Improv Exchange Podcast (Leander Young)

Nicole Zuraitis is a 2X GRAMMY-nominated jazz singer-songwriter, pianist, and arranger, New York-based bandleader and winner of the prestigious 2021 American Traditions Vocal Competition Gold Medal. With a “heart as big as her remarkable voice,” (Jazz Police), Nicole has positioned herself as one of the top artists and "prolific songwriters" (Broadway World) to watch in jazz and beyond.  

As a recording artist, Nicole has released five albums as a leader, and her sixth album How Love Begins, co-produced with eight-time GRAMMY-winner Christian McBride, was released July 7th, 2023, featuring all original music. It was nominated for BEST JAZZ VOCAL ALBUM for the 2024 GRAMMY® awards…. holy cow.

Besides leading her quartet, Nicole is the premier vocalist for the Birdland Big Band and frequently headlines iconic NYC jazz clubs like Dizzy’s Club at Lincoln Center, Birdland, the Blue Note, the Carlyle, 54 Below, and the late, great 55 Bar. She has appeared as a featured soloist with the Savannah Philharmonic, Asheville Symphony, and Macon Pops. She has supported iconic singers like Melanie, Morgan James, Darren Criss, and Livingston Taylor on piano and vocals. 

Nicole's arrangement of Dolly Parton's Jolene, co-written with renowned drummer and bandleader Dan Pugach, was nominated for a 2019 GRAMMY®, springboarding her career and making her a household name in the modern-day jazz landscape. In 2020, she was named in the top 40 under 40 for 2020 in Connecticut Magazine, and her weekly live stream during the COVID-19 crisis, "Virtual Piano Lounge," was featured in Forbes Magazine. 

Nicole has collaborated with an extensive list of luminaries, including Christian McBride, David Cook, Gilad Hekselman, Veronica Swift, Benny Benack, Stephen Feifke, Cyrille Aimee, Antonio Sanchez, Dave Stryker, Omar Hakim,  Rachel Z, Helen Sung, and Bernard Purdie. She is a proud educator and currently vocal faculty at NYU, SUNY Purchase, and the Litchfield Jazz Camp. 

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Claire Victoria Roberts is a composer, vocalist, and violinist, who blurs the boundaries of jazz, contemporary, and singer-songwriter genres. She collaborates, as an artist, with musicians from classical, jazz, and folk spheres, drawing upon her diverse influences and melding styles together: through improvised vocals, contemporary classical timbres, and melody-driven compositions.

Her work has been performed by the BBC National Orchestra of Wales, Psappha Ensemble, cellist Oliver Coates, Opra Cymru, Uproar Ensemble, Solem Quartet, and The Carice Singers. She has collaborated as a violinist and improvising vocalist with Camden Symphony Orchestra, Sherman Theatre, New Voices Choir, Morley Arts Festival, Aberystwyth Arts Festival, and Sherman Theatre. As a composer, she has been commissioned by Cheltenham Festival, Presteigne Festival, MusicFest, and the Wigmore Hall.

As a jazz vocalist, Claire has performed at festivals across the UK and abroad including Brecon jazz, Marsden jazz, and Begues jazz (Cataluna). 2021 saw the release of her E.P. 'NOIR', alongside the Treske Quartet, interpreting the melancholy, cynical lyrics of her chosen jazz and chanson material.

Claire won the Welsh Music Guild's Young Composer award in 2022, was awarded a Jerwood Arts composer award in 2021, is the Winner of a Royal Philharmonic Society Composition Prize 2019-2020, as well as 2017 winner of the Mathias Composition prize, and 2019 winner of a Francis Chagrin award. She has been broadcast on Radio 3, Radio Wales, and Radio Cymru. In this episode, Claire shares her background, education, and musical journey.

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Dermot Rogers is the principal and founder of the reactivated Dublin-based Livia Records label, which recently re-released the late guitarist Louis Stewart's masterful OUT ON HIS OWN solo album, and the previously unreleased duo album, SOME OTHER BLUES, with pianist Noel Kelehan. Livia Records' reactivation began in 2021, after being dormant for 15 years, since the death of its founder Gerald Davis.   The label was the first dedicated to jazz in Ireland, initially set up in 1977. Dermot is progressing with other re- and newly released albums from the Livia archives in 2023 and beyond. Livia Records may also release contemporary artists.   Additionally, Dermot is a weekly music radio broadcaster on 103.2 DublinCityFM and a board member of the Improvised Music Company. He is passionate about various music genres and supporting live and recorded performances. He believes in the importance of quality production and promotion of recorded and live performances to broaden the awareness and opportunities for musicians and their audiences.   Dermot has a background in Natural Science and extensive experience in digital media IT project development and management. In this episode, Dermot shares his background, education, and musical journey.  

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Through more than a quarter-century as a first-caller on the jazz scene, Eric Reed has articulated this inclusive conception as a leader of numerous ensembles, solo performer, composer, producer, educator, and sideman with numerous artists, including extended stints with Joe Henderson, Freddie Hubbard, Buster Williams, and Wynton Marsalis. Whatever the context, whatever the style, he consistently animates the flow with fresh ideas, virtuosic chops, intellectual clarity, and an unwavering will to groove. In this episode, Eric shares his background, education, and musical journey.

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Hailing originally from Nagasaki, Japan, Keita Ogawa is 2 times Grammy nominees and Grammy Award winner and one of the most versatile and sought-after percussionist and drummer in New York City if not the world. Currently, he works several projects like Snarky Puppy, Bokanté, Banda Magda, Bokantè, Cécile McLorin Salvant, Charlie Hunter, JSquad, Camila Meza and the Nectar Orchestra, Clarice Assad, and more. In this episode, Keita shares his background, education, and musical journey.

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The JuJu Exchange is a jazz-fusion group founded by three childhood friends from Chicago, each bringing their own unique stories and traits to the collective.

Nico Segal (trumpeter and producer) is Grammy Awarded musician and producer who is a frequent Chance the Rapper collaborator and trumpet player in Chance’s band The Social Experiment.

Julian Davis Reid (pianist and producer) is an artist-theologian who also hosts spiritual retreats called Notes of Rest, which interweave texts and music to promote rest, contemplation and creativity.

Nova Zaii (drummer and producer) is a sonic designer and the inventor of the patented Nova Portals instrument, a touchless electronic instrument.

Whether performing at The Chicago Jazz Fest or The Songbyrd, The JuJu Exchange brings uncut emotion with the intent to move the audience in mind, body, & soul. The band’s debut project Exchange reached #1 on the Apple Jazz Albums Chart upon release and their new single Walk Cycle debuted #1 on the All-New Jazz Spotify Playlist. They released their second record, The Eternal Boombox EP, inspired to provide relief as the world grappled with a catastrophic year. Each song corresponds to a stage of grief from the Kübler-Ross “Five Stages of Grief” Cycle.

The JuJu Exchange creates experimental and nuanced music that calls us all to wonder and trust. Their music, primarily instrumental, blends acoustic and digital instruments to accompany meaningful conversation around spiritual, mental, and physical experiences amongst their audiences' diverse backgrounds. They hope their music inspires the listener to participate in the kinds of exchange the world desperately needs.

The band has been booked for Microsoft Teams Roundtable, Yale University, Northwestern University, Jazz Institute of Chicago, Chicago Ideas Week, and Apple On Michigan. The band’s members have worked, performed, and produced with artists including Chance The Rapper, Frank Ocean, Derrick Hodge, Andrew Bird, Tank & The Bangas, Peter CottonTale, Jamila Woods, Grace Weber, Jennifer Hudson, Tiff Joy, VIc Mensa, Prefuse 73, Fulcrum Point New Music Project, and The Chicago Children’s Choir. In this episode, Julian Davis Reid shares his background, education, and musical journey.

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Isobella Burnham is a vibrant Bassist, Vocalist and Composer from England. Growing up in Barbados she soaked up the rich musical culture around her and studied Jazz at the Barbados Community College. Since moving back to London, Isobella has played and toured around Europe, Africa and Asia with Connie Constance, Steamdown, Tom Misch, Sampa The Great and Poppy Ajudha. The Boss/Roland, Rotosound artist is featured on Blue Note’s Reimagined Album performing bass and vocals for Steamdown. Her Debut EP Dancin’ Garuda set to be released on 21 st May 2021. In this episode, Isobella shares her background, education, and musical journey.

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Tony Overwater is an award-winning bass player whose sound and unique way of playing have established him as a key player in the European music world. He is a remarkable solo performer and leader of his own projects but also a collaborative and attentive sideman. He is well known for his pioneering work in Arab music.

In 1995 Tony Overwater went on tour with the Yuri Honing Trio through the Middle East, notably Lebanon and Syria, and fell in love with Arab music culture. He met musicians from Lebanon, Syria, and Iraq and started a long-time collaboration with the Lebanese singer Rima Khcheich.

He has been involved in Arab music ever since and developed a uniquely new playing style on the acoustic bass which allows him to play the microtonality of the Arab scales. He has been studying the maqams (scales), rhythms, and songs of classical Arab music. He recorded several albums with Rima Khcheich and eventually became the musical director of her ensemble. Regularly Rima Khcheich and Tony Overwater play duo concerts in which they perform classical Arab music in muwashah style in which the acoustic bass replaces the Oud. This has never been done before and is highly successful at festivals around the world. In this episode, Tony shares his background, education, and musical journey.

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Brian Scarborough is a top-call trombonist, improviser, composer, and educator in the greater Kansas City area. As a musician, Brian is regularly booked as both a bandleader for his quintet and a sideman for many local and touring bands of various sizes, in jazz and other genres. Moreover, Brian is a veteran musician of musical theatre, having performed for more than 50 productions in the greater Kansas City area. Internationally, Brian has performed in the European circuit in jazz, classical, and chamber music idioms. Brian has received critical acclaim as a soloist from international competitions including the J.J. Johnson Jazz Trombone Competition, the ATW Jazz Trombone Competition, and the Gilberto Gagliardi Tenor Trombone Competition, amongst others. Brian maintains a studio of private students and is equally passionate about creating new and interesting educational resources. Additionally, Brian is regularly on the faculty for various jazz camps and presents masterclasses widely.

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As a member of a musical family, Aleksi has been exposed to virtually all styles of music since birth,  from jazz to classical, folk to rock, and a half dozen other stops in between some of those genres. He’s listened to everyone from Jimi Hendrix to John Scofield, Derek Trucks to Wes Montgomery. His guitar speaks an authoritative language and yet, there is a relaxed feeling and an inbred admiration of music’s many faces. The sound is warm, round, and full, the phrasing is like a smooth-flowing brook, bubbling here, charging there, but always reflecting his basic understanding of what his instrument is about.

As any good New York artist does, Aleksi plays with the best and brightest across the creative landscape. From films to radio, pop to jazz, on tape or video, he maintains an ideal balance of adaptability and uniqueness. He’s played and/or recorded with Snack Cat (The Funk-Soul band he leads), Roberta Flack, Jersey Boys, J Hoard, Bailen, the Broadway cast of Aladdin, The Seth Weaver Big Band, Bailen, Peter Bernstein, Sam Dillon, Paul Bollenback, Augie Haas, Benny Benack, Vic Juris, Mike Glick (his pops) plus dozens of regional and nationally known bands and artists. He has also worked with major labels and publishing companies including Warner Chappel, Warner Music, Ropadope, APM, EMI, and Outside in Music.

Guitar and Me is the debut solo release from New York-based guitarist Aleksi Glick. The album plays as a genealogy of the guitar, weaving through various musical styles that have been crucial to the guitar’s evolution as well as influential to Glick’s own journey with the instrument. While still rooted in jazz and blues, the album pushes the boundaries of the genre by seamlessly floating through an eclectic mix of other styles including R&B, folk, rock, and bossa nova. Guitar and Me feature thirteen original compositions and solo arrangements of guitar-based classics that Glick recorded while in isolation at the height of the Covid pandemic.

The album starts off with a  burner, “With Ease,” an original bluesy hard bop tune that came to Glick after a memorable Mardi Gras in New Orleans. The bossa and R&B-infused title track “Guitar and Me” follow as Glick’s own love letter to his guitar. A mix of originals, jazz standards, and classic songs follow. Other highlights include  an arrangement of the Grateful Dead fan-favorite “Casey Jones” and the timeless classic “Georgia on  My Mind.” “A Tune for Vic,” is a moving tribute to Glick’s recently deceased mentor, the late great Vic  Juris. The album concludes with another original, “Rebirth” which is an homage to Glick’s early love of classic rock, and finally “Long Black Veil” one of two tracks that Glick sings on. With each track, you can hear the different influences on Glick’s playing from the classic tones of Wes Montgomery to the modern techniques of John McLaughlin, to the dynamic energy of Jimmy Hendrix.  In this episode, Aleksi shares his background, education, and musical journey.

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Pianist Benito Gonzalez “Two times Grammy nominee” is an internationally beloved artist who combines a long lineage of American jazz traditions with rhythms from around the world. He’s worked with dozens of the greats, and he always brings some of the best rhythm section players in the world.

Today a rising tide of young jazz pianists are attempting to find their distinct voices by taking cues from their elders. But only a few take their artistry beyond their predecessors to make bold 88-key statements on their journeys to new vistas, fresh sounds, inspired expressions. That personal-touch devotion to the wonders of the instrument brings with it a certitude of intuitive creativity. In this episode, Benito shares his background, education, and musical journey.

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Takuya Kuroda is a powerhouse talent, whose writing has been praised as “soulful” and “modern,” “effortlessly bridging the gap between jazz and soul, between history and tomorrow.” This interview marks the upcoming release of Kuroda’s widely-anticipated Album, Fly Moon Die Soon - a fitting title for the work of a musician on the ascent. In this episode, Takuya shares his background, education, and musical journey. 

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Flute-playing soul-jazz phenomenon Ragan Whiteside has become one of the genre’s most consistently dynamic and popular artists. Thanks to her incredible skill and creativity on her chosen instrument, as well as her charismatic presence on stage, Whiteside is at the top of her game. That was demonstrated in October 2022, when she became the first artist to win the competitive Best Contemporary Jazz Artist Award at the inaugural Jazz Music Awards, held at the Cobb Energy Centre in Atlanta. Whiteside is also a 2023 NAACP Image Award Nominee and four-time nominee for the Smooth Jazz Network’s Best Artist Award.

That distinction is well-deserved, as the Atlanta-based musician, songwriter, and vocalist have become one of very few women players to excel in the male-dominated instrumental sphere, garnering eight consecutive Top Ten Billboard airplay singles by 2022. And she’s done it as an independent artist, releasing projects on Randis Music, the label she founded with her husband, producer, and composer Dennis Johnson.

Her most recent full-length project, 2022’s Thrill Ride, is her sixth career album to date and it lives up to its title, demonstrating Whiteside’s breathtaking virtuosity and melodic skills on a thrilling journey through a landscape of dynamic grooves. The project features eight songs, which are largely produced by her longtime collaborators Dennis Johnson and Bob Baldwin. Other producers include Chris “Big Dog” Davis on the sexy update of Stevie Wonder’s “Don’t You Worry Bout A Thing,” and James Lloyd of the veteran group Pieces Of A Dream, who contributes “A Toast At Sunset” as writer and keyboardist as well.

Her third single from the project, “Full Court Press,” is a smooth and sexy groove co-written by Whiteside with the team of Johnson and Baldwin, who produced, and featured guitarist Phil Hamilton and drummer Rich Harrison, also known as the artist RAH.

Whiteside’s previous single was the title track, “Thrill Ride,” which was also written and produced by Johnson, Baldwin, and Whiteside, and features guitarist Hamilton and drummer RAH. The single peaked at No. 1 on five radio charts, including the Billboard Smooth Jazz Chart, Mediabase, the Smooth Jazz Network, Radiowave and Groove Jazz Music. Her previous single from the set, “Off The Cuff,” not only peaked at

No. 7 on the Billboard Smooth Jazz Airplay chart, where it spent 17 weeks, but it also earned her the Jazz Music Awards nomination that she ultimately won.

In addition to her projects, Whiteside has been a busy collaborator. Over the last two years, the native New Yorker also charted at No. 1 on the Billboard Smooth Jazz Airplay chart for her collaboration with Kim Scott’s 2022 remake of Ashford & Simpson’s 1978 mega-hit, “I’m Every Woman” along with Althea René, which peaked at No. 1 on the Billboard Smooth Jazz chart. Whiteside also co-wrote Bob Baldwin’s top-charting hit, “B Positive,” with production partners Dennis Johnson and Baldwin. Additionally, she is featured on “This Time Around” with contemporary jazz artist Jarez, from his latest project, J Funk City. In 2022, she appeared on two tracks, “Seven Eight” and “Solo,” on veteran jazz drummer Billy Cobham’s new album, Drum’N’Voice Vol. 5.

Whiteside has continued to delight fans and critics alike with her engaging, upbeat melodies and exhilarating flute playing. Tunes like “Thrill Ride,” “Off The Cuff,” “JJ’s Strut,” “Reminiscing,” “Jam It,” “Early Arrival,” “See You At The Get Down,” and the Billboard No. 1 “Corey’s Bop” have burnished her reputation. But while Whiteside has made her mark fusing inspired flute melodies and breathtaking solos with hip upbeat grooves, she gained her musical acumen by training as a classical flutist.

Originally from Mount Vernon, New York, Whiteside played drums, piano, and violin in elementary school before a desire to be in the marching band put the flute in her hand at age 8. “They had this thing called Band Day where all the public schools would march in a parade through Mount Vernon. I said, ‘Oh. I need to be in this parade.’” There were no violins in the marching band, so Whiteside was offered the flute. “I did not want to play the flute. And it took me about a week to get a sound out of it,” she says.

But once young Whiteside locked onto the instrument, she immediately focused on what kind of music she wanted to play but was steered into a more traditional path. “My parents got me a private teacher. I said to my teacher, ‘Okay, I want to do jazz.’ And he was like, ‘No, you’re going to play classical,’” Whiteside recalls. “‘I don’t want to play classical.’ ‘Well, you can play jazz later, but you need to get your foundation in classical music.’ Once again, I was being forced into something, but I started playing and I started getting good at it, and I started to like it.”

The young flute player got good and got serious. She participated in Mount Vernon High School’s Historically Black Colleges and Universities (HBCU-influenced marching bands), entered multiple musical competitions – some with cash prizes – and won. Members of the National Association of Negro Musicians mentored her, many of whom held positions as opera singers, orchestrators, music directors, and instrumentalists in classical music at a time when African Americans were still not often included. She also participated in the NAACP’s ACT-SO (Academic, Cultural, Technological, and Scientific Olympics) competitions for young people, where she won both regional and national titles in two different years. With these distinctions under her belt, Whiteside went on

to the Cleveland Conservatory of Music, where she was one of just six African American students. When she transferred to the highly competitive HARID Conservatory in Boca Raton, Florida, she discovered she was now the only one.

After receiving so much encouragement and mentoring during her high school years, this was a culture shock. “I was on my own, there was no support, there was nobody I could go and talk to,” Whiteside explains. “On top of that, just being in a classical conservatory, it's cutthroat, it's competitive, it's hardcore. A lot is expected of you, and everybody's trying to go after the same five or six openings.” The pressure to perform was intense and her motivation for that life started to wane. During her senior year-end performance, for which she was to play a well-rehearsed, 20-minute flute concerto, Whiteside went blank halfway through. Offered the opportunity to start again, Whiteside realized she was at a turning point and instead walked out.

Influenced by such diverse flute masters as jazz-classical player Hubert Laws, the late Latin jazz artist Dave Valentin, and the French classical flutist Jean-Pierre Rampal, Whiteside received rigorous musical training that prepared her to play in the most prestigious symphony orchestras in the world, but after graduation, Whiteside admits she wasn’t sure what she wanted to do. Back home in Mount Vernon, she attended a show at a local jazz club where keyboardist, producer, and composer Bob Baldwin was headlining. While watching, Whiteside says she had an epiphany: “I was sitting up front and I said, ‘Oh my God. This is what I want to do.’ ”

After the show, she introduced herself to Baldwin. “I told him, ‘Look I'm a classical musician but I want to make the transition to jazz. Do you have any advice for me? And we talked for a while and he pretty much took me under his wing, right then and there,” Whiteside explains. “And two days later, I went to a studio in Yonkers, and it turned into my first non-classical studio session.” Whiteside performed a Stevie Wonder tune for Baldwin and studio owner Dennis Johnson, who later became her husband. “I played a Stevie Wonder tune, and they’re like, ‘Hey, we need some flute on this jingle for [New York smooth jazz station] CD 101.9.’ And I did that, and from there Bob taught me how to make that transition from classical to jazz, and Dennis showed me the ins and outs of audio recording and using computers to compose music.” Since then, Johnson and Baldwin have become Whiteside’s frequent songwriting collaborators.

Whiteside instantly began her successful foray into the contemporary soul-jazz sphere. After launching the Randis Music label in 2007 with her husband Johnson, she collaborated with Johnson and Baldwin again on her 2007 release Class Axe, 2012’s Evolve, 2014’s Quantum Drive, 2017’s Troublemaker, and 2020’s five-track EP Five Up Top. She also teamed with popular saxophonist Kim Waters for the 2017 release Early Arrival. She has collaborated on tracks with several artists including Marion Meadows, Patrice Rushen, Tom Brown, Walter Beasley, Melba Moore, Chieli Minucci, Frank McComb, and others. She has also been a popular performer at the Berks Jazz Fest, the Seabreeze Jazz Festival, the Mallorca Smooth Jazz Festival in Spain, and the Capital Jazz Super Cruise.

Meanwhile, Whiteside and her husband Dennis Johnson made the jump from New York to Atlanta when it became clear that Atlanta offered a more attractive lifestyle. Further, digital technology has made it easy to produce and distribute music from anywhere. “Atlanta is like a hub,” Whiteside explains. “You can get to so many different places relatively quickly from Atlanta. For the first time, we were able to get to New Orleans, Nashville, Houston, the Carolinas, and all over Florida without having to fly, and every place we went, we experienced new musical influences.”

Whiteside has also maintained a career as a tech consultant and her role as a mother of two. In late 2020, Whiteside added another title to her list of accomplishments: Radio personality. Spotted at a show by David Linton, a former label executive and current program director of Atlanta’s station, Jazz 91.9 WCLK, Whiteside was offered the opportunity to audition as a host. She now holds down the popular No. 1 Saturday morning show “Saturday with Ragan Whiteside, ” another role she has grown to enjoy.

With so many professional balls to juggle, and the concert industry opening back up, Ragan Whiteside can lay claim to life as a contemporary jazz star as one big “Thrill Ride.” In this episode, Ragan shares her background, education, and musical journey.

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Trumpeter and singer Benny Benack III has proven to be a rare talent: not only a fiery trumpet player with a stirring command of the postbop trumpet vernacular in the vein of Kenny Dorham and Blue Mitchell but also a singer with a sly, mature, naturally expressive delivery in the post-Sinatra mold, performing standards and his own astute songs with a thrilling sense of showmanship. Benny shares his educational background, his music career, and his latest release A Lot of Living to do.

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The Luxembourgish drummer regularly proves his versatility and openness through numerous projects going from jazz to melodic hardcore to art music and electronic music. He was recently chosen by the American Drummer Jim Black to represent Luxembourg at Crisis Cross Europe. Michel Meis Endorses Paiste Cymbals. 

Diversity runs through the Michel Meis 4tet's music like the proverbial thread. Through its diverse moods and complex yet never arbitrary structures. The band offers compositions that are as elaborate as they are playful, as danceable as they are melancholic. This eclectic character is crystallized in Meis' playful drums. In this episode, Michel shares his background, education, and musical journey.

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Most jazz listeners are surely acquainted with one of the genre’s foremost trombonists, Steve Davis. The good news is his 25-year-old son, guitarist Tony Davis has also picked up the mantle and is continuing the family’s musical legacy. Not only does Davis display considerable talent with his swinging guitar style, but he also wrote most of the tunes on this debut as a leader, Golden Year. In this episode, Tony shares his background, education, and musical journey.

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Alex Corrêa was born on august 17th, 1981. As the son of a classical pianist was at the age of five his first contact with the piano but was at thirteen when he decided to follow the music path. At seventeen, Alex began his undergraduate studies at Universidade Estadual de Londrina - Brazil, which brought him into significant contact with many sound environments, anthropological and philosophical studies, and skills aimed at teaching music. In this episode, Alex shares his background, education, and musical journey. 

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“One of the most commanding voices on bass today” Yasushi Nakamura is praised for imaginative, quicksilver bass lines that deepen the groove. His blend of guitar-like precision and gut-level blues has sparked collaborations with artists such as Wynton Marsalis, Wycliffe Gordon, Toshiko Akiyoshi, Hank Jones, Dave Douglas, Steve Miller, etc. With his charismatic stage presence and artful, hard-swinging melodic touch, Nakamura is a first-call performer capturing new audiences and fans around the world. In this episode, Yasushi shares his background, education, and musical journey.

 

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Brian Scarborough is a top call trombonist, improviser, composer, and educator in the greater Kansas City area.  He can be seen performing around Kansas City with his own ensembles, and is a member of the People’s Liberation Big Band of Greater Kansas City, the Boulevard Big Band, Zen Brass, The Kansas-Nebraska Act, and is a sub for the Kansas City Jazz Orchestra.  Brian has also appeared with the Fountain City Brass Band. In this episode, Brian shares his background, education, and musical journey.

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One of the most sought-after drummers of his generation, Ulysses Owens Jr sets the mark. From GRAMMY award-winning performances with Christian McBride’s acclaimed Trio and Big Band to world tours with Kurt Elling and Joey Alexander, Owens’s artistic command of percussion has earned him positions in some of the most successful jazz ensembles of the 21st century. Owens’s reverence for tradition distinctly manifests in his straight-away playing style, but it is the versatility of his talent— his unique ability to manipulate texture and create penetrating musical shapes— that attracts the attention of jazz’s heavy hitters. His performance catalog includes collaborations with Nicholas Payton, Wynton Marsalis, Monty Alexander, Dianne Schurr, Renee Fleming, and Mulgrew Miller, just to name a few. In this episode, Ulysses shares his background, education, and musical journey.

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Jason Marshall’s 2003 arrival in New York City signified the continuation of hard-swinging, forward-thinking baritone saxophone playing. With early encouragement to appreciate all types of music, Jason has developed a style that encompasses the whole of African-American music. A special interest is given to the amalgamation of soul, R and B, and funk with straight-ahead jazz. Years of dedication and perseverance have resulted in a giant, soulful sound and instantly appealing concept. Influences such as Leo Parker, Nick Brignola and Bruce Johnstone have coalesced to ensure an open perception of the baritone sax and a “take-no-prisoners” approach to playing jazz music.

Jason has studied with no less than the elite baritone saxophone specialists of the 20th century including Hamiett Bluiett, Ronnie Cuber, and Gary Smulyan. These Three masters of the instrument have contributed invaluably to Jason Marshall’s ability, each one pouring their own personal wealth of knowledge into him. Other teachers include altoists Bruce Williams, Mark Gross, Steve Wilson, and Vincent Herring and tenor players Greg Tardy, Wayne Escoffrey, and Paul Carr. Mr. Lorenz Wheatley garners special distinction as being Jason’s first saxophone teacher and earliest source of musical direction.

Jason’s formative musical experiences include stints with the Thad Wilson Jazz Orchestra and Bluesman Roy Gaines. He is currently playing and touring with Roy Hargrove’s band RH Factor and the Roy Hargrove Big Band. Jason’s band “Overt Negritude” has Released its debut, self-titled album. Jason has also conducted numerous demonstrations, clinics, and workshops at every level of education throughout the world. In this episode, Jason shares his background, education, and musical journey.

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With inspiration from his stylistic ancestors Nat King Cole and Joe Williams, John Dokes brings new life to the deep-souled world of baritone jazz vocals on his elegant new album, Our Day on his Swing Theory Entertainment imprint. In delivering a distinctive post-pandemic outing of classic songs embodied with hopeful passion, Dokes—also promises that his new endeavor is “an album that will make you move.” Our Day features songs associated with Cole (such as the smooth low-toned “Almost Like Being in Love,” the delightful Rodgers and Hart gem, “This Can’t Be Love,” the Latin-vibed “L.O.V.E.” that elicits dancing), two vocalese numbers (Jon Hendricks’ take on one-time Jazz Messenger composer Bobby Timmons’ “Moanin’,” Mark Murphy’s swinging run through Freddie Hubbard’s “Red Clay”), the full-energy pop vibe on Billy Ocean’s hit “Suddenly,” the calming Michel Legrand tune “I Will Wait for You” made famous from the Frank Sinatra songbook.

“I grew up dancing hip-hop, I made a transition to something that I could do for a longer time in my life,” says Dokes. “I switched to Lindy Hop also known as swing dancing. I came to singing later in my life, but I gravitated to the music I was most passionate about—the eras of the ‘40s, ‘50s, early ‘60s. I started picking songs that really moved me. Dokes’ last two albums were quintet affairs. For Our Day, he convened a nonet that includes members of the New York-based George Gee Swing Orchestra where he launched his career as a vocalist. (He documented that with his debut album, John Dokes Sings, George Gee Swings.) Key to the album’s success is the arranging of Gee’s musical director trombonist David Gibson. “Dave is a great arranger,” Dokes says. “He provides layers for the nonet where everyone has a chance to shine on solos as he fills up the space with his lines.” Now, with his fourth album, Dokes has fully arrived. There’s not a dull moment on Our Day. He opens with “Our Day Will Come.” “It’s a love song,” Dokes says. but it’s also an opening from the past. Now is our time. Now is our day. It’s really a song about us as a band coming back together.”

Originally, Dokes was in the midst of fashioning a trilogy of quintet recordings (2017’s Forever Reasons and 2019’s True Love on Ian Hendrickson-Smith’s Rondette Jazz label). While the third album is still in the works, a couple of events intervened. “I got derailed,” says Dokes. “First, my drummer Lawrence Leathers died after True Love came out. I moved to Chicago with my wife and two children. Then there was the pandemic that changed how I was looking at the future. I had to restart my brain. I decided to work on some of my material that had never been recorded. I contacted George Gee and he was working on his nonet’s Christmas album in May 2023, so we combined that with David arranging my album. It was a back-to-back operation of small big bands.” The nonet comprises saxophonists Anthony Nelson Jr. and Michael Hashim, multi-reeds player Patience Higgins, trumpeters Freddie Hendrix and Andy Gravish, Gibson on trombone. pianist Steve Einerson, bassist Malik McLaurine and drummer Chris Latona.

A native of Little Rock, Arkansas who grew up living in Oakland, California, Dokes never dreamed of becoming a professional singer even though he was fascinated by black-and-white reruns of Nat Coles’ short-lived 15-minute network television show that ran on NBC in 1956. “I watched them nonstop before I ever thought about singing,“ Dokes says. “But there was his elegance, his smoothness, his ease. That resonated with me. And it informed how I approach my singing today. I don’t dive into a lot of vocal acrobatics - but like some of my favorite acrobatic and non-acrobatic singers I like to lean in and tell the story to connect with my audience.” His father was steeped in music while Dokes was growing up. He played Nat King Cole albums in the house, and he was in an r&b band in the Bay Area in the ‘70s that often opened for soul/r&b stars of the day like The Whispers and The Stylistics.

He moved to New York and became a regular at swing dance shows including dates by the George Gee Swing Orchestra. One of his dance partners was the legendary Lindy Hopper, cabaret star, alto sax player Dawn Hampton, the cousin of jazz hero Lionel Hampton and sister of legendary trombonist and composer Slide Hampton. She told him that she really liked his voice when he was dancing. “If Dawn likes my voice, I’m going to surprise her one night and sing a couple of songs with George’s band. George only knew me as a dancer. He saw my potential and asked me to join the band. That built my confidence and gave me the path to get better.”

Born in the Mongolian capital Ulaanbaatar, composer, pianist and arranger Shuteen Erdenebaatar (*1998) brings a unique sound to the audience with her yearning melodies enriched with profound and expressive harmonies and rhythms.

The daughter of Erdenebaatar Gombo, who recently earned the title “The Emeritus of Art” for his 40 years as director of the National Mongolian Opera, and Batkhuyag Ochirbat, a television director and journalist, Shuteen was brought up surrounded by arts and culture - particularly classical music. Accordingly, she studied classical piano and classical composition at the State Conservatory of Ulaanbaatar before coming into contact with jazz through a program at the Goethe Institute. "It was then that a whole new world opened up to me," she says. "Suddenly I had the freedom to play what I heard in my heart, not just what was written in the notes. With her bachelor's degree in classical music in hand at age 20, she yearned to explore the world of jazz and eventually came to study at the Conservatory in Munich. A key moment. She earned two master's degrees both in Jazz Performance and in Jazz Composition, and most importantly was able to find and cultivate her own jazz voice. 

Shuteen Erdenebaatar is a laureate of the prestigious BMW Young Artist Jazz Award 2022, the 1st Prize and the audience award for the legendary Young Munich Jazz Award, the Music Scholarship of the City of Munich 2022, the Composition Prize at the Biberach Prize 2022 and the 1st Prize at the Kurt Maas Jazz Prize 2021, among others. Her compositions have been played in the Munich Philharmonic Hall or in Studio 2 of the Bavarian National Radio. Furthermore, she has also been commissioned by Mongolia's most significant orchestras, such as the Bayan Mongol Big Band, the Mongolian State Philharmonic Orchestra or the Mongolian State Opera Symphony Orchestra. 

Currently she is working as a composer and pianist on her own projects such as the Shuteen Erdenebaatar Quartet, the Lightville Duo, and as a conductor for her newly formed 20-piece, cross-genre Chamber Jazz Orchestra in Munich. In 2023, she signed a three-album agreement with the multi-Grammy award-winning New York label Motema Music, which includes all three of her current projects. The first album Rising Sun with her quartet was released on September 15, 2023. 

About Rising Sun: 

Erdenebaatar’s classical foundation is unmistakable throughout, displayed by her technical brilliance, stylistic finesse, and the thematic structure of her compositions. Enriched by expressive harmonies and rhythm variability, Erdenebaatar’s memorable melodies serve as a framework for her formidable band to stretch out. The quartet consists of a German cadre of fellow players from her university cohort, all now award-winning rising stars and bandleaders in their own right. Bassist Nils Kugelmann, whom Southern Germany’s leading daily paper The Süddeutsche Zeitung named “one of the best in his field”, is a rhythmically and melodically outstanding all-rounder. Drummer Valentin Renner is one of Germany’s busiest jazz drummers, currently the backbone of several notable jazz ensembles in the country. Finally, the creative and highly virtuosic  Anton Mangold rounds out the ensemble on saxophones and flutes. The quartet’s charismatic interplay is a highlight of the album. "It helped me a lot to know everyone well. I already had in mind who was playing each part when I was composing,” Erdenebaatar shares. 

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Vinnie Sperrazza is a Brooklyn-based jazz drummer, composer, bandleader, author, and educator noted for his versatility and commitment to new music. Born in Utica, NY, Sperrazza moved to Brooklyn after completing his studies at William Paterson University, where he was mentored by pianist James Williams. He leads the groups Vinnie Sperrazza Trio, featuring Ethan Iverson and Michael Formanek, whose first album was released in March 2023, and Vinnie Sperrazza Apocryphal, with a new album coming later in 2023, featuring Loren Stillman, Brandon Seabrook, and Eivind Opsvik.

He is part of several collectives, including Ember, with Caleb Curtis and Noah Garabedian with a new album out August 2023, the Choir Invisible, with Chris Tordini and Charlotte Greve, and Landline, featuring Chet Doxas, Jacob Sacks, and Zack Lober. Additionally, he is a member of Matt Bauder’s Hearing Things, the Hank Roberts Sextet, Michael Formanek’s Drome Trio, and many other NYC-based groups. He tours regularly with the Mark Morris Music Ensemble, led by Ethan Iverson, playing Iverson’s scores and arrangements.

Also a committed writer, Sperrazza’s Substack entitled Chronicles has been active since October 2022 and features over 40 in-depth articles focused on the history of jazz and jazz drumming, with deep dives on well-known and lesser-known figures including Pete LaRoca, Ralph Peterson, and Phillip Wilson, among many others. An experienced clinician, Sperrazza’s teaching emphasizes fundamentals and awareness, principles upon which he’s built his musical life.

Over a career spanning more than 25 years, award-winning jazz guitarist Nigel Price has become widely acknowledged as one of the hardest working musicians in the business.

Musically, his blend of flowing bebop lines, deep blues sensibility, and his mastery of chording continue to delight audiences and fellow musicians alike. His career highlights include a support show for Gladys Knight at The Royal Albert Hall and an appearance on Van Morrison’s recent album Keep Me Singing.

Starting his professional career in his early 20s, Nigel toured Europe with various reggae and funk bands before settling on a solo guitar career and turning his attention to jazz. Citing early influences as Wes Montgomery, Joe Pass, John McLaughlin, and the Mahavishnu Orchestra, Nigel honed his craft by attending gigs and sitting in with the players of the time.

Nigel has played on more than 50 albums including 5 as a leader, spent ten years with acid jazz outfit The Filthy Six, was a member of James Taylor’s band for 3 years (with whom he recorded 5 albums), and performed with the legendary David Axelrod. He has also taught at The International Guitar Foundation at King’s Place, London. In this episode, Nigel shares his background, education, and musical journey.

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A native of the Ohio Valley, Dorothy fulfilled her dream of moving to New York City in 1970 and stayed there for fifty years. She was a friend, fellow musician, and confidante to her husband, Mike Longo, for thirty-two years. Steeped in classical piano training since the age of six, she earned her bachelor’s and master’s degrees in music and music education. Dorothy brought a love for jazz music and humanity to New York City and her collaborations with Mike. It was a love that extended far beyond the jazz scene and was elevated by their involvement with the Bahá’í Community. In this episode, Dorothy shares her background, education, and musical journey.

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Hot House Jazz Magazine described Chris McCarthy as “one of the most imaginative and impressive voices on the New York jazz scene.” Since arriving in New York City in 2016, McCarthy has made a name for himself as one of the scenes most in-demand young sidemen. He steps into the foreground as a bandleader with the release of his April 2020 Ropeadope debut, Still Time To Quit. In this episode, Chris shares his background, education, and musical journey. 

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As an acclaimed trombonist, composer, and producer, Delfeayo Marsalis has also dedicated his prolific career to music theatre and education. Along with the Marsalis family of musicians including his father Ellis, the artist was destined for a life in music.

Marsalis has toured internationally with jazz legends such as Ray Charles, Art Blakey, Max Roach, Elvin Jones, and Slide Hampton, as well as leading his own groups.

At the age of 17, Marsalis began his career as a producer and has to date produced over 120 recordings garnering one Grammy award and several nominations.

In 2008, he formed the Uptown Jazz Orchestra, a highly entertaining ensemble that focuses on maintaining important jazz traditions such as riff playing, New Orleans polyphony, and spontaneous arrangements.

Delfeayo also formed the Uptown Music Theatre in 2000. A non-profit organization that empowers youth through musical theatre training. He has written sixteen musicals to date based on historical and/or uniting the community. In addition, he has composed over 90 songs that help introduce kids to jazz through musical theatre and has reached over 5,000 students nationally with his Swinging with the Cool School soft introduction to jazz workshops.

Marsalis has a dual Bachelor’s degree in Music Performance and Production from Berklee College of Music, and a Masters in Jazz Performance from the University of Louisville. A Doctorate has also been conferred from the New England College. In this episode, Delfeayo shares his background, education, and musical journey.

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Dutch double bassist, composer and producer Jasper Somsen (1973) graduated in both Jazz and Classical double bass. He collaborated amongst many others with Peter Erskine, Enrico Pieranunzi, Joey Calderazzo, Jeff Ballard, John Beasley, Jean-Michel Pilc, Eric Marienthal, Bob Sheppard, Seamus Blake, Lynne Arriale, Jorge Rossy, Kendrick Scott, Justin Faulkner, E.J. Strickland, André Ceccarelli, Gary Husband and Gabriele Mirabassi. In this episode, Jasper shares his background, education, and musical journey.

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Bill Warfield, a dynamic and innovative composer, bandleader and trumpeter, has energized audiences, performers and writers for over four decades. Warfield’s most recent accomplishments are two highly regarded recordings including “Mercy Mercy Mercy”, recorded on the BluJazz label by the Hell’s Kitchen Funk Orchestra in 2015 and “Trumpet Story” with Randy Brecker on Planet Arts Records, recorded in 2014. These recordings are a celebration of the composer’s formative musical experiences. The two groups perform Jazz selections based on the genres of funk, Latin Jazz, and Hard Bop, all arranged by Warfield.

He holds an M.M. in Jazz Commercial Trumpet Performance from the Manhattan School of Music where he received the William H. Borden Award for Outstanding Accomplishment in Jazz/Commercial Music, The Carmine Caruso Award for Outstanding Musicality and Trumpet Performance and the Maynard Ferguson Scholarship. In 1990 he participated in the BMI Jazz Composers Workshop, directed by Bob Brookmeyer and Manny Albam.

Terence Hsieh 謝燕輝 is a three-time Golden Melody Award-winning producer, trombone, and trumpet specialist, and keyboardist from Durham, North Carolina who lives and works in Greater China. He is the bandleader of The Spice Cabinet 五香放克乐团 whose 2020 album “The Adventures of Pie Boy” won Best Instrumental Album, Best Instrumental Recording and Best Arrangement (Bittersweet) at the 32nd Annual Golden Melody Awards and serves as music director for Tia Ray 袁婭維.

He has recorded, produced, performed and arranged for dozens of artists across Greater China, including David Tao陶喆, Li Ronghao 李榮浩， Matzka馬斯卡, Leah Dou竇靖童, Maobuyi 毛不易， Karen Mok莫文蔚， A-Lin, Kevin Sun and more. He graduated from Oberlin College and Conservatory, where he studied Jazz performance with Robin Eubanks. Hsieh plays Denis Wick mouthpieces and the Adams F5 Flugelhorn.

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International Recorded artist, composer, educator, and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Jennifer Holiday, Harold Mabern, Steve Davis, J.D. Allen, The Brooklyn Philharmonic and many more.

In addition to his first-call status as a sideman, Barber has recently stepped forth as a composer and leader with his Vision Ahead band. Even with Barber’s history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars.

Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that’s been making waves on the modern jazz scene. Barber’s blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber’s broad stylistic range as a drummer, performer, and composer.

Jonathan Barber & Vision Ahead was featured and headlined the 2018 Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, 2019 Hartford Jazz Festival, and the 2020 Clifford Brown Jazz Festival. During Spring 2020, Jonathan Barber & Vision Ahead completed their first national tour performing throughout the West-Coast. Being an independent artist Jonathan Barber just released his third album with Vision Ahead entitled “Live at Jazz Standard” which is exclusively on Bandcamp. Also stepping into the role as a Drum Clinician, Barber toured as a solo clinician in Latin America (Mexico, Guatemala, Ecuador, Colombia, Argentina) and China (Kumming, Loyung, Hefei, Nanjing, Beijing).

Barber endorses Ludwig Drums, Istanbul Agop Cymbals, Evans Drumheads, Promark Drumsticks, and Sunhouse Percussion. In this episode, Jonathan shares his background, education, and musical journey.

For over fifteen years, John Yao has been honing his talents as a trombonist, a composer and arranger, and has cemented his place on the New York City jazz scene. Yao’s lyrical soloing and expressive round tone combined with his with a creative hunger for exploring the boundaries of harmony and rhythm in his compositions/arrangements has established him as a unique musical talent. Yao has released five solo recordings, all of which feature his adventurous, boundary-pushing compositions for small groups and big bands alike. As a composer, Yao has also been commissioned to write works for professional artists and ensembles including the Afro-Latin Jazz Orchestra, Jazz Orchestra of Philadelphia, Luis Bonilla, and HGM Jazzorkestar Zagreb among many others. His works have been performed internationally by many college and high school ensembles, including Temple University, Indiana University and the University of North Carolina, to name a few. Many of his works are published and available to professional and educational ensembles. As a trombonist, Yao has worked extensively as a sideman for Grammy-award winning New York City ensembles, such as the Vanguard Jazz Orchestra and Arturo O’Farrill, and the Afro-Latin Jazz Orchestra among many others. Yao has also established himself as an in-demand educator in New York and beyond. Presently he serves as Assistant Professor of Trombone at Berklee College of Music, and as an Adjunct faculty member at Molloy College. He is an active guest artist and soloist at colleges and universities around the United States and abroad.

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In addition to being a solo artist, Almazan is the founder and director of Biophilia Records. In this episode, Fabian Almazan joins us as he talks about his music journey and the future of Jazz.

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Kassa Overall is something like a cross between a jazz musician, a backpack rapper and a bedroom producer. Kassa's combination of live performances, studio recordings and remixes and his bridgings of jazz and hip-hop cultures is the short list of what makes him amazing. 

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Art Hirahara is a jazz keyboardist and composer based in New York, NY. Originally from the San Francisco Bay Area, Art moved to New York in 2003 to be challenged by its pool of world-class musicians. Here he has honed his craft, performing in a wide range of musical situations ranging from straight-ahead standards to time cycle-based progressive jazz to working with singer/songwriters. From the traditional to the avant-garde, Art has found a sound of his own that cuts across genres and boundaries. Art has had the privilege to perform with Don Braden, Stacey Kent, Freddy Cole, Akira Tana, Rufus Reid, Dave Douglas, Vincent Herring, Royal Hartigan, and many others. He has performed around the world in Europe, Asia, Africa, South America, the Middle East, and extensively around the United States. As a bandleader, he has released five recordings on Posi-Tone Records, working with well-known musicians including Donny McCaslin, Melissa Aldana, Linda May Han Oh, Joe Martin, and Rudy Royston. In this episode, Art shares his background, education, and musical journey.  

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Almost immediately, he found himself as sideman for notable locals such as Kermit Ruffins, Michael Ward and The Reward, and Sun Ra trumpeter, Michael Ray.  In 1992 he co-founded the New Orleans Klezmer All-Stars(NOKAS), a pioneering klezmer ensemble that infused that music with the vibrancy and energy of the funk, jazz and brass music of New Orleans. To date he has had opportunity to play with most of New Orleans' greatest musicians from across all genres. 

NOKAS was playing some of his compositions, but by 1993 he found himself seeking outlets for his compositions in other styles and forms.  After playing with a plethora of combos and experimenting with many great local musicians he formed Naked On The Floor and eventually The Naked Orchestra. Naked on the Floor (quintet) and the Naked Orchestra (18-24 piece creative orchestra) play Freilich's original compositions exclusively and still play regularly in New Orleans.

He has appeared at the New Orleans Jazz and Heritage Festival 24 times as well as headlining the Berlin Jazz Festival with NOKAS. He has appeared at numerous other festivals inside and outside the country including Bonnaroo, the Ann Arbor Jazz Festival, The American Folklife festival at the Washington Monument, collaborations with poet, Andrei Codrescu at the Holocaust museum in NYC and many others. Other notable work includes appearances with Sam Rivers, Burton Greene, Marshall Allen, The Wild Magnolias and backing songwriters such as Robbie Robertson. He has done arrangements for a wide range of recordings from, Peter Stampfel to Hal Willner’s presentation of U@ doing music of T-Rex.

He is featured on over 21 recordings ranging from Klezmer to Afro-Cuban and avant-garde orchestra music. Recently he put out two CD’s of a large orchestra playing his original compositions, a small group, and played on Marianne Faithfull’s latest release.  Many of these recordings are either Big Easy or Offbeat entertainment award winners across a number of categories.  He also has music featured in films and TV shows (Andy Richter conquers the Universe, The Dukes of Hazzard(Warner Home Video) as well as commercials for companies such as Southwest Airlines and Mercedes.   

n 2016 he produced and arranged an album, NOLA? for legendary Basque artist, Fermin Muguruza. Rearrangements of Muguruza’s classic work utilizing the great players and sounds of New Orleans. That led to a very successful European run for the Basque New Orleans Orchestra. Other arranging credits include Hal Wilner and U2 tribute to T. Rex and Grammy Award winner, Peter Stampfel’s 100 songs of the 20th century project.

     His work includes 4 completed and performed operatic works: a comic-satirical opera, Bang the Law, about a couple of New Orleans lawyers and their movements through New Orleans class detritus after Hurricane Katrina, a two movement orchestral fantasy about Elias Cannetti at carnival, formation of a new quintet to play new original compositions, an octet reduction of Peter and the Wolf for a New Orleans Contemporary Art Center/Guggenheim foundation presentation; a second opera, ee me & cummings thee which premiered in New Orleans in Nov. 2011.  

2019 saw the completion of two operas. One a hyper-collaborative project with writer, Bernard Pearce, The Coronation, on the selecting of queen bees. In June 2019 he wrote an operetta on the Dirty Letters of James Joyce to Nora Barnacle, titled Darling, Please do not be offended at what I wrote.

 He is the subject of the one hour radio documentary Jonathan Freilich’s Freedom Double-O Naked Klezmer Jazz Latin Boogaloo: The Radio Documentary by award winning documentarian, David Kunian and was the 2008 Louisiana Governors’ Music Fellowship Award recipient.  This year he figured as a Rising Star guitarist in Downbeat’s Critics Poll. 

Freilich was born Oct.13, 1968 in Philadelphia, Pa.  He spent most of his early years, up until a late teenager in London, England before moving to Los Angeles in 1985.  Thereafter, he moved to Santa Cruz, Ca in 1987 before the 1989 move to New Orleans.  Currently, he is residing in Los Angeles after completing further studies in composition at California Institute of the Arts.

Aside from music, Freilich is also a certified Iyengar yoga instructor and co-owner of a studio in New Orleans for many years.

Originally from Sacramento, California, Ches Smith is a drummer, percussionist, and composer based in New York. He has collaborated with a host of artists on many scenes since the early 2000s, including Marc Ribot, Tim Berne, John Zorn, Darius Jones, David Torn, John Tchicai, Nels Cline, Mary Halvorson, Trevor Dunn, Terry Riley, Kris Davis, Dave Holland, Secret Chiefs 3, Xiu Xiu, Good for Cows, Theory of Ruin, and Mr. Bungle, among others.

He has nine records to his name as a bandleader that features his writing and ensemble curation, and is a devout student of Haitian Vodou drums, performing in religious and folkloric contexts in New York and Haiti for the last decade. In this episode, Ches shares his background, education, and musical journey.

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Jonas Timm is a Leipzig-based pianist, composer und improviser. He grew up in Berlin in within his parental background of Choir music. Trained in classical Piano and Voice starting in the age of 5, he discovered improvised music in his early teens and went to study Music in Leipzig with Grandmaster Richie Beirach, Albert Bover and Michael Wollny. Besides he learned from: Alexander von Schlippenbach, Sebastian Schunke and Nils Klein among others...

As formative part of Leipzigs prospering young Jazz scene, he tries to develop new spaces in intercultural exchange between people and continents. Jonas is currently collaborating and touring with several Ensembles like the Berlin Radio Choir and the Gewandhaus Choir Leipzig and played with Norma Winstone, Theo Bleckmann, Johannes Enders to list a few...

He is a current scholarship holder of the State of Saxony, the German Foundation of Orchestra, the Performing Rights Society and the Foundation of the Castle of Rheinsberg. Furthermore he does curate the anually MJUZIK Festival and the „Reihe 22“ in Leipzig On April 22, 2022, Jonas released his Debut CD “Morbu” as JazzThing Next Generation Vol. 90 with Diego Pinera (drums), Tino Derado (accordion), Bertram Burkert (acoustic guitar), Lorenz Heigenhuber (Doublebass), where he combines the rhythms of Latin-American Dances with the harmonic heritage of the post-impressionistic composers of Spain and France. In this episode, Jonas shares his background, education, and musical journey.

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Born and partly raised in Uganda, Mark Kavuma is a prominent young Trumpet player on the British jazz scene. Leading his own Quartet, the 'Floor Rippers' house band, and his main outfit 'The Banger Factory'. As well as, playing with Jean Toussaint's Young Lions, Jazz Jamaica, Nu Civilisation Orchestra and also one of the brass leaders at London based carnival band Kinetika Bloco. 

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MaryLynn was a founding member of the Grammy-nominated vocal jazz group, Rare Silk.

The group started in Boulder, CO. Their very first album, New Weave flew to the top of the Billboard Jazz charts and received 2 Grammy nominations. MaryLynn and the group toured the world singing in the US, Europe, and Japan.

Rare Silk received acclaim working alongside artists such as Miles Davis, Branford Marsalis, Dizzy Gillespie, Benny Goodman, and as an opening act for Spyro Gyra and BB King. Their touring took them to some of the best venues in the country - The Playboy Jazz Festival at the Hollywood Bowl, Carnegie Hall, Jacksonville Jazz Festival, Blues Alley in DC, New York Jazz clubs, and Boston Globe Jazz Festival, to name a few. Her experience working within this environment gives MaryLynn a rich history in the Jazz idiom.

MaryLynn’s return to singing began about 11 years ago. She performs locally at Suter Du Bose’s Caffe Sole and in Denver with different musical configurations.

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Tomas Fujiwara is a Brooklyn-based drummer and composer. Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming” (Troy Collins, Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double (with Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, and Taylor Ho Bynum), Tomas Fujiwara & The Hook Up (with Jonathan Finlayson, Brian Settles, Halvorson, and Michael Formanek) and The Tomas Fujiwara Trio (with Alessi and Seabrook); his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Halvorson and Formanek); and a diversity of creative sideman work with forward-thinking peers like Tomeka Reid and Matana Roberts. In The New York Times, Nate Chinen writes, “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever-shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint...A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.”

Born and raised in Boston, MA, Tomas studied with legendary drummer and teacher Alan Dawson for eight years before moving to New York at the age of 17. He is currently a member of ensembles led by Taylor Ho Bynum, Mary Halvorson, Matana Roberts, Nicole Mitchell, Matt Bauder, and Tomeka Reid, in addition to projects with artists such as Anthony Braxton, John Zorn, Michael Formanek, Ben Goldberg, and Benoit Delbecq, and has performed at festivals and venues across North America, Europe, Asia, Australia, and the Middle East. He also has many experiences outside the jazz realm, including a five-year run with the Off-Broadway show Stomp and performances with the Tony Award-winning Broadway musical Fela!, featuring Patti Labelle and members of Antibalas.

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Andrey Chmut is a Ukrainian saxophonist, composer, and producer. Andrey works with Bob James, Jamala, Candy Dulfer,  Dave Koz, Julio Iglesias Jr, Andrius Mamontovas, Igor Zakus, Tina Karol, Valery Stepanov, Eric Moore, and many other artists.  The song Moving Forward from the album "Smoothability", which was recorded with American jazz pianist and producer Grammy Winner Bob James, became a top song on the American radio giant Sirius XM and lasted more than a year in rotation.  Andrey Chmut debut album "Smoothability", which was also released on Skytown Records (LA) was included in the top 10 Ukrainian albums of the year according to the Aprize 2019 award from Radio Aristocrats and 4 position for top 100 Best Smooth Jazz Albums (Amazon).

During 2022 Andrey travel around the world with support concerts in Ukraine At the beginning of 2023, Andrey was invited to the Bob James Quartet and went on a US tour.  James and Chmut are working on a joint album that will be presented to the general public in 2024. In this episode, Andrey shares his background, education, and musical journey.

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A world-class musician, composer, arranger, and educator, Diego Rivera has entertained audiences for over 20 years. Rivera is known for his muscular tone and unique blend of straight-ahead mainstream jazz fused with music inspired by his Latino background and heritage. He is a tenured Associate Professor of Jazz Saxophone at Michigan State University where he also serves as Associate Director of Jazz Studies. 

Rivera was born in Ann Arbor, MI, and raised ‘just up the road’ in East Lansing, MI. Born into a Mexican-American family, his Chicano heritage has always been important to him and shaped his creative endeavors. His parents named him after the famed muralist, Diego Rivera. A trip to the Detroit Institute of Arts at a young age inspired him to make his own mark with the Saxophone rather than the brush. He attended Michigan State University where he studied with Andrew Speight, Branford Marsalis, Ron Blake, and Rodney Whitaker. In this episode, Diego shares his background, education, and musical journey.

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Pianist and composer SATOKO FUJII, “an improviser of rumbling intensity and generous restraint” (Giovanni Russonello, New York Times), is one of the most original voices in jazz today. For more than 25 years, she has created a unique, personal music that spans many genres, blending jazz, contemporary classical, rock, and traditional Japanese music into an innovative synthesis instantly recognizable as hers alone. “Fujii’s music troubles the divide between abstraction and realism. . . . All of this amounts to abstract expressionism, in musical form. But it’s equaled by her rich sense of simplicity, sprung from the feeling that she is simply converting the riches of the world around her into music,” writes Giovanni Russonello in the New York Times.

A prolific composer for ensembles of all sizes and a performer who has appeared around the world, she was the recipient of a 2020 Instant Award in Improvised Music, in recognition of her “artistic intelligence, independence, and integrity.” Her talent as a big band composer, arranger, and leader have been recognized numerous times in DownBeat Critics Polls. The New York City Jazz Record has twice named her Artist of the Year. In 2021, El Intruso named her Pianist of the Year.

Since she burst onto the scene in 1996, Fujii has led and recorded with some of the most consistently creative ensembles in modern improvised music. She recorded her 100th CD as leader or co-leader live in concert in September 2022. To mark the milestone, she wrote a new suite, Hyaku: One Hundred Dreams, featuring trumpeters Wadada Leo SmithandNatsuki Tamura, tenor saxophonist Ingrid Laubrock, bassoonist Sara Schoenbeck, electronics artist Ikue Mori, bassist Brandon Lopez, and drummers Tom Rainey and Chris Corsano.

Among the groups she led are a piano trio with Mark Dresser and Jim Black (1997-2009), and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins (2001-2008). In addition to a wide variety of small groups of different instrumentation, Fujii also performs in a duo with trumpeter Natsuki Tamura, with whom she’s recorded eight albums since 1997. She and Tamura are also one half of the international free-jazz quartet Kaze, which has released five albums since their debut in 2011.

Fujii has established herself as one of the world’s leading composers for large jazz ensembles, prompting Cadence magazine to call her “the Ellington of free jazz.” Since 1996, she has released a steady stream of acclaimed albums for jazz orchestras and in 2006 she simultaneously released four big band albums: one from her New York ensemble, and one each by three different Japanese bands. In 2013 she debuted the Satoko Fujii Orchestra Chicago at the Chicago Jazz Festival and two years later debuted the new Satoko Fujii Orchestra Berlin.

With 2016 marking her 20th year in creative music, Fujii performed concerts once a month in cities around the world, including solo concerts and with her duo with Tamura performed with special guests. She also presented performance with small and large ensembles.

During her 60th birthday year in 2018, a milestone known as Kanreki in Japan, Fujii celebrated by releasing one new CD a month. In keeping with the Kanreki tradition of reflecting on the past while looking to the future, the 12 albums included releases by groups that Fujii has led or been part of for years, such as Kaze, Orchestra Berlin, and Orchestra Tokyo, as well as new groups and collaborations with Australian keyboardist Alister Spence; Mahobin, a cooperative quartet featuring Lotte Anker, Ikue Mori, and Tamura; and a new trio, This Is It!

In addition to playing accordion in Tamura’s Gato Libre, she pursues a fruitful collaboration with bassist Joe Fonda. Together, the duo has released five recordings, sometimes adding guests like Tamura and Gianni Mimmo. In 2019, she recorded Confluence, an album of intimate, highly interactive duets with drummer Ramon Lopez.

When the pandemic forced her to stay home for more than a year, she remained musically active, converting her home practice room into a recording studio and producing her seventh solo album, Hazuki; and a duet with Tamura, Keshin. She also collaborated by swapping sound files over the Internet, releasing the duet albums Prickly Pear Cactus with Ikue Mori; Thread of Light with bassist Joe Fonda; and Underground by Futari, her duo project with vibraphonist Taiko Saito. She also explored the use of computer editing to shape a solo release, Piano Music. In this episode, Satoko shares her background, education, and musical journey.

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Nathan East is one of the most in-demand bassists of all time. A founding member of the chart-topping contemporary jazz group Fourplay, Nathan was 16 years old when he got his first break and found himself on the road with Barry White. The next time the phone rang, Quincy Jones was on the line. The calls kept coming and for the last forty years, Nath has been churning out hit songs with artists as legendary as Eric Clapton, George Harrison, Michael Jackson, Phil Collins, Whitney Houston, Beyoncé, Barbra Streisand, and Stevie Wonder. In this episode, Nathan shares his background, education, and musical journey.

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Dejan has performed in more than twenty – five countries around the globe (USA, Russia, China, Japan, Britain, France, Germany, etc.) both independently and as the leader of the acclaimed jazz-rock band EYOT. Aside from 4 released albums of EYOT, where he is signed as the sole composer of all compositions, Dejan also released three solo piano projects for the US market, under 90&9 Records and Magnatune labels, and one more for Serbian label Metropolis. Ilijic has composed music for multi-awarded documentaries and TV shows that aired on numerous national and local TV channels in Serbia and Europe, and also at international film festivals. In this episode, Dejan shares his background, education, and musical journey.

 

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A native of São Paulo, Brazil, Felipe Salles has been an active musician in the US since 1995, where he has worked and recorded with prominent jazz artists, including Randy Brecker, Paquito D’Rivera, David Liebman, Melissa Aldana, Lionel Loueke, Jerry Bergonzi, Chico Pinheiro, Magos Herrera, Sofia Rei, Yosvany Terry, Jovino Santos Neto, Oscar Stagnaro, Luciana Souza, and Bob Moses. He has toured extensively in Europe, North and South America, India, and Australia, as a sideman and a leader of his own group.

Salles is a 2018 Guggenheim Foundation Composition Fellow, a 2021 South Arts Jazz Road Creative Residency Grant Fellowship recipient, a 2015 NALAC Fund for the Arts Grant winner, a 2009-2010 winner of the French American Jazz Exchange Grant, and a 2005-2006 winner of the Chamber Music America New Works: Creation and Presentation Grant Program, grants sponsored by The Doris Duke Charitable Foundation. He was awarded First Place in the 2001 Concurso SGAE de Jazz " TETE MONTOLIU; 2001, with his composition The Return of The Chromo Sapiens.

His arrangements and compositions have been performed by some of the top groups in the world including The Metropole Orchestra, UMO Helsinki Jazz Orchestra, Cayuga Chamber Orchestra, Amazonas Band, Helsinki Philharmonic Violas, Meta4 String Quartet, Manhattan School of Music Jazz Orchestra, Manhattan School of Music Jazz Philharmonic Orchestra, New England Conservatory Jazz Orchestra, and New England Conservatory Wind Ensemble, among others.

Salles has released nine critically acclaimed recordings as a leader.

Departure (Tapestry, 2012) received 4 stars from DownBeat Magazine and placed on their best albums of the Year list in 2013. They noted that Salles is adept at “crafting pieces that juggle intriguing complexity with buoyant rhythms and lush colors.” JazzTimes Magazine noted that “Felipe Salles blends the visceral and the cerebral on his fascinating fifth album, infusing classical modernist strains with the buoyant rhythms of his Brazilian homeland.”  Ugandan Suite (Tapestry, 2014) also earned a place on DownBeat Magazine’s best albums of the Year list in 2014 and was praised by jazz guitarist Lionel Loueke: “This is one of the best progressive works I have heard in a long time. What a great blend of classical, African, and Jazz music.” Varanda (Tapestry, 2017) with the Brazilian jazz collective titled The Reunion Project, also earned critical acclaim including 4.5 stars in DownBeat Magazine.

The Lullaby Project and Other Works for Large Jazz Ensemble (Tapestry, 2018) is Salles’ first large jazz ensemble recording and was composed for and recorded by his own Interconnections Ensemble, to critical acclaim (DownBeat Magazine’s best albums of the year list in 2019).

His second extensive ensemble recording, the ambitious The New Immigrant Experience (Tapestry, 2020), was released as a CD/DVD set, to critical acclaim, including a 4.5 stars review from DownBeat Magazine, making the magazine’s list of best albums of 2020. He has recently released a quartet album, Tiyo’s Songs of Life (Tapestry, 2022), featuring Avery Sharpe, Zaccai Curtis, and Jonathan Barber, and his third significant ensemble recording, Home is Here (Tapestry, 2023), featuring an array of guest artists. Felipe Salles is a D’Addario Woodwinds Select Reeds and Conn-Selmer Saxophones Artist/Clinician. He currently leads both The Felipe Salles Group and The Felipe Salles’ Interconnections Ensemble and works as a member of the New World Jazz Composers Octet, Kyle Saulnier Awakening Orchestra, Alex Alvears Mango Blue, and Gonzalo Grau (Grammy Nominated) La Clave Secreta.

Felipe Salles has a Master's and a Graduate Diploma in Jazz Performance from New England Conservatory, and a Doctorate in Jazz Arts Advancement from Manhattan School of Music. He is a Professor of Jazz and African American Music Studies at the University of Massachusetts Amherst, where he has taught since 2010. In this episode, Felipe shares his background, education, and musical journey.

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Guitarist Akira Ishiguro studied Jazz performance and composition at Berklee College of Music. Since graduating in 2006, he has been entrenched in the New York City jazz scene.     Tour life has taken him to Japan, Chile, Coasta Rica, Canada, and much of Europe. He has six albums as a leader or co-leader and has appears in over 20 records.   He has shared the stage with Myron Walden, Nate Smith, Ari Hoenig, Mark Guiliana, Takuya Kuroda, Maria Schneider, Dayna Stephens, Jason Lindner, Henry Hey, Will Vinson, John Zorn, George Garzone, Christian McBride, Joe Martin, Matt Penman, Seamus Blake and many more.     Ishiguro’s accolades include grand prize in the 2013 Wilson Center Guitar Festival and Competition, and first prize “Public’s Choice” as well as overall second place in the 2009 Gibson guitar competition as part of the Montreux Jazz Festival.    His latest album “BON” was released in August 2024. 

For more than forty years, drummer Louis Hayes has been a catalyst for energetic, unrelenting swing in his self-led bands, as well as in those whose respective leaders reads like an encyclopedia of straight-ahead post-bop modern jazz.

Hayes himself an authentic architect of post-bop swing, began his professional activities at the tender age of 18. He started with tenor saxophonist, flutist and oboist Yusef Lateef who like Hayes is a Detroit native (other jazz luminaries hailing from the "motor city" include the Jones brothers, Elvin, Hank and Thad, guitarist Kenny Burrell, pianist Tommy Flanagan, and many others). After the stint with Lateef, Hayes went on to rhythmically propel groups led by pianist Horace Silver, legendary saxophonist Cannonball Adderley, and pianist Oscar Peterson. These positions were augmented by countless recordings on the Blue Note, Prestige, Riverside and other labels with the likes of John Coltrane, Sonny Rollins, J.J. Johnson, Jackie McLean, Wes Montgomery, Cedar Walton, Dexter Gordon, Woody Shaw, George Benson, Freddie Hubbard, Joe Henderson, McCoy Tyner, and the list goes on. In this episode, Louis shares his background, education, and musical journey. 

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London-based jazz vocalist James Hudson has all of the unique qualities that epitomize the 21st-century crooner. An assured and charming performer, his natural affinity with an audience is complemented by effortless vocals, tasteful phrasing, and interpretive prowess.

James’s debut album 'TOMORROW', set for release in February 2021, will be the biggest milestone of his career so far. Over a year in the making, the album features James and his band performing brand-new interpretations of classics from The Great American Songbook. Greatly influenced by Nat King Cole, Mel Torme, Oscar Peterson, Sarah Vaughan and Tony Bennett, James is fuelled by a desire to play his part in keeping jazz standards alive. In this episode, James shares his background, education, and musical journey.

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Yes! That metal xylophone is actually called a vibraphone and one of its eminence is Warren Wolf. In this episode Warren Wolf shares his music career, his experience playing the Vibes, and his latest release Reincarnation.

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Steve Perry is best known as lead singer, songwriter, and rhythm guitarist for the Oregon ska-swing band the Cherry Poppin' Daddies. Their hit song "Zoot Suit Riot,” was a subversive, punk-forward cocktail of jazz and ska with a swing finish that sends listeners back to the 1940s. In this episode, Steve shares his background and his musical journey.

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At the start of his career, the great guitarist Kenny Burrell wrote, “Freddie Bryant is a brilliant young guitarist and composer.” Since then he has shown his versatile skills in jazz, classical, Brazilian, and other world genres. Freddie is currently in demand in the New York jazz scene. He worked with Ben Riley for over a decade with the Monk Legacy Septet (Memories of T on Concord Records) and The Ben Riley Quartet (Grown Folks Music on Sunnyside Records). He has been a member of the Mingus Orchestra since the millennium and has toured and recorded with Tom Harrell (Paradise on RCA). His own group, KALEIDOSCOPE whose CD, Live Grooves…Epic Tales is on the HiPNOTIC record label and features grooves from around the world including Brazil, Cuba, and New Orleans, and influences from blues, gospel, India, and the Middle East.

This Spring and Summer celebrate the release of his opus, Upper West Side Love Story, a double CD of his 16-movement song cycle featuring an all-star nonet: Carla Cook – vocals, Regina Carter – violin, Donny McCaslin and Steve Wilson on saxophones and flutes, Gwen Laster and Akua Dixon filling out the string section on viola and cello with the grooving rhythm section of bassist John Benitez and drummer Alvester Garnett. In this episode, Freddie shares his background, education, and musical journey.

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Emmet Cohen is committed to the inter-generational transfer of the knowledge, history, and traditions of jazz. Which I can honestly say is one thing I love about his style and his Masters Regency series. In this episode Emmet Cohen talks about his music career, his mission, and his future.

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Trumpeter, composer, and educator Jared Hall hails from Spokane, Washington.  He studied at Whitworth University, the Indiana University Jacobs School Of Music, and The University Of Miami’s Frost School Of Music, where he received the degree Doctor of Musical Arts in 2015. His primary teachers include Terence Blanchard, Joey Tartell, Dan Keberle, Whit Sidener, David Baker, and Brian Lynch, under whom he pursued his doctoral studies.  Hall is the winner of the 2013 National Trumpet Competition - Jazz Division, and has performed and recorded with Paquito D'Rivera, Bob Hurst, John Daversa, Arturo Sandoval, Maria Schneider, Vincent Herring, Peter Erskine, Dave Liebman, Alan Pasqua, Brian Lynch, Ira Sullivan, Jeff “Tain” Watts, Terence Blanchard, Rick Margitza, Wycliffe Gordon, David Binney, George Benson, Gloria Estefan, Fred Hersch, Shelly Berg, the South Florida Jazz Orchestra, the Frost Concert Jazz Band and the Henry Mancini Jazz Septet directed by Terence Blanchard, among many others. In this episode, Jaded shares his background, education, and musical journey.

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New York City-based pianist, singer-songwriter, and composer Cestari creates a world that melds the sounds of jazz, pop, classical, latin, and free improvisation together. With rich vocals, vivid lyricism, and a powerful approach to the piano, Cestari's music takes on various inspirations that have merged into one distinct sound. Studying Music Business at NYU, Cestari aims to use his knowledge to share evocative, captivating, and impactful stories. In conjunction with the release of his debut album “In A Moment”, Cestari organized “MOMENTS”, a 90-minute concert on young adult life, mental health, and acceptance, which premiered all the music off the album with an 11-piece ensemble as well as never-before-seen music videos at the renowned DiMenna Center for Classical Music. As written in RAG Magazine, “[Cestari has] so many different undertones that range from a cinematic and almost haunting approach to a pop-coated singer-songwriter style [that] also incorporates just about everything in between.” However, this is only the start as Cestari continues to work and grow as one of the most dynamic voices in the New York music scene.

Myele Manzanza is a drummer and composer who has rightfully earned himself a reputation as a visionary musician who is not afraid to experiment. Born in New Zealand to a Congolese master percussionist, and currently residing in London, Manzanza was raised listening to hip hop, jazz and dance music all of which strongly inform his current practice.

As a drummer and a sideman Manzanza regularly tours and collaborates with a broad range of artists across multiple genres including Theo Parrish, Mark de Clive-Lowe, Amp Fiddler, Miguel Atwood-Ferguson, Jordan Rakei, Ross McHenry, The Adelaide Symphony Orchestra, Ria Hall, Marcus Strickland, Recloose and Sorceress among countless others.

Manzanza has truly established himself on the world stage having being selected from over 20,000 applicants to participate in the Red Bull Music Academy in London. He has multiple solo album releases on esteemed international labels Sound Signature, First Word and BBE and is recognized as one of NZ top jazz musicians, having been nominated for the 2017 NZ Jazz Album of the Year for his sophomore album OnePointOne and 2020 APRA Best Jazz Composition for his work Mortality from the A Love Requited LP. In this episode, Myele shares his background, education, and musical journey.

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When Jason Burt found the recordings in his late grandfather’s attic, he thought they might belong in a World War II museum gift shop. His grandfather, Richard Burt, was a Juilliard-trained musician; before becoming a music teacher in West Sacramento, he volunteered his talents as the lead trumpet player of the 746th Air Force Band. Quite the storyteller, he often spoke of his time with the band, and his experience of being stationed in the Philippines during World War II. In this episode, Jason shares his background, education, and his journey to make his Grandpa and the 746th Air Force Band go platinum.

 

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Kyle Benford is a percussionist we believe will be making noise for years to come. After hearing his recordings with raising Jazz artist Micah Thomas and Giveton Gelin we seem to be correct. A Juilliard Alum, Wynton Marsalis has mentioned that Benford is indeed an "MVP". In this episode, Kyle shares his background, education, and musical journey.

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Lawrence Fields, born and bred in St. Louis, has earned a spot at the forefront of young jazz pianists, thanks to his blending of vintage ideals with a contemporary mindset. For the last five years, in 2023, 2022, 2021, 2020, and 2019, Downbeat Magazine has placed him close to the top of the keyboardist category in their “Rising Stars” critics poll. Fields showcase his dynamic blend of composition and playing in his trio and quartet, and his music is currently being featured internationally. His debut album featuring his trio and solo playing, “To the Surface”, was released to critical acclaim on February 2, 2024.

Veteran saxophone icon Joe Lovano – with his unerring ear for youthful talent – has become one of the pianist’s biggest fans. Fields is a member of several bands led or co-led by Lovano: his Classic Quartet (originally featuring Lewis Nash and George Mraz in the rhythm section); the Sax Supreme Quartet (with Chris Potter); and his Sound Prints quintet with trumpeter Dave Douglas. The Wall Street Journal praised Fields’ “elegant, probing” solos with Sound Prints, while The New York Times noted that he is “integral to the band’s plunging, changeable style.” A modern-minded bandleader from the younger generation also relies on Fields, as he mans the piano and keyboards for the Christian Scott Group. Referencing his role on acoustic and electric pianos in the trumpeter’s band, NextBop said: “Fields remains a constant lyrical presence on the keys – innovative, expressive, supportive, able to soar like a bird in his solos. He never fails to impress.”

Fields has collaborated with Christian Scott on several albums — including co-writing and co-producing 3 songs on the Grammy-nominated The Emancipation Procrastination (Ropeadope, 2017), as part of his work on Christian’s Centennial Trilogy with releases Diaspora and Ruler Rebel. He features prominently in the piano and keyboard chairs on Christian’s Grammy-nominated live recording Axiom (2020), as well as the Grammy-nominated Ancestral Recall (2019), and the Stretch Music (Ropeadope, 2015) and Christian Scott Atunde Adjuah (Concord, 2012) albums.

With Lovano and Douglas, the pianist features on Sound Prints’ two critically-acclaimed studio releases: Other Worlds (2021), and Scandal (2018, Greanleaf) — selected by The Guardian as their #1 jazz album of 2018, as well as one of Rolling Stone’s top 20 jazz albums of the year. Fields also plays on the live album Sound Prints: Live at Monterey Jazz Festival (Blue Note, 2015), which featured two brand-new compositions written for the ensemble by the legendary Wayne Shorter. He appears on the album Marsalis Music Honors Alvin Batiste (2007) alongside Branford Marsalis, Herlin Riley and Russell Malone, as well as on drummer Terri Lyne Carrington’s More to Say (a 2009 disc for which he served as a pianist, keyboardist, and composer-producer). Fields also appears on releases by drummer Jeff “Tain” Watts, bassist Yasushi Nakamura, vibraphonist Warren Wolf, and saxophonists Jaleel Shaw and Steve Slagle. The pianist has been a member of the Watts band, as well as that of trumpeter Nicholas Payton. In addition to performing onstage with the likes of Payton, Watts, Marsalis, and Carrington, Fields has appeared with star bassist Christian McBride, drummer Nate Smith, trombonist Delfeayo Marsalis, trumpeter Takuya Kuroda, and bassist Robert Hurst, among others.

Lawrence's playing is also featured on Christopher North's score for the new Sam Pollard documentary "Max Roach: The Drum Also Waltzes", which premiered in Fall 2023 on PBS' American Masters television series.

Christophe Schweizer is considered one of the most innovative and creative musicians on the European Jazz scene, both with respect to his abilities and versatility on the trombone and other low brass instruments (also as an interpreter of classical and new music), as well as especially to his work as a composer, arranger, and bandleader.

Born in Switzerland and nowadays residing in Hamburg, Germany, he lived in New York for seven years starting in the mid-nineties. During this period, he worked with the George Gruntz Concert Jazz Band for three years, and occasionally with the orchestras of Maria Schneider and Sue Mingus, playing two European tours with the latter. In this episode, Christope shares his background, education, and musical journey.

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Returning to Improv Exchange, Christophe Schweizer talks about his latest project PLENITUDE by Brazilian trombone legend Raul de Souza.

Christophe Schweizer is considered one of the most innovative and creative musicians on the European Jazz scene, both with respect to his abilities and versatility on the trombone and other low brass instruments (also as an interpreter of classical and new music), as well as especially to his work as a composer, arranger, and bandleader.

Born in Switzerland and nowadays residing in Hamburg, Germany, he lived in New York for seven years starting in the mid-nineties. During this period, he worked with the George Gruntz Concert Jazz Band for three years, and occasionally with the orchestras of Maria Schneider and Sue Mingus, playing two European tours with the latter. In this episode, Christophe shares his background, education, and musical journey.

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Multiple Grammy Award–winning drummer, producer, and educator Terri Lyne Carrington has recorded and toured with Herbie Hancock, Wayne Shorter, Stan Getz, Dianne Reeves, David Sanborn, John Scofield, Diana Krall, Yellowjackets, Cassandra Wilson, Kassa Overall, and countless other jazz luminaries. Carrington made history as the first woman to win a Grammy Award in the Best Jazz Instrumental Album category for Money Jungle: Provocative In Blue, a reimagining of the Duke Ellington classic. Her collaborations with Esperanza Spalding and Geri Allen, as well as her female-driven Mosaic Project recordings, have received critical acclaim. She is Zildjian Chair in Performance at Berklee College of Music and received an honorary doctorate from the college in 2003 as well as a bachelor's degree in 1983. She also serves as artistic director for the Berklee Beantown Jazz Festival and Berklee's Summer Sessions: Women’s Performance Program, and is co-artistic director of the Carr Center in Detroit, Michigan. Carrington is also going for her fourth Grammy after receiving her fifth nomination for her Album "Waiting Game". In this episode, Carrington shares her background, education, and musical journey. 

 

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SeaJun Kwon is a composer and bassist who focuses on exploring boundaries. His music draws from the jazz and avant-garde music traditions of Anthony Braxton and Henry Threadgill as well as contemporary classical composers György Ligeti, Tristan Murail, and Morton Feldman. Born and raised in Seoul, South Korea, Kwon graduated from Boston’s New England Conservatory and is currently based in Brooklyn. He has been leading his group Walking Cliché Sextet since 2019. The ensemble released two albums, Suite Chase Reflex(2021) and Micro-Nap(2021). 

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Naughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous recordings and horn-charged, high-energy live performances have earned them an enthusiastic fan base, critical acclaim, and widespread attention from their musical peers. Their diligent roadwork has established Naughty Professor as a beloved live act. Weaving together with complex, inventive compositions and loose, organic improvisation, the band honors their hometown's jazz, R&B, and brass-band traditions while looking to the future.

Where their first four releases showcased the group's knack for self-contained instrumental experimentation, their upcoming EP Good Things continues the trajectory of their 2017 album Identity by joining a trinity of explosive collaborators, whose instrumental and compositional contributions continue to expand the music into new territory. Naughty Professor has shared the stage with artists such as Soulive, Galactic, Snarky Puppy, Fitz, and the Tantrums, The Revivalists, Rebirth Brass Band, The Soul Rebels, Papadosio, George Porter Jr., Victor Wooten, and many more. In this episode, Sam and Noah share their background, education, and musical journey.

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Irwin Hall got his start at the age of 9 when he won a lottery in school and was gifted an alto saxophone. By the age of 11, he was on stage performing professionally and began winning state and national competitions. Irwin attended Princeton University on a full ride to study East Asian philosophy. He learned Japanese and after graduating began work at a major Japanese newspaper in Tokyo. As fate would have it, he ran into songstress Melody Gardot backstage at the Tokyo Jazz Festival who heard him play and immediately hired him to tour with her band. He quit his job and went on back-to-back international tours as her featured soloist. Soon after he caught the ear of 3x Grammy/Tony Award winning NEA Jazz Master Dee Dee Bridgewater and joined her working band, honing his skills under the master vocalist on saxophone, flute, and bass clarinet. His woodwind work is featured on the two Grammy-nominated albums: Star People Nation by trumpeter Theo Croker and Currency of Man by Melody Gardot. He has toured extensively with Grammy-nominated vocalist Jazzmeia Horn and bass virtuoso Charnett Moffett, among many others. Irwin now leads his own band - Irwin Hall Organ Trio (#IHOT) - and continues to perform in cities around the world. In this episode, Irwin shares his background, education, and musical journey.

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Known as one of the most eclectic trumpet players in New York City, Bailey is an in-demand musician and teaching artist on call for everything from traditional jazz to R&B and Pop, to classical. He became a member of The Buddy Rich Band while still in college, and his career has included

long-running gigs with Ray Charles, master conguero and bandleader Ray Barretto, The Woody Herman Orchestra, and Frank Sinatra, Jr. His work with Latin Jazz innovator Arturo O'Farrill won two Grammy awards for the albums The Offense of the Drum and Cuba - The Conversation Continues. He has played on more than 70 albums and, as a jazz educator, has taught at the University of Miami and Florida International University.

A trumpet prodigy, Bailey's spectacular gifts began to be noticed as a high school musician in 1984 when DownBeat Magazine cited him in its annual Student Music Awards for outstanding performances in both the classical and jazz trumpet categories, noting “Shades of Wynton!” The same year, he was a finalist in the National Foundation for Advancements in the Arts (NFAA) Arts Recognition and Talent Search, along with Donny McCaslin and Bill Charlap; and won the National Association of Jazz Educators’ Youth Talent Contest. Later, as a senior at the Eastman School of Music, he won DownBeat’s Best Instrumental Soloist award.

Looking back, he says, “It all started for me when I discovered Clifford Brown. Clifford was the centerpiece of the golden era of jazz trumpet, and a great place to begin my lifelong study of the instrument. He was influenced by everyone before him, and became an influence on everyone after.”

Bailey, who continues to teach privately, believes that educating the next generation of musicians is essential for any artist. “In American culture, where the arts are often ignored or deemphasized in both schools and the mainstream media, it is up to us, the artists, to inspire an appreciation for great art,” he says. “By keeping performance standards as high as possible and sharing our devotion with others, especially children, we enrich countless lives.” In this episode, John shares his background, education, and musical journey. 

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Theo Hill is hailed by the New York Times as "a vital young pianist at play in New York's straight-ahead tradition." Something which couldn't be more true. In this episode Theo Hill shares his music career, his experience playing the Vibes, and his latest release Interstellar Adventures. 

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Hailing from the East Bay, Oddity is a sonic storyteller seeking refuge in the intersections of jazz, hip-hop, and neo-soul. With influences ranging from Billy Strayhorn to D'angelo, Oddity can be found wherever inspiration strikes - be it a tender touch on a warm Rhodes, a heavy dilla-style backbeat, or a bluesy trombone melody.

Oddity’s story is one of resiliency and rebirth, of toeing the precipice of the abyss and returning with an open heart and a present mind. Her experience as a transgender woman of color is inextricably woven into the music: at once an affirmation of life, a tear-streaked lament, a desperate call to action. Join Oddity as she discovers the beauty and cultivates peace by centering love, against all odds.

Joey Escobar is a pianist, teacher, composer, and arranger with a degree in music from UC Berkeley. Growing up with 10 siblings, Joey's upbringing gave him a strong appreciation for both community and diversity. His earliest influences were the music of JRPG composers like Nobuo Uematsu, Hitoshi Sakimoto, and Masashi Hamauzu, and the 90s hip-hop sounds, 70s rock, and jazz played in the house by his older siblings and parents. His latest inspirations are the classical music of Bach, Maurice Ravel, and Frederic Chopin, as well as modern geniuses such as Kendrick Lamar, Ambrose Akinmusire, and Esperanza Spalding. He currently lives in El Cerrito and is most known for being the co-composer and pianist with Oddity.

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Theon Cross is an award-winning tuba player and composer who not only redefines what can be done with his instrument but also transcends traditional genre conventions with his heady brew of low-end theory combined with strains of ‘jazz, dub, hip-hop, soca, grime, and other sounds from the Afro-Caribbean diaspora’.

His new album, Intra-I (meaning ‘Within Self’) syntheses the diversity of his musical art and experience to deliver an essential message to a world gripped by tribulation. Across ten sonically divergent and bass-rich tracks, Intra-I explores themes of self-reliance, origins, identity, and more. An exploratory and upful celebration of Afro-Diaspora Music, the album features songs that examine self-development, the importance of history and heritage, and the strength in adversity shown by the first generations of post-war Caribbean immigrants to the UK. In this episode, Theon shares his background, education, and musical journey.

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Joel A. Martin is a Norwalk CT-based pianist, producer, composer, and arranger who has collaborated with, and/or written music for, Grammy® Award-winners Alan Menken, Kathleen Battle, Fergie of the Black Eyed Peas, Brooklyn Youth Chorus, cellist Eugene Friesen of the Paul Winter Consort, and Rock and Roll Hall of Famer Jaimoe of the Allman Brothers, among many luminaries.

At age 17 Joel was the youngest and the first African-American pianist to compete in the Van Cliburn International Piano Competition (1985). He has appeared as a soloist with the NY Philharmonic, El Paso Symphony, Springfield Symphony Orchestra (MA), Philadelphia Orchestra, Cab Calloway Orchestra, New Hampshire Festival Orchestra, and the Hartford Symphony, among many others.

Trained as a classical pianist at the Hartt School of Music and SUNY, Purchase, he created "Jazzical" in 1995 as a celebration of creative fusion: "the explosive union of classical composition and jazz innovation ignited with a fresh spirit all its own." This concept, form and vehicle "captures the dynamic force of multiple cultures and influences, unleashing a kinetic energy that breaks down boundaries and yields whole new worlds of musical expression." In this episode, Joel shares his background, education, and musical journey.

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Shane Cooper is a bassist, composer, and producer based in Johannesburg, South Africa.  He is part of the new wave of South African Jazz artists pushing the music forward and is also known for his work in the electronic/dance music world, as well as commissioned works for films and theatre. In 2017 he launched MABUTA with band members Bokani Dyer, Sisonke Xonti, Robin Fassie, and Marlon Witbooi.  Their new album Welcome To This World is out now on all digital platforms through Shane’s record label Kujua Records. In this episode, Shane shares his background, education, and musical journey.

Jeff Denson has released 16 albums as a leader or co-leader and toured extensively throughout the U.S., Canada, and Europe with both his own groups and others at some of the world’s most prestigious venues and festivals such as the Village Vanguard, Birdland, The Kennedy Center, JVC Jazz Festival Paris, Montreal Jazz Festival, Berlin Jazz Festival, and SFJazz to name a few. Jeff has worked with some of jazz’s finest artists such as Brian Blade, Joe Lovano, Chris Potter, Jane Ira Bloom, Dave Douglas, Walter Smith III, Rachel Z, Omar Hakim, Gerald Cleaver, Warren Wolf, Leo Genovese, Edward Simon, Paul McCandless, Cuong Vu, Ralph Alessi, Dan Weiss, Lionel Loueke, Romain Pilon, and Mimi Fox, among many others and had an ongoing relationship with the legendary Lee Konitz for over a decade until his passing in 2020.

Jeff has been ranked in the DownBeat Rising Star Critic's Poll ten times in the Bass, Electric Bass, and Male Vocalist categories, and was voted #1 Rising Star Electric Bassist in 2021. Jeff is the Founder and Artistic Director of Ridgeway Arts, Inc., a 501c3 arts nonprofit organization, and the Dean of Instruction at the California Jazz Conservatory in Berkeley. Jeff shares his background, education, and musical journey in this episode of Improv Exchange.

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Born in Rovaniemi, a small town on the Arctic Circle in Northern Finland, fretted/fretless guitarist and oud player Jussi Reijonen is truly the product of a life lived transcending boundaries. Having grown up in Finnish Lapland, the Middle East and East Africa, and spending much of his adulthood in the United States, Jussi has lived a life soaking up the sounds, sights, scents and shades of Nordic, Middle Eastern, African and American cultures, all of which are reflected in his creative work as composer and performer.

Along his path, Jussi has worked as bandleader, sideman, composer or arranger with a diverse array of world-renowned artists. He has collaborated with Jack DeJohnette, Pepe de Lucía, Javier Limón, David Fiuczynski, Simon Shaheen, Bassam Saba, Arto Tunçboyacıyan, Dave Weckl, Hüsnu Şenlendirici and the New York Gypsy All-Stars, among others. He has performed extensively at prestigious festivals and venues throughout the United States like Lincoln Center and the Library of Congress, as well as in Finland, Sweden, Latvia, Switzerland, The Netherlands, Germany, France, Canada and Lebanon.

Jussi’s Independent Music Award-nominated debut album un | ان was released to great critical acclaim in early 2013 on his unmusic label. His latest album Three Seconds | Kolme Toista, a long-form suite for a new transcultural 9-piece ensemble, features musicians from Jordan/Iraq, Palestine, Turkey, Japan and the United States and was released worldwide on October 14th, 2022 via Challenge Records International.

Alongside his solo work, he co-leads Sawaari, a quintet exploring the nexus of Indian rhythms, Arabic maqamat, and trance music from North Africa and Southern Italy. He collaborates with Swiss vocalist Gabriela Martina, and is a member of the New York Arabic Orchestra.

Through his work as an educator and doctoral researcher at Sibelius Academy in Helsinki, Finland, Jussi continues to promote and provoke transcultural dialogue and conversation across boundaries and disciplines beyond mere identity politics. In this episode, Jussi shares his background, education, and musical journey.

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NYC flutist, composer, Sunnyside Records artist, producer, and clinician, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs, and concert halls including the Monterey, Madrid, Oeiras, Bermuda,

Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy’s, Blue Note, etc.. She’s performed with artists as renowned and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith. Though focusing primarily on jazz, she’s been involved in several projects performing classical, new music, Brazilian and Latin music. Receiving critical praise for seven CD's as a leader, with most making several “Best CDs of the Year” lists and four stars from DownBeat, her recently-released What Times Are These received five stars in DownBeat. Inch By Inch (GM Recordings), by the cooperative band Yard Byard: The Jaki Byard Project (w/Jerome Harris, George Schuller), also received four stars from DownBeat. Jamie has appeared on over 40 recordings as a sidewoman including those by Dave Binney, George Colligan, Ursel Schlicht, Frank Carlberg, Patrizia Scascitelli, Taylor Haskins, Monika Herzig, Louise Rogers, Sarah McKenzie, Steve Lampert, Brian Landrus, Laura Andel, Judi Silvano, Shigeko Suzuki, James Hall, etc. Ms. Baum’s many awards and grants for composing and touring include the 2022 Cafe Royale Recording Grant, 2021 South Arts Jazz Road Touring Grant, 2020 International Society of Jazz Arrangers & Composers (ISJAC) Covid Relief Commission, Foundation for Contemporary Arts 2020, 2020 Chamber Music America Jazz Presenter Consortium, 2018 USArtists International Touring Grant, 2017 New Music USA Project Grant, and a 2014 Guggenheim Foundation Fellowship. Baum was selected as a 2014-15 Norman Stevens Fellow/MacDowell resident and has since been awarded residencies again at MacDowell (2021), at UCross (2015), and at VCCA (2020). She won the '99 International Jazz Composers Alliance Award, 2010 CAP Award (American Music Center), the 2003 New Works: Creation and Presentation Award and the 2007 Encore Award, both components of the Doris Duke/CMA Jazz Ensembles Project.

Ms. Baum has been in the DownBeat Critics Polls annually since 1998, making #1 “Rising Star Flutist” in ’12, #2 “Flutist” in ’19, and #3 “Flutist” in ’20. She was named a "Major New International Talent” in 2015 lists by both “Musica Jazz” and “Jazzit” (Italy), was #2 “Flutist of the Year” in the 2018 Eleventh Annual International Critics Poll and tied for 4th place with Hubert Laws in the 2018 JazzTimes Critics Poll. Jamie was included in Huffington Post’s "Twenty-five Great Jazz Flute Performances”, nominated by the Jazz Journalists Association for “Flutist of the Year“ fourteen times, and The Jamie Baum Septet+ was nominated in 2014 "Best Midsize Ensemble" - in the same list with only two other bands -The Wayne Shorter Quartet and Steve Coleman’s Five Elements! Media attention for her recent CD, Bridges, and previously released, In This Life, brought features on WBGO’s RADAR and NPR’s All Things Considered, reviews in The New York Times, DownBeat, JazzTimes, All About Jazz, etc.. and two hour-long feature/retrospectives on major German and Czech public radio shows. Bridges was voted #4 in the 2018 JazzTimes Readers Poll for “Best New Release,” and In This Life was in the "Best CDs of 2013” lists including Boston Globe, iTunes, and Francis Davis' NPR Music Jazz Critics Poll. Recently, Baum was included in the JazzTimes 10: Essential Jazz Flute Albums (2019), 3 Questions for Today’s Jazz Musicians by Lilian Dericq, Cricket Publishers (Paris), the “Woodshed” in DownBeat, January 2019, and was the flutist on “The Essence of the Blues -- Flute: 10 Great Etudes for Playing and Improvising, Book & CD”, (Jim Snidero “play-along” series, 2019).

Through a highly competitive auditioning process, Jamie was chosen to tour for the DOS/Kennedy Center Jazz Ambassador program from ’99 -’03 in South America and South Asia. The US State Department also sponsored later shorter tours, in addition to several isolated US Embassy-sponsored programs while Baum was on her tours in Europe and South Asia. Baum’s two main active projects featuring her compositions include The Jamie Baum Septet+, together since 1999, and her Short Stories band marking five years by performing at the 2020 Winter Jazzfest. In addition, she co-leads Yard Byard: The Jaki Byard Project and is involved in several other projects either as co-leader or side-woman, including The Richie Beirach/Jamie Baum Duo and NYC Jazz Flutes. Baum has been on the faculty of the Manhattan School of Music Jazz Arts department at since 2006, on the adjunct faculty roster at the New School University since 2004, and taught at Berklee College of Music (2011-2013). Summer jazz programs Baum has taught composition, improv, and flute technique, and coached ensembles at including the Stanford Jazz Workshop Institute, Litchfield Jazz Camp, Maryland Jazz Camp, etc. A clinician for Altus Flutes/KHS America since 1993, they have sponsored her innovative, pioneering workshop "A Fear Free Approach to Improvisation for the Classically-Trained Musician” TM, "A Fear Free Approach to Composition for the Improvising Musician” TM and “Flute Technique for Doublers” at colleges, conservatories, festivals, flute clubs and “music and art” schools worldwide.

 

Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music-making for the past 20 years, but in no situation more than his solo trumpet performances.In this episode, Nate shares her background, education, and musical journey.

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Award-winning vocalist, composer, and educator Kavita Shah’s latest album, Cape Verdean Blues, is the culmination of a diasporic quest to find a spiritual home. The carefully curated album of traditional Cape Verdean music is also a tribute to the charismatic and unapologetically individual artist Cesária Évora, and a love letter to her breathtaking archipelago and its welcoming people. On Cape Verdean Blues, Shah’s ethnographic research on the island of São Vicente, and her bold self-possession have enabled her to achieve a rare feat: creating a world music album that feels like home.

At the heart of the 12-song album is “sodade,” an idiomatic word that doesn’t have a strict English definition, but connotes a melancholy sense of transience that permeates Cape Verde, its music, and its free-spirited island population. “In this paradise in the middle of the Atlantic Ocean, I found a sense of home that has eluded me for much of my 37 years,” Shah says. She continues: “When I look back, I realize that upon hearing Cesária’s voice nearly a decade ago, she was summoning me down a path I must continue walking in search of sodade.”

Shah is a global citizen and cultural interlocutor whose work involves deep engagement with the jazz tradition, while also addressing and advancing its global sensibilities. She is a lifelong New Yorker of Indian origin hailed for possessing an “amazing dexterity for musical languages” (NPR). Shah speaks 9 languages—she is fluent in Spanish, Portuguese, and French—and incorporates ethnographic research into original music.

She has researched traditional music practices in Brazil, West Africa, East Africa, Turkey, and India. To support her work, Shah has earned grants from the Jerome Foundation, Chamber Music America, Asian Cultural Council, and New Music USA. Shah holds a B.A. in Latin American Studies from Harvard, and a Master’s in Jazz Voice from Manhattan School of Music.

To date, Shah’s projects include Visions (2014), co-produced by Lionel Loueke; Folk Songs of Naboréa, which premiered at the Park Avenue Armory in 2017; and Interplay in duo with François Moutin, which was nominated in 2018 for France’s Victoires de la Musique for Jazz Album of the Year. Shah regularly performs her music at major concert halls, festivals, and clubs on six continents.

乐团 whose 2020 album “The Adventures of Pie Boy” won Best Instrumental Album, Best Instrumental Recording and Best Arrangement (Bittersweet) at the 32nd Annual Golden Melody Awards and serves as music director for Tia Ray 袁婭維.

He has recorded, produced, performed and arranged for dozens of artists across Greater China, including David Tao陶喆, Li Ronghao 李榮浩， Matzka馬斯卡, Leah Dou竇靖童, Maobuyi 毛不易， Karen Mok莫文蔚， A-Lin, Kevin Sun and more. He graduated from Oberlin College and Conservatory, where he studied Jazz performance with Robin Eubanks. Hsieh plays Denis Wick mouthpieces and the Adams F5 Flugelhorn.

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International Recorded artist, composer, educator, and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Jennifer Holiday, Harold Mabern, Steve Davis, J.D. Allen, The Brooklyn Philharmonic and many more. In addition to his first-call status as a sideman, Barber has recently stepped forth as a composer and leader with his Vision Ahead band. Even with Barber’s history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars. Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that’s been making waves on the modern jazz scene. Barber’s blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber’s broad stylistic range as a drummer, performer, and composer. Jonathan Barber & Vision Ahead was featured and headline the 2018 Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, 2019 Hartford Jazz Festival, and 2020 Clifford Brown Jazz Festival. In this episode, Jonathan shares his background, education, and musical journey.   

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Dani Rabin is a member of MARBIN, with fellow bandmate Danny Markovitch. MARBIN is a progressive jazz-rock band based in Chicago, IL, with a unique story that stands out in today's music world. With a do-it-yourself approach, Marbin started touring extensively in 2011, bringing their original instrumental music to every part of the United States. Through word of mouth, Marbin has gained hundreds of thousands of devoted fans all over the world and has sold tens of thousands of albums. Check out his Latest release Fernweh.

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With an international background, PATRICK SOLURI is a New York City based composer of music for ballet, opera and film/TV. His love of telling stories through music is evident in a large body of work for the stage, screen and concert hall.

Mr. Soluri has had 11 ballet scores performed internationally. This includes a commission and eight sold out performances of JUST BEFORE NOW (2017) at Ballet de l'Opéra National de Bordeaux (France). The same creative team, led by German choreographer Xenia Wiest and costume designer Melanie Frost, first collaborated on TO BE CONTINUED (aka “Continuum” 2009) which was commissioned and performed 18 times over two seasons to great acclaim by Staatsballett Berlin. In 2016 this ballet won the Grande Prixe (1st prize) at the Berritz International Choreographic Competition, and the music was a finalist/winner of the Kaleidescope 2020 international composers competition (with over 8,000 submissions). The latest production is in the 2022/23 season by Ballet X Schwerin in Germany. 

During the pandemic the same creative team featuring Xenia Wiest collaborated on “Nacht Ohne Morgen” with Xenia also as the ballet director of Ballett X Schwerin (Germany),  receiving rave reviews and 13 performances in the 2021/22 season, plus 4 additional performances in the 2022/23 season. Other notable ballet works include three productions of MADAME X (1999, 2003, 2019), featuring American Ballet Theater principal Marcelo Gomes, and NY City Ballet principals Abi Stafford and Ask La Cour; FIRE & AIR, premiered at The Kennedy Center with Mr. Soluri conducting; and FANCY NANCY, based on the hit children’s books. Mr. Soluri’s ballets have been performed by STAATSBALLETT BERLIN (Germany), BALLET DE L'OPÉRA NATIONAL DE BORDEAUX (France), BALLETT X SCHWERIN (Germany), INTERMEZZO DANCE CO (New York City), DANCES PATRELLE (New York City), BOWEN McCAULEY DANCE (DC), and CUYAHOGA VALLEY YOUTH BALLET (OH).

In opera, Mr. Soluri was a finalist with librettist Deborah Brevoort for ALBERT NOBBS in the 2018 Pellicciotti Opera Composition Prize who then commissioned and work-shopped a 20-minute excerpt in September 2016. In January 2018 ALBERT NOBBS was showcased as part of Opera America's "New Works Forum," with two new scenes added, and won the 2019 Frontiers Competition at FORT WORTH OPERA (FWO). His one-act opera EMBEDDED, commissioned by AMERICAN LYRIC THEATER, also won the 2013 Frontiers Competition at FWO, and had its fully staged world premiere in March 2014 at FARGO-MOORHEAD OPERA, followed by six performances at FWO in their Spring 2016 season where the NY Times praised "Mr. Soluri’s skillfully scored music…” Mr. Soluri is also known for his series of 10 minute comic operas which have performed around the world, four of which have premiered at CARNEGIE HALL. With nearly a dozen productions, his most performed short opera is the dark comedy FIGARO’s LAST HANGOVER. The sequel, FIGARO & THE ZOMBIE APOCALYPSE was commissioned & premiered by FWO in 2013. His opera INFERNO was featured in the prestigious ‘2003 VOX Showcasing American Composers’ by NEW YORK CITY OPERA. In addition, Mr. Soluri’s operas have been performed by VIENNE EN VOIX FESTIVAL, NEVADA OPERA, CENTER CITY OPERA THEATER, URBAN ARIAS, OPERA ON TAP, UNIVERSITY OF ALBANY, RTB, JUVENTAS, and L'ARIETTA SINGAPORE.

Mr. Soluri has also composed numerous film scores, has a vast library of music for film/TV, and a film trailer that showed on 19,000 film screens in the US. Other projects include orchestrating and arranging for the EMMY AWARD winning WONDERPETS, with Sean Lennon on the film score for ALTER EGOS, and scoring the indie short HOSTILE TAKEOVER (2018). Additionally, he has hundreds of cues in various film/tv music production libraries (including SONY/ATV, ReelTracks, and ScoreKeepers), which has been featured worldwide on various TV shows and networks, such as TLC, LOGO and DISCOVERY - including hit shows like NBC's "World of Adventure Sports" and "America's Got Talent."

Other works include various chamber and orchestral commissions, including an orchestral overture commissioned by GULF COAST SYMPHONY with multiple performances in their 2014/15 season.

Holding dual citizenship in the US and Portugal, Mr. Soluri was born in Brazil, and raised in NYC attending a Montessori School (in Milan & NYC) and later Rudolf Steiner (a Waldorf School). At Bennington College Mr. Soluri studied composition with Tobias Picker and Alan Shawn, then received a BM in classical composition from Manhattan School of Music as a scholarship recipient studying with Aaron J. Kernis and Nils Vigeland. He received a MM in composition from Univ. of Louisville where he held the Moritz von Bomhard Fellowship for Opera Composition. Additionally, he was selected for various prestigious programs including the first “class” of the Composer Librettist Development Program by ALT, the ASCAP Film Scoring Workshop in Hollywood, and VOX Showcasing American Composer by New York City Opera.

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Alexa Tarantino is an award-winning, vibrant, young jazz saxophonist, woodwind doubler, composer, and educator. Alexa was also recently named one of the “Top 5 Alto Saxophonists of 2019” by the JazzTimes Critics’ Poll. In this episode, Alexa talks about her musical journey and her latest release Clarity.

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In this episode, we have Kathrine Windfeld joining us. She is a seasoned jazz musician from Denmark. Kathrine will be sharing with us her music journey.

 

Being a bandleader, Katherine shares with us how she created her first big band and a sextet. Also, she will be telling us about her new album, and where she sees jazz music in the next ten years.

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Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson, and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt's recordings and performances have earned him critical acclaim nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is touring throughout the United States and Europe in support of his latest release, "Soundtrack". In this episode, Jeremy shares his background, education, and musical journey.

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Soaring, poetic, quicksilver, spontaneous, and instantly identifiable are words used to describe the soprano sound of saxophonist Jane Ira Bloom. She's been steadfastly developing her singular voice on the soprano saxophone for over 40 years creating a body of music that marks her as an American original. She is a pioneer in the use of live electronics and movement in jazz, as well as the possessor of "one of the most gorgeous tones and hauntingly lyrical ballad conceptions of any soprano saxophonist - Pulse." She is the winner of the 2018 Grammy Award for Best Surround Sound Album for her trio album "Early Americans." In this episode, Jane shares her background, education, and musical journey.

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Jocelyn Gould is an accomplished guitarist, vocalist, and bandleader. Originally from Winnipeg, Canada, she grew up singing every chance she got and became enthralled with the guitar as a teenager. Jocelyn maintains an active international performance career, including performances at the St. Lucia Jazz Festival, the Detroit Jazz Festival, and the TD Toronto Jazz Festival. Jocelyn’s debut recording, Elegant Traveler, was released in March 2020. In this episode, Jocelyn shares her background, education, and musical journey.

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Dutch saxophonist Yuri Honing has widened his musical scope through collaborating with such great talents as Pat Metheny and Charlie Haden. Honing achieved his first international breakthrough with his trio recording Star Tracks, an album consisting only of pop songs. Another landmark recording was Seven, made in New York and featuring Paul Bley, Gary Peacock, and Paul Motion, which received the prestigious Edison (Dutch Grammy) Award. In this episode, Yuri shares his background, education, and musical journey.

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Described as "one of the most compelling voices to emerge on her instrument in recent years", Australian-born-based trumpeter/composer Nadje Noordhuis possesses one of the most unforgettably lyrical voices in modern music. Her deeply-felt, clarion tone and evocative compositional gift meld classical rigor, jazz expression, and world music accents into a sound that is distinctively her own. Noordhuis was one of ten semi-finalists in the 2007 Thelonious Monk International Jazz Trumpet Competition and was selected as a Carnegie Hall Young Artist in 2012. Based in New York since 2003, she is a member of the multiple Grammy-winning Maria Schneider Orchestra, Grammy-nominated Darcy James Argue's Secret Society, and the Grammy-nominated Anat Cohen Tentet. In this episode, Nadje shares her background, education, and musical journey.

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Contemporary jazz singer/keyboardist Frank McComb was born in Cleveland on July 15, 1970, beginning his piano studies at age 12 and forming his first trio five years later. His professional break followed in 1991, when he was tapped as musical director for the R&B group Rude Boys, subsequently backing DJ Jazzy Jeff and the Fresh Prince in the studio and on tour; in late 1992, McComb signed to the Mojazz label, and in 1994 collaborated with Branford Marsalis on his jazz-rap fusion project Buckshot LeFonque. The solo Love Stories followed in early 2000. In this episode, Frank shares his background, education, and musical journey.

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Nick Di Maria is a trumpeter, composer, podcaster, activist, and educator based in New Haven, Connecticut.

A graduate of Western Connecticut State University, Nick holds a Bachelor’s Degree in Jazz Performance. Nick has been a student Dr. Eddie Henderson since 2003. Other musical mentors include Dave Scott, Jeremy Pelt, Taylor Ho Bynum, and Rich Clymer. Nick also holds a Masters of Science in Music Education.

Nick is also Director of the Outer Space Jazz Series, a local, weekly jazz showcase at the Outer Space club in Hamden, CT. Nick has worked with musicians of the highest caliber. In the 2012-2013 season Jeremy Pelt, Wayne Escoffery, Peter Bernstein,  and Jimmy Greene have performed at the series. Nick also directed the now annual O.S. Jazz Festival which consists of bands from all over the state performing originally composed jazz. In this episode, Nick shares his background, education, and musical journey.

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Benjamin Lapidus is a Grammy-nominated musician who has performed and recorded throughout the world as a bandleader and supporting musician playing guitar, Cuban tres, Puerto Rican cuatro, touch style/tapping instruments (Warr guitar and Chapman Stick), as well as organ. As a scholar, he has published widely on Latin music, and he is a professor at John Jay College of Criminal Justice, CUNY, and The Graduate Center.

Since the 1990s, Lapidus has performed and/or recorded Cuban tres, Puerto Rican cuatro, guitar, voice, and other instruments on film soundtracks, video games, television commercials, and albums with some of the most notable musicians in Latin music and jazz. Some of these collaborations include performances and/or recordings with Andy and Jerry González, Ibrahim Ferrer (Buena Vista Social Club), Pío Leyva (Buena Vista Social Club), Manuel “Puntillita” Alicea (Buena Vista Social Club), Bobby Carcassés, Orlando “Cachaíto” López, Juan Pablo Torres, NEA Jazz Master Cándido Camero, Larry Harlow, Ruben Blades, Típica 73, John “Dandy” Rodríguez, David Oquendo, Xiomara Laugart, Nicky Marrero, Nelson González, Carlos Abadie, Los Hacheros, Pedrito Martínez, Roman Díaz, Paul Carlon, Adonis Puentes, Pablo Menéndez, Bobby Sanabria, Ralph Irizarry, Charlie Sepulveda, Luis Marín, Humberto Ramírez, Harvie S., Hiram “El Pavo” Remón, Gene Jefferson, Frank Anderson, Enid Lowe, Jared Gold, Greg Glassman, Bobby Harden, Brian Lynch, Mark Weinstein, Jeff “Tain” Watts, Larry Goldings, Chico Álvarez, Alfredo “Chocolate” Armenteros, Emilio Barretto, Eddie Zervigón, José Fajardo, Rudy Calzado, Los Afortunados, Jose Conde, Kaori and Yuko Fujii, Roberto Rodríguez, Maurice El Medioni, Michael Torsone, and many others.

As the leader of the Latin jazz group, Sonido Isleño (founded in 1996), he has performed throughout North and South America, Europe, and the Caribbean while releasing five internationally acclaimed albums of his original compositions. In 2007, Lapidus served as musical director and arranger for Garota de Ipanema(JVC/Victor Japan) with Kaori Fujii and toured Japan twice. In 2008, he recorded Herencia Judía and in 2014, he released his eighth album as a leader, Ochósi Blues. Blues for Ochún (2023) is his ninth album as a leader. As a composer, Lapidus’ music has been recorded by groups in Cuba and Japan and has been featured in documentaries and television. In 2015, Latin Jazz USA awarded Lapidus a lifetime achievement award for his contributions to Afro-Latin music. In 2015, he wrote the liner notes, contributed an original composition, sang, and played electric guitar and Cuban tres on Andy González's Grammy™-nominated album, Entre Colegas.

As profiled on the 2023 television show, Shades of Us (https://youtu.be/I_xMYUtgAhA), Benjamin Lapidus was born in Hershey, PA in 1972 to first-generation Brooklynites and the family moved almost 15 times before returning to New York City when Lapidus was 14. Trained in piano from a young age, he moved through a variety of instruments including trumpet and bass before concentrating on the guitar. Lapidus was exposed to music by his grandmother and his father, who played in Latin and jazz bands in the Catskills in the 1950s. Through his father’s record collection and stories of his father’s visits with his Latin American relatives, the seeds of Latin music were planted. Yet it wasn’t until the 1980s that the youngest Lapidus became immersed in Latin music when he moved to a predominantly Latin neighborhood in New York City, where numerous important musicians also resided. Living a block away from Mikel’s jazz club, Lapidus still has vivid memories of practicing in Mario Rivera’s house or seeing Mario Bauzá walk down the street. Deciding he needed a complete musical education, Lapidus earned two degrees from Oberlin Conservatory and Oberlin College, becoming one of the program’s first jazz guitar graduates. In 1994, Lapidus started to play the Puerto Rican cuatro and Cuban tres. After leading his own quartet at festivals and clubs throughout Europe and winning a grant to study briefly with Steve Lacy in Paris, he returned to the U.S. and worked with Joe McPhee, Joe Giardullo, Tani Tabal, Thomas Workman, and other creative improvisers.

At the same time, Lapidus began performing with Larry Harlow, Alex Torres, and other Latin music luminaries in New York and Puerto Rico. Lapidus earned a Ph.D. in Ethnomusicology at the CUNY Graduate Center in 2002. His travels to Cuba acquainted him with distant relatives and grounded him in the music of Eastern Cuba. He has taught guitar and Cuban tres at the New School and popular music of the Caribbean, Latin music in New York, and world music at Queens College and John Jay College of Criminal Justice, CUNY. Today, Lapidus is a professor in the Department of art and Music at John Jay College of Criminal Justice and on the Doctoral Faculty of the Graduate Center, CUNY. In addition, he has served as scholar-in-residence with the New York Center for Jungian Studies and the Jewish Museum during several humanitarian missions to the Jewish communities of Cuba between 2004-2016. In 2008, Lapidus published the first-ever book on the Eastern Cuban musical genre changüí called Origins of Cuban Music and Dance: Changüí (Scarecrow Press). He has published numerous peer-reviewed articles and book chapters, translations, and presented papers at international conferences on Cuban music, Puerto Rican music, Latin jazz, and improvisation. He has also written liner notes for a number of recordings. In 2013, Lapidus won a prestigious National Endowment for the Humanities (NEH) fellowship for his critically acclaimed book New York and the International Sound of Latin Music, 1940-1990 (University Press of Mississippi, 2021). With endorsements from Rubén Blades, Ilán Stavins, and other prominent academics around the world, this ground-breaking book has been featured on BBC 3 Music Matters, NPR’s Afropop, and Alt. Latino shows as well as the Miami International Book Fair and countless news outlets. The book maintains its bestseller ranking in Amazon’s top 20 salsa books since its release. In this episode, Benjamin shares his background, education, and musical journey.

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A native of eastern Pennsylvania, JD Walter’s past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide.

After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter’s recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings.

The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens.

Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy’s Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues.

He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum.

Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey.

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Danny Markovitch is the co-leader and founder of the jazz-fusion band Marbin. Marbin is a progressive jazz-rock band based in Chicago, IL, with a unique story that stands out in today's music world. With a do-it-yourself approach, Marbin started touring extensively in 2011, bringing their original instrumental music to every part of the United States. Through word of mouth, Marbin has gained hundreds of thousands of devoted fans all over the world and has sold tens of thousands of albums. Marbin has released eight albums: Marbin (2009), Breaking the Cycle (2011), Last Chapter of Dreaming (2013), The Third Set (2014), Aggressive Hippies (2015), Goatman and the House of the Dead(2016), Israeli Jazz (2018), and Strong Thing (2019). Marbin regularly plays in clubs all over the US and in jam and jazz festivals around the world.

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CONRAD KORSCH is a New York City based acoustic and electric bassist / multi-instrumentalist / vocalist / musical director / bandleader / composer / producer, and educator. After attending the prestigious Settlement Music School throughout his grade school and high school years in Philadelphia, he earned a Bachelor's Degree in Jazz Bass Performance from Temple University, where he attended on scholarship and graduated Magna Cum Laude and with other honors. Widely known for his tenure with Rod Stewart from 2002 - 2018 as bassist and eventually Musical Director / Bandleader, and as a member of The Faces since their R&R Hall Of Fame Induction in 2012, he has accumulated a long and varied list of other notable recordings, performance, production and TV / Film / Theater. In this episode, Jane shares her background, education, and musical journey.

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Pianist-composer Kris Davis was named 2017 Rising Star Pianist/2018 Rising Star Artist in Downbeat magazine and dubbed one of the music’s top up-and-comers in a 2012 New York Times article titled “New Pilots at the Keyboard,” with the newspaper saying: “One method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis.” To date, Davis has released twelve recordings as a leader.

Her 2016 release, Duopoly, made The New York Times, Pop Matters, NPR, LA Times, and Jazz Times best albums of 2016. Davis works as a collaborator and side person with artists such as John Zorn, Terri Lyne Carrington, Craig Taborn, Tyshawn Sorey, Eric Revis, Michael Formanek, Tony Malaby, Ingrid Laubrock, Julian Lage, Mary Halvorson and Tom Rainey. Davis received a Doris Duke Impact award in 2015 and multiple commissions to compose new works from The Shifting Foundation, The Jazz Gallery/Jerome Foundation and the Canada Council for the Arts. She is the Associate Program Director of Creative Development for the Insitute Jazz and Gender Justice at Berklee College of Music.

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Jihye Lee is a jazz composer and bandleader based in New York, highly regarded for her personal and adventurous storytelling approach to large-ensemble jazz. A native of South Korea, Lee had no jazz or classical training growing up, though she found success in Korea performing as an indie-pop singer-songwriter. She graduated from Dongduk Women’s University with a degree in Voice Performance, discovering her love of large-ensemble jazz only after beginning her studies at Boston’s Berklee College of Music in 2011. Confidently she began to explore her own identity and voice within this exciting, historically rich medium, winning Berklee’s Duke Ellington Prize just months after declaring her Jazz Composition major (and again the following year). Though she could never have anticipated this new path, she has followed it to greater heights, moving to New York in 2015 and earning a master’s degree at Manhattan School of Music under the guidance of the great Jim McNeely, with generous funding from school scholarships and the CJ Cultural Foundation. In this episode, Jihye shares her background, education, and musical journey.

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Drummer, composer and bandleader Mareike Wiening has distinguished herself bringing “a planar modulating harmonic language and a propulsive drift” (Giovanni Russonello, New York Times) to the most compelling jazz music of today. Ms. Wiening’s music was described as “thoroughly modern, progressive jazz, Mareike Wiening’s album Crosswalk has many layers that unfold with each repeated hearing; she will most definitely become a leading part of the jazz scene in the years to come.” (All About Jazz)

Her new album Future Memories, which follows her critically acclaimed debut album Metropolis Paradise.

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Latin Grammy-winning producer, composer, percussionist, and writer, Barrett Martin, has been playing music professionally for over 30 years, including work on over 120 albums and film soundtracks worldwide. His work can be heard on albums by R.E.M., Queens Of The Stone Age, Mad Season, Screaming Trees, Tuatara, Blues legend CeDell Davis, and recording sessions that range from the Peruvian Amazon, to Brazil, Cuba, the Palestinian West Bank, the Mississippi Delta, and the Alaskan Arctic. Barrett also holds a master’s degree in ethnomusicology and linguistics, and has practiced Zen for over 25 years.

He has guest lectured at several universities across the United States, and has written essays for The Huffington Post and Riot Material (links below). In 2014 he was awarded the ASCAP Deems Taylor/Virgil Thompson Award for excellence in writing, and in 2017 he received two Latin Grammy nominations, winning a Grammy for producing Nando Reis’ Best Brazilian Rock Album, “Jardim-Pomar”. In this episode, Jane shares his background, education, and musical journey.

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Ari O’Neal is a guitarist from Prince George’s County, Maryland. She’s been playing since the age of 10. Although she learned how to play guitar in many amazing music programs (Music & Arts Center, Levine School of Music, Juilliard's Jazz Camp, etc.), she never made it out into any collegiate music programs. After playing in churches and clubs around the DMV area. After being discovered on Instagram, she was called to play for Beyoncé at Coachella in 2018. That show led to the OTRII Tour, and then Normani, Fantasia, Nelly, Alicia Keys, and more. In this episode, Ari shares her background, education, and musical journey.

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Josh Feldstein founded The Verve Jazz Ensemble in 2006 as a band that paid homage to the past while vehemently establishing newer, younger audiences for the vintage sound of Hard Bop-inspired jazz.  Josh has studied extensively with drumming legend John Riley and the amazing Joe Morello, Josh’s additional drumming influences include Art Blakey, Max Roach, Philly Joe Jones, Buddy Rich, and Peter Erskine.

Josh has recorded 8 records with the VJE, including the band’s #1 JazzWeek radio chart album, “Connect The Dots.”  His newest VJE album, “All In,” is now being played on US and global internet radio, and will be released commercially on Spotify and all streaming platforms on May 26th.

Josh Feldstein was born in Manhattan and received his degree from Queens College, City University of New York.  As a child, Josh began studying drums at age 11. After a drum instructor one day told him that his drumming style “reminded him of Gene Krupa” (whom Josh had never heard of at the time), Josh immersed himself in the recordings of the legendary "Sing, Sing, Sing" soloist. "I listened to all the big bands, from Benny Goodman to Count Basie to Duke Ellington and everything in between,” Josh said.  "I knew immediately it was jazz drumming for me!” In this episode, Josh shares his background, education, and musical journey.

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