Here's The Thing with Alec Baldwin (iHeartPodcasts)

Judith Light has an unequaled emotional and tonal range as an actor. She also has a shape-shifting physicality that made her entirely convincing both as the shuffling yenta Shelly Pfefferman in Transparent and as the lithe, aristocratic Hedda Gabler. But she only got to exercise those talents by saying "yes" to a lot of less intricate roles -- most famously the housewife-prostitute Karen Wolek on One Life to Live and Type-A divorcée Angela Bower on Who's the Boss. Her manager (a former Psychology professor) helped her arrive at that place of openness. After a few bad auditions, he sat her down and said, "You have an expectation that people should just be giving you stuff, and it's untenable. People feel it. You walk into a room and nobody wants to be around you." "And so," Light tells Alec, "when I walked into the audition for Who's the Boss, I was in a very different place."

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Alec and Patti Bosworth became friends serving together on the board of the Actors Studio. When Bosworth died of complications from COVID-19, it wasn't just a loss to the literary and theatrical worlds; it was also personal for Alec and the rest of Bosworth's wide circle of friends and family. Not just a legendary Hollywood biographer, Bosworth also released an impossible-to-put-down memoir in two parts about her glamorous, tragic personal life and her time with the biggest names in Hollywood and the literary world. Characters range from Marlon Brando to Mario Puzo to Robert Frost. When Bosworth published the second installment of that memoir, The Men in My Life, in 2017, it was natural for her to stop by Here's the Thing to tell some of the stories in person, including her transition from Hollywood leading lady to respected journalist. We're honored to re-release that conversation today.

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Rory Kennedy is a documentary filmmaker and the youngest child of Ethel and Robert F. Kennedy. She is an Academy Award-nominated, Emmy Award-winning director and producer who has made more than 40 acclaimed documentaries.  Her work confronts complicated subjects like poverty, corruption, domestic abuse, addiction and human rights, as well as surfing legends, NASA and the extraordinary life of her mother. Her latest film, “Downfall: The Case Against Boeing,” on the two tragic Boeing 737 Max passenger jet crashes, is now streaming on Netflix. 

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Roger Daltrey put The Who together while working in a sheet-metal factory. The band took many forms before settling into the guitar-smashing, mic-swinging amalgam of testosterone and sensitivity that changed the world. But even before The Who began moving toward rock-stardom, Daltrey had walked a difficult path. Born into a working-class family, he spent his infancy evacuated from Nazi-bombed London, crammed into one room of a Scottish farmhouse with his mother and many others. He returned to a shellshocked father and real privation. But he tells Alec that the environment was "rich" with love and opportunity, and eventually he found himself in a grammar school with songwriter Pete Townshend and bassist John Entwistle. The rest is Rock history -- a history Daltrey helped define. He recounts it with humor and pride on this episode of Here's the Thing, and in his new memoir, Thanks a Lot Mr. Kibblewhite, out now.

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Edie Falco says she is nothing like Carmela Soprano. Nor does she have much in common with Nurse Jackie. But Falco made these characters two of the most identifiable and human women in television history. She has an armful of Emmys, Golden Globes, and Screen Actors Guild Awards—and a cadre of dedicated fans—to prove it. Along the way, she's battled cancer, raised two children on her own, and is a recovering alcoholic. But Falco doesn't want your sympathy; she tells host Alec Baldwin that her greatest professional accomplishment is creating a fun, respectful atmosphere on-set. She credits her multiple successes to good luck, great mentors, and says there's no predicting which way her career could have gone—or will go yet.  

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At 6'6" tall, Penn Jillette is a huge character. He's got a huge frame, a huge personality, and huge appetites. It's a trait that has occasionally gotten him into trouble; he weighed, until a recent diet change, more than 350 pounds. But his gregarious energy mostly expands to fill every moment of free time with professional success. He's an inventor, an entrepreneur, a podcast host, a TV show creator, a Twitter celebrity, a comedian. And for more than forty years, he's been the talking half of stage magic duo Penn & Teller. He talks to host Alec Baldwin about his lifelong atheism, what it's like to perform the same trick for four decades, and why he's committed to debunking nonsense.

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Marc Kudisch is a Broadway staple. With three Tony nominations, he has played such roles as The Proprietor in Assassins, Gaston in Beauty and the Beast, and the sexist blowhard boss in Dolly Parton’s 9 to 5. On screen, Kudisch has carved out a niche for himself working for some of the greatest directors in TV, including David Fincher in Mindhunter and Barry Sonnenfeld in The Tick. His current TV role is Dr. Gus, the intense, love-to-hate-him corporate coach in Billions. Alec talked with Kudisch right before Broadway shut down due to the coronavirus, just a couple of weeks into his starring role in Girl from the North Country. They discuss everything from the start of his acting career to Sondheim to Dungeons and Dragons.

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Writer and essayist Adam Gopnik has been called “one of the greatest thinkers and wordsmiths of our age.” He is best known as a staff writer for The New Yorker, to which he has contributed non-fiction, fiction, memoir and criticism since 1986. The international best-selling author has penned ten titles spanning memoir, essays and children’s literature and is the recipient of three National Magazine Awards and the George Polk Award for Magazine Reporting. Gopnik is also a talented lecturer and storyteller, appearing with the Moth and in a series of one-man shows he created.  It seems there isn’t anything Gopnik can’t do, as he recently transitioned into theater as a book writer and lyricist.  Alec speaks with Adam about his time writing in Paris, the mystery of mastery and the search for a beautiful existence and full life. 

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Kristen was in college when an Acting 101 class prompted a move to L.A. She had little experience, but a tremendous gift for improv, and she soon found herself in a room auditioning for SNL. Hundreds of personas later, Wiig is regarded by SNL creator Lorne Michaels as one of the three or four greatest SNL talents ever. Kristen’s expertise translated well to film, and she eventually won an Oscar nomination for her Bridesmaids screenplay. She joins Alec to talk about the arc of her career and the steps she hopes to take next.

Dick Cavett shares some of his memories with Alec: meeting Orson Welles in the lobby of the Plaza; talking with Marlon Brando by phone—“I was told he would [call] at a certain time and we talked with the sun about 15 degrees above the horizon until well after the moon had risen;” and interviewing Laurence Olivier in the Wyndham Hotel when Cavett says, he was feeling so depressed “I just want[ed] to go home and get under the rug.” Dick Cavett is the master of talk, a television legend; in this conversation, he shows Alec why his career has spanned nearly five decades.

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This week Alec talks with Andrew McCarthy – about making movies, directing, and what it’s like to reinvent oneself as a travel writer. Most people know McCarthy for his roles in "St. Elmo’s Fire" and "Pretty in Pink" – as a member of the “Brat Pack" -- but those movies were only one stop on Andrew McCarthy’s journey.

Almost 20 years ago, McCarthy discovered that traveling the world was the perfect antidote to the fame and exposure that came with his acting career.  He has spent much of the last decade writing about his experiences in distant and exotic lands.  McCarthy talks with Baldwin about his new book, called The Longest Way Home: One Man's Quest for the Courage to Settle Down.

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It’s Alec’s turn to pick one of his most beloved episodes in the summer archive series. This week, we feature one of his favorite musicians, Canadian singer-songwriter Gordon Lightfoot, from their 2013 conversation. Over the course of a career that has lasted more than half a century, Lightfoot has achieved global stardom and exceptional influence. Bob Dylan’s a fan—he's said, “I can’t think of any [Lightfoot songs] I don’t like.” These songs—“Beautiful,” “Sundown,” “If You Could Read My Mind,” and many others—have been treasured by generations of popular musicians and listeners around the world. But Gordon Lightfoot was just one of many aspirants who moved to Toronto in the early 1960s to try their hand in the burgeoning folk music scene there. Lightfoot tells Alec about fitting a feeling to a melody, why he owes his first hit record to an exec's girlfriend, and how he wrote "The Wreck of the Edmund Fitzgerald" by pulling lines straight from the newspaper. 

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This week, in honor of the upcoming Academy awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview coming Friday with the creative team of 2020 Best Documentary-nominee For Sama. We begin, however, with a reprise of one of the HTT team's all-time favorite episodes, in which Alec enjoys a little miso soup at the home of Barbra Streisand in Malibu. Streisand has won two Oscars: first in 1969 for her turn as Fanny Brice in Funny Girl, and then again in 1977 for her Best Original Song “Evergreen” from A Star Is Born.

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(Recorded in June 2021) Filmmaker Tony Palmer’s more than 100 documentaries have featured everyone from Cream to Stravinsky; Jimi Hendrix to Yehudi Menuhin; Leonard Cohen to Richard Wagner. He collaborated with Frank Zappa on the surreal cult-classic 200 Motels and with his friend, John Lennon on All You Need is Love, a multipart series on the early days of rock n roll. He’s made three films about British composer Benjamin Britten. Tony Palmer’s work has been recognized with over forty international awards; not bad, for someone who fell into filmmaking. 

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Alec Baldwin and Julianne Moore are members of a select club. For them, names like "Edge," "Search," "Days," and "World Turns" mean something. They came of age at a time when soap operas were a big deal, and as they tell it, soaps provided an opportunity for some of their best raw acting. Now Moore, who has performed in everything from independent films to widely-released big budget classics like Boogie Nights and Jurassic Park, stars alongside Baldwin in the acclaimed drama, Still Alice. She plays a linguistics professor who starts forgetting her words as Alzheimer's sets in. This isn’t the first time the two have shared the screen—Moore’s also famous for her cameos as Baldwin’s high school sweetheart in 30 Rock. Hear two actors reveal why they do what they do, and how the decisions they’ve made have gotten them where they are today.

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Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me.

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When Jimmy Fallon landed a spot on Saturday Night Live in 1998, he told executive producer and comedy kingmaker Lorne Michaels, "I'm going to make you proud." Six years later, Fallon departed as a audience favorite, the show's go-to impressions guy, and the co-host (with Tina Fey) of SNL's "news" unit, Weekend Update. But he became famous without "working blue," and has always wanted everybody to be in on the joke. It's a trait that makes him a perfect television personality. Now, he occupies the most coveted seat in the business, as the host of The Tonight Show. He tells Here's The Thing host Alec Baldwin that he got his start in Saugerties, New York, practicing the stuff that every comic needs in their toolkit: impressions, musical numbers, and...a troll routine. 

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Carol Burnett's stage and screen career is one of the great showbiz success stories. From her early days on Broadway, to the 11-season run of The Carol Burnett Show, to her luminous big-screen turn as Miss Hannigan in Annie: Burnett's numerous Emmy and Golden Globe awards and nominations speak to her plasticity, her genius -- and her hilarity. Carol Burnett sits down with Alec Baldwin to talk about the unlikely origin of her show, recall her roster of A-list friends, and to explain how nudists dance.

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Stacy Keach’s dad was an actor, director and a producer. He had hoped his son would be a lawyer. Keach eventually wore down his parents, abandoned his major of political science and economics to pursue acting. Keach started with Shakespeare, which took him from a festival in Oregon to studying classical theater in England. Today, Keach teaches acting via Skype and his only true regret is not experiencing more of the great outdoors.

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Our staff picks continue at Here’s The Thing, where throughout the summer, members of our team select their favorite interviews from the archives. This week, we revisit Alec’s 2021 interview with actress Marilu Henner. The Golden-Globe winner is known for a lot of things, from her groundbreaking role as Elaine Nardo on Taxi to her New York Times bestselling books on health and wellness to her amazing, nearly one-of-a-kind memory. But what shines through in every story, joke, and answer she gives Alec is her positivity and joy. Henner is someone who, at every turn, has chosen her happiness, and she’s eager to share her secrets for creating an optimistic outlook with everyone. 

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"The feeling of power" that comes from playing a dark, diabolical role? Kyle MacLachlan tells Alec, "I get it."

"It’s not something you want to abuse, or let exist other than when that camera is rolling." The wholesome, square-jawed actor's dark side can be jarring. As Alec puts it to him, "You're the guy that could be Andie MacDowell’s boyfriend bringing a basket of puppies, and then you’re like this nightmare." David Lynch recognized the two sides of Kyle MacLachlan from the day they met in 1983, but that wasn't how MacLachlan saw himself: he tried to break out as a Hollywood romantic lead, but always found himself drawn back into the Lynchian orbit. Join MacLachlan and Alec as they stroll through Kyle's life story, from his conservative stockbroker father, through his glamorous girlfriends, to the joys of fatherhood and winemaking -- all to figure out why he's the perfect vessel for Lynch's uncanny characters.

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We are continuing our summer tradition at Here’s The Thing, where members of the staff select their favorite interviews from the archives. This week, we revisit Alec Baldwin’s 2021 conversation with actress and activist Marlo Thomas, who has been breaking barriers for women for more than five decades. She first became a household name as Ann-Marie, the lead in the television show “That Girl,” a woman who, in the late 60s, wanted a career more than a family. An outspoken feminist, Marlo then launched “Free to Be...You and Me,” which was first an album, then a book, and eventually, an Emmy- and Peabody-award-winning TV show for children that challenged gender norms and became a touchstone for a generation of feminists. Her best-selling books include a memoir about growing up an adored daughter of TV star Danny Thomas. In 2020, she released a book, “What Makes a Marriage Last: 40 Celebrated Couples Share with Us the Secrets to a Happy Life,” and a podcast, “Double Date,” with her late husband Phil Donahue. All in all, quite a life for That Girl.

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Our Here’s the Thing Summer Staff Picks series continues, featuring our favorite episodes from the archives. This week, we revisit Alec’s 2021 interview with U.S. Representative Katie Porter. In 2018, Porter was the first Democrat ever to be elected in her traditionally conservative Orange County, California district. Prompted to run by Trump’s 2016 win, Porter quickly made a name for herself with her tough questioning of CEOs and administration officials, often using a whiteboard to lay out the facts. Katie Porter’s no-nonsense approach comes in part from her upbringing in Iowa. During the farm crisis of the 1980s, she saw first-hand how her father, a third generation farmer turned community loan officer, helped to support their neighbors. She went on to study bankruptcy law under Elizabeth Warren at Harvard Law School and become a consumer protection attorney and a law professor. A single mom to three school-age children, Katie Porter tells Alec people often have often underestimated her - at their own peril.

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This week, Alec talks with Fred Armisen. Armisen has been a punk rock drummer, currently he’s a cast member on Saturday Night Live and is also the co-creator and co-star of IFC’s Portlandia. Armisen has always been ambitious; when he was a drummer, he recalls, he always "wanted much more."

Long ago, Armisen played drums with the Blue Man Group in Chicago and he tells Alec he learned a lot: about "simplicity," "reinvention" and "that audiences want to be entertained." Armisen admits that he’s always working; when SNL is on hiatus, he’s producing Portlandia. But he still dreams about what might come next: "I want to invent a type of entertainment that is really blurry between comedy and something else. That doesn’t have a name yet...another level of fooling people as opposed to just doing a character. Something a little bigger than that."

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As we prepare to launch our second season at iHeartRadio, we’re revisiting some of Alec’s favorite episodes from the archives. In this episode, Alec speaks with actor Russ Tamblyn. Russ was born in Los Angeles in the middle of the Depression to a chorus girl and a Broadway "song and dance man." His father had moved his growing family west to press his luck in the talkies. Russ was a showbiz kid and found his talent young: Cecil B DeMille cast him as the young King Saul in Samson and Delilah when he was just 13 years old. Stardom came at 19 in Seven Brides for Seven Brothers, where he stole scenes with his goofy enthusiasm and astonishingly acrobatic dancing. But the role that will go down in history is Riff in West Side Story. Tamblyn took a part that could have been just a young tough, and imbued it with such nuance, such balance between aggression and vulnerability, that every Riff since has been held up to him. In this funny, revealing conversation, Tamblyn tells Alec what it was like being part of the old Hollywood contract system (he was an MGM property) -- plus which major Golden Age director was "overrated," and why he didn't stay a movie star. And of course, Tamblyn recounts his return to featured roles at the request of David Lynch, who cast him as Dr. Lawrence Jacoby in Twin Peaks.

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Dubbed “the hottest artist on the classical music planet” by The New York Times, pianist Lang Lang has reached a level of stardom rare for classical musicians.  But his prominence is hard-won. Alec, who adores Lang Lang's charisma and talent, elicits from his guest stories of hardship during his childhood in northeastern China, and of his slow climb to the top, via Philadelphia. That's where fish-out-of-water Lang Lang showed up at the age of 15 and enrolled in public high school as well as conservatory. Throughout the interview, Lang Lang plays pieces from his latest album, Piano Book, a collection of pieces normally reserved for young learners, reinterpreted with brilliance and respect by the great master. And we at WNYC add more of our favorites from Piano Book and beyond.

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Every other week this fall, we will be airing some of Alec’s favorite episodes from our archives. This week features two incredible authors: chronicler of Hollywood legends, Sam Wasson, and the Pulitzer-Prize winning The New Yorker writer, Lawrence Wright. Sam Wasson tackles distinctive creators and seminal moments in Hollywood history, from Blake Edwards and Paul Mazursky, to Audrey Hepburn and the history of improv. Alec loved Sam Wasson’s book, The Big Goodbye: Chinatown and the Last Years of Hollywood. In this fascinating conversation, Wasson tells the story of the four men behind the 1974 film: producer Robert Evans, screenwriter Robert Towne, director Roman Polanski, and star Jack Nicholson  - and how the film was a turning point in each of their lives. Lawrence Wright is an author, screenwriter, playwright, and staff writer for The New Yorker magazine. Filmmaker Alex Gibney directed an HBO documentary based on Wright's reporting in Going Clear: Scientology, Hollywood, and the Prison of Unbelief. In his in-depth and varied reporting, Wright has documented the Jonestown massacre, explored allegations of Satan worship, profiled brimstone-tinged gospel preachers, and tracked the histories of al-Qaeda and the Church of Scientology.

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As part of our every-other-week summer archives series, we revisit two interviews from 2015 with masters of misdirection, Penn Jillette and David Blaine. Penn Jillette is half of the world-famous act Penn & Teller, and they star in one of the longest-running shows in Las Vegas history. In addition to juggling and card tricks, Penn Jillette plays upright bass and is the author of eight books, including his New York Times bestseller, God, No!: Signs You May Already Be an Atheist and Other Magical Tales. Blaine is an acclaimed street magician and sleight of hand artist and also performs staggering feats of endurance. He once spent 35 hours on a hundred-foot-high pillar without a harness. He encased himself in a six-ton block of ice for 63 hours, and, in 2006, he spent seven days and nights submerged in a tank of water in public. 

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This week, Alec speaks with two powerful women working tirelessly to help those most in need of assistance navigating the complicated – and very often expensive – criminal justice system: Attorneys Susan Church and Renate Lunn. Susan Church is a trial and appellate attorney focusing on immigration law and criminal defense with her firm Demissie & Church. She successfully sued President Trump for his travel ban on Muslim immigrants and successfully defended the Occupy Boston protesters. Church is currently a pro bono lawyer for immigrants involved in the Martha’s Vineyard migrant case, where two planeloads of Venezuelan asylum-seekers were flown from Texas to the Massachusetts island under false pretenses. A graduate of Columbia law, Renate Lunn represented people accused of crimes in Manhattan, Brooklyn and the Bronx at The Legal Aid Society for over 10 years and clerked for Hon. Robert P. Patterson of the Southern District of New York. She is currently the Director of Training at New York County Defender Services, training and supervising public defenders that serve the city’s most vulnerable communities in Manhattan.

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Steve Kroft is a renowned journalist and former CBS correspondent for 60 Minutes, where he reported for 30 seasons. His investigative reporting garnered widespread acclaim, winning him five Peabody Awards and 11 Emmy Awards, including a Lifetime Achievement in 2003. His legendary reporting career includes international war coverage and major historical events such as the Chernobyl disaster and the infamous 1992 interview with Hillary and President Bill Clinton. Steve Kroft’s interview subjects ranged from the first serial killer to be interviewed on 60 Minutes to elusive actors such as Clint Eastwood. Kroft also interviewed former President Barack Obama 16 times during his presidency. With a storied career that spans generations, Kroft got his start as a correspondent photographer for the military newspaper “Stars and Stripes” after being drafted into the Vietnam War in 1970.

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On January 27th, 2017, Donald Trump issued the travel ban barring visitors and migrants from seven predominantly Muslim countries. Becca Heller, founder of the International Refugee Assistance Project (IRAP), had seen it coming. She foresaw that it would catch people in planes, turning passengers into undocumented immigrants midair. She prepared by setting up a network of volunteer lawyers who would show up at airports to help travelers being held there. On the 27th, the lawyers came, followed by thousands of protesters. The Trump administration, facing legal losses and "chaos at the airports," gave up enforcing the ban until officials could draft a new version. For a while, the good guys had won. Two years later, with a MacArthur "genius" grant under her belt, the 37-year-old Heller is strategizing about where to take refugee-advocacy next. Serious stuff, but she's still one of the funniest people ever to come on Here's the Thing.

The International Refugee Assistance Project is at https://refugeerights.org/.

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Huma Abedin has spent her entire career in public service, from her beginnings as an intern in First Lady Hillary Clinton’s office, to her time as senior advisor to then-Senator Clinton, as deputy chief of staff to the Secretary of State, vice chair of Clinton's presidential campaign, and now, as Clinton’s chief of staff. Abedin’s recent memoir, “Both/And,” details this time in government, as well as her personal struggles behind the scenes. Huma Abedin sits down with Alec to discuss the personal impact of the 2016 election, the lessons she learned from her late father, and the sliding doors that have offered her different paths in life. 

Originally aired December 12, 2022 

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Our Here’s the Thing Summer Staff Picks series continues, featuring our favorite episodes from the archives. This week, we revisit Alec’s interviews with two great American storytellers, Ira Glass and Alex Gibney.  Ira Glass has been the host and creative force of WBEZ’s This American Life since 1995. The public radio personality revolutionized nonfiction storytelling by using a voice that's personable, modest, and emotionally engaged. Alec sat down with Ira Glass in 2014 to compare notes on interviewing, the afterlife, and finding one’s vocal style.  Alex Gibney is one of the most respected and prolific documentary filmmakers in history. His stories feature strong characters and propulsive narratives that often expose malfeasance or incompetency. In this 2021 conversation, Alex Gibney speaks with Alec about going up against powerful organizations, shifting from Japanese literature to film and the collaborators that have helped him grow.

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This week on Here’s the Thing – Alec sits down with fellow Long Islander Billy Joel – at the piano – for a conversation about life and the musical choices he’s made.

Joel joined his first band at age 14 and became the third best selling solo artist of all time in the United States. He’s sold more records than The Stones, Bruce Springsteen and Madonna, but at this point, he says, the “rock star thing” is something he can “take off.” “I go shopping, I cook my own food, I wash the dishes, I take out the garbage … And the music has nothing to do with money or career. It’s just part of me. It’s like love.”

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Singer, songwriter, and composer Rufus Wainwright continues to surprise and delight with a new tour and album, Rufus Does Judy at Capitol Studios, paying homage to one of his heroes, Judy Garland, and her historic recording. Wainwright was practically born into songwriting as son of musicians Loudon Wainwright III and Kate McGarrigle, and touring with his family by the age of thirteen. The Juno-Award winning and Grammy-nominated artist has since defied expectations, playing with genre, from standards to pop and even opera.  Rufus Wainwright talks to host Talia Schlanger about the influence of his musical family, what uncharted territory is next for him and how he communicates with the muses in his songwriting. 

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The Graduate. Midnight Cowboy. Lenny. That's just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. Hoffman tells host Alec Baldwin that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe. 

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Some combination of Crosby, Stills, Nash, and Young played together for 50 years until 2016. The group survived even Crosby's near-total dissolution under the influence of cocaine and heroin. That was a brush with death that left him in need of a liver transplant and a new approach to life. His newfound joy is clear in this exuberant conversation with Alec. It's also behind a recent and remarkable burst of creativity: three solo albums over the past four years. Crosby's childlike gratitude for his sixty years in music is palpable, but he is candid about the struggles, too: from wrestling with Roger McGuinn over control of The Byrds, to the terrifying culmination of the 2016 breakup of Crosby, Stills, and Nash.

Plus, BONUS! This is the first episode of Here's the Thing's question-crowdsourcing experiment. Your questions provided moving insight into the impact David's music and story have made on fans over the years. We couldn't include all the questions, but we used a lot, and David was really into it. Stay tuned for another call for submissions soon.

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Alec talks with Herb Alpert, legendary trumpeter and co-founder of A&M Records, the independent record label Alpert eventually sold to Polygram. In 1966, Alpert’s band, The Tijuana Brass sold over 13 million records, outselling The Beatles.

Alpert talks about the thrill of signing musicians like The Carpenters, Cat Stevens, and The Police but also reveals what it was like to lose -- and slowly regain -- his trumpet voice over a period of nearly 8 years. The struggle was so intense it made him question everything: “I just want[ed] to find out who I am and why I’m here. Everybody is looking for the same thing: a life of purpose and meaning.”

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As the writers’ and actors' strike in Hollywood stretches into the fall, many have called this moment “existential.” After negotiations with AMPTP, the Alliance of Motion Picture and Television Producers, broke down, SAG-AFTRA and WGA members took to picket lines over dwindling wages and the use of artificial intelligence, which may change the entertainment industry forever. Writer, director, and producer Justine Bateman is one guild member warning of A.I.'s potentially devastating influence. Following her roles in Family Ties and Satisfaction, among many others, Bateman transitioned to working behind the scenes as a filmmaker and author. She earned her Computer Science and Digital Media Management degree from UCLA in 2016, which has become all the more relevant facing the rise of A.I. Bateman speaks with Alec Baldwin about the threat A.I. poses to the entire entertainment industry, how the business has changed since she first started in it, and what drives her creative work.

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While it may have taken a few detours for Jonathan Tetelman to become the opera star he is today, the journey has been well worth it. Tetelman initially found success with his voice quite young, singing in the American Boychoir School and recording with the Trans-Siberian Orchestra. Yet following years of vocal study, Tetelman stepped away from the arias to become a nightclub DJ in New York City. It was only upon realizing that opera was indeed his passion that Tetelman returned to the genre and found incredible success in the great music halls and houses across the globe. Tetelman now captivates audiences with performances in Madama Butterfly, Carmen, and La Bohéme – and with his albums “Arias” and “The Great Puccini.” Jonathan Tetelman speaks with host Alec Baldwin about the challenging transition from baritone to tenor, the work he puts in behind-the-scenes to understand his characters and how he navigates the physical demands of his career.

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In the late 70s, Ben Cohen was a rootless pottery teacher, laid off when his school closed down.  Jerry Greenfield was a diligent pre-med, realizing he was never going to get into med school. They'd formed a deep friendship years earlier, as the two chubby kids in their middle-school gym class. Their joint reaction to their separate crises was to open a small ice cream shop in Burlington, Vermont. That decision would change the face of the industry, and give America a model for a new set of corporate values. At the Flynn Center for the Performing Arts in Burlington -- just a couple miles from the site where Cohen and Greenfield set up shop in 1978 -- Alec talks to Ben and Jerry in front of a crowd that idolizes their hometown heroes, and the energy is infectious. From their Long Island childhood to the tensions surrounding Ben & Jerry's acquisition by Dutch conglomerate Unilever in 2000, the conversation is open, honest, and brimming with the deep bond these two men continue to feel, 40 years after they first put their names together on a sign in Vermont. Thanks to Vermont Public Radio for making it possible.

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Two of the most popular shows from the Here’s The Thing archives are Alec’s conversations with Radiohead’s Thom Yorke, and R.E.M.’s Michael Stipe. These are fascinating, ground-breaking artists who influenced each other. Thom Yorke started Radiohead in 1985 when he was just a teenager. With each of the group’s nine studio albums, Radiohead evolved its sound and, at times, pushed the music industry. In this 2013 interview, Thom Yorke talks with Alec about working with longtime collaborators, fatherhood, and his fame. Michael Stipe was a founding member of R.E.M., a band that practically defined indy rock for much of the 80s and 90s. R.E.M. broke up in 2011 and, in this conversation from 2016, Michael Stipe talks to Alec about what getting time back has meant to his art, politics, and ability to read, listen, and enjoy the world. 

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Brian De Palma's astonishingly diverse hits as a director include Blow Out, Scarface, The Untouchables, The Bonfire of the Vanities, Raising Cain, Carlito’s Way, and Mission: Impossible. He wrote many of those screenplays, too. With his distinctive visual style and proven box office success, he's among the undeniable greats of both auteur and commercial filmmaking. In this live interview, he tells Alec about getting his start in directing as an undergrad at Columbia, and has stories from Blow Out, Scarface and Mission: Impossible. In 2019, the Hamptons International Film Festival gave De Palma its Lifetime Achievement Award; this conversation was part of the ceremony.

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Dr. David Starkey is one of Britain’s leading historians, with a focus on the monarchy’s history and contemporary role. His work includes numerous books and television series covering the English monarchy, particularly the wives of Henry VIII and the reign of Elizabeth I.  He’s known for his regular appearances on BBC Radio 4's The Moral Maze, BBC 1's Question Time and This Week and most recently, the Queen’s Platinum Jubilee for GBNews.  Starkey was appointed Commander of the Order of the British Empire in 2007 and currently hosts a YouTube Channel, David Starkey Talks.  Dr. David Starkey and Alec discuss the House of Windsor's rise to power, mistakes in the era of Princess Diana, and Harry and Meghan’s status with the Royal Family.

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Jodi Kantor and Megan Twohey are the New York Times reporters who broke the Harvey Weinstein story. For five months -- perpetually in danger of losing the scoop -- they cultivated and cajoled sources ranging from the Weinsteins’ accountant to Ashley Judd. The article that emerged on October 5th, 2017, was a level-headed and impeccably sourced exposé, whose effects continue to be felt around the world. Their conversation with Alec covers their reporting process, and moves on to a joint wrestling with Alec’s own early knowledge of one of the Weinstein allegations, and his ongoing friendship with accused harasser James Toback. The guests ask Alec questions about the movie industry’s ethics about sex and “the casting couch.” Over a respectful and surprising half-hour, host and guests together talk through the many dilemmas posed by the #MeToo movement that Kantor and Twohey did so much to unleash.

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Alec talks with Kristen Wiig -- who catered, did floral design, answered phones at a law firm and handed out peach samples at a farmer’s market -- all before landing her current gig, as a cast member on Saturday Night Live.

Kristen says she loves performing, but admits there’s also a “big part of me that’s just like: don’t look at me.” Kristen talks about auditioning for SNL, and the prospect of life beyond SNL: “I mean that’s my family, it’s my heart, it’s New York to me.”

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with musician Todd Rundgren about the importance of pushing artistic boundaries, comedian Tim Dillon on turning chaos into creativity, documentary filmmaker Rory Kennedy on producing films that matter, musician and actor Steven Van Zandt on making television history - twice, and The Talk co-host Amanda Kloots on the power of persistence and positivity, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode.

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After watching an early copy of the forthcoming documentary Bathtubs Over Broadway, Alec became fascinated by the film's quietly hilarious hero, Steve Young. As part of his job as a writer for the David Letterman Show, Steve had to scour secondhand stores for kooky music Dave would play on-air. That's how he first came across recordings of industrial musicals, a genre of theater largely unknown to anyone who didn't attend a sales conference in the 60s or 70s. An "industrial" was a fully staged production commissioned by a large company and performed solely for its salesmen, executives, or distributors. Some starred top-flight Broadway talent and were written by legendary teams like Chicago's Kander and Ebb (Go Fly a Kite for GE, 1966) or Fiddler on the Roof's Jerry Bock and Sheldon Harnick (Ford-i-fy Your Future, 1959). But many performers and composers made their living primarily doing industrials. Steve Young has dedicated his post-Letterman life to preserving what recordings remain, and to shining light and love on the artists behind these ephemeral creations. Alec and Steve dive into songs like "My Bathroom," and into the psychology of someone who would dedicate his life to saving them from obscurity. Plus they talk Letterman, and Young's own path from blue-collar New England, to Harvard, to the top of the comedy-writing heap.

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This week, in honor of the upcoming Academy awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview with the creative team of 2020 Best Documentary-nominee For Sama, coming Friday. For Day 3 of our series, we bring you our Julianne Moore episode, in which she and Alec bond over their shared past in soap operas. Moore won her Oscar in 2015 for playing an Alzheimer's patient in Still Alice.

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Aasif Mandvi is a British-American actor, comedian, playwright and author, whose diverse career traverses Broadway, Merchant-Ivory, Marvel, television and comedy. His theater work includes Oklahoma! on Broadway, the Pulitzer-Prize winning play Disgraced and Mandvi’s off-Broadway, one man show, Sakina’s Restaurant, which explored the South Asian immigrant experience and won an Obie. He also created the Islamaphobia-tackling digital series Halal in the Family, which earned a Peabody.  The former The Daily Show correspondent is currently starring in the CBS psychological drama Evil and Would I Lie to You?, the CW panel show. Alec Baldwin and Mandvi talk about Mandvi’s upbringing and how it contributed to his adaptability,  the serendipitous events that changed the course of his career and becoming a father later in life. 

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Russia has glittering towers and a jet-set elite, but grinding rural poverty. It has one of the world’s great literary traditions, but throws dissenters in jail for a blog post. Who is Vladimir Putin, the man who created this new world power through force of will? New York Times’ correspondent Steven Lee Myers unravels some of this question for Alec. His book is The New Tsar. Myers talks to Alec about Putin’s early years, the Putin-Trump connection and how being the New York Times’ Beijing correspondent is different from -- and similar to -- being Moscow correspondent.

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As we prepare to launch our fourth season at iHeartRadio, we’re revisiting some of host Alec Baldwin’s favorite episodes from the archives. In this episode, Alec speaks with the late David Crosby. Some combination of Crosby, Stills, Nash, and Young played together for 50 years – until 2016. The group even survived Crosby's near-total dissolution under the influence of cocaine and heroin. That was a brush with death that left him in need of a liver transplant and a new approach to life. His newfound joy is clear in this 2018 exuberant conversation with Alec. Crosby's childlike gratitude for his sixty years in music is palpable, but he is candid about the struggles, too: from wrestling with Roger McGuinn over control of The Byrds, to the terrifying culmination of the 2016 breakup of Crosby, Stills, and Nash.

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As a staff-writer at the New Yorker, Susan Orlean has embedded with fertility shamans in Bhutan and profiled a dog (a boxer named Biff). Her book The Orchid Thief inspired one of the most successful art-house movies of the past 20 years. Her latest deep dive is the burning of the Los Angeles Central Library in 1986. It is, to this day, the most damaging library-fire in U.S. history, but it's almost unknown outside of Southern California because national attention was focused on the Chernobyl meltdown. As with all Orlean's books, the nominal subject is a vehicle to tell human stories: those of the man arrested for the arson, of the cops who investigate, the librarians whose lives were changed, and the preservationists who insisted on rebuilding. It's a topic close to Alec's heart. He and Orlean discuss with warmth and enthusiasm the critical role libraries played in their respective childhoods (Alec is the son of a schoolteacher, after all), and their shared commitment today to the universal ideals of the public library.

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The New Yorker’s marquee investigative journalist, Jane Mayer has been a thorn in the side of three presidents, two Supreme Court justices, and, most recently, Fox News. She tells Alec stories from her investigations into Kavanaugh and Clarence Thomas, and talks about what drew her to the rigors of reporting. Plus she reveals details about her process, including why she often leaves victim-interviews to her co-authors.

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(Recorded July 2021) Glenn Shepard, Ph.D., is an ethnobotanist and medical anthropologist who’s worked with indigenous people in the Amazon for decades. Filipe DeAndrade is the host of Nat Geo Wild’s Untamed. These remarkable storytellers have a way of making you care about people, places, and animals that are often overlooked and misunderstood. The Brazilan-born, Cleveland-raised DeAndrade is a rising star in the world of wildlife filmmaking, and he has a contagious enthusiasm for wild animals and adventure. Glenn Shepard lives in northern Brazil and works as a researcher at the Emilio Goeldi Museum near the mouth of the Amazon river. He’s worked with indigenous people along the Amazon, from the Machiguenga in Peru to the Kayapo in northern Brazil. 

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Over a 70-year career, Wynn Handman added sharpness and craft to the natural talents of actors including Christopher Walken, Allison Janney, Raul Julia, Richard Gere, James Caan, Anna Deveare Smith, Joanne Woodward, and Mia Farrow. The World War II veteran studied acting on the GI bill and fell in with Sanford Meisner at the Neighborhood Playhouse in 1946, when the "playhouse" was still two floors of an office building west of Times Square. In this remarkable conversation, Handman tells Alec about his experiences with Meisner, Lee Strasberg, and his many students -- as well as growing up in the 1920s in a Manhattan neighborhood where the streets still had not been paved. Handman died of complications from COVID-19 on April 11, 2020.

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Cameron Crowe's teenage years are familiar to anyone who's seen his autobiographical Almost Famous: 16-year-old writing prodigy convinces Jan Wenner and Rolling Stone to let him tour with and profile the greatest rock musicians of his generation. But what came after is just as interesting: going undercover as a high-school student to write Fast Times at Ridgemont High; falling into the Say Anything director's chair after the two first choices turned it down; hanging out with Led Zeppelin to get their blessing of the songs in Almost Famous. Crowe and Alec are friends, and it comes through in their affectionate back-and-forth about movies, writing, family, and the bands they love. And throughout this extended interview are interspersed some great tunes that demonstrate how Crowe is a master of the "needle-drop," using music to further the story, character development, and dramatic tension of his films.

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Called one of the “Top 10 Comedians You Need to Know” by Rolling Stone, Tim Dillon is a whirlwind of hot takes and sharp observations about pop culture and society. His darkly funny brand of humor can be found touring around the world and on “The Tim Dillon Show,” his weekly podcast. Dillon has been featured on Netflix and Comedy Central specials and graced the stages of the Glasgow Comedy Festival and South by Southwest. Tim and Alec speak of the importance of comedy throughout the pandemic, their shared Long Island background and why having a difference of opinions is good for our culture. 

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As we prepare to launch our second season at iHeartRadio, we’re revisiting some of Alec’s favorite episodes from the archives. In this episode, Alec talks with writer and actress Paula Pell – who made people laugh at Saturday Night Live for 18 years. Pell landed her dream job as a writer at SNL after working at a Florida theme park. Her agent told her that Lorne Michaels wanted to meet her – “it is not an audition, but he wants to fly you up and talk to you.” Pell wasn’t sure what she was headed up for, but she got a job writing for the show. Because of her longevity on the show, Pell calls herself “Nanny SNL,” but she’s the first to admit, “if you have a good night there you feel like you’re 20 again.” Today, Pell can be found writing and producing movies and television, in addition to her starring role in Peacock's “Girls5eva.”

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Daniel Weiss is President and CEO of The Metropolitan Museum of Art, the largest museum in North America. An accomplished scholar and author who holds a PhD in art history and an MBA, Weiss was recruited to lead The Met in 2015 after serving as a college president, university dean, and professor of art history. He has steered the Museum through a series of historic challenges—including the covid crisis, a budget deficit and the removal of the controversial Sackler name from the building. Weiss is also the author of several books, ranging from art history to a soldier’s experience in the Vietnam War. Alec speaks with Daniel Weiss about navigating the Met through the pandemic, his role as a steward of priceless works of art, and his favorite museum to visit in the world. 

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There is an important conversation happening regarding the rapidly-changing world of artificial intelligence and how it will affect us.  Alec speaks with two leaders in the tech community that have worked on the systems integral to today’s A.I. revolution. Blake Lemoine is a computer scientist and former senior software engineer at Google. He was working on their Responsible A.I. team when he went public with his claim that the A.I. was sentient. Lemoine was subsequently fired and now champions accountability and transparency in the tech sector. Jay LeBoeuf is an executive, entrepreneur, and educator in the music and creative technology industries. He is the Head Of Business & Corporate Development at Descript, an audio and video editing platform that uses “voice cloning” technology. Alec speaks with LeBoeuf and Lemoine about the many applications of A.I., what dangers we need to be aware of and what is to come next in this transformative space. 

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Guest Host Talia Schlanger speaks to the co-creator and subjects of Netflix’s Emmy-winning series, “Love on the Spectrum.” The show, which premiered in the  U.S. after two Australian seasons, follows individuals on the autism spectrum through struggles and successes in their search for love. Director and producer Cian O’Clery is joined by participant Kaelynn Partlow, who is also an autism therapist and advocate. O’Clery and Partlow share their experiences making the series and their take on traditional portrayals of autism in the media. Schlanger then speaks with 

consultant and autism advocate Jennifer Cook. Cook is the author of several books on autism, including her memoir, “Autism In Heels: The Untold Story Of A Female Life On The Spectrum.”  She serves as the dating coach for participants in the series, tailoring her help to their specific needs.  With her guests, Schlanger unpacks the intentions, inner workings and impact of this unique reality dating show. 

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec will talk with Kristen Bell about marriage and why generosity always wins, former Vermont Governor Howard Dean on the difference between the important and the urgent, and music legend Mick Fleetwood about why Fleetwood Mac has survived for more than half a century - just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode.

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It’s time for the premiere of our fourth season of “Here’s the Thing with Alec Baldwin” at iHeartRadio. Our first episode features the woman behind what TV Guide called “the most famous soap opera character in the history of daytime TV.”  Actor Susan Lucci inhabited the role of bad girl Erica Kane on ABC’s “All My Children” for four decades, from the show’s inception in 1970 until 2011. She earned the Daytime Emmy Award for Outstanding Lead Actress for the role in 1999 after nineteen nominations – and in December 2023, received the Daytime Emmy Lifetime Achievement Award. Lucci’s body of work also includes numerous television series, films and the Broadway stage. She is the author of All my Life: A Memoir and is a National Spokesperson for the American Heart Association. Susan Lucci talks with host Alec Baldwin about how she played a role that evolved over decades, how she realized a lifelong dream of performing on Broadway, and her thoughts on the rumors of a potential reboot of the beloved soap.  

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Billy Joel has sold more records than The Stones, Bruce Springsteen, and Madonna—though the “rock star thing” is something he can “take off.” Joel started playing piano when he was about four or five years old. He admits that he doesn't remember how to read sheet music anymore, saying it’d be like reading Chinese. That doesn't stop the third best-selling solo artist of all time in the U.S. from plunking out a few tunes with Alec.

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Kathleen Turner made her film debut 30 years ago in the blockbuster thriller, Body Heat. Since then, she’s been leading lady in numerous films and on stage and she’s earned Tony nominations for Who’s Afraid of Virginia Woolf and Cat on a Hot Tin Roof.

Turner sits down with Alec to talk directors – from stage and screen; raising a daughter in New York; dealing with rheumatoid arthritis; and her passion for performance: “If I couldn’t act, I’d just curl up, shrivel up and die … I can’t live without it.”

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Schneiderman sat down with Alec last Thursday, just before news broke in the New Yorker that four women have accused him of, in the magazine's words, "non-consensual physical violence." In the context of these women's allegations, it is undeniably jarring to hear the former Attorney General talk about his childhood and his Trump-resistance work -- not to mention his women's-rights activism and the #metoo movement. But we felt we should put this episode out, and put it out early, so that people have access to as much of his recent thinking as possible. We hope it is a useful resource.

The introduction to this story has been updated.

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Barely out of college in the mid-1950s, Geoffrey Horne was a heartthrob TV star with acting chops to rival the greatest talents of his day. In '57 David Lean gave him a breakout role in his masterpiece, Bridge on the River Kwai and Otto Preminger followed up by casting him as Philippe in Bonjour Tristesse. Full Hollywood stardom seemed inevitable -- and yet, few roles followed. Horne didn't resurface as an actor of note for 25 years, in late-70s New York, when his scene-work at the Actors Studio attracted the attention of Method master Lee Strasberg. Strasberg invited him to teach some classes and the rest is history. Horne became one of the most brilliant and sought-after teachers in the history of his craft. Alec credits Horne's commitment to emotional honesty for much of his success. But the question remains: what happened to Geoffrey Horne the movie star manqué? The teacher and student discuss that question and much more, including the set and stars of River Kwai.

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In 2013, Alec sat down with the late stage and screen veteran who, among many famous roles, played his mother Colleen Donaghy on 30 Rock. Stritch spoke to Alec about her transition from the Sacred Heart Convent and finishing school to finding herself in the New York theater classes sitting between Walter Matthau and Marlon Brando. She performed for nearly 70 years and throughout career, Stritch comments, "I was the funny kind of offbeat girl. I was never the romantic lead.”

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Acclaimed jazz musician Christian McBride has made hundreds of recordings, won eight Grammy Awards and led numerous ensembles, including the Christian McBride Band, the Christian McBride Big Band, Inside Straight and the New Jawn. The versatile bassist has collaborated with jazz legends Herbie Hancock, Ray Brown, Freddie Hubbard, and Chick Corea, as well as artists outside the genre like Sting, Paul McCartney and Celine Dion. Known as a child prodigy, McBride performed with Miles Davis and Wynton Marsalis while still in high school, where he attended Philadelphia’s High School for the Creative and Performing Arts, alongside future members of The Roots and Boyz II Men. McBride now serves as the artistic director of the Newport Jazz Festival and the educational foundation Jazz House Kids. Christian McBride speaks with Alec about his influences, leaving Juilliard early to go on the road, and how being a working musician is similar to being a professional athlete. For information on upcoming tour dates, go to christianmcbride.com.

You can find a playlist featuring Alec’s favorite Christian McBride songs here.

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Daughter of a science professor and an IRS agent, a double-graduate of Columbia herself, Janice Min turned her talents in the early 2000s to the glossy magazine Us Weekly. Celebrity journalism has never been the same. In its pages, she revolutionized pop culture as well as publishing, slaking a thirst Americans didn't know they had for J-Lo, the Kardashians, and The Bachelor. Min paid legions of paparazzi and helped create the fun, intimate, gossipy tone that characterizes web content today. Then she moved to the moribund Hollywood Reporter and worked the same magic but in a different key, making it the go-to magazine for serious coverage of show business.

Once Alec and she cover all that history, they turn to #metoo, Woody Allen, and how to create lasting change in Hollywood. Min's take is fascinating and genuinely surprising: think Frances McDormand with a dash of Deneuve.

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This week, in honor of the upcoming Academy awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview with the creative team of 2020 Best Documentary-nominee For Sama. For our second installment, we bring you the Here's the Thing episode that may have generated our most enthusiastic listener feedback. That's Alec's conversation with director, screenwriter, and Rolling Stone journalist Cameron Crowe -- punctuated with great songs from Crowe's films.  Crowe won his Oscar in 2001 for his screenplay for Almost Famous.

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Alec Baldwin and Matthew Landfield crossed paths one time before their Here's the Thing interview. In early 2001, Alec was shooting a movie in front of 31 Desbrosses Street in New York's Tribeca neighborhood. Matthew had grown up in the building in the 1980s, raised by a performance-artist mom and modernist-painter father. Matthew and Alec said hello as Matthew walked in to visit his parents. The bohemian scene on the block stuck with Alec over the years -- so much so that when in 2015 he was driving by and noticed that the building was gone, he researched what had happened. Online, Alec discovered Matthew's labor of love: perhaps the best, most deeply researched article ever written about a single address. The Lenape, the Dutch, the English, the factory workers, junkies, artists and bankers -- every stage of New York history had some brush with the land (or water) that is now 31 Desbrosses. Alec was transfixed, and this funny, fascinating conversation is the result.

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Errol Morris’s documentaries are visually unmistakable, whether they’re about pet cemeteries or the morally bankrupt "great men" of American history. Thanks to his optical invention, the "Interrotron," Morris's subjects’ are looking straight at those of us in the movie theater and, sometimes, lying. He’s one of cinema’s most distinctive storytellers. In conversation with Alec, Morris recounts his meandering path to the top, involving deep debt, a master's degree in Philosophy, and a stint as a private investigator. "Film-making saved me," he says. Morris also responds to the heated controversy surrounding his new documentary, American Dharma, about Trump strategist Stephen Bannon, rejecting the argument that it was wrong to provide Bannon a platform for his ideas.

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Canadian documentary film director Daniel Roher is known for his 2019 film Once Were Brothers: Robbie Robertson and the Band, which features the elite of rock and roll, including Springsteen and Clapton. Bulgarian investigative journalist Christov Grozev is the lead Russia investigator with Bellingcat, an open-source journalism group. The two collaborated on the documentary “Navalny,” which was directed by Roher and has received widespread acclaim from critics and moviegoers. The gripping real-life thriller took home the Festival Favorite and U.S. Documentary Audience Awards at the 2022 Sundance Film Festival. “Navanly” follows Russian opposition leader and outspoken Putin critic Alexei Navany in the wake of his 2020 poisoning as he works to uncover those responsible for the assassination attempt.  Roher and Grozev spoke with Alec about Navalny’s potential path to the presidency, why poison is the Kremlin’s weapon of choice and what might be next for Putin.

“Navalny” is currently in theaters worldwide and will premiere on CNN TV in North America on April 24th. 

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This week, Alec talks with Zarin Mehta who retired as president and executive director of the New York Philharmonic at the end of this past season. Mehta, an accountant by trade, grew up in 1940’s Bombay before it became the booming city of Mumbai. In Mehta’s memory, Bombay was more like a colonial fishing village.

Mehta talks with Alec about his father, who founded the Bombay Symphony Orchestra, his brother Zubin, and the realities of running a major arts organization in New York.  As Mehta states, “Look, in the United States one does not look to the state for support of the arts.”  Alec also talks with Carmen Mehta, Zarin Mehta's wife, and she offers her own insights into Mehta’s success.

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Vibrant, unstoppable Amanda Kloots is co-host on CBS’ The Talk, a recent contestant on Dancing With The Stars, a fitness entrepreneur and author of “Live Your Life: My Story of Loving and Losing Nick Cordero.” The former Rockette and Broadway dancer wrote the book after her husband, Tony nominee Nick Cordero, lost his battle with Covid-19 months after they had their first child. Alec and Amanda discuss her move to Los Angeles, what it’s like raising her son as a single mom, and how Broadway prepared her to take on anything life throws her way. 

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This season marks the 50th Anniversary of “Saturday Night Live:” the groundbreaking and iconic show that revolutionized late-night television with its sharp celebrity impersonations, satirical news segments, musical performances and absurd sketches  - performed by comedy’s brightest stars and brought to life by the brilliant mind of creator Lorne Michaels. To commemorate this milestone, host Alec Baldwin speaks with writer and producer Steve Higgins, a key figure of the show for three decades, and Susan Morrison, the author of Lorne’s biography “Lorne: The Man Who Invented Saturday Night Live”. Morrison and Higgins reflect on the early days of the show, its relation to the New Yorker Magazine, and what has kept the show a cultural touchstone for so many decades.

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Lawrence Wright is an author, screenwriter, playwright, and a staff writer for The New Yorker magazine. He won the Pulitzer Prize for his 2006 book The Looming Tower: Al-Qaeda and the Road to 9/11. Most recently, filmmaker Alex Gibney directed an HBO documentary based on Wright's reporting in Going Clear: Scientology, Hollywood, and the Prison of Unbelief.

Much of Wright's work is about how religious belief animates personal action and political conflict. He has documented the Jonestown massacre, explored allegations of Satan worship, profiled brimstone-tinged gospel preachers, and, of course, tracked the histories of al-Qaeda and the Church of Scientology.

Regarding the latter, he isn't necessarily sympathetic to the Church's claims, but he understands its appeal. "People don't go into it because it's a cult, they go into it because they're looking for something," says Wright. "It's like going into therapy; people do benefit from it."

"But it's one thing to get into it, it's another thing to get out of it." 

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California Congressman Adam Schiff weighs both sides of the impeachment debate and speaks out forcefully on Iran. Plus why his childhood in Massachusetts had an influence on his future career, why his his mother was so disappointed that he went to law school instead of medical school, and whether President Trump has done more to encourage or discourage aspiring progressive public servants.

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Chris Columbus has brought to the screen some of the biggest American family films in the last 20 years: Adventures in Babysitting, Home Alone, and Mrs. Doubtfire. He also produced and directed the first two Harry Potter films and produced the third as well. Despite this success, Columbus admits that he “always, to this day, [feels] like [he’s] gonna walk on a movie and get fired.” He reveals to Alec what it was like working with brilliant improvisers like John Candy and Robin Williams—and casting Macaulay Culkin in Home Alone.

The first time acclaimed director Stephen Daldry was expected to shout “Action!” he thought it was a joke. Alec met with Stephen Daldry in 2011, weeks before his intimate, post-9/11 drama, Extremely Loud and Incredibly Close, opened. Daldry’s work is precise and intimate, but in conversation with Alec he was passionate about a wide variety of topics, including communal living, the virtues of mass transit, and the Olympics.

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Caroline Rhea is best-known as Aunt Hilda in the 90s sitcom, “Sabrina the Teenage Witch,” but the actor and comedian has been entertaining us in many forms for decades: hosting “The Biggest Loser” and “The Caroline Rhea Show,” performing in standup specials on Comedy Central and HBO, voicing Disney’s “Phineas and Ferb” and appearing as a panelist on game shows like “Hollywood Squares” and “Match Game” with Alec. Rhea speaks with Alec about getting back out on the road doing standup, why it was important to take time off from her career to raise her daughter, and why she’s most at home on stage. 

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Micky Dolenz was a successful child-actor, but he became a full-fledged star at 20 in 1966 as the exuberant singer and drummer of The Monkees -- or rather, as the actor playing that character. At first, the band was a creation of NBC and only existed on the show The Monkees. For the first season, much of the backing music was played by a studio band. Eventually, that changed, and The Monkees' transition from a TV band to a real band is a fascinating story of hard work, perseverance, and marketing genius. Dolenz brings all the energy and humor he showed on The Monkees to this episode of Here's the Thing, telling Alec about the dynamics among the bandmates, his years as a successful TV producer in the UK, and what it's like touring -- and recording -- as a member of The Monkees 50 years after the end of the show.

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Richard Stanley is a South African filmmaker, known for his boundary-pushing work in the horror and science fiction genres. Stanley grew up in apartheid-era South Africa, studying anthropology and filming tribal dance and initiation rituals. In the 90s, he directed the horror features Hardware and Dust Devil. He was then famously fired from an adaptation of The Island of Dr. Moreau starring Marlon Brando and Val Kilmer after only three days on set, an event which later became the subject of the documentary, Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau. Stanley went on to direct several documentaries and returned to narrative film in 2019 with Color Out of Space starring Nicolas Cage. Richard Stanley and Alec discuss Stanley’s upbringing in South Africa, what it’s like directing Marlon Brando and his biggest regrets from the failed Moreau production.

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Our staff picks continue at Here’s The Thing, where every other week throughout the summer, members of our team select their favorite interviews from the archives. This week, we revisit Alec’s 2013 interview with acclaimed filmmaker Christopher Columbus. As a director, Columbus has brought to life some of the biggest American family films in history: Adventures in Babysitting, Home Alone, and Mrs. Doubtfire. He also wrote the screenplays of Gremlins and The Goonies, and produced and directed the first two Harry Potter films. Despite this success, Columbus admits that he “always, to this day, [feels] like [he’s] gonna walk on a movie and get fired.” He reveals to Alec what it was like working with brilliant improvisers like John Candy and Robin Williams, how he got his start writing while working nights in an aluminum factory and why it’s important to him to keep a low-profile. 

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with musician, and photographer Julian Lennon on his work, and his philanthropic causes, the founding members of Blue Man Group on the recent closing of their famed New York City show after 30 years, celebrated actor Victor Garber, SNL writer Steve Higgins on SNL’s 50th anniversary, and Christopher Rothko, son of artist Mark Rothko, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode. The new season begins January 28th.

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As part of our summer archives series, we revisit Alec’s interview with two rock legends, Patti Smith and Peter Frampton. Alec’s conversation with Patti Smith took place before a live audience at the Mayo Performing Arts Center in Morristown, New Jersey, in December 2016. She tells Alec she was never looking for fame. Her love of poetry, art, and a desire to “do something great” motivated her to move to New York when she was 20. She chronicled her formative friendship with Robert Mapplethorpe in her best-selling memoir, Just Kids. She talks to Alec about fame, friendship, and motherhood. Peter Frampton’s double album, Frampton Comes Alive! is one of the best-selling live albums of all time, and it completely changed his life. Frampton started playing guitar before he was eight years old. He talked to Alec about his musical roots in England, playing in bands like The Preachers and The Herd, and how, at 14, the Rolling Stones’ Bill Wyman became his mentor. 

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This week on Here’s The Thing, Alec talks with two men who have spent much of their lives living and working in Africa. Photographer Peter Beard first set foot on the continent in 1955. Richard Ruggiero, of the US Fish and Wildlife Service, began his Peace Corps stint in 1981 in the northern Central African Republic.

“We are enemies of nature,” says Beard, whose photographs have documented the destruction of wildlife in Africa, including the plight of the African Elephant, the very topic of Ruggiero’s doctoral dissertation. Ruggiero continues to work in Africa today and says the situation with elephant poaching right now is a “nightmare.” That says, says Ruggiero, “People are the problem, but they are also the solution.”

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We’re revisiting some of Alec’s favorite episodes from the archives. In this episode, originally recorded in November 2012, Alec talks with writer and actress Paula Pell – who made people laugh at Saturday Night Live for 18 years. Pell landed her dream job as a writer at SNL after working at a Florida theme park. Her agent told her that Lorne Michaels wanted to meet her – “it is not an audition, but he wants to fly you up and talk to you.” Pell wasn’t sure what she was headed up for, but she got a job writing for the show. Because of her longevity on the show, Pell calls herself “Nanny SNL,” but she’s the first to admit, “If you have a good night there you feel like you’re 20 again.” Today, Pell can be found writing and producing movies and television, in addition to her starring role in Peacock's “Girls5eva.”

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The legendary violinist talks about his difficult childhood, stricken by polio in the war-torn early days of Israeli statehood -- and laughs about his early success, whisked away to the United States at 13 to perform on the Ed Sullivan Show. Plus, what makes a truly great instrumentalist? What makes a great teacher? Later, his wife Toby Perlman weighs in, too, so the interview becomes a family affair, topped with a spectacular Mendelssohn performance by eight students from the Perlman Music Program. Toby founded that summer school on idyllic Shelter Island to provide a safe space for young musical geniuses to develop their talents, and themselves.

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This week on Here’s the Thing, Alec talks with Grammy-winning guitarist Peter Frampton. “Sound is very inspirational to me,” explains Frampton – and it always has been: he started playing guitar before he was 8 years old.

Frampton talks about his musical roots in England, playing in bands like The Preachers and The Herd. At age 14 he was playing at a recording session produced by Bill Wyman, who he says is “sort of like my mentor, my older brother.” Eleven years later, Frampton was on stage in San Francisco, recording "Frampton Comes Alive," one of the biggest selling live albums of all times.

Frampton also talks about the challenges of his extraordinary success: “I don’t think anybody can be ready for that kind of success,” explains Frampton.

Peter Frampton recently completed a 35th anniversary tour of Frampton Comes Alive – a DVD will be available later this year. 

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Paul Simon is one of the great American entertainers—a mantle he's worn since he started singing harmony with grade-school friend Art Garfunkel in a duo called Tom & Jerry. In the following six decades, Simon has written dozens of classic songs. His partnership with Garfunkel produced numerous hits like "The Sound of Silence," "America," and "Bridge Over Troubled Water." And Simon's solo career has been equally fruitful, as an engine of eclectic pop music (the gospel of "Loves Me Like a Rock," or the imported reggae of "Mother and Child Reunion"), and also as an ambassador of global sounds (the 1986 album Graceland, and 1990's The Rhythm of the Saints). He talks to host Alec Baldwin about how he has—and hasn't—changed after all these years. 

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Our Here’s the Thing Summer Staff Picks series continues, featuring our favorite episodes from the archives. This week, we revisit Alec Baldwin’s 2022 conversation with Rory Kennedy, documentary filmmaker and the youngest child of Ethel and Robert F. Kennedy. She is an Academy Award-nominated, Emmy Award-winning director and producer who has made more than 40 acclaimed documentaries. Her work confronts complicated subjects like poverty, corruption, domestic abuse, addiction and human rights, as well as surfing legends, NASA and the extraordinary life of her mother. Her 2022 film, “Downfall: The Case Against Boeing,” on the two tragic Boeing 737 Max passenger jet crashes, has become all the more prescient following the recent news regarding the company’s continuing plane malfunctions.

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Publishing powerhouse Michael Wolff is the bestselling author of the definitive trilogy on the Trump White House: “Fire and Fury,” “Siege,” and “Landslide.” He also has served as a columnist for New York magazine, Vanity Fair, British GQ, the Guardian and the Hollywood Reporter – and is the recipient of two National Magazine Awards. Wolff’s most recent release, “The Fall: The End of Fox News and the Murdoch Dynasty,” follows up his biography of Rupert Murdoch, “The Man Who Owns the News,” with further insight into the media mogul and the behind-the-scenes machinations of the cable news network, positing that the end of its influential era may be near. Michael Wolff joins Alec Baldwin for a live event at Town Hall in New York City to discuss his latest book, his writing process, and the state of journalism today. 

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Tom Jones’ booming baritone has led him to sell over 100 million records in his nearly six-decade career. He had a string of hits in the mid-1960s including “It’s Not Unusual,” “What’s New Pussycat?” “She’s A Lady,” “Green, Green Grass Of Home,” “I’ll Never Fall In Love Again,” and “Delilah.” Now in his early 80s, Tom Jones is still going strong with a new album out and an upcoming tour. Tom Jones talks with Alec about growing up in a small town in Wales, how contracting tuberculosis changed his life and the secret to his nearly six-decade marriage to his middle-school sweetheart Linda and how he's been managing since her death in 2016. 

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The massive protests after the deaths of Michael Brown in Ferguson, Missouri, and Eric Garner in New York City strained relationships among police departments, the neighborhoods they serve, and political leaders. Then, in late December, the assassination of NYPD officers Wenjian Liu and Rafael Ramos further escalated the rhetoric and what was at stake. This week on Here’s The Thing, Alec Baldwin talks to two people with years of street experience. Both have compelling visions for improving the broken relationship between police and communities.

John Eterno is a retired captain in the NYPD who once defended “stop and frisk” policies. Today he teaches criminal justice at Molloy College and worries about how many more people were singled out for aggressive police scrutiny during the Bloomberg administration. Eterno advocates for a more individually autonomous, accountable, and, above all, transparent police force. David Kennedy is the architect of Operation Ceasefire, a community-based approach to de-escalating inner city gang violence. Over the last three decades, his work has transformed relationships between law enforcement and communities in cities across the country, including South Central Los Angeles and Boston. Now, he’s working in New York City. Kennedy believes that the influence of families, friends, and neighbors has a greater impact on lowering crime than handcuffs, firearms, and courtrooms.

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If the leaked Supreme Court draft opinion is to be believed, we are on the cusp of Roe v. Wade being overturned this summer – a decision which will have wide-ranging implications for all Americans.  Alec spoke with two people at the forefront of this issue: Mary Ziegler is a Professor at Florida State University College of Law, the author of four books on abortion law and politics, and one of the world’s leading authorities on the legal history of the American abortion debate. Anna Rupani is the Executive Director of Fund Texas Choice, an organization providing aid to those seeking abortions in and out of state due to Texas’ ban on abortions around the sixth week of pregnancy.  Our guests help shed light on what led to the historic decision, what laws might also be at-risk and where we go from here.

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For more than a decade, Kelli O'Hara has been at the very top of the Broadway heap. She gets called "luminous" so often that it must get really very, very tiring. It's been a remarkable journey for a kid who grew up on a farm in western Oklahoma and cut her teeth doing repertory theater in Wichita. She tells Alec her story, with a fascinating, surprising twist: she deeply loves Broadway but wants to branch out, and says she's struggled to do so.

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Former New York City Commissioner of Correction and Probation, Martin Horn has held every job imaginable in corrections: from debating the fairness of a state’s sentencing guidelines to fixing leaky water pipes in aging facilities. Horn tells Alec that his opinion toward inmates was formed from his early years as a parole officer: “every one of them was just a normal, ordinary guy … who had made bad judgments.” Though, nowadays Martin Horn has moved on: "It was a fascinating career. I am absolutely glad I’m done." 

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On February 16th, it was announced that Russian opposition leader Alexei Navalny had died in prison. The Vladimir Putin critic had been in Russian captivity on charges of embezzlement and extremism – and had recently been transferred to a remote penal colony in the Arctic Circle, where Russian authorities claimed the 47-year old died from “sudden death syndrome.” In the wake of the tragic news, world leaders directly blamed Putin for Navalny’s death. In 2022, Alec Baldwin spoke with Daniel Roher, the director of the Academy-Award-winning documentary, “Navalny,” which follows the activist in the wake of his 2020 poisoning as he works to uncover those responsible for the assassination attempt against him, before voluntarily returning to Russia. Roher and his collaborator in the film, investigative journalist Christo Grozev, spoke with Alec Baldwin about Navalny’s bravery, why poison is the Kremlin’s weapon of choice and the final moments they spent with Navalny before his heroic return to Russia.

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Alec talks with Rob Morris, president and co-founder of Love 146, an organization that fights to prevent child sex slavery and provide aftercare for its victims.

The numbers around the child sex trafficking industry are staggering. Over a million children are sold into this multi-billion dollar industry each year. As Rob explains to Alec, he sees behind the numbers: “This is not about an issue, this is not about a cause. This is somebody’s daughter, this is about somebody’s son. Little boy. Little girl.”

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