry weeds on this week's episode...

To get started we must redirect you to episodes 91 and 92 of the podcast, which were a pair of deep solo dives into the world of direct-to-consumer music sales, Bandcamp in particular, and specifically the takeover of the platform by Songtradr that had just occurred. 

On those episodes I tried to debunk some of the wilder takes that had been circulating online and drill down into the platform and wider sector to establish what's so special about it and why it provokes such strong reactions. 

On this week's episode we welcome Aly Gillani, the European Label Representative at Bandcamp, to discuss all these issues in detail and get the insider take on the whole thing.

As you might expect, this is absolutely fascinating - if you're interested in the backend workings of the independent music industry that is... 

...and of course you are!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Hosted on Acast. See acast.com/privacy for more information.

The Not A Diving Podcast is supported by AC55ID... head over to www.ac55id.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!

--

What happens when an established house producer wants to write songs? What happens when they want to do things which might not appeal to their existing audience? That is what this week's guest is currently discovering, as he makes the finishing touches to an album that sees him step out of his comfort zone and into unfamiliar surroundings.

Riva Starr is one of the most successful house producers of the past couple of decades, starting out on Dirty Bird and becoming a fixture of the biggest house label of them all, Defected, as well as collabbing with huge names including Diplo, Fatboy Slim, and Todd Terry.

We discuss the processes behind the forthcoming record, running recording sessions in LA, the challenges of working with big names and pro musicians, his backstory in Italy and breakbeat, and a ton of other stuff.

This is a great conversation with one of the good guys. Get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.