Imaginary Worlds (Eric Molinsky | QCODE)

There is a booming culture of VTubers – people who create content online, but their fans rarely see their real faces or know their names. VTubers use motion-capture technology to appear as animated characters they designed, and many of these characters are otherworldly from robots to aliens to demons. I talk with VTubers named Xinebi Ven, Pandora Arktos, GloopQueen and D-36-5908 Ω (a.k.a. Omega) about the joys and challenges of becoming a VTuber, and whether inhabiting an animated character allows them to be their more fully authentic selves. Xenebi Ven’s YouTube and Twitch streams Pandora’s YouTube and Twitch streams GloopQueen’s YouTube and Twitch streams Omega’s YouTube and Twitch streams Also mentioned in this episode: Ironmouse’s YouTube and Twitch streams Mori Calliope’s YouTube and Twitch streams This episode is sponsored by Aspiration debit card and D&Tea. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In honor of Women’s History Month, we’re producing a two-part series about two visionary and trailblazing artists: Mary Blair and Milicent Patrick. They went to the same art school. They each began working at Disney during the Depression. They were both singled out for their talents but left in 1941. From there, they went on to have wildly different careers, but each had a lasting impact on pop culture. In part one, I talk with authors and historians Mindy Johnson and Mallory O’Meara about Milicent Patrick. She started as a special effects animator on Fantasia before designing the Gill-man from Creature from the Black Lagoon. Plus, I talk with makeup and effects artist Steve Wang about why the Gill-man is a horror icon. Mallory O’Meara’s book is The Lady From The Black Lagoon, and Mindy Johnson’s book is Ink & Paint: The Women of Walt Disney Animation. This episode is sponsored by Hims. Start your free online visit today at Hims.com/IMAGINARY Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our culture is going through a Gothic Revival -- partly thanks to the influence of Tim Burton. Gothic literature may have thrived in the 19th century (and my high school English class) but a lot of contemporary writers are returning to the tradition, creating stories that reimagine the past or look at the present through a Gothic lens. I talk with Xavier Aldana Reyes of the Manchester Centre for Gothic Studies about how The Gothic is like a mode or a sensibility that can take over any genre. Kit Mayquist, author of Tripping Arcadia: A Gothic Novel, discusses why The Gothic feels like the right fit for a generation that was gaslit while coming of age during war and a recession. And Leila Taylor, author of Darkly: Black History and America's Gothic Soul, explains that America will always be haunted by its Gothic past until we confront it. Featuring readings by voice actor Tanya Rich. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When things go wrong, it’s tempting to say something’s cursed as a joke. But when things go dreadfully wrong on horror movie sets, some fans have speculated that the films were literally cursed. Jay Cheel talks about his new documentary series “Cursed Films,” which explores why people believe the cast and crew of The Exorcist, The Omen, and other horror films were targeted by demonic forces. Special effects artist Craig Reardon and director Gary Sherman separate fact from fiction with the alleged Poltergeist curse. And I talk with professor Brandon Grafius, author of “Reading the Bible with Horror,” about why religion can prompt us to believe in curses.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The myth of Camelot runs deep in our culture. For over a thousand years, storytellers have felt compelled to tell the tale of King Arthur and add their own spin on the mythical legend. But we live in pretty cynical times where the idea of a wise and noble king feels like just as much of a fantasy as a boy pulling a magical sword from a stone. So why does the character of Arthur still endure? I talk with Arthurian scholars Martha Bayless, Elizabeth Archibald and Ingrid Nelson about why we can never forget that for one brief shining moment, there was a Camelot – even if there probably never was a Camelot. Today's episode is brought to you by Faraway Stories from Amazon, and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jeff Russo has composed music for sci-fi fantasy shows like Star Trek Discovery and Picard, The Umbrella Academy, Altered Carbon, For All Mankind, and Lucifer. But he didn’t set out to be known as a composer of SF projects, or even a composer at all. He began as a rock musician, and found he had a knack for writing music for the screen because he understood that music plays a crucial role in grounding unreal stories in the emotions of the characters. We talk about his approaching to scoring and why it’s so challenging to write a theme song. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When I began this podcast in September 2014, I couldn’t imagine myself someday celebrating 200 episodes of Imaginary Worlds. It feels like a momentous occasion, a moment to reflect and celebrate. So, I put together a super-sized episode where I check in on creative people that I’ve interviewed in the past. We also hear from listeners about where they listen to the show, and how those places evoke imaginary worlds for them. Featuring Caro Murphy, Jason Suran, Tim Lapetino, Shari Spiros of AdMagic, and Scot and Jane Noel of DreamForge magazine. You can learn more about Jason's show Reconnected here. This episode is sponsored by Backblaze and Squarespace. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I’ve long been fascinated by automatons – wind up mechanical beings that create the illusion of life. People have been making automatons for centuries, but how many automatons get to sing opera? This week’s episode comes from the podcast Aria Code from WQXR, WNYC Studios and The Metropolitan Opera. The show breaks down famous arias and looks at the meaning behind them. Host Rhiannon Giddens, along with Soprano Erin Morley, conductor Johannes Debus, machine learning researcher Caroline Sinders, and psychologist Robert Epstein explore Jacques Offenbach’s 1881 opera The Tales of Hoffmann and how its automated character Olympia echoes current day concerns about A.I. technology. This episode is sponsored by Nord VPN. Exclusive deal -- grab the NordVPN deal at https://nordvpn.com/imaginaryworlds. Try it risk-free now with a 30-day money-back guarantee! Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since we can’t pick up universal translators on The Enterprise or through the TARDIS, we have to rely on human translators to bring fantasy stories across cultures. We all know that something is always lost in translation, but what is gained when a story transitions from one language and culture to another? Chen Malul tells the story of Israeli pilots who translated The Hobbit while in captivity. Olga Zilberbourg remembers the Soviet version of The Wizard of Oz – which was very different from the original story. Emily Jin discusses the nuances of translating Chinese science fiction at a time when everyday life in China feels like sci-fi. And translators Gord Sellar and Jihyun Park explain how feminism revitalized SF literature in South Korea. Stories mentioned in this episode: National Center for the Preservation of Human Dignity The Flowering Today's episode is brought to you by ConvertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

What makes a good origin story? University of Oregon professor Benjamin Saunders explains how retelling origin stories is a way of returning to childhood wonder. The best origin stories are not a one shot deal, they transform characters like Spider-Man or Buffy – and keep transforming them. I see a psychologist, Dr. Robin Rosenberg, who specializes in helping her patients figure out their powers and their mission. And I unpack my own origin story, or at least a story that explains how I got from animation to public radio -- hoping it's not just a contrived piece of fiction.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

When I began my podcast in September 2014, I was mostly sticking with topics that I was familiar with like blockbuster movies and animation. I liked science fiction, but I was not as familiar with traditional fantasy, literature, tabletop games, and most anime. My understanding of the depth and breadth of imaginary worlds kept expanding, and when I thought I had reached the borders of the universe, I kept discovering more. This show has also become a historical archive of the development of sci-fi fantasy genres since 2014. I talk with journalist Rob Salkowitz and editor Diana M. Pho about how the film industry, comics, and publishing industry have been on their journeys in the past decade. Plus, we hear from listeners about some of the episodes that made an impact on them. This episode is sponsored by Henson Shaving. Visit hensonshaving.com/imaginary to pick the razor for you and use code IMAGINARY to get two years' worth of blades free with your razor – just make sure to add them to your cart. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Salem is like something out of a Grimm fairy tale for many people -- it’s not a real place. But Salem always felt visceral to me growing up in Massachusetts. I love the ancient graveyards and the colonial houses flush up against the sidewalks. Historian Mary Beth Norton says to truly understand what happened, we have to delve into the imaginary world the Puritans believed in – where witches and Indians were both agents of the devil conspiring against them. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the final episode of our mini-series Class of '84, we look at two iconic franchises that launched in 1984: Transformers and Teenage Mutant Ninja Turtles. They came from opposite ends of the business spectrum. Transformers was a top-down marketing synergy between American and Japanese toy companies along with Marvel Comics to compete against He-Man -- another TV toy behemoth. Teenage Mutant Ninja Turtle would eventually rival them in cultural dominance, but it began with two indie comic book creators making a black and white comic as a lark. But Turtles and Transformers both ended up wrestling with similar questions around what happens when you put the cart before the horse in creating content to sell products. Documentary filmmaker Isaac Elliot-Fisher and Cartoon Art Museum curator Andrew Farago talk about the incredible rags to riches story of the Turtles creators, and how success changed them. And I talk with Bob Budiansky, who created many of the original Transformers characters for Hasbro and Marvel Comics. Learn more about your ad choices. Visit podcastchoices.com/adchoices

35 years ago, Doug Naylor co-created a sitcom called Red Dwarf about the last human left alive in the far future. But the character is not alone. The rest of the crew aboard the ship Red Dwarf includes an annoying hologram, a very helpful android, a very unhelpful A.I. and a cat-person with a great sense of style. The show was considered a huge gamble back then. Sci-fi and comedy were not supposed to mix. But Red Dwarf was a hit – and Doug Naylor has continued to revive the show over and over due to popular demand. I talked with him about why this existential comedy works so well, and how it continues to inspire him to create “emotion bombs.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s not often that I’m watching a TV show and I think, “I should ask the writers about that.” Luckily, I was in the same undergraduate film program as Henry Alonso Myers and Bill Wolkoff, who are writers and producers on the Star Trek series Strange New Worlds, and they were happy to chat. We cover the challenge of telling new stories about legacy characters like Spock and Uhura, the need for Star Trek to stay politically relevant, why Captain Pike is really into cooking and hijinks are the most logical course of action during a Vulcan courtship. This episode is sponsored by NordVPN. Grab the NordVPN exclusive deal at https://nordvpn.com/imaginaryworlds. Try it risk-free now with a 30-day money-back guarantee. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the second part of our retrospective on how Imaginary Worlds has covered sci-fi and fantasy since September 2014, we look at the world of gaming. I visit the game shop Sip & Play and talk with the owner Jonathan Li. Game designer and cultural consultant James Mendez Hodes returns to discuss the affect Stranger Things and Critical Role have had on the popularity of D&D, and why the last decade has been a golden age of indie tabletop games. Illinois Tech professors Carly Kocurek and Jennifer deWinter discuss the breakout video games in the last 10 years, and why it’s harder for indie video games to have the same success as indie board games. This week’s episode is sponsored by GreenChef, ShipStation and Hims. Go to greenchef.com/imaginaryclass for 50% off your first box and 50 free credits with ClassPass Go to shipstation.com and use the code “Imaginary” to sign up for your free 60-day trial. Start your free online visit today at hims.com/imaginary. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From TV and film to novels and video games, the artistic movement of Indigenous Futurisms has been gaining momentum and breaking cultural barriers. I talk with professor and author Grace Dillon, filmmaker Danis Goulet, fiction writer Stephen Graham Jones, and visual artist Virgil Ortiz about what defines a work of indigenous futurism and why telling stories about werewolves, spirits, A.I., and time travelers can be an act of resistance. This episode is sponsored by Mr Ballen Podcast and D&Tea. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A play by Charles Dickens. The Haunted Mansion ride at Disneyland. A hologram of a famous dead pop singer. They’re all connected by a simple magic trick called Pepper’s Ghost. What’s most remarkable about this illusion is that it hasn’t changed much in over 160 years. I talk with Jim Steinmeyer and Ben Schrader, both designers of theatrical special effects, about why a Victorian magic trick is more popular than ever at modern theme parks and other live entertainment venues. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Role-playing games like Dungeons & Dragons and Pathfinder aren’t just played in game shops or living rooms. They’re also very popular in prisons – if the prison officials haven’t banned them. I talk with Joseph Krauter, who is formerly incarcerated, and David Annarelli, who is currently incarcerated, about the role that playing games have had on their mental health, personal development and socializing in prison. Plus, they discuss the ways they’ve had to MacGyver whatever they can find into makeshift gaming materials. Michelle Dillon, a board member at Books to Prisoners in Seattle, and Moira Marquis, founder of Prison Banned Books Week and lead author on PEN America’s report on book banning in prisons, explain how prisons have justified banning game books, and their efforts to get those books to incarcerated gamers. This week’s episode is sponsored by Hims, Henson Shaving and TodayTix. Start your free online visit today at hims.com/imaginary. Visit hensonshaving.com/imaginary to pick the razor for you and use the code “imaginary” to get two years' worth of blades free with your razor – just make sure to add them to your cart. Go to TodayTix.com/imaginary and use the promo code IMAGINARY to get $20 off your first Today Tix purchase. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Was the tale of Hansel and Gretel inspired by a real crime in German history? It would make for a great story, if it were true. This week’s episode comes from the podcast Cautionary Tales, where host Tim Harford looks at how misinformation can cast a spell on us like a fairy tale, and he connects the dots from The Brothers Grimm to The Coen Brothers. This episode is sponsored by Brilliant and Nord VPN. Visit brilliant.org/imaginaryworlds to get 20% off Brilliant's annual premium subscription. And go to nordvpn.com/imaginaryworlds to get a discount off your NordVPN Plan and one additional month for free. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

June 16, 2016 is the 200th anniversary of the night Mary Shelley began to write, "Frankenstein, or The Modern Prometheus." Scholars have long speculated what Frankenstein can tell us about scientific hubris or "playing God." But Professors Gillen D'Arcy Wood and Ron Broglio think the book has just as much to say about how we adapt to "acts of God." In other words, Frankenstein was imagined in a year when the Earth's climate was thrown off balance and the weather was wildly unpredictable. Sound familiar? With biographer Charlotte Gordon and readings by Lily Dorment.  Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the sci-fi drama Beforeigners from HBO Nordic, Oslo is overrun with immigrants and refugees. But they haven’t come from other countries. They’re from the past. In fact, they’re from three specific eras: the Stone Age, the Viking age, and the Victorian age. No one knows why or how they came, but police detectives Lars Haaland and his partner Alfhildr Enginsdottir – who is a former Viking herself – are uncovering mysteries and conspiracies that might lead to the truth. The show was created by Eilif Skodvin and Anne Bjørnstad, and I was very happy that I got to talk with Anne about how they created the show, and why time travel turns out to be a great metaphor to explore issues of immigration and national identity. This episode is sponsored by Brooklinen and Realm. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When the artist Cliff Chiang co-created the comic book series Paper Girls, about four suburban kids in the ‘80s who get caught up in forces that can break space and time, he thought they’d come up with something totally original. But soon after the comic book came out, Stranger Things debuted on Netflix. Both creative projects are part of a genre that’s more popular than ever: Kids on Bikes. I talk with Cliff about why he wanted Paper Girls to stand out from other Kids on Bikes stories. Screenwriter Stephany Folsom discusses how she adapted Paper Girls into an Amazon Prime Video live-action show by pitching it as “anti-nostalgia.” I also talk with game designers Jon Gilmour and Doug Levandowski about how they distilled the elements of Kids on Bikes stories into a role-playing game, and whether the genre is ready to outgrow its 1980s setting. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the subgenre of analog horror, there’s something sinister or supernatural lurking in the horizontal lines and vertical holds in those old VHS tapes. Filmmaker Chris LaMartina explains why he wanted his movies WNUF Halloween Special and Out There Halloween Mega Tape to seem like live broadcasts taped off local TV news in the ‘80s and ‘90s. I talk with podcasters Perry Carpenter and Mason Amadeus from the show Digital Folklore about how The Internet became our new campfire to tell spooky stories. Plus, we hear from Alex Hera, director of the documentary The History of Analog Horror, and folk horror lecturer Diane A. Rodgers of Sheffield University about why people born in the digital age want to tell horror stories set in the distant yet familiar era of VCRs. In this episode we also discuss The Mandela Catalog, Local 58, and The Backrooms. This episode is sponsored by Birds of Empire, and Brilliant. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Visit brilliant.org/imaginaryworlds to get 20% off Brilliant's annual premium subscription. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In honor of Muppet*Vision 3D closing at Disney World, we look at the history of The Muppets before Kermit joined Miss Piggy and Fozzie Bear. Two decades earlier, Kermit was hanging out with Sam and Friends -- a local TV show in Washington, D.C., that launched Jim Henson's career. This episode comes from the podcast Sidedoor, produced by The Smithsonian with support from PRX. Their host Lizzie Peabody journeys back to 1955 to figure out how this eccentric cast of puppets built the foundation for everything Jim Henson would do afterwards, from Sesame Street to The Muppet Show and even Labyrinth. And the Sidedoor team ventures into the conservation labs to learn what it took to revive these crumbling hunks of foam and fabric when they landed at the Smithsonian. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In honor of Doctor Who’s 60th anniversary, I’ve rewritten my 2018 episode about Doctor Who with updates on how the series has evolved, and new insights I’ve had about Doctor Who since I made this episode -- and since The Doctor has become one of my favorite characters. Media critic Emmet Asher-Perrin discusses how the history of The Doctor’s regenerations over 60 years is a story about an alien being who is striving to be better but keeps overshooting the mark. I talk with Emmet’s partner Sylas K. Barrett and comedian Riley Silverman about how The Doctor’s gender transitions have been an apt metaphor for the transgender experience. Also, Nick Randall of the BBC and SNS Online, historian Robin Bunce, and playwright Mac Rogers talk about the show’s significance culturally, and what it means to them as fans. Get two memberships for the price of one at MasterClass.com/Imagine. Go to ShipStation.com and use the code "Imaginary" to sign up for a free 60-day trial. Learn more about your ad choices. Visit podcastchoices.com/adchoices

One Piece is one of the biggest franchises in the world. The manga and anime have broken records in sales and viewership. The live action adaptation on Netflix was a hit. And the series holds a special place among fans who feel like they’re part of the Straw Hat pirate crew. But it may be the tragic backstories of the characters which tie it all together. I talk with co-host of the One Piece podcast Shannon Strucci, YouTuber Jordan Silva, artist Steve Yurko and Crunchyroll writer Daniel Dockery about how One Piece’s creator Eiichiro Oda is able to combine zany humor with emotional gut punches, and why so many fans identify with aspects of the characters’ backstories, even when the storylines are completely fantastical. Go to www.TryMiracle.com/imaginary to save over 40%. And use the code “imaginary” at checkout to get 3 free towels and save an extra 20% Get 55% off at www.Babbel.com/imaginary Go to www.HelloFresh.com/imaginaryfree and use the code “imaginaryfree” for free breakfast for life Give One Annual Membership and Get One Free at www.MasterClass.com/imagine Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the first of a two-part episode on mentors in fantasy genres, we look at the roles of superheroes and their protégées. Matt Fraction talks about the inspiration for his acclaimed comic book series Hawkeye: My Life as a Weapon, which was adapted into a Disney+ series. University of Oregon professor Ben Saunders explains why Peter Parker needs an endless series of mentors. Hellenic College Holy Cross professor Stamatia Dova explains why all these fantasy mentors can be traced back to the character of Mentor in The Odyssey. And Julie Nugent, senior VP of learning and advisory services at Catalyst, discusses how superhero mentorships reflect the way mentoring plays out in the workplace. This episode is sponsored by Aspiration Zero Credit Card. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you’re the type of Star Wars fan who knows the original trilogy by heart but hasn’t seen much else, Ahsoka Tano may be the most beloved Star Wars character you’ve never heard of. In the animated series Clone Wars, she was Anakin Skywalker’s padawan who became a legendary Jedi in her own right. And if the Internet rumors are true, she will make her live action debut played by Rosario Dawson in season 2 of The Mandalorian. I talk with entertainment journalists Lauren Davis and Amy Richau about how Ahsoka captured the imagination of Star Wars fans, and why she might be important to the future of the franchise. McKenna Fellows takes us into the world of Ahsoka cosplay, and designer Rachel Roth discusses why she created a couture dress based on Ahsoka’s costume.  See McKenna Fellows' cosplay of Ahsoka See Rachel Roth's couture Ahsoka dress at the Her Universe Fashion Show Today's episode is brought to you by MasterClass and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Who wouldn’t want a fairy godmother to solve our problems with the flick of a magic wand? We know that’s not a healthy fantasy and yet, fairy godmothers aren’t going away. In fact, they’ve been proliferating in contemporary fantasy novels and reinterpretations of Cinderella. But they don’t look or act like you might expect. I talk with Butler University lecturer Jeana Jorgensen and PhD student Abigail Fine about the origin of fairy godmothers and why they’re ripe for reimagining. And I talk with author Gail Caron Levine about her groundbreaking novel Ella Enchanted, which broke the mold on fairy tales. Featuring readings from Aliza Pearl. Jeana Jorgensen's latest book is Fairy Tales 101: An Accessible Introduction to Fairy Tales. In this episode we discussed Ella Enchanted by Gail Carson Levine, Cinderella is Dead by Kalynn Bayron and Kissing the Witch by Emma Donahue. Other contemporary novels with fairy godmother-type characters include Geekerella by Ashley Poston, Shadows on The Moon by Zoe Marriott, Ash by Malinda Lo, Ash & Bramble by Sarah Prineas, and Disenchanted: The Trials of Cinderella by Megan Morrison. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This year marks the 75th anniversary of Octavia Butler’s birth. There have been commemorations nationwide, and I wanted to join in by replaying my 2016 episode, “The Legacy of Octavia Butler.” I produced that episode early in the history of my podcast, when I was still discovering the world of sci-fi literature. I became obsessed with Butler’s writing – even though at times it can be disturbing. Nisi Shawl, Ayana Jamieson and Cauleen Smith explain how Butler came to tell stories about power imbalances between humans and other worldly beings, and what her work means to them. And we hear actress Aliza Pearl read a passage from Butler’s 1987 novel “Dawn.” This episode is sponsored by Brilliant and D&Tea. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. To get started for free, visit brilliant.org/imaginaryworlds to get 20% off Brilliant's annual premium subscription. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ghost in the Shell was groundbreaking, visually and thematically. The 1995 Japanese animated film (or anime) was unapologetically for adults. The story focuses on a cyborg cop whose body is synthetic but her brain is organic. As she chases down a mysterious hacker, Major Motoko Kusanagi grapples with what it means to be alive. When Scarlett Johansson was cast as The Major in the live-action remake, there was an outcry over whitewashing. But the reaction in Japan has been different. Roland Kelts (author of "Japanamerica"), journalist Emily Yoshida and Tufts University professor Susan Napier discuss the racial politics of anime. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whether you're running the seven kingdoms of Westeros or flying to Mars -- you have to figure out how to pay for everything. Many economists are fans of sci-fi because those worlds take economics models to an extreme, especially when its comes to the issue of scarcity vs. abundance. Sarah Skwire looks at what happens when strawberries are precious like gold, or when hot Earl Gray tea can materialize instantly. And Matthew McCaffrey explains why we should all worry that "Winter is Coming." Special thanks to Matthew Hollow. Featuring original music by Alexis Cuadrado. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Golem and The Jinni" by Helene Wecker is one of my favorite novels in recent years. It's about two mythological characters meeting in late 19th century New York -- one from Arab culture and the other from Jewish folklore. The inspiration for the book came from real life. She's Jewish and her husband is Arab-American.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thor and Loki have become pop culture icons thanks to Marvel. But the influence of Norse mythology on contemporary fantasy runs through Game of Thrones, Lord of the Rings and so much more. University of Chicago professor and author Ada Palmer explains how people misunderstood Norse mythology for centuries, and why it’s so hard to capture the mindset of the Vikings in pop culture. And I talk with University of Oxford professor Carolyne Larrington, author of The Norse Myths That Shape the Way We Think, about how a light Marvel movie and a grimdark fantasy film like The Northman each capture aspects of the mythology in their own ways. Ada Palmer's a capella album is Sundown: Whispers of Ragnarök by Sassafrass. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In part 2 of our mini-series on mentorships, we travel to a galaxy far, far away. Amy Richau (co-author of Star Wars; I am Your Father and other Star Wars-related books) talks about her favorite partnerships between the Jedi and other characters in the Star Wars found family. Blogger Angry Staff Officer explains why the rigid rules for Jedi mentorships may have led to the downfall of the Jedi Council. And Ryan Arey of ScreenCrush says we can see how the rival philosophies of The Jedi and The Sith would play out in the real world on the show Cobra Kai, which imagines the rivalries from The Karate Kid being passed down to the next generation. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tracing the history of the superhero genre can reveal a lot about how we understand our own history, and how history gets whitewashed. Shawn Taylor, John Jennings and Art Burton look at how black superheroes evolved from a black Wild West lawman to HBO's Watchmen. And I talk with John Valadez about Mexican American masked vigilantes who may have inspired Zorro, and other masked heroes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Over the past 40 years, Shigeru Miyamoto has been inventing the modern video game one pixel at a time. From Donkey Kong to Super Mario Bros to The Legend of Zelda, Miyamoto turned wonder and exploration into game mechanics, and incorporated his personal experiences into his games. I talk with Illinois Institute of Technology dean Jennifer deWinter and Oakland University professor Sam Srauy about how Miyamoto changed Nintendo, and where his influence can be seen in big budget and indie video games today. Get up to 60% off at Babbel.com/IMAGINARY Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Penguin series on HBO and Max has been one of the most critically acclaimed comic book-based TV shows in years. Much of the praise has gone towards actors like Colin Farrell, who plays the classic Batman villain. But the makeup and prosthetics designer Mike Marino has been singled out for his innovative and striking design of the main character. Mike sculpted an entire head and body for The Penguin, a.k.a. Oz Cobb, that obscured most of Colin Farrell while also liberating the actor to inhabit a role he might otherwise not have been cast. Mike and I go deep into his creative process working with Farrell and the director/producer Matt Reeves on The Batman film and the spin-off show The Penguin. We also talk about Mike’s mentors in the field like Dick Smith and Rick Baker, who created some of the most iconic makeup designs in cinema history. This week’s episode is brought to you by Sol Reader and ShipStation Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition. Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial. Learn more about your ad choices. Visit podcastchoices.com/adchoices

San Diego Comic Con is the high holiday of geekiness where fans converge to cosplay, buy collectables, show their appreciation to creators, and be the first to hear big announcements and see upcoming trailers. But the road from obscurity to cultural domination hasn’t always been smooth. In a year where the future of fan conventions is in doubt, we look back at the history of Comic Con and what it might look like in a COVID-19 world. Featuring filmmaker Eric Brammer, journalist Rob Salkowitz, and University of Oregon professor and author Erin Hanna. “Comic-Con and the Business of Pop Culture: What the World’s Wildest Trade Show Can Tell Us About the Future of Entertainment” by Rob Salkowitz “Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity” by Erin Hanna Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fascism is a common theme in fantasy worlds, especially the rebels vs. evil empire scenario. But what can we learn from stories about encroaching fascism? I talk with journalists Lauren Davis, Damien G. Walter, professor Jason Dittmer and podcaster Stefan Sasse – who teaches history in Germany – about Star Wars, Game of Thrones, superheroes and how fantasy itself can be a dangerous tool for authoritarians.   Stefan also hosts The Boiled Leather Audio Hour podcast. Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

When a fantasy or sci-fi story is set in a real location, what happens when fans go to that place looking for a glimpse of magic? How do the locals feel about their hometowns turning into fandom destinations? I talk with tour guide Jen Cresswell about why Edinburgh has become a mecca for Harry Potter tours, even though the city is never mentioned in the books. Jelena Šimac is a tour guide in the city of Dubrovnik – a.k.a. King’s Landing on Game of Thrones. She explains how fantasy tourism changed the trajectory of Croatia after years of war and strife. Catherine Farry looks at why the town of Broken Hill has drawn filmmakers to the Australian Outback. And Adrian Bennett tells the story about how he became so enamored with Mad Max, he moved his family 10,000 miles to start a Mad Max Museum in a remote area of The Outback where the post-apocalyptic franchise is filmed. This episode is sponsored by Bombas. Go to www.bombas.com/imaginaryworlds and use the code imaginaryworlds for 20% off your first purchase. s Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We all know the scenario. A nice young family moves into a new house. It’s haunted by an evil spirit. Mayhem ensues. These movies have been reliable box office hits for decades, but they might also be telling us something about the real anxieties of home ownership. I talk with Alexandra West, co-host of the podcast Faculty of Horror, and Dahlia Schweitzer, author of Haunted Homes, about how the history of the American suburbs made their mark on movies like The Amityville Horror and Poltergeist. George R. Olson, showrunner of the Syfy series SurrealEstate, discusses why the heroes of his show are ghost whispering real estate agents. And realtor Cindi Hagley explains how she became an expert in selling stigmatized properties with haunted pasts.  Also check out the Faculty of Horror episode House Warning. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every year, I like to play a full-length interview with a previous guest who had so much more to say than what I could fit into a particular topic. Last summer, I did an episode called Making Up Creatures where I talked with the creature designer Neill Gorton, who is best known for working on the reboot of Doctor Who and the BBC series Being Human. I talked with Neill about how he approached redesigning classic monsters he watched on Doctor Who as a child, why simplicity always beats spectacle when designing a new creature and what to focus on when working within a limited budget. Today's episode is brought to you by Faraway, a new short story collection from Amazon, CovertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing   Learn more about your ad choices. Visit podcastchoices.com/adchoices

2020 has felt monstrous on so many levels. So, it’s no coincidence that two of the top grossing movies of the year were Jaws and Jurassic Park, mostly seen at drive-in theaters. Alex Shepard explains why the shark in Jaws embodied our feeling of a dread, and how the Mayor of Amity Island seemed to be the embodiment of every leader who dismissed the seriousness of COVID. Sean T. Collins explores whether the real villain of Jurassic Park was not the dinosaurs but capitalism. And I talk with journalist Rae Paoletta, along with my assistant producer Stephanie Billman, about the most insidious monster of 2020 -- the corrupt and adorable oligarch Tom Nook who put every Animal Crossing player in debt to him. Today's episode is brought to you by Wondery's podcast Little Stories Everywhere, ConvertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cyberpunk was cool. Steampunk was hip. Get ready for Solarpunk. This new emerging genre of art and fiction imagines a future where DIY environmental sustainability dictates the design of everything from skyscraper farms to homemade fashion. The writer Adam Flynn, magazine editors Scot and Jane Noel, writer Sarena Ulibarri, and game designer Keisha Howard discuss how we can create the future we want by inspiring people with science fiction, and why being anti-dystopia doesn’t mean they believe in utopias. Featuring readings by Vanessa Bellow. DreamForge magazine: https://dreamforge.mywebportal.app/ Glass and Gardens Summers and Winters: http://www.sarenaulibarri.com/editing.html Notes Towards a Solarpunk Manifesto: https://hieroglyph.asu.edu/2014/09/solarpunk-notes-toward-a-manifesto/ Sugar Gamers: https://sugargamers.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 2016, I put out an episode about how JK Rowling’s themes in the Harry Potter series inspired a generation of progressive activists including Jackson Bird, who was the spokesperson for the Harry Potter Alliance. Jackson is also trans. Recently, JK Rowling has alienated many of her fans and supporters with her views on transgender rights. I catch up with Jackson Bird to discuss how he’s handling the cognitive dissonance of being inspired by the messages in the Harry Potter books while feeling profound disappointment in JK Rowling. Jackson Bird’s Op-Ed response to JK Rowling in The New York Times Responding to JK Rowlings Essay | Is It Anti-Trans? by Jamie Raines and Shaaba  Harry Potter Saved My Life. J.K. Rowling Is Now Endangering Trans People Like Me by Kacen Callender Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s a future we’re all very familiar with. The rainy streets are full of neon dragons, noodle shops, and other Asian iconography mixed up and decontextualized amid sci-fi flourishes, but something is often missing: Asian people. In her video presentation “Asian futures, without Asians,” the artist and writer Astria Suparak breaks down dozens of films and TV shows, showing that there’s a shadow genre across different sci-fi franchises which presents a future that taps into old anti-Asian stereotypes at subtle levels of designing sets, costumes and even props. I also talk with University of Utah Professor David S. Roh about his book Techno-Orientalism, which looks at the psychology behind these kinds of futures, and what they have to say about current day anxieties in America. And Jason Concepcion, host of the podcast X-Ray Vision, discusses how he tries to engage with these types of worlds as a fan and as an Asian American. This episode is sponsored by Inked Gaming. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’ve all had this experience. We get hooked on a show. We fall in love with the characters. We can’t stop thinking about them in between episodes. Then it gets cancelled or rushed to conclusion. When that happens to a show, it can feel like a relationship has abruptly ended – and a lot of them have ended in recent years. The streaming boom has gone bust. A lot of streaming services invested in sci-fi fantasy shows, hoping the for next Game of Thrones or Stranger Things. So, this wave of cancellations has hit SFF fans hard. We asked our listeners to tell us about the cancellations that broke their hearts in the recent or distant past, and how they’re trying to make sense of unresolved endings. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the 1960s, Ursula K. le Guin represented a changing of the guard in science fiction literature. She was part of a generation of novelists who questioned the colonist mindset which had influenced American sci-fi for most of the 20th century. Le Guin came to this understanding not just as a moral stance or an intellectual exercise. Issues of racism and colonialism were personal to her. This episode, originally titled “The Word For Man Is Ishi,” comes from the podcast The Last Archive from Pushkin Industries hosted by Jill Lepore and Ben Naddaff-Hafrey. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Patrick Stewart is reprising his role as Jean-Luc Picard in the new TV series “Picard,” where the writers have promised a very different storyline on his arch nemesis The Borg. In our final installment on villains, we discuss why The Borg are a unique existential threat to the Star Trek ethos with the help of three academics who combine science fiction with philosophy in their courses. Featuring Kevin Decker and Christina Valeo of Eastern Washington University and Shawn Taylor of San Francisco State University.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

2001: A Space Odyssey is considered a masterpiece, and a game changer for sci-fi on film. But the movie had a tumultuous origin story, and it was initially scorned by critics. Barbara Miller of The Museum of The Moving Image walks me through their new exhibit on the making of 2001. And I talk with author Michael Benson, actor Keir Dullea and Stanley Kubrick’s daughter Katharina about how Kubrick and his collaborator Arthur C. Clarke reached for the stars, but felt lost in space as they struggled to finish this incredibly ambitious project. Here’s the link to Michael Benson’s book: https://www.amazon.com/Space-Odyssey-Stanley-Kubrick-Masterpiece/dp/1501163930 Here’s a link the Museum of the Moving Image’s 2001 exhibit: http://www.movingimage.us/exhibitions/2020/01/18/detail/envisioning-2001-stanley-kubricks-space-odyssey/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zombies. I hate them the way Indiana Jones hates snakes. I know it's a ridiculous phobia -- they're not real, and zombies are a classic genre full of rich ideas. So I decide to undergo zombie immersion therapy. My friend Patrick O' Connor forces me to watch The Walking Dead. And I talk with psychiatrist Steven Schlozman, author of "The Zombie Autopsies: Secret Notesboks from the Apocaplypse."Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The hottest trend in fantasy novels – in fact the hottest trend in publishing overall – is fantasy romance or romantasy. These stories take place in worlds with dragons, faeries, vampires and werewolves but the driving plot is romance with a guaranteed happy ending. For many fans of traditional fantasy novels, the fact that romantasy exists may be surprising news. But romantasy is a cultural and economic juggernaut. Dartmouth professor Marcela di Blasi and cultural critic Kayleigh Donaldson explain where romantasy came from and how it became so popular. Fantasy authors C.L. Polk, and J.D. Evans talk about why they came to romantasy and how fans have had to create their own spaces. And Katherine Zofrea gives me a tour of The Ripped Bodice, a romance bookstore with an ample fantasy section. Plus, we hear readings by actress Tanya Rich. In the episode, we heard about some of the most famous romantasy authors like Sarah J. Maas and Rebecca Yarros. Professor Marcela di Blasi is working on a non-fiction book about BIPOC romantasy authors, and she also recommends these books. Anna Marie McLemore’s When The Moon Was Ours Zoraida Cordova's Hollow Crown Duology Analeigh Sbrana's Lore of the Wilds Kimberly Lemming's That Time I Got Drunk and Saved a Demon Sabaa Tahir's An Ember in the Ashes series Gabriela Romero LaCruz's The Sun and the Void Mikayla D. Hornedo's Blood and Brujas Claire Legrand’s Lightbringer trilogy. Today's episode is sponsored by ShipStation, Henson Shaving, TodayTix and Babbel. Go to www.shipstation.com and use the code IMAGINARY to sign up for your free 60-day trial. Visit www.hensonshaving.com/imaginary and enter IMAGINARY at checkout to get 100 free blades with your purchase. You must add both the 100-blade pack and the razor for the discount to apply. Go to TodayTix.com/imaginary and use the promo code IMAGINARY to get $20 off your first Today Tix purchase. Get up to 60% off at Babbel.com/imaginary Learn more about your ad choices. Visit podcastchoices.com/adchoices

The epic battle between the Evil Empire and the Rebel Alliance has become a metaphor we love to use in sports and politics. But what happens when you realize that you're the Empire in someone else's story? Do you tell them they're wrong? Do you embrace being bad? Or do you argue that "evil" is all relative? With Alyssa Rosenberg, Chris Taylor, and Jonathan V. Last. This is Part II of a V part series on how Star Wars changed the way we see our world. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Strong Female Character" sounds positive, but it's actually a term used by culture critics to describe the token girl let into the boy's clubhouse of action-adventure movies. She's supposed to kick ass -- but she has no character development, no backstory, and ends up being a love interest or damsel. But something changed this summer. Feminist fans and critics got into a spirited debate over a group of heroines, and whether we need to rethink this whole problem. With Lindsay Ellis, Carolyn Cox of The Mary Sue, and Jan Combopiano of Catalyst. THIS IS THE END OF SEASON ONE. IMAGINARY WORLDS WILL RETURN IN THE FALL.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the past year, I've been working with The Truth, an audio drama collective that makes "movies for your ears." In the second story that I wrote with them, a cryogenically-frozen man is revived over a century from now to find himself in a world that's not quite what he expected. How do you forge ahead in a future that considers you a relic? Featuring Scott Adsit (30 Rock), Amy Warren (Boardwalk Empire), Billy Griffin Jr. (Black Mirror) and Ed Herbstman (The Big Sick). Produced and directed by Jonathan Mitchell. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

We don't know his real name. We don't know who he was before he stole the TARDIS -- a spaceship/time machine that looks like a police box on the outside, but is really a cavernous ship on the inside. He's thousands of years old, but wears a different face every few years. He calls himself The Doctor, but Doctor who? In the first of my three-part series, I look at how a restless intergalactic time traveller became a global pop culture icon, and why The Doctor's knack for physical regeneration resonates with fans on a more personal level. Featuring Andy Heidel, Nick Randell, Robin Bunce, Mac Rogers, Emily Asher-Perrin, Riley Silverman and Kelsey Jefferson Barrett. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

If The Doctor offered you a spot traveling with him on his spaceship/time machine The TARDIS, would you go? Would you still go if you knew what happened to all his previous companions? For many Doctor Who fans the answer to both questions is unequivocally yes. Traveling in the TARDIS will blow open your knowledge of the universe -- but you'll change in ways you can't begin to predict. In the second of my three-part series on Doctor Who, I look at whether The Doctor's companions are better off in the end, and why. Featuring Sarita Robinson, Emily Asher-Perrin, Alyssa Franke, Frank Collins, Nick Randell and Mac Rogers. Warning: spoilers ahead!Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

They may not look scary to you, but the monsters on Doctor Who have scared generations of children to the point where hiding "behind the sofa" has become a meme in the UK. When I first started watching the show, I was baffled by one particular villain -- The Daleks. I didn't understand why they were The Doctor's arch nemesis, or why they were such a cultural phenomenon. After I learned more about their backstory, I began to realize that Doctor Who wouldn't work without them. Featuring Robin Bunce, Frank Collins, Nick Randell, Alyssa Franke, and cognitive scientists Deirdre Kelly and Jim Davies -- who debate whether it's worse to face a Dalek invasion or an invasion by the other big bad in the Doctor Who universe, The Cybermen. (This is the last episode in a three-part miniseries on Doctor Who.)Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Russian invasion of Ukraine shocked the world, but this conflict was foreshadowed in Ukrainian and Russian speculative fiction. I talk with several fantasy writers in Ukraine about how they’ve used speculative fiction to break away from Russia’s sphere of influence, and why magic and folklore can be valuable tools to explore and defend their sense of national identity. I also talk with Ukrainian ex-pats in the U.S. about how Russian fantasy and sci-fi has grown increasingly imperialistic in recent years with fantasies of restoring a lost empire. Featuring Maria Galina, Borys Sydiuk, Volodymir Arenev, Svitlana Taratorina, Alex Shvartsman, and Anatoly Belilovsky. You can help donate to organizations resettling refugees like Direct Relief, Mercy Corps, International Medical Corps and Save the Children. This episode is sponsored by Brooklinen. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ursula K. Le Guin was a master storyteller who was best known for her "thought experiments" -- like what if there were a planet in which the inhabitants had no fixed gender? Or what if a man's dreams could alter reality around him? She was also a fearless critic, and a trailblazer. But she wasn't all that comfortable being on camera. That was the first of many challenges facing filmmaker Arwen Curry, who was determined to make a documentary about the author. I talked with Arwen about her film, Worlds of Ursula K. Le Guin, and how her subject became a mentor and a friend. (Correction from Arwen Curry: Ursula Le Guin had 3 brothers not 4, and the film will likely be on TV next Spring rather than the Fall.)Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The holy grail for many animators is to create digital humans that can pass for the real thing -- in other words to cross the "uncanny valley." The problem is that the closer they get to realism, the more those almost-real humans repulse us. Blame evolution for that. I talk with Hal Hickel from ILM who brought Peter Cushing to life on Rogue One, Marianne Hayden who worked on games like The Last of Us and Uncharted for Naughty Dog studios, Vladimir Mastilovic from 3Lateral studios who worked on Hellblade: Senua's Sacrifice, and SVA instructor Terrence Masson about what it takes to cross that valley.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Philip K. Dick is best known for his fiction that have been adapted to movies and TV shows like Blade Runner, Minority Report and Man in the High Castle. He wrote about multiple realities and fantastic worlds beyond the scope of our mundane everyday lives. But he also believed that he experienced one of those alternate realities in the winter of 1974. The problem is, he couldn't figure out which paranormal experience he had. Professor Richard Doyle, author Erik Davis and playwright Victoria Stewart discuss how one of the most influential science fiction authors of all time became a character in one of his own novels.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

People have fantasized for ages about what it would be like to live in space -- whether it's living on the moon or Mars or on a space station. And if Elon Musk or Jeff Bezos achieve their goals with Space X and Blue Origin, life in space might not be science fiction anymore. I look at two different dreams of living outside the Earth and how close they are to becoming reality, from the impossibly curved space habitats of Gerard K. O'Neill to a city on the moon that might split apart. Featuring Robert Smith of the Space Studies Institute, artist Don Davis, and performers Jose Gonzales and Camille Hartmetz at Emerge, an annual event from Arizona State University's Center for Science and the Imagination.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Avengers: Infinity War brought together characters from across the Marvel universe, but many of them already shared a common bond -- their creator Jack Kirby. While Kirby is best known for his intense drawing style, he was also a great storyteller who worked with Stan Lee to redefine what a comic book character could be. But their relationship was fraught. I talk with comic book experts Charles Hatfield, Mark Evanier, Randolph Hoppe, and Arlen Schumer about where we can see Jack Kirby's influence on the Marvel Cinematic Universe. And I explore Kirby's childhood at the Tenement Museum on the Lower East Side of Manhattan. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

To promote season 2 of Westworld, HBO recreated the fictional Wild West town from the TV show just outside Austin at the SXSW festival, and they hired actors to play androids who think they're living in the Old West -- just like the androids on the TV show. The SXSW Westworld Experience was advertised as "Live Without Limits." Unfortunately, some of the guests took that slogan to heart. Featuring actors Alan Nelson, Liz Waters and Courtney Rose Kline. Also professors Noson Yanofsky, James South and Kim Engels discuss why an ancient Greek philosophical debate ties back to Westworld, the New York Yankees and whether you chose to buy a Cinnamon Danish. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

You may know her as Claire North, author of the best-selling novel "The First Fifteen Lives of Harry August." You might also know her as Kate Griffin, author of the urban fantasy series about modern day sorcerer Matthew Swift. You may have read her Horatio Lyle detective novels, which she published under her real name, Catherine Webb. But even if you haven't read any of her novels, you're in for a treat. I talk with Catherine Webb about being a wunderkind author who got published in high school, and why she might be on the verge of coming up with yet another pseudonym. Featuring readings by actress Robyn Kerr.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

At its core, Magic: The Gathering is a card game and your goal is to knock your opponent down to zero points. But Magic: The Gathering also has a deep mythology about an infinite number of parallel worlds. As Magic celebrates its 25th anniversary, I look at why this handheld card game has survived the onslaught of competition from digital games, and how the designers at Wizards of the Coast create a sense of character and worldbuilding within a non-sequential card game. Featuring Mark Rosewater, Brady Dommermuth, Alii Medwin, James Wyatt, Liz Leo and Nataniel Bael. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The writer Neil Gaiman first became entranced with Fahrenheit 451 as a kid, but he says the novel is the kind of masterpiece that seems like a different story every time you read it depending on where you are in life, or in history. I also talk with novelist Alice Hoffman and various Ray Bradbury scholars about why a book written in the McCarthy era still has a lot to say in the age of "fake news." And we hear from students at a high school in Texas about how Fahrenheit 451 reflects their own struggles fighting hate speech while honoring freedom of speech. A version of this episode originally aired on PRI's Studio 360 as part of their American Icons series. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Have you ever mourned the loss of a fictional character? It can be tough to get over, and difficult to convince people not caught up in that fictional world that your sense of mourning is valid. I talk with Tim Burke, Dawn Fancher, Maria Clara Santarosa, Megan Knox, Stephanie Billman, Leigh Foster and Daniel Skorka about how they've grieved the loss of their favorite characters from video games, novels, TV shows and movies. Plus Professor Jennifer Barnes explains the psychology behind why we feel a deep connection to make believe people. To hear more of Leigh Foster discussing the death of Tara and other LGBT characters on her podcast: https://lezhangoutpod.com/blog/2018/4/2/episode-15-bury-your-gaysTo watch Jennifer Barnes give a TEDx Talk on parasocial relationships: https://www.youtube.com/watch?v=22yoaiLYb7MLearn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Immersive theater is a new trend where there are no seats and no stage. The audience moves through the space like a virtual world, touching whatever they want, interacting with the actors who give them food and drink. I love immersive theater. I've experienced a film noir-themed Macbeth and a fictitious elementary school reunion set in a real East Village apartment, but my favorite immersive show is Then She Fell. It's a retelling of Alice in Wonderland set in a turn-of-the-century insane asylum. Tom Pearson and Marissa Nielsen-Pincus of Third Rail Projects explain how the show reflects Lewis Carroll's own duality and the mystery behind his relationship with the real life Alice. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sci-fi fantasy worlds often use constructed languages (or conlangs for short) as a worldbuilding tool that can make us believe the characters come from an ancient or alien culture. But art can take on a life of its own once it's released into the world -- and so do languages. Marc Okrand, inventor of the Klingon language, and David J. Peterson, inventor of the Dothraki language and The 100's Trigedasleng, talk about the surprises they encountered. I also talk with Lawrence M. Schoen of the Klingon Language Institute and Robyn Stewart, the language consultant for Star Trek: Discovery, about why the Klingon culture spilled over into the real world. And Jen Usellis -- a.k.a. Klingon Pop Warrior -- will give you a serious case of earworms, and we're not talking about the mind-controlling earworms from Star Trek II. To hear Matt Fiddler's episode from Very Bad Words on cursing in conlangs:http://www.verybadwords.com/shows/constructed-curses-in-sci-fi-fantasy Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Last year, I interviewed Francesca Coppa for my episode Fanfiction (Don't Judge.) She's the author of the book "The Fanfiction Reader," and one of the founders of the fanfic site Archive of Our Own. Francesca was such a great source of information that I always regretted the fascinating parts of our interview which ended up on the proverbial cutting room floor. So this week, I'm featuring a full version of our conversation -- ranging from the ancient roots of fanfiction to the reasons why a TV showrunner might anonymously publish fanfic of their own show.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stubborn Lippi a.k.a. Stubbs is a halfling, a bard, and a sorcerer. He's also the character I've been playing since I produced my 2015 episode "Rolling the Twenty Sided Dice," where I learned how to play Dungeons & Dragons. This week, I discuss the epic and surprisingly personal journey I've been on over the past three years with my co-player Adam Boretz and our Dungeon Master Arlin Foley. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

What is the role of food in worldbuilding? Characters usually have to eat to stay alive -- but food is also culture, and if you're creating a fantasy culture, food will be an expression of those values. Chef Chelsea Monroe-Cassell talks about the origin of her fantasy cookbooks while chef Jenn de la Vega makes us a dish based on the novel "The Lies of Locke Lamora." Authors Elizabeth Bear and Fran Wilde break down the tropes and cliches around SF foods. Chef and author Jason Sheehan talks about his favorite dystopian food. And writer Scott Lynch reveals the fantasy beverage he's always wanted to try.Here's the episode show page with Jenn's Pears and Sausages recipe: https://www.imaginaryworldspodcast.org/fantastical-feasts.htmlLearn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The "golden age of radio drama" may have been a stellar period for storytelling -- but the stories weren't all golden bright. Science fiction and horror were the ideal genres to explore the deep anxieties people felt from the Depression through the Cold War. And these radio dramas set the stage for fantastical stories that couldn't be told yet without advanced special effects. Dallas Taylor of the podcast Twenty Thousand Hertz co-hosts this episode as we hear from radio historians Neil Verma and Richard J. Hand, and radio drama veterans Dirk Maggs and Richard Toscan. Plus Emory Braswell recalls the day he thought Martians had invaded New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

There has been a renaissance of audio drama podcasts over the last several years, so picking up where I left off in the previous episode, I bring the history of audio dramas up to date with the help of Ann Heppermann, creator of The Sarah Awards for audio fiction. I also talk with Jonathan Mitchell of The Truth about the quest for realism and the pitfalls of fake interviews. Plus we hear the third audio drama that I wrote with The Truth, called "Nuclear Winter," about a pair of missile launch officers working in a silo that may be haunted. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Forget Tinkerbell or those Victorian paintings of spritely pixies with wings. Traditional fairy folklore is much darker and weirder. Irish storytellers Philip Byrne, Helena Byrne, Eddie Lenihan, and professor Martha Bayless explore how fairy folklore dominated Celtic culture for centuries, and why belief in fairies is not an unreasonable way of understanding the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Science fiction has not always been compatible with religion -- in fact many futuristic settings imagine no religion at all. But sci-fi and fantasy have long fascinated people of different faiths because the genres wrestle with the big questions of life. I recently moderated a discussion between Minister Oscar Sinclair, Rabbi Rachel Barenblat and Alwaez Hussein Rashid about why SF worlds intrigue and inspire them. List of References: "Lord of the Rings" by J.R.R. TolkienX-Men comicsDoctor Who Season 6 Episode 13 “The Big Bang” “The Mists of Avalon” by Marion Zimmer Bradley Isaac Asimov, novelist“Speaker for the Dead” by Orson Scott Card “Rendezvous with Rama” by Arthur C. Clarke“Stranger in a Strange Land” by Robert Heinlein “Record of a Spaceborn Few” from The Wayfarers Series by Becky Chambers“Small Gods” by Terry Pratchett Octavia Butler, novelistStar Trek: Deep Space Nine- Broken Earth series by N.K. Jemisin Monstress comics by Marjorie Liu “Lucifer’s Hammer” by Larry NivenMelancholia, film by Lars von Trier The Dragonlance series by Margaret Weis and Tracy Hickman The Bloodprint Series by Ausma Khan“City of Brass” from The Daevabad series by S.A. Chakraborty Sabaa Tahir, novelistNarnia series by C.S. Lewis "Seven Commentaries on an Imperfect Land" by Ruthanna Emrys"The Sparrow" by Mary Doria RussellFirefly TV series “Harry Potter and the Cursed Child” play by Jack Thorne  Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long ago, before we found out about new movies from tweets about teaser trailers that advertised full-length trailers – the first glimpse of a new movie would be the poster. Movie posters used to be hand-drawn illustrations, and many of them became iconic. Not so much anymore. But a growing movement of artists, galleries and print companies are creating alternative movie posters that re-imagine ad campaigns for current and former blockbusters of sci-fi, fantasy and horror genres. I talk with Rob Jones and Eric Garza of Mondo, author Matthew Chojnacki and artists Matt Taylor, Sara Deck, Tracie Ching, and Tim Doyle about the art of alternative movie posters, and a business model that has become controversial. Here is the link to the episode page with a slideshow.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In my 2017 episode Winning the Larp, I looked at the history of larps (live action role plays) and how the larping experience is deeply personal for each of the players. But I hadn’t done any larps myself. So this year, I delved deep into larping, where I discovered the thrill of stepping into someone else’s world, and the out-of-body experience of feeling emotions that aren’t yours. Featuring Ashwick Planation, DexCon and Sinking Ship Creations, along with readings by George Morafetis, Nicole Greevy and Luisa Tripoli. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

We all grow up playing board games and card games, and now those games are growing up as well. I check out BostonFIG (festival of independent games), where a new generation of indie board game designers is reimagining what we can do with dice, cards and plastic game pieces. I also talk with Shari and Jenni Spiro of AdMagic -- the company that can make unorthodox games like Cards Against Humanity and Exploding Kittens into household names. Plus, Dylan McKeefe at NYU's Game Incubator, and Luke Crane at Kickstarter explain why this is the perfect time for indie games to thrive.Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In a special stocking stuffer of an episode, Stephanie Billman and I discuss why A Christmas Carol set the template for SF stories to come -- from Back to the Future to X=Men. Plus, we have a special announcement about the future of Imaginary Worlds! Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 1982 movie Tron may seem outdated and even hokey today, but the film was more groundbreaking and prophetic than many people realize. I talk with Tron’s director Steven Lisberger about the challenge of making a movie about computers without the help of computers. Media scholars Lars Schmeink and Sherryl Vint discuss the influence of Tron on our understanding of virtual worlds and our place in cyberspace. Plus, writer Daniel Frey talks about why current sci-fi about Silicon Valley tends to be more “near future” than fantastical, including his novel The Future is Yours. Today's episode is brought to you by Serial Box and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

One year into this pandemic, it’s been a struggle to feel a connection with other people digitally. That’s why I was inspired to hear an episode from the show Science Friday about a community that refused to disband their virtual world. As reporter Daniel Peterschmidt explains to me, the staff of Science Friday had set up a virtual outpost in Second Life when it was a trendy thing to do in the mid-2000s. The show eventually left Second Life, but Daniel recently discovered their community of hardcore fans stuck together long after many people abandoned Second Life, and the group went through not-so virtual turmoil along the way.  Today's episode is brought to you by SerialBox and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sun Ra claimed to be an extraterrestrial being from Saturn who could teleport you to other planets with his music. That may or may not have been true, but he certainly was the leader of one of the most influential jazz ensembles of the 20th century, and he’s often called the father of Afrofuturism. I talk with artist Cauleen Smith and writer John Corbett about Sun Ra’s creative journey, and why he was light years ahead of his time. The musician Idris Ackamoor explains why Sun Ra was an inspiration for his band The Pyramids. And Ytasha Womack, author of fiction and non-fiction books about Afrofuturism, discusses why imagining the future is still a radical act. Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Becky Chambers’ latest novel, “The Galaxy and The Ground Within,” is the final book in her Wayfarer series, which is about aliens, humans and AI trying to make their way through the galaxy and find common ground. Some of the characters in her books may seem fantastical and strange, but the conversations between them often revolve around familiar issues like identity, gender, family structure, and politics. We talk about why she’s closing this chapter in her writing career, even though the Wayfarer series could’ve gone on indefinitely, and what she has planned next. Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Illusions that mask the true nature of reality. Meditating to gain control over your mind and body. Sending your consciousness to other bodies. These are both tenants of Buddhism and science fiction. Professor Jim Clarke says the overlap is no accident, Buddhism has been influencing sci-fi fantasy creators for over a century. Novelists Ramez Naam and Yudhanjaya Wijeratne talk about how they incorporate Buddhism into their sci-fi stories and personal practices. Also, Reverend Landon Yamaoka discusses why his sect of Buddhism is in line with the troubled journey of Anakin Skywalker.  Today's episode is brought to you by Realm and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Andy Weir wrote “The Martian,” he self-published the chapters to his website -- never expecting the story to become a best-selling book, or an Oscar-nominated Hollywood movie. His new novel, “Project Hail Mary,” is generating a lot of excitement, and he's already sold the movie rights. We talk about why he sometimes misses his old life as a cubicle dwelling engineer, the pressure of not being considered a one-hit wonder, his biggest pet peeves in sci-fi stories, and how far he’s willing to stretch his heavily scientific approach to imagine something much more fantastical.   Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Disco Elysium has been called one of the best role-playing video games of all time. It's won a slew of awards and it’s a worldwide best-seller -- which is odd because the game wasn’t put out by a big studio. It was made by a group of friends in Estonia who had very little experience making video games. And this detective game is just as much about politics and the existential nature of reality as it is about solving a murder. I talk with Justin Keenan, one of the few American writers on the crew, along with game critic Paul Walker-Emig and game developer and former critic Heather Alexandra about why Disco Elysium is a revolutionary game that also reflects the moment of history we’re living through.  Today's episode is brought to you by Realm and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sci-fi and fantasy genres have come a long way from their pulp fiction and Saturday matinee origins to become respectable genres. But sometimes you just want to see something awesome, weird or shocking. That’s where genre films can deliver -- even if the movie isn’t good. I talk with five listeners about their favorite guilty pleasure films. Also, Lou Hare of the podcast Guilty Pleasures breaks down the difference between a guilty pleasure and a cult classic, and we discuss why ‘80s movies are a treasure trove of excess and bad taste. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is it possible that we are living in an imaginary world? That is the premise of many science fiction stories, but some scientists have begun to wonder whether it’s not a fantasy. Perhaps what we think of as reality is a computer simulation and we’re basically just advanced versions of The Sims and don’t know it. I talk with video games entrepreneur Rizwan Virk about what advanced civilization might be lurking outside our reality, and how he draws upon real physics, The Matrix and Philip K. Dick to prove The Simulation Hypothesis in his book. And we’ll hear one of my favorite stories from the podcast Snap Judgment, where the journalist Stephanie Foo creates a version of herself in The Sims and discovers eerie parallels to her own life. “Sim Stephanie” was originally produced for Snap Judgment in 2014. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In superhero stories, the public is usually there to be saved by the heroes or killed by the villains. But as a journalist, I always wonder if these people are well informed enough about the threats to their lives, and who is protecting them. I talk with Maya Phillips of The New York Times, James Queally of The Los Angeles Times, and freelance reporter Sean Kelly about a range of fictional journalists from Lois Lane to Peter Parker, and whether their portrayals affect the way we view the news media in the real world. Plus, Petra Mayer of NPR, and journalist Liz Publika discuss why Spider Jerusalem is a model comic book reporter, even if he’s completely gonzo. And actress Mallory Kasdan reads the fanfiction story, “Can I Quote You on This” by Wix from Archive of Our Own about what happens when a more realistic journalist interviews The Avengers. Today’s episode includes minor spoilers for Falcon and The Winter Soldier, Daredevil, Superman and Lois, The Flash, and the graphic novel Watchmen. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every year, I like to play a full-length version of an interview from a previous episode where a lot of great material ended up on the proverbial cutting room floor. In 2019, I interviewed the comic book creators Jimmy Palmiotti and Amanda Conner about their three-year run on the Harley Quinn comic book series because the way they reinvented the character influenced her live action movie appearances, and the Harley Quinn animated series on HBO Max. Also, Jimmy and Amanda are a married couple, and I really appreciated the way their rapport and the sense of humor they share defines the worlds they create together. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you’ve ever searched for my podcast, you probably came across a show with a similar title: Imaginary Advice. I quickly became a fan of Imaginary Advice because the host Ross Sutherland walks the line between fiction and reality, often playing a fictional version of himself doing slightly fantastical things. I talked with Ross about his creative process, and we hear an edited selection of his mini-series Ten Thousand Years, where he and writer Lenni Sanders imagine what if the happy ending from Groundhog Day had not been a game changer for Billy Murray’s character Phil Connors. What if it was just another day, and the days piled up for thousands of years? The episodes of Imaginary Advice we discussed are: https://soundcloud.com/ross-sutherland/45-seinfeld https://soundcloud.com/ross-sutherland/63-tony-gang-flame-war-5th-birthday-episode https://soundcloud.com/ross-sutherland/52-the-man-who-saw-tomorrow-4th-birthday-episode https://soundcloud.com/ross-sutherland/70-sex-and-the-city-the-return-part-1 https://soundcloud.com/ross-sutherland/71-sex-and-the-city-the-return-part-2 https://soundcloud.com/ross-sutherland/73-ten-thousand-years-part-2 This episode is sponsored by Skillshare and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

An entire subgenre of samurai films, shows, manga, anime and games can be traced back to one person – a real life samurai named Miyamoto Musashi. He was not the first samurai to achieve fame, but his remarkable career of undefeated duals, and his unconventional style of fighting cemented Musashi’s legacy in the popular imagination for centuries. Chie Kutsuwada and Sean Michael Wilson discuss their manga adaptation of Musashi’s Book of Five Rings. Yale professor Aaron Gerow, and Darren Ashmore and Will Reed from iCLA explain why Musashi’s life story had a character arc that was irresistible to storytellers. And Stephanie Billman and I connect the dots from Musashi samurai tales to Westerns, Westworld, and Star Wars. This episode is sponsored by Skillshare and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Queer representation in children’s cartoons has never been better, but the road to get here has been fraught. I talk with podcaster Dawn H and journalist Sara Century about how the first type of queer representation they saw in cartoons came from Sailor Moon – or at least a highly edited and strangely dubbed English-language version that tried to scrub away all the queer content, somewhat unsuccessfully. And I talk with podcaster Thomas J. West and YouTube essayist Rowan Ellis about the history of queer-coded villains in Disney cartoons, and how the biggest entertainment company in the world still has a lot of catching up to do. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Video games are an inherently visual medium that traditionally haven’t been very accessible to blind people. But there are plenty of blind players who enjoy games and want to lower the barriers to entry. I talk with blind accessibility advocates Liam Erven, Brandon Cole and Aaron Baker about how sound design can guide blind players through virtual worlds. In Aaron’s case, he designs audio games for his company VGStorm. Accessibility advocate Ian Hamilton describes the challenge of making virtual worlds open to everyone. And Emilia Schatz from Naughty Dog studios discusses her collaboration with Brandon Cole in making The Last of Us Part II the most accessible AAA game of all time. This episode is sponsored by Skillshare and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kasra Farahani has done concept art on a lot of big sci-fi fantasy films, and this year he took on his biggest job yet as the production designer for the Disney+ series Loki. Kasra’s sets became fan favorites, especially the way he depicted the sprawling intergalactic bureaucracy of the Time Variance Authority, or TVA. I talk with Kasra about how he got started in the industry, what design principles he learned working with Tim Burton’s go-to designer Bo Welch, why retro technology, especially from the 1970s, makes sense in sci-fi fantasy offices, and what those imaginary offices have to say about our workplaces in the real world. This episode is sponsored by Inked Gaming and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices