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Pub. DateTitleDuration
12 Jul 2023019. College Saved My Life: What's Up w/The Shit Talk?00:31:07

While under a tree older than my great grandparents providing the quiet grace of shade, a spider the size of the bread crumb from my morning pastry is my only companion as I read the words of Magdalena Zurawski’s essay, “Being Human Is an Occult Practice”. Inside she reminds us, “Neoliberalism requires us to limit or suppress much of what is human in us because much of what is human in us serves no economic purpose”. As I read this essay I think about how much Neoliberal policy has paved the way for so much of the software we use on a daily basis, software created by white men celebrated for dropping out of college, never having to question their position in a world they create and dominate. College didn’t teach me how to code, this much is true. But college gave me the politic of black feminism and the practice of interdisciplinary study with others. And it is the politic of black feminism and interdisciplinary study with others that has saved my life.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/college-saved-my-life

Learn More About Seeda School: https://www.seedaschool.com/

Book a Seeda School Discovery Call: https://www.seedaschool.com/offers/Vq4DxgZf

Enroll in The Classroom: https://www.seedaschool.com/classroom

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

24 Apr 2024046. Standing On the Abundance Already Inside Your Creative Practice00:55:05

Only YOU can create the offer calling on your spirit. Some creatives will say, “if you don’t create your idea someone else will”. That’s bullshit. There’s only one YOU, with YOUR unique lived experience and YOUR journey of transformation. So, no. No one else can create the offer calling on your spirit. Join us this spring, take your offer from spirit to material and witness the magic that’s been begging to be actualized all along.

Resources:

27 Jan 2024036. But…"I’m Scared": Being Unafraid Isn’t a Prerequisite for Transformation00:46:16

Enrollment closes on January 29th at midnight! Enroll in the Seed A World Retreat Here: ⁠⁠https://www.seedaschool.com/program⁠


Your creative desire makes space for our collective imagination. Join us inside this creative retreat and attend 9 weekly workshops and 9 weekly office hours based on Seeda School's worldbuilding framework. You'll be developing your creative offer alongside a committed community of fellow worldbuilders who will offer feedback and accountability. Seeda School's Worldbuilding Framework consists of nine critical action steps with three major milestones: Deciding on your creative offer, developing the framework for your offer and releasing your offer. Leveraging the worldbuilding power of storytelling the framework takes the form of a story circle, invoking a circular practice you can return to for years to come.

12 Dec 2024065. Who Is Perfectionism For? Channeling Audacious Visions Into 3 Phases of Creative Business Development00:56:04

So who is perfectionism for?

What stops us from hitting publish or inviting folks into an offer?

Are we waiting for the somatic safety, self-trust, or sense of belonging we’ll magically feel on the other side of a new title, degree, or wave of applause?

So often we stall, hesitate on pressing publish, resist releasing an offer we’ve already thought about so much we could design the entire thing in a weekend, because we want to project the patriarchal premise of expertise or “thought leadership”.

But what if we centered our lived experience instead?


Resources


Citations

08 Feb 2024037. The Grief Work of Composting Past Selves00:42:52

Suddenly, my job no longer worked. I put in my resignation letter September 2020. Suddenly, my romantic relationship no longer worked. I ended it the spring of 2021. Suddenly, the non-existent boundaries in all of my relationships, family, friends, community members had to be reflected on and invented. This is because my job, my romantic relationship, my lack of boundaries were all oriented around me trying to get my unmet needs from childhood, met externally.

  • Subscribe for weekly love letters: https://seedaschool.substack.com/
  • "We Will Not Innovate Our Way Out Of White Supremacy: A letter to my 19 year old self" newsletter mentioned in episode
  • How to Start Working for Yourself, with Bear Hebert podcast episode
  • Pre-order: "Survival Is a Promise: The Eternal Life of Audre Lorde" by Alexis Pauline Gumbs
  • Codependent No More: How to Stop Controlling Others and Start Caring for Yourself by Melody Beattie
24 Mar 2023010. Learn How to Build a Black Feminist Coding Project in One Month00:13:15

Plant the seed of your curiosity in nutrient rich soil. I hope you’ll join me in this upcoming discovery workshop, Learn How to Build a Black Feminist Coding Project in One Month, taking place over Zoom on Tuesday, March 28th, 2023 at 6-7PM EST. Register here and together we will explore your curiosity in code, uncover the stories that have stopped you from learning how to code, and learn how Seeda School can help you build a black feminist coding project in one month. You can read this invitation for yourself inside this latest Seeda School newsletter.

09 Nov 2023029. Our Mission, Vision and Values Keep Us Possible00:50:02

Subscribe to the Newsletter: ⁠https://seedaschool.substack.com/⁠

See this week's newsletter for more links and footnotes: ⁠https://seedaschool.substack.com/p/fear-cant-survive-a-radical-love

Learn More About Seeda School: https://www.seedaschool.com/program

02 Aug 2023022. Lavender Software Centers Our Body and Belonging00:24:34

What happened? I was so focused on building the tools for belonging that I forgot to actually practice belonging. Call my family, show up for my friends, support the art shows of the brilliant folks in my circle, volunteer at the community garden, attend the programming at my local library, walk down to the bar that was literally underneath my feet. This is the slippery trap of building software for deepening connection without actually being connected. Existing on a social media platform doesn’t mean we’re engaged in a social practice, showing up on Zoom does not mean we’re present and increased awareness of all the potential events you could attend this weekend might actually increase your felt sense of loneliness. The church of techno-optimism would have us believe that software can solve suffering but there’s no solution for that, only a salve. The salve is the practice of returning to each other, ourselves and our local ecosystems again and again. Most of the time it requires a knock on the door, a phone call, handpicked herbs from your garden in outstretched hands smelling of rosemary asking for permission to hold you.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/lavender-software-and-the-smell-of

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf

Enroll in The Classroom: https://www.seedaschool.com/classroom

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

26 Feb 2024039. Reclaiming The Power of Our Belief, Faith, and Trust00:45:33

Okay so I’m making twice as much as I was making with much more control over my income but I still don't feel as secure as I felt with my salaried position, when I was working for a company I had no control over. Why is that? Because I am so used to, have been taught to, have been socialized and expected to relinquish the power of my belief, attention and faith to sources outside myself.

04 Mar 2024040. How to Breathe Fire, Watching Discipline Melt into Devotion00:37:15

I’m watching the sharp edges of the second hand turn into a feather here. Here in the space between the real and the infinite, feeling real infinite these days. Working alongside you, body doubling — I am elsewhere, I am here, WE ARE HERE. Emphatically here and the air is heavier. Our breathing is heavier. Our breathing is like fire now. Weightless and heavy with life. Tune into this episode for a strategy, a tip and invitation to remember how to breathe fire.

Resources:

  • Download the Creative Offer Questionnaire to Oneself
  • Subscribe to Seeda School Substack for weekly podcast releases straight into your inbox
  • Follow Ayana on Instagram: @ayzaco
  • Follow Seeda School on Instagram: @seedaschool
  • The quote, "If I can't dance, I don't want to be part of your revolution" is by Emma Goldman
  • Cover Art: A screenshot from HBO's Love Craft Country created by Misha Green. In this still from "Rewind 1921" (S1:EP9), at the 42:40 timestamp, Hattie grabs Leti’s hand to pray as she holds the Book of Names and the house around them burns. During this scene there is audio of Sonia Sanchez ⁠reading⁠ "Catch the Fire" amidst the backdrop of the Tulsa Massacre.
04 Mar 2025071. My Nervous System Likes Receiving Money for Work that Isn’t Punishing00:44:41

My intention inside this episode is to invite us to put some respect on our nervous system. We have done the journaling, we’ve cultivated all our embodiment practices on our walks and by the water. We’ve done the divination, breath and mirror work to bring us to this moment where our nervous system is prepared to hold us at our next level of practice. There are new invitations, new calls, new assignments we desire to expand into, but moving in fear might be sneakily disguising itself as “honoring our nervous system”. Our craving for predictable outcomes and comfort can encourage us to play small inside the vision for our creative practices and lives. Inside this episode I invite us to consider the ways we can honor our nervous system by welcoming the transformative discomfort of desire.

Resources

Citations

18 Jan 2024035. But…"I Don’t Want to Monetize": Public Practice Beyond Capitalism00:42:47

What irresistible portals are the people you dream of serving waiting on? Offers as containers that might bring the two worlds spinning away from each other a little closer, if only for a moment, but just long enough for us to experiment with inventing new models of belonging, cooperative economics and mutual aid that build on the old ones. Generating money that will go to mutual aid request flyers and loved one’s Venmo accounts instead of the stock market and the distance between the two worlds spinning away from each other decreases little by little. Using our time, art, ideas, sweat, tears, spit trying to pay back a social debt that can never be repaid we dream up creative offers with the full hearted belief that this is just one strategy of millions to help us collectively divest and make more space for our liberatory quilting.

08 May 2024047. To Crave Certainty is to Crave a Lie00:39:20

The invitation of “safety as relation” (Mariame Kaba) is a huge one in a world that has taught us safety is the opposite of relation. A world that tries to convince us, with all it’s tools, that safety is domination, exploitation, segregation, etc. We are being called to be creative in a context where control and certainty are not introduced as triggering, but surrendering to each other’s gaze and no longer being strangers is taught to be the most triggering act we can imagine. Can we see how the core trauma of these systems of oppression is making us terrified of each other? THAT'S its animating, organizing framework. Being so terrified of the other that we can’t see the paralyzing fear of ourselves. What happens when we turn this creative bind into a creative prompt?

11 Jul 2024053. Who Are You Outside of White Supremacy Culture?00:42:40

Who are we outside of white supremacy culture? Perhaps the simple answer is healers, holders, stewards. Perhaps the simple answer is the people that refuse, repair and restore. And perhaps we don’t have to go anywhere to learn these skills, perhaps the best teachers and stories are already embedded in our intuition and ancestry. Perhaps the stories they’re whispering invite us into a culture with more bearable and breathe-able characteristics where perfectionism becomes improvisation, individualism becomes collectivism and “right to comfort” becomes “right to transformation”.

04 Jan 2025067. Is It Burnout Or The Energetic Expense Of A Breakthrough? 00:51:09

In this episode I’m inviting you into this question with me: “Is It Burnout Or The Energetic Expense Of A Spiritual Breakthrough?” Now let’s be clear, sometimes it really is burn-out. Sometimes, no…a lot of the times, capitalism, the patriarchal refusal to compensate care work and the lack of a state sanctioned social safety net can really bring us to our knees and leave us feeling burned out. I want to acknowledge that, but what I also want to be emphatically clear about acknowledging is sometimes it is spiritual severance, self-denial and self-negation that is at the core of our exhaustion. What creative invitations have you been resisting? Let’s take a look at that and try to answer these questions together.

Resources

Citations

  • Cover Art: Mary L. Proctor’s Freedom of Expression (1998) Materials: Costume jewelry, buttons, cowrie shells, paint, on wood door. Dimensions: 80 x 30.5 inches. Image Source
30 Nov 2024063. Calling Our Power Back to Us: All Stories Rooted in Independence Are Lies00:31:27

There is no such thing as an independent artist. We judge ourselves for having needs constantly. The reality of interdependence may look different for us in different seasons of our lives. In one season we might need the help of our families to provide shelter (like I did). In another season we might need the companionship of a partner or a pet. In another season we might need the trust and respect of our peers to engage with our work. In other seasons we might need our communities to rally around our mutual aid requests and bids for care. Perhaps underneath the craving for safety is really the desire for relation that doesn’t terrify us. In this episode we call our power back to us by surrendering to the truth of interdependence.

Resources


Citations

  • Sonya Renee Taylor, Season 1, Episode 1: It's A Breautiful Life
  • Mariame Kaba said on being safe, “I don’t believe I can posses safety. Because I don’t think safety is a thing. I think safety is a relation”
  • Thomas Berry says “we are in between stories”. Which story are you telling?
  • Cover Art: El Anatsui, Royal Slumber, 2023. Aluminum and copper wire, 358 x 475 cm. (Source: October Gallery)
07 Oct 2024061. Design Your Creative Ecosystem: The 3 Nodes of Practice and Your Erotic Center 00:57:17

This episode is for our Libra eclipse moment, it’s especially for YOU if you’ve been wanting more balance and clarity inside your practice. If you’re overwhelmed by the sheer number of your ideas and desires on your heart then listen up! This is the worldbuilder’s dilemma but it is also our power. So let’s dive in.

Learn More About Seeda School

  • Enroll into the Treehouse Annual Membership here
  • Register for the free Worldbuilding Workshop series and download the Fall 2024 Syllabus here
  • Subscribe to the Seeda School newsletter here
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool

Citations

Cover Art: Julie Mehretu, Stadia II, 2004, ink and acrylic on canvas, 108 x 144 inches Carnegie Museum of Art, Pittsburgh) © Julie Mehretu

19 Jul 2023020. Interdisciplinary Permission: Dancing > Fear00:30:57

Being an artist is a commitment to indeterminacy. It asks, “are you prepared for a life long practice of improvisation?” In many ways, the word asks you to consent not to be a single being. Upon surrender, you join the beyond human swarm in an emergent choreography, a commitment to interdisciplinary practice and collective study. When you release control, another energetic current has room to flow in.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/interdisciplinary-permission

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf

Enroll in The Classroom: https://www.seedaschool.com/classroom

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

29 May 2023014. Every Body’s a Teacher Now: Education as New Media00:39:21

I’ve been thinking a lot about how our body is an interface for learning and creating alongside our ecosystems. In the Future Organisms workshop that I attended in Colorado last week, while in conversation with a cheese maker, ceramicist and computational biologist, I reflected on how “craft” is another word for using our body as an interface for engaging with the material of our ecosystem and how “technology” is often the trace of that transformative engagement.

  • Learn More About Seeda School: https://www.seedaschool.com/
  • Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf
  • Enroll in The Classroom: https://www.seedaschool.com/classroom
  • Subscribe to the Newsletter: https://seedaschool.substack.com/
  • Listen to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Mentioned in video

  • The Black School: https://theblack.school/shop/ (link to shop)
  • The Studio Museum in Harlem: https://store.studiomuseum.org/collections/apparel/products/the-black-school-bell-hooks-vintage-tee (link to t-shirt)
07 Dec 2023031. Discover Your Creative Offer: A Workshop Podcast00:39:44

What are our tools, frameworks and creative offers for helping each other navigate this wide open expanse? Worldbuilding is my framework, the Seed A World Retreat is my offering and “The Creative Offer Questionnaire to Oneself” is the tool I want to share today. Download your very own copy of the questionnaire using the link below! Inspired by “The Audre Lorde Questionnaire to Oneself” created by Divya Victor, “The Creative Offer Questionnaire to Oneself” walks you through four key questions whose answers intersect in ways that allow you to discover your income generating and values aligned offer. The offering that allows you to refuse severance inside your interdisciplinary practice by practicing surrender, spiritual alignment and relation instead.

Download the Creative Offer Questionnaire to Oneself: https://www.seedaschool.com/questionnaire

The Audre Lorde Questionnaire to Oneself: https://divyavictor.com/the-audre-lorde-questionnaire-to-oneself/

Subscribe to Seeda School Newsletter: https://seedaschool.substack.com/

Seeda School Website: https://www.seedaschool.com/

Seeda School Instagram: https://www.instagram.com/seedaschool/

11 Jan 2024034. But…“I Don’t Have the Capacity”: Recovering from People Pleasing00:44:45

The number of things we have to unlearn is unquantifiable, but I know the one thing we must set fire to is continuing to allocate an ounce of our power and meaning making to systems that are only satiated by our death. When we slow down we understand the new year goal setting frenzy is connected to our longing to control the chaos and to carve out meaning in the spacetime of the abyss. The gift of acknowledging this craving with compassion, grace and the full awareness of our power is we get to direct this species-wide compulsion toward something much more intentional and aligned with our aliveness.

02 Jun 2023015. The Ecosystem of Creative Practice: What's Your Mother Tree?00:30:05

This week's episode is about the ecosystem of creative practice, mycelial media stewardship, and it’s containers. When I think about the next decade of my creative practice and how I imagine making room for my breath — I want to continue to move away from content creation and launches and move toward mycelial media and stewardship where my writing practice is the mother tree. What's the mother tree in your ecosystem of creative practice and study?

  • See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/the-ecosystem-of-creative-practice
  • Learn More About Seeda School: https://www.seedaschool.com/
  • Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf
  • Enroll in The Classroom: https://www.seedaschool.com/classroom
  • Subscribe to the Newsletter: https://seedaschool.substack.com/
  • Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/
04 Apr 2024043. Teach What You Want to Learn00:40:19

Our breath is the new syllabus. Our survival is the new curriculum. But where is our classroom? This critical geography we must carve out to practice the dis-order that our new world calls for. Black feminist pedagogies have always been critical to my practice. It wasn’t enough to inhale black feminist research — I had to lick it — I had to play with it — I had to stir it — I had to serve it — I had to perform it — I had to breathe it. This was the desire that seeded Seeda School. Inspired by a character that could breathe when I couldn’t seem to catch mine.

Resources:

12 Jan 2023007. 3 Affirmations for Self Compassion: Money Mindset, Recieving Love, and Perfectionism 00:29:07

(Loose) Transcript: 007. 3 Affirmations for Self Compassion

Welcome to the Soft, Where? podcast where I talk about my journey toward finding softness inside technology. This podcast is presented by Seeda School, a skill building platform for learning how to code through a black feminist lens. I am currently offering 1:1 coaching for black feminists looking to develop a coding portfolio of 5 projects in 15 weeks. Visit http://seedaschool.com to book a free consultation call where we’ll hop on Zoom to discuss your web development goals and how Seeda School might be able to help.

When I reflect on my 3 “biggest” and most recent struggles, the core struggle beneath them all is grappling with a sense of worthiness. For most of us, struggles with worthiness are seeded during childhood and while I won’t spend a whole lot of time talking childhood trauma I will get into the 3 growth areas I’m currently working through: Money Mindset, Receiving Love and Care, and Perfectionism. I will also share the new stories I’m telling myself rooted in worthiness, creating fertile soil for surrender and a harvest as wild and emergent as the love we’re cultivating for ourselves and each other.

You can find this podcast in all major podcast apps. I invite you to take a screenshot and share it on social media or with other black feminists who are also on a journey of finding softness inside technology.

20 Jan 2025069. Scale Your Impact Without Scaling Your Capacity Through the Power of a Framework00:30:58

You dream of serving folks through your process not your personhood. You are an artist, not an influencer. But your process can sometimes feel illegible, even to you. We’re clear there are life affirming benefits to illegibility, opacity, poesis and abstraction. We’re also clear if we want to serve communities we care about through a creative offer that resources our practice, there needs to be an outline of the transformative journey we will take them through. This is your framework. In this episode I want to go over the power of frameworks and it’s creative capacity to build worlds that extend far beyond us.


Resources


Citations

26 Jun 2023018. Writing With the World: We're Writing More. Why?00:20:29

Over the summer I’ll continue gathering seed data, collaborating with computer kin, and thinking about why we’re all turning to writing at the same time. Meditating on what affordances, shelter, breath, code allows inside this practice. In September, I plan to invite you into a creative coding for writers offering and that’s when live virtual programming inside of Seeda School will resume. In the meantime, if you have any thoughts on creative writing alongside code or would like to collaborate around this topic — please get in touch. I would love to hear from you and continue thinking through this together. Consenting not to be a single being, the carrier bag theory of fiction explodes when non-humans are also the authors.


28 Aug 2023024. Your Desire Is More Powerful Than Your Fear00:36:35

Healing from years of childhood trauma, where pleasure meant threat of punishment and desire meant danger. My Element X beckoned, “What if your desire became more powerful than your fear?”

See last week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/you-will-not-be-punished-for-your

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf

Enroll in The Classroom: https://www.seedaschool.com/classroom

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

25 Feb 2025070. How to Stay Motivated When Ambition Has Left Your Body00:35:24

My intention inside this episode is to ground us inside the reality that we are constantly changing. Our motivations are changing. Our values might be experiencing a re-boot. And the things that kept us going in the past might no longer be a reliable fuel source. Instead of resenting or resisting our desire to slow down, prioritize our most meaningful relationships, or operate from a place of wholeness….What if we used these changes in our capacity, goals and desires as our new navigation tools and fuel to get us where we actually want to go instead of the destinations we were told to go in search of a false sense of safety? In this episode I’m going to share 5 approaches for staying motivated when ambition rooted in external validation has left your body.

Resources

Citations

05 Dec 2024064. Becoming Your First Client: The Grief Work of Composting Past Selves and Desires00:36:21

I chose the path of tech and software engineering out of creative curiosity, yes. But on some level, if I’m being real, I also chose it because it would, perhaps, make my parent’s sacrifice mean something. It was impressive, it was something they could brag about on Facebook. And, at the time, my inner child connected being impressive with worthiness. She connected being small with love-ability. She connected following orders with freedom from punishment. She connected suppressing desire with survival.

In this episode we explore the ways our creative practice invites us to make new connections. Because inside the erotic as power, we find our fear based connections can’t hold for long.

Resources


Citations

  • Subscribe to Kening Zhu’s newsletter here
  • June Jordan, “Poem About My Rights” from Directed By Desire: The Collected Poems of June Jordan (Port Townsend, WA: Copper Canyon Press, 2005)
  • “currency for connection” — Dez Davis
  • Cover Art: Dinah Young, Roadside grave. Photo: William Arnett, 1997
01 Nov 2023028. Overlapping Catastrophe Calls for Overlapping Creative Action00:27:14

Overlapping catastrophes like to flirt with your apathy, whispering into your ear with empty promises about the safety of solitude. The safety of silence. The safety of avoidance. The empty promises are dark and cavernous, without light and without ground. The darkness wouldn’t be so bad if I could at least smell soil — some possibility of change, emergence, growth. But that’s the thing about this empty promise — the option we have in the West to look away — we cut ourselves off from the generativity of letting grief and rage transform us. Inside collective grief, rage and study the walls are pulsing with life, the green electricity charges our movements and this dewy microclimate allows us to drink from the air; hydrating our hope for one more minute, one more hour, one more day. There is nothing but the smell of soil here. Plenty of ground to root inside of, eager for the seeds of our collective imagination and all the empty promises powered by fear — the whispering status quo — is drowned out by all the life buzzing around us.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/our-job-is-to-make-revolution-irresistible

Learn More About Seeda School: https://www.seedaschool.com/program

Subscribe to the Newsletter: https://seedaschool.substack.com/

15 Dec 2023032. Season of Surrender: Writing a Love Letter to Our Fear00:50:03

All that running, until 2020 when I finally ran out of steam. Unhealthy work habits and a total lack of boundaries kept me distracted for years. In the absence of that distraction was nothing but the stillness, the silence, the darkness, the eyes patiently waiting for me to finally choose myself. On September 2nd, 2020 I submitted my letter of resignation and a 3 month sabbatical turned into two years. The season of surrender.

Download the Creative Offer Questionnaire to Oneself: ⁠⁠https://www.seedaschool.com/questionnaire⁠⁠

Subscribe to Seeda School Newsletter: ⁠⁠https://seedaschool.substack.com/⁠⁠

Seeda School Website: ⁠⁠https://www.seedaschool.com/⁠⁠

Seeda School Instagram: ⁠⁠https://www.instagram.com/seedaschool/⁠

13 Jun 2024049. New Terms and Conditions with Ravon Ruffin Feliz01:10:35

Recently I had the absolute honor of being in conversation with Seeda School alumni, Ravon Ruffin Feliz. Ravon who goes by she/they is a cyber anthropologist, writer, educator and founder of Citation Studio, a Black feminist experimental thinking studio mapping the possibilities of computing, archives, and nature with/on/for/at the internet. Born in Chicago, now based in the Bronx — she has worked in the arts and culture sector for 10+ years, tending to public engagements with art, archives and the internet, URL and AFK (away from keyboard).

Ravon is also the steward of the “Glossary for an Anti-Colonial Black feminist Critical Media Ecology”, tenderly referred to as the ABC Glossary as a short hand. They are building the glossary inside “New Terms and Conditions”, a newsletter they launched in January of this year.

In the Preface of New Terms and Conditions, they speak clearly stating, this is “an attempt to define terms like cloud, seed, garden, and data, that make visible the exploitation on our land, our resources, and our communities, and to address the exploitations that are hiding in plain-sight. and even more so, begin to liberate these terms from the lips of our oppressors.”

Inside this Episode:

  • Journey of Transformation
  • Embodying Citational Practice
  • Glossary as Black Method
  • Notes on an Ecological Approach
  • The Archive is Alive

Resources:

19 Jan 2023008. How Does Seeda School Code Coaching Work?00:18:16

I only have the capacity for 12 more learners who are curious about learning to code through a black feminist lens so please book a free consultation call to see if this offering is aligned with your needs and ask any questions I didn’t answer in this episode.

Soft, Where? Is a podcast where I talk about my journey toward finding softness inside technology. This podcast is presented by Seeda School, a skill building platform for learning how to code through a black feminist lens. I am currently offering 1:1 coaching for black feminist looking to develop a coding portfolio of 5 projects in 15 weeks. Visit the Seeda School coaching page to book a free consultation call where we’ll hop on Zoom to discuss your web development goals and how Seeda School might be able to help.

Soft, Where? Episode 008 Podcast Transcript: How Does Seeda School Code Coaching Work?

15 Feb 2024038. Choose the Role You Can Sustain Not the Role You Think We Need00:29:35

Instead of the “What should I do?” question, here are 3 questions I want to leave you with:

  1. Which role will you choose?
  2. What container will your practice it in? Will it be through a creative offer, the garden or the 2 hour container in the morning you have before the house wakes up?
  3. Lastly, and perhaps most importantly, who will you practice this role WITH?

These are questions we ask in the Seed A World Retreat and I want to pose them to you here. Let me know by responding at info@seedaschool.com.

Resources:

11 Oct 2023026. Our Right to Release and Generate Income00:37:46

It’s Monday morning at my favorite coffee shop and I’m mesmerized by the freedom I’m witnessing. A toddler is freestyle dancing to electronic instrumentals in the middle of the busiest section of the establishment. The line wraps around her, the towering members of her species are careful not to interrupt her flow, everyone collectively ensures she has enough space to be. To dance. Enthralled by this scene, time slows and I take a sip of my black coffee with two pumps of vanilla syrup. The usual. And I try to hold back tears of joy. As usual. I realize we’re collectively making space for her to dance and that’s probably opening up space inside us too.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/our-right-to-release

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Register for Workshop: https://www.seedaschool.com/workshop

Enroll in The Seed A World Retreat: https://www.seedaschool.com/program

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

30 Sep 2024060. Permission to Pivot: The Transition From 3 Offers Back to 1 00:50:04

Today I want to talk about the permission I had to give myself to pivot before I could invite anyone else into the transition. Today I want to talk about how sneaky scarcity mindset can be, even with the abundance of wisdom, tools and skills we’ve learned inside our journey of transformation. Today I want to talk about why, after a summer of experimenting with 3 different offerings (a retreat, a monthly membership and accepting applications for a 1:1 service-based offering), I am bringing the Seeda School paid-offer ecosystem back down to 1 core offering.

Learn More About Seeda School

  • Register for the free Worldbuilding Workshop series, Download the Fall 2024 Syllabus and learn more about the Treehouse Annual Membership here
  • Subscribe to the Seeda School newsletter here
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool

Referenced Inside the Episode

Cover Art: A black and white film photograph of David Hammons creating his “body prints”. The photograph is titled “David Hammons, Slauson Studio” (1974) by Bruce Talamon. Source: Studio Museum of Harlem

29 Sep 2023025. 3 Lessons from A Decade of Creative Practice00:38:43

Like I said, mistakes? I can name plenty. There is no way to be in a generous practice of producing public facing projects without them. Some of these mistakes were essential, they were carrying divine lessons, and honestly some of them weren’t. The attempts to flatten in the face of the “jack of all trades, master of none” myth (who wants to be a fucking master anyway?), the workaholism unsustainably powered by a sense of unworthiness, solely relying on funding resources coming from outside my work instead of implementing strategies for the Creative Ecosystem to fund itself and the moves made out of fear, the fear, the fear, so much fear, are all mistakes that have cost me time, money, energy, opportunities, unnecessary suffering and even some relationships.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/3-lessons-from-a-decade-of-creative

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Subscribe to the Newsletter: https://seedaschool.substack.com/

16 Sep 2024058. The Journey is The Dream, The Destination is The Practice00:35:34

Maybe you’ve been talking yourself out of taking a creative risk for months, maybe years just like I have. A life is something we create, too. Maybe your creative risk is leaving a job with an abusive company culture, moving to a new city or removing yourself from relationships where your power is perceived as a threat to neutralize instead of divine intelligence to collaborate with. Whatever transition is tugging you toward its trail, whatever creative calling won’t leave you alone, I need you to know the journey IS the return on investment.

  • Register for the free Worldbuilding Workshop series and learn more about the Seed A World Retreat here. 12 month payment plans for the retreat are now available! Register for the 2-PART workshop series where you'll learn more about resourcing your interdisciplinary practice through a creative offer.
  • Download the Creative Offer Questionnaire to Oneself here
  • Subscribe to the Seeda School newsletter here
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool
  • Cover Art: Chakaia Booker (b.1953), O, 2001. Materials: Rubber, tires, wood, steel Dimensions: 55 h × 36 w × 47 d in (140 × 91 × 119 cm). I was prompted to return to Booker’s work when I made contact again with one of her sculptures, Egress, at the National Gallery of Art in Washington, D.C.
04 Jul 2024052. Releasing the Burden of Being Complicit In Our Own Suffering00:39:21

I too, have put more value in the things that hurt because suffering is familiar. I know her. I know suffering. And I have plenty of evidence that the shelter of suffering has kept me safe, kept me “out the way”. But at what cost? There is rent for living underneath the shelter of suffering. As with everything, there is a sacrifice. The cost was often my inner child who needed me to tend to her wounds but I couldn’t bear her pain so I just kept looking away. The cost was often my body which needed my attention, my care, my tenderness, my grace but was often treated as a liability instead. The cost was often my dreams that needed my power, my protection, my faith but seemed too wild to be safe, too pleasurable to count on, too gooooood to be true.

I just want us to consider, if only for this moment, how exhausting it is to be in perpetual disbelief of our power.

21 Dec 2024066. Moving From Convincing Institutions to Convincing The People00:38:41

In this episode I want to make the case for breaking away from institutions and creating communal containers of healing instead. And because we’re all about the spell and the strategy at Seeda School…it is also my intention to make the argument that if you are already writing countless grants, drafting applications, making pitches and proposals and making bids for fellowship in institutions that sometimes (or usually) gets awarded, then you are already good at sales. Through this episode I want to invite you to turn that skill toward creating deeper pathways of empowerment for yourself and your communities, not institutions who siphon our worldbuilding capacity for their own survival. This episode is about our survival, our collective ability to thrive.

Resources

Citations

  • Cover Art: Constellations (2015) by Howardena Pindell (American, born Philadelphia, Pennsylvania, 1943). Published by Center for Contemporary Printmaking. Medium: Open bite etching. Dimensions: Sheet: 30 × 22 in. (76.2 × 55.9 cm). Image Source: Philadelphia Museum of Art
27 Jun 2024051. Recovering from the Tyranny of Ambition and Detaching from Outcomes00:27:35

I almost titled this podcast “On Aligning Your Practice with Your Capacity and Surrendering to the Air”. Both work. A question for you: What would it feel like to pause and breathe into a deep, longgggg stretch instead of a sprint? I need to continue challenging myself. Rigor, change and curiosity are the electricity of my life, I’m clear on that. Capricorn rising, Gemini Sun over here. But what might it look like to prioritize the steady over the surge, the flow over the wave? What might it look like to prioritize the practice over the launch?

20 Jun 2024050. Manifesting Beyond Survival and Toward Safety00:24:00

I’m sure you’ve seen it and maybe even felt it, experienced it. Manifestation is everywhere. Folks are talking about it on TikTok, Instagram and I wouldn’t even be surprised if it’s reached LinkedIn. Point being, the gospel of the woo-woo crew is spreading. We out here y’all! And thank goodness. I think this is a good thing, that we are learning how to see without images as Toni Morrison puts in her Nobel Lecture in 1993 when invoking the power of language. But how might we take this practice even further…how might we listen to the images while practicing a grammar of black feminist futurity?

Seeda School Links

Citations

  • “You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures.” — Toni Morrison, Nobel Lecture (December 7, 1993)
  • Tina Campt, “Quiet Soundings: The Grammar of Black Futurity.” Listening to Images, p. 17.
  • Cover Art: Martina Bacigalupo, Gulu Real Art Studio (2014) Image Description: In “GULU_kid 5” a sitter is in front of a red background wearing an oversized checkered blazer atop a navy blue dress of many crescent moons. A small child, also in blue, is resting their head on the sitters lap who has a white box where their head used to be.
26 Jul 2023021. Frameworks for Care-full Software?00:28:25

What new values and commitments do we want to seed the next generation of software inside of? How do we want to collectively tend to this soil? No, software will not solve racism, sexism, ableism and classism — only plain ol’ revolution will do that — but given the fact that software has made all these -isms exponentially worse, I do wonder how building technologies of care might be a salve in the meantime. A fractal expanding toward belonging, not fear.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/what-are-technologies-of-care

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf

Enroll in The Classroom: https://www.seedaschool.com/classroom

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

20 Apr 2023011. Aspiring Software Engineer, Freelancer or Entrepreneur? 00:15:15

Are You an Aspiring Software Engineer, Freelancer or Entrepreneur? I want to invite you to join us for the upcoming Discovery Workshop where we will get clarity on your coding curiosity, story, and goals, in order to learn how Seeda School can help with all 3.


Register here: https://www.seedaschool.com/discovery-workshop

11 Mar 2024041. Why Worldbuilding?: Permission to Actualize Audacious Desire 00:37:35

This week I want to return to the Seeda School newsletter originally published on December 4th, 2023 titled, “What is Your Creative Offer?”, subtitle: “A Questionnaire to Oneself”. In it I share why worldbuilding has been such an essential method for me. But “Why Worldbuilding?” is a question I’ve been getting again lately so I wanted to revisit the question inside this podcast in order to invite you to join me in building worlds as containers for actualizing our audacious desire. How? Stay tuned for the strategy, tip and affirmations to remember towards the end of the episode.

Resources:

12 Jun 2023017. It Comes in Waves: The Ceremony of Feeding the Black Interior 00:08:59

What are our collective ceremonies?

I decided I didn’t want to disrespect the question by providing an answer.

When searching for the “official language” to address the question, the only thing that came out was a poem. A poem about how poetry has saved my life. How it preserves life and provides oxygen when suffering is the ground and time is a trickster. Maybe the poem is the collective ceremony? The reading, the gathering, the singing, the sound, the performance of the poem. Maybe the poem is the only ceremony we need?


- See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/it-comes-in-waves - Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message - Learn More About Seeda School: https://www.seedaschool.com/ - Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf - Enroll in The Classroom: https://www.seedaschool.com/classroom - Subscribe to the Newsletter: https://seedaschool.substack.com/ - Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/


18 Mar 2024042. Just Because You Can Doesn’t Mean You Should00:53:52

There’s a consistent theme I’m noticing on the other side of my season of surrender. When I’m not being particularly nice to myself I’ll notice myself get frustrated with my capacity. Trying to figure out why I’m not able to lock in like I use to, put in the same amount of hours as I used to, produce as much or as quickly as I used to — both inside my job (stewarding Seeda School) and my art practice (writing science fiction in the bathtub). When inside this frustration, I have to remind myself, before my season of surrender, I was operating in complete misalignment with my desire and the pace of my body. The fuel that was charging me was external validation so I was operating in self-sacrificing ways. Exerting domination over my creative spirit and body — it’s no wonder I was more productive. I was constantly dissociating and ignoring my needs, working through meals and feasting on praise instead.

Resources:

29 Aug 2024056. Are “Enough Numbers”, Enough? Balancing Our Nervous System, Values and Business Growth00:36:07

Let’s talk numbers. The “enough number” concept is looking at the expenses in your life and business and determining a revenue goal or baseline for living comfortably instead of living in the cycle of incessant growth for growths sake. I’ve seen and heard this concept discussed in multiple workshops, YouTube videos, panels and podcasts over the years. Probably because establishing an "enough number" in the beginning is a good idea and fetishizing infinite, up and to the right, hockey stick growth is not only a bad idea but goes against many of our core values. But what I can’t stop thinking about is: Maybe there are other ways to stay in integrity with our values and business growth without putting literal and subconscious caps on our potential revenue and impact?

Links and Resources:

  • Apply to the Fall 2024 Implementation Accelerator here: https://www.seedaschool.com/accelerator. This program is for you if you want to join us in the Fall 2024 Retreat and work 1:1 with me on implementing the pleasure practices and web portals that will support you in setting up the tech/sales backend and frontend infrastructure for inviting folks into your creative offer by the end of the year.
  • “Can You REALLY Be An Ethical Millionaire?” is the title of the Hello Seven podcast episode mentioned in this episode. It features a conversation between Rachel Cargle, Sonya Renee Taylor and Rachel Rodgers. Again, I don’t agree with everything shared in this episode but it feels relevant to today’s discussion.
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool
  • Cover Art: Music video still from "Came Back for You". A song by Lil' Kim from her third studio album La Bella Mafia, released on March 4, 2003. It is the closing track on the standard edition of the album. The song samples the 1971 song "Didn't We" by Irene Reid.
11 Apr 2024044. Your Journey of Transformation00:48:19

The fire of our surrender brought down the walls and created a clearing. We all have our own field guides to teach from inside the clearing we will turn into a classroom. How will you shape your journey of transformation into lesson plans all about love? How has love transformed you?

Resources:

11 May 2023012. All That You Touch: JavaScript x Octavia Butler00:15:22

Reflecting on the possibilities of JavaScript and how one might teach it, I returned to Octavia Butler, and in returning to Butler, I returned to consent and in returning to consent I returned to my body savoring all the ways I have finally given myself permission to change and be changed. Read the entire newsletter and footnotes here.


Register here for this free JavaScript workshop on Tuesday, May 23rd, 2023 at 6pm EST where you will bring your favorite website, get introduced to JavaScript concepts like the DOM and learn how to change your favorite website using HTML and JavaScript.

18 Jul 2024054. 9 Reasons We Need Your Weekly Dispatch Yesterday, Today and Tomorrow00:55:46

I hope you’ll Discover your Weekly Dispatch with us this Thursday, July 25th at 12pm EST in the last live Worldbuilding Workshop I’ll be giving on the Treehouse for the year. The Treehouse is a monthly membership holding you accountable to weekly returns to your Zone of Desire through live workshops, open studios, guided meditations and black feminist worldbuilding tools. And enrollment is now open! It’s $67 bucks a month, enrollment closes on Monday, July 29th. Join us inside the free workshop on the 25th to learn more.

09 Aug 2023023. When Life Hands You Bugs: An Invitation to Release00:31:01

This letter is dedicated with gratitude to the bug in my code last week. It appeared as I was building a project using React in order to introduce the learners in Seeda School’s Module 4 how to build their own Community Directory using the popular library. I reflected on the library’s name, React. An invitation to be mindful of how we respond to the bugs and blocks which are inevitable in our code, as they are in our life. An invitation to tune into the buzzing with curiosity and react with compassion. If we release, the incomplete metamorphosis is a gift. Oh, you’re trying to teach me how to fly? I’m listening.

See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/when-life-hands-you-bugs-learn-from

Leave a Voice Message: https://podcasters.spotify.com/pod/show/soft-where/message

Learn More About Seeda School: https://www.seedaschool.com/

Book a Seeda School Consultation Call: https://www.seedaschool.com/offers/Vq4DxgZf

Enroll in The Classroom: https://www.seedaschool.com/classroom

Subscribe to the Newsletter: https://seedaschool.substack.com/

Subscribe to the Podcast: https://podcasters.spotify.com/pod/show/soft-where

Subscribe to the YouTube Channel: https://www.youtube.com/@SeedaSchool/

25 Oct 2023027. Invitations From Inside Collective Grief and Study00:42:17

I want to call in all teachers, writers, artists and business owners to take a close look at what we’re “normalizing” in our practices. What cultural examples are we using to teach that feel apolitical? What references are we pointing to in our art that feel “neutral”? What narratives are we normalizing in our writing? What topics are we avoiding on our business accounts on social media? What are the employers, organizations and institutions we’re connected to authorizing as the “professional stance”? What ideologies are we upholding in an attempt to be apolitical? Whose politics are we re-inscribing when we “leave politics out of it”?


See this week's newsletter for more links and footnotes: https://seedaschool.substack.com/p/being-apolitical-is-political-beloved

Join The Seed A World Retreat Waitlist: https://www.seedaschool.com/program

Subscribe to the Newsletter: https://seedaschool.substack.com/

Ashlee Marie Preston's Post: https://www.threads.net/@ashleemariepreston/post/CywDoHiPYo8

Sonya Renee Taylor's Reel: https://www.instagram.com/reel/CyycxkqA4eC/?utm_source=ig_web_copy_link

05 Jan 2024033. But…"I Don’t Know My Purpose": The Year of Childhood Curiosity00:51:37

In search of our mother’s gardens we found a path. Keeping that path “well-trodden” so others may find it too is our only assignment. What’s your purpose? That’s impossible to know and that’s okay because we’re following the truth of our desire instead. What does this look like? It looks like releasing control of the project and signing up for the practice, laying perfectionism to rest. “The form will find itself”, is what the abolitionist science fiction writers, mutual aid practitioners also known as aunties and working class folk who carve out enough softness from the abyss to sing on Sunday, told me. The facts will make you lose your mind so on the well-trodden path, paved with black feminist praxis, we pick up feeling instead. Insisting on only what feels good, pleasure becomes an organizing framework for the practice. The truth of our desire becomes a compass, the practice is trusting it’s leading us in the right direction.

Register for free Worldbuilding Workshop to learn more about the Seed A World Retreat: https://www.seedaschool.com/workshop

Download the Creative Offer Questionnaire to Oneself: https://www.seedaschool.com/questionnaire

Subscribe to Seeda School Newsletter: https://seedaschool.substack.com

Seeda School Website: https://www.seedaschool.com/

Seeda School Instagram: https://www.instagram.com/seedaschool/

Mentioned in the episode: Zoé Samudzi (https://www.instagram.com/babywasu) & https://www.instagram.com/deathworkwithshiv

13 Jan 2025068. I Sat Down To Script A Podcast And A Poem For The Fire Leaked Out00:33:42

My intention behind this episode is not only to advocate for the practice of weekly dispatches but to encourage you and empower you with resources to advocate for your song — aka the work that is uniquely yours. Philadelphia-based prison abolitionist Stephanie Keene says people often ask her, “How can I get involved?” Her response is, “Do what it is you're good at”. Right? WE need you inside what you’re good at, which is to say YOU need you inside what you’re good at. What is your daily, weekly, seasonal practice for showing up inside the chorus of collective liberation? Let’s find out together.

Resources

Citations

14 Oct 2024062. Don’t Focus on Making the Offer Accessible to Everyone Else it Becomes Inaccessible to You00:39:19

We talk more about this in Thursday’s Worldbuilding Workshop, but you may have seen the quote going around “if it’s not free, it’s neither radical or revolutionary”. I want to start off by saying I disagree. Equitable, anti-capitalist, values aligned resource exchange that is accountable to the communities we serve and the planet we inhabit can be some of the most radical and revolutionary work we do. In this current economic system, “free to you” just means the money is coming from somewhere else and a lot times that chain of funding is obfuscated, which can make accountability tricky if not intentionally impossible. In this episode I want to invite us to consider the ways in which pricing our offers for sustainability doesn’t have to compromise the integrity of our work, in fact I want to propose it can actually empower and actualize the worlds we dream of building.

Learn More About Seeda School

  • Enroll into the Treehouse Annual Membership here (Enrollment Closes October 21st!)
  • Register for the free Worldbuilding Workshop series and download the Fall 2024 Syllabus here
  • Subscribe to the Seeda School newsletter here
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool

Citations

  • DISTRIKT, “The Underground” (2015), Issue 1
  • Dez Davis, conscious coach for impact forward business owners, industry leaders and seasoned change-makers.
  • Sonya Renee Taylor’s Patreon
  • Saidiya Hartman, Interview With Rizvana Bradley. Ordinary Notes by Christina Sharpe pg. 165

Cover Art: Keeping the Culture (2010) by Kerry James Marshall (b.1955) Medium: Oil on Board Dimensions: 76.2 x 121.9 cm. (30 x 48 in.) Source: Artnet

19 Apr 2024045. Will You Let Us Perceive You?00:47:34

"May our visibility be an offering of gratitude to those we dedicate our practice to. The ancestors, past selves, younger cousins, teachers and non-human creatures we owe our breath and possibility to. We didn’t come from nowhere. We come from the freedom fighters who took their imagination to the streets, we come from the parents whose direct action was reading us Tar Beach at night, we come from the hands that prepared the meals for the meeting. Praying hands. We come from all the black feminist theory we now get the privilege to rehearse in theater of the street, the home, the classroom. I show up if only to say thank you, thank you, thank you. It wasn’t in vain, it wasn’t in vain because of you I am possible. It wasn’t in vain. Because of you WE are possible." — Ayana Zaire Cotton

Resources:

23 Sep 2024059. Offering the Wisdom and Skills from Your Journey of Transformation00:41:14

Last week we talked about how the journey is the dream and the destination is the practice through the metaphor of teaching and learning. I want to pick that thread back up. Just as I believe creativity is the spiritual disposition of our species, I want to argue curiosity, teaching and learning are organic to our ways of being as well. So organic the debate of nature vs. nurture has been going on for centuries now. Today, I’m less interested in teasing out the difference between the gifts we’re taught and the gifts we’re born with. What I’m more interested in teasing out is what happened to us and how can the lessons we learned along the way serve others?

Learn More About Seeda School

  • Register for the free Worldbuilding Workshop series and learn more about the Seed A World Retreat here
  • Download the Creative Offer Questionnaire to Oneself here
  • Subscribe to the Seeda School newsletter here
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool

Referenced Inside the Episode

Cover Art: Two black girls look out the window of a “Freedom School”. © Ken Thompson, United Methodist Board of Global Ministries. Image Source

29 Jul 2024055. The Psychology of Creative Practice and Belonging 00:53:13

As a heads up, if you’re listening to this on Monday, July 29th enrollment into the Treehouse closes tonight and it’s $67 bucks to join! The Treehouse is a monthly membership holding you accountable to weekly returns to your Zone of Desire through live workshops, open studios, guided meditations and black feminist worldbuilding tools. I hope you’ll join us inside The Treehouse! Our first workshop inside is on August 6th and it’s all about collaborating with our ancestors, desires and intentions inside our Weekly Dispatches.

15 Nov 2023030. Toni Morrison was in my dream yesterday...00:45:22

Learn more about the Retreat: https://www.seedaschool.com/program

Read this week's newsletter: https://seedaschool.substack.com/p/refusing-colonial-categorization


What if we are making appeals for our “humanity” to empires whose very colonial conception of “human” was given form by excluding certain members of the same species? To put it another way, let’s consider we are asking the same people who invented the wordhuman”, in order to dominate other members of the species and the planet, to include us in the project. Perhaps the only way to go about complete domination over a land and it’s species (including it’s people) is to invent a word that creates a delination between “man” and “nature”. The word is born out of contridication, an attempt to separate us from all there is when we are all there is.

05 Jun 2023016. On Public Practice: What Are Our Collective Ceremonies?00:28:58

This week's episode is about the practices that help us remember the world we need is the world we have. What came up is the realization that I am more skilled than last year at tending to the garden of my internal and eternal possibility — no longer a captive to external validation — I have cultivated practices that return me to myself, my body, and my values again and again. What also came up in this letter is the realization that I am craving more practice inside collective ceremonies that require somatic engagement both online and off (if there is a such thing as “offline”). In the next few newsletters I am looking forward to swimming underneath the question, How might software (in)form somatic practices of collective ceremony that deepen belonging? What are our collective ceremonies?

03 Feb 2023009. How Much Does A Dollar Cost?: The Gift of Worthiness, Boundaries for Burnout, and Permission to Play00:23:51

My biggest fear isn’t failure or Seeda School “not working” or “not meeting my needs” — the success of Seeda School is inevitable. I know I’m called to this work and there is no “failure” inside calling, only lessons. My biggest fear is actually being the creator of a job I hate, being the facilitator of work that is unsatisfying or exhausting. Which is truly only a failure in boundaries and the courage to maintain them. Back to acting out belief, it’s about the courage to believe in the worthiness of your work enough to create boundaries to protect the sustainability of it.

Here are your Soft, Where? prompts to workshop throughout the week:

  1. What actions are you committing to taking before the winter ends to gift yourself the felt belief of worthiness?
  2. Reflect on and name your max capacity for work behind a computer each week. How will you commit to holding this boundary with yourself, your team, or creative collaborators?
  3. Give yourself permission to play by protecting play time in your calendar. What are the time blocks in your calendar protected for play?

Soft, Where? is a podcast where host, Ayana Zaire Cotton, talks about their journey toward finding and creating softness inside technology. This podcast is presented by Seeda School, a skill building platform for learning how to code through a black feminist lens. I invite you to take a screenshot and share it on social media or with other black feminists who are also on a journey of finding and creating softness inside our relationships to technology.

Soft, Where? Episode 009 Podcast Transcript: How Much Does A Dollar Cost?

08 Jun 2024048. 31 Reflections at 31 on the 31st01:30:55

These are just some reflections I jotted down during my birthday week and writing retreat in Shenandoah Valley. As the podcast title suggests this was my golden year. I turned 31 on the 31st of May and after being away for a few weeks it felt right to punctuate this moment of return with some reflections ahead of the release of the guest podcast episodes. Let’s go…

Here's 1 reflection out of 31: Artist is starting to feel like an insufficient title (for me) because it’s becoming clear you can be an artist and not dedicate every fiber of your imagination to black trans future. You can be an artist and stay silent on the overlapping genocides. You can be an artist and not wear a mask. I want to live into what it means to be an abolitionist instead, this is the framework I want to be accountable inside of. Moving forward, I want not living in alignment to my values to be incoherent against the backdrop of what I proclaim to be.

Links:

19 May 2023013. Suprise! They're Late: Black Feminism and The Whitewashing of AI Ethics00:29:16

Timnit Gebru is fired and Geoffrey Hinton left. Read Timnit's story here and read Geoffrey's story here then reflect on the contrast.

I also invite you to read the Seeda School newsletter referenced in this podcast, Surprise! They're Late: No surprise, black feminism is right on time.

Due to the commitment to care rooted in the research of Dr. Ruha Benjamin, Dr. Safiya Noble, Timnit Gebru, and many, many others, powerful white men like Eric get to perform “thought leadership” in a cultural and media landscape where concern around AI and algorithmic bias is normalized thanks to the work black feminists cared enough to share while simultaneously being attacked.

I'd love to hear your thoughts! Email me at info@seedaschool.com.

09 Sep 2024057. 7 Ways to Establish and Protect a Pleasurable Creative Practice Amidst Life’s Possibilities and Responsibilities00:50:00

This isn’t an ableist episode full of executive function shame but it is an episode in honor of Virgo Season asking what are our systems, processes and practices for getting shit done and feeling good while doing it? I’ve been there, the over-extended teacher inspiring a classrooms worth of epiphanies but too tired to go home and fill the cup from which the curriculum flows. Maybe you’ve been there too, the over-extended teacher with a depleted capacity for your own curiosity. The healer with an over-committed calendar leaving no time to tend to your own spirit. The community organizer growing exhausted from the demands of parasocial relationships while your closest, most nourishing relationships suffer. How might checking in with our longings, our boundaries, our needs and nurturing a relationship within ourselves where we’re allowed to want, to desire, to create, to rest, cultivate more secure attachments and relationships beyond ourselves?

Invitations

  • Apply to the Fall 2024 Implementation Accelerator here: https://www.seedaschool.com/accelerator. This program is for you if you want to join us in the Fall 2024 Retreat and work 1:1 with me on implementing the pleasure practices and web portals that will support you in setting up the tech/sales backend and frontend infrastructure for inviting folks into your creative offer by the end of the year.
  • Subscribe to the Seeda School newsletter: https://seedaschool.substack.com/
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool
  • Cover Art: Adventures in Paradise is the third studio album by Minnie Riperton issued in May 1975 by Epic Records. On the album cover photographed by Kenneth McGowan, Minnie is seen sitting serenely next to a lion with baby’s breath in her hair and in front of a blue background.
06 Jan 2023006. 5 Year Reflection and Projection (2017-2027): Multiple New York Moves, Job Transitions, and $350 Rent00:48:01

Soft, Where? is a weekly podcast and oral journal where I reflect on finding softness inside of software engineering. I invite you to reflect on the questions at the end of each episode in the comments or via email. Below you can find a loose outline and essay version of the episode to read while you listen or share screenshots of on social media.

I also invite you to open this episode in apple podcasts or your preferred podcast streaming service. This makes it easy to take a screenshot and share it with friends, it also creates a private feed that is automatically updated when a new episode is released.

ALSO LOL at me saying all you need is to record a Zoom room meeting to make a podcast then me having spotty internet and glitchy audio at the end. The hubris! The arrogance! The comedy! Please extend grace y’all and I hope you enjoy. <3

Introduction

Hopefully this podcast episode will serve as a personal reminder to trust the timing in all things.

I’m currently in this business coaching program and one of the things they had us do is a check-in on our personal story and the stories we’re telling ourselves. This exercise is meant to emphasize we can CHOOSE the story we tell.

Because this is a business coaching program and not a life or spiritual coaching program they had us reflect on what was going on in our career or business at a series of checkpoints in the past, present, and the milestones we hope to hit in the future. Based on when I’m completing the assignment, here are the checkpoints and milestones I’m working with:

* 5 years ago (2017)

* 3 years ago (2019)

* 1 year ago (2021)

* This year (2022)

* 1 year from now (end of 2023)

* 3 years from now (end of 2025)

* 5 years from now (end of 2027)

5 Years Ago (2017)

* In January 2017 I attempted to relocate to New York for the 2nd time. I moved to New York. YAY! But not with enough money or a job to comfortably rent an apartment to support my mental health. Instead I was living in Bedstuy above a dive bar, inside a cluttered smelly apartment, living with a cat and a annoying roommate who didn't clean up after her cat.

* In retrospect I’m ultimately thankful for this time because I learned I could move to a new city by myself and figure it out while learning the city lifestyle I did and did not desire.

* From January to March 2017 I found a job as a restaurant manager, I was unknowingly incredibly depressed and was fired a few months later

* After being fired from my job and having to move back home with my parents, in the spring instead of spending the rest of the year feeling sorry and embarrassed for myself, I doubled down on my dream at the time of becoming a fashion designer and got orders from a couple of my favorite boutiques. One of them being Sincerely, Tommy.

* I took a chance and pitched the Brooklyn boutique on May 30th, 2017, on a wholesale partnership with Zaire Studio. I received an email back within minutes from the owner Kai, who wanted a lookbook, linesheet, and terms. My terms were accepted and I proceeded to cut, sew, and produce full size runs for their order from my parents living room and kitchen. I fulfilled the order by June 21st.

* I spent the rest of the year working retail part-time at another one of the stores, Redeem to support myself outside of the income from Zaire Studio. (Shout out to Lori who supported and encouraged me during this time)

3 Years Ago (BIG YEAR — 2019)

* In 2019, I was inside another dream of mine: Living and working in Brooklyn teaching software engineering full-time. I took the lessons from 2017 and made sure I had a job and stable income before moving this time.

* Toughest Moment: Once again living in New York and finding myself in the throws of overwhelming depression and anxiety, which came to a head when I had a sobbing mental breakdown in

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